Record Reviews

EDWARD CZERNY ORCHESTRA ~ POLISH RADIO JAZZ ARCHIVES VOL.16 POLSKIE RADIO 1666 (Barcode: 5907812246662) ~ POLAND ~ Jazz Recorded: 1956 - 1966 Released: 2014 This is the sixteenth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. This album is a first in a series presenting music recorded by the Polish Radio Big Bands and presents the orchestra led by composer / arranger / bandleader Edward CzernyFind albums by this artist, one of the most active musical figures in Poland´s post-WWII history. Czerny, who was born in Zabrze, one of the Silesian industrial towns, received classical musical education in Berlin before the war. He managed to avoid being grafted into the German army due to a disability and spent the war in his hometown. Immediately after the war he became active forming and leading orchestras, first in Silesia and later on in Warsaw, where he moved in 1955. Among his various activities he was the conductor and artistic director of the Polish Radio Orchestra / Big Band for many years and recorded thousands of compositions for the radio, some of them his own. He retired from conducting by the mid 1970s and spent the rest of his life composing. He moved to Germany in 1981, where he died in 2003. Although Czerny was not a Jazz personality as such, he had a beautiful sense of Swing and a deep sympathy towards Jazz compositions, which he demonstrated in his wonderful arrangements of Jazz standards for his orchestra. Above all he was a superb orchestrator, which is evident in all his work. This album presents nineteen recordings made between 1956 and 1966 including mostly arrangements of Jazz / Swing standards by legendary composers like Glenn MillerFind albums by this artist, Stan KentonFind albums by this artist, Quincy JonesFind albums by this artist, Duke EllingtonFind albums by this artist and others. There are also four original compositions by Czerny. Interestingly two compositions by the Czech composer Karel KrautgartnerFind albums by this artist, who was another great bandleader / conductor active behind the Iron Curtain, are also included. Fans of vintage Jazz sound and swinging, danceable tunes should have a field day with this material, but it´s worth remembering that Czerny and his music influenced an entire generation of musicians, who were about to become the first Polish post-WWII wave of modern Jazz musicians, creating one of the most fascinating European Jazz scenes. The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.

Updated: 01/08/2019Posted:

CD 1 Digipak Remastered Recommend To A Friend

MILES DAVIS ~ MERCI MILES! – LIVE AT VIENNE WARNER 603497844616 (Barcode: 603497844616) ~ USA ~ Jazz-Funk Fusion Recorded: 1991 Released: 2021 This is an archival album by the legendary American Jazz trumpeter / composer / bandleader Miles DavisFind albums by this artist, recorded with his last sextet featuring saxophonist Kenny GarrettFind albums by this artist, keyboardist Deron JohnsonFind albums by this artist, lead bassist FoleyFind albums by this artist, bassist Richard PatersonFind albums by this artist and drummer Ricky WellmanFind albums by this artist. The 2CD album presents eight tracks, with only one track co-composed by Davis, two tracks composed by Marcus MillerFind albums by this artist, two others by PrinceFind albums by this artist and the remaining three by other composers. The last track features the band only without Davis. The sound quality is somewhat murky and boomy, but excusable. The music was recorded on July 1, 1991 during the last Davis’ European tour and just over two months before his untimely death. A week later (July 8) Davis performed the legendary concert with the orchestra led by Quincy JonesFind albums by this artist, which revisited his recordings with Gil EvansFind albums by this artist, and which was released on record as “Miles & Quincy Live At MontreuxFind albums with this title”, which makes it the one before last live recording by Davis. The music remained unreleased for thirty years! Regardless of the heated discussion if Miles was still playing Jazz at this stage of his career, which IMHO in completely ridiculous, the music was alive and kicking and the individual performances scorching, especially those by Davis himself, who plays relatively lengthy soli herein, in contrast to many other live performances, many of which I was lucky to witness, where he contributed limited solo parts. The team of much younger musicians, a trick of the trade Davis used throughout his entire career, revitalized the music and the energy and vigor present here is undeniably stunning, especially at the crescendo moments. But as usual, the intimate, quiet trumpet solo parts, where the band is only audible in the far background, are the absolute pinnacles as far as I am concerned. Overall, this is another document of the timeless career of Jazz Giant Miles Davis, which captures some of his last moments on stage. Perhaps it does not present anything previously unheard, but it certainly is a faithful reflection of his Art and for Davis’ completists, as well as for those of his fans, who enjoyed his most Funky, Groovy moments, this is an absolute must!

Updated: 21/01/2024Posted: 21/01/2024

CD 2 Mini-Sleeve Recommend To A Friend

FRANK SINATRA / COUNT BASIE ~ THE COMPLETE REPRISE STUDIO RECORDINGS UNIVERSAL 602527968872 (Barcode: 602527968872) ~ USA ~ Jazz Recorded: 1962 - 1964 Released: 2012 Every time I hear Frank SinatraFind albums by this artist sing, my heart melts and yet at the same time I get mad remembering what so many sanctimonious Jazz critics had to say about him and his contribution to Jazz. Let me tell you smug ignoramuses: Sinatra had more feel for Jazz in his pinky than most other Jazz vocalists you rave about. Anybody with a pair of ears used as musical devices rather than decoration will tell you that these recordings by Sinatra, accompanied by the divine Count Basie OrchestraFind albums by this artist, are pure, unadulterated Jazz classics, which stand the test of time better than most others recordings of the era. This album brings together the two studio albums Sinatra made with Basie: "An Historic Musical FirstFind albums with this title" (arranged and conducted by Neal HeftiFind albums by this artist) and "It Might As Well Be SwingFind albums with this title" (arranged and conducted by Quincy JonesFind albums by this artist), recorded a couple of years apart in the early 1960s, when both Sinatra and Basie were at their absolute artistic peak. The repertoire includes many Sinatra classic standards, which he performed repeatedly over the years live, with these particular versions being definitely remarkable. An absolute classic!

CD 1 Remastered Recommend To A Friend

JAREK WIST / KRZYSZTOF HERDZIN BIG BAND ~ SWINGING WITH SINATRA DUX 0090 (Barcode: 5902547000909) ~ POLAND ~ Jazz Recorded: 2011 Released: 2013 This is a live recording of a concert dedicated, as the title suggests, to the songs which were part of the classic repertoire of Frank SinatraFind albums by this artist. The songs are performed by young Polish vocalist Jarek WistFind albums by this artist, who is accompanied by a Big Band led and conducted by distinguished veteran pianist / composer / arranger Krzysztof HerdzinFind albums by this artist. The album includes fourteen tracks, twelve of which are standards from the Sinatra repertoire and two are original compositions by Herdzin, one used as an intro and the other as a showcase to present the members of the Big Band at mid-time. Sinatra, who was often dismissed by narrow-minded Jazz buffs as a crooner and mere entertainer, was in fact one of the greatest American Jazz singers and had more swing in his toes alone than most others, certainly more than his critics. His very individual and unique treatments of the great American Songbook are the absolute Holy Grail of American Jazz vocals and remain untouched by time, incomparable, undefeated and uncontested. Especially notable are his superb recordings with Big Bands, like the Count BasieFind albums by this artist Orchestra and several others, arranged and conducted by such luminaries as Nelson RiddleFind albums by this artist, Neal HeftiFind albums by this artist or Quincy JonesFind albums by this artist. All these recordings are quintessential, pure and unadulterated Jazz classics. It is simply impossible to listen to this album without comparing it, for example, to the classic "Sinatra At The SandsFind albums with this title", recorded with the Count Basie Orchestra conducted by Quincy Jones. Unfortunately the comparison doesn´t leave much space to remain positive about this album, which is a great pity, since the intentions were probably quite honorable and the participants are all excellent musicians. I can understand Herdzin willing to step into the shoes of the great Big Band arrangers of the past and indeed his part as the arranger is probably the best ingredient of the entire package. However even these arrangements sound rather pale and lack the zest and the kick which characterize the original Sinatra recordings. I have no idea if the Big Band had ample opportunity to rehearse and considering the economic realities of a Big Band, they most probably did not, which is immediately apparent. As already stated, the participating musicians, who include pianist Piotr WrombelFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist and thirteen additional brass and reed players, are all able and talented musicians, but obviously have limited opportunities to show their skills within the Big Band collective when accompanying a lead singer. Wist is a rather ordinary singer, completely lacking the theatrical and humorous sides of Sinatra´s stage persona. His interpretations of these classic standards are simply dull and often imperfect technically. And of course there is the dreaded Polish accent and pronunciation, which is perhaps acceptable on the local market but completely unbearable to an English speaker. It´s a pity the producers of this album did not consider the additional step of getting the lyrics translated into Polish; this might have saved the day, al least to some extent. Even the audience´s applause present at the hall where this music was recorded sounds hesitant and weary and the sound quality of the recording suffers from uneven volume, poor separation and overall muddy resonance. In retrospect this was a lost case before it even begun. Tackling the enormity of Sinatra´s talent, heritage and status is not a very wise decision and such things are usually best left alone. The old saying: "a smart man knows how to get out of trouble but the wise man knows how to avoid trouble in the first place" is very appropriate here. During the concert Herdzin complains about the difficulty of his multi-talented persona (he not only arranged the songs, composed two pieces and conducted the band, but also plays the piano on one track and sings on another). Perhaps there is a lesson here for him, since after all he is an extremely talented person. On the other hand those who don´t do don´t make mistakes, and he surely does a lot.

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