Record Reviews

PIOTR BARON ~ SALVE REGINA CELESTIS ~ POLAND ~ Jazz Recorded: 2006 Released: 2007 Music and religion go hand in hand since the early days of human history and religion has always been a major force and inspiration for artistic activity, musical and otherwise. But as far as Jazz is concerned, the obvious links between religion and music have been, more often than not, hidden either subconsciously or purposefully. Polish Jazz saxophonist / composer Piotr BaronFind albums by this artist is one of the few Jazz artists who wears his religion on his sleeve, openly and consistently voicing his Christian belief, both as a person and an Artists, which is beautifully demonstrated by this album. As the title suggests this album presents three versions of the "Salve Regina" antiphon, tracing its development over time, starting with its earliest 11th Century incarnation via a 16th and lastly 18th Century ones. In addition the album also includes two traditional religious hymns and two original compositions by Baron, which open and then close the album, both kept in similar spiritual mood as the rest of the album. But if the subject matter of this music is highly unusual, the actual performances are even more astounding, since the music was recorded in the USA and features a quartet, which also includes the Polish (but resident in US) bassist Darek OleszkiewiczFind albums by this artist and two American Free Jazz heroes: trumpeter Leo SmithFind albums by this artist and drummer Marvin SmithFind albums by this artist (not related to each other). Nolan ShaheedFind albums by this artist, who was the sound engineer on this recording, plays cornet on one track. This Polish-American quartet is one of the very few of its kind, which features musicians form two continents and from completely different backgrounds playing highly improvised music, which requires a unity of soul and mind of a higher sphere, which evidently was achieved herein. This music, although mostly highly improvised, originates in the religious music, stating the melody at the start of each of the tracks and then moves away into the free spirit zone, where the musicians stretch out and make their individual statements as well as improvise collectively. The level of individual performances is obviously stellar, but Baron respectfully takes a step back from the position of the leader, allowing the trumpeter to be the dominant soloist on this album. Oleszkiewicz is simply brilliant, carrying the music almost single-handedly as the steady chord and rhythm indicator, allowing the other players complete freedom. His beautiful tone and solos are simply breathtaking. The drummer also keeps a low profile most of the time, as appropriate for this spiritual music, which has not an iota of aggression or unnecessary haste. When Baron does solo, his superb sound and fluidity wholly complete the music, respectfully wondering in the lyrical plane, which reflects his devotion. Although not an easy piece of music, this is brilliant artistic experience, which true Jazz connoisseurs should be delighted with anytime anywhere and a superb example of music, which has a meaning way beyond the actual sounds. Thank you, as usual, Mr. Baron!

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ADAM CZERWINSKI / DAREK OLESZKIEWICZ ~ RAINDANCE ALLEGRO 015 (Barcode: 634479245978) ~ POLAND ~ Jazz Recorded: 2005 Released: 2007 This is an album by a Polish / American Jazz quartet, which features the excellent Polish Jazz rhythm section of drummer Adam CzerwinskiFind albums by this artist and bassist Darek OleszkiewiczFind albums by this artist and the US players: guitarist Larry KoonseFind albums by this artist and organist Larry GoldingsFind albums by this artist. Sound engineer Nolan ShaheedFind albums by this artist plays cornet on one track. Oleszkiewicz, Koonse and Shaheed later took part in the recording of the 2nd Aga ZaryanFind albums by this artist album, which was recorded in the same studio. Of the ten tracks on this album, three were composed by Czerwinski, another three by Oleszkiewicz, two by Koonse and the remaining two are standards. The music is all very mainstream and very easy going, i.e. on the lighter side of the Jazz spectrum, but of course is perfectly executed by these master musicians. The sound of the Hammond organ is always a winner and quite irresistible to Jazz buffs, so the overall result is a most entertaining piece of easy melodic Jazz, without being kitschy or overtly moronic. The original compositions are all nicely crafted, especially those by Oleszkiewicz, which are also the most advanced ones on this album. This is an excellent example of how accessible music is able to retain musical qualities, being still strongly rooted in Jazz and improvised, and yet enjoyable to people who have little or no Jazz experience of affiliation. Such listeners will definitely love this stuff madly!

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AGA ZARYAN ~ PICKING UP THE PIECES BLUE NOTE 5099909494329 (Barcode: 5099909494329) ~ POLAND ~ Jazz Recorded: 2006 Released: 2010 This is the 2nd album by the undeniable present-day diva of Polish Jazz, vocalist Aga ZaryanFind albums by this artist. Recorded almost five years after the debut album, which is an agonizingly long break especially in the initial stage of her career, the album is both a conceptual continuation of the debut and a giant step in her artistic development. The eleven tracks are again predominantly standards with just two originals: one by guitarist Larry KoonseFind albums by this artist with lyrics by Zaryan and the other by bassist Darek OleszkiewiczFind albums by this artist. Koonse and Oleszkiewicz are the main accompanying musicians with percussionist Munyungo JacksonFind albums by this artist and cornet player Nolan ShaheedFind albums by this artist contributing on some tracks. Musically the album is much more challenging than the debut, especially in view of the fact that Zaryan gives up the security of the usual piano-led quartet as her support group and presents mostly a series of intimate duets with the bassist or the guitarist or trios with both of them present. As already mentioned, only a few tracks are further ornamented with percussion or cornet sounds. Her rapport and affinity with her cohorts is absolutely stunning and deeply moving, being examples of the rare intimacy and telepathic musical cooperation like that of pianist Bill EvansFind albums by this artist and bassist Scott LaFaroFind albums by this artist. The overall relaxed and intimate atmosphere hides of course a multitude of exquisite instants of sheer musical joy and there are absolutely no dull moments here from start to finish. One can hardly decide what to savor first: the beauty of the music, the sophistication of simplicity, the twists and idiosyncrasies, the elegance or the charm. Whichever way one looks at this music, it is utterly fascinating without a trace of being a cliché or a déjà vu. In retrospect this is definitely a milestone recording in the history of contemporary Polish Jazz music and Aga Zaryan´s illustrious career so far. It remains a timeless beauty and a favorite album, which I intend to revisit time and again. Extraordinary! Side Note: This album was originally recorded in Los Angeles in 2006 and released the same year on an independent label. This version of the album is released on Blue NoteFind albums on this label in 2010, after the legendary Jazz label signed Aga Zaryan as the first Polish Jazz artist in its roster. The sound quality is simply marvelous!

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