Record Reviews

STAN BORYS ~ IKONA POMATON 825646281428 (Barcode: 825646281428) ~ POLAND ~ Sung Poetry Recorded: 2014 Released: 2014 This is an album by veteran Polish vocalist / songwriter / poet Stan BorysFind albums by this artist, which presents eleven beautiful songs, performed by Borys, who in spite of his age seems to be completely untouched by time and displays his usual extraordinary charisma and artistic ability. Borys wrote the music of two songs present here and the lyrics of four others. On the other songs Borys uses mostly poems written by Polish poets such as Adam MickiewiczFind albums by this artist, Agnieszka OsieckaFind albums by this artist, Bogdan LoeblFind albums by this artist and others. The album was recorded in different studios in Poland and US and features different musicians, but presents a very consistent and tight contemporary sound and features excellent musicianship and polished production. Some of the songs are new arrangements of older songs by Borys and others make their debut on this album. As usual with Borys, he manages to achieve the best possible balance between excellent melodic themes and intelligent, moving lyrics, consistent with the uniquely Polish "Sung Poetry" idiom. Therefore the album stands above almost everything else recorded today on the Polish market in the Pop / Rock category, which sadly, as everywhere else in the world, is characterized by trivial music and moronic lyrics. Sadly for Borys and fans of quality music, such albums are completely ignored by the media, which seems to concentrate on turning the young generation into cultural zombies. Although this album presents, as already mentioned, a contemporary sound and production characteristics, musically it belongs to the Rock music, which ruled the world in the 1960s and 1970s, i.e. the "Golden Decade", when writing a song meant that the songwriter has something to say, both musically and ideologically. Therefore this music might have been written five decades ago, or from a different perspective preserves the quality of songwriting established then and now sadly forgotten. Each of the songs on this album has a solid melody, a memorable riff and tells a story with a moral. If we didn´t know better, Borys sounds five decades younger that his chronological age, which can be said about only a handful of other vocalist from that period who still perform today. How he does it is a miracle. Although the Polish lyrics limit the exposure of this album mostly to the Polish scene, many international listeners should be able to enjoy it, even those who are not Polish speakers. Great music is able to transcend language barriers, and this album is one of those rare universal creations. This album also proves that veteran artists should not by a priori dismissed and some of them definitely preserve the ability to stay contemporary and often shoe the young artists how great music is made. Albums like this one keep the faith that not everything is lost in Pop / Rock, and excellent contemporary music is possible, even if it has to be made by Masters, who already served the Art for many generations. A true gem!

Updated: 25/06/2016Posted: 25/06/2016

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MAREK GRECHUTA ~ MAREK GRECHUTA & ANAWA POMATON 724352774029 (Barcode: 724352774029) ~ POLAND ~ Pop & Rock Recorded: 1970 Released: 2000 This is the debut album by Polish singer / songwriter / poet Marek GrechutaFind albums by this artist, one of the most iconic figures on the Polish popular music scene and the most important representative of the Music & Poetry movement in Poland. This is also his first of the two albums with the group AnawaFind albums by this artist, which he founded during his student years in Krakow together with fellow architecture student, pianist / composer Jan Kanty PawluskiewiczFind albums by this artist. The version of Anawa playing on this album was sextet, which included also cellist Anna WojtowiczFind albums by this artist, viola player Tadeusz KozuchFind albums by this artist, bassist Jacek OstaszewskiFind albums by this artist and guitarist Tadeusz DziedzicFind albums by this artist. Several guest musicians also played on the album, including drummer Janusz StefanskiFind albums by this artist, guitarist Marek JackowskiFind albums by this artist, violinist Zbigniew PaletaFind albums by this artist and others. The album includes ten tracks, seven composed by Pawluskiewicz and three composed by Grechuta. Grechuta wrote lyrics to three of the songs and the remaining seven are by some of the Polish poets Grechuta admired: Adam MickiewiczFind albums by this artist, Julian TuwimFind albums by this artist, Leszek Aleksander MoczulskiFind albums by this artist (closely associated with the legendary Polish group SkaldowieFind albums by this artist) and others. Musically the album is light-years ahead of its time and completely different from anything else that was happening on the Pop / Rock scene at the time in Poland or anywhere else for that matter. It amalgamates seemingly conflicting elements like contemporary Classical music, Psychedelia, chanson and cabaret, Jazz and very strong Folklore and World Music influences. In addition there is also the omnipresent Polish melancholy, emphasized by the poignant lyrics and sensitive delivery. Although the Music & Poetry movement existed in Poland earlier, mostly in the intimate cabaret environment, Grechuta took it forward making a milestone step towards perfecting the genre and no less importantly popularizing it by bringing it to huge crowds rather than to the limited Avant-Garde / intellectual audiences of small clubs and student hangouts. Grechuta is a master of his trade and his vocal delivery is simply sublime. Always somewhere in between singing and reciting, his interpretation of the lyrics is exquisitely intelligent and insightful. The entire band performs simply divinely, displaying obvious talents and sensitivity. Such combination of beautiful music performed as perfectly as here is indeed extraordinary. Therefore in retrospect this is simply one of the best Pop / Rock albums ever recorded in Poland and absolutely nothing recorded since comes even close to its perfection, except of course for the next album he recorded with the same group called "Korowod", which is considered even stronger than this one. It is completely untouched by time and constantly gets better in contrast to most music created today. It is an absolute must have for every lover of Polish music and no collection of Polish music will be complete without it. This expanded and remastered edition includes twelve bonus tracks recorded by the Polish Radio or in concert, all of excellent quality, both sonically and musically. Perfection incarnate!

Updated: 12/04/2019Posted:

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HIGH DEFINITION QUARTET ~ DZIADY ANAKLASIS 007 (Barcode: 5907795208732) ~ POLAND ~ Jazz-Ambient Fusion Recorded: 2018 Released: 2019 This is the third album by Polish Jazz ensemble High Definition QuartetFind albums by this artist, which comprises of saxophonist Mateusz SliwaFind albums by this artist, pianist / composer Piotr OrzechowskiFind albums by this artist (a.k.a. PianohooliganFind albums by this artist), bassist Alan WykpiszFind albums by this artist and drummer Grzegorz PalkaFind albums by this artist (each of the three albums features a different drummer). On this album the ensemble collaborates with five electronic music composers: Polish veteran / pioneer of the idiom Krzysztof KnittelFind albums by this artist, Igor BoxxFind albums by this artist (a.k.a. Igor PudloFind albums by this artist), Americans William BasinskiFind albums by this artist and Robert RichFind albums by this artist and Austrian Christian FenneszFind albums by this artist. The album presents ten original compositions, five of which are performed by the ensemble and were composed by Orzechowski and five shorter pieces, each composed and performed by one of the above listed electronic music composers (except for the Knittel piece which was co-composed with Orzechowski and co-executed with the ensemble), which are sandwiched between the ensemble pieces. The album´s title "Dziady" ("Forefathers´ Eve") refers of course to the epic poetic drama by the Polish national poet Adam MickiewiczFind albums by this artist, considered as one of the greatest works of European Romanticism and a source of controversial interpretations throughout the convoluted Polish political history, famous for its role in the 1968 Polish Political crisis, but retaining its prophetic actuality to this very day. The drama was staged many times over the years of course and one could speculate that this music could be considered as a possible soundtrack / stage music to an imaginary / future spectacle. Combining Jazz with electronic / ambient music is of course quite fashionable these days and this year´s (2019) Polish Jazz recording harvest offers several such outings. In most cases the electronic / ambient music is closely amalgamated with the Jazzy content, whereas on this album, with the exception of the opening Knittel / Orzechowski track, the rest of the electronic / ambient tracks stand on their own musically, which raises a basic speculation as to their integration within the album´s musical fabric and its continuity. Personally I feel that their absence would not have changed the album´s overall effect dramatically. The Jazz part of the album is however absolutely brilliant, as one might expect. Orzechowski´s dramatic music, rich in texture and full of imagination, is delightful from start to finish. The five seemingly separate themes constitute a coherent whole, which is perfectly executed by the quartet. Orzechowski´s piano playing is radiant as always, and he proves to be on top of the heap, in spite of the fact that his recording output is sadly way too infrequent for my liking. Sliwa manages to keep his unique personal style, which sets him apart from most contemporary young Polish Jazz saxophonists, and who sadly also does not record frequently enough. Big Bear Wykpisz is amazing as always, a monster bass player in every bone and muscle of his body – he does play constantly and is omnipresent on the local scene, being probably the most sought after bassist around these days. Palka integrated with the three founding members without a hitch, which is completely natural in view of his achievements lately. Together they are able to carry a tune as well as open up and improvise, supporting each other amicably and offer a superb listening experience. The album was released by a new record label on the Polish market called AnaklasisFind albums on this label Records. I must admit that I was quite taken aback by the primitive / simplistic cover design; perhaps this is some kind of new sophisticated graphic aesthetics, but it looks plain ugly to me. This music surely deserves a better packaging. The album includes an extensive booklet, which offers a bilingual version of an essay by Polish music journalist Jaroslaw SzubrychtFind albums by this artist. Overall this is a brilliant piece of music, ambitious and searching, which stands up to the highest echelon of contemporary European Jazz and which is consistent with the earlier work by High Definition. Hopefully the listeners won´t be discouraged by the cover and reach out to embrace this exquisite music, as it truly deserves it. Well done Gentlemen!

Updated: 12/12/2019Posted: 12/12/2019

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KRYSTYNA STANKO ~ USLYSZ MNIE POLSKIE RADIO 1125 (Barcode: 5907812241254) ~ POLAND ~ Pop & Rock Recorded: 2005 - 2007 Released: 2008 This is the fourth album by Polish singer / songwriter Krystyna StankoFind albums by this artist, which marks an end of the initial phase of her career during which she tried to establish a unique identity, both as a songwriter and a singer. All through that phase she moved between Pop, Alternative Rock and even Jazz-Rock Fusion and recorded three albums with two different groups she was part of at the time and finally recorded this, her "real" debut solo album. The album presents twelve songs, eleven of which are original creations by Stanko (lyrics and music) and the last one is a tribute to the great Polish Jazz pianist / composer / arranger Andrzej KurylewiczFind albums by this artist, who wrote this beautiful lullaby to the words of Polish National Poet Adam MickiewiczFind albums by this artist, which was previously magnificently performed by the great NiemenFind albums by this artist. The album was recorded during two separate recording sessions, almost a couple of years apart. Stanko is basically accompanied by a trio: guitarist Jacek KrolikFind albums by this artist, bassists Piotr ZaczekFind albums by this artist (electric) or Piotr LemanczykFind albums by this artist (acoustic) and drummer Piotr KrolikFind albums by this artist with five additional musicians contributing occasionally on several tracks. In spite of this rather limited instrumental accompaniment, the overall result is beautifully coherent and sounds complete as it is. Her vocals are the focus of this album, and rightly so, as her vocal abilities, her intelligent treatment of the lyrics and her emotional range are all of star quality, in evidence of her coming of age as an artist and a vocalist. But the most amazing thing about this album is of course the quality of the original songs, all of which are excellently crafted musically and adorned by meaningful, sometimes witty and always sincere lyrics, which are extremely rare these days. Stanko doesn´t hold back and dares to touch on painful subjects and deeply personal feelings about human relationships and even political / social issues, reminiscent of the protest songs of the 1960s. In complete contrast to the brainless lyrics the showbiz and media use to brainwash the human race, these songs really have something to say. In retrospect one might lament the fact that Stanko did not (yet) repeat this format, i.e. writing lyrics and music herself, in her next albums, hoping that this will be remedied soon. Her decision to move into the Jazz & Poetry realm is now completely understandable of course. This album lost nothing of its charm and freshness over time. It´s probably less perfect than her later recordings, but who cares; this is a beautiful collection of superb songs, which should make any listener happy. Grab it before it disappears forever!

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