Record Reviews

ATOM STRING QUARTET / SZCZECIN PHILHARMONIC WIND QUARTET ~ KARLOWICZ RECOMPOSED FILHARMONIA SZCZECIN 015 ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 Released: 2021 This is the 7th album by the Polish Atom String QuartetFind albums by this artist, recorded in cooperation with the Szczecin Philharmonic Wind QuartetFind albums by this artist, dedicated to the compositions by Polish Classical composer Mieczyslaw KarlowiczFind albums by this artist, concentrating on his songs for voice and piano, which he composed to poems by Polish Romantic Poets and poets of the Young Poland movement like Kazimierz Przerwa-TetmajerFind albums by this artist. The eleven songs presented on the album have been arranged and / or “recomposed” by the members of the Atom String Quartet: violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. The beautifully melodic and deeply romantic original music by Karlowicz, which is saturated with Polish Folklore, was transposed quite dramatically into contemporary musical environment, brilliantly using the balance between the string quartet, which improvises and plays polyrhythmically, and the wind quartet which faithfully represents the original compositions, allowing the string quartet members to create the magic, which they do ever so gracefully. The arrangements and the performances are all brilliant from start to finish, creating a superb listening experience, which the Atom String Quartet followers expect time after time and which so far the quartet managed to deliver without a hitch, which by itself is an unprecedented success. Although the music on this album has only limited direct links with Jazz, the spirit of Jazz is of course present here, as on all their albums, with the spirit of Freedom and Creativity at the helm. It is quite an unusual album in their recording legacy, but on the other hand there is no such thing as a “normal” album when the Atom String Quartet involved. Overall this is a masterful piece of Polish / European music, which pays tribute to the Cultural legacy and manages to remain contemporary and up to date. Brilliant music and breathtaking performance skills leave absolutely no prisoners. Hats off!

Updated: 27/06/2024Posted: 08/07/2021

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ILONA DAMIECKA / TOMASZ LICAK QUINTET ~ PIESNI POLSKIE VOL.1 NOT ON LABEL ~ POLAND ~ Jazz-Classical Fusion Recorded: 2019 Released: 2020 This is the debut album by the Polish Jazz quintet co-led by vocalist / pianist Ilona DamieckaFind albums by this artist and saxophonist Tomasz LicakFind albums by this artist, which also includes saxophonist Michal Jan CiesielskiFind albums by this artist, bassist Pawel GrzesiukFind albums by this artist and drummer Adam GolickiFind albums by this artist. The album presents six songs by Polish Classical composers: Stanislaw MoniuszkoFind albums by this artist, Feliks NowowiejskiFind albums by this artist and Mieczyslaw KarlowiczFind albums by this artist, arranged for the quintet by Licak. The music was recorded live at the Radio Gdansk studio and offers a remarkable sound quality. The music is an interesting Jazz-Classical Fusion, and although personally I am not a great fun of the original music, composed mostly in the 19th Century, these Jazz arrangements manage to transform it into the Jazz idiom rather successfully. The swinging treatment transforms the original melodies, many of which are based on Polish Folklore, into a much more vigorous environment and the resulting modern mainstream zest serves them well. The ballads emphasize the typical Polish melancholy, again deeply rooted into Polish Folk music, and those also work out very well in the up-to-date dressing. The closing song on the album gets a much more adventurous treatment, and perhaps points to a direction of the follow up album? The entire transformation process is done with taste and sophistication, which deserves to be praised. The members of the quintet are all seasoned musicians, which is clearly obvious by the splendid level of the performances herein. The idea of the double saxophone front line is excellent, but sadly although the two saxophonists perform beautifully on their own they do not play together enough, which might have intensified the result. Damiecka plays some wonderful piano soli and her treatment of the original lyrics, which are replaced by her vocalese, is also excellent, albeit somewhat minimalist. The rhythm section swings passionately and carries the tunes forward, as expected from professionals. Overall this is a superb debut effort and a most enjoyable listening experience, which as the title pledges, is just a first glance of the future plans by the quintet. Passionate performances, great soloing and swinging fluidity – what else can one expect form a mainstream modern Jazz album. Wholeheartedly recommended!

Updated: 16/07/2020Posted: 16/07/2020

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