Record Reviews

ENTROPIA ENSEMBLE ~ ENTROPIA ENSEMBLE ALPAKA 007 (Barcode: 192914874195) ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2018 This is the debut album by the young Polish Jazz quartet Entropia EnsembleFind albums by this artist, which consists of saxophonist Dariusz StanislawskiFind albums by this artist, keyboardist Marcel BalinskiFind albums by this artist, bassist Rafal RozalskiFind albums by this artist and drummer Kacper KazmierskiFind albums by this artist. The album presents eleven original compositions, six composed by Balinski and one each by Kazmierski and Stanislawski. The remaining three compositions remain mysteriously unauthored. The music was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist with the usual spectacular sonic quality. The music is a highly interesting collection of modern Jazz compositions, melody based but clearly open to include unexpected twists and turns, polyrhythmic tempi and Free group improvisations, all this without loosing the focus for a single moment. These clever young chaps seem to have a complete disregard of stylistic conventions and frivolously move between tango, Free Jazz and Swing within one tune without even blinking, in the true spirit of the Avant Garde. There is plenty of space on the album for personal expressions and all four members of the quartet get proper exposure. The piano leads the twisted melodic plot, the saxophone improvises on top, the bass takes care of the linkage between the parts as well as carrying the lot together and the drummer adds a steady clockwork beat and frenzy explosions to confuse the listener whenever possible. Overall this is an incredibly intelligent, devilishly clever (perhaps a bit too clever), totally surprising, completely unusual piece of music, definitely one of the most striking (if not the most) debut albums of 2018 on the vibrant Polish Jazz scene. With hundreds of albums released in Poland alone, recording a highly original and completely innovative album is an almost impossible task – but these young musicians stand up to the challenge with eloquence and a fantastic sense of humor (or sarcasm). Absolutely stunning!

Updated: 17/12/2018Posted: 17/12/2018

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BARTEK HALICKI ~ ETNOGRAF SOLITON 853 (Barcode: 5901571098531) ~ POLAND ~ Jazz Recorded: 2018 Released: 2018 This is the debut album by young Polish Jazz trombonist / composer Bartek HalickiFind albums by this artist recorded with his septet which also includes trombonist Jacek NamyslowskiFind albums by this artist, saxophonists Maciej KadzielaFind albums by this artist and Dariusz StanislawskiFind albums by this artist, pianist Marcel BalinskiFind albums by this artist, bassist Rafal RozalskiFind albums by this artist and drummer Karol SzczygielFind albums by this artist. The album presents seven compositions, the first four of which are grouped together into a Jazz Suite. Although not specifically mentioned on the album´s artwork, the compositions and arrangements are assumed to be all by Halicki. The music is an ambitious project amalgamating many stylistic Jazz elements, starting with traditional Jazz from the early 20th Century, Bebop and modern European Jazz, as well as Folkloristic themes and Big Band / Orchestral arrangements. The result, although kept well within the mainstream Jazz idiom, is fresh and full of youthful energy and offers a most pleasant musical experience. The septet performances and the excellent arrangements are able to achieve a big orchestral sound, which creates an illusion of a much bigger group of musicians being involved in the process. With solos played in parallel by several musicians and multilayered melodic division skillfully intertwined, the music makes a potent impression and forces the listener to pay attention to the many details happening at once. In spite of the young age of most of the musicians involved in this project, it is immediately obvious that they are all well educated and schooled, and most importantly enjoy the opportunity to play music together, which evidently influences the end result. Their fluency and knowledge of the Jazz tradition and its many sub-genres is impressive indeed. But as usual it is the cooperation between the septet members which is the most important factor leading to the success of this music. Since larger Jazz ensembles become less and less popular over time, for a variety of reasons: economic, logistic and artistic, it is a real joy to see a successful septet doing such a splendid job. Hopefully Halicki will be able to continue his large ensemble passion in the future as well. Overall this is an impressive debut album, which offers both excellent compositions and exciting performances, as appropriate for the young Lions of Polish Jazz, and which should keep Jazz connoisseurs happy anywhere on this planet. Warmly recommended!

Updated: 28/10/2018Posted: 28/10/2018

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WITOLD JANIAK ~ ZAGRAJCIE SWOJA MUZYKE NOT ON LABEL (Barcode: 5908254159527) ~ POLAND ~ Jazz Recorded: 2015 Released: 2015 This is the fourth album by Polish Jazz pianist / composer Witold JaniakFind albums by this artist, recorded in a classic piano trio setting with bassist Rafal RozalskiFind albums by this artist and drummer Kamil MiszewskiFind albums by this artist. It presents nine traditional Polish folkloristic tunes rearranged into the Jazz idiom by Janiak. The album was recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual superb sound result. Judging by the number of albums related to Polish Folklore it seems that the Polish Jazz scene rediscovered its roots in 2015, in a way repeating a trend that was quite popular in the 1960s and 1970s. Some of those recent albums are truly revealing and present superb aesthetic achievements, while others sadly are much less original and seem to just blindly follow a fad. Janiak and his trio are very proficient musicians and their playing is without reproach all the way through, but the resulting music simply does not rise above the level of being "nice". There is no fire or emotional stir that makes a Jazz album rise above the average. The folkloristic influence is very marginal and does not come forward enough, beyond stating the basic melody line, failing to achieve the amalgamation of the two genres. To be fair this is still a very decent piano trio album, which many Jazz fans can enjoy; it simply does not compare to other exceptional Jazz albums released in Poland, which are way more artistic, engaging and fulfilling.

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P.E. QUARTET ~ COKOLWIEK MULTIKULTI MPJ 022 (Barcode: 5907529223604) ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2018 This is the debut album by young Polish Jazz ensemble called P.E. QuartetFind albums by this artist, which comprises of saxophonist Jerzy MaczynskiFind albums by this artist, guitarist Szymon WojcikFind albums by this artist, bassist Rafal RozalskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist. The album presents eight original compositions, all co-credited to the four members of the quartet. The music was wonderfully recorded at the Monochrom Studio with Ignacy GruszeckiFind albums by this artist in charge of the sound. The music is an interesting mixture of pre-composed themes and improvised pieces, all very open and unrestrained, which allow individual members of the quartet to express their statements as well as involve in collective improvisation. The ingenuousness and obvious openness of these young musicians is truly astounding, as such playing usually requires years of experience. By listening blindly to this music no one would be able to guess the young age of these musicians. The music is also quite complex and sophisticated, and yet flows elegantly and smoothly without awaking antagonism or hardship in the listener. Organized chaos or restrained freedom come to mind, but the only way to comprehend this music is of course to listen to it. At some moments the music is also more relaxed and fluid, but usually that is just a starting point of another intensive improvisation part. The individual statements are all excellent, and diametrically different. Personally my "hero" on this album is Rozalski, who builds wonderful bass intros, full of tension and anticipation. But the guitar work by Wojcik is also superb, regardless if it is beautifully melodic or completely distorted. But Maczynski and Szablowski contribute equally well and this music is first and foremost an ensemble statement, which works splendidly. Overall this is a splendid debut effort, which shows tons of potential and again confirms the incredible strength of the young Polish Jazz scene, which never ceases to amaze. It is frightening to think what these guys will come up with next! Not to be missed!

Updated: 29/07/2018Posted: 29/07/2018

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PIMPONO ENSEMBLE ~ SURVIVAL KIT LOVE & BEAUTY 07 ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the second album by the Pimpono EnsembleFind albums by this artist, a Copenhagen based group of Polish, Danish and Norwegian musicians, led by Polish drummer / composer Szymon GasiorekFind albums by this artist (a.k.a. Pimpon), which also includes trumpeter Jonas DueFind albums by this artist, saxophonists Jedrzej LagodzinskiFind albums by this artist and Michal BielFind albums by this artist, tuba player Rasmus SvaleFind albums by this artist, and bassists Jonatan UranesFind albums by this artist and Rafal RozalskiFind albums by this artist. A couple of guests take part in the proceedings. The album presents ten original compositions, all by the leader. The music follows some of the ideas put forward on the brilliant debut album, presenting highly original music, which mixes Jazz sophistication with Rock energy and Avant-Garde improvisations, creating a big, impressive sound and a continuous surge of creativity. Although this lineup of the ensemble (a septet) is smaller than the one performing on the debut (a nonet) there seems to be no less power of expression and utilizing of the available instruments to create a kaleidoscope of sounds, and a rich tapestry of soundscapes, which is extremely effective As I have already stated in my review of the debut album, this music is first and foremost a reflection of the unique compositional skills of Gasiorek, which is often as bold and forward thinking as what Frank ZappaFind albums by this artist was doing with his ensembles decades ago. Luckily the composer is able to find musicians, who are able to follow his ideas and put them into reality, which considering the complexity and diversity of this music is nothing short of miraculous. I must admit that in retrospect this album impresses me even more than the shocking debut released four years earlier. The music is more concise, coherent and mature, and honestly has almost no parallels among what is currently being created within the Jazz idiom worldwide, pointing towards what Jazz is able to accomplish based on its tradition but firmly and boldly pushing the boundaries. Overall this is one of those albums that immediately deliver a merciless punch in your solar plexus and you remain stunned for quite a while. Sadly it will most probably not be properly appreciated by the audiences, as happens with the best music time after time, but who gives a damn? This is unequivocally a masterpiece and anybody missing listening to this music is a fool!

Updated: 25/07/2020Posted: 25/07/2020

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RASP LOVERS ~ ROMANTIC ALTERNATIVE SCHIZOPHRENIC PUNK HOWARD 4 (Barcode: 5903420816273) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion Recorded: 2019 Released: 2019 This is the debut album by the Polish Jazz ensemble RASP LoversFind albums by this artist, led by guitarist Szymon WojcikFind albums by this artist and also including saxophonist Jerzy MaczynskiFind albums by this artist, pianist Marcel BalinskiFind albums by this artist, bassist Rafal RozalskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist. However, four of the above listed musicians (all except Balinski) appeared last year as members of the P.E. QuartetFind albums by this artist which released their debut album "CokolwiekFind albums with this title" then, so one might wonder why the change of moniker? The album presents eleven original compositions, all by Wojcik. The music was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, who is probably the only person on earth up to the task. To my surprise the music on this album does not continue the direction of the above mentioned P.E. Quartet´s debut album, which perhaps answers the question about the name change. It is a harsh, often conflicting amalgam of many musical elements, from Avant-Garde, Jazz, Rock and Punk (more in attitude than musically). As a result the music shakes the listener at first contact, which perhaps is the desired effect. It is very difficult to find a coherent direction or concept in this music at first, again perhaps intentionally so, with the music jumping between rocky riffs and improvised music parts without warning and which, as a result, can be quite masochistic for a casual listener. But on the other hand one has to admire the non-conformism and the courage to follow the Artistic vision, which obviously stands behind this music. The five musicians all perform wonderfully and imaginatively throughout this album, creating absorbing flow and fascinating moments, given the opportunity to be heard and noticed. It takes time and patience to create a mental bridge to this music, which probably very few listeners are able to build eventually, and which is probably not a primary concern of the music´s creators. For hardened Improvised Music / Avant-Garde fanatics this is an obvious chaotic heaven, the rest of the world – you have been warned ;)

Updated: 14/12/2019Posted: 14/12/2019

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