Record Reviews

JAZZ BAND MLYNARSKI - MASECKI ~ NOC W WIELKIM MIESCIE LADO ABC C/26 (Barcode: 9788326826047) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017 This is a phenomenal album by the Polish ensemble called Jazz Band Mlynarski - MaseckiFind albums by this artist, co-led by vocalist / banjola player Jan MlynarskiFind albums by this artist and pianist Marcin MaseckiFind albums by this artist, which also includes three saxophonists / clarinetists: Tomasz DudaFind albums by this artist, Michal FetlerFind albums by this artist and Jaroslaw BothurFind albums by this artist, sousaphone player Piotr WrobelFind albums by this artist and drummer Jerzy RogiewiczFind albums by this artist. The album presents nine Polish songs, popular in the 1930s, predominantly composed and written by Polish Jews who were the core of popular music / cabaret / vaudeville in the swinging Warsaw, which had a large Jewish population at the time. All the songs were masterly arranged for the ensemble by Masecki. The music is a loving tribute to a period and a Culture that was wiped out off the face of the earth by the Holocaust, and later on by forgetfulness and ignorance, and as such it is an extremely important undertaking as far as preservation of the Polish / Jewish Culture is concerned. But of course the album is also a masterpiece of rejuvenation of musical tradition, bringing back to life the essence of early Swing, but also transforming the spirit of the music to contemporary idioms. Masecki´s arrangements, which are all far from being simplistic or trivial, brilliantly combine the tradition with modernism, and experienced Jazz connoisseurs will find plenty of unexpected hooks of his brilliance within the music. Mlynarski brilliantly revives the tradition of the crooners of the time, and his vocal theatrics are a delight, especially in view of the sense of humor his performances display. The rest of the musicians in the band all play brilliantly, bravely overcoming the seemingly simple music made devilishly difficult by the sophisticated arrangements. The use of the sousaphone in place of the bass is another bright idea, which contributes to the "vintage" sound aura. Since this album was released, the ensemble performs it live all over Poland with great success. I had the pleasure to hear one of the concerts and it was simply breathtaking and the reaction of the public was overwhelming. Evidently Culture is not dead yet, and people are still able to recognize it when they see / hear it face to face. Overall this is a superb album in every respect, taking the listener ninety years back into the past, using a musical time machine, into times long gone, but now not longer forgotten. This is a multilayered intellectual and emotional experience of rare quality and dedication. The album comes with extensive liner notes explaining the historical background of this music and a story about each of the nine songs. One can only wish that many such well prepared and devoted releases like this album could be made more often. Radiant stuff!

Updated: 31/03/2018Posted: 31/03/2018

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WOJTEK MAZOLEWSKI ~ GRZYBOBRANIE UNIVERSAL 602517939738 (Barcode: 602517939738) ~ POLAND ~ Jazz Recorded: 2007 Released: 2008 This is the debut solo album by Polish bassist / composer Wojtek MazolewskiFind albums by this artist, well-known as the founder / leader of the legendary Polish Jazz ensemble Pink FreudFind albums by this artist, which managed to achieve considerable success on the local and international scene. He is supported on this album by a group of musicians, who were at the time members of Pink Freud or were associated with the group in one way or another. They are: trumpeters Kamil SzuszkiewiczFind albums by this artist and Tomasz ZietekFind albums by this artist, saxophonists Irek WojtczakFind albums by this artist and Tomasz DudaFind albums by this artist, pianist Marcin MaseckiFind albums by this artist and his wife Candelaria Saenz ValienteFind albums by this artist, who provided the vocal parts, drummer Kuba StaruszkiewiczFind albums by this artist and percussionist Lukasz MoskalFind albums by this artist. The album includes nine tracks, which although not specifically accredited to Mazolewski on the album´s cover, are his compositions. Recorded shortly after the excellent "AlchemiaFind albums with this title" album, which Mazolewski recorded with Pink Freud, this solo album is in many respects a continuation of the musical direction initiated there, i.e. a return to highly improvised Jazz. The music is not completely free and is based on pre-composed motifs, but with a lot of freedom awarded to the individual musicians, leading to lengthy expanded improvisations. Being very atmospheric, it develops slowly from delicate hints and low volume statements, gradually arriving at magnificent crescendos, with all the musicians playing together. There are many World-Music influences, some more obvious than others, like the distinctive Flamenco feel on the pieces featuring the Spanish vocals, which Candelaria delivers with a chilling sensitivity. Although all the performances on this album are truly outstanding, I personally think that the work done by Masecki is the dominant factor, which turns this music from excellent to absolutely brilliant. The piano parts just keep everything together, filling the blanks and hinting towards the possible directions to be taken by the entire ensemble. Although not really up-front most of the time, his contribution is simply invaluable. This is a complex album, which requires several (if not many) listening session in order to truly digest it and to appropriately comprehend its depth as well as appreciate its beauty. Regardless of one´s favorite Jazz sub-genre, there is definitely something for everybody here, without compromising the quality or musical truthfulness herein. This is something no serious Polish Jazz lover should ignore, so if you don´t have it yet, get it as soon as possible. This stuff is timeless and although only a few years old, already feels like a classic.

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PINK FREUD ~ ALCHEMIA UNIVERSAL 602517578845 (Barcode: 602517578845) ~ POLAND ~ Jazz Recorded: 2006 Released: 2007 This is the 6th album by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. This album, which was recorded live at the legendary Jazz club "Alchemia" in Krakow, finds Pink Freud in an expanded quintet lineup, with trumpeter Tomasz ZietekFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist supported by saxophonist Tomasz DudaFind albums by this artist (who recorded with the group earlier) and brilliant young keyboardist Marcin MaseckiFind albums by this artist. Five of the six expanded tracks (all over 10 minutes long) on this album are originals by the band members and the remaining one is their interpretation of a Joe ZawinulFind albums by this artist tune. In many respects this album is a "back to the roots" experience for the band, which returns to extensive Jazz improvisation, which although always present at the root of their music, was often subdued on their previous albums. The special atmosphere and ambience of the club and above all the presence of Masecki transform the band into a full-fledged Jazz combo and a great one at that. The trumpet / saxophone front line enables the players to stretch out, supported comfortably by a full rhythm section, with Masecki supplying some breathtaking solo spots as well. The emotional and more importantly musical level of the band heard here surpasses everything they managed to achieve earlier, and is truly exquisite. True to their basic approach, the band emphasizes personal expression and spontaneity rather that elaborate skills or scholarly musical background. For listeners, who can appreciate such approach to music, this is quite an experience. But this music is important enough to be heard by any music connoisseur and definitely should be re-visited for in-depth listening experience. Great stuff!

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PINK FREUD ~ HORSE & POWER UNIVERSAL 602537026203 (Barcode: 602537026203) ~ POLAND ~ Jazz Recorded: 2011 Released: 2012 This is the 8th album by Polish ensemble Pink FreudFind albums by this artist, one of the country´s top acts both in the Jazz and non-Jazz spheres. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base home and abroad. This album was recorded in a new quartet lineup, which features, alongside the leader, trumpeter Adam Milwiw-BaronFind albums by this artist, saxophonist Tomasz DudaFind albums by this artist and for the first time new drummer Rafal KlimczukFind albums by this artist. All the ten tracks on this album are original compositions by the group members with Mazolewski being credited or co-credited for all but one composition. In full contrast to their last album ("Monster Of JazzFind albums with this title"), recorded almost three years earlier, this album is a complete stylistic "about face", marking the group´s return to almost acoustic Jazz, with the electronic, dub and other non-Jazz elements completely gone. Of course this is still Pink Freud, with their unique brand of post-Yass, characterized by non-Jazz rhythm patterns, nonchalant treatment of chord changes and other signs of the "coolness" poise, but also full of passion and surprising ventures into Free Jazz soloing and funky bass parts, all of these happening out of the blue, which of course is absolutely marvelous, if one likes such atypical musical approach. And those great melodies, which were almost completely lost on the preceding album, are back, haunting the listener, turning him into a humming zombie. People familiar with Mazolewski´s activities should not be taken by complete surprise by this album, since his excellent solo album "Smells Like Tape SpiritFind albums with this title", released in between the two last Pink Freud albums, already hinted as to the return of the prodigal son to Jazz. So here we have a group that changes like the proverbial chameleon, adopting to contemporary developments and returning to the tradition, and yet managing to keep their musical originality and integrity intact, which is definitely a great accomplishment. Above all, this music, apart for its quality, intelligent compositions and excellent execution, manages to be such fun. Imagine hearing this stuff live and one can understand why the group mesmerizes audiences all over the world taking no prisoners. So regardless if this music is driven by horse power, steam power or nuclear power, it is worthy of music connoisseurs attention and should not be missed, for fun´s sake. Brilliant stuff!

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PINK FREUD ~ MONSTER OF JAZZ UNIVERSAL 602527377025 (Barcode: 602527377025) ~ POLAND ~ Jazz Recorded: 2009 Released: 2010 This is the 7th album by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. This album was recorded by an expanded sextet version of the group, which includes, apart from the leader, trumpeters Adam Milwiw-BaronFind albums by this artist (son of the great Polish saxophonist Piotr BaronFind albums by this artist) and Tomasz ZietekFind albums by this artist, saxophonist Tomasz DudaFind albums by this artist, vibraphonist Jerzy RogiewiczFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist. Of all the Pink Freud albums, this is the most "radical" one, with the electronics, dub and jungle elements taking the lead, pushing the Jazz improvisations aside considerably. As a result this album will be probably the least "appealing" to listeners with a strong Jazz background. Of the twelve tracks present on the album, eleven are original compositions by the group members and the remaining one was adopted from a composition by the British electronic duo AutechreFind albums by this artist, a choice which hints as to the general direction of this album. Although there is plenty of inspired blowing by the horns, the overall mood is somewhat hectic and lacks a clear musical direction. There is an apparent absence of well formed melody lines, which characterized the groups´ earlier outings. As much as the group´s intention to continue their restless journey in search of new expressions is commendable and admirable, it often is a treacherous path which could lead to disaster if moderation is not applied. One must hope that they will re-invent themselves anew with their future efforts, leaving this one behind as a document of their quest. Of course there is plenty of music here to be enjoyed and the album is worth listening to, even if one somehow expects something more from such a great group.

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PINK FREUD ~ PUNK FREUD UNIVERSAL 602517235328 (Barcode: 602517235328) ~ POLAND ~ Jazz Recorded: 2005 Released: 2008 This is the 5th album (and the first on UniversalFind albums on this label) by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. On this album Pink Freud appear as trio with the leader and two other founding members: trumpeter Tomasz ZietekFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist. Saxophonist Tomasz DudaFind albums by this artist appears on five of the ten tracks and two female strings players guest on two of the tracks. Nine of the ten tracks on this album are original compositions by the participants and the last track is their interpretation of a Charles MingusFind albums by this artist tune. The music is a typical Pink Freud mix of musical ideas, stylistically all over the place, but unified by the highly energetic and expressive delivery. The music definitely retains the rebellious spirit and often lacks the precision and flawlessness a Jazz fan might expect, but one must not forget this music is not about these qualities at all and therefore should not be judged by them. The ultimate question is the overall impression and effect this music has on a listener and if it is successful to make the listener spend an hour having fun while listening, it achieved its goal. Let´s make no mistakes here; parts of this music are quite complex and advanced, requiring attentive listening and seriously challenging the listener´s ear. Some listeners will mentally "skip" these parts at first, but might (hopefully) discover them later. Regardless of what one might think about Pink Freud and their music, one thing is sure: they can not be ignored. Definitely worth investigating!

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PROFESJONALIZM ~ CHOPIN CHOPIN CHOPIN LADO ABC C/11 (Barcode: 5907709922334) ~ POLAND ~ Jazz Recorded: 2011 Released: 2011 Profesjonalizm is the name of the new sextet created and led by Polish Jazz pianist / composer Marcin MaseckiFind albums by this artist, one of the greatest talents on the local scene in the recent years and the enfant terrible / eccentric artiste spearheading the Jazz anti-establishment, a role that fits him like a glove. During my recent visit in Poland I was lucky to be invited to the concert the band performed in a dinky Warsaw restaurant called Mozaika, which remarkably managed to sustain the atmosphere (and look, not to mention the service) of the 1970s Socrealizm, completely oblivious to the changes around. The concert celebrated the release of this album, so the music was simply a live version of what is included here, in its entirety. I must say that I was completely unaware of what was about to happen musically and therefore the experience was a total culture shock, even though I am a difficult man to surprise in view of the heavy burden of my age upon me. Masecki and his cohorts: trumpeter Kamil SzuszkiewiczFind albums by this artist, saxophonists Michal GorczynskiFind albums by this artist and Tomasz DudaFind albums by this artist, bassist Piotr DomagalskiFind albums by this artist and drummer Jerzy RogiewiczFind albums by this artist played a stunning set of outlandish music (all composed by Masecki), which is so original, unique and devilishly clever that one´s mind is completely boggled. How the hell did they manage to do it at all (live!) is beyond comprehension, but nevertheless they did it with a spectacular result. Listen to the studio version herein and imagine this being played live to get the scope of the task ahead. As to the music itself, I´m not even trying to start describing it, as it is well beyond the scope of words (as most great music is). Suffice to say that it is a suite of sorts, in seven parts, which tells the story of Jazz from its earliest days (Ragtime) to now, flowing like a soundtrack to an imaginary movie, constantly (and unexpectedly) changing rhythms and scales, themes and patterns, but remarkably and completely coherently keeping a brilliant sense of unity. The rhythm section is absolutely dazzling, managing the impossible task of gluing this passionate and untamed music together. Masecki´s piano work is a chapter in itself, which is worth studying separately, but it serves the role of the thematic / melodic beacon pointing the way ahead for of this music. During a short chat before the concert I asked Masecki about his musical influences; he mentioned some usual suspects but emphasized Thelonious MonkFind albums by this artist and Conlon NancarrowFind albums by this artist, two superb examples of total non-conformism, suiting Masecki´s image perfectly. The problem with non-conformism is often that eccentric artists become often self-centered and completely uncommunicative, which luckily enough does not apply to Masecki. In spite of all the lunacy herein, this is (amazingly) quite an easy album to listen to, against all odds. When I asked Masecki as to the nature of his music, he replied: "We are playing entertaining music" – well, he was after all right, in his own crazy way. Now if anybody is wandering about the album´s title, I must assure you that the album has absolutely nothing to do with the great Polish National composer Frederic ChopinFind albums by this artist. This is one more of Masecki´s clever stunts, expressing his disgust and ridicule of the Polish Jazz scene´s exploitation of Chopin´s music in the recent years. Using this tongue in cheek / sarcastic reference Masecki protests against the "One can´t go wrong by playing Chopin" attitude, where in fact one can go wrong and as the plentitude of available recorded evidence proves one does in most cases. So what do we have here: a work of a mad genius, a wizard, a prophet? Who am I to judge? Suffice to say I love this music, every note of it and most of all the chutzpah and complete disregard of convention – exactly the qualities I admire in Artists. Bless you, Marcin Masecki!

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