Record Reviews

APOSTOLIS ANTHIMOS ~ 50 – LIVE IN NOSPR NOT ON LABEL (Barcode: 5903068122774) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2021 Released: 2021 This is a 2CD album by Polish Jazz / Fusion guitarist / drummer / composer Apostolis AnthimosFind albums by this artist, recorded live at the fabulous NOSPR concert hall in Katowice, celebrating his 50 years of musical activity. The music was recorded by a core quartet with keyboardist Piotr MatusikFind albums by this artist, saxophonist Olaf WegierFind albums by this artist and bassist Robert SzewczugaFind albums by this artist and guests: French trumpeter Erik TruffazFind albums by this artist, Polish DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) and Dutch drummer Yoran VroomFind albums by this artist. The album presents eighteen tracks, including a repeated (six times) theme called “For 50 Years”, all composed by the leader. Although primarily know as a founding member of the legendary Polish Prog / Fusion group SBBFind albums by this artist, Anthimos cultivated a solo career in parallel to his career with SBB, recording solo albums and participating in recording of many albums by various Polish and international artists / groups, constantly shifting between Jazz, Fusion and Rock. Although usually associated with playing guitar, he is also an accomplished drummer. The album reflects all the virtues Apostolis has to offer, as a guitarist, drummer and above all as a composer. The highly melodic and yet beautifully structured tunes are perfect vehicles for the musicians to show their chops and create a smooth continuity and highly pleasant and absorbing music. The inclusion of Truffaz adds a wonderful Jazz layer to these proceedings and are a fond reminder of Anthimos’ work with Tomasz StankoFind albums by this artist. Apostolis is a highly imaginative guitarist, which of course is evident throughout his entire career, and has a unique sound, which amalgamates many different elements, including his affinity to Greek music, a highly developed Jazz sensibility and the Rock elements, creating together one of the most distinguished European Fusion voices. Overall, this is a wonderful Fusion album that no fan of the genre should miss in his collection, with great music and brilliant guitar playing rarely met elsewhere. Highly recommended!

Updated: 17/12/2021Posted: 17/12/2021

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EL GRECO ~ SING CUCKOO INSPIRAFON 02 (Barcode: 5903111259006) ~ POLAND ~ Jazz & Poetry Recorded: 2011 Released: 2013 This is the debut album by Polish ensemble El GrecoFind albums by this artist, led by keyboardist / composer Joachim MencelFind albums by this artist, which also includes vocalist Jorgos SkoliasFind albums by this artist, DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) who performs turntablism, bassist Andrzej SwiesFind albums by this artist and Austrian drummer Harry TanschekFind albums by this artist. The album includes ten tracks, eight of which are songs and the remaining two instrumental pieces. The eight songs are all composed by Mencel to lyrics by Polish poets (five of the songs, naturally sung in Polish) and literary texts in English (the remaining three, sung in English). One of the instrumentals is a group composition and the remaining one is by Gil EvansFind albums by this artist. This is obviously quite an ambitious project, well within the Jazz & Poetry realm, which seems to be a favorite of the Polish music scene. However, contrary to many splendid efforts in this area this album leaves me quite cold. It´s quite difficult to pinpoint the exact reasons for my opinion, but somehow the mixture of complex, sophisticated poetry with the rather simplistic music does not work for me. Anybody engaging in the poems of Cyprian Kamil NorwidFind albums by this artist must be aware of their masterly interpretation by the legendary NiemenFind albums by this artist or more recently by Stan BorysFind albums by this artist and in comparison the versions presented here seem to be quite pale. The music seems to be by and large based on blues themes, with a modernistic rhythm patterns emphasized by the turntablism. There is a limited space for serious improvisation and the atmosphere is more of an alterative Rock album than a Jazz album, which of course might be just what the ensemble (or the leader) wanted to achieve. The only thing that makes this album enjoyable as far as I´m concerned is the truly excellent work by Andrzej Swies, who emerges as the star of this particular project and without whom this music simply wouldn´t work at all. As usually the attempt to sing in English proves to be fatal. Overall this is not a bad album and many people will probably enjoy it, but I just can´t seem to be able to warm up towards it. Mea culpa!

Updated: 31/01/2017Posted:

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ESKAUBEI & TOMEK NOWAK QUARTET ~ 10/10 NOT ON LABEL ~ POLAND ~ Jazz-Rap Fusion Recorded: 2024 Released: 2024 This is the 5th album by Polish Rap and Jazz ensemble which finds rapper Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist) combining forces with a Jazz quartet led by trumpeter Tomek NowakFind albums by this artist, which also includes keyboardist Kuba BanaszekFind albums by this artist, bassist Alan WykpiszFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist), vocalist Aleksandra TockaFind albums by this artist and a string quartet also take part in the proceedings. The album present ten original compositions, all of which were composed by Nowak. Skubisz wrote all the lyrics. As the title suggests, the album celebrates the 10th Anniversary of the ensemble’s existence. The album continues the same basic concept that was used on the previous albums, which sets the lyrics written by Skubisz against Jazz tunes, which serve at times as background / accompaniment to the lyrics but also take the front stage when Nowak or Banaszek play solo parts. After ten years of working together the Jazz-Rap Fusion is brought to perfection and seems as natural as any other cross-genre exploration and combined with the wonderful musicianship by the participants it offers its own aesthetic ambience, rather than a random opportunistic conglomerate of styles. The arrangements on this album are more elaborate than on early recordings, which adds another layer of interest. Overall this is another solid release by this ensemble, which maintains the same level of execution and musical ingenuity. As I already pointed out earlier on, the very close stylistic similarity of all the albums released so far, should perhaps be refreshed / reconsidered in forthcoming projects. But so far the formula works out splendidly, so on the other hand not trying to change something that works well is a better choice. I had a blast listening to this music, as usual!

Updated: 21/01/2025Posted: 21/01/2025

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ESKAUBEI & TOMEK NOWAK QUARTET ~ SWEET SPOT FPJ 56A-19-01 (Barcode: 5907558261905) ~ POLAND ~ Jazz-Rap Fusion Recorded: 2019 Released: 2019 This is the third album by Polish Rap and Jazz ensemble which finds rapper Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist) combining forces with a Jazz quartet led by trumpeter Tomek NowakFind albums by this artist, which also includes keyboardist Kuba PluzekFind albums by this artist, bassist Alan WykpiszFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist), saxophonist Bartlomiej PrucnalFind albums by this artist, vocalist Aleksandra TockaFind albums by this artist and a few additional vocalists also take part in the proceedings. The album present thirteen original compositions, nine of which were composed by Nowak, one by Pluzek and three are collective instrumental improvisations. Skubisz wrote all the lyrics except two which he co-wrote with other people. The album repeats the same basic concept that was used on the two previous albums, which sets the lyrics written by Skubisz against Jazz tunes, which serve at times as background / accompaniment to the lyrics but also take the front stage when Nowak or Pluzek play solo parts. After five years of working together the Jazz-Rap Fusion is brought to perfection and seems as natural as any other cross-genre exploration and combined with the wonderful musicianship by the participants it offers its own aesthetic ambience, rather than a random opportunistic conglomerate of styles. Skubisz manages to express his views, often very controversial, critical and bitter, with clarity and coherence, using well developed language and eschewing vulgarism and simplistic shortcuts. Although the resulting Rap is somewhat "soft" in comparison to the usual hardcore roughness that characterizes the genre, his messages are my no means less striking, penetrating of evocative. Of course his target public is probably quite different from the typical Rap followers, especially when combined with Jazz, but his consistent activity definitely managed to create a strong following over time. Overall this is another solid release by this ensemble, which maintains the same level of execution and musical ingenuity. The only point worth consideration for future releases might be the very close similarity of the three albums released so far, which perhaps should be refreshed / reconsidered in forthcoming projects.

Updated: 19/06/2019Posted: 19/06/2019

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ESKAUBEI & TOMEK NOWAK QUARTET ~ TEGO CHCIALEM FOR TUNE 0117 (Barcode: 5906395808205) ~ POLAND ~ Jazz-Rap Fusion Recorded: 2016 Released: 2016 This is the second album by Polish Rap and Jazz ensemble which finds rapper Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist) combining forces with a Jazz quartet led by trumpeter Tomek NowakFind albums by this artist, which also includes pianist Kuba PluzekFind albums by this artist, bassist Alan WykpiszFind albums by this artist and drummer Filip MozulFind albums by this artist. This time they are also supported by DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) who performs turntablism, saxophonist Mateusz SliwaFind albums by this artist and vocalist Patrycja ZarychtaFind albums by this artist. A couple of guest musicians appear on one track. Together the ensemble performs ten original songs, seven of which were composed by Nowak, two by Pluzek and one by Mozul (an instrumental intro). Skubisz wrote the lyrics to all nine songs and was helped out by the guest on one of them. This album continues the direction set by its predecessor, which combines Funky / Groovy Jazz tunes with Rap. In contrast to most attempts of such amalgamation, in which the musical content is rather limited and mostly very sketchy not to say primitive, this album offers a series of excellent full fledged compositions, which easily hold their own ground musically. This is even more emphasized on this album with the addition of Sliwa and expanding the quartet into a quintet on about half of the tunes. The Rap elements, although occupying a separate plane, are fully integrated within the musical structures. The turntablism, courtesy of Mr. Krime, who is prominently featured on the album, brings this album up to date with updated sound trends The instrumental work by the quartet / quintet is excellent from start to finish. Nowak plays superb soulful / funky phrases, Sliwa adds strength creating a brass section feel and soul when he plays solo, Pluzek plays absolutely wicked keyboards, using a plethora of sounds and groovy touches, Wykpisz, who is a wonderful Jazz bassist, turns here into a wizard of Funk and Groove and finally Mozul takes care of the rhythmic continuum, steady as a rock and devilishly inventive; in short a dream team! The Rap, which in fact is more a form than contents, turns out to be a recitation of Poetry, which deals with a wide range of subject matter, which Skubisz and his generation are facing in this strange and cruel world, which is consistently becoming less human. The lyrics are often bitter and frustrating, but from time to time also touch upon dreams and hope. They are a great example how one can express protest and anger without using even one four (or in Polish five) letter word. Overall this is another great album by Skubisz and his cohorts, proving that their debut effort was not just a lucky coincidence. The Rap and Jazz concept is again proven to be valid and creatively sound and the execution is once more just right on the money. Hopefully the Artists involved in this project will develop the idiom further in their future recordings, and in the meantime we are happy to enjoy this excellent effort. Well done again!

Updated: 31/01/2017Posted: 31/01/2017

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PAWEL KACZMARCZYK / AUDIOFEELING TRIO ~ VARS & KAPER DECONSTRUCTION HEVHETIA 0126 (Barcode: 8588005257817) ~ POLAND ~ Jazz Recorded: 2014 - 2015 Released: 2016 Three years ago I initiated a series of concerts / recordings as part of the Singer Jazz Festival, of which I am the artistic director, of music by the great "American" composers: Victor YoungFind albums by this artist, Bronislaw KaperFind albums by this artist and Henryk WarsFind albums by this artist, all three of which are in fact Polish Jews, who immigrated to the US at some stage of their life. The fact that they had Polish / Jewish roots is almost completely unknown not only to the American public (which is not surprising), but sadly also to Polish public. The main purpose, therefore, of these concerts / recordings was to bring their Jewish / Polish roots to the attention of music lovers. The music was performed and recorded by my friend, the excellent Polish Jazz pianist Kuba StankiewiczFind albums by this artist and his trio, and the entire series was hugely successful. Neither Kuba nor I anticipated the fact that our project would also influence the entire Polish Jazz scene and produce a huge renewed interest in these three composers, which also produced a string of recordings, of which this album is an example. Pawel KaczmarczykFind albums by this artist is of course one of the most brilliant Polish Jazz pianist, who took the local scene by a storm and during the last decade established himself as a one of its central figures. This is the second album with his trio which includes bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. Together they perform nine songs composed by Henryk Wars (four songs) and Bronislaw Kaper (five songs, two split into two parts). In addition to the trio the DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) adds turntablism and electronics. The trio performs beautifully, as expected, playing the classic compositions with the usual flair and technical brilliance. The turntablism, electronics and other sound effects like vintage voice recordings, suit the music well and are non intrusive, but don’t really add anything substantial to the subject matter, beyond being a novelty of sorts. The usage of the term "deconstruction" in the album´s title is however quite problematic. Personally I can´t hear anything being deconstructed in the music played on this album? These are just pretty standard interpretations of the classic songs, but deconstructions? The philosophical / aesthetic meaning of deconstruction is certainly absent here and in general this term is being used (or misused) way to often these days. Overall this is an excellent piano trio recording, with brilliant Jazz performances, as expected. Just forget the somewhat pretentious title and enjoy the music!

Updated: 27/09/2016Posted: 27/09/2016

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SCHMIDT ELECTRIC ~ LIVE SJ 020 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2015 - 2016 Released: 2017 This is the second album by the Schmidt ElectricFind albums by this artist ensemble, led by trumpeter Piotr SchmidtFind albums by this artist and also including keyboardist Tomasz BuraFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Sebastian KuchczynskiFind albums by this artist and British guitarist Alex HutchingsFind albums by this artist. The core quintet was expanded for this live recording by DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist), electronics wizard Joanna SzymalaFind albums by this artist and vibraphonist Bartosz PieszkaFind albums by this artist. The ensemble performs six original compositions, four composed by Schmidt and two by Bura, a short solo trumpet intro by Schmidt and another intro by Szymala, altogether eight tracks. Yours truly was present during the live recording in Katowice, one of the two venues where these live recordings were captured, and therefore a part of my soul is also captured on this album, like every other person who was ever present in the audience during a live recording. The music is a natural extension to what the released earlier studio debut album offered, i.e. an excellent melodic version of modern Fusion, which flows smoothly from one tune to another, but preserves class and elegance and above all is great fun to listen to. The live ambience allows the musicians to take extended solo parts and show their chops, which they all do to the max. The music is diverse and offers many moods, which of course contributes significantly to the fact that the album keeps the listener on his toes for the entire duration. It is great to see Schmidt to finally settling down within a domain, which suits him the best in my opinion. This music allows him to express his superb compositional talents and lead a highly professional ensemble, which can make him proud as a leader. His trumpet playing also reaches a refined stage of expressiveness and eloquence, especially effective on the slow tempo ballads, which are absolute goose bumps generators. The use of turntablism and electronics adds an up to date flavor to the music, without overshadowing the main melodic, harmonic and rhythmic coherence and the strong Jazzy groove. Schmidt manages to create music which can be enjoyed by a wide age range of listeners, which of course is commendable. Overall a great contemporary Fusion album, full of great melodies, fine arrangements, excellent performances and above all great fun! Wholeheartedly recommended!

Updated: 02/10/2022Posted: 07/07/2017

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SKUBISZ / LEMANCZYK COOPERATION ~ STORIES ABOUT LIFE AND LOVE AFRO VIBE 004 ~ POLAND ~ Jazz-Rap Fusion Recorded: 2022 Released: 2022 This is the debut album by Polish ensemble Skubisz / Lemanczyk CooperationFind albums by this artist, which comprises of rapper Bartlomiej SkubiszFind albums by this artist (a.k.a. EskaubeiFind albums by this artist), bassist / composer Piotr LemanczykFind albums by this artist, trumpeter Tomek NowakFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist. DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) appears as a guest musician and plays synthesizers. The album presents nine tracks, eight of which are original compositions by Lemanczyk with texts by Skubisz and one is a composition by iconic Polish Jazz trumpeter Tomasz StankoFind albums by this artist and saxophonist Janusz MuniakFind albums by this artist with text by Skubisz, dedicated to Stanko. Listeners familiar with the Polish Jazz scene are already familiar with the Jazz-Rap Fusion recordings by Eskaubei & Tomek Nowak QuartetFind albums by this artist, which are clear predecessors of this album and include contributions by Nowak and Dlugosz. The format is very similar, but the brilliant compositions by Lemanczyk and his virtuosic electric bass performances take everything one notch higher. Skubisz, as usual, expresses his unequivocal opinions about the problems and circumstances of contemporary life, including fears and angers caused by politics, human stupidity and the ocean of excrements we all need to swim in, keeping our nose just above the surface, in order to survive. I have always admired his honesty and clear vision of reality, especially since his statements are intelligent and penetrating, rather than being rude and vile. Words of truth are definitely stronger than profanities. Nowak plays some excellent trumpet parts on this album, and being the main soloist he sets the entire mood of the music. The Jazz-Rap Fusion requires a very delicate balance between the spoken parts and the music, which this ensemble is able to maintain for the entire duration. Lemanczyk contributes the pulse, like a heartbeat, which keeps this music alive. It is worth to listen to this album several times, each time concentrating on the separate contributions by the participants, apart for listening to the album as a whole; especially Lemanczyk’s bass lines, which are Masterful, the trumpet solos and of course the texts. Overall, this is a most welcome return to the Jazz-Rap Fusion idiom by Skubisz, who is as always accompanied by excellent musicians, creating some relevant social criticism and life observations, which are not easy to hear but nevertheless absolutely necessary to keep one’s sanity. Kudos for keeping up the good work!

Updated: 13/10/2022Posted: 13/10/2022

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ALAN WYKPISZ PROJECT ~ CITY JUNGLE AFRO VIBE 005 ~ POLAND ~ Jazz Recorded: 2021 Released: 2022 This is the debut album as a leader by prominent young generation Polish Jazz bassist / composer Alan WykpiszFind albums by this artist, recorded with an excellent team of musicians, which includes guitarist Jakub MizerackiFind albums by this artist, keyboardists Pawel KaczmarczykFind albums by this artist and Dawid LachFind albums by this artist and drummers Maksymilian OlaszewskiFind albums by this artist and Tymoteusz PapiorFind albums by this artist. DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist) performs turntablism on the title track. The album presents nine original compositions, all by the leader. The music is absolutely delightful, from start to finish, quite diverse and surprising, fresh and enchanting. The melodic content is lyrical and well put together and the performances by the leader and ensemble members are electrifying. Wykpisz is not shy and offers many brilliant solo parts, both acoustic and electric, and his firm pulsations dominate the music quite noticeably, but the open character of the compositions and the ensemble format allows all the members to solo extensively. The double drums create a dense and complex rhythmic support, which fits the music ideally. The album offers a unique atmosphere, highly electric and sonically charged. Despite the electric guitar, keyboards and bass, the music is distinctly non-Fusion oriented, and offers somewhat nostalgic sense of early electric Jazz. There is a strong dimension of freedom and space, which at some moments is close to Free Jazz, but then the music moves suddenly into a sweet Swing / Funky mode, only to become something completely different soon after. Despite this rapid changes of mood and tempo, the music makes perfect sense at all times, which is truly amazing. The modern, somewhat unusual ambience as far as Jazz recordings are concerned, with a lot of dark bottom layers and sparkling synthesizers, might keep back some of the more conservative listeners, and I hope serious Jazz lovers will be able to overcome prejudice and primal fears. This music is bold and distinctly different, but it is immensely intelligent and enthralling, so please make an effort to embrace it. After all the history of Jazz is full examples, where sublime albums were recognized only decades later. Hopefully this will not be the fate of this great piece of music. Overall, this is an amazing album, one of the most unique Polish Jazz recordings in 2022, and to be honest probably one of the best Jazz albums that landed on my desk worldwide that year. There is absolutely nothing obvious or trivial for the entire duration and the matchless amalgam of all the elements creates a magical piece of music, which left me awestruck. Great to see Wykpisz finally in full blown blossom of his talents after hiding for so long behind his massive instrument. Respect!

Updated: 16/01/2023Posted: 16/01/2023

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