Record Reviews

AVISHAI COHEN ~ ADAMA STRETCH 9015 (Barcode: 013431901525) ~ ISRAEL ~ Jazz Recorded: 1998 Released: 1998 1st album by Israeli bassist / composer Avishai CohenFind albums by this artist, recorded while he was a member of Chick CoreaFind albums by this artist’s acoustic trio and the OriginFind albums by this artist sextet and released on Corea’s label StretchFind albums on this label Records. The core lineup, which participates in the album’s recording is a sextet with Cohen, Steve WilsonFind albums by this artist on soprano sax, Steve DavisFind albums by this artist on trombone (both Origin members), Jason LindnerFind albums by this artist on piano, another Israeli – Amos HoffmanFind albums by this artist on guitar and Jeff BallardFind albums by this artist on drums. In addition, some guest artists are also appearing, including Chick Corea, Brad Mehldau and Danilo Perez on piano. Cohen’s ability as a bass player is of course legendary and needs no further discussion here, but his true greatness is his extraordinary ability to compose superb Jazz pieces, which skillfully combine the American Jazz tradition with other musical elements, mainly folklore and World Music. Cohen’s Middle Eastern background is clearly evident in his music, although he is also wide open to other sources of inspiration. Of the twelve pieces on the album Cohen composed eleven using just one standard. The overall effect is truly refreshing and the combined skills of the musicians involved create an album of rare beauty, which contains an immense amount of new and exciting music. A truly remarkable debut, which announces many great things to come out of this extraordinary talent. A must!

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LONDON JAZZ CHAMBER GROUP ~ ADAM`S RIB SUITE ACROBAT 4259 (Barcode: 824046425920) ~ UK ~ Jazz-Classical Fusion Recorded: 1970 Released: 2007 This is a reissue of the of the album by the London Jazz Chamber GroupFind albums by this artist, which combines a Jazz sextet: trumpeter Kenny WheelerFind albums by this artist, saxophonist / flautist Roy WilloxFind albums by this artist, pianist Ken MouleFind albums by this artist, guitarist Louis StewartFind albums by this artist, bassist Lennie BushFind albums by this artist and drummer Ronnie StevensonFind albums by this artist and a string quartet led by violist Patrick HallingFind albums by this artist. They perform together an eleven-part suite composed by Moule. The music is a marvelous collection of melodic themes, brilliantly arranged for a Jazz sexted and a string quartet, which is Moule’s greatest achievement in his long and diverse musical career. These excellent players perform the music with panache and gusto, as expected, and the string arrangements are completely unique and innovative floating between Classical and stage music. For some completely unknown reason this album is completely unknown and I have never seen it mentioned anywhere, despite the fact that is a National Treasure as far as British Jazz is concerned. So here it is in full splendor, including the original cover art – which will hopefully nor be banned by the FB automata – and which proves that nakedness is not always pornography, and can be Art. Overall, this is great and very unusual Jazz album, which withstood the tides of time brilliantly and should have an honorable place in every serious British Jazz collection.

Updated: 07/02/2025Posted: 07/02/2025

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MATEUSZ SMOCZYNSKI ~ ADAM`S APPLE WARNER MUSIC POLAND 5021732288127 (Barcode: 5021732288127) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 - 2022 Released: 2024 This is an album by Polish Jazz violinist / composer Mateusz SmoczynskiFind albums by this artist, recorded with the Chopin University Chamber OrchestraFind albums by this artist conducted by Rafal JaniakFind albums by this artist. The album presents two extended pieces for violin and orchestra: the five-part concerto for violin and orchestra composed by Smoczynski in 2018, entitled "Adam’s Apple”, and the four-part concerto for violin, rhythm section and Symphony Orchestra composed by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist in 1974. The rhythm section comprises of pianist Dominik WaniaFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. In the album’s liner notes Smoczynski credits the influence of Seifert on his musical development from his early age and the more recent influence of the American composer John AdamsFind albums by this artist, and explains how the album’s title refers both to the Biblical story and the composer’s name. The music is every bit as brilliant as one might expect, in every sense. Placing both these violin concerti side by side, presents a wonderful opportunity to observe the development of the Jazz-Classical Fusion genre over the forty-four years’ time gap, as well as stylistic differences and approaches between the two composers. Considering the fact that this is the first time the Seifert’s concerto is released on record, this album is already a sensational occasion for celebration. Not less important is the opportunity to have such ambitious music recorded and released, which sadly is rather uncommon in the world ruled by commerciality and questionable aesthetics. As such, this album is an absolute gem, offering a wonderful opportunity to hear such a delightful music and at the same time playing tribute to the memory of Seifert, who was undoubtedly one of Polish Jazz most prominent figures. The performances by Smoczynski, the Orchestra and the rhythm section are stellar in every sense, which is hardly surprising, considering the fact that these are some of Polish Jazz top Artists. Listeners familiar with the local scene are of course aware that Smoczynski is a member of the fabulous Atom String QuartetFind albums by this artist, Kurkiewicz and Miskiewicz are members of the Marcin WasilewskiFind albums by this artist Trio and Wania is one of the most revered Polish Jazz pianists. One can hardly wish for a better team. Overall, this is a superb example of the highly artistic level of the Polish Jazz scene, which often sees local musicians undertaking very ambitious projects, like the music on this album, with full support of the local recording industry and fellow musicians from across the genres. For Jazz-Classical Fusion lovers, this is as high as the genre soars. Not to be missed!

Updated: 28/12/2024Posted: 28/12/2024

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