Record Reviews

MICHAL AFTYKA ~ FRUKSTRAKT MULTIKULTI MPJ 027 (Barcode: 5903068683381) ~ POLAND ~ Jazz Recorded: 2023 Released: 2023 This is the debut album by Polish Jazz bassist / composer Michal AftykaFind albums by this artist recorded in a quintet setting with trumpeter Marcin ElszkowskiFind albums by this artist, saxophonist Marcin KonieczkowiczFind albums by this artist, vibraphonist Tymon KosmaFind albums by this artist and drummer Stefan RaczkowskiFind albums by this artist. The album presents eleven tracks, all original compositions by Aftyka. This album is a wonderful verification of my theory that Jazz bassists, despite their seemingly “behind the scenes” role, often are the best composers out there, which has been proven time after time. The brilliant, concise, coherent and non-trivial compositions on this album are a pure delight from start to finish, presenting a wide spectrum of what might be considered as “Chamber Jazz” of the highest class and the album sounds like a progression of musical gems, separate but parts of a greater whole. The instrumentation, with vibraphone / xylophone replacing the traditional role of the piano, is absolutely perfect for this music, adding a unique ambience and taking the harmonic balance into a separate dimension from most common Jazz recordings. The individual performances by the quintet members are all spotless and highly imaginative, although the music is first and foremost an ensemble effort. Unusual meters and “exotic”, but rather vague World Music elements also play an important role in the final result. This music requires a very intensive / attentive listening procedure in order to expose the many layers hidden from a casual exposure, and with each approach displays new hidden treasures. Aftyka’s bass playing is the ultimate frame, which supports all the music, and he masterly leads the structural progression of each tune. The warm, encompassing bass sound holds the complicated melodic / harmonic structures in perfect accord. Overall, this a true Masterpiece of contemporary Polish Jazz and certainly the best debut recording on this year’s long list. It offers a perfect amalgam of highly intelligent compositions and Masterly performances, which refuses to conform and bravely steps into uncharted territory. It makes me extremely happy to see that the young Polish Jazz scene is able to produce such refined, Artistic, aesthetic and mature music as this. A was beginning to wonder…

Updated: 11/12/2023Posted: 11/12/2023

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KUBA BANASZEK ~ BAND OF BROTHERS SOLITON 0692 (Barcode: 5901571096926) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the debut album by young Polish Jazz pianist / composer Kuba BanaszekFind albums by this artist recorded in a classic quartet setting with saxophonist Marcin KonieczkowiczFind albums by this artist, bassist Tymon TrabczynskiFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist – all three already with some recording experience on the young Polish Jazz scene (the lineup was sadly omitted from the album´s artwork). The album presents eight compositions, seven of which are by Banaszek and one is a standard. The music is excellent modern Jazz, with remarkable original compositions, full of typical Polish melancholy and lyricism, which make Polish Jazz what it is, but also clever usage of unusual time signatures and intrinsic cool, which sets them immediately apart from most of the competition. Even the unusual treatment of the standard is outstanding. The performances do not stay behind and these young Lions show superb skills despite their young age and relative lack of experience. Banaszek´s compositions are very open and allow unlimited freedom of expression both for the leader and the entire crew. Piano solos are the obvious centerpiece of the album, but the saxophone parts are no less impressive and the rhythm section is outstanding, playing the difficult odd time signatures, which seems to be the composer´s natural habitat, with ease and elegance. Trabczynski offers some really impressive bass support and Olszewski, who stays mostly in the shadows, shows some sublime drumming minimalism, which is way more effective than obsessive banging. Overall this is definitely one of the most impressive Polish Jazz debuts for 2020, especially since it is able to take the classic Jazz quartet so far away from its much ragged banality. It has been a while since I have been so deeply impressed with a piano quartet recording, simply playing Jazz – no shticks and no tricks – just pure music. This album certainly immediately makes the listener want to hear more, which hopefully won´t have to wait long to take place. This is brilliant stuff and I am grateful to its makers for keeping my desire for good music to prevail, as it often gets pretty desperate under the barrage of mundane bullshit. Respect!

Updated: 02/01/2021Posted: 02/01/2021

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TERCET KAMILI DRABEK ~ MUZYKA NAIWNA SOLITON 951 (Barcode: 5901571099514) ~ POLAND ~ Jazz Recorded: 2019 Released: 2019 This is the debut album by young Polish Jazz trio led by bassist / composer Kamila DrabekFind albums by this artist, with saxophonist Marcin KonieczkowiczFind albums by this artist and drummer Kacper KazmierskiFind albums by this artist. The album presents eleven tracks, ten of which are original compositions by Drabek and one is a standard arranged by her. The music was recorded at the Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist and offers a wonderful natural sound quality. The album´s title (Naïve Music in English) is a most appropriate description of its musical contents, which is a collection of seemingly simplistic and minimalist compositions, played without much panache or exhibitionism. All this is an obvious and fully conscious approach by the composer and the trio, trying to keep the music down to its bare components, without polluting it with unnecessary adornment, which is the modus operandi of Naïve Art. Naïve is sadly often confused with primitive or underdeveloped, but in Art it simply means natural / honest / direct rather than limited. The music presented here is by all means fully developed as are the technical skills of the trio members, and the minimalist approach is extremely effective as far as getting the message through, especially in today´s noise polluted musical environment. As a result the album offers a completely innovative path, which of course is commendable, especially in view of the young age of the musicians involved. It takes a few listening sessions to get to the bottom of these compositions and discover their full blossom, but the effect is definitely worth the effort. The recording quality of the music allows the listener to hear clearly every nuance of the instrumental work, which under these circumstances is even more important than usual, as every note played counts. As already stated, this kind of natural sound complements this music perfectly. Overall this is a splendid and very unique debut, which certainly deserves to be heard and rises high hope as to the future if its creators. Very well done!

Updated: 07/08/2019Posted: 07/08/2019

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TERCET KAMILI DRABEK ~ TAK BYM CHCIALA KOCHAC JUZ AUDIO CAVE 2024/003 (Barcode: 5908298549834) ~ POLAND ~ Jazz Recorded: 2023 Released: 2024 This is the 2nd album by the Polish Jazz bassist / composer Kamila DrabekFind albums by this artist, recorded in a trio format with saxophonist Marcin KonieczkowiczFind albums by this artist and drummer Kacper KazmierskiFind albums by this artist, same lineup that recorded the debut album “Muzyka NaiwnaFind albums with this title”, released almost five years earlier. The album presents nine tracks, six composed by Drabek, two by Polish Jazz saxophonist / composer Jerzy MatuszkiewiczFind albums by this artist and one is a standard by Sonny RollinsFind albums by this artist. The music, except for the two Matuszkiewicz pieces, which are kept close to their origin, i.e. mainstream Jazz, and which are a loving tribute to his music, is wonderful modern Jazz, elegantly minimalist, often romantic and lyrical, and at all times fascinating. The entire album is a great example of the “less is more” idiom, where every note counts and every little nuance is meaningful. The arrangement of the Rollins’ tune is delightful, and I am tempted to send it over to him, to hear what he thinks of it. Although the alto saxophone is naturally at the helm, playing fluently and affluently, this is very much a trio effort, with Drabek vividly present at all times and Kazmierski at her side, with a confident and intelligent rhythmic support. The entire ambience of the trio is very unique and the excellent sound quality of the album adds significantly to its imminent success. The album is a very delicate statement, completely non-aggressive and subdued, and yet striking by its obviously carefully preconceived modesty and aesthetic determination. Everything heard here makes perfect sense musically, and at the same time keeps surprising the listener time after time. Overall, this is an excellent sophomore effort, which was definitely worth the long wait, and establishes Drabek as a musician and composer worth pursuing in the future and a proud representative of the female Polish Jazz scene, which is constantly gaining its repute in the last decade. It is certainly an album many Jazz listeners the world over should enjoy immensely!

Updated: 13/05/2024Posted: 13/05/2024

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