Record Reviews

JERZY MACZYNSKI ~ JERRY & THE PELICAN SYSTEM (POLISH JAZZ VOL.83) WARNER MUSIC POLAND 190295475895 (Barcode: 190295475895) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the debut album as a leader by young Polish Jazz saxophonist / composer Jerzy MaczynskiFind albums by this artist, recorded with his quintet which also includes trumpeter Marcin ElszkowskiFind albums by this artist, keyboardist Marcel BalinskiFind albums by this artist, bassist Franciszek PospieszalskiFind albums by this artist and drummer / flautist Wiktoria JakubowskaFind albums by this artist. Hindu violinist Apoorva KrishnaFind albums by this artist guests on one track. The album presents eight original compositions, two of which are in three parts and one in two parts – together thirteen tracks. The music was beautifully recorded at the Monochrom Studio, engineered by Ignacy GruszeckiFind albums by this artist. Maczynski is an archetypical representative of contemporary young European Jazz musician: musical education from early age, academic studies in Poland, then Odense in Denmark, then Berklee in Valencia, Spain, recordings, concerts and festivals, a biography that reflects the borderless Europe which allows its young musicians to get exposed to diverse education systems, meet musicians from many different places and cultures and develop their personal styles in a span of just a few years, something that usually took decades to achieve in the not so distant past. It is not surprising therefore to see these young musicians to show characteristics such as diversity, openness and multi-genre / multi-cultural approach to the music they create. The music on this album is exactly like that – an amalgam of influences which encompasses such radically different genres as Rock, Yass (a Polish variety of Jazz rebellion with a strong Punkish attitude), Jazz-Rock Fusion, Free Jazz and even Avant-Garde, spiced with beautifully melodic, almost Popish balladry - a multi culti heaven on earth. One can not avoid an immediate feeling of likeness to the music created by Kuba WiecekFind albums by this artist, who after all is of almost identical age and biographical background, and who is another proud representative of the young Polish Jazz generation. The musical approach that this album reflects has one imminent danger, however. The diversity, as blessed as it is, can, and in this case does, create a slight sensation of lack of musical focus. Perhaps it is the highly emotional debut album responsibility, perhaps the untamed youthfulness, but this music creates an impression that Maczynski tries to say a bit too much in the scope of one album. Strangely (or perhaps not really) the two albums by Wiecek suffer from the same slight predicament. But all things considered, this is by all means a splendid debut effort, full of potential, great promises, exciting musical ideas and superb playing by all the participants. As already stated earlier, many Jazz musicians of older generations had to wait for years to produce an album as rich in contents and talent as this one, which means that congratulation are in order. Since I am writing these words exactly on Jerzy´s birthday (completely accidentally BTW) I can only wish him many future achievements, which will surely outshine this one, surely after such an outstanding liftoff! Side Note The iconic "Polish Jazz" series of recordings, originally released between 1965 and 1989 by the Polish state owned record company Polskie NagraniaFind albums on this label, which used the MuzaFind albums on this label label as its moniker, consists of seventy six LP albums. It presents the history of Polish Jazz recordings during that period, which includes some of the most important Polish / European modern Jazz milestones and reflects the extraordinary development of Jazz music behind the Iron Curtain. It is one of the most important historic documents of Polish Music and of course Polish Culture in general. The series had an eminent logo designed by Roslaw Szaybo and the albums were numbered sequentially from Vol.1 to Vol.76 accordingly. The album's artwork was wonderfully stylish and modernist, featuring the brilliant photographs and characteristic design by the legendary Polish Artist Marek Karewicz. Stylistically the series presented all Jazz genres, from Traditional Jazz to Avant-Garde / Free Jazz, which was extraordinarily liberal considering the cultural censorship imposed by the Socialist Regime. It suffered from some inconsistency, as far as the musical quality and aesthetics were concerned, as well as the internal "politics" of the Polish Jazz scene at the time, but in retrospect it achieved a spectacular overall result, unparalleled as far as consistently documenting a national Jazz scene is concerned. After the Polskie Nagrania catalogue was bought by Warner Music PolandFind albums on this label, the new owner started a reissue process of the Polish Jazz series, carefully remastered, repackaged and including extensive liner notes, which keeps the artwork as close to the original design as possible. So far forty four volumes of the original series were reissued. In 2016 Warner Music Poland decided to continue the original series by releasing new contemporary Polish Jazz recordings under the same format and even to continue the sequential numbering starting with Vol.77 – a decision I personally consider almost sacrilegious. Some things are simply untouchable, and the "Polish Jazz" series is surely one of those things. If Warner Music Poland wants to produce Jazz albums, which is always more than welcome, they could have started a new series, under a new title, rather than exploiting the reputation of the historic series. As a result, some artist whose albums are released as part of the new series might be led to expect instant gratification, fame and stardom, just for being an artificial part of a prestigious past, which of course is as bogus as it is sad.

Updated: 17/03/2020Posted: 17/03/2020

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P.E. QUARTET ~ COKOLWIEK MULTIKULTI MPJ 022 (Barcode: 5907529223604) ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2018 This is the debut album by young Polish Jazz ensemble called P.E. QuartetFind albums by this artist, which comprises of saxophonist Jerzy MaczynskiFind albums by this artist, guitarist Szymon WojcikFind albums by this artist, bassist Rafal RozalskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist. The album presents eight original compositions, all co-credited to the four members of the quartet. The music was wonderfully recorded at the Monochrom Studio with Ignacy GruszeckiFind albums by this artist in charge of the sound. The music is an interesting mixture of pre-composed themes and improvised pieces, all very open and unrestrained, which allow individual members of the quartet to express their statements as well as involve in collective improvisation. The ingenuousness and obvious openness of these young musicians is truly astounding, as such playing usually requires years of experience. By listening blindly to this music no one would be able to guess the young age of these musicians. The music is also quite complex and sophisticated, and yet flows elegantly and smoothly without awaking antagonism or hardship in the listener. Organized chaos or restrained freedom come to mind, but the only way to comprehend this music is of course to listen to it. At some moments the music is also more relaxed and fluid, but usually that is just a starting point of another intensive improvisation part. The individual statements are all excellent, and diametrically different. Personally my "hero" on this album is Rozalski, who builds wonderful bass intros, full of tension and anticipation. But the guitar work by Wojcik is also superb, regardless if it is beautifully melodic or completely distorted. But Maczynski and Szablowski contribute equally well and this music is first and foremost an ensemble statement, which works splendidly. Overall this is a splendid debut effort, which shows tons of potential and again confirms the incredible strength of the young Polish Jazz scene, which never ceases to amaze. It is frightening to think what these guys will come up with next! Not to be missed!

Updated: 29/07/2018Posted: 29/07/2018

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RASP LOVERS ~ ROMANTIC ALTERNATIVE SCHIZOPHRENIC PUNK HOWARD 4 (Barcode: 5903420816273) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2019 Released: 2019 This is the debut album by the Polish Jazz ensemble RASP LoversFind albums by this artist, led by guitarist Szymon WojcikFind albums by this artist and also including saxophonist Jerzy MaczynskiFind albums by this artist, pianist Marcel BalinskiFind albums by this artist, bassist Rafal RozalskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist. However, four of the above listed musicians (all except Balinski) appeared last year as members of the P.E. QuartetFind albums by this artist which released their debut album "CokolwiekFind albums with this title" then, so one might wonder why the change of moniker? The album presents eleven original compositions, all by Wojcik. The music was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, who is probably the only person on earth up to the task. To my surprise the music on this album does not continue the direction of the above mentioned P.E. Quartet´s debut album, which perhaps answers the question about the name change. It is a harsh, often conflicting amalgam of many musical elements, from Avant-Garde, Jazz, Rock and Punk (more in attitude than musically). As a result the music shakes the listener at first contact, which perhaps is the desired effect. It is very difficult to find a coherent direction or concept in this music at first, again perhaps intentionally so, with the music jumping between rocky riffs and improvised music parts without warning and which, as a result, can be quite masochistic for a casual listener. But on the other hand one has to admire the non-conformism and the courage to follow the Artistic vision, which obviously stands behind this music. The five musicians all perform wonderfully and imaginatively throughout this album, creating absorbing flow and fascinating moments, given the opportunity to be heard and noticed. It takes time and patience to create a mental bridge to this music, which probably very few listeners are able to build eventually, and which is probably not a primary concern of the music´s creators. For hardened Improvised Music / Avant-Garde fanatics this is an obvious chaotic heaven, the rest of the world – you have been warned ;)

Updated: 14/12/2019Posted: 14/12/2019

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