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2 Reviews Found. Use search to find more reviews or follow the links in the review text.

KARIN KROG ~ JOY
MEANTIME 15 (Barcode: 7051070000158) ~ NORWAY ~ Jazz

Recorded: 1968 - 1969 Released: 2008

This is a reissue of the third album by legendary Norwegian vocalist / composer Karin KrogFind albums by this artist recorded with young Norwegian musicians, who would soon become some of Europe’s Jazz icons: saxophonist Jan GarbarekFind albums by this artist, pianist Terje BjorklundFind albums by this artist, bassist Arild AndersenFind albums by this artist, drummer Svein ChristiansenFind albums by this artist and percussionist Espen RudFind albums by this artist. This lineup recorded four of the tracks on this album, and the remaining track is a live recording with Swedish bassist Palle DanielssonFind albums by this artist, who joins Andersen to form a bass duo. The original album was expanded for this reissue by two live tracks recorded with a different lineup, which includes American (resident in Scandinavia at the time) trumpeter Ted CursonFind albums by this artist and drummer Jon ChristensenFind albums by this artist. The album was beautifully remastered by Jan Erik KongshaugFind albums by this artist at the Rainbow Studio in Oslo.

In the liner notes written for the original album by American composer / bandleader George RussellFind albums by this artist, who was one of the very few musicians at the time beyond the pond to discover the European Jazz revolution, he recognizes Krog as one of the most innovative Jazz vocalists, of the class of Sheila Jordan and Jeanne Lee, and this album clearly shows why. Her approach to singing in particular and Jazz in general was already at that time completely innovative, using vocalese, electronics and unconventional timbre.

Although the music is still partly rooted in traditional American Jazz, these young Norwegians show no inferiority complex whatsoever, already clearly seeing the path ahead. The almost completely freely improvised track is already deeply ahead of the tradition of course.

Krog’s vocal performances and her idiosyncratic voice are delightful from start to finish and the superb instrumental performances by all the musicians involved sound absolutely fresh despite the fact that this music was recorded over five decades ago.

It is great to see Karin reissuing her recorded legacy on her own MeantimeFind albums on this label label, as this music obviously deserves to be remembered and even today can teach the new generations of Jazz musicians, how important it is to step forward boldly.

Since today is Karen’s Birthday, I wish her many more years of music!
Updated: 15/05/2021Posted: 15/05/2021CD 1 Remastered Bonus Tracks Recommend To A Friend

TERJE RYPDAL ~ ODYSSEY – IN STUDIO & IN CONCERT
ECM 2136/38 (Barcode: 602527945668) ~ NORWAY ~ Jazz-Rock Fusion

Recorded: 1975 - 1976 Released: 2012

This magnificent Box Set includes, for the first time, the complete content of the seminal album "OdysseyFind albums with this title" recorded by Norwegian guitarist / composer Terje RypdalFind albums by this artist and his quintet and released originally as a double LP (ECM 1067/68). In addition to Rypdal the quintet also included trombonist Torbjorn SundeFind albums by this artist, keyboardist Brynjulf BlixFind albums by this artist, electric bassist Sveinung HovensjoFind albums by this artist and drummer Svein ChristiansenFind albums by this artist. This Box Set also includes a third CD entitled "Unfinished Highballs", with the previously unreleased live recordings by the same group (less the trombonist) accompanied by the Swedish Radio Jazz GroupFind albums by this artist, which incorporated some of the best Swedish Jazz players at the time. "Odyssey" comprises of eight pieces, all composed by Rypdal, the longest of those being over 23 minutes long. "Unfinished Highballs" presents seven additional compositions by Rypdal, which do not appear on "Odyssey".

The music of "Odyssey", strongly influenced by the great modern Classical composer György LigetiFind albums by this artist, who composed some of the music included in the soundtrack of the celebrated "2001: A Space Odyssey" movie (hence the connection), combines also many influences from other genres, like Jazz (Miles DavisFind albums by this artist) and Rock (Jimmy HendrixFind albums by this artist). Although it certainly defies known genres, and perhaps defines a genre of its own, in retrospect it is certainly one of the earliest major efforts to create Ambient music, which moves somewhere between contemporary Classical on one hand and Jazz-Rock on another. It is certainly one of the rare cases where the word "unique" in truly and completely justified.

In retrospect this music is way ahead of its time, as perhaps only now some music listeners are mature enough and experienced enough (myself included) to appreciate the prophetic nature of this music. Ambient music "happened" only decades later and then most of it was nowhere near the magnificence of this music included herein. Rypdal´s screaming guitar backed by organ and trombone and propelled by the electric rhythm section are a universe of sound, which remains unchallenged.

The famous sound of Rypdal´s guitar is best defined by this album, as it can be heard in many different settings, from painting atmospheric soundscapes to soloing furiously on top of a Rocky rhythmic pattern. The legendary "Rolling Stone" piece, which closes the album (and was omitted from the first single CD reissue), is perhaps one of the most remarkable Jazz-Rock anthems ever recorded.

The release of "Unfinished Highballs" is a true cherry topping, as it presents a completely new perspective of Rypdal´s music. Although Rypdal was no stranger to the Big Band setting (see for example his recordings with George RussellFind albums by this artist) this time we can hear his music being performed by a Big Band, which is quite another story. The power of a Big Band takes the music to a new territory, which is more Jazzy that the music of "Odyssey", but retains the Rypdal spirit. Rypdal will return to the Big Band only 33 years later, with the recording of "Crime Scene".

This is an absolute must for any faithful follower of European Jazz and Jazz-Rock and Jazz-Classical Fusions. This is a milestone recording, which remains as fresh as on the day it was recorded, with most of it still quite futuristic. An absolute gem!
Updated: 26/01/2019Posted: CD 3 Mini-Sleeve Box Set Bonus Tracks Recommend To A Friend

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