Record Reviews

MILES DAVIS ~ THAT`S WHAT HAPPENED 1982-1985: THE BOOTLEG SERIES VOL.7 COLUMBIA 194398638522 (Barcode: 194398638522) ~ USA ~ Jazz Recorded: 1982 - 1985 Released: 2022 This is the 7th installment of the “Bootleg Series recordings by American trumpeter / composer / bandleader / visionary Miles DavisFind albums by this artist, released by ColumbiaFind albums on this label Records. It presents previously unreleased material by Davis, captured during the period following his return to recording and performing after a five years long hiatus (1975-1980). It follows the previous installment in the series, which was released in 2018 and offers 3 CDs of studio and live material. CD1 presents material recorded during the “Star PeopleFind albums with this title” sessions in late 1982 and early 1983, with saxophonist Bill EvansFind albums by this artist, trombonist J.J. JohnsonFind albums by this artist, guitarist Mike SternFind albums by this artist, bass guitarist Marcus MillerFind albums by this artist, drummer Al FosterFind albums by this artist and percussionist Mino CineluFind albums by this artist. Additionally, two tracks are from the “DecoyFind albums with this title” sessions from 1983, with guitarist John ScofieldFind albums by this artist, bass guitarist Darryl JonesFind albums by this artist, drum programing by Robert Irving IIIFind albums by this artist and Cinelu. CD2 presents material recorded during the “You`re Under ArrestFind albums with this title” sessions between January 1984 and January 1985, with saxophonist Bob BergFind albums by this artist, Scofield or John McLaughlinFind albums by this artist, Irving (on keyboards), Jones, Foster or Vince Wilburn, Jr.Find albums by this artist on drums and percussionist Steve ThorntonFind albums by this artist. CD3 presents a live recording from July 7, 1983 captured at the Montreal Jazz Festival, with Scofield, Evans, Jones, Cinelu and Foster. The music is all by Davis, except for the interpretation of a Cindy LauperFind albums by this artist song, and illustrates the transition period between the decades of recording for Columbia, with the last three albums on that label, and the explosive career of the “new” Miles Davis following his signing with Warner Bros.Find albums on this label and the release of “TutuFind albums with this title”, and the last years of his life (1986-1991). Overall, as usual with any archival material by Miles Davis, the music is absolutely Godly, stressing again his unshaken position as the greatest Jazz musician of all time. Although the music does not reveal any surprising elements, it affirms his status, and for every Davis’ follower on this planet is absolutely essential.

Updated: 31/12/2024Posted: 26/10/2022

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MILES DAVIS ~ WARSAW CONCERT 1983 IMMORTAL 104243 (Barcode: 8712177056620) ~ USA ~ Jazz-Rock Fusion Recorded: 1983 Released: 2010 The importance of this music stretches far beyond the fact that this is music played by the great Miles DavisFind albums by this artist during the last decade of his life, when his playing was rejuvenated and full of creative powers again. This unique recording was captured during the Warsaw´s Jazz Jamboree festival, Easter Europe´s most important Jazz even for several decades during the Socialist regime. In fact Warsaw´s JJ was almost the only Jazz Festival where Eastern European Jazz enthusiast could hear Western Jazz musicians live. The fact that the JJ festival was able to bring Miles Davis over, during a renewed peak of his world popularity and against all odds (economic, political, etc.), is a miracle and the fascinating story behind the scenes is worthy of a movie script. I´ve been privileged to be a part of this story, but that is well beyond the scope of these notes. The music presents Miles accompanied by an ensemble of young and talented musicians, which consists of saxophonist Bill EvansFind albums by this artist, guitarist John ScofieldFind albums by this artist, keyboardist Robert Irving IIIFind albums by this artist, bassist Darryl JonesFind albums by this artist, drummer Al FosterFind albums by this artist and percussionist Mino CineluFind albums by this artist. They play the material that Miles preferred at the time, which is funky rhythmically, but quite complex harmonically. There is plenty of space for extended improvisations, with Miles playing more than he did in a long time, blowing the listeners away every time. In retrospect the music sounds as good today as it did at the time, which once again confirms Miles´ genius and prophetic vision of music. Since this is not a part of the Miles´ Columbia output, it is much more difficult to find. Great stuff!

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