Record Reviews

FRANCESCO BRUNO ~ WITAM VIDEO EIKON 002 (Barcode: 8033706214404) ~ ITALY ~ Jazz Recorded: 2014 Released: 2014 This is the ninth album by the Italian Jazz guitarist / composer Francesco BrunoFind albums by this artist and his quartet, which also includes pianist Pierpaolo PrincipatoFind albums by this artist, bassist Luca PirozziFind albums by this artist and drummer Nicola AngelucciFind albums by this artist. Two Polish Jazz musicians guest on couple of the album´s tacks: trumpeter Piotr WojtasikFind albums by this artist and saxophonist Sylwester OstrowskiFind albums by this artist and the Japanese pianist Makoto KuriyaFind albums by this artist guests on one track. The album presents nine original compositions, all by Bruno. The album´s title is the Polish word for "Welcome" and reflects Bruno´s special relationship with Poland, where he often performs with his quartet and Polish Jazz musicians. The music is a beautifully melodic mainstream Jazz, mostly very lyrical and somewhat melancholic on the slow tempo numbers. The compositions contain traces of typical Italian melody lines, characteristic of gentle breezes, sunny shores and lovable wine, that we, Mediterranean people know how to enjoy. The music broadcasts "amare la vita", with its elegance, nonchalance and caressing notes, which are meant to please and lift the spirit of the listener, without sounding banal or corny. Bruno has a very unique guitar sound, somewhat reminiscent of Pat Metheny but without the rough edge, and his quartet is an ideal vehicle for his melodic improvisations, with the pianist gently adding his highly harmonious ornamentations and the rhythm section elegantly steering the ensemble in the right direction. The guests also add some fine moments to the overall effort. On the whole this is a pleasant, stylish and graceful musical effort, which should make the listeners happy and asking for more. I suppose it would be most enjoyable accompanied by a glass of wonderful red wine and gentle see breeze, but sitting by a fireplace in the midst of winter is definitely also an option. Grazie amici!

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MAKOTO KURIYA / SYLWESTER OSTROWSKI ~ JUST MUSIC P-VINE 24327 (Barcode: 4995879243275) ~ JAPAN ~ Jazz Recorded: 2013 Released: 2014 This is the debut album by the international quintet co-led by Japanese pianist / composer Makoto KuriyaFind albums by this artist and Polish saxophonist / composer Sylwester OstrowskiFind albums by this artist, which also includes Polish trumpeter Piotr WojtasikFind albums by this artist and American rhythm section comprising of bassist Essiet Okon EssietFind albums by this artist and drummer Newman Taylor BakerFind albums by this artist. The album presents nine compositions, five of which are originals co-composed by Ostrowski and Wojtasik, two are originals by Kuriya and the remaining two are standards. The music belongs to the melodic mainstream variety, with solid compositions, but completely non-original approach which puts the album somewhere in the proximity of 1950s or early 1960s American Jazz idiom. Of course these are all highly professional musicians, who can play really well, but the overall effect of this music is simply passé. Personally I find the phenomenon of European or Japanese musicians trying to imitate American Jazz sort of pathetic; they will never be able to beat the American Jazz tradition so they might as well find their own path and take the music elsewhere, which of course many do, especially the younger ones. Overall this is very well played mainstream American-like Jazz, which still has many followers all over the globe. For such audiences, this album is definitely worth investigating, although there are thousands of similar recordings out there deserving no less attention.

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PIOTR WOJTASIK ~ TO WHOM IT MAY CONCERN INDYGO 002 (Barcode: 5907222872017) ~ POLAND ~ Jazz Recorded: 2016 Released: 2018 This is an album by the veteran Polish Jazz trumpeter / composer / bandleader / educator Piotr WojtasikFind albums by this artist, recorded by an international sextet, which features alongside Wojtasik also Hungarian saxophonist / flautist Viktor TothFind albums by this artist, Polish saxophonist Sylwester OstrowskiFind albums by this artist, Dutch bassist Joris TeepeFind albums by this artist and American (resident in Europe) pianist Bobby FewFind albums by this artist and drummer John BetschFind albums by this artist. The album, which was recorded in France, presents eight original compositions, all by Wojtasik. The music explores the roots of Jazz and stretches between Blues influenced early Jazz through familiar Bebop mainstream and towards more open / Free oriented music, but stays within well defined boundaries. The compositions are diverse and interesting, clearly showing Wojtasik as a mature and focused composer, who is able to weave nice melodic themes and expand them into a fully structured ensemble pieces. Both Wojtasik and Ostrowski consistently drift towards American Jazz and obviously prefer to play and record with American musicians, but they do it on an equal footing with the Americans, completely devoid of the inferiority complex that characterized whole generations of Polish Jazz musicians for decades. The music on this album clearly shows that they are able to stand shoulder to shoulder with their cohorts. The album is full of strong personal statements by all the participants, as appropriate for such endeavor, with the leader exploring his extensive arsenal of trumpet magic, moving with ease between raw and fully powered statements and delicate balladry. His unique and very personal style remains as one of the most distinctive voices of Polish Jazz trumpet, equaled by but a very few. Few is also a charmer with his highly idiosyncratic piano vistas, which can be heard all along the album´s duration and come to a climax in the short solo piano piece showcasing his abilities and dedicated to him by the leader / composer. The excellent rhythm section is a bastion of strength and stability which keeps the music in check and moving along the desired chronometry, completely at ease with whatever is required at each given moment. Joris gets also a solo spot in another short piece dedicated to him. An artistry of time and pulse… Overall this is an excellent album by any standard and although it offers contemporary Jazz of the American flavor, rather than European Jazz which one expects to hear from European Jazz musicians, it is perfectly executed, interesting and inspiring, full of great ideas and obviously highly engaging. Wojtasik deserves admiration and praise for consistency, which characterizes his entire career, and most importantly for doing his thing regardless of trends and fads of fashion. Keep swinging Maestro!

Updated: 09/11/2018Posted: 09/11/2018

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PIOTR WOJTASIK ~ VOICES INDYGO 003 (Barcode: 5907222872024) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2020 Released: 2022 This is the third album by Polish Jazz trumpeter / composer / bandleader / educator Piotr WojtasikFind albums by this artist, released on his IndygoFind albums on this label Records label. The album was recorded with the Choir of the White Stork Synagogue in Wroclaw, conducted by Stanislaw RybarczykFind albums by this artist, vocalist Magdalena ZawartkoFind albums by this artist, harpist Julia ZiembinskaFind albums by this artist and the members of Wojtasik’s quintet: saxophonist Marcin KaletkaFind albums by this artist, pianist Michal TokajFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Kazimierz JonkiszFind albums by this artist. The album presents six original compositions by Wojtasik, one co-composed with Sylwester OstrowskiFind albums by this artist. The music was superbly recorded at the RecPublica Studios and offers a sublime quality, balance and clarity of sound. The music reflects the deep sorrow and personal anguish of Wojtasik, which resulted from the tragic circumstances surrounding his life at the time. As such it is quite different from the “usual” mainstream Jazz, spiced with Gospel, that dominated his earlier recordings, and this time is absolutely drenched in melancholy and painful lyricism, showing a new facet of his musical identity. The use of the Choir is absolutely perfect for the music and the amalgamation of its sound into the fabric of the compositions is nothing short of perfection. The Jazzy aspects, as reflected by the soloing of the quintet members follow suit smoothly, with sympathetic echoing of the somber atmosphere. Wojtasik, Kaletka and Tokaj are highly experienced players and perform as expected, as is the brilliant rhythm section, which keeps everything in a clear framework. The biggest surprise of the album are actually the vocal contributions, both those by the Choir but even more so by Zawartko, who is simply sensationally brilliant. Since her arrival on the scene a few years ago, she never stops to amaze and her other recordings are all worth checking out. Overall, this is a beautiful album, full of melancholy and glumness, but nevertheless offering a moving aesthetic experience, beautiful melodies and heartfelt performances by all the participants. Hopefully making this album was, at least partly, a process of healing and time will do the rest to make things better. Wojtasik has never made a bad album in his life and this is a proof that he does not mean to lower his standards, come what may. My heart is with you my Friend!

Updated: 04/06/2022Posted: 04/06/2022

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