Record Reviews

RAFAL GORZYCKI ~ PLAYING FOR TUNE 0088 (Barcode: 5902768701951) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2015 Released: 2016 This is an album by Polish Jazz drummer / composer / bandleader Rafal GorzyckiFind albums by this artist, one of the most prolific, diverse and always unpredictable figures on the local scene. This time he presents a trio, which also includes guitarist Marek MalinowskiFind albums by this artist and electric bassist Wojciech WozniakFind albums by this artist, and which performs ten tracks entitled simply "Playing" part 1 to part 10, two of which were composed by Gorzycki, four were co-composed by all three trio members and four more were co-composed by the previous lineup of the trio which included bassist Patryk WeclawekFind albums by this artist. The sound on an electric guitar trio immediately invokes associations with Jazz-Rock Fusion, and indeed this music has very close ties with Fusion, but encompasses a much wider stylistic variety than simply Fusion, including Improvised Music, Ambient and contemporary Chamber Music. With Gorzycki at the helm, this is hardly surprising, as his extensive recording legacy is characterized by its diversity and cross-genre explorations. Although pre-composed and melody based to some extent, this music includes a lot of space and freedom, which allows for very creative playing by the trio members, which they use liberally; but in spite of all that freedom, the music remains quite "well behaved" most of the time, which makes it accessible to a wide range of listeners. Creating music of such intrinsic beauty and highly aesthetic value and yet making it sound "simple" is a real artistry, and Gorzycki deserves praise for managing to achieving such result. Malinowski, who released his debut album as a leader ("AloneFind albums with this title") a year earlier, emerges as one of the most interesting new hopes of the Polish Jazz guitar players. His open and clean sound, which uses (almost) no electronic trickery, is very impressive and quite unique today in its straightforwardness. In many respects it brings back fond memories of the early Fusion days, when players like John McLaughlinFind albums by this artist were using a very similar sonic approach. Wozniak, who has some past Fusion ties as well, plays very skillfully and precisely, which is exactly what is expected of him in this setting. He plays a cool "walking" pulsations when the music swings and atmospheric prolonged phrases when it moves into a more ambient environment. This modesty and respect towards ones partners is a most formidable quality in a musician. Gorzycki is of course a Master drummer, a fact which requires no reinforcements, and indeed he plays very sparingly, cooperatively and relatively straightforwardly on this album, which is a very wise decision. When the music requires his input, he is always there and always at his best, but overall his playing on this album is primarily a part of the collective effort rather than claiming the role of a leader. The album was excellently recorded at the RecPublica Studios and engineered by Lukasz OlejarczykFind albums by this artist, and offers a superb sonic quality, which will make high-end Hi-Fi enthusiasts extremely happy. But overall it is definitely one of the best Polish Jazz albums released so far in 2016, and hopefully will reach a wide circle of music lovers, as it is definitely capable of capturing the hearts of very many connoisseurs anywhere in the world. Respect!

Updated: 07/05/2016Posted: 07/05/2016

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WOJCIECH JACHNA SQUAD ~ AD ASTRA AUDIO CAVE 2025/004 (Barcode: 5908298549926) ~ POLAND ~ Jazz Recorded: 2024 Released: 2025 This is the 3rd album by Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also keyboardist Jacek CichockiFind albums by this artist, guitarist Marek MalinowskiFind albums by this artist and drummer Rafal GorzyckiFind albums by this artist. The album presents six tracks, three original compositions by Jachna two by Gorzycki and one is an adaptation of a composition by Polish Classical composer Karol SzymanowskiFind albums by this artist. This new version of the ensemble was reduced to a quartet, leaving out a bass player, and the “new” drummer is an old collaborator of Jachna, since the days of the fabulous Sing Sing PenelopeFind albums by this artist ensemble days, and his presence has a major influence on the sound and ambience of the music. The music is almost entirely acoustic, with the exception of the electric guitar and synthesizers, which come up front momentarily, and strongly influenced by modern Classical music elements and Free Improvisation, which results in a much more demanding outcome than the two previous albums. As mentioned before, Gorzycki’s compositions and his dominant drumming give the music a somber, dense effect. Jachna’s trumpet parts are as fabulous as always, and he never fails to grab the attention of the listener, but his role is someway less central and leading on this album, with much more space given to the other three members of the ensemble. The balance between the instruments is also somewhat shifted towards the heavy drumming, which might sound a bit “unearthly” at first. This album definitely needs several listening sessions in order to embrace its unique qualities. It is very interesting to see the ensemble developing and changing the direction, especially when this leads towards a more ambitious and demanding results, but might also present a challenge to listeners, who are expecting something else, based on earlier exposure. For me personally this new direction is all for the good of course. Overall, this is a very interesting, captivating effort by Jachna and his colleagues, going back to his more Avant-Garde days of the mid-2000s, updated of course by the experiences gained since. It might surprise some of the listeners, but please give it some tome and open-mindedness and everything will work splendidly. Well done!

Updated: 11/03/2025Posted: 10/03/2025

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WOJCIECH JACHNA SQUAD ~ EARTH AUDIO CAVE 2022/002 (Barcode: 5908298549407) ~ POLAND ~ Jazz Recorded: 2021 Released: 2022 This is the second album by the Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also guitarist Marek MalinowskiFind albums by this artist, keyboardist Jacek CichockiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Mateusz KrawczykFind albums by this artist. The album presents seven original compositions, two composed by Urowski, two co-composed by all five members of the ensemble and one each by Jachna, Cichocki and Malinowski. The music seems to follow a somewhat different path than the debut album, being distinctly tamer and well-behaved than the debut. Lyrical melodic themes, gentle melancholic trumpet parts, synthesizer / moog ambient harmonic background layers, Fusiony guitar and steady rhythmic pulse are definitely not what one expects to hear on a Jachna album, but everybody has the freedom to change and evolve, and Jachna definitely does not need to prove anything to anybody anymore, being a master of his own music destiny. Of course here and there the music features some less polite moments and even almost free improvisations, which are a link to the familiar past, especially so on the group co-composed improvisation pieces but also partly in the other pieces. Personally I find this to be the most ambitious aspect of this album, but of course Jachna has already proved himself well beyond any doubt in that specific direction. Overall, this is, as always, an excellent album, probably the most accessible Jachna recording ever, but without any compromises aesthetically, artistically or creatively. The Squad manages to establish a distinctive sound and ambience as an ensemble, which of course is no less important. Despite the fact that this music more caresses than bites, it is still amongst the finest on the Polish Jazz scene. Well done!

Updated: 24/02/2022Posted: 24/02/2022

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WOJCIECH JACHNA SQUAD ~ ELEMENTS AUDIO CAVE 2020/005 (Barcode: 5908298549025) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020 This is the debut album by the Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also guitarist Marek MalinowskiFind albums by this artist, keyboardist Jacek CichockiFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Mateusz KrawczykFind albums by this artist. Four of these musicians (except for Malinowski) recorded already an album together five years earlier, called "The Right MomentFind albums with this title". The album presents seven original compositions, three composed by Jachna, two co-composed by all five members of the ensemble and one each by Cichocki and Malinowski. During the last decade (2010s) Jachna emerged as one of the leading representatives of the young (but rapidly maturing) Polish Jazz musicians, leading and taking part in many projects, which cover a diverse stylistic range between modern mainstream to advantageous avant-garde, managing to sound equally convincing regardless of the circumstances. The fact that his name appears on about thirty albums released during that period is no less than astonishing. This album seems to fall somewhere in the middle of the range, based on strictly composed and melodic themes on one hand, but being widely open to momentary free improvisation excursions. The addition of the guitar added new colors and influences like Blues and even Fusion, albeit subtle enough to be distinguishable primarily by a trained ear. The overall sound of the ensemble is brighter and spacier than on the a.m. album and noticeably more electric, with the addition of synthesizer and electric guitar sounds. Jachna´s trumpet parts, superb as always, seem to gradually gong more and more mellow and lyrical, loosing the rough edge that characterized his early days, which for me works all for the best. He is an absolute Master of minimalist expression and manages to create a remarkable amount of tension within relative brief solo parts. But the rest of the ensemble players all perform beautifully as well, emerging as ideal partners to the leader and contributing impressive soloing and collective performances and excellent rhythm section backbone support, which is inventive and contributes essentially to the entire musical fabric. It is truly satisfying to see Jachna and his partners evolving and exploring, continuously producing wonderful albums on the way. Overall this is a most impressive and deeply moving album, another great achievement for Jachna and his colleagues and a superb addition to his extensive recorded legacy. For all lovers of Polish / European Jazz this is an absolute must!

Updated: 28/05/2020Posted: 28/05/2020

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MAREK MALINOWSKI ~ ALONE REQUIEM 089 ~ POLAND ~ Jazz Recorded: 2014 Released: 2015 This is the debut album by Polish Jazz guitarist / composer Marek MalinowskiFind albums by this artist, recorded with his quartet which also includes trumpeter Michal MichotaFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents nine original compositions, seven of which were composed by Malinowski and one each by Michota and Urowski. The unusual guitar / trumpet front line of the quartet is immediately apparent while listening to this album, as are the melodic and very lyrical, sometimes almost ambient compositions, which dominate it. The music is pretty standard Jazz mainstream, except for the very last two minutes of the last tune, which are like a wakeup call after a long period of floating between dream and reality; which in my case leads to a question why isn´t more of this album´s music of the same character as the very last verses. Malinowski is a very skillful player, with a nice open, almost acoustic guitar sound, which suits the delicate melodic lines well. There is very little typical guitar flashiness and highly technical showoff, which makes his playing somewhat modest and subdued. However there is a lot of delicate beauty in his playing, which is revealed after patient listening. Michota displays a much flashier attitude, trying to impress with his staccato phrases, which still need some polishing. He is definitely a promising youngster but the trumpet scene in Polish Jazz is incredibly crowded in the last decade. The rhythm section comprises of two already established players, who are usually associated with a much freer musical environments. Both musicians play excellently of course and their input is what makes this music work as a whole. Urowski emerges as one of the leading bass players in the last decade and his work is always a delight. Overall this is a respectable debut effort, which shows a lot of future potential for the leader. The compositions are a bit restricted and after a while bring on a déjà vu impression, with a lethargic Scandinavian atmosphere calling the shots. It is definitely worth checking out.

Updated: 19/01/2018Posted:

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SCRATCHING FORK ~ SCRATCHING FORK FSR 2021/04 (Barcode: 5905279364875) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2017 Released: 2021 This is the debut album by Polish Jazz trio Scratching ForkFind albums by this artist, comprising of guitarist / composer Marek MalinowskiFind albums by this artist, bassist Robert Rychlicki-GasowskiFind albums by this artist and drummer Wojciech ZadruzynskiFind albums by this artist. The album presents seven original compositions, all by Malinowski and was recorded over three years before it was finally released. The music, although based on melodic themes, is very open and offers plenty of space for improvisation. The sound of the guitar, which although amplified, eschews heavy electronic effects and appears to be almost completely acoustic, dominates the overall atmosphere, creating a minimalistic effect. The rhythm section provides steady riffs, which keep the music flowing through the consecutive pieces, with occasional soli by the bassist. Malinowski has a very idiosyncratic style, almost completely different from most other guitarists in the Polish scene, which takes some time to get into, but eventually proves very satisfactory and effective. The excellent support from the rhythm section is also a major factor contributing to the music’s overall success. It is very difficult to classify this music stylistically, as it moves constantly between Fusion and more Jazz oriented improvisations, as well as contemplative ambient moods. But regardless of the label one wishes to put on the music, it is certainly interesting and worth investigating to a wide range of listeners ranging from Rock to Improvised Music. It would be interesting to hear how this music developed during the time that passed since it was recorded, as the sounds on this album leave all the options quite open.

Updated: 25/02/2021Posted: 25/02/2021

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