Record Reviews
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  | JAROMIR HNILICKA / KAREL VELEBNY ~ TYNOM TANOM INDIES HAPPY TRAILS 733 (Barcode: 8595026673328) ~ CZECH REPUBLIC ~ Jazz-World Fusion Recorded: 1970 Released: 2016
This is the sixth of a series of eight reissue / archival albums presenting the recorded legacy of one of the Godfathers of Czechoslovak modern Jazz, vibraphonist / pianist / saxophonist / composer / bandleader Karel VelebnyFind albums by this artist and his SHQFind albums by this artist ensemble. All the music is beautifully remastered and the album comes with extensive liner notes, extremely well researched and full of discographical information, sadly only in Czech language (which works fine for me, but probably less so for other enthusiasts who also might be interested).
Before taking part in the recording of this album, Velebny and SHQ released two albums out of Czechoslovakia: "NonetFind albums with this title" on SABAFind albums on this label (later MPSFind albums on this label) in West Germany and "Karel Velebny / SHQFind albums with this title" on the legendary ESPFind albums on this label label in USA (both recorded and released in 1968). Following the hiatus of the Prague Spring and the Warsaw Pact invasion of Czechoslovakia in August of 1968, recording and releasing albums was suspended for a while.
This album presents material captured during a two days recording session from April 1970. The eight tracks that were recorded during this session were released as a LP, credited to a tentet co-led by trumpeter / composer / arranger Jaromir HnilickaFind albums by this artist and Velebny. The material included Jazz interpretations of Czech, Moravian and Slovak folk songs, five arranged by Viklicky and three by Hnilicka.
The tentet included Velebny, who played vibraphone and bass clarinet, and Hnilicka, who played trumpet, as well as saxophonist / flautist Zdenek NovakFind albums by this artist, baritone saxophonist Josef AudesFind albums by this artist, trombonist Josef PavelkaFind albums by this artist, French horn player Emanuel HrdinaFind albums by this artist, pianist Ludek SvabenskyFind albums by this artist, guitarist Rudolf DasekFind albums by this artist, bassist Karel VejvodaFind albums by this artist and drummer Josef VejvodaFind albums by this artist.
Recording folklore material was the oldest trick in the book as far as Eastern European Jazz scene was concerned and served the Jazz community for many years to avoid censorship and receive permission to play and record Jazz music in the first place. This is perhaps the motivation behind this project, mixed with the Czechoslovak National pride hurt during the invasion; whatever the reason was this release marks the return of Velebny to "active duty" after a couple of years of silence.
Although the music is somewhat less exciting on this album, the arrangements and performances are all first class, as appropriate by these highly professional musicians. The tentet has almost the power of a Big Band and the intricate arrangements skillfully use the rich instrumentation to transpose the folk material into the Jazz idiom.
For fans of European Jazz and its history, the entire series is an absolute must, and the fact that most of this music is available on CD for the first time makes it an absolute treasure. Absolutely brilliant!
My personal thanks to Jaromir KratochvilFind albums by this artist, the owner of Indies Happy TrailsFind albums on this label, for his friendship and the incredible job he is doing to keep this music alive! Side Note Since the 1950s Czechoslovakia had a highly developed Jazz scene, certainly in proportion to its population, which included many successful ensembles and even Big Bands, as well as Jazz clubs, festivals and publications, all this in spite of state censorship and political limitations. The similar situation existed since the 1960s as far as Rock (including Progressive Rock and Jazz-Rock Fusion) was concerned, resulting in many excellent, interesting and innovative ensembles.
The music was relatively well documented by the three state owned record labels: SupraphonFind albums on this label (founded in 1927), PantonFind albums on this label (founded in 1968) and OpusFind albums on this label (founded in 1971 and based in Bratislava, created on the base of Slovak division of Supraphon). Following the "Velvet Revolution" in 1989, the state owned record labels were privatized, with Supraphon dominating the local market.
However, Supraphon was quite reluctant as far as exploring its vast back catalogue is concerned, and this is where the small independent Indies Happy TrailsFind albums on this label Records, a reissue label dedicated to the preservation of the recorded legacy of Czechoslovak music, owned and run by the devoted enthusiast / historian Jaromir KratochvilFind albums by this artist, founded in 2007, comes in. Over the years the label released a plethora of brilliant music, reissuing long deleted LPs and extensively exploring the archives in search of bonus material.
The quest of Indies Happy Trails is similar to what the GADFind albums on this label Records label, run by Michal WilczynskiFind albums by this artist, is doing for Polish music, with similar consistency and praiseworthy dedication.
| Updated: 27/02/2020Posted: 27/02/2020 | CD 1 Remastered Recommend To A Friend |
  | VARIOUS ARTISTS ~ PIANO JAZZ IN CZECHOSLOVAKIA JAZZHUS 7643 (Barcode: 4714816786435) ~ CZECHOSLOVAKIA ~ Jazz Recorded: 1965 - 1967 Released: 2012
This is a reissue / remaster of an album originally released by the Czechoslovak SupraphonFind albums on this label label in 1968. It presents six Czech and Slovak pianists, who shaped the Czechoslovak Jazz scene in the 1960s: Jan HammerFind albums by this artist (before he left for the US), Ladislav GerhardtFind albums by this artist, Rudolf RoklFind albums by this artist, Josef BlahaFind albums by this artist, Karel RuzickaFind albums by this artist and Ludek SvabenskyFind albums by this artist. Each of them presents two tracks, recorded in a classic piano trio format, except Rokl, who presents just one track (together eleven tracks). The Ruzicka tracks are recorded in a quartet setting. The music is a mixture of original compositions and Jazz standards. All the tracks were recorded in 1967, except the Rokl track, recorded in 1965. The original album was produced and includes liner notes by my dear late Friend Antonin MatznerFind albums by this artist. The remastered edition offers brilliant sound quality, considering the music was recorded almost sixty years ago.
The music is a splendid document of the incredibly high level of the Eastern European Jazz scene behind the Iron Curtain, at that time. Czechoslovak Jazz musicians were producing brilliant albums, which still sound incredible today and every bit as advanced musically as anything happening on the Western side of Europe, being an integral part of the exploding European Jazz emancipation. The musicians featured here were to produce many more excellent recordings in the future as leaders or members of other ensembles.
Overall, this is a brilliant time capsule, which offers a unique glimpse on the Czechoslovak Jazz scene at the time. Considering that these tracks were recorded spatially for this compilation, this album is a must for collectors of East European Jazz albums and of course Jazz piano trio lovers :)
| Updated: 14/12/2024Posted: 14/12/2024 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | KAREL VELEBNY ~ NONET SHQ & WOODWINDS MPS (JAPAN) 4988005415530 (Barcode: 4988005415530) ~ CZECHOSLOVAKIA ~ Jazz Recorded: 1968 Released: 2006
This is a reissue / remaster of an album by one of the Godfathers of Czechoslovak modern Jazz, vibraphonist / pianist / saxophonist / composer / bandleader Karel VelebnyFind albums by this artist and his SHQFind albums by this artist ensemble, which included also flautist Jiri StivinFind albums by this artist, pianist Ludek SvabenskyFind albums by this artist, bassist Karel VejvodaFind albums by this artist and drummer Josef VejvodaFind albums by this artist, and which was expanded to a nonet by the addition of a woodwind quartet, which included oboist Vlastimil KalaFind albums by this artist, bass clarinetist Miroslav KryslFind albums by this artist, French horn player Milos PetrFind albums by this artist and bassoonist Pavel ZednikFind albums by this artist. The album presents eight original compositions, two each by Karel Vejvoda, Josef Vejvoda and Velebny and one each by Stivin and Svabensky. The album was released originally on the legendary SABAFind albums on this label label.
The album was recorded in February of 1968, just a few months before the brutal invasion of Czechoslovakia by the armies of the Warsaw Pact, which was one of the most pivotal events of post WWII Eastern European history. Velebny was one of several Jazz musicians from behind the Iron Curtain, who got an opportunity to record for the SABA / MPSFind albums on this label labels, creating the first steps to the Pan-European Jazz scene, which exploded after the fall of the Soviet Union dominated Eastern Europe.
The music is absolutely stunning example of highly advanced modern Jazz, which amalgamated Third Stream motives, sophisticated arrangements and complex multi-theme compositions, which always characterized Czechoslovak Jazz. It remains as one of the finest achievements in Velebny’s brilliant career and his splendid recorded legacy, although sadly the album is almost completely unknown and extremely difficult to find, with only one Japanese CD reissue.
Overall, this is an absolute gem of an album in every respect, including the brilliant sound quality of the remaster. For fans of early East European Jazz this is a must in every respect! It took me ages to find a copy, so I am a happy music lover now! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 07/12/2024Posted: 07/12/2024 | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | KAREL VELEBNY ~ SHQ ESP 1080 (Barcode: 090204038237) ~ CZECHOSLOVAKIA ~ Jazz Recorded: 1968 Released: 2000
This is a reissue / remaster of an album by one of the Godfathers of Czechoslovak modern Jazz, vibraphonist / pianist / saxophonist / composer / bandleader Karel VelebnyFind albums by this artist and his SHQFind albums by this artist ensemble, which included also flautist Jiri StivinFind albums by this artist, pianist Ludek SvabenskyFind albums by this artist, bassist Karel VejvodaFind albums by this artist and drummer Josef VejvodaFind albums by this artist. The album presents five original compositions, three by Velebny, one by Stivin and one a folk tune arranged by Velebny.
The album was recorded in April of 1968, just a few months before the brutal invasion of Czechoslovakia by the armies of the Warsaw Pact in August 1968, which was one of the most pivotal events of post WWII Eastern European history. Velebny was one of several Jazz musicians from behind the Iron Curtain, who got an opportunity to record abroad, creating the first steps to the Pan-European Jazz scene, which exploded after the fall of the Soviet Union dominated Eastern Europe.
The music is absolutely stunning example of highly advanced modern Jazz, which amalgamated Third Stream motives, sophisticated arrangements and complex multi-theme compositions, which always characterized Czechoslovak Jazz. It remains as one of the finest achievements in Velebny’s brilliant career and his splendid recorded legacy.
This was the second album by SHQ released outside of Czechoslovakia, following the “Nonet SHQ & WoodwindsFind albums with this title” album released by the legendary German MPSFind albums on this label label. It was released by a non-less legendary American Avant-Garde label ESPFind albums on this label Disk, which explains the gigantic stylistic change in the musical approach, which is almost Avant-Garde Jazz oriented, with a lot of Free improvisation, although still based on clearly composed themes. The two albums were recorded only two months apart.
Overall, this is an absolute gem of an album in every respect, especially since it is one of the earliest Free Jazz recorded by musicians from behind the Iron Curtain. For fans of early East European Jazz this is a must in every respect!
| Updated: 01/02/2025Posted: 01/02/2025 | CD 1 Remastered Recommend To A Friend |
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