Record Reviews

EDUARDO BORTOLOTTI ~ HUAPPANGO NIGHTS SOLITON 1092 (Barcode: 5903684250921) ~ MEXICO ~ Jazz-World Fusion Recorded: 2020 Released: 2020 This is the debut album by Mexican (resident in Poland) Jazz violinist Eduardo BortolottiFind albums by this artist recorded in a quartet setting with Columbian (also resident in Poland) bassist Edilson SanchezFind albums by this artist and two Polish musicians: keyboardist Mateusz SobiechowskiFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. Percussionist Alberto SuazoFind albums by this artist guests on selected tracks. The album presents nine pieces, four of which are arrangements of Mexican Folk tunes and five are original compositions by Bortolotti. The music is typical Jazz-World Fusion with strong Mexican / Latin tinge, skillfully performed by the participants. The sound of the violin is certainly quite unusual in this musical environment and takes a moment to get used to, but it certainly works out eventually. The closing track offers a much open and free attitude and perhaps hints as to Bortolotti´s future development. Bortolotti, who studied with leading Polish Jazz violinists: Marcin HalatFind albums by this artist and Henryk GembalskiFind albums by this artist, is certainly well schooled and his technical proficiency is beyond reproach. His personal style still needs to be crystallized, which is sure to happen in time, combining the Polish influences and his Mexican roots and creating a unique voice. The rest of the players are also skilled performers, with the two Polish musicians having already proven recording experience. They all support the leader amicably and the group sound is coherent and well balanced. Overall this is a promising debut album, which shows potential and talent, and is definitely worth checking out, especially since the violin in Jazz is relatively obscure and deserves wider recognition.

Updated: 11/01/2021Posted: 11/01/2021

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OWL ~ IMPROCODE FSR 2020/21 (Barcode: 5905279364790) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2019 Released: 2020 This is the second album by Polish Jazz trio The OwlFind albums by this artist, comprising of violinist / composer Marcin HalatFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. On this album they expanded the lineup to a quartet with the addition of German pianist Pablo HeldFind albums by this artist. The album presents nine original compositions, three of which were composed by Halat and six are group improvisations, credited to all four participants. The music on this album is split between two almost separate environments, the almost "classic" Jazz on the composed pieces and the completely free spirited improvised pieces, which fit together rather well and provide a much more structured listening ambience than most strictly Improvised Music recordings. The addition of Held had a major impact on the overall sound and musical approach of the trio in comparison to their debut album recorded almost three years earlier, all for the good of the music. On the three composed pieces Held is able to weave a wonderful melodic layer and on the freely improvised pieces his contributions become a wonderfully expressive and balancing element, full of self confidence and clear musical vision. Halat made a significant progress since his early days in the Free Jazz realm (i.e. on the debut album) and managed to embrace the freedom of improvisation without clinging to his Classical background as before, which takes this album another step further towards the bona fide Improvised Music idiom. Of course the rhythm section is feeling like a pair of whales in the ocean, which is hardly surprising considering their long-lasting experience in the field. Overall this is a most welcome sophomore outing by the trio and a superb collaboration with the guest pianist, combining the best of what these four wonderful musicians have to offer. Considering the exquisite sound quality of this complex music, which enables every detailed nuance to be perfectly audible, this album is a true feast for the ears and surely one of the best Improvised Music albums released in 2020. One can only hope we won´t have to wait for another three years to hear again from The Owl and hopefully to meeting with Held will lead to further future recordings – a trio by Held and the GG rhythm section sounds salivating. Well done Gentlemen!

Updated: 30/12/2020Posted: 30/12/2020

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OWL ~ ON THE WAY FSR 2017/07 (Barcode: 5905279364219) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2016 Released: 2017 This is the debut album by the Polish trio called The OwlFind albums by this artist, which comprises of violinist / composer Marcin HalatFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist (the last two well known as the rhythm section of the famous RGGFind albums by this artist trio). The double CD album presents fourteen original compositions, nine of which were composed by Halat and five were co-composed by all three members of the trio. On the Polish Jazz violin scene, which is pretty crowded these days, Halat arrives as a newcomer, although he has years of experience of playing Classical Music. His sound is quite unusual and unconventional in many respects, surely not typically Jazzy, with obvious Classical phrasing, fingering, and voicing. But when placed opposite one of the mightiest Polish Jazz rhythm sections Halat is pulled into the Jazz idiom, seemingly almost against his will. His improvisation is also atypical and stays relatively close to the core themes, which after a while gets a bit too uniform. The musical themes are generally simple, folkloristic little ditties, not really fully developed melodies, which are fine as starting points for the mostly improvised pieces, but hardly able to stand on their own. Nevertheless the music flows smoothly and is able to sound coherent mostly thanks to the incredible swinging feel of the rhythm section. Time after time the listener is faced with the dilemma if he is listening to a Jazz recording or a contemporary Classical piece, all relative to the measure of involvement of the rhythm section. There is a lot of freedom and space in this music, which characterizes both modern Jazz and Classical idioms. This allows a lot of different forms of dialogue and trialogue conversations within this music, which becomes the most interesting ingredient of the music, especially when it becomes completely improvised as in the five collective pieces. It seems that Halat was extremely lucky in finding these two partners to record his debut Jazz offering, which probably would have not been possible otherwise. Garbowski and Gradziuk, who have consistently moved towards more open / improvised music in the last few years, prove here that they are able to carry on a full album just on their own, and their contribution here is simply invaluable. As to Halat being the next "thing" on the Polish Jazz violin scene, I´d definitely need to hear more and give it some time. This is a very unusual, surprising and even promising album, but it does suffer from some inhibitions which need to be resolved, before Halat earns his honorable place on the pedestal. Overall this is definitely music that should be investigated and even embraced, as it does offer a novel approach and a lot of courage. Highly recommended!

Updated: 19/01/2018Posted: 28/11/2017

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