Record Reviews

JACHNA / TARWID / KARCH ~ SUNDIAL FOR TUNE 0039 (Barcode: 5902768701418) ~ POLAND ~ Jazz Recorded: 2013 - 2014 Released: 2014 This is the debut album by Polish Jazz trio fronted by trumpeter / composer Wojciech JachnaFind albums by this artist with two very young newcomers to the scene, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents seven original compositions, one of which is repeated twice and another three times, producing ten tracks all together. The music includes individually composed pieces, others which are co-composed by Jachna and Tarwid and still others co-composed by all three members of the trio. In the last decade Jachna has been slowly, but firmly establishing his position as one of the top Polish Jazz trumpet players. His work with the Sing Sing PenelopeFind albums by this artist ensemble and his duets with drummer Jacek BuhlFind albums by this artist belong to some of the most impressive achievements of Polish Jazz during the last decade, which after all is densely populated in the trumpet department. In time he developed a unique voicing on both trumpet and flugelhorn, which for old people like me constantly bring fond reminiscences of the early days of Tomasz StankoFind albums by this artist. Jachna is not imitating Stanko nor is he trying consciously to sound like him, but his way of phrasing and the "dirty", coarse tone are simply so characteristic, that the immediate resemblance is unavoidable. The two youngsters share common music studies in Denmark, where hordes of young and talented Polish Jazz players go to polish their knowledge and chops, but most importantly they evidently share their talents and passion for music. Tarwid, who has been called a musical prodigy after winning several piano competitions at a ridiculous young age, proves that he is no gimmick and his piano work certainly fills the heart with hope for days to come. Karch, who studied with Polish Jazz drumming icon Czeslaw BartkowskiFind albums by this artist, is also quite a hot potato, as the music herein firmly confirms. Together the trio is definitely one of the freshest and most impressive new ensembles on the Polish Jazz scene and this debut emerges as one of the most striking recordings released in Poland this year. Everything that makes Polish Jazz so unique and outstanding is reflected on this album: a search for new ways to express emotions, a complete freedom from conventions, a disregard towards obvious and boring musical methodology and at the same time a deep respect towards the music´s profound tradition and aesthetics. As always, the fact that music of such magnitude can be produced by musicians of such remarkably young age is nothing short of astounding. The true depth of this music can be fully appreciated only if one takes a much broader view of it, beyond the Jazz conventions. It is no less relevant as a component of improvised chamber music, an imaginary ambient soundtrack or any other open minded musical exploration, which is genre free and at the same time cross-genre. Over the last decade I have invested a lot of emotions and hopes into Jachna´s music and it makes me extremely happy that he was able to come up with this culminating work, which was unquestionably worth waiting for. His choice of partners and his persistency finally came into fruition, which should make him and his companions tremendously proud. Chapeau to all the Young Lions!

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JACHNA / TARWID / KARCH ~ SUNDIAL II HEVHETIA 0130 (Barcode: 8588005257879) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is the second album by the excellent Polish Jazz trio consisting of trumpeter Wojciech JachnaFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. It presents nine original compositions, four of which were composed by Tarwid, two were composed by Karch, one was composed by Jachna, one was co-composed by Jachna and Tarwid and the final one was co-composed by all three members of the trio. The trio´s previous album, which created quite a stir on the Polish scene when it was released two years earlier, has set an incredibly high hurdle before the musicians to follow up and even more so to further develop their music, with the usual "second album dread" hovering above. I am delighted to say that they did not disappoint and managed very successfully to surmount all the perils. The main element of this album is the decisive role of the composition, which takes over the role of improvised music, which was the primary modus operandi on the debut album. It becomes very apparent after just a few moments of listening, that this music is carefully composed and structured, which takes it even closer to the contemporary Classical idiom and further away from Jazz, than previously. The music is mostly very serene, relaxed and minimalistic, with prolonged pauses and a vast amount of space between the notes, except for a few highly intensive passages. Tarwid, who is the primary composer this time, plays long solo piano passages, which resemble the characteristic atmosphere of the music by the great French composer Erik SatieFind albums by this artist. Jachna almost completely avoids his blistering staccatos and mostly just plays the melody lines and variations. Karch also does not play traditional rhythms, just adds percussive layer to the music, mostly using mallets and playing very modestly. As a trio they are extremely effective, balanced and expressive, using the silence and space as their most efficient tool. Together the trio creates an amazing amalgam of contemporary music, which simply eschews any simplistic classification. For a lack of a better definition it could be described as belonging to the very liberal and broad definition of the Jazz idiom, but in truth it could be also perceived as a next step in the development of contemporary music. Free yet organized, unconventional yet coherent, composed yet unexpected, this is definitely some of the best music that is being played in Europe these days. One can only speculate what these young musicians will come up with in the future, but it is pretty sure it will be fresh and intellectually challenging. This level of composition and performance happens only very rarely, even on the European Jazz scene, which is blessed with remarkable quantity of extremely talented young musicians. In the meantime we can enjoy every second if this superb album, filling our hearts with the joy of creation these musicians share with us. Absolutely brilliant!

Updated: 27/10/2016Posted: 27/10/2016

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JACHNA / TARWID / KARCH ~ SUNDIAL III HEVHETIA 0186 (Barcode: 8588005258593) ~ POLAND ~ Avant-Garde Jazz Recorded: 2018 Released: 2019 This is the third album by the excellent Polish Jazz trio consisting of trumpeter Wojciech JachnaFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist and drummer Albert KarchFind albums by this artist. This time the trio is expanded into a quartet with the inclusion of the veteran saxophonist Irek WojtczakFind albums by this artist. The album, recorded live, presents nine original compositions, all composed or co-composed by the trio members. It is quite a challenge to follow the two superb albums which the trio recorded earlier with another extraordinary piece of music, which will continue the same level of emotional depth and sophistication. This is perhaps the reason why the trio members decided to reinforce their ranks with the addition of Wojtczak, who has achieved a remarkable level of respect and appreciation on the Polish scene, being one of the most creative and open-minded musicians on the scene. In retrospect this decision proved to be most fruitful and successful musically. The music on this album is even more open and adventurous than on the two earlier albums, still offering a pre-composed skeleton but relaying more on spontaneous improvisation than ever before. It is therefore further removed from the Contemporary Classical tendencies followed earlier on and moves toward Avant-Garde contemporary music, with an emphasis on both group and individual improvisation. The melodic themes become more minimalist and nebulous, strongly related to the Krzysztof KomedaFind albums by this artist legacy he defined in the mid-1960s. I am pretty sure this music would put a smile on his face. As usual, the individual contributions by the trio members are highly inspired and perfectly executed. Wojtczak integrates with the trio completely and unconditionally, becoming entirely naturally an integral part of the music making unit. Obviously his presence enhances and deepens the overall sound and adds new possibilities, which are immediately sized upon by the trio members. One could hardly hope for a more innate combination of improvising powers than this. The future will tell weather Wojtczak joins the trio on a permanent basis, turning it into a quartet or this was just a one time only collaboration, but the potency of this ensemble is fully exposed on this album. It is only natural that musicians of this caliber refuse to stand still and keep searching constantly, and therefore it is completely normal to see the music evolving and developing from one album to the next. As long as they manage to keep it interesting, inspiring and deeply satisfying, like in this case, we should be grateful and feel blessed that such music is being made. Overall this is a remarkable album, certainly marking a noteworthy event in the 2019 list of Polish Jazz releases and deserving the admiration and respect reserved only for the very best of its kind. Thank you for the music, as always!

Updated: 24/05/2019Posted: 24/05/2019

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ALBERT KARCH / YUTA OMINO ~ HARE ALPAKA 006 ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2018 This is the debut album by the quartet co-led by Polish Jazz drummer Albert KarchFind albums by this artist and Japanese bassist Yuta OminoFind albums by this artist, which also includes pianist Momo OtaniFind albums by this artist and trumpeter Hiroyuki IshikawaFind albums by this artist. The album presents twelve original pieces, three by Karch, two by Omino and one by Otani, and the remaining six pieces are improvised (implicitly credited to all the quartet members). The music presents two quite contrasting facets: the three opening composed pieces and the closing piece are quite mainstream Jazz oriented, whereas the improvised pieces and the rest of the composed pieces clearly tend towards Free Jazz / Improvised Music. Therefore as a whole the album slightly lacks focus and clear musical direction. However considering the fact that it was recorded in a one-day recording session during the quartet´s tour of Japan, it is certainly a worthy and interesting effort. It is obvious that Ishikawa is the more improvisation inclined musician, as Otani is often absent during the improvised pieces and plays melodically at all times. The rhythm section plays splendidly from start to finish, doing a perfect job both in the more melodic pieces and during the improvised ones. Overall this is a most welcome meeting between Polish and Japanese musicians, which will hopefully continue to flourish in the future and encourage additional musicians from both countries to play together. Definitely worth investigating!

Updated: 14/09/2018Posted: 14/09/2018

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MAREK MALINOWSKI ~ ALONE REQUIEM 089 ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by Polish Jazz guitarist / composer Marek MalinowskiFind albums by this artist, recorded with his quartet which also includes trumpeter Michal MichotaFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents nine original compositions, seven of which were composed by Malinowski and one each by Michota and Urowski. The unusual guitar / trumpet front line of the quartet is immediately apparent while listening to this album, as are the melodic and very lyrical, sometimes almost ambient compositions, which dominate it. The music is pretty standard Jazz mainstream, except for the very last two minutes of the last tune, which are like a wakeup call after a long period of floating between dream and reality; which in my case leads to a question why isn´t more of this album´s music of the same character as the very last verses. Malinowski is a very skillful player, with a nice open, almost acoustic guitar sound, which suits the delicate melodic lines well. There is very little typical guitar flashiness and highly technical showoff, which makes his playing somewhat modest and subdued. However there is a lot of delicate beauty in his playing, which is revealed after patient listening. Michota displays a much flashier attitude, trying to impress with his staccato phrases, which still need some polishing. He is definitely a promising youngster but the trumpet scene in Polish Jazz is incredibly crowded in the last decade. The rhythm section comprises of two already established players, who are usually associated with a much freer musical environments. Both musicians play excellently of course and their input is what makes this music work as a whole. Urowski emerges as one of the leading bass players in the last decade and his work is always a delight. Overall this is a respectable debut effort, which shows a lot of future potential for the leader. The compositions are a bit restricted and after a while bring on a déjà vu impression, with a lethargic Scandinavian atmosphere calling the shots. It is definitely worth checking out.

Updated: 19/01/2018Posted:

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MINIM ~ EARTH KOLD (Barcode: 7427137119598) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the second album by Polish Jazz quartet MinimFind albums by this artist (previously named Minim ExperimentFind albums by this artist) comprising of guitarist / composer Kuba WojcikFind albums by this artist, keyboardist Kamil PiotrowiczFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Albert KarchFind albums by this artist and featuring the renowned experimental Tuvan singer Sainkho NamtchylakFind albums by this artist. The album presents nine original compositions, five of which were composed by Wojcik, two were improvised, one was co-composed by Wojcik and Piotrowicz and one was composed by Karch. Namtchylak added some improvised lyrics. The music is absolutely unique, to some extent continuing the ideas put forth on the debut, but exploring many new dimensions obviously inspired by the strong personality of Namtchylak and her vast experience. The result is an absolutely innovative amalgam of cross-genre music making, encompassing such diverse explorations as electronics, World Music, Avant-Garde, Jazz, Rock and a pleiad of other named and unnamed genres and sub-genres, all intermixed into a kaleidoscope of sounds, which is irresistibly beautiful. There is no doubt that the meeting between Minim and Namtchylak creates a result that is greater than just a sum of its ingredients. Namtchylak´s extended discography created in the last thirty years includes dozens of albums, but this recording definitely belongs to the very best of her outings. The wonderful fact is that she is carefully avoiding dominating the proceedings here despite her repute, allowing full freedom to the "youngsters" to state their ideas and by herself contributing only when appropriate. Minim present the individual talents of its members on this album, with beautifully lyrical piano parts by Piotrowicz, brilliant bass parts by Swies who turns out to be ready to step beyond the mainstream with Mastery and incredible feel, unusual and innovating guitar parts and superb compositional skills by Wojcik and highly imaginative drumming by Karch, who turns out to be one of the leading Polish young generation stick men; in short these guys are definitely worth being followed. This album is certainly one of the most interesting recordings released on the Polish scene in 2020, which suffered, as did the entire world, from the pandemic, which resulted in almost completely silencing many of the creative forces this year. As such, it offers hope and anticipation for great things to come in the future for all uncompromising, searching and open-minded Artistic minds. Music knows no borders and this album attest to this fact more convincingly that most other efforts, fully deserving our praise and gratitude. Hats off Lady and Gentlemen!

Updated: 01/01/2021Posted: 01/01/2021

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MINIM ~ MANIFESTO KOLD 0006 (Barcode: 606707738859) ~ POLAND ~ Avant-Garde Jazz-World Fusion Recorded: 2019 Released: 2021 This is the third album by Polish Jazz ensemble MinimFind albums by this artist led by guitarist / composer Kuba WojcikFind albums by this artist and the second release featuring renown Tuvan vocalist Sainkho NamtchylakFind albums by this artist. Minim on this recording includes keyboardist Grzegorz TarwidFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Albert KarchFind albums by this artist. The album was recorded live at the Warsaw club SPATIF and presents seven original compositions, five by Wojcik, one by Namtchylak and one co-composed by the two. The album is in fact a companion to the previously released studio album “EarthFind albums with this title”, both recorded in 2019, based on the same material. As already stated in my review of the a.m. studio album, this music is absolutely original and incomparable with anything created on the Polish Jazz scene or even worldwide scene for that matter. Obviously strongly under the spell of the Tuvan throat singing, which here appears as virtuosic improvised vocalese, the entire atmosphere of Avant-Garde Jazz-World Fusion manages to spellbind the listener from the very first note and maintain the suspenseful tension to the very last. Of course these are some of the best Polish Jazz musicians out there, so their individual performances come as no surprise, but the obvious bond they manage to create with the vocalist, who comes from a very different cultural background, speaks volumes about the open-mindedness they are blessed with and no less importantly the deep respect of dissimilar Cultures. As usual in such circumstances, it is fascinating to compare the studio and live versions of the same material as well as the interaction between the musicians in these two environments. Of course in this case one can be hardly surprised how different the two results can be, both able perfectly to preserve the esthetic validity of the music. Kamil PiotrowiczFind albums by this artist, who played on the studio album, and Tarwid, are two very different keyboardists, which of course has an impact on the differences found between these two recordings, which again emphasizes the amazing amount of talent among the new generation of Polish Jazz musicians. Overall, this is a perfect companion to the studio album and the two complete each other splendidly. The music is fascinating and often mindboggling, but despite the artistic freedom remain perfectly coherent. I can only repeat my recommendation to grab a copy of this album ASAP, and as usual thank the musicians for sharing their talents with us.

Updated: 09/11/2021Posted: 09/11/2021

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MINIM EXPERIMENT ~ DARK MATTER FOR TUNE 0107 (Barcode: 5906395808090) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016 This is the debut album by a young Polish Jazz quartet Minim ExperimentFind albums by this artist, led by guitarist / composer Kuba WojcikFind albums by this artist, which also includes pianist Kamil PiotrowiczFind albums by this artist, Italian bassist Luca CurcioFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents five pieces, all original compositions by Wojcik. The music is a wonderful open format amalgam of melodic themes and free improvisations, full of energy, inspiration and surprisingly fresh ideas, which are even more amazing considering the young age of the musicians involved. There is a wonderful balance between the melodic content and the freedom of expression, which keeps this music coherent and focused on one hand and opened and unexpected on the other hand, an ideal all modern Jazz musicians are striving to reach, but only very few actually succeed. There is of course a certain minimalism involved, as the name of the quartet suggests, but it is that wonderful kind of minimalism which manages to emphasize the "less is more" effect, which again is very rarely achieved. The individual contributions by all for musicians are outstanding. The leader plays with a very clean, almost sterile sound, eschewing electronic effects and other cornucopia, which is remarkably fresh and effective. Piotrowicz, who already has a couple of solo albums under his belt, sounds outstandingly open minded here, very far from the pretty conventional approach he used on his own albums, almost as if he wasn´t himself. Curcio does a great job on the bass, playing sparingly but always right on the money, with his individual punches standing like pillars upon which the rest of the music rests comfortably or arco work creating additional layers of the overall soundscape. Karch, who already made his impressive statements on other Polish Jazz albums, is the ideal drummer, who does not play rhythm but is there alongside his partners exactly when needed. Overall this is a brilliant debut album, one of the best Polish Jazz debuts of 2016 and perhaps even one of the best albums of this year. It is with great pleasure that I am able to write these words on New Year´s Eve, rounding up my work as a reviewer for 2016. A beautiful finishing accord of a very intense year for Polish Jazz, hopefully to be followed starting tomorrow! Hats off!

Updated: 31/12/2016Posted: 31/12/2016

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FRANCISZEK POSPIESZALSKI ~ 1ST LEVEL FOR TUNE 0123 (Barcode: 5906395808250) ~ POLAND ~ Avant-Garde Jazz Recorded: 2016 Released: 2017 This is the debut album by young Polish Jazz bassist / composer Franciszek PospieszalskiFind albums by this artist, recorded in a sextet setting with his fellow Polish students at Copenhagen´s Rhythmic Music Conservatory, which is very popular among the young generation of Polish Jazz musicians in the last decade. The other members of the sextet are: saxophonists Kuba WiecekFind albums by this artist and Jedrzej LagodzinskiFind albums by this artist, pianist Grzegorz TarwidFind albums by this artist and drummers Szymon GasiorekFind albums by this artist (who also plays electronic vibraphone) and Albert KarchFind albums by this artist. Trumpeter Szczepan PospieszalskiFind albums by this artist plays on one tune. The album presents seven original compositions, all by Pospieszalski, and one arrangement of a Classical piece. The music, which is absolutely beyond any known systematic classification, moves constantly between modern Jazz, group improvisation, contemporary Classical and a myriad of other not yet invented labels, and is utterly stunning in its inventiveness and complete disregard of stylistic or mental limitations. It is an extension to what the Love And Beauty SeekersFind albums by this artist trio (Pospieszalski / Lagodzinski / Gasiorek) brilliantly started on their debut album a year earlier, with the additional power and possibilities intrinsic to the larger sextet lineup. In short this is perhaps a beginning of a new Jazz genre, which appears here for the first time, and which is new and separate from anything else known in the past. It is mindboggling to hear what these young people manage to achieve here, which is more revolutionary and prophetic that what most Jazz musicians achieved in their lifetimes. As hard as it is to believe, this music is a quintessential expression of the Jazz exploration and development, which is the genre´s most important quality, especially in view of the fact that most other musical forms are simply dying or exist in a state of deep lethargy. Listening to this music reveals perhaps the last threads of hope for human Culture, which is still alive and kicking. Although the album is extremely short (just over thirty six minutes in duration), it is so extremely condensed and full of intellectual charge, that its unadulterated contents means more that dozens of other albums put together. As a result it stays apart from most other albums released in Poland this year, and is by far the most interesting release so far in 2017. It will perhaps take time for the listeners to fully understand the meaning and significance of this music, but the musical prophecy conveyed herein is bound to create a major impact. My deepest thanks go to these young Lions for keeping my faith in humanity afloat.

Updated: 18/07/2017Posted: 18/07/2017

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