Record Reviews

FLAMINGO ~ FLAMINGO (SWINGING TRICITY VOL.4) SOLITON 250 (Barcode: 5901571092508) ~ POLAND ~ Jazz Recorded: 1961 - 1963 Released: 2012 This is the fourth installment in the excellent archival series documenting Polish Jazz created in the country´s Tricity on the Baltic Sea, one of the important centers where Polish Jazz thrives and over the years produced numerous first-rate musicians and superb bands. The series presents material, which in most cases never previously appeared in any form and therefore is of immense historic importance. This chapter presents the FlamingoFind albums by this artist ensemble, a Traditional Jazz outfit, which was very popular locally as well as in the rest of the country and even participated in the prestigious annual Jazz Jamboree Festival in Warsaw. The group was founded in the late 1950´s, following the great Polish Jazz rebirth after the two historic Sopot (one of the Tricity cities) festivals in 1956 and 1957, which were a turning point in Polish Jazz history. The ensemble existed for about a dozen years until the late 1960s, and unfortunately never managed to record even one album, which sadly was the fate of many Polish Jazz artists during the Socialist regime. However they did record for the Tricity Polish Radio station in Gdansk, where most of the material included on this album comes from, except for five tracks that come from the 1961 Jazz Jamboree Festival, which were previously released by the state owned record label Polskie NagraniaFind albums on this label (MuzaFind albums on this label). Flamingo was one of quite a few Polish Jazz ensembles playing Traditional Jazz, i.e. Ragtime, Dixieland and New Orleans, as part of the Traditional Jazz Revival, which swept Europe in the 1950s and 1960s. It was founded by pianist Jerzy DerfelFind albums by this artist, bassist Henryk PietrewiczFind albums by this artist and banjoist Lucjan WozniakFind albums by this artist. They were soon joined by drummer Janusz NalaskowskiFind albums by this artist and clarinetist Eugeniusz PudelewiczFind albums by this artist. Other group members present on this album were trumpeters Piotr NadolskiFind albums by this artist and Ryszard PodgorskiFind albums by this artist, and trombonists Andrzej DorawaFind albums by this artist, Edward RykaczewskiFind albums by this artist and Jan TomaszewskiFind albums by this artist. After the group folded, several members joined other groups; like Rama 111Find albums by this artist, which appears on an earlier release of this series, and even NiemenFind albums by this artist´s group AkwareleFind albums by this artist. The group performed mostly Traditional Jazz standards, with their youthful energy and zest overcoming the lack of experience. The overall level of performances was nothing short of excellent, which gained them quite a following and respect at the time. They performed in several European countries and participated in many jazz festivals. Since their split they managed to get briefly reunited a few times celebrating their past. Most of the Flamingo members live now outside of Poland. This is another great piece of Polish Jazz history, which should definitely be told and preserved as part of the country´s Cultural Heritage. Kudos to Marcin JacobsonFind albums by this artist for creating this series and keeping it going!

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.06 POLSKIE RADIO 1625 (Barcode: 5907812246259) ~ POLAND ~ Jazz Recorded: 1962 Released: 2013 This is the sixth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents a second batch of recordings made during the 5th Jazz Jamboree Festival, which took place between October 27 and 29, 1962 in Warsaw. The artists include mostly Polish Jazz ensembles: Andrzej KurylewiczFind albums by this artist quintet (with Kurylewicz playing trumpet rather than piano), legendary singer Wanda WarskaFind albums by this artist with pianist Wojciech KarolakFind albums by this artist trio, Jan TomaszewskiFind albums by this artist Big Band, Jerzy MatuszkiewiczFind albums by this artist Swingtet and New Orleans StompersFind albums by this artist. In addition the album also includes two tracks by the Hungarian pianist Atilla GarayFind albums by this artist and his trio and one track by Soviet pianist Vadim SakunFind albums by this artist and his sextet, which includes legendary Soviet Jazz players like guitarist Nikolaj GrominFind albums by this artist and saxophonist Aleksiej KozlovFind albums by this artist. In many respects this is a review of Eastern European Jazz at the time. The music includes original compositions (Kurylewicz, Garay and Gromin) and Jazz standards, from Dixieland to Bebop, which were the model for most modern European Jazz musicians at the time, leading to the development of a new style, which would crystallize over the next few years. The performances are all excellent and their invaluable historical significance is beyond reproach. Beautifully restored sound quality and a warm ambience of the live analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its meaning to the development of Polish Jazz in particular and Polish Culture in general. Nevertheless this is an essential piece of history which every Polish / Eastern European Jazz fan will surely consider an absolute must.

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VARIOUS ARTISTS ~ POLISH RADIO JAZZ ARCHIVES VOL.09 POLSKIE RADIO 1628 (Barcode: 5907812246280) ~ POLAND ~ Jazz Recorded: 1957 - 1962 Released: 2013 This is the ninth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well. The material collected here presents recordings made between 1957 and 1962, all of which represent Traditional Jazz (Ragtime, Dixieland, New Orleans and Swing genres called collectively Trad Jazz for short). The artists include visiting musicians like the American clarinetist Albert NicholasFind albums by this artist and the German clarinetist Emil MangelsdorffFind albums by this artist, both of which were guests of the second Jazz Jamboree Festival in 1957. Other performers are Polish and include pianist Zygmunt WicharyFind albums by this artist and his orchestra, clarinetist Janusz ZabieglinskiFind albums by this artist and his quintet, saxophonist Jerzy MatuskiewiczFind albums by this artist and his octet, trombonist Jan TomaszewskiFind albums by this artist and his Big Band and the New Orleans StompersFind albums by this artist. The various ensembles perform mostly Trad standards, with just a couple of tunes being originals among the total nineteen tracks present. The performances are all very good and show that the Polish scene also enjoyed the Trad revival, which was very popular in Western Europe at the time. The legendary division between the traditionalists and the modernists on the Polish scene was not as radical as beyond the Iron Curtain, with musicians often playing both Jazz camps simultaneously (in different ensembles of course). Overall this music is very good and the invaluable historical significance of these recordings is beyond reproach. Beautifully restored sound quality is not perfect, but considering the problematic and often faulty source material, it is a remarkable job and a warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Polish Jazz. Nevertheless this is an essential piece of history which every European Jazz fan will surely consider an absolute must.

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