Record Reviews

LESZEK KULAKOWSKI ~ WITKACY NARKOTYKI SOLITON 1227 (Barcode: 5903684232277) ~ POLAND ~ Jazz & Poetry Recorded: 2021 Released: 2022 This is an album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, which presents a live recording of a spectacle, featuring music composed by Kulakowski and texts written by the Polish writer / poet / painter WitkacyFind albums by this artist (a.k.a. Stanislaw Ignacy WitkiewiczFind albums by this artist). The participants comprise of Kulakowski, who plays electronic keyboards rather than piano, vocalist Jorgos SkoliasFind albums by this artist, trumpeter Tomasz DabrowskiFind albums by this artist, guitarist Marcin WadolowskiFind albums by this artist, bassist Konrad ZolnierekFind albums by this artist, drummer Sebastian FrankiewiczFind albums by this artist and actor Jerzy KarnickiFind albums by this artist, who narrates the texts. The album presents seven tracks and is beautifully packaged with an informative booklet, which also includes all the texts, as well as Witkacy’s paintings. Witkacy’s literary / philosophical / artistic heritage remains to be controversial and more often than not misinterpreted since the day it was conceived and published, and the state of affairs did not change much during the last century. Many of the subjects touched upon by Witkacy in his works, like sex, drugs and social relationships remain a taboo in Poland to this very day, despite the superficial openness and modernism. Therefore, his artistry is often treated as scandalous and sensational, rather than prophetic and educational. This is not the first attempt to interpret Witkacy’s “aura” within the Polish Jazz setting of course. In the mid-1980s iconic Polish trumpeter / composer Tomasz StankoFind albums by this artist made a groundbreaking recording inspired by Witkacy’s legacy, which also related to the subject of drugs, which of course was a household issue among many Jazz musicians, not only on the west side of the Iron Curtain. The trumpet duos between Stanko and Andrzej PrzybielskiFind albums by this artist are certainly some of the Polish Jazz highlights of that period. Dabrowski’s parts on this album serve as a bridge between that momentous album and this new creation. But Kulakowski managed to create a completely new and original approach herein in every respect. The music is highly melodic, with clearly defined themes, the Funky, Fusion oriented rhythmic background makes the music sound contemporary and vigorous. The synthesizers suit this environment way better than acoustic piano, and Kulakowski certainly made the right choice here. Wadolowski’s guitar fits the scenario perfectly as well as the round and pulsating bass parts. But the greatest asset of this album are the vocal / vocalese parts by Skolias, who is as demonic and fascinating as only humanly possible. Overall, this is an important, courageous attempt to interpret Witkacy and his legacy, highly original and moving, and beautifully performed, especially considering the fact that this is a live recording, which offers a superb sound quality. Kulakowski never ceases to re-invent himself, and despite the fact that I know him and his music for so many years, he still manages to surprise me time after time. Hats off, Maestro!

Updated: 22/02/2022Posted: 22/02/2022

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NEW BONE ~ TEATR WITKACEGO OD-JAZZ-DOWO NOT ON LABEL 060 ~ POLAND ~ Jazz Recorded: 2015 Released: 2015 This is the fifth album by Polish Jazz quintet New BoneFind albums by this artist, led by trumpeter Tomasz KudykFind albums by this artist and including saxophonist Bartlomiej PrucnalFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. It presents seven compositions by Jerzy ChruscinskiFind albums by this artist, the resident composer of the WitkacyFind albums by this artist Theater in Zakopane, which were scored for seven different spectacles produced and performed by the Witkacy Theater over time and are now dressed up as Jazz pieces arranged by the members of New Bone. Although Wania, who joined the quintet just before they recorded their previous album, upgraded the overall level of their playing considerably, the quintet struggles from day one with their tendency to copy American Jazz from the 1960 and stay safely within the mainstream idiom, which was a waste of their potential. This album comes as a surprise in some respect, since New Bone make for the first time a serious effort to step up their antiquated approach and move into modern Jazz, still within the mainstream guidelines but at least using wider and less constrained tools to make the music more interesting, thanks more often than not to Wania´s superb playing. The arrangements work very well transforming the compositions, which were initially not meant as Jazz compositions, into the Jazz milieu, and are all good examples of the incredible importance and strength of a good arrangements. The performances are also quite excellent, vigorous and well rounded, as appropriate for musicians of such statue. Wania plays a myriad of small accents, chords and little ditties, which add a whole new dimension to this music and which would have sounded much less excitement without them. Prucnal gets at last an opportunity to show his chops and plays some exciting solos, although does not follow Wania in the "thinking beyond the box" approach. The rhythm section does a good job supporting the soloists and keeping the rhythmic dynamics working, but again avoids any attempt to try innovative rhythmic techniques. Overall this is definitely the best album recorded by New Bone, which finally shows hope that they might make it after all into an exciting and interesting musical unit, which they deserve to become. Let´s hope for the best.

Updated: 30/04/2022Posted:

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TOMASZ STANKO ~ PEYOTL - WITKACY POLONIA 037/038 (Barcode: 5904542687307) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1984 - 1986 Released: 2004 This is probably the most significant recording by Polish trumpeter virtuoso / composer Tomasz StankoFind albums by this artist, surely at least among his Polish recordings before his later ECMFind albums on this label period. Following Miles DavisFind albums by this artist, Stanko switched to Jazz-Rock Fusion (albeit a decade later) and his 1980s output with his FreelectronicFind albums by this artist ensemble is radically different from the Free Jazz he played in the 1970s. This double album consists of one studio recording and one live recording, both expressing Stanko´s power as a performer and a composer to the max. The studio album, which was compiled over a period of two years, presents music composed by Stanko at the period when he was experimenting with hallucinogens and was deeply influenced by the writings of the Polish mystic / philosopher / Avant-Garde artist WitkacyFind albums by this artist (Stanislaw Ignacy Witkiewicz), who was also an early experimenter with drugs. Text excerpts from Witkacy´s book about drugs are recited and closely incorporated into the fascinating music, which floats over a repetitious hypnotic vamp and layers of electronic keyboard sounds. The highlight of this album is undoubtedly the inclusion of a second genius trumpet player, Andrzej PrzybielskiFind albums by this artist, who exchanges licks with Stanko in a brilliant manner. The fact that Stanko invited Przybielski to participate in this recording is a testimony of how highly he regarded his unbelievable talent. Other musicians participating in these recordings are: keyboardists Janusz SkowronFind albums by this artist and Tadeusz SudnikFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist, bassist Witold SzczurekFind albums by this artist, and drummer Zbigniew BarysiakFind albums by this artist. The recitation is by the great actor Marek WalczewskiFind albums by this artist. In retrospect the fact that this music was recorded almost 30 years ago seem incomprehensible, as it so much more advanced that almost any music done these days. Stanko´s genius definitely reaches here one of its great peaks, which luckily for us was captured for posterity. Sadly this album is probably little known by his worldwide fan base, as it is very difficult to find, which of course is a shame. If one must own just one Stanko album, this is it, at least as far as I´m concerned. Absolute unadulterated genius!

Updated: 12/04/2019Posted:

CD 2 Essential Recommend To A Friend

WITKACY TRIBUTE ENSEMBLE ~ NIE Z SWIATA TEGO RG 110 (Barcode: 5904873488093) ~ POLAND ~ Jazz & Poetry Recorded: 2022 - 2023 Released: 2023 Here we are again, continuing the multi-disciplinary tribute to the iconic Polish Cultural figure of WitkacyFind albums by this artist. Several of the protagonists, who took part in creating the opening chapter of this tribute are back, headed by the project’s initiator and spiritus movens Bogusław RaatzFind albums by this artist, and some new ones join in, all united behind the idea of transforming the magic of Witkacy in time and form, a transformation as natural as the everlasting power of Culture itself. Combining the poignant texts by Witkacy with original music, creates a vehicle, which enables the listener to enter the world of Witkacy’s mystique, simply by allowing the words and music flow freely in the conscious / subconscious mind, hopefully opening a new window / a new perspective towards Witkacy and his epic contribution to Polish Culture. This second chapter of the tribute is by far not simply a reiteration of the opening chapter in any sense. The music is quite different, both stylistically and conceptually, the texts offer another outlook of Witkacy’s mindset, and the overall atmosphere is also significantly altered. Hopefully this is only a new and exciting chapter and not the final one, as this magnificent idea is way too good to be left lingering in space for too long, before we get another fix ;) Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 02/12/2023Posted: 02/12/2023

CD 1 Digipak Recommend To A Friend

WITKACY TRIBUTE ENSEMBLE ~ WISTOSC RZECZY RG 109 ~ POLAND ~ Jazz & Poetry Recorded: 2020 - 2021 Released: 2022 When we think about “universality”, we intuitively mostly think in just three dimensions, but relating to WitkacyFind albums by this artist and his multi-disciplinary legacy, the most important thing is the fourth dimension, i.e. time. From the perspective of a Century, his philosophy, writing, Art theory, painting, photography and even composition are completely time unrelated, being as relevant, and perhaps more relevant today, than they were at the time of their creation, mostly due to the fact that Witkacy was simply way ahead of his contemporaries, in every possible dimension. The mysticism, sensationalism and misinterpretation of his Cultural legacy is usually a result of ignorance and a rigid attempt to fit his heritage into later time period norms and social frameworks, which of course are completely opposed to his transcendental free-spirited universe. Witkacy was not a drug-consumed hippie, as many would like to portray him, or a social misfit. He was a genius trapped within the restrains of mediocrity, stupidity and conformism, that rule this world. The person in charge of the concept behind this project is of course Boguslaw RaatzFind albums by this artist, who wrote most of the music, assembled the musicians and defined the ambitious boundaries and Artistic credo of this project. It offers a wealth of authentic works by Witkacy, carefully assembled and encrusted in the musical layer, creating a whole that is way beyond just a sum of its parts. This is of course not the first attempt to create a musical tribute to Witkacy; the pioneering album by Polish Jazz trumpeter / composer Tomasz StankoFind albums by this artist, recorded in 1986, called “Peyotl - WitkacyFind albums with this title”, is an obvious reference and the hypnotic trumpet duet of Stanko and Andrzej PrzybielskiFind albums by this artist on that album remains a classic of that era. A Nation is only as strong as its passion for its Cultural heritage. Thank God some people are still able to channel their energy into pursuing this motto. This album is certainly an evidence of exactly that. Side Note The above are my liner notes included on this album's artwork. I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years. The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.

Updated: 30/04/2022Posted: 30/04/2022

CD 1 Box Set Recommend To A Friend