Record Reviews

ECSTASY PROJECT ~ EUROPAE MONOTYPE 014 (Barcode: 5908310927022) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2007 Released: 2007 This is the 3rd album by the Polish ensemble Ecstasy ProjectFind albums by this artist, founded and led by drummer / percussionist / composer Rafal GorzyckiFind albums by this artist. Gorzycki, who is also active in other musical projects, like the excellent Sing Sing PenelopeFind albums by this artist ensemble, formed Ecstasy Project as a vehicle for his compositions, which lay in the fuzzy area between Jazz and contemporary Classical music. The ensemble includes also flautist Tomasz PawlickiFind albums by this artist, vibraphonist Pawel NowickiFind albums by this artist, violinist Lukasz GorewiczFind albums by this artist and bassist Pawel UrowskiFind albums by this artist, and is capable of performing the complex music and creating an atmosphere that bridges between chamber contemporary Classical music and modern Jazz, moving between the two smoothly and seamlessly. The music, almost entirely composed by Gorzycki, is quite intricate at times, but does not cross the point of total alienation to the less experienced listener, keeping enough melody and rhythm to hold on through the more difficult passages. Of course listeners with more experience in Classical music will find this music familiar and quite enchanting from the very first listen. As the title suggests, this is very European music, encapsulating the musical traditions the 19th and 20th Centuries, from neo-romanticism, via atonal experimentation and minimalism, right into the Avant-Garde. And yet the music is not over-intellectual and leaves a lot to feeling and atmosphere, keeping the overall emotional level alive and aesthetically satisfying. Definitely worth investigation for more adventurous listeners!

Updated: 12/04/2019Posted:

CD 1 Digipak Recommend To A Friend

ECSTASY PROJECT ~ THEY WERE P MW 003 (Barcode: 5903292101118) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2011 Released: 2011 This is the 5th album by the Polish ensemble Ecstasy ProjectFind albums by this artist, founded and led by drummer / percussionist / composer Rafal GorzyckiFind albums by this artist. Gorzycki, who is also active in other musical projects, like the excellent Sing Sing PenelopeFind albums by this artist ensemble, formed Ecstasy Project as a vehicle for his compositions, which lay in the fuzzy area between Jazz and contemporary Classical music. The ensemble includes also flautist Tomasz PawlickiFind albums by this artist, vibraphonist Pawel NowickiFind albums by this artist, violinist Lukasz GorewiczFind albums by this artist and bassist Pawel UrowskiFind albums by this artist, and is capable of performing the complex music and creating an atmosphere that bridges between chamber contemporary Classical music and modern Jazz, moving between the two smoothly and seamlessly. The music, almost entirely composed by Gorzycki, is quite intricate at times, but does not cross the point of total alienation to the less experienced listener, keeping enough melody and rhythm to hold on through the more difficult passages. Of course listeners with more experience in Classical music will find this music familiar and quite enchanting from the very first listen. This is very European music, encapsulating the musical traditions the 19th and 20th Centuries, from neo-romanticism, via atonal experimentation and minimalism, right into the Avant-Garde. And yet the music is not over-intellectual and leaves a lot to feeling and atmosphere, keeping the overall emotional level alive and aesthetically satisfying. Definitely worth investigation for more adventurous listeners!

Updated: 12/04/2019Posted:

CD 1 Recommend To A Friend

GORZYCKI / PAWLICKI / ZIOLEK ~ ENSEMBLE TUNING AUDIO CAVE 2018/011 (Barcode: 5905669566643) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2017 Released: 2018 This is an album by a Polish Jazz trio led by drummer / composer Rafal GorzyckiFind albums by this artist, who also plays piano, with flautist Tomasz PawlickiFind albums by this artist and guitarist Jakub ZiolekFind albums by this artist, both of which employ also electronics. The album presents ten original compositions, eight of which are credited to all the trio members and two are by Gorzycki. This album is a second part of a triptych of trio recordings by Gorzycki, continuing the "PlayingFind albums with this title" album released a couple of years earlier. The music was excellently recorded at the RecPublica Studios and engineered by Lukasz OlejarczykFind albums by this artist. The music is an esoteric mixture of various elements, acoustic and electronic, combining modern Classical Music vistas with improvisation and Ambient music and creating a magical impressionist aura of anticipation and mysticism. There are also elements of Serialism and Minimalism, all wonderfully weaved into a coherent but hard to pinpoint continuity, which tends to flow as if propelled by its own will. This music is more about form and sound than about melody or harmony, very abstract and almost involuntarily creating images of impressionist paintings before the listener´s eyes. Pawlicki stands in the very epicenter of this music, since his magic flute produces most of the directly audible sound, creating short melodic threads and swirls, all of which are simply irresistibly beautiful. In complete contrast the guitar played by Ziolek sounds nothing like a guitar, producing a plethora of sound layers and ambient noises in the background, which is the foundation upon which the flute parts float, similar to a wind which carries the golden autumn leaves. Gorzycki also hardly ever plays any straightforward rhythms and his pulses are more pointers than actual rhythmic patterns. His piano parts are also quite atypical and serve as accents rather than harmonies. There is no doubt that this album constitutes a new stage in the long and prolific career of Gorzycki, taking him into a new realm unlike anything else he attempted earlier, although definitely being a logical extension of his earlier works. This music is more complex and more abstract than his earlier efforts but also much more concentrated and expressive. It is definitely much closer to cotemporary Classical Chamber Music than to Jazz, and will probably be received as such by the listeners. Absurdly perhaps, it is also more accessible and universal than many of his earlier efforts. Overall this is a stunning piece of music, which offers novel approach to music making, unusual usage of the instruments and explores unchartered territory as far as improvisation and composition are intertwined and is additionally spiced with the sensational flute playing, altogether offering a sensational musical experience. Wholeheartedly recommended!

Updated: 20/11/2018Posted: 20/11/2018

CD 1 Digipak Recommend To A Friend

TOMASZ PAWLICKI ~ BASNIOWE GRY (TRIAL) REQUIEM / LYDIAN 2019/6 ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2018 Released: 2019 This is the debut solo album by Polish flautist / multi-instrumentalist / composer Tomasz PawlickiFind albums by this artist, recorded with the help of seven additional Polish instrumentalists from various genres, including trumpeter Wojciech JachnaFind albums by this artist, drummer Jacek BuhlFind albums by this artist and others, each appearing on between one and four of the tracks. The album presents twelve original compositions, all by Pawlicki. The music is a minimalist, chamber Jazz-Classical Fusion presented by the relatively short pieces, which although unrelated melodically, can be easily conceived as parts of a suite like coherent whole. Since Pawlicki is usually associated with the Polish Avant-Garde Jazz scene, this music seems at times somewhat "tame", but it is in fact a logical continuation of his work with the Ecstasy ProjectFind albums by this artist ensemble or the trio with Rafal GorzyckiFind albums by this artist and Jakub ZiolekFind albums by this artist. Both the compositions and the performances are brilliant all the way through and although this music is targeted towards the more refined audiences, it can be enjoyed by a relatively wide range of listeners from the Avant-Garde contemporary Classical Music and / or Jazz echelons to any member of the open-minded and curious public. The subtle use of electronics adds another interesting layer to the music, without changing the overall chamber effect. I have enjoyed immensely listening to this unusual, ambitious and beautiful music, with the solo violin piece played by Filip LipskiFind albums by this artist being my favorite piece on this album. But all the music offers a highly aesthetic experience and deserves to be heard by as many people as possible. Definitely well done!

Updated: 07/08/2020Posted: 07/08/2020

CD 1 Mini-Sleeve Recommend To A Friend