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420 Reviews Found. Use search to find more reviews or follow the links in the review text.

ABRAHAMS, MICK / BAND ~ LIVE IN MADRID
INDIGO 2065 ~ UK ~ Blues


Original Jethro Tull guitarist Mick Abrahams left to form Blodwyn Pig and then the Mick Abrahams Band in 1973. This live recording from 1974 captures the group playing what they know and like the best - electric blues. Mick`s virtuosity is in the forefront at all times and his 16+ minutes version of Cat Squirrel is an easy contest to Mr. Clapton. Surely one of the best ever UK blues guitarists gets the exposure he deserves.
 CD 1 Remastered Recommend To A Friend

ROLAND ABREU / CUBAN LATIN JAZZ ~ ROOTS
V 018 (Barcode: 5903111377199) ~ POLAND ~ Jazz-World Fusion

Recorded: 2019 Released: 2020

This is the second album by Cuban (resident in Poland) bassist / composer Roland AbreuFind albums by this artist and his Cuban Latin JazzFind albums by this artist quartet, which also includes Ukrainian saxophonist Taras BakovskyiFind albums by this artist, pianist Pawel KukulaFind albums by this artist and drummer / percussionist Dominik JaskeFind albums by this artist. Two additional Cuban percussionists: Nando Del RioFind albums by this artist and Elio Rodriguez LuisFind albums by this artist also take part in the recording. The album presents seven original compositions, all co-credited to the members of the quartet. The music was recorded at the splendid Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with a truly spectacular sound quality.

Cuban Jazz can not be played perfectly by musicians not originating from Cuba, and I am glad that this album presents music, which has obvious Cuban roots, but does not try to be strictly just Cuban Jazz. It offers a very successful amalgam between the Cuban rhythms and the Slavic lyricism represented by the rest of the quartet members, which works out very well, now for the second time in a row.

The compositions are all well structured and perfectly coherent; the melodic content is excellent, as are the arrangements spiced by the Cuban elements. Although the music is mostly on the lighter side of the Jazz spectrum, it is wonderfully entertaining and even spiced with a dash of exotic humor, which makes the album a true pleasure to listen to. But Jazz connoisseurs will be also able to enjoy the great saxophone and piano soloing, the wonderfully warm bass parts and the delightful polyrhythmic percussion "balagan".

Overall combining the fluent playing, nice tunes, exuberant rhythmic background and great sound quality, this album has a great entertaining value, without compromising the artistic qualities even one notch. This is one danceable piece of unadulterated pleasure, which is guaranteed to move your ass unless you are completely deaf.
Updated: 19/03/2020Posted: 19/03/2020CD 1 Digipak Recommend To A Friend

ALEJANDRO, EDESIO / RODRIGUEZ, ADRIANO ~ SOUL OF CUBA
BEMBE 2019 ~ CUBA ~ World Music & Folklore


AMG Review: It would be interesting to know what 74-year-old Cuban singer Adriano Rodriguez thought when his young, hip neighbor, Edesio Alejandro, approached him with the suggestion they work together in the recording studio. Whatever he thought going in, he must be at least a little mystified by what came out of this unusual collaboration and intrigued with the imagination of his young partner. Young musicians have worked with the old masters in the past, usually resulting in fairly faithful renditions of the old guy´s hits. Not this time. Alejandro started with a selection of eleven classic Cuban sons from the likes of Arsenio Rodriguez and Felix Chapottin. Next he added the fundamental sounds of the traditional son: claves clicking out the characteristic 3-2 beat that is at the heart of Cuban music. Traditional Cuban music has spawned many different musical styles — mambo, cha cha, salsa, Latin jazz, soukous, songo — but none so strange and beguiling as the music on this CD.
 CD 1 Recommend To A Friend

STANISLAW ALEKSANDROWICZ ~ PIESN O BEBNIE
NOT ON LABEL ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2022 Released: 2023

This is the second album by Polish Jazz drummer / composer / bandleader Stanislaw AleksandrowiczFind albums by this artist, recorded in a double quartet setting, with trumpeter Patryk RynkiewiczFind albums by this artist, saxophonist / bass clarinetist Wojciech BraszakFind albums by this artist, Italian Bassist Flavio GullottaFind albums by this artist and a string quartet. The album presents ten tracks: an introduction and a nine-part suite inspired by the poetry by Polish poet Zbigniew HerbertFind albums by this artist.

Aleksandrowicz describes the music accurately by saying that it amalgamates Classical Music tradition with the strictly composed string quartet parts, Jazz with the expressive improvised parts, often Free Form and finally Electronic Music with layers of synthesizer sounds and sampling from various sources.

For people familiar with Herbert’s poetry, and specifically the poem which gives the album its title, the music adds another layer of meaning to the poetry, serving as a soundtrack to his terrifying, apocalyptic view of the world, but the music does stand on its own as well, and certainly inspires and radiates a profoundly doomed atmosphere, which has a dismal aura.

The musical concept as well as the execution are absolutely stunning and Aleksandrowicz, despite his young age, emerges as a highly promising representative of the young Polish Jazz generation, reaching widely beyond the strict Jazz idiom. With a second excellent album within a brief period of time, he is certainly someone to watch carefully, especially in view of the intellectual complexity and depth he manages to create herein.

This album is so different and unlike anything else from what the Polish Jazz scene produces usually, that it almost creates its own specific “sub-genre”, which I can only describe as Zappaesque, giving it the highest possible compliment in my vocabulary. It is truly uplifting to get exposed to such level of creativity, depth and unique vision.

Overall, this is a phenomenal, completely unique piece of music, which is shockingly penetrating, and deserves some highly serious listening effort, in order to embrace its entire scope. Polish speaking listeners might be prompted to read some of Herbert’s magnificent poetry, although he was widely translated into other languages as well. This is some serious emotional eruption, worthy of being exposed to, and hopefully unforgettable.
Updated: 08/03/2023Posted: 08/03/2023CD 1 Mini-Sleeve Recommend To A Friend

STANISLAW ALEKSANDROWICZ ~ RELATIVITY THEORY
AKADEMIA MUZYCZNA POZNAN 1-04 ~ POLAND ~ Jazz

Recorded: 2021 Released: 2022

This is the debut album as a leader by young Polish Jazz drummer / composer Stanislaw AleksandrowiczFind albums by this artist, recorded with his quintet which also includes saxophonists Maciej KocinskiFind albums by this artist and Wojciech BraszakFind albums by this artist, trumpeter Patryk RynkiewiczFind albums by this artist and Italian bassist Flavio GullottaFind albums by this artist. Before releasing this album Aleksandrowicz took part in several recordings featuring musicians from the Poznan Jazz scene, by ensembles like Kwasny DeszczFind albums by this artist, AnomaliaFind albums by this artist and Unleashed CooperationFind albums by this artist, all of which are excellent achievements on their own. The album presents a six-part suite composed by the leader.

The music is somewhat resembling the modern Jazz movement that characterized the revolutionary Polish Jazz development in the 1960s, spearheaded by the Godfathers of the movement like Krzysztof KomedaFind albums by this artist and Tomasz StankoFind albums by this artist. The long tracks, based on sketchy melodic themes and dedicated mostly to both individual and group improvisation, almost but not quite Free, driven by strong pulsations by the rhythm section, all these create a déjà vu sensation of some early Polish Jazz albums of the period. Of course this does not mean that Aleksandrowicz is trying to copy that music, but rather refer to it respectfully, with his own personal flavors.

The pianoless quintet, with three horns at the helm and a highly dynamic rhythm section behind them creates a unique sound on the contemporary Polish Jazz scene, managing splendidly to overcome the lack of a harmonic instrument. Much credit goes to Gullotta, who succeeds to create a perfect background on which the horns can weave their improvisations and allows Aleksandrowicz to ornament the music with his percussive inventions, rather than keep time.

The music keeps the listener at a constant state of hypnotic attention, moving from one part of the suite to another smoothly and coherently. The concept of the quintet as an ensemble, rather than a collection of individuals, is achieved in full and the result sounds as organic as one might expect from any ensemble performing music together. As it often happens, drummers can be surprisingly interesting composers, way beyond the “bloke with sticks” image, which this album proves beyond any doubt.

Overall, this is a splendid debut effort, consolidating the position of Aleksandrowicz as one of the young Polish Jazz musicians, who deserve to be watched and followed. So far everything associated with his name proved to be highly deserving, and one can only wish him many further successes.
Updated: 25/09/2022Posted: 25/09/2022CD 1 Digipak Recommend To A Friend

ALEX BAND ~ THE ECCENTRIC
GAD 015 (Barcode: 5901549197174) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 1980 - 1981 Released: 2014

This is a reissue of the second album by the Polish Big Band ensemble Alex BandFind albums by this artist, which was one of very few bands active in Eastern Europe playing instrumental Brass Rock and mixing Jazz-Rock Fusion, Funk and Soul. The band was founded and led by Aleksander MaliszewskiFind albums by this artist and on this album included a nine-piece brass section and a seven-piece rhythm section, with three keyboardists, i.e. a seventeen-piece (including the leader) band – definitely a unique lineup, especially so in Poland which at the time was still very much behind the Iron Curtain. The music was produced at two recording sessions, held six months apart, and released by the Polish Jazz Society´s record label HeliconFind albums on this label in late October 1981 just in time for the annual Jazz Jamboree Festival. Of course shortly thereafter the Martial Law was declared in Poland and all things cultural were washed down the drain into the Vistula River. The album included six original compositions, all by the band members, and for this reissue was expanded by three bonus tracks, all of which are studio outtakes from the album´s sessions.

The music is beautifully performed and recorded, with a very unique sound and ambience, which sets it apart from almost anything else recorded at the time in Eastern Europe. On this album the brass parts are more extensive than on the debut album and feature intricate arrangements, similar to the arrangements of modern American Big Bands active at the time. In retrospect this music still sounds fresh and vital, as it was at the time of the recording. Considering the very high level of the compositions and a marvelous execution, there is no way this music will be ever outdated.

Reissuing this jewel is another credit to the GADFind albums on this label Records label, which time after time manages to uncover yet another glorious glimpse of the past that in most cases was completely forgotten till now. The music on this album is a first-class example of skillful arrangements and brilliant recording, which should be studied by today´s music students.

Of course this is also a historic document of utmost importance and an integral part of the long and winding road that Polish Jazz travelled on over the years. Keeping this music available should be supported by the Polish State, since it has a whole Ministry (of Culture and National Heritage) to do so, sadly very little is done on that level and it is, as always, up to private parties, like Michal WilczynskiFind albums by this artist, the man behind the GAD Records, to do the work of love which keeps Polish Culture alive and remembered. Thank you!
 CD 1 Remastered Bonus Tracks Recommend To A Friend

ALEX BAND ~ ZDERZENIE MYSLI
GAD 014 (Barcode: 5901549197167) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 1979 Released: 2014

This is a reissue of the debut album by the Polish Big Band ensemble Alex BandFind albums by this artist, which was one of very few bands playing instrumental Brass Rock and mixing Jazz-Rock Fusion, Funk and Soul active in Eastern Europe. The band was founded and led by Aleksander MaliszewskiFind albums by this artist and included a seven-piece brass section and a seven-piece rhythm section, with three keyboardists, i.e. a fifteen-piece (including the leader) band – definitely a unique lineup, especially so in Poland which at the time was still very much behind the Iron Curtain. The album included eight original compositions, all by the band members, and for this reissue was expanded by three bonus tracks, one being a studio outtake from the album and two originating from a non-album single released by the band.

The music is beautifully performed and recorded, with a very unique sound and ambience, which sets it apart from almost anything else recorded at the time. Concept and sound wise it is probably closest to the early Earth, Wind & FireFind albums by this artist, less the vocals of course. In retrospect this music still sounds fresh and vital, as it was at the time of the recording. Considering the very high level of the compositions and a marvelous execution, there is no way this music will be ever outdated.

Reissuing this jewel is another credit to the GADFind albums on this label Records label, which time after time manages to uncover yet another glorious glimpse of the past that in most cases was completely forgotten till now. The music on this album is a first-class example of skillful arrangements and brilliant recording, which should be studied by today´s music students.

Of course let´s not forget that this music was also meant to be fun, and fun it is indeed. It would sound great at any cool party and its quality puts easily to bed most of the terrible music made today and heard in public. If you can lay your hands on this gem, don´t hesitate even for a moment!
 CD 1 Remastered Bonus Tracks Recommend To A Friend

MONTY ALEXANDER ~ HERE COMES THE SUN
MPS 4029759124061 (Barcode: 4029759124061) ~ USA ~ Jazz

Recorded: 1971 Released: 2017

This is a reissue of the debut album for the MPSFind albums on this label label by American (born in Jamaica) pianist / composer Monty AlexanderFind albums by this artist, recorded in a quartet setting with legendary bassist Eugene WrightFind albums by this artist, drummer Duffy JacksonFind albums by this artist and percussionist Montego JoeFind albums by this artist. The quartet performs seven compositions, which include one original by Alexander and the rest are interpretations of popular songs, traditional songs or Jazz standards.

Influenced by the American mainstream piano Jazz giants, Alexander added Caribbean influences and created his own personal style, which gained him popularity and a long lasting career which continues to this very day. However in retrospect the flashy technical proficiency and the early Jazz-World Music exploration did not make a lasting statement and his playing remains unchanged during the last five decades.

Connoisseurs of classic Jazz piano trio music should find this album delightful, but certainly not innovative or searching. The dazzling technique is a bit arduous at times, but overall enjoyable. This music sounds today exactly as it did at the time of its recording and a nostalgic glance backwards adds a sparkling teardrop perspective. Considering the excellent sound quality, this is still a great listening experience today, when in mood for an easier, entertaining side of the Jazz spectrum.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 28/05/2018Posted: 24/02/2018CD 1 Mini-Sleeve Remastered Recommend To A Friend

MONTY ALEXANDER ~ MONTREUX ALEXANDER
MPS 4029759113454 (Barcode: 4029759113454) ~ USA ~ Jazz

Recorded: 1976 Released: 2016

This is a reissue of an album by American (born in Jamaica) pianist Monty AlexanderFind albums by this artist, which was his seventh album for MPSFind albums on this label and the first live recording with his trio, captured as the title suggests at the Montreux Jazz Festival, which also included bassist John ClaytonFind albums by this artist and drummer Jeff HamiltonFind albums by this artist. The trio performs six pieces, five of which are standards and one is a traditional tune arranged by Alexander.

Alexander was influenced by the Giants of the American Jazz piano, like Oscar PetersonFind albums by this artist, Erroll GarnerFind albums by this artist and many others, and his technically brilliant playing mixed these influences with the Caribbean elements of his origins, creating a very attractive and immensely popular brand of piano trio Jazz, which brought him success in the US and in Europe. This album is considered to be the best effort of his very extensive recorded legacy and is often also included in the list of some of the best live piano trio albums.

In retrospect it still is a good piano trio album, but nothing which deserves to be considered a classic, as it presents nothing beyond standard interpretation of standard tunes, which of course was done repetitively over time, however skillful and "flashy" it might appear, without leaving a lasting influence on the Jazz idiom.

However, considering the brilliant sound quality of the live recording and the likeability of the music, this album is sure to bring plenty of joy to people who enjoy the lighter side of Jazz. As usual it´s great to have this album back in circulation!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 28/05/2018Posted: 17/12/2016CD 1 Mini-Sleeve Remastered Recommend To A Friend

MONTY ALEXANDER ~ RASS!
MPS 4029759097372 (Barcode: 4029759097372) ~ USA ~ Jazz-World Fusion

Recorded: 1974 Released: 2014

This is a reissue of a little known album by American (born in Jamaica) pianist / composer Monty AlexanderFind albums by this artist, who started as a young prodigy and later on recorded many albums for the MPS label in the 1970s and early 1980s. This particular album is unusual since Alexander plays the Fender Rhodes rather than the acoustic piano, and is accompanied by Jamaican musicians. The other musicians playing on this album are guitarists Ernest RanglinFind albums by this artist and Clarence WearsFind albums by this artist, bassist Jackie JacksonFind albums by this artist, drummer Sparrow MarlinFind albums by this artist and percussionists Noel SealeFind albums by this artist and Denzil LaingFind albums by this artist. Together they perform six tunes, three of which are standards and three are traditional folk songs arranged by Alexander.

The music is an early Jazz-World Music Fusion, which uses Caribbean rhythms and melodies in addition to the standard Jazz phrasing, which was still pretty innovative at the time. In the very extensive recorded legacy created over the years by Alexander, this album still remains as one of the most interesting ones.

It is good to have this album back in circulation, as it remains interesting and fresh regardless of the passing time and is certainly a very pleasant listening experience also today.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 27/05/2018Posted: 12/10/2016CD 1 Slipcase Remastered Recommend To A Friend

ALLMAN BROTHERS BAND ~ AMERICAN UNIVERSITY WASHINGTON, D.C. 12/13/70
CASTLE 1186 (Barcode: 5050749411860) ~ USA ~ Classic Rock

Recorded: 1970 Released: 2005

Every piece of recorded legacy by the classic Allman Brothers BandFind albums by this artist is always welcome, especially is it as well recorded as this one. The Allmans go through their well known material with vigor and passion and the 15+ minutes "You Don`t Love Me" and 20+ minutes "Whippin` Post" are superb showcases of Duane`s mastery of guitar genius. Even if you already own other ABB live recordings, there is never enough of this AFAIAC!
Updated: 20/12/2024Posted: CD 1 Recommend To A Friend

ALLMAN BROTHERS BAND ~ AT FILLMORE EAST (DELUXE EDITION)
MERCURY 077353 (Barcode: 044007735329) ~ USA ~ Classic Rock

Recorded: 1971 Released: 2003

3rd album, recorded live in 1971 when the Allman Brothers BandFind albums by this artist were at the peak of their creative powers and before a long chain of tragic events that seemed to haunt them later. Considered by many as one of the best Rock / Blues albums ever recorded, certainly one of the best ever live albums. Featuring the dual guitar leads by Duane AllmanFind albums by this artist and Dickey BettsFind albums by this artist exchanging licks of heartbreaking beauty. This edition includes for the first time the entire material recorded at Fillmore with `Mountain Jam` expanded to the original 33+ minutes version. Over 2 and a half hours of pure, unadelturated musical pleasure!
Updated: 18/01/2016Posted: CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

ALLMAN BROTHERS BAND ~ DOWN IN TEXAS `71
ALLMAN BROTHERS BAND 821229000219 (Barcode: 821229000219) ~ USA ~ Blues-Rock

Recorded: 1971 Released: 2021

This is an archival live album by the iconic American Rock band The Allman Brothers BandFind albums by this artist, recorded on September 28, 1971 at the Austin, TX Municipal Auditorium just a month before the tragic death of Duane Allman. It presents the first lineup of the group, which included the six founding members: guitarist Duane AllmanFind albums by this artist, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist. Saxophonist Juicy CarterFind albums by this artist guests on six tracks.

The album presents the band’s “usual” set played at the time, with nine tracks, one of which is over fifteen minutes long, and a bonus track with a radio interview with Duane Allman and Berry Oakley, recorded in Huston, TX on June 6, 1971. The music was carefully restored form the original tapes and the sound quality, albeit not nearly perfect, is definitely good enough to enjoy the music.

The imminent comparison between this album and the “At Fillmore EastFind albums with this title” is pretty redundant. Each and every performance by the band was completely unique, even if the setlist was pretty stable. The presence of Carter had only a marginal influence on the overall sound and his contributions are hardly audible. The Allman Brothers Band was at the absolute peak of its form, following many concerts and common experiences, and as such produced the ultimate Rock album of all times just a few months earlier. They were an exceptionally gifted group of musicians, who played their hearts out and all this is evident herein. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…

Overall, this is another document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which is the name of the game here, never sounded better and is still light-years ahead of anything played today.
Updated: 11/01/2025Posted: 11/01/2025CD 1 Mini-Sleeve Recommend To A Friend

ALLMAN BROTHERS BAND ~ EAT A PEACH
CAPRICORN 531261 ~ USA ~ Classic Rock


4th album (recorded 1971-72) and the first release following Duane AllmanFind albums by this artist´s tragic death. Originally released as a double LP, it contains 3 different sessions: studio recordings completed while Duane was still alive, studio recordings completed by the band without Duane and live recordings from the Fillmore East (included also on the DeLuxe edition of the Fillmore East album). In retrospect it is a magnificent album, full of brilliant performances and vital energy with a drop of bitter sadness. Classic stuff!
Updated: 18/01/2016Posted: CD 1 Remastered Recommend To A Friend

ALLMAN BROTHERS BAND ~ EAT A PEACH (DELUXE EDITION)
MERCURY 987784 (Barcode: 602498778494) ~ USA ~ Classic Rock

Recorded: 1971 Released: 2006

4th album by Allman Brothers BandFind albums by this artist and the first release following Duane AllmanFind albums by this artist´s tragic death. Originally released as a double LP, it contains 4 different sessions: studio recordings completed while Duane was still alive, studio recordings completed by the band without Duane, live recordings at the Fillmore East, recorded in March 1971 and included also on the Deluxe edition of the Fillmore East album and finally live recordings at Fillmore East, recorded in June 1971, which was Duane’s last live recording. In retrospect it is a magnificent album, full of brilliant performances and vital energy with a drop of bitter sadness of course. This is classic stuff, which deserves a permanent position in any decent music library. The new exquisite edition includes the entire June 1971 Fillmore East concert, released here for the first time. As the Allmans were first a foremost a live band, this new material is, as usual, a gold mine of musical thrills. Essential!
Updated: 18/01/2016Posted: CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

ALLMAN BROTHERS BAND ~ FILLMORE EAST, FEBRUARY 1970 (DELUXE EDITION)
ALLMAN BROTHERS BAND 821229000011 (Barcode: 821229000011) ~ USA ~ Blues-Rock

Recorded: 1970 Released: 2018

This is an expanded reissue / remaster of the live album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, released originally as a single CD in 1996. It presents the first lineup of the group, which included the six founding members: guitarist Duane AllmanFind albums by this artist, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist. The album was recorded at the Fillmore East in NY almost exactly one year before the iconic live album “At Fillmore EastFind albums with this title” album was recorded.

The music was recorded by the great soundman Owsley StanleyFind albums by this artist (a.k.a. Owsley “Bear” StanleyFind albums by this artist), who was Grateful DeadFind albums by this artist’s soundman for many years, and his recordings were released under the “Bear’s Sonic Journals” moniker, including this album. The original 1996 edition, which is a compilation of material recorded during the three nights Allmans played at the Fillmore East, February 11,13 and 14, 1970, was expanded by additional 2 CDs with the entire surviving material from those three nights, all restored and remastered, offering a superb sound quality.

The imminent comparison between this album and the “At Fillmore East” is pretty redundant. One year later the band was at the absolute peak of its form, following many concerts and common experiences, and as such produced the ultimate Rock album of all times. But already at the time this music was recorded, Allman Brothers Band were an exceptionally gifted group of musicians, who played their hearts out and all this is evident herein. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…

Overall, this is a brilliant document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which was the name of the game here, never sounded better and is still light-years ahead of anything played today.
Updated: 24/03/2023Posted: 20/02/2023CD 3 Digipak Remastered Recommend To A Friend

ALLMAN BROTHERS BAND ~ FILLMORE WEST `71
ALLMAN BROTHERS BAND 821229000042 (Barcode: 821229000042) ~ USA ~ Blues-Rock

Recorded: 1971 Released: 2019

This is an archival live album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, recorded during their weekend (three nights) residence at the San Francisco’s Fillmore West on January 29, 30 and 31, 1971, just six weeks before the band recorded their seminal / iconic live album “At Fillmore EastFind albums with this title”. It presents the first lineup of the group, which included the six founding members: guitarist Duane AllmanFind albums by this artist, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist.

The album presents the entire sets of each night, with the first night on CD 1, the second on CD 2 and the third on CD 3 & 4, which also includes a 45 minutes long version of “Mountain Jam” recorded almost a year earlier (March 13, 1970) at The Warehouse in New Orleans. The music was carefully restored form the original tapes and the sound quality, albeit not perfect, is definitely good enough to enjoy the music without any hitch.

The imminent comparison between this album and the “At Fillmore East” is pretty redundant. Each and every performance by the band was completely unique, even if the setlist was pretty stable. The Allman Brothers Band was at the absolute peak of its form, following many concerts and common experiences, and as such produced the ultimate Rock album of all times just a few weeks later. They were an exceptionally gifted group of musicians, who played their hearts out and all this is evident herein. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…

Overall, this is a dazzling document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which is the name of the game here, never sounded better and is still light-years ahead of anything played today.
Updated: 24/03/2023Posted: 24/03/2023CD 4 Mini-Sleeve Remastered Recommend To A Friend

ALLMAN BROTHERS BAND ~ IDLEWILD SOUTH (45TH ANNIVERSARY SUPER DELUXE EDITION)
MERCURY 602547346476 (Barcode: 602547346476) ~ USA ~ Pop & Rock

Recorded: 1970 Released: 2015

This is a remastered / expanded reissue of "Idlewild SouthFind albums with this title", the second studio album by The Allman Brothers BandFind albums by this artist, originally released in September 1970. The Allman Brothers Band was America´s greatest ever Rock band, which combined superb songwriting, instrumental virtuosity and Rock improvisation in a way that no other American band was able to reiterate ever since. This edition adds five bonus tracks (two outtakes and two alternate takes, all previously unreleased, and a mono single version of one of the album´s songs). In addition this edition also includes the monumental live album "Live At Ludlow Garage 1970Find albums with this title", expanded by one previously unreleased track, which lasts about fifteen minutes. Considering the fact that the live album, recorded on April 11, 1970 (it was released only in 1990), was captured for posterity during the recording sessions of "Idlewild South", which lasted between February and July of 1970, produced by the legendary Tom DowdFind albums by this artist, it is an integral part of the band´s musical statement at that point of time and combining these two albums here makes perfect sense.

The personnel on both albums features guitarist Duane AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, keyboardist / vocalist Gregg AllmanFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist. The studio album also features harmonica / percussion player Thom DoucetteFind albums by this artist. Most of the material performed by the band was written by Gregg Allman, Duane Allman and Betts, but included also the band´s versions of classic Blues anthems.

In addition to the studio and live albums, this set also includes a Blu-Ray Pure Audio disc, with high definition sound mixes of the studio album and the four unreleased outtakes / alternate takes. Also included is an in-depth essay about the band by John LynskeyFind albums by this artist, with many photographs and detailed information about this set´s contents.

This set in only the second best piece of music by The Allman Brothers Band, next to the celebrated "The 1971 Fillmore East RecordingsFind albums with this title", the recently expanded live album, which is absolutely the best live Rock album of all times.

They don´t make music like that any more, that is a fact, and therefore the best we can do is listen for what the past left us as a legacy of our generation´s Culture. Thanks to the miracle of sound recording, even if music (and our Culture) continues to disintegrate as it does now, there is enough great music already recorded to last for eternity. This is just one of the eternal treasures.
Updated: 29/01/2019Posted: 30/05/20163CD+DVD 4 Mini-Sleeve Remastered Bonus Tracks Essential Recommend To A Friend

ALLMAN BROTHERS BAND ~ LIVE AT THE ATLANTA INTERNATIONAL POP FESTIVAL
EPIC 510100 (Barcode: 5099751010029) ~ USA ~ Classic Rock


Recorded just a few months (July 1970) before the legendary Fillmore gig, this is the Allman Brothers BandFind albums by this artist at the peak of their powers, playing their hearts out. Amazingly these two sets remained unreleased for such a long time, as in retrospect they rival the legendary Fillmore recordings both in sound and material quality. As a bonus, the almost half hour long Mountain Jam features a third guitarist - one Johnny WinterFind albums by this artist - which turnes this piece into an anthem of 1970`s guitar rock at its best. Absolutely essential not only for Allmans` fans, but in memoriam of the great times that are gone forever!
Updated: 18/01/2016Posted: CD 2 Digipak Remastered Essential Recommend To A Friend

ALLMAN BROTHERS BAND ~ LIVE FROM A&R STUDIOS
ALLMAN BROTHERS BAND 821229111625 (Barcode: 821229111625) ~ USA ~ Blues-Rock

Recorded: 1971 Released: 2016

This is an archival live album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, recorded for a radio broadcast on August 26, 1971 at the A&R Studios in NY. The Allmans were in top form, following the explosive success of their seminal / iconic live album “At Fillmore EastFind albums with this title” recorded half a year earlier, and of course completely oblivious of the forthcoming tragedy which was about to strike with the death of Duane AllmanFind albums by this artist just two months later. It presents the first lineup of the group, which included the six founding members: guitarist Duane Allman, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist.

The album presents the entire set of that recording session, nine tracks of superb playing by the band, with two extended tracks running eleven and nineteen minutes respectively. The music was carefully restored form the original tapes and the sound quality is as perfect, as the forty-five years old tapes were able to capture it at the time, which is definitely good enough to enjoy the music without any hitch.

During the performance the band pay tribute to their friend, saxophonist King CurtisFind albums by this artist, who was tragically murdered just a few days earlier. They included a medley of two songs in his memory, which is the longest track on this album and which includes what can be considered as the most monumental guitar solo by Duane Allman. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…

Overall, this is a dazzling document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which is the name of the game here, never sounded better and is still light-years ahead of anything played today.
Updated: 26/03/2023Posted: 26/03/2023CD 1 Remastered Recommend To A Friend

ALLMAN BROTHERS BAND ~ MANLEY FIELD HOUSE, SYRACUSE UNIVERSITY, APRIL 7, 1972
ALLMAN BROTHERS BAND 821229000394 (Barcode: 821229000394) ~ USA ~ Blues-Rock

Recorded: 1972 Released: 2023

This is an archival live 2CD album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, recorded some five month following the tragic Death of Duane AllmanFind albums by this artist, with the group following heroically as a quintet, led by keyboardist / vocalist Gregg AllmanFind albums by this artist and including the original members: guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist.

The album presents the entire set including an introduction and eleven tracks with the classic material that the group played at all gigs at the time. Two tracks last for over fifteen minutes and one for over twenty minutes, offering extensive instrumental improvisations, which characterized the live performances of the group. Obviously the loss of Duane makes its mark, but the quintet lineup performs remarkably well, displaying the usual high energy and dedication, which makes this music completely time resistant. The recording quality is absolutely fabulous, and allows the listener to enjoy the atmosphere and excitement of the event in full.

Although this album does not add anything that the Allman Brother Band followers were not exposed to previously, but the character of the group and the individual talents were such a unique phenomenon that in retrospect every second of music performed by them is absolutely worth being remembered for posterity, and perhaps even studied by contemporary musicians, who have a hard time trying to create anything as remarkable and lasting as what can be heard here.

Overall, this is another precious time capsule of Rock history, which captures music created by some of the greatest heroes of the genre, which over five decades after it was recorded sounds infinitely better that anything created today. It is a superb example of Rock improvisation at its best, as well as sublime songwriting and Blues-Rock tradition. An obvious must to all ABB aficionados, but all music lovers should find this enormously entertaining.
Updated: 26/03/2024Posted: 26/03/2024CD 2 Mini-Sleeve Remastered Recommend To A Friend

ALLMAN BROTHERS BAND ~ SYRIA MOSQUE, PITTSBURGH, PA JANUARY 17, 1971
ALLMAN BROTHERS BAND 821229000363 (Barcode: 821229000363) ~ USA ~ Blues-Rock

Recorded: 1971 Released: 2022

This is an archival live album by the iconic American Rock band The Allman Brothers BandFind albums by this artist, recorded just a couple om months before the band recorded their seminal / iconic live album “At Fillmore EastFind albums with this title”. It presents the first lineup of the group, which included the six founding members: guitarist Duane AllmanFind albums by this artist, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist.

The album presents the band’s “usual” set played at the time, with eight tracks, two of which are over fourteen minutes long and one is over twenty minutes long. The music was carefully restored form the original tapes and the sound quality, albeit not perfect, is definitely good enough to enjoy the music without any hitch.

The imminent comparison between this album and the “At Fillmore East” is pretty redundant. Each and every performance by the band was completely unique, even if the setlist was pretty stable. The Allman Brothers Band was at the absolute peak of its form, following many concerts and common experiences, and as such produced the ultimate Rock album of all times just a few weeks later. They were an exceptionally gifted group of musicians, who played their hearts out and all this is evident herein. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…

Overall, this is a dazzling document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which is the name of the game here, never sounded better and is still light-years ahead of anything played today.
Updated: 20/12/2024Posted: 20/12/2024CD 1 Mini-Sleeve Recommend To A Friend

ALLMAN BROTHERS BAND ~ THE 1971 FILLMORE EAST RECORDINGS
MERCURY 602537736935 (Barcode: 602537736935) ~ USA ~ Blues-Rock

Recorded: 1971 Released: 2014

How does one take the best ever live Rock album and make it even better? This sensational set is the answer and the proof that is can be done. The music by Allman Brothers BandFind albums by this artist at their absolute peak, recorded live at the Fillmore East on March 12 & 13, 1971 (two shows each day) and again on June 27, 1971 produced initially the legendary "At Fillmore EastFind albums with this title" double LP, their third album, which in time earned the title of the best live album of all times, which is fully justified to this very day. The deluxe edition form 2003 expanded the contents to include about two and a half hours of music, but this edition takes it to the max, spread over six CDs and presenting the full five Fillmore concerts that served as the source of the earlier releases.

At the time of the recording Allman Brothers Band consisted of guitarist Duane AllmanFind albums by this artist, guitarist / vocalist Dickey BettsFind albums by this artist, keyboardist / vocalist Gregg AllmanFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer Butch TrucksFind albums by this artist and drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist). Duane Allman died in a motorcycle accident on October 29, 1971 and Berry Oakley followed him a year later on November 11, 1972 in similar circumstances, which closed that chapter of this seminal band.

The great thing about this set is of course the possibility to hear the music in a complete unabridged and unspoiled form, and then be able to compare the different versions of the same tunes. The set lists are very similar which results in same of the tunes to appear in five different versions. Of course in the case of Allman Brothers Band the extensive instrumental improvised passages differ considerably between each other and are a superb document of the role of improvisation in the Rock idiom. Duane Allman, who shortly before these shows completed his part in recording the seminal album "Layla And Other Assorted Love SongsFind albums with this title" with Eric ClaptonFind albums by this artist, was familiar with the extensive improvisational style, which Clapton developed during his Cream days. The two exchanged licks for hours, which can be heard on the 20th Anniversary Edition and the 40th Anniversary Super Deluxe Editions of "Layla" and obviously adopted them as part of the Allman Brothers Band routine.

Listening to this music in depth allows the listener to be metaphysically transported a few decades back, when music was all about music and nothing else mattered. Every note played here is a statement of musical truth that these musicians wanted to share with their audiences. That required total dedication and commitment, which are sadly completely absent form today´s music scene.

Luckily this set was not contaminated by various high-resolution bullshit remixes and other atrocities of the music industry´s confusion, simply giving the listener the naked truth, as captured at the time, for people who have two ears. For people who love Blues and Rock, this set is beyond essential!
Updated: 18/01/2016Posted: 18/01/2016CD 6 Digibook Box Set Remastered Bonus Tracks Essential Recommend To A Friend

ALLMAN BROTHERS BAND ~ WIPE THE WINDOWS, CHECK THE OIL, DOLLAR GAS
MUSIC ON CD 14192 (Barcode: 600753959527) ~ USA ~ Classic Rock

Recorded: 1972 - 1975 Released: 2022

This is a reissue / remaster of the live album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, released originally as a 2LP in 1976. It presents the group in the first years following the tragic deaths of their guitarist Duane AllmanFind albums by this artist and bassist Berry OakleyFind albums by this artist. The lineup of the band included the four founding members: vocalist / keyboardist / guitarist Gregg AllmanFind albums by this artist, vocalist / lead guitarist Dickey BettsFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist, and new members: keyboardist Chuck LeavellFind albums by this artist and bassist Lamar WilliamsFind albums by this artist. The album presents eleven tracks, taken from their album “Brothers And SistersFind albums with this title” and earlier albums. The newly remaster album offer a far superior sound quality to the original release.

The album was poorly received at the time of its initial release, mainly due to the imminent comparison to the legendary “At Fillmore East” live album, which remains as one of the undisputable best live Rock albums of all time. However, the music and the performances on this album are all first class, as was always the case with The Allman Brothers Band and additionally it is a great document of the miraculous survival of the band, following their disastrous / catastrophic fate earlier on.

Overall, this is superb live Classic Rock album in every respect, which emphasizes both the Blues roots of the group and their sublime Rock improvisations, which are most evident on the expanded tracks. No less important are the great songwriting abilities of Greg Allman and Betts, who wrote most of the material the group performed. This is a wonderful ride down the memory lane, which again and again states that “they don’t make music like this anymore”. Pure gold for Classic Rock and Allman Brothers Band fans!
Updated: 20/01/2023Posted: 20/01/2023CD 1 Remastered Recommend To A Friend

ALWARI TUOHITORVI / KIRKA & ISLANDERS ~ POP LIISA VOL. 11 & VOL. 12
SVART 018 ~ FINLAND ~ Jazz-Soul Fusion

Recorded: 1974 - 1975 Released: 2016

The Finnish group Alwari TuohitorviFind albums by this artist, formed in 1968, went through a major personnel change in 1972 and the new lineup stabilized with lead guitarist Seppo AlajokiFind albums by this artist, guitarist Jukka RautiainenFind albums by this artist and bassist Mika SundqvistFind albums by this artist, all three sharing vocal duties, and drummer Raimo PikanenFind albums by this artist. When their live radio broadcast was captured they were already working on their eponymous debut album, which was released a while later, but none of the songs on that album were featured on the radio show, which presented nine songs covering some of their Prog era material, like the covers of songs by Wishbone AshFind albums by this artist and Beggars OperaFind albums by this artist and other Classic Rock items, as well as one original song by Alajoki. The material clearly marked their musical shift towards conventional Rock, following the general trend on the local Finnish scene, which after the first Progressive Rock wave was over became almost completely Rock dominated.

Vocalist KirkaFind albums by this artist (a. k. a. Kirka BabitzinFind albums by this artist) was a successful Finnish artist with a career spanning six decades. He changed styles over the years moving within the Pop and Rock idioms and recorded over sixty albums until his death in 2007. His appearance on the live radio broadcast catches him with his band The IslandersFind albums by this artist, a superb Soul-Rock outfit, expanded to a ten-piece smoking Brass Rock, which included Romanian (resident in Finland) trombonist Mircea StanFind albums by this artist, saxophonist Pentti LahtiFind albums by this artist, keyboardist Kassu HalonenFind albums by this artist, guitarist Esko VesterinenFind albums by this artist, bassist Matti TyniFind albums by this artist and drummer Juoni KestiFind albums by this artist, strengthened by three top Finnish Jazz musicians trumpeter Mike KoskinenFind albums by this artist and saxophonists Pekka PoyryFind albums by this artist and Tapio TuominenFind albums by this artist. Together they perform eight songs, three covers by Pop / Soul / Blues songs (BeatlesFind albums by this artist, Otis ReddingFind albums by this artist, Edgar Winter BandFind albums by this artist) and five excellent original songs, two each by Stan and Halonen and one traditional Blues arranged by Stan.

Kirka´s superb voice and the spectacular band create some outstanding Jazz-Rock-Soul Fusion somewhat resembling the divine Joe CockerFind albums by this artist and his Mad Dogs & EnglishmenFind albums by this artist band with a slightly more Jazz feel.. The strength of this material and the performances turn this music into an instant classic, regardless of the Finnish lyrics, which don´t spoil the fun one bit. It is an absolute unadulterated fun from start to finish!

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!
Side Note
The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.

The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.

The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.

This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.
Updated: 29/05/2020Posted: 09/05/2020CD 1 Remastered Recommend To A Friend

ANAND ~ A MAN`S MIND
PERIFERIC 066 (Barcode: 5998272703666) ~ HUNGARY ~ Progressive Rock

Recorded: 2000 Released: 2000

Debut album by the amazing guitar player AnandFind albums by this artist. He does things with the guitar you should definitely not try at home and most guitar players wish to burn their instrument after listening to this album. A mixture of Prog, rock and fusion, to hear is to believe. Go get it!
 CD 1 Recommend To A Friend

ARILD ANDERSEN ~ AFFIRMATION
ECM 2763 (Barcode: 602448285935) ~ NORWAY ~ Jazz

Recorded: 2021 Released: 2022

This is an album by Norwegian bassist / composer Arild AndersenFind albums by this artist, recorded with an all Norwegian quartet, which also includes saxophonist Marius NesetFind albums by this artist, pianist Helge LienFind albums by this artist and drummer Hakon Mjaset JohansenFind albums by this artist. The album presents eight tracks, seven of which are combined into a two-part suite, co-composed by all members of the quartet, and the last piece was composed by Andersen.

The music is very minimalist and although offers melodic themes, seems to be largely improvised. The performances are delicate, restrained, subdued and offer a highly contemplative atmosphere, very much in the Nordic Jazz tradition, but with a substantial element of Freedom. The performances are, as expected, stellar, as on all albums involving Andersen, despite the fact that the musicians are separated by a generation gap. But the younger representatives of the Norwegian Jazz scene herein are all seasoned Jazz musicians and offer world-class quality.

Andersen is not only my favorite all-time Jazz bass player, but also one of the finest Masters of his trade, and his extensive recorded legacy, not only on the ECMFind albums on this label label, is a wonderful example of the European Jazz aesthetics and superb class and exquisite taste.

Overall, this is another example of Andersen’s ingenuity as a leader / composer and a highly rewarding piece of music, although perhaps a tad more demanding than his usual output, which requires more patience / attention / piece of mind in order to enjoy the music fully. Time has been very kind to him and he is still producing superb music today and hopefully will do so for a long while.
Updated: 21/12/2024Posted: 21/12/2024CD 1 Slipcase Recommend To A Friend

ARILD ANDERSEN ~ CELEBRATION
ECM 2259 (Barcode: 602527909479) ~ NORWAY ~ Jazz

Recorded: 2010 Released: 2012

Norwegian bassist / composer Arild AndersenFind albums by this artist has been one of my favorite musicians since decades and his immense talent and class were always beacons of light in the dark. His elegance and natural cool emphasize the best qualities of Scandinavian Jazz in particular and European Jazz in general. His numerous recording, mostly for ECMFind albums on this label, are all exemplary and his unshaken quality over the years is simply legendary.

This album finds Andersen in quite unusual circumstances, cooperating with a large Jazz Orchestra, in this case the Scottish National Jazz OrchestraFind albums by this artist directed by saxophonist Tommy SmithFind albums by this artist. He and the orchestra perform five compositions by fellow ECM musicians: Dave HollandFind albums by this artist, Jan GarbarekFind albums by this artist, Chick CoreaFind albums by this artist, Keith JarrettFind albums by this artist and Trygve SeimFind albums by this artist (Garbarek and Seim being also fellow Norwegians) and one of his compositions, celebrating the music of ECM, which is considered by many to be the most important contribution to contemporary musical Culture in the last four decades.

The six compositions have been arranged for the large orchestra, with the arrangements being very delicate and spacey, opening up slots for beautiful bass solos performed by Anderson and other musicians. The overall atmosphere of the music is very lyrical and somewhat subdued, applying the famous Scandinavian touch to the entire project, even in the case when the original music originates well beyond that sphere of influence. Andersen stands in the focal point performing some absolutely amazing bass solos, which could drive most bass players to complete despair. As stated before, the orchestra takes a step back, playing subtly and beautifully, but always remaining in the background, where it belongs in this particular project. This modesty and proper perspective deserve a great praise.

The music was recorded live and as usual for an ECM production offers a wonderful sonic quality in addition to the obvious musical virtues. Those familiar with Andersen´s achievements will love this music and those still ignorant of them should use this opportunity to repent. Brilliant stuff!
 CD 1 Slipcase Recommend To A Friend

ARILD ANDERSEN ~ GREEN IN BLUE
ECM 2143/45 (Barcode: 602527334486) ~ NORWAY ~ Jazz

Recorded: 1975 - 1978 Released: 2010

This wonderful Box Set contains the three early albums by Norwegian bassist / composer Arild AndersenFind albums by this artist with his all Scandinavian quartet released on the ECMFind albums on this label label, which are "Clouds In My HeadFind albums with this title" (ECM 1059) recorded in 1975, "ShimriFind albums with this title" (ECM 1082) recorded in 1976 and "Green Shading Into BlueFind albums with this title" (ECM 1127) recorded in 1978. The quartet comprised of Andersen with Norwegian saxophonist Knut RiisnaesFind albums by this artist (on the first album) / Finnish saxophonist Juhani AaltonenFind albums by this artist (on the other two albums), Norwegian pianist Jon BalkeFind albums by this artist (on the first album) / Swedish pianist Lars JanssonFind albums by this artist (on the other two albums) and Norwegian drummer Pal ThowsenFind albums by this artist. Andersen, who composed most of the music (with a few compositions by Jansson) presented here, is one of the greatest representatives of Scandinavian Jazz, with a sublime sense of melody and a virtuosic ability on his instrument. The music is absolutely brilliant from start to finish and remains completely untouched by time. These are among the best recordings by Juhani Aaltonen as well. In retrospect this is some of the most impressive European Jazz ever recorded and an everlasting musical adventure. A must to any serious listener!
Side Note: These three albums were not reissued on CD individually, so this is the only way to obtain them in CD form.
Updated: 26/01/2019Posted: CD 3 Mini-Sleeve Box Set Recommend To A Friend

ARILD ANDERSEN ~ IN-HOUSE SCIENCE
ECM 2594 (Barcode: 602567168973) ~ NORWAY ~ Jazz

Recorded: 2016 Released: 2018

This is the third album by the trio led by Norwegian Jazz bassist / composer Arild AndersenFind albums by this artist, with British saxophonist Tommy SmithFind albums by this artist and Italian (resident in Norway) drummer Paolo VinacciaFind albums by this artist. The album was recorded live during a performance in Austria and presents six tracks, all original compositions by Andersen. The music was mixed and mastered by my Friend Jan Erik KongshaugFind albums by this artist and offers the expected spectacular sound quality.

Andersen has been my favorite Jazz bass players since as long as I can remember, and he impersonates the European Jazz essence more profoundly than most. His impeccable technique, creative virtuosity and sublime compositions are always a source of great joy and inspiration.

This trio showcases Andersen’s bass more prominently than most of his other ensembles, and the long lasting camaraderie with his partners herein is immediately apparent. The trio performs as one organic body, always perfectly in sync and unified in their goal to interpret the music with deep feeling and personal involvement, but observing the communal spirit.

Despite the fact that the music is quite intricate, both harmonically and rhythmically, the trio cuts through the tricky material like a knife through butter, elegantly and always exactly on the dot, with a Swiss-watch precision. All three members of the trio get plenty of opportunity to show their chops, but as already stated, the bass remains the dominant focus of the music, defining both the melodic and the rhythmic framework of the music.

Overall, this is a stunning piece of European Jazz, serving as a showcase of Andersen’s bass virtuosity, but at the same time displaying the depth and complexity of his compositions, as well as presenting an incredible ensemble work by the trio. As anything recorded by Andersen, this is pure gold from start to finish, with no dull moments for the entire duration and a triumph of European Jazz ingenuity, which takes the music into s completely different aesthetic plane.
Updated: 11/01/2024Posted: 11/01/2024CD 1 Slipcase Recommend To A Friend

ARILD ANDERSEN ~ THE ROSE WINDOW
INTUITION 71318 (Barcode: 608917131826) ~ NORWAY ~ Jazz

Recorded: 2016 Released: 2016

This is a spectacular album by the Norwegian Jazz bassist / composer Arild AndersenFind albums by this artist, recorded live in a classic piano trio setting with young and extremely talented Norwegian musicians: pianist Helge LienFind albums by this artist and drummer Gard NilssenFind albums by this artist. The trio performs six original compositions by Andersen and the album also includes an interview with Andersen. This album is the sixth volume in the "European Jazz Legends" series and of course Andersen deserves to be included in the distinguished group of European Jazz Giants. His countless recordings over time, mostly for the ECMFind albums on this label label, present a formidable tale of virtuosity, talent, elegance and untarnished good taste lasting now for almost five decades.

The music is mostly beautifully melodic, with typical melancholic and lyrical ambience that characterizes Norwegian Jazz, but one up tempo and highly dynamic piece is also included, emphasizing the diversity of Andersen´s milieu as a composer and of course as a brilliant bassist. The trio performs excellently together, with the two young musicians treating the Master with respect, supporting amicably his many solos, incorporated within the pieces present on this album. Andersen of course reciprocates with allowing them to play their respective solos as well.

Andersen´s performances are all stunning, and his virtuosity seems to be completely unaffected by time, which is a great blessing. He is incredibly sensitive both harmonically and rhythmically and every touch of the strings is always perfect in tone and time.

In many respects this album is an epitome of European Jazz; it is all about the relationship between sound and silence, the minimalism and understatement, the meaning of melody and its reflection in hundreds of years of tradition of Folklore and Classical Music, and countless other subtleties, that only few Jazz musicians outside of Europe are blessed with.

It gives me an immense pleasure to see Arild Andersen in great shape today and considering that we are only a few years apart, it gives me hope of at least few years into the future staying on top of things. Thank you Arild for all those years of musical pleasures and what a pity I missed you in Oslo recently – something we have to rectify at the nearest future.

Obviously this album is a must to all fans of Andersen´s musical universe and all connoisseurs of European Jazz at its best!
Updated: 13/08/2016Posted: 13/08/2016CD 1 Digipak Recommend To A Friend

ARILD ANDERSEN ~ THE TRIANGLE
ECM 1752 (Barcode: 602567430469) ~ NORWAY ~ Jazz

Recorded: 2003 Released: 2019

This is a reissue of a wonderful album by Norwegian bassist / composer Arild AndersenFind albums by this artist, recorded in a trio setting with Greek pianist Vassilis TsabropoulosFind albums by this artist and British drummer John MarshallFind albums by this artist. The album presents nine tracks, three composed by Andersen, four by Tsabropoulos, one a Classical piece arranged by him and finally one co-credited to all three musicians. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by my Friend Jan Erik KongshaugFind albums by this artist, with the usual sublime sound quality.

The music is all beautifully melodic and lyrical, brilliantly performed by these Giant musicians. This is a 2nd album recorded by this trio, following the no less beautiful “AchiranaFind albums with this title”, originally released in 2000. Tsabropoulos, who emerged as a Classical pianist, turns out to be a most sensitive Jazz musician, with wonderful improvisational qualities. Marshall, the veteran of British / European Jazz scene since the 1960s, was at the time still one of the best drummers around, here sticking mostly to the “less is more” approach. The leader, and one of my favorite bass magicians on this planet, displays his usual qualities, which are simply breathtaking.

Overall, this is an absolutely “classic” Jazz piano trio album, which deserves an honorary place on the shelf of the “best ever” recordings in that niche. Lovers of the Artistry of Bill EvansFind albums by this artist should be especially interested, as Tsabropoulos has often a very similar touch and style to the American Giant. Criminally overlooked and absolutely essential Piano trio album, which should not be missed by anybody, who calls himself a Jazz lover!
Updated: 03/08/2024Posted: 03/08/2024CD 1 Mini-Sleeve Recommend To A Friend

JACOB ANDERSKOV ~ I SANG
APRIL 123 (Barcode: 5709498112329) ~ DENMARK ~ Jazz-World Fusion

Recorded: 2022 Released: 2024

This is an album by Danish pianist / composer / bandleader Jacob AnderskovFind albums by this artist, recorded in a quintet setting with trumpeter Kasper TranbergFind albums by this artist, drummer Jakob HoyerFind albums by this artist, vocalist Soffie ViemoseFind albums by this artist and vocalist / tuba player / trombonist Jakob MunckFind albums by this artist. A choir takes part on one track. The album presents ten tracks, all of which are arrangements of songs from a collection of Danish Folk songs, singalongs and hymns. Six of the tracks are instrumentals and four include vocals.

Anderskov takes the original songs / melodies deeply into the Jazz idiom, creating an intimate, and quite minimalist atmosphere of reflection and typical Scandinavian dialogue with silence. I am not familiar with these songs, but somehow the entire album reminds me of a Christmas sentiment, but that is only associative.

Most of the instrumental work is by the piano, with brilliant topping by the trumpet; everything else is purely secondary, except for the vocals of course. As already stated above, silence is one of the main ingredients of this wonderful music, which of course demands patience and aesthetic openness, but summa summarum is richly rewarded.

Overall, this is a very unique, stimulating and charming album by an experienced musician, who knows exactly what he wants to achieve. Contemplative, relaxed and uncluttered, the music requires attentive listening, but flows gently, proposing some peace and quiet in today’s crazy stressed world.
Updated: 20/02/2024Posted: 20/02/2024CD 1 Mini-Sleeve Recommend To A Friend

ANDERSON PONTY BAND ~ BETTER LATE THAN NEVER
EAR MUSIC 4029759106517 (Barcode: 4029759106517) ~ UK ~ Jazz-Rock Fusion

Recorded: 2014 - 2015 Released: 2015

This is the only album by the rather strange hybrid band featuring Progressive Rock vocalist Jon AndersonFind albums by this artist (of YesFind albums by this artist fame) and French violin virtuoso and Fusion superstar Jean-Luc PontyFind albums by this artist. The album was basically recorded live during the band’s debut concert in the US, with the guitar parts overdubbed later in the studio. Additional musicians include guitarist Jamie GlaserFind albums by this artist, keyboardist Wally MinkoFind albums by this artist, bassist Baron BrowneFind albums by this artist and drummer Rayford GriffinFind albums by this artist. The album presents fourteen tracks, which include original Yes songs in new arrangements, as wells as music composed by Ponty with new lyrics added by Anderson.

The band toured for a couple of years in North America and was favorably received at the time, but in retrospect the music did not age well as far as my ears are concerned. Although Anderson is certainly a great vocalist and Ponty a superb violinist, the music was on the extreme easy side of both Prog and Fusion and is today quite forgettable.

Overall, although headed by two music veterans of considerable talent, the resulting music is sort of “not here and not there”, as the saying goes, and leaves few memorable moments. Of course these are excellent musicians and the album has its moments, and both Anderson and Ponty die-hard fans would definitely keep this album in their collections.
Updated: 20/04/2024Posted: 20/04/2024CD 1 Recommend To A Friend

IAN ANDERSON ~ HOMO ERRATICUS (DELUXE EDITION)
KSCOPE 291 (Barcode: 802644829173) ~ USA ~ Progressive Rock

Recorded: 2013 Released: 2014

British minstrel Ian AndersonFind albums by this artist is only four years older than me, which makes us almost coevals. Thanks to modern medicine which extended our life span considerably, and a plethora of technological gadgets developed over time, I´ve had the immense pleasure to enjoy Mr. Anderson´s company for well over four decades, which I must say has been, in retrospect, unshakably both an aesthetic and intellectual pleasure. Long after he was proclaimed an irrelevant dinosaur, my heart was still with him every step of the way, following his gifts and drinking from his cup of plenty with great satisfaction.

Looking back at Anderson´s combined output as the leader of Jethro TullFind albums by this artist and his solo ventures, one must admit that he has been incredibly consistent, creating a musical fashion of his own, which, although tried by many, remains to be inimitably singular, both as a composer and a performer. He also retains a remarkable savoir vivre and obviously enjoys what he does to the max. In addition he is probably the very last herald of the original Progressive Rock movement, which combines, in his case, the wonderful British musical folklore and early music influences with improvisation, Rock rhythmic pattern, irregular meters and intelligent, meaningful lyrics. Doing all this time and again for as long as he manages to do it is nothing short of a miracle, especially in view of the fact that the original Prog genre and several of its revival attempts are all behind us by now.

This new album is everything a disciple might expect from the Master; a concept album full of beautiful music, great instrumental performances, including crafty flute passages, excellent vocals with every word clearly audible and a great story line behind it all. There is the usual unmistakable "English atmosphere" and the Jethro Tull sound; it simply doesn´t get much better than this, does it? Of course the bloodthirsty hyenas out there will say that we have heard all this before, that Anderson repeatedly delivers the same music over and over again and similar poppycock. Hush, ye infidels, I say, as you may be punished by being forced to listen to silicon-inflated big-breasted voiceless pseudo-divas for the rest of your life! Wait a minute, this is happening already…

The deluxe edition includes a DVD with the 5.1 Surround Sound mix of the album and a film documenting the "making of" proceedings. As always, this is a must to all Anderson´s followers, and a rare piece of evidence that music is not dead yet, but definitely smells funny.
 CD 2 Digipak Recommend To A Friend

IAN ANDERSON ~ PLAYS THE ORCHESTRAL JETHRO TULL
XYZ 3082 (Barcode: 090204905669) ~ UK ~ Progressive Rock

Recorded: 2004 Released: 2005

What a delightful piece of music this is! Ian AndersonFind albums by this artist accompanied by a quartet of rock musicians and a small symphony orchestra (The Neue Philharmonie FrankfurtFind albums by this artist – consisting mostly of young, but excellent classical musicians) create live on stage a re-make of some of the Jethro TullFind albums by this artist favorites and lesser known tunes. Anderson leads the show with vigor and vitality, which surely is a poke in the eye of his many critics, who have been foretelling the end of his career since many years. In fact his appearance proves again that there are very few (if any at all) contemporary Rock artists, who come even close to his level of musicality, wit and intelligence (just watch the extensive interviews with Anderson and enjoy his cracking irony related to his peers). The cooperation between the rockers and the symphony orchestra works like a charm and the exquisite arrangements of older pieces shed a new light on the depth of Anderson’s music, which stand the test of time with flying colors. The 12+ minutes long interpretation of the beautiful “Budapest” (from the Crest Of A KnaveFind albums with this title album) is especially impressive. In short almost 3 hours of great music and English humor – one can hardly ask for more. Essential to all Anderson / JT fans. Dolby Digital 5.1 Surround Sound, 160 minutes.
 DVD 1 Digipak Recommend To A Friend

IAN ANDERSON ~ RUPI`S DANCE
RANDM 8369 (Barcode: 016861836924) ~ UK ~ Progressive Rock

Recorded: 2003 Released: 2003

4th solo album by Jethro TullFind albums by this artist leader Ian AndersonFind albums by this artist, who continues the flow of his previous solo effort (The Secret Language Of BirdsFind albums with this title) with a set of new and wonderful tunes. Recorded around the same period as Tull’s Christmas AlbumFind albums with this title, it differs from Anderson’s work with the group mainly in the inclusion of ethnic influences, which are intelligently and smoothly interwoven into his enchanting melodies. The entire set works like a charm, consistently excellent and fascinating, with vocal and instrumental tracks combined into a flawless, inspired musical tapestry. There is really little I should add here, considering the lifetime achievements by Anderson and his consistency as an Artist. It seems he is still at the peak of his creative power with age enhancing his abilities. Anderson might not be leaping around the stage on one leg, as he used to, but he is still a Master in every inch of his body. Superb!
 CD 1 Bonus Tracks Recommend To A Friend

IAN ANDERSON ~ THE SECRET LANGUAGE OF BIRDS
RANDM 8276 (Barcode: 016861827625) ~ UK ~ Progressive Rock

Recorded: 2000 Released: 2004

This is Ian AndersonFind albums by this artist’s 3rd solo album, although many of the latest Jethro TulFind albums by this artistl albums are considered to a large extent his solo works as well, as he writes all the music and selects the musicians at will. Nevertheless Anderson made the distinction to release this one under his name, and rightly so, as it is significantly different from the traditional JT material in many ways. Although the basic sound is of course similar (with Anderson’s voice, flute and guitar strongly present), the “subject matter” is different, with the music embracing widely ethnic influences. Of course with Jethro Tull Anderson used British folk, medieval and Celtic motifs, but here he expands the circle to include many more ethnic influences, including Indian, Slavic, and Far-Eastern themes. These new elements add a beautiful flavor to the music and enable him to make his music even more enchanting. Anderson was always one of the most “well cultured” and intelligent Rock lyricists, and this combined with his natural sense to weave beautiful melodies make him a most significant Master of the trade. The album is wonderfully consistent, with no weak spots or dull moments - pure joy and definitely some of his best work to date. This enhanced CD includes a video interview with Anderson, who talks about making of the album and plays some music. A must for all Anderson / JT fans.
 CD 1 Bonus Tracks Recommend To A Friend

JON ANDERSON ~ ANIMATION (EXPANDED EDITION)
OPIO 01 (Barcode: 604388679423) ~ UK ~ Progressive Rock

Recorded: 1982 Released: 2006

3rd album by the legendary YesFind albums by this artist founding member and singer Jon AndersonFind albums by this artist. Anderson recorded over the years extensively as solo artists in parallel to his work with Yes, accumulating an impressive musical legacy. This album is considered to be his strongest and most consistent release. Recorded by a stellar cast of over 30 musicians, including Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist), Simon PhillipsFind albums by this artist, David SanciousFind albums by this artist, Jack BruceFind albums by this artist and many others, with brass and string sections and arrangements, this is one impressive piece of music. As usual in Anderson’s case this is a concept album, based on a story written by him. The convoluted lyrics are as unclear and mystical as ever, to the delight of his fans and a source of mockery by his critics. Whatever one might think about Anderson’s literary talents, the music – composed entirely by him - is excellent, with strong fusion (and even some jazz) undertones, played brilliantly all the way. The new expanded edition adds bonus material recorded at the same session, including the almost 12 minutes long epic track called “The Spell”. An absolute must to all Yes fans and a very strong Prog album overall. Recommended.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

MILLER ANDERSON ~ BLUESHEART / CHAMELEON
MIG 01142 (Barcode: 885513011428) ~ UK ~ Blues-Rock

Recorded: 2003 - 2008 Released: 2016

This is a reissue of two albums by British Blues-Rock vocalist / guitarist / songwriter Miller AndersonFind albums by this artist. "BluesheartFind albums with this title" (2003) was recorded in a core trio format with bassist John PriceFind albums by this artist and drummer Paul BurgessFind albums by this artist and features keyboard players: Dave BaldwinFind albums by this artist and the legendary Jon LordFind albums by this artist. "ChameleonFind albums with this title" (2008) was recorded in a quartet setting with keyboardist Frank TischerFind albums by this artist, bassist Kris GrayFind albums by this artist and drummer Paul BurgessFind albums by this artist. Most of the material on both albums consists of Anderson´s originals. This remastered and expanded edition adds two bonus tracks to each of the original albums.

Anderson, primarily known as a founding member of the legendary Keef Hartley BandFind albums by this artist, is a superb singer and extraordinary guitarist, who sadly did not achieve a wide recognition he so much deserves. His career picked up on the German scene with the beak of the new millennium and these two excellent albums document his activities during that period.

The music and the stylistic approach is completely retro, sounding as if these albums were recorded in the late 1960s, when British Blues and Blues-Rock enjoyed a tremendous renaissance. Therefore fans of such music should find this album irresistible.

Blues-Rock fans not familiar with Anderson´s work should grab this album at the first opportunity, as there are very few genuine manifestations of the genre as good as this one. Anderson´s guitar work puts him on a pedestal of the Blues-Rock heroes, and none of the new generation of Blues oriented guitarists come even close to his fabulous feel of the Blues that he is able to deliver.

Overall this is a must have for all Blues-Rock fans out there, no questions asked! Contemporary Blues-Rock is mostly about imitation, so why nor go directly to the source? Enjoy!
Updated: 04/08/2018Posted: 04/08/2018CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend

MILLER ANDERSON ~ BRIGHT CITY
MIG 00802 (Barcode: 885513008022) ~ UK ~ Blues-Rock

Recorded: 1971 Released: 2013

This is a reissue of the debut album as a leader by British vocalist / guitarist / songwriter Miller AndersonFind albums by this artist, one of the great unsung heroes of the British Blues-Rock scene, who is still active at the time of writing. After spending three years with the Keef Hartley BandFind albums by this artist as its vocalist / lead guitarist and recording five splendid albums with the band ("HalfbreedFind albums with this title", "The Battle Of North West SixFind albums with this title", "The Time Is NearFind albums with this title", "OverdogFind albums with this title" and "Little Big BandFind albums with this title"), he recorded this album with a dream team of musicians which included Keef Hartley Band keyboardist Peter DinesFind albums by this artist and bassist Gary ThainFind albums by this artist, as well as drummer Eric DillonFind albums by this artist, keyboardist Mick WeaverFind albums by this artist, guitarist Neil HubbardFind albums by this artist, vocalist Madeline BellFind albums by this artist and Jazz musicians: flautist Lyn DobsonFind albums by this artist and trumpeter Harry BeckettFind albums by this artist. The album presented seven original songs, all written and composed by Anderson and was originally released on the cult DeramFind albums on this label label. This reissue adds one bonus track, which is a live version of one of the album´s original songs, recorded almost four decades later.

The album presents a stunning collection of songs which cover a diverse spectrum of music that thrived at the time, moving elegantly between Blues-Rock, Folk-Rock, Prog-Rock and Jazz-Rock, emphasizing the lack of stylistic snobbishness and pompousness. These musicians were able to play delicate Folksy ballads, heavy Rock riffs and Jazzy improvisations with the same ease, completely naturally and always with full dedication. No wonder this music sounds so much better than the garbage marketed on the music market today, as it belongs to a completely different universe of musical values.

Anderson emerges on this album not only as a great vocalist and guitarist, but also as a superb songwriter. Each of these tunes is a little Rock gem, which lost absolutely nothing of its glamour over time. Sadly Anderson did not make another recording under his own name for almost three decades following the making of this album and returned to active recording career only by the turn of the Millennium.

Although not mentioned on the album´s packaging, the original master tapes were probably remastered, as the CD has a great sound quality, faithfully retaining the unique sound of the early 1970s, which of course is absolutely brilliant. This album is an absolute must to connoisseurs of the British Blues-Rock scene in particular and British Rock in general, a great trip down the memory lane and an important glimpse at a point in history, when music simply kicked ass. Wholeheartedly recommended!
Updated: 23/04/2016Posted: 23/04/2016CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend

MILLER ANDERSON ~ FROM LIZARD ROCK!
MIG 00842 (Barcode: 885513008428) ~ UK ~ Blues-Rock

Recorded: 2008 Released: 2013

This is a wonderful collection of live recordings by veteran British Blues-Rock vocalist / guitarist / songwriter Miller AndersonFind albums by this artist and his band, which also includes keyboardist Frank TischerFind albums by this artist, bassist Kris GrayFind albums by this artist and drummer Klaus SchenkFind albums by this artist. The music was recorded during various concerts played in Germany, where Anderson enjoys a loyal support from a large fan base. The 2CD album presents nineteen electrifying performances and two bonus tracks, altogether a feast of brilliant Blues-Rock material that lasts for solid two hours.

Most of the songs included on the album were composed by Anderson and present a mix of old material originating in the good old days when Anderson was a member of the Keef Hartley BandFind albums by this artist and other songs written over the years, as well as a few Blues classics, which get a new treatment by Anderson and the band.

The material confirms that Anderson is still in fantastic form and belongs to the absolute top league of Blues-Rock performers originating in the 1960s and still active today. His songs are excellent, his guitar work is stunning and his vocals are convincing and full of power. He manages to keep the spirit of the British electric Blues revival alive and kicking, playing music that refuses to become irrelevant and withstands the tides of time, leaving all the garbage that passes as music these days way behind.

Sadly Anderson is surely one of the most underappreciated guitar players around and is almost never mentioned as an influence in various music sources, which list completely unoriginal second rate guitar players as idols. Life is a bitch that way, with many young players that could have learned so much from this man, are most probably completely oblivious as to his existence.

Overall this is a wonderful Blues-Rock album, which includes all the elements the fans of the genre expect to find on a great album: heartbreaking vocals, extended soul wrenching guitar solos and a great band supporting the front man. This album does not disappoint in any of the above prerequisites. A definite must-have to all serious fans of the genre!
Updated: 28/04/2016Posted: 28/04/2016CD 2 Digipak Bonus Tracks Recommend To A Friend

AKE ANDERSSON / ANTERO HONKANEN ~ REIDARIN SAHKOISET KUVAT
SVART 129 (Barcode: 6430065584483) ~ FINLAND ~ Electronic & Ambient

Recorded: 1975 - 1976 Released: 2018

This is a reissue of a wonderful and pretty obscure album, originally released on the legendary LoveFind albums on this label Records, by two Finnish electronic music pioneers Ake AnderssonFind albums by this artist and Antero HonkanenFind albums by this artist. The album presents eight original compositions, four each by the two team members and this is the first time this music appears on CD.

Andersson and Honkanen were both studio technicians at the YLE (Finnish Broadcasting Company) and were in charge of producing a myriad of soundtracks used by the radio in its various programs. They decided to create an album of electronic music, based on the paintings by Reidar SarestoniemiFind albums by this artist. The music accompanied an exhibition of Sarestoniemi´s works, which was heard by Otto DonnerFind albums by this artist, the producer / co-owner of Love Records, who decided to release the music on an album.

In retrospect this music sounds every bit as innovative and fresh as it did at the time of its recordings. Using a mixture of synthesizers, electronic devices and acoustic instruments the team managed to create a wide spectrum of sound vistas, which although lack strict melodic themes, make an aesthetic emotional impact based on pure sound variations.

The fact that the music was released at the time speaks volumes about the role of Love Records in shaping the landscape of Finnish Culture and the openness of the label´s owners to all genres of music, as well as the sparkling diversity of the local music scene. Therefore this album is a superb document of the vitality of 1970s, which marked a rapid emancipation of the Finnish music from its earlier relative "provinciality". This is definitely a hidden gem waiting to be discovered.
Updated: 06/08/2020Posted: 06/08/2020CD 1 Digipak Remastered Recommend To A Friend

MAX ANDRZEJEWSKI`S HUTTE AND CHOIR ~ HUTTE AND THE HOMEGROWN ORGANIC GOSPEL CHOIR
WHYPLAYJAZZ 034 (Barcode: 4250459990346) ~ GERMANY ~ Jazz

Recorded: 2016 Released: 2017

This is the third album by German drummer / composer Max AndrzejewskiFind albums by this artist and his HutteFind albums by this artist quartet, which also includes saxophonist Johannes SchleiermacherFind albums by this artist, guitarist Tobias HoffmannFind albums by this artist and Danish bassist Andreas LangFind albums by this artist. On this album the quartet is joined by a thirteen piece choir, called The Homegrown Organic Gospel ChoirFind albums by this artist, led by Tobias ChristlFind albums by this artist. Guest vocalist Dorrey Lin LylesFind albums by this artist appears on four tracks. Together they perform eleven original compositions, all composed by Andrzejewski.

The music is an attempt to mix contemporary / Free Jazz with Gospel Music, an innovative idea, which sadly fails to achieve its purpose. Taken separately the music played by the quartet and the choir parts might work out well, but when they are superimposed each on top of the other, there is a clash which is hard to reconcile. The Jazz parts are complex and free spirited, while the Gospel parts are based on simple melodies, with exaggerated theatrics.

The quartet is an excellent ensemble, which offers top class modern Jazz and is definitely worth following, as are other project Andrzejewski takes part in, but this particular project simply leaves me cold since its ingredients simply do not mix at all, as far a I am concerned.

Overall this is an interesting and innovative project, which has some great quartet performances, sadly constantly disturbed by the simplistic and repetitive Gospel vocals. Not my cup of tea.
Updated: 06/06/2017Posted: 06/06/2017CD 1 Mini-Sleeve Recommend To A Friend

ARTLAND ~ BETWEEN THE SKY AND EARTH
ARTLAND 011 ~ ISRAEL ~ Progressive Rock


Debut album by an Israeli Prog group formed by 4 new immigrants from the former USSR, who play their own version of sophisticated modern music with elements of Ambient, Psychedelia and driving rock. One of the most interesting things to happen on the Israeli scene since a long time.
 CD 1 Recommend To A Friend

ROBERT BACHNER BIG BAND ~ MOMENTS OF NOISE
ATS 0616 (Barcode: 9005216006168) ~ AUSTRIA ~ Jazz

Recorded: 2006 Released: 2006

This is the debut album by an Austrian Jazz Big Band led by trombonist / composer / arranger / bandleader Robert BachnerFind albums by this artist. The BB comprises of a five piece reed section, a four piece trumpet section, a four piece trombone section and a four piece rhythm section. Bachner, who conducts the BB, plays trombone soli on three tracks and his wife Karin BachnerFind albums by this artist adds vocals on two tracks. The album presents nine compositions, five of which are originals by Bachner and four are standards.

Bachner, who is one of the busiest players on the local scene, was a member of the sadly deactivated Vienna Art OrchestraFind albums by this artist, and is now a member of the excellent Upper Austrian Jazz OrchestraFind albums by this artist (led by Christian MaurerFind albums by this artist), but also records leading his own Big Band and smaller ensembles as well as playing in many other outfits, in addition to his composing and teaching duties.

This album shows Bachner more as a composer and bandleader than as a trombone virtuoso, which he certainly is as well. The superb original compositions of his are perfect vehicles for the BB to spread its wings and present its wonderful ability to swing smoothly like a baby´s bottom, and yet show the depth, sophistication and power of a BB sound, which undoubtedly is the most versatile and powerful "instrument" within the Jazz idiom. Bachner, although schooled and influenced by American Jazz, is still perfectly able to preserve the European Jazz aesthetics, which is most obvious in the BB treatment of the standards, which have been also often recorded by American BB, and which can be compared.

In his intelligent liner notes Bachner tells the tale of each of the tunes and the circumstances leading to their appearance on the album, which is also a greatly educational read about the Austrian Jazz scene and especially about other Austrian Big Bands, clearly showing that Austria was and still is a very fertile ground for this particular subgenre.

For European Jazz lovers who are not familiar with the Austrian scene, this album is a great introduction both to the local talents and the vitality of the music being performed there. For Jazz Big Band enthusiasts, this is an absolute must have. Wholeheartedly recommended!
Updated: 01/02/2020Posted: 01/02/2020CD 1 Recommend To A Friend

BAGLAND ~ CIRKEL
JAEGER COMMUNITY MUSIC 030 (Barcode: 5707471059821) ~ DENMARK ~ Jazz

Recorded: 2018 Released: 2019

This is the third album by the Danish quintet BaglandFind albums by this artist led by trumpeter / composer Jakob SorensenFind albums by this artist with guitarist Alex JonssonFind albums by this artist, keyboardist Mathias JaegerFind albums by this artist, bassist Frederik SakhamFind albums by this artist and drummer Frej LesnerFind albums by this artist. The album presents nine original compositions (one repeated twice as the intro and outro), seven of which were composed by Sorensen and one each by Jaeger and Sakham.

The music is a type of spacey Nordic melodic Jazz, based on beautiful melodic lines and executed with a rather minimalistic approach, which leaves a lot of breathing space and creates a very atmospheric ambience, somewhat resembling the work of Polish Jazz Master Tomasz StankoFind albums by this artist.

The music, in spite of its seemingly modest exterior, is in fact very diverse and offers a wide palette of melodies, harmonies and sounds, which are wonderfully coherent and emotionally effective. The album has a natural flow taking the listener from one tune to another as if time has stopped.

Sorensen has an excellent tone and his solo parts are all brilliantly executed, but all the rest of the quintet members also offer superb level of musicianship and unique instrumental abilities, especially so Jonsson on guitar, who plays some amazing and highly unusual guitar parts, as well as Jaeger, who is able to play romantic piano parts and spice the music with synthesized sounds. The rhythm section is also excellent, providing a solid and steady pulse which enables the soloist to express their parts with amicable support.

Overall this is a fascinating album from start to end, often surprising and always fresh, proving that the young Scandinavian / European Jazz scene is moving forward constantly. Highly recommended to connoisseurs of modern European Jazz, and of course trumpet buffs, which should have a field day with this album!
Updated: 09/06/2019Posted: 09/06/2019CD 1 Digipak Recommend To A Friend

BAGLAND ~ STATES OF BEING
JAEGER COMMUNITY MUSIC 068 (Barcode: 5707471084144) ~ DENMARK ~ Jazz

Recorded: 2021 - 2022 Released: 2022

This is the fourth album by Danish Jazz quintet BaglandFind albums by this artist, led by trumpeter / composer Jakob SorensenFind albums by this artist, which also includes guitarist Alex JonssonFind albums by this artist, keyboardist Mathias JaegerFind albums by this artist, bassist Frederik SakhamFind albums by this artist and drummer Frej LesnerFind albums by this artist. Cellist Josefine OpsahlFind albums by this artist and violinist Anna JalvingFind albums by this artist appear as guests. The album presents ten original compositions, four by Lesner, three by Jaeger and one each by Sakham, Jonsson and Sorensen.

The music continues the almost ambient Nordic Jazz character of its predecessor, but adds synthesizer and strings, which significantly changes its sound character. The minimalistic approach to clear melodies and spare instrumental parts remains intact, and is still highly effective, placing Bagland apart from most other Scandinavian contemporary ensembles.

Offering all the members to contribute their compositions also paid out big time, as the album’s coherence, diversity and flow was greatly improved on this album, making it not only more listenable, but simply graceful and elegant.

The individual performances are all as perfect as one might expect from these well trained and already quite experienced musicians. Bagland is definitely more about ensemble performance than soloing, which of course does not mean that everybody gets enough space herein to show their chops.

Overall, this is a wonderful album, full of graceful music and excellent performances, which proudly represents the Scandinavian Jazz tradition and innovation, which these young musicians dare to introduce, refusing to simply repeat the past achievements. It might take a while for Jazz listeners less acquainted with that specific European Jazz flavor, but for those patient ones the reward will be forthcoming. It is great to see the band moving forward and a true pleasure to hear this wonderful music!
Updated: 19/07/2022Posted: 19/07/2022CD 1 Digipak Recommend To A Friend

ALEXANDER BAK-HANSEN TRIO ~ UNDER TRAETOPPENE I SORO
GATEWAY 5707471098868 (Barcode: 5707471098868) ~ DENMARK ~ Jazz

Recorded: 2024 Released: 2024

This is the debut album by Danish Jazz pianist / composer Alexander Bak-HansenFind albums by this artist, recorded in a classic piano trio setting with bassist Emil MadsenFind albums by this artist and drummer Nikolaj BangsgaardFind albums by this artist. Saxophonist Christian Holm-SvendsenFind albums by this artist and guitarist Mads OldenskovFind albums by this artist guest on a couple of tracks. The album presents seven tracks, all original compositions by the leader.

The music is melodic modern mainstream Jazz, based on solid compositions by the leader, and played well by the trio, as expected from the excellently trained young European musicians these days. The music flows gently, but without any major surprises, creating a classic piano trio display, which is one of the favorite Jazz milieus.

Bak-Hansen has all the ingredients necessary in order to develop his own style and character, both as far as playing the piano and composing, but those have not yet matured enough to offer a truly exciting musical experience. I am pretty sure that his next recording will be way more exciting. But of course there is nothing wrong with this album, except the missing personal element, which will take it to the next level.

Overall, this is a very well done Jazz piano trio album, which can be enjoyed by many enthusiasts of this form, and which offers a glimpse of the skills and talent of all the participants and the potential to create a more ambitious work in the future.
Updated: 24/08/2024Posted: 24/08/2024CD 1 Recommend To A Friend

BALL, ANDREW ~ ROBERTO GERHARD-SOIREES DE BARCELONE
LARGO 5119 ~ GERMANY ~ Classical


Roberto Gerhard (1896-1970) was both Spain`s most inventive composer of last century and a practical musician trying to make his living from his music. This collection of solo piano and two-piano pieces alongside three ballet suites in Gerhard`s popular style, sporting a fantastic blend of flamenco tunes and rhythmic elan with just a tincture of irony.
 CD 1 Recommend To A Friend

BANDA ELASTICA ~ AI TENCARGO
LUNA NEGRA 22 ~ MEXICO ~ Progressive Rock

Recorded: 1999 - 2003 Released: 2003

1st album from 2003 by this new sensational Mexican Prog band Banda ElasticaFind albums by this artist, recorded over en extended period of time. In contrast to other Mexican Prog bands (CastFind albums by this artist, etc.), which play mainly Symphonic Prog, Banda Elastica venture into much more advanced teritorry, bordering on free jazz, experimental music and RIO. Astonishing and most refreshing musical approach and some devilishly clever music!
 CD 1 Recommend To A Friend

BANDHADA ~ BANDHADA
MYLODON 021 (Barcode: 3426300045782) ~ CHILE ~ Jazz-Rock Fusion

Recorded: 1984 Released: 2004

Only album by the excellent Chilean Jazz-Rock group BandhadaFind albums by this artist, which was active on the local scene in the early 1980s and unfortunately managed to record only one brilliant album. The instrumental music played by the band resembles the sound of early Return To ForeverFind albums by this artist, especially due to the excellent flute parts played by Juan Carlos NeumannFind albums by this artist, which remind me of Joe FarrellFind albums by this artist’s exquisite playing. The electric piano and synthesizer played by Alfonso FeeleyFind albums by this artist and the pulsating bass played by Felipe ClarkFind albums by this artist also remind Chick CoreaFind albums by this artist and Stanley ClarkeFind albums by this artist respectively. Carlos ChungFind albums by this artist on guitar and Juan CoderchFind albums by this artist on drums compliment the quintet’s lineup, both contributing their excellent input. The music is superb, with splendid melodies and quite complex rhythm changes, with plenty of space for individual improvisations. This reissue includes two live tracks in addition to the original album. People who like early Jazz-Rock and a great sense of melody should enjoy this album immensely.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

BANDONEGRO ~ HOLA ASTOR
SJ 043 (Barcode: 5912596066764) ~ POLAND ~ Jazz-World Fusion

Recorded: 2019 Released: 2019

This is the third album by Polish Tango ensemble BandonegroFind albums by this artist, which consists of bandoneónist Michal GlowkaFind albums by this artist, violinist Jakub CzechowiczFind albums by this artist, pianist Marek DoleckiFind albums by this artist and bassist Marcin AntkowiakFind albums by this artist. On this album the quartet was expanded to a sextet with the addition of two young Polish Jazz players, guitarist Dawid KostkaFind albums by this artist and drummer Mateusz BrzostowskiFind albums by this artist. The album presents eleven tracks, six of which are compositions by Astor PiazzollaFind albums by this artist and five are original compositions by Antkowiak, all arranged by the ensemble. The album was recorded at the celebrated Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist with the usual spectacular sound quality.

Bandonegro formed in 2016 and over time established an international reputation with tours around the world, including Argentina, the cradle of Tango. Musically this album takes the ensemble closer to the Nuevo Tango of Piazzolla and its proximity to Jazz. Both the ensemble´s interpretation of Piazzolla´s compositions and even more so their original compositions are remarkable, especially in view of the idiosyncrasy of the Tango, which one does not expect to be performed authentically by East European musicians, who have culturally nothing in common with the original idiom. Bandonegro prove that love of the music and talent are able to conquer the seemingly impassable cultural gap, which enables them to sound as bona fide Tango performers.

The addition of the Jazz elements is very subtle and quite elegant, and does not impede the natural Tango spirit of the music. To the trained ear, the original compositions by Antkowiak, which constitute the more Jazzed up portion of the album, hide also some understated elements of Slavic origin, which of course is a fascinating element of the music. Whatever this music misses in Argentinean passion, it more than pays back in elegance and subtlety of European origin.

Overall this is a superb album, full of great compositions and superb performances, passionately executed and intelligently put together. For Tango connoisseurs this is an absolute must, but even listeners who would not usually listen to Tango music, this album is both special and beautiful enough to win them over.

As a great lover of the Tango I can´t help but recommend this album wholeheartedly, hoping it will find a warm place in the hearts of as many listeners as possible.
Updated: 27/07/2019Posted: 27/07/2019CD 1 Digipak Recommend To A Friend

BASSBAND ~ BASSBAND
NOT ON LABEL ~ SLOVAKIA ~ Special Products

Recorded: 2015 Released: 2016

This is the debut album by Slovak quartet BassbandFind albums by this artist, which comprises of four double-bass players: Jan KrigovskyFind albums by this artist, Jan PrievoznikFind albums by this artist, Metod PodolskyFind albums by this artist and Jan BorzaFind albums by this artist (three Jans out of four – not bad). The album presents ten original compositions, written especially for the quartet by various Slovak composers (only one of those comes from within the quartet and was composed by Borza).

The idea of a quartet comprised solely of basses seems a bit excessive at first, but once the music starts playing, all fears and skepticism are gone and the listener is transported into Bassland, the heaven of bass lovers, myself included!

The music presented on the album is pretty diverse and touches upon the entire scale of musical genres, from Pop to Classical, but all the compositions are inspired and plainly beautiful. As a result great music combined with impressive, original and virtuosic performances simply works like a dream. Contrary to expectations, a bass quartet can sound like a whole orchestra if need be, or as an intimate chamber quartet. The fact that those are only basses playing is immediately pushed back into the subconscious and the music takes over completely.

This album presents an excellent opportunity to change the image of the double-bass, which to most people means very little and is considered as a less significant instrument, where in fact it is of extreme importance to music being the only instrument operating in the low sonic range. In Jazz of course the bass is equally important to all other instruments in an ensemble.

Summa summarum this is a wonderful album, full of exquisite music, superb playing and above all elegance and grace. I wish more such projects, which embrace originality and daring, would be undertaken by as many musicians as possible. I simply can not recommend this album enough. It is an absolute marvel for all true music lovers regardless of age or musical preferences, as it is simply great music!
Updated: 11/05/2016Posted: 11/05/2016CD 1 Digipak Recommend To A Friend

BIG BAND KATOWICE ~ MUSIC FOR MY FRIENDS (POLISH JAZZ VOL.52)
MUZA 1052 (Barcode: 5907783420528) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 1977 Released: 2007

Katowice, the Capital of Upper Silesia - Poland´s industrial region, was very important to the development of the Polish Jazz scene due to the fact that the local Music Academy was the first and for many years the only higher educational facility teaching a Jazz programme which awarded a degree in Music. The highly dedicated faculty and stuff directed generation after generation of young Polish musicians towards a career in Jazz music and in time the majority of the local Jazz scene was indeed a collection of the Katowice Music Academy alumni, the names of which are simply too numerous to mention. This phenomenon emphasizes the crucial importance of music education and its contribution to Culture. This album presents a Jazz Big Band led by trumpeter / composer Zbigniew KalembaFind albums by this artist and comprising of the students of the Katowice Music Academy and guest soloists, some of which were ex-students, such as guitarist Jaroslaw SmietanaFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist, pianist Wladyslaw SendeckiFind albums by this artist and many others. They perform eight compositions, five of which are originals and three standards, all beautifully arranged and passionately performed. The majority of the music has a distinct Jazz-Rock Fusion feel, which is not surprising as the genre ruled the local scene in the late 1970s. Since the Polish Jazz series includes only a handful of Big Band recordings, this is a most valuable addition to the overall presentation of the Polish Jazz scene. Warmly recommended!
 CD 1 Digipak Remastered Recommend To A Friend

BIG BAND MALOPOLSKI ~ LIVE AT MLYN JAZZ FESTIVAL II
HEVHETIA 0176 (Barcode: 8588005258210) ~ POLAND ~ Jazz

Recorded: 2016 Released: 2018

During the recent HevhetiaFind albums on this label Showcase in Kosice I had the opportunity to talk at length to Ryszard KrawczukFind albums by this artist, the leader / conductor of the Big Band MalopolskiFind albums by this artist, one of the very few active Polish Jazz Big Bands. As usual the conversation revolved around the logistic / financial aspects of keeping a Big Band together these days – a complicated and frustrating task by any standard, and more often than not completely underappreciated. But with all hardships set aside, the Big Band Malopolski is a smooth and mean, well oiled music machine, which can easily look straight in the eye of any other European Jazz Big Band.

The lineup of the Big Band, based partly on the students of the Academy of Music in Krakow, includes some of the best young and upcoming Polish Jazz players, like saxophonists Wojciech LichtanskiFind albums by this artist and Slawomir PezdaFind albums by this artist, trombonist Bartosz PernalFind albums by this artist and many others, who play along older and seasoned musicians. Guest artists are often invited to play and record with the Big Band. The current lineup includes also the vocalist / rapper / beat box performer Andy NinvalleFind albums by this artist, who spices up the Big Band´s performances with incredibly energetic and up to date glimmer.

This, the Band´s second album, presents the current repertoire, which is a mixture of compositions by Polish Jazz veterans, like Michal UrbaniakFind albums by this artist, Jan Ptaszyn WroblewskiFind albums by this artist and Marek BalataFind albums by this artist, American Jazz standard and a composition by the Italian saxophonist / composer Rosario GuilianiFind albums by this artist, all together six wonderful pieces of mainstream Jazz, superbly arranged and ideally suited to the Big Band environment. Polish Jazz vocalist Lora SzafranFind albums by this artist guests on one of the tracks. The performances are perfectly executed, with plenty of space for some excellent soloing and the above mentioned tasty beat box ornamentations, which were enthusiastically received by the audience during the concert I was happy to attend.

Overall this is an excellent Jazz Big Band album, which should satisfy connoisseurs all over the world, especially in view of the fact that Big Band albums are a rarity these days, especially those that are able to keep this Art Form up to date. Warmly recommended!
Updated: 14/09/2019Posted: 14/09/2019CD 1 Mini-Sleeve Recommend To A Friend

BIG BAND SLASKI ~ A WIDE SPECTRUM
TEATR ROZRYWKI 002 (Barcode: 5902596066819) ~ POLAND ~ Big Band Jazz

Recorded: 2022 Released: 2022

This is the debut album by a new Jazz Big Band on the Polish scene, appropriately called Big Band SlaskiFind albums by this artist (Silesian Big Band), as it was founded in Chorzow (the town where I was born) and includes many of the musicians who graduated from the Katowice Music Academy, like trumpeter Pawel PalcowskiFind albums by this artist or saxophonist Jaroslaw BothurFind albums by this artist, to mention just a few. The Big Band is led by its Artistic Director, trombonist / composer Grzegorz NagorskiFind albums by this artist. The album presents seven compositions, one by Nagorski, one by trombonist / composer Michal TomaszczykFind albums by this artist, one by pianist / composer Pawel TomaszewskiFind albums by this artist, who appears as a special guest on the album, two by American trumpeter / composer Tim WaltersFind albums by this artist and the remaining two by another American trumpeter / composer / arranger Michael Philip MossmanFind albums by this artist. The music was recorded at Radio Katowice and offers a splendid sound quality and separation, which makes the music resound clearly and brightly.

The music is all strictly within the mainstream Jazz idiom, offering melodic compositions arranged skillfully for the Big Band and performed spotlessly by all the musicians, featuring many splendid solo parts. Most of the music is pretty straightforward, except for the closing track by Tomaszewski, and is obviously dominated by the American Big Band tradition, which sounds somewhat outdated today, despite its slick and professional glamor. I would have expected from a contemporary Polish Jazz band to be somehow more aligned with the European approach to Jazz Big Bands, which is more daring and innovative, but all things considered and in view of the fact that Jazz Big Bands are such a rare phenomenon today, we should rejoice every time some new Big Band music is being created.

Overall, this is a very pleasing and entertaining, almost danceable, Jazz Big Band album, which should make many enthusiasts of the genre happy. The music is accessible and the performances are highly spirited, which results is a most enjoyable listening experience. Hopefully the Big Band Slaski will be able to continue its activity in the uncertain, economically and otherwise, atmosphere that surrounds the music scene these days.
Updated: 28/12/2022Posted: 28/12/2022CD 1 Digipak Recommend To A Friend

BIG BAND UMFC WARSAW ~ CLASSIC ON JAZZ
MTJ 11458 (Barcode: 5906409114582) ~ POLAND ~ Jazz

Recorded: 2014 Released: 2014

During my recent visit to Warsaw my dear friend Pawel BrodowskiFind albums by this artist took me to hear a concert by the Big Band UMFC WarsawFind albums by this artist, which simply stands for Big Band of the Frederic Chopin Music University in Warsaw, Poland´s most prestigious music education institution. Although the program of that concert was different from the material recorded on this album (it was a tribute to Frank SinatraFind albums by this artist´s Christmas repertoire - more or less), hearing the Big Band live (and the two vocalists) was great fun and certainly an aesthetic pleasure. It was during the intermission that I met the Big Band leader / conductor Piotr KostrzewaFind albums by this artist, who explained that the members of the Big Band are UMFC students, which of course was not a surprise, and that they are all Classical Music students, which of course was completely surprising. Classical musicians that can swing the way this Big Band swings, is a major surprise indeed. Even more surprising was the discovery that the UMFC does not have a Jazz department, in spite of the immense popularity of Jazz in Poland since many decades and the fact that most other regional Polish towns (Katowice, Wroclaw, Gdansk, Lodz, Bydgoszcz and others) have Jazz departments at their Music Academies, some of which are truly excellent. It´s a high time for Warsaw to catch up! It seems that Kostrzewa singlehandedly managed to turn the classicist into swingers and at least the UMFC acknowledges the need of such activity within its walls.

This album presents eleven popular Classical Music compositions arranged for a Jazz Big Band by some of the most famous Big Band arrangers and in three cases by drummer / arranger Wojtek KostrzewaFind albums by this artist, Piotr Kostrzewa´s son. In many cases attempts to treat Classical Music in a Jazzy way end up being a trivialization of the original compositions and sadly also kitschy pastiches of Jazz. However, in the case of this album, the Classical pieces serve only as a harmonic background and melodic hints and they are wholly transformed into the Jazz Big Band idiom, with many solo spots enabling the young musicians and invited special guests to show off their chops and overall swing happily and vigorously from start to finish. Considering that Big Bands are a rare commodity these days, Kostrzewa´s dedication and initiative are truly praiseworthy by itself and as a tool to expand they young generation´s musical horizons.

Overall this is a very entertaining and well done Big Band album which can certainly satisfy many Jazz fans, especially those with a special relation to Big Bands. Hopefully the band will continue to produce more albums in the not too distant future.
 CD 1 Recommend To A Friend

BIG BAND WEIZ ~ CONTRASTS
ATS 0961 (Barcode: 9005216009619) ~ AUSTRIA ~ Big Band Jazz

Recorded: 2019 Released: 2022

This is an album by the veteran Austrian Jazz Big Band WeizFind albums by this artist, led by Christoph PfeifferFind albums by this artist. The album commemorates the Big Band’s 40th Anniversary and a decade of Pfeiffer’s leadership. It presents ten tracks, the first six being a three-part Indo-Jazz suite called “Far East”, composed by woodwinds player / composer Georg GratzerFind albums by this artist, who appears as a guest soloist on the album. The remaining four tracks include two arrangements of standards, one composition of vocalist Wolfgang SangFind albums by this artist, who also appears as a guest and finally one composition of American drummer Billy CobhamFind albums by this artist, who appears on that track, which was recorded live.

The music and the sound of the Big Band are highly idiosyncratic, quite different from what one would expect to hear in that genre. It follows the tradition of European Big Band Jazz, which treats the mighty orchestral sound of a Big Band completely unlike the American tradition, concentrating on the multilayered possibilities a large ensemble provides, and exploring a multitude of musical sub-genres within the Big Band environment.

In the album’s liner notes Gratzer mentions the Indo-Jazz explorations, which go back as far as 1950s, which means he is familiar with the legacy of the sub-genre. His approach to Indo-Jazz is quite radically different from his predecessors, concentrating more on the rhythmic aspects of the Indian Music, and using Indian scales and melody lines less prominently that earlier attempts. The fact that no Indian musicians participate in the recording also influences the final result. However, the result is very interesting and coherent, offering a new manner to treat that subject, which listeners interested in Indo-Jazz should enjoy immensely.

The rest of the music is more “conventional” and diverse, but all highly professional and enjoyable, proving that a Big Band originating from a beautiful small Austrian town can be as good as any Big Band in the world. Of course the Austrian Big Band tradition, which is incredible, helps.

Overall, this is a highly interesting, enjoyable, beautifully arranged and played European Big Band Jazz at its best, which should keep every fan of the genre happy. The Indo-Jazz suite adds additional interest to Jazz-World Fusion enthusiasts. Warmly recommended!
Updated: 03/08/2022Posted: 03/08/2022CD 1 Digipak Recommend To A Friend

BIG BAND WYDZIALU JAZZU PANS W NYSIE ~ SINGING AND SWINGING
NOT ON LABEL ~ POLAND ~ Big Band Jazz

Recorded: 2023 Released: 2023

This is an album by a Big Band comprising of students and staff of the Jazz Department of the Nysa Academy, conducted by trumpeter Piotr SchmidtFind albums by this artist, featuring five young vocalists. The staff includes pianist Przemyslaw RaminiakFind albums by this artist, guitarist Jakub MizerackiFind albums by this artist and others. The album presents eight tracks, all standards, most from the repertoire of Frank SinatraFind albums by this artist and the Count Basie OrchestraFind albums by this artist. The playing time is just above half an hour, which makes this an EP rather than a full album.

There is of course nothing new or surprising about the music, except the fact that is does sound perfectly professional and similar to any school Big Band around the globe, which testifies to the fertile ground for Jazz in Poland with such talented young players. Even the English accent and pronunciation by the vocalist is bearable.

The staff of the Academy can be proud of their students, who stand up to the challenge without a hitch, producing a highly entertaining, nostalgic and pleasant vocal / Big Band album, which can be enjoyed by every Swing Big Band fan anywhere in the world.

Overall, although “just” a school recording, this is a highly entertaining, perfectly played and excellently recorded Big Band album, making of which was surely a valuable lesson to all the students. Congrats to Piotr Schmidt for pulling this together!
Updated: 21/06/2023Posted: 21/06/2023CD 1 Digipak Recommend To A Friend

BIG BROTHER AND THE HOLDING COMPANY ~ BE A BROTHER / HOW HARD IT IS
ACADIA 8194 (Barcode: 805772819429) ~ USA ~ Classic Rock

Recorded: 1970 - 1971 Released: 2008

3rd and 4th albums by the legendary US West Coast band Big Brother And The Holding CompanyFind albums by this artist, which is sadly most famous for giving the world their lead singer – America´s most incredible female artist Janis JoplinFind albums by this artist. After recording a couple of albums with the band for the ColumbiaFind albums on this label label, Janis was persuaded to leave them and start a solo career, a move which musically turned out to be most unfortunate. Although at the early stage Big Brother, led by guitarist and the group´s main songwriter Sam AndrewFind albums by this artist, were perhaps not the most seasoned and high profile band on the spot, they fitted Janis like a glove with their raw energy and enthusiasm, providing her with the best possible vehicle for her vocal extravagancies. Faced with the prospect of their lead singer, who was absolutely irreplaceable, most bands would have called it a day, but Big Brother decided to hang on and went to record a couple of excellent albums, presented here. They expanded the lineup to a sextet, featuring three lead guitarists (Andrew, Peter AlbinFind albums by this artist and David SchallockFind albums by this artist), and armed with a set of great tunes (mostly written by Andrew) they dared to expand into new musical ventures, way beyond the early Blues-centered tunes. With traces of Psychedelic influences, harder Rock riffs and even proto-Prog moments, these two albums are amongst the finest attempts, sadly remaining almost completely ignored and forgotten for years. Having them both back in circulation is a treat and a great opportunity to get acquainted with some lost treasures of American music. Wholeheartedly recommended!
 CD 1 Recommend To A Friend

BIG BROTHER AND THE HOLDING COMPANY ~ CHEAPER THRILLS
ACADIA 8001 (Barcode: 805772800120) ~ USA ~ Classic Rock

Recorded: 1966 Released: 2000

An early live recording by the legendary US West Coast band Big Brother And The Holding CompanyFind albums by this artist, led by guitarist Sam AndrewFind albums by this artist and fronted by the divine Janis JoplinFind albums by this artist, recorded shortly after she joined the band. Although not high quality sound-wise, this is incredibly important material, documenting the early stages of the band and is the first known recording by Janis. The raw energy and the incredible atmosphere of the era are all captured here and make this a must for any true fan of the band and of course of Janis. Definitely worth checking out!
Updated: 18/01/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

BIG BROTHER AND THE HOLDING COMPANY ~ LIVE AT THE CAROUSEL BALLROOM 1968
COLUMBIA 886979640924 (Barcode: 886979640924) ~ USA ~ Classic Rock

Recorded: 1968 Released: 2012

This album brings to life an archival recording by Big Brother And The Holding CompanyFind albums by this artist from June 1968, still fronted by Janis JoplinFind albums by this artist who was to leave the group a few months later. The band performed constantly at San Francisco´s main venues: Winterland, Avalon Ballroom and Carousel Ballroom (soon to be Fillmore West). A live recording from Winterland, recorded in April 1968 has been already released by ColumbiaFind albums on this label in 1998 as "Live At The Winterland `68Find albums with this title". This new release adds to the overall picture and historic perspective, presenting a band at the peak of its powers with Joplin simply blowing any other contemporary US singer out of the water. In spite of the rather poor recording quality (which has been a source of endless bitching by a horde of wannabe critics) the music, the artistry, the genius, the tension, the incredible voice of Janis and some unbelievable guitar work by Sam AndrewFind albums by this artist and James GurleyFind albums by this artist makes this release worth its weight in gold for any Janis fan and a true music lover. With their superb "Cheap ThrillsFind albums with this title" album, which was completed just a month earlier (also partly recorded live), but still unreleased at the time of this recording, this album is a preview of things to come and includes most of the material included on "Cheap Thrills". Three track from this album appeared previously on the 1972 "In ConcertFind albums with this title" album, but with a completely different mix. So here we go, a trip lasting over 70 minutes, taking us back to the glorious days, when music was music, and nothing else mattered. Ye brave ones, come aboard!
 CD 1 Mini-Sleeve Recommend To A Friend

BIG BROTHER AND THE HOLDING COMPANY ~ SEX, DOPE & CHEAP THRILLS
SONY 190758635224 (Barcode: 190758635224) ~ USA ~ Classic Rock

Recorded: 1968 Released: 2018

This is a sensational archival companion to the iconic Classic Rock album "Cheap ThrillsFind albums with this title" by Big Brother And The Holding CompanyFind albums by this artist, released to celebrate the 50th Anniversary of the release of the original album. The group, headed by the greatest ever female Rock vocalist Janis JoplinFind albums by this artist, included also guitarists Sam AndrewFind albums by this artist and James GurleyFind albums by this artist, bassist Peter AlbinFind albums by this artist and drummer David GetzFind albums by this artist. The album presents twenty nine outtakes recorded during the sessions that produced the original album and one live track from the Winterland Ballroom concert recorded in April 1968, which was not included on the live album that presents the rest of the concert, called "Live At The Winterland `68Find albums with this title". From the thirty tracks on the 2CD album twenty five are previously unreleased. The album´s title is what the original album was supposed to be called, but obviously at the time it was considered way to daring for a Major label.

For the Classic Rock cognoscenti there is very little one can add to what they already know and hopefully feel about this music. A wonderful amalgam of Blues, Psychedelic Rock, Rock And Roll and Soul, this music embodies what American music was all about in the late 1960s, constantly breaking new ground and being alive and kicking like it will never be again in the years that followed. Concealing twenty five previously unreleased tracks featuring the incredible artistry of Janis Joplin is a Cultural Crime, which Major labels like ColumbiaFind albums on this label have been committing repeatedly. Joplin´s recording legacy, tragically cut short by her early demise, left us with relatively limited evidence of her Godly talent, and this album offers a tremendous wealth of her unadulterated Genius. Although some of the songs are repeated several times, each and every take is completely different of course and especially Joplin´s heartwrenching vocals are completely unique time after time and as such worth their weight in gold.

Joplin´s stardom clearly overshadowed the role of the band, which although unfair was pretty understandable. But Big Brother was a great band by any standard, capable of great instrumental work and superb support behind Joplin. Both guitarists produced many exquisite solos on various occasions and the double guitar lineup was one of the first of its kind. This album confirms the band´s excellent work even further. Columbia´s decision to convince Joplin to drop the band and pursue a solo career was completely off the track of course as much as it was brutally unfair towards the band. As a result Joplin, notwithstanding her immense talent, would never sound as tight and expressive as she did on "Cheap Thrills". The tracks on this album clearly show why that happened.

Overall this album is a tremendous historical document of one of the greatest moments in American Classic Rock and an important extension of an iconic / pivotal Classic Rock album, which should be of interest to every Classic Rock connoisseur!
Updated: 18/01/2019Posted: 18/01/2019CD 2 Remastered Recommend To A Friend

FRANCY BOLAND ORCHESTRA ~ BLUE FAME / RED HOT / WHITE HEAT
MPS 602517643888 (Barcode: 602517643888) ~ BELGIUM ~ Big Band Jazz

Recorded: 1976 Released: 2008

This is a reissue of the three albums recorded by the Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist and his Orchestra, originally recorded in 1976 and released on the legendary MPSFind albums on this label label. The 2CD album presents eighteen tracks, which include original compositions by Boland and Jazz standards, all arranged by him. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, bassist Ron MathewsonFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Sal NisticoFind albums by this artist, trumpeter Benny BaileyFind albums by this artist, and many other excellent musicians.

American drummer Kenny ClarkeFind albums by this artist and Boland co-led The Kenny Clarke / Francy Boland Big BandFind albums by this artist between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.

The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Personally Mathewson’s bass playing on this album is an absolute wonder and alone worth the price of this album, but of course every note played here is simply exceptional.

For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Holy Grail!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 09/08/2021Posted: 08/08/2021CD 2 Oversampling Remastered Recommend To A Friend

SANDRA BOROY ~ PARALLELLER
AMP 120 (Barcode: 013415902234) ~ NORWAY ~ Jazz

Recorded: 2021 Released: 2022

This is the second album by Norwegian singer / songwriter Sandra BoroyFind albums by this artist, recorded with trumpeter Idar Eliassen PedersenFind albums by this artist, guitarist Simen SkrebergeneFind albums by this artist, bassist Asle BrathenFind albums by this artist and drummer Marius Troan HansenFind albums by this artist. Saxophonist John Rune JakobsenFind albums by this artist guests on three tracks. The album presents ten original songs, all by the leader, with lyrics in Norwegian.

The music continues the highly idiosyncratic approach initiated on the debut album, with darkly atmospheric melody lines and obvious Nordic influence, which has nothing in common with the standard vocal Jazz tradition. The melodies are complex and demanding, and combined by intensive instrumental accompaniment by trumpet and distorted guitar, create very unique sonic vistas, which have little parallels elsewhere. Although the music itself is not really Jazz oriented, the dense instrumental improvisations push it towards the Jazz idiom, is such classification means anything. The excellent rhythm section manages to stay respectfully in the background, audible only when really needed.

Boroy, who also plays Rhodes electric piano, often overdubs her vocals and uses studio techniques to create captivating vocal effects, which add to the aura this music conveys, and suit the music perfectly. She treats her voice as another instrument in the ensemble, often singing along with the trumpet, which is the most dominant instrument, again creating a strange effect. In short the music is wonderfully weird, which is exactly what often makes music great.

Overall, although the music might sound a tad depressing at first hearing, it is a beautiful piece of human communication, with splendid originality and creativity, which reflects the Nordic melancholy at its best and should be able to reach many hearts around the world. Boroy certainly deserves to be on the watch list with her future explorations.
Updated: 02/11/2022Posted: 02/11/2022CD 1 Mini-Sleeve Recommend To A Friend

SANDRA BOROY ~ SUS
LOSEN 164 (Barcode: 7090025831645) ~ NORWAY ~ Jazz

Recorded: 2016 Released: 2016

This is the debut album by Norwegian vocalist / songwriter Sandra BoroyFind albums by this artist, recorded in a quartet setting with guitarist Jonas Dyrstad ValbergFind albums by this artist, bassist Guttorm Strande SyrristFind albums by this artist and drummer Jonatan Schanke EikumFind albums by this artist. The album presents six songs with lyrics in Norwegian and two wordless pieces, each repeated twice, altogether ten tracks, all composed and written by Boroy.

After developing the material and perfecting her style for almost four years Boroy finally recorded this album, boldly stepping into the tough world of vocal music, perhaps the most difficult of all musical forms. It becomes immediately obvious after the music starts playing that she is not another young female in the endless stream of hopeless copycats trying to "make it" using a sexy voice or even worse her sexy look. This album is a profound statement of individuality and complete disregard of fads and fashions, simply putting on the table an honest package of compositions, lyrics and heartfelt execution. Sticking to lyrics in Norwegian is another important sign of honesty and candor, avoiding the usual trap of "broken English" that most starting vocalist fell into over and over again all over the world.

The music fails an immediate attempt of classification; it is Jazzy, but not mainstream oriented, it displays the Scandinavian melancholy and lyrical approach, and yet differs from most other Scandinavian music, presenting a unique stylistic statement. Boroy´s usage of vocalese, both on the wordless tracks and during her solos within the songs, is where she sounds most interesting and promising, but her vocal delivery is definitely overall excellent. One of the basic assets of this album is the close cooperation between the vocals and the guitar, which accompanies her very closely, sometimes even unisono, creating an unusual atmosphere and an outlandish sound effect.

The rhythm section also does a splendid job, staying often in the background and stepping in elegantly exactly when appropriate. The bass supports the melody line admirably, which is especially important when the vocals and guitar are busy with stating the complex melody lines. The drums are elegantly supporting the music, being often subdued, but on the wonderful vocals / drums duet track the drummer shows not only his skills as a player but more importantly his ability to listen.

Overall this is an amazing debut album, especially so in the vocal department. With such talent and determination God only knows what these young musicians can achieve eventually. It´s one of those albums that make being a music critic a pleasure. Kudos to Odd GjelsnesFind albums by this artist for his vision to release this album on his superb LosenFind albums on this label Records label; most other labels would have rejected it for being "too ambitious" – what a world we are leaving in!
Updated: 21/09/2016Posted: 21/09/2016CD 1 Digipak Recommend To A Friend

BRAND, DOLLAR ~ AFRICAN SPACE PROGRAM
ENJA 2032 ~ USA ~ Jazz


AMG Review: Still known as Dollar Brand at the time of this recording, Abdullah Ibrahim had his first encounter with a large ensemble on African Space Program, and the results are quite successful. Despite a muddy sound quality, this is music built on infectious themes and played with verve by a fine cast of instrumentalists. The first part of "Tintiyana," entirely written, is redolent of Ellington and Mingus, all churning low tones and percussion. When the second portion begins, the mood turns celebratory with a striding, gospel-imbued theme supporting heroic solos from all involved. Several of the musicians on hand were generally involved with the Avant-Garde end of the jazz spectrum at the time, and their playing is full of bite and a risk-taking nature that greatly enlivens the proceedings. The companion piece, Jabulani-Easter Joy," is similarly structured, though here the theme bears a striking, if accidental, resemblance to the central melody of "Jesus Christ, Superstar" (!). The soloing is perhaps even more rambunctious than on "Tintiyana," and brings the album to a quite rousing conclusion. Among all the fine work, special mention should be made of the rhythm team of Cecil McBee and Roy Brooks who, along with the leader´s relentless and driving accompaniment, pace the ensemble beautifully and add their own superb solo statements.
Updated: 12/04/2019Posted: CD 1 Recommend To A Friend

ESBEN BRANDT ~ CONSTANTS
GATEWAY 02 (Barcode: 5707471035689) ~ DENMARK ~ Jazz

Recorded: 2014 Released: 2014

This is the second album by the young Danish Jazz guitarist / composer Esben BrandtFind albums by this artist, recorded in a quartet setting with Polish (resident in Denmark) trumpeter Tomasz DabrowskiFind albums by this artist, bassist Anders ChristensenFind albums by this artist and drummer RJ MillerFind albums by this artist. The album features eight original compositions, all by Brandt.

The music is very open-minded mixture of European lyricism and Scandinavian melancholy, with a set of slowly developing melodic themes, which are vehicles for the quartet members to stretch out and improvise quite freely. Obviously Brandt and Dabrowski are featured as the main soloist, often playing side by side soloing simultaneously or accompany each other while one of them takes the lead. They are very compatible as musical partners and there is an obvious interaction happening between them at all times, which is one of the many highlights of this album. The rhythm section serves as a perfect vehicle for the quartet, keeping the music together and moving it forward, especially during the unhurried passages, yet staying respectfully in the background.

Although Brandt is wonderful player, it is Dabrowski who performs most of the magical parts on this album, which is hardly surprising considering his record during the last few years. His unique tone and characteristic phrasing are by now shaping as his personal, easily recognizable trademark, which for a musician of his age is truly remarkable. But the album is a wonderful group effort and the teamwork present is my all means remarkable.

Overall this is a superb example of modern European Jazz, which combines tradition with freedom and sophistication, pushing the boundaries of what we recognize as Jazz music both in composition and performance. As usual the young age of the people involved is symbolic of the fact that the music´s future is passed from generation to generation, regardless of the cruel reality and the world´s indifference. A truly commendable job, worth of praise and admiration!
 CD 1 Digipak Recommend To A Friend

BREAD, LOVE AND DREAMS ~ AMARYLLIS
SI-WAN 0035 ~ UK ~ Progressive Rock


3rd album from 1971. Extremely obscure, includes the lengthy title suite based on a poem, which was comissioned by the Edinburough Festival. A superb example of Folk / Prog and the much loved poetry & music genre popular at the time. Some legendary players perform on the album, including Danny Thompson and Terry Cox from Pentangle.
 CD 1 Recommend To A Friend

BREAD, LOVE AND DREAMS ~ AMARYLLIS
SUNBEAM 5027 (Barcode: 5051125502714) ~ UK ~ Folk-Rock

Recorded: 1970 Released: 2007

3rd and last album by Scottish duo Bread, Love And DreamsFind albums by this artist, which included singer David McNivenFind albums by this artist, who also wrote most of the material, and female singer Angie RewFind albums by this artist. The group started originally as a trio with another female singer Carolyn DavisFind albums by this artist and they recorded their debut album a year earlier. After Carolyn left to pursue a solo career, the duo engaged in an extensive recording project, which produced enough material for a double album. Unfortunately the record label (Decca) refused to issue a double album (originally intended to be called “Mother Earth”) and as a result the first of the two was released a few month earlier under the title The Strange Tale Of Captain Shannon And The Hunchback From GighaFind albums with this title, taken from the title of the epic song included on that album, and the second a few month later, again taking the title from the epic three-part suite present on this album. The duo was lucky to have some great musicians taking part in the recording sessions, namely Pentangle’s rhythm section of Danny ThompsonFind albums by this artist on bass and Terry CoxFind albums by this artist on drums, as well as saxophonist Dick Heckstall-SmithFind albums by this artist from ColosseumFind albums by this artist. Some of the songs were also beautifully arranged and orchestrated. The resulting music is a prime example of British Folk-Rock with some Psychedelic influences as well. Although the original albums sold poorly at the time they were released, in time they achieved a legendary status among British Folk-Rock enthusiast and became rare collectors’ items. Having them back in circulation is a long-awaited dream come true and no Acid Folk fan can call his collection complete without these two albums.
 CD 1 Remastered Recommend To A Friend

BREAD, LOVE AND DREAMS ~ THE STRANGE TALE OF CAPTAIN SHANNON AND THE HUNCHBACK FROM GIGHA
SUNBEAM 5047 (Barcode: 5051125504718) ~ UK ~ Folk-Rock

Recorded: 1970 Released: 2007

2nd album by Scottish duo Bread, Love And DreamsFind albums by this artist, which included singer David McNivenFind albums by this artist, who also wrote most of the material, and female singer Angie RewFind albums by this artist. The group started originally as a trio with another female singer Carolyn DavisFind albums by this artist and they recorded their debut album a year earlier. After Carolyn left to pursue a solo career, the duo engaged in an extensive recording project, which produced enough material for a double album. Unfortunately the record label (DeccaFind albums on this label) refused to issue a double album (originally intended to be called “Mother Earth”) and as a result the first of the two was released under this title, taken from the title of the epic song included on the album, and the second a few month later as AmaryllisFind albums with this title. The duo was lucky to have some great musicians taking part in the recording sessions, namely PentangleFind albums by this artist’s rhythm section of Danny ThompsonFind albums by this artist on bass and Terry CoxFind albums by this artist on drums, as well as saxophonist Dick Heckstall-SmithFind albums by this artist from ColosseumFind albums by this artist. Some of the songs were also beautifully arranged and orchestrated. The resulting music is a prime example of British Folk-Rock with some Psychedelic influences as well. Although the original albums sold poorly at the time they were released, in time they achieved a legendary status among British Folk-Rock enthusiast and became rare collectors’ items. Having them back in circulation is a long-awaited dream come true and no Acid Folk fan can call his collection complete without these two albums.
 CD 1 Remastered Recommend To A Friend

RANDY BRECKER & MATS HOLMQUIST / UMO ~ TOGETHER
MAMA 1056 (Barcode: 734956105624) ~ SWEDEN ~ Big Band Jazz

Recorded: 2018 Released: 2018

This is a wonderful Big Band Jazz album, which features American trumpeter Randy BreckerFind albums by this artist, Swedish composer / arranger / conductor Mats HolmquistFind albums by this artist and the Finnish UMOFind albums by this artist Jazz Orchestra. The album presents nine tracks, five of which are composed and arranged by Holmquist, three are composed by Chick CoreaFind albums by this artist and arranged by Holmquist and one is a standard arranged by him.

UMO Jazz Orchestra has been one of my favorite Big Bands since forever and the performances captured here affirm this lasting admiration. Brecker solos brilliantly on each and every track, sharing soloing duties with other UMO band members and the Orchestra plays like one organic body, despite the fact that the players are constantly rejuvenated with “new blood” from the local Finnish scene.

Holmquist compositions and arrangements are a quintessential amalgam of the American Big Band tradition and the European Orchestral Jazz approach, where the sound is meant to be organic as an ensemble rather than just soloist supported / accompanied by an orchestra.

The music is all within the mainstream Jazz boundaries, highly melodic and perfectly organized both harmonically and rhythmically, but the sound is modern and the performances heartwarming, creating a superb listening experience. The Corea pieces offer a new perspective on his compositions, which alone are worth the price of the album.

Overall, this is an excellent, although somewhat conservative Big Band album, which is honey on the ears of Orchestral Jazz lovers. Brecker fans will find him in top form of course, playing in different moods, which is always highly rewarding. Heartwarming music for warm summer nights (or winter nights by a fireplace). Delightful!
Updated: 05/03/2022Posted: 05/03/2022CD 1 Recommend To A Friend

RANDY BRECKER / WLODEK PAWLIK ~ NIGHT IN CALISIA
LICOMP 014 (Barcode: 5903034005490) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2011 Released: 2012

This is the second album on which the legendary American trumpeter Randy BreckerFind albums by this artist cooperates with Polish Jazz pianist / composer Wlodek PawlikFind albums by this artist, performing a Jazz suite composed by Pawlik. Their previous cooperation resulted in the album "Tykocin Jazz SuiteFind albums with this title", which was very warmly received by critics and audiences alike. This time they perform the "Night In CalisiaFind albums with this title" suite, which was commissioned by the Polish City of Kalisz to commemorate its 1850 Anniversary. The music is performed by Brecker, a piano trio led by Pawlik with bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist and the Kalisz Philharmonic Orchestra conducted by Adam KlocekFind albums by this artist. The suite is sub-divided into six sections, which together provide a continuous flow of integrated music.

The suite is based on several melodic themes, which reappear throughout the sections, with some passages performed by the orchestra and others featuring the piano trio and the trumpeter. There are several extended solos, all executed perfectly as expected from such high-class musicians. The instrumentation and arrangements balance beautifully between the Jazz undercurrent and the orchestral parts, with naturally tend to sound more Classical in nature. The music is wonderfully lyrical and melodic, tranquil and serene most of the time, simply stroking the listener´s attention note by note. Brecker plays simply outstanding, with exceptional clarity and stability, which is extremely difficult. Pawlik fills the space with the melodic motifs, always attentive and gentle. The bassist displays sheer virtuosic qualities and a warm sound of rare beauty and the veteran drummer keeps time, when keeping time is needed and gently strokes the set during the more atmospheric passages. This is pure bliss.

I suppose some listeners and Jazz connoisseurs might find this music to be slightly "sugary" at times. Well, perhaps so, but it certainly does not bother me at all. This is supposed to be a melodic, Jazz oriented amalgam of cross-genre explorations, well framed within the Classical tradition as well as the Jazz heritage. Pawlik is obviously a Master of his trade, which anybody listening to this recording must admit fair and square. There is a plentitude of wonderful Jazz / Classical interplays, which are intelligent, interesting and entertaining. The artistry involved both in the composition as well as the execution of this music is definitely praiseworthy.

This album is highly recommended to listeners, who love the proximity of Jazz and contemporary Classical music, and who will find this work delicious at all times. Pawlik confirms his position as a major force on the Polish Jazz scene and listening to Brecker´s trumpet is always a pleasure. Well done!
 CD 1 Digipak Recommend To A Friend

EDGAR BROUGHTON BAND ~ CHILLY MORNING MAMA
RECEIVER 262 ~ UK ~ Classic Rock


UK rock band Edgar Broughton BandFind albums by this artist were as legendary and revolutionary as bands get. Considered by many as the forefathers of Metal and Punk, they were always controversial and bittery anti-establishments. The music was rough and the lyrics plainly abusive (or what was considered abusive then). This live recording catches them at the peak of their 1970s days playing material from their 3 first albums.
Updated: 26/08/2021Posted: CD 1 Recommend To A Friend

JACK BRUCE / HR BIG BAND ~ MORE JACK THAN BLUES
MIG 80312 (Barcode: 885513803122) ~ UK ~ Jazz-Rock Fusion

Recorded: 2006 Released: 2015

This is a sensational live recording by the legendary British vocalist / bassist / songwriter Jack BruceFind albums by this artist, presenting the veteran Artist accompanied by the German HR Big BandFind albums by this artist performing eleven of his wonderful songs, originating from the seminal CreamFind albums by this artist albums and his solo albums, many of which feature lyrics by Pete BrownFind albums by this artist, and presenting a sort of "best of" review of his career, although of course Bruce could have selected dozens other songs and those would have fitted the bill as well. The accompanying DVD presents this live recording expanded by the addition of two more songs performed at the time, which are not included on the audio CD.

The HR Big Band (from Frankfurt) is one of several German Big Bands, such as the NDR Big BandFind albums by this artist (from Hamburg) or the WDR Big BandFind albums by this artist (from Cologne), which function side by side with the regional state broadcasting corporations active in Germany, being decentralized by law and remaining as one of the last bastions of independent publicly sponsored cultural organizations, adding a tremendous input into European Jazz in particular and European Culture in general. The musicians employed by these Big Bands have ideal working conditions and are free from economic struggles, which take a heavy toll on most freelance musicians. Also many projects, like the one documented on this album, would have never happened in a purely unsponsored commercial environment and the existence of these bands is simply a cultural miracle.

The HR Big Band, conducted by Jorg Achim KellerFind albums by this artist, who also wrote all the Big Band arrangements of Bruce´s songs, supports the guest amicably and elegantly, with obvious love and tremendous respect. Together they achieve an unprecedented effect, which is fresh and uplifting even for veteran Bruce followers. The Big Band sound and the splendid soloing by the Big Band members transform Bruce´s songs into a completely new dimension, present a different aesthetic perspective and emphasize the universality of his music. The presence of American Giant drummer Danny GottliebFind albums by this artist also adds to the overall result. Bruce is in absolute top form here, both as a vocalist and as an instrumentalist, delivering wonderfully lyrical interpretations of his songs and fiery soloing.

Bruce´s death in 2014 left an entire generation of his contemporaries struck with a tremendous feeling of loss and grief, once we realized that there would be no more new songs and none of the personal gestures, those who knew him experienced every time we met. Personally I always admired him both as a musical genius and a human being and in retrospect I sense that in spite of the fame and glory he enjoyed occasionally, he remains as one of the most underappreciated and misunderstood musicians of our time. His love of Blues, Rock and Jazz and the unique way he walked the tight rope between them separated him from most other musicians of his time. His pivotal role in the creation of the Jazz-Rock idiom would have sufficed for most, but for him it was just one of many achievements he managed to put on the pages of his life´s book.

This album is a wonderful opportunity to taste, feel and experience Jack Bruce at his best, doing what he loved, always uncompromisingly and true to himself at all times. The sound quality of the recording is near perfect considering the difficulty of recording a Big Band and the separation allows hearing the individual instruments in great detail. This is a great tribute to Bruce´s many talents and a piece of music history, of which he was a grand champion. "More Jack Than Blues" is a most appropriate epitaph to his life!
Updated: 25/04/2016Posted: 24/04/2016CD+DVD 2 Digipak Recommend To A Friend

BILL BRUFORD / TIM GARLAND ~ EARTHWORKS UNDERGROUND ORCHESTRA
SUMMERFOLD 013 ~ UK ~ Jazz


As most of Bill BrufordFind albums by this artist’s recorded work in the last years comes in the form of his EarthworksFind albums by this artist quartet it is delightful to hear the Master drummer in a small Big Band setting (a nonet to be precise). Recorded live at the New York Iridium Club in 2004, the group comprises of Bruford and his fellow Earthworks saxophonist Tim GarlandFind albums by this artist with a wonderful gathering of excellent American jazzmen. The material includes new arrangements of music previously recorded by different Earthworks line-ups. There is a lot of energy and superb musicianship present, with extended solos and heated interplays. Obviously they had a gas playing together, which is an essential ingredient in the process of music making. The sound quality is very good, with proper balance between the horns and they rhythm section. Definitely recommended to the many Bruford fans and anyone who enjoys good jazz.
Individually numbered Limited Edition (of 3000) including a bonus CD
 CD 2 Recommend To A Friend

MARTIN BRUNNER BAND ~ LEVELS OF LIFE
ANIMAL MUSIC 080 (Barcode: 8594155999538) ~ CZECH REPUBLIC ~ Jazz-Rock Fusion

Recorded: 2019 Released: 2019

This is the fifth album by the Czech Jazz pianist / composer Martin BrunnerFind albums by this artist and his first recording with the quartet called Martin Brunner BandFind albums by this artist, which also includes guitarist Tomas FuchsFind albums by this artist, Slovak bassist Rastislav UhrikFind albums by this artist and drummer Roman VichaFind albums by this artist. The album presents nine original compositions by Brunner, but on the album’s artwork the composer gives credit to the other members of the band for shaping the final arrangements of these compositions. The music was excellently recorded at the SONO Records studio and engineered by Milan CimfeFind albums by this artist.

Brunner is a member of the composers’ collective The Prague SixFind albums by this artist (see Concept Art OrchestraFind albums by this artist) and collaborated with many other musicians on the local scene in various genres. He is considered as one of the leading young composers in the Czech Republic. His previous four albums as a leader were recorded with a piano trio (or in one case piano trio and string quartet) and are all excellent.

This album finds Brunner in a completely new musical environment, playing contemporary Fusion (for a lack of better definition), which offers a set of wonderful compositions performed with a Rocky attitude. But the music is quite different from what most listeners consider as Fusion these days, since it is way more ambitious and sophisticated than the usual contemporary Fusion doodling. Brunner plays a lot of acoustic piano (which is already unusual for a Fusion album) and an analog synthesizer and the guitarist uses a plethora of different sounds, eschewing unnecessary boring long solos. The rhythm section is also superb, playing excellent polyrhythms and odd times with ease and elegance. The bass adds a wonderful basis for the entire sound, and although soloes sparingly, his playing is absolutely virtuosic.

Overall this music is simply ravishing from start to finish, fondly reminiscent of the early days of Fusion, when the music was truly innovative and challenging, setting new rules of what was possible within the symbiosis of Jazz and Rock. Brunner’s compositions are full of unexpected turns and twists, which keeps the listener in check for the duration.

For all appreciative Fusion lovers, especially those of the older generation, who remember the idiom at its prime and the younger, who wish to learn how it can be done at its best, this album is an absolute must. Hats off!
Updated: 27/02/2021Posted: 27/02/2021CD 1 Mini-Sleeve Recommend To A Friend

RANDY CALIFORNIA & SPIRIT ~ THE EURO-AMERICAN YEARS 1979-1983
ESOTERIC 2734 (Barcode: 5013929473485) ~ USA ~ Classic Rock

Recorded: 1979 - 1983 Released: 2020

This is an archival / reissue Box Set by American guitarist / vocalist / songwriter Randy CaliforniaFind albums by this artist and his legendary group SpiritFind albums by this artist, compiled and mastered by archivist Mike SkidmoreFind albums by this artist, who is in charge of the entire series of Spirit archival releases on the EsotericFind albums on this label label. This Box Set expands the previous 4CD release of this material from 2006 released on ArcadiaFind albums on this label, and adds two additional CDs of previously unreleased live material by Spirit and Randy California BandFind albums by this artist.

The Box Set includes six CDs:

CD1 presents some early demos and bonus material not included on the original release of the “Euro AmericanFind albums with this title” album from 1982, the original tracks of that album and some post album tracks.

CD2 presents tracks that were originally released on the German only LP “Shattered DreamsFind albums with this title” released on LineFind albums on this label Records and a plethora of additional archival tracks.

CD3 presents various live appearances by Spirit from 1980 and 1981 in Europe and US.

CD4 presents demo and live material by Randy California Band.

CD5 presents a previously unreleased live concert recording by Spirit from 1981.

CD6 presents a previously unreleased live concerts recording by Randy California Band from their British appearances at Reading and Glastonbury festivals.

These recordings feature Randy California on vocals, guitars and occasional keyboards, bassists Steve LoriaFind albums by this artist and Mike SheppherdFind albums by this artist, drummers Ed CassidyFind albums by this artist, Jack WilloughbyFind albums by this artist and Preston HeymanFind albums by this artist and others. It is noteworthy to state that Spirit enjoyed a much wider popularity in Europe, mainly in UK and Germany, during most of their musical career.

Overall, this is an incredible piece of American Rock history and a great tribute to one of greatest American Rock bands, which Spirit obviously were, as much as a tribute to the incredible talents of Randy California, who was both an extraordinary guitarist and a superb songwriter, often sadly underappreciated. This is an obvious labor of love and a part of a unique recording legacy document on a scale rarely attempted, which Spirit obviously deserves.
Updated: 01/03/2022Posted: 13/01/2022CD 6 Mini-Sleeve Box Set Remastered Bonus Tracks Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ BLUEJEANS & MOONBEAMS
VIRGIN 365515 (Barcode: 094636551524) ~ USA ~ Classic Rock

Recorded: 1974 Released: 2006

Following the release of Unconditionally GuaranteedFind albums with this title, Captain BeefheartFind albums by this artist and the Magic BandFind albums by this artist were about to start a European tour, but as a result of the commercial failure of the album (and other personal problems between Vliet and the band members) the Magic Band fell apart shortly before the tour was about to start. Vliet haphazardly put together a new version of the Magic Band, which made the tour (see the Live London ’74 album) and later recorded this album. The music again displays a more “commercial” approach, but the album was received coldly by critics and fans alike, which caused Vliet to withdraw from the music scene for a few years with the decision not try to make “commercial” music again. Mind you, “commercial” when referred to Vliet’s output, takes quite a different meaning than in most cases. In retrospect this is still a classic album, which lost nothing of it’s magic in the passing of time. Vliet’s brilliant vocal interpretations and superb songwriting are apparent and this is definitely a must have for all his numerous fans.
 CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ DOC AT THE RADAR STATION (REMASTERED EDITION)
VIRGIN 365513 (Barcode: 094636551326) ~ USA ~ Classic Rock

Recorded: 1980 Released: 2006

When the legal mess between record labels, which prevented any of his album to be released for almost six years, was finally over with the release of Shiny Beast (Bat Chain Puller)Find albums with this title in 1980, Don VlietFind albums by this artist immediately started work on a new album, which was completed and released later in the same year. Doc At The Radar Station was Vliet’s ultimate statement and generally considered his best work of the (third) last period of his career. It is stylistically much harsher and harder than its brilliant predecessor, closely reminiscent to the early works, but definitely much richer musically. The almost industrial sound blends perfectly with the bizarre lyrics and Vliet’s expressive vocalizations. Considering the fact that by the time this music was recorded, the world was sinking deep into sludge of musical mediocrity and muck, Vliet’s star shines even brighter. Definitely a timeless classic, which hopefully will be discovered by the young generation of music lovers, as well as re-discovered by some old-timers.
 CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ ICE CREAM FOR CROW
VIRGIN 365514 (Barcode: 094636551425) ~ USA ~ Classic Rock

Recorded: 1982 Released: 2006

Sadly and unexpectedly, this album was to be Vliet’s swan song. Recorded with (yet again) new line-up of the Magic Band, it was to a large extent a closing of a circle by this visionary artist, as he re-visits here many of his earliest musical ides going way back to the 1960’s, which somehow remained omitted from earlier albums. Stylistically it is closest to his early recordings as well, with the same atmosphere of tension and frequent changes of mood and tempo. Vliet throws the lyrics at the listener with harsh rapid fire, more often in spoken form than singing. Of course the magic is all there, even when the music becomes aggressive, metallic and dissonant. Obviously influenced by the punk movement (although he himself was an inspiration to many of the movement’s pioneers – another circle closing), Vliet incorporates the punkish alienation and vehemence superbly, spicing it with brilliant overlays of complex outlandish musical threads, creating a collage of rare intensity and expressiveness. This album requires some digestion, but eventually it remains standing as an icon of the era and the last obelisk of Vliet’s colonnade. After this album was recorded, Vliet disconnected himself from the world of music, dedicating all of his time to painting, living in total seclusion, and eventually tragically fell victim to multiple sclerosis.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ LIVE LONDON `74
VIRGIN 368577 (Barcode: 094636857725) ~ USA ~ Classic Rock

Recorded: 1974 Released: 2006

Although Vliet and his Magic Band left us a sizeable legacy of recorded material, they never released a live album, which is quite strange in many ways. This album was recorded during the European tour, which followed Vliet’s signing with Virgin and the release of the Unconditionally Guaranteed album. As his band fell apart shortly after the recording of the album, Vliet had to put together a new version of the band just before the tour started and rehearse with them both the new material from the album they were promoting, as well as some old favorites – an almost impossible task considering the complexity of the material and the lack of time. Nevertheless, as we can hear here, the results were brilliant, as always, with everything he ever attempted. The concert captured here presents Vliet and the band at top form and the music flows beautifully from start to finish. Earlier version of this recording appeared on CD in semi-bootleg versions, but never in full and never as brilliantly sounding as this one. A must! (Just for the sake of historic perspective, the band who used to open the shows for Captain Beefheart and the Magic Band on this tour were no other than Henry Cow, who also signed with Virgin at that time)
 CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ SAFE AS MILK (EXPANDED EDITION)
REV-OLA 271 (Barcode: 5013929457126) ~ USA ~ Classic Rock

Recorded: 1967 Released: 2009

Captain BeefheartFind albums by this artist (born Don VlietFind albums by this artist and later adopted the name Van VlietFind albums by this artist) was one of America’s most enigmatic and groundbreaking Rock personalities. His ability to mix Jazz, Blues, contemporary Classical and Rock made him a unique figure and a true innovator. He met and befriended Frank ZappaFind albums by this artist and the two cooperated in many ways (making movies, music and business together). Vliet was active on and off the music scene for about 20 years (between the late 1960’s and late 1980’s), with long periods of inactivity in between. His back-up group, called The Magic BandFind albums by this artist, changed personnel frequently, but always included top-notch players based in different musical genres like Blues, Jazz or Rock. He left a sizable legacy of superb music, which can now be appreciated with a much better perspective than at the time of its release. This, his debut album, is a wonderful mixture of Blues, Psychedelia and Garage Rock, but Vliet’s unique voice and songwriting make them fascinating enough to last for posterity and become classics. Over time this album became an all-time relic of the era and whole volumes were written about it, so there´s no need really to add much more here – simply grab it if you don´t have it already, as your record collection will never be complete without it!
 CD 1 Remastered Bonus Tracks Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ SHINY BEAST (BAT CHAIN PULLER)
VIRGIN 365517 (Barcode: 094636551722) ~ USA ~ Classic Rock

Recorded: 1978 Released: 2006

Following the release of Bluejeans & Moonbeams and the lack of success of his last two albums, Vliet joined forces with his old buddy Frank Zappa, becoming a guest vocalist with Mothers of Invention during their 1975 tour (as captured on the live Bongo Fury album). He then borrowed some of Zappa’s players to revamp his Magic Band. In 1976 he and his group recorded an album of completely new material, called Bat Chain Puller, which was stylistically much closer to his earlier works. Unfortunately that album was never released as a result of legal battles between his record label (Virgin) and a new record label (Warner Bros.) he tried to sign with. Soon after the studio tapes leaked to the bootleg industry, which flooded the market with illegal copies of the album, making Vliet quite unhappy. To resolve this mess Vliet recorded in 1978 a new version of the album (using a different line-up of the Magic Band), this time called Shiny Beast (Bat Chain Puller) for Warner Bros., who tried to release it the same year, but alas again it was legally bulldozed by Virgin. Fortunately Virgin eventually released the album in 1980 (after a settlement with Warner Bros. was reached). Musically the album is a triumphant return to Vliet’s idiosyncratic, magical mix of originality and genius (rivaled only by his friend Zappa and often quite similar to his music). The album also featured Vliet’s original paintings used for the cover art, revealing his other (apart from music) artistic vocation. This is a masterpiece of rock music and a timeless classic.
 CD 1 Remastered Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ THE MIRROR MAN SESSIONS
BUDDHA 69174 (Barcode: 743216917426) ~ USA ~ Classic Rock

Recorded: 1967 Released: 1999

This music, recorded in late 1967 just a few months after Captain BeefheartFind albums by this artist and his Magic BandFind albums by this artist recorded their debut album "Safe As MilkFind albums with this title", was intended for a double LP release, but as it often happened in the troubled biography of the Captain, it was not to be so. The music, partly unfinished, was rejected at the time by the record label and then partly released as the "Mirror ManFind albums with this title" album four years later, including only four of the tracks recorded at this session. This album collects nine of the tracks recorded at that session and the rest of them can be found as bonus tracks of the expanded reissue of "Safe As Milk". The music is of course brilliant, revolutionary and outrageous, nothing less one might expect from the Captain. An absolute must companion to the debut album.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

CAPTAIN BEEFHEART / MAGIC BAND ~ UNCONDITIONALLY GUARANTEED
VIRGIN 365511 (Barcode: 094636551128) ~ USA ~ Classic Rock

Recorded: 1973 Released: 2006

Captain BeefheartFind albums by this artist (born Don VlietFind albums by this artist and later adopted the name Van VlietFind albums by this artist) was one of America’s most enigmatic and groundbreaking Rock personalities. His ability to mix jazz, blues, contemporary classical and rock made him a unique figure and a true innovator. He met and befriended Frank ZappaFind albums by this artist and the two cooperated in many ways (making movies, music and business together). Vliet was active on and off the music scene for about 20 years (between the late 1960’s and late 1980’s), with long periods of inactivity in between. His back-up group, called The Magic BandFind albums by this artist, changed personnel frequently, but always included top-notch players based in different musical genres like blues, jazz or rock. He left a sizable legacy of superb music, which can now be appreciated with a much better perspective than at the time of its release. This album marks a relavtively short “commercial” period of Vliet’s output, after a series of almost Avant-Garde albums, starting with his debut Safe As MilkFind albums with this title from 1967. The songs are much closer to the blues and rock tradition, but Vliet’s unique voice and songwriting make them fascinating enough to last for posterity and become classics.
Updated: 12/04/2019Posted: CD 1 Remastered Recommend To A Friend

CHANDELIER ~ FACING GRAVITY
CHICKADISC 006 (Barcode: 5903068120107) ~ GERMANY ~ Progressive Rock

Recorded: 1992 - 1993 Released: 2018

This is a reissue of the second album by the German Neo-Prog ensemble ChandelierFind albums by this artist, which consisted of vocalist Martin EdenFind albums by this artist, guitarist Udo LangFind albums by this artist, keyboardist Tobias BudnowskiFind albums by this artist, bassist Christoph TiberFind albums by this artist and drummer Heribert RubarthFind albums by this artist. The album presents nine original songs with lyrics (In English) by Eden and music co-credited to all five ensemble members. This remastered and expanded edition adds a whole second CD which presents a concert recording of the group captured at a Paris club.

The music continues the classic Neo-Prog direction established on the debut, but with a much tighter playing, radically improved sound and stronger compositions, which altogether shift the band into the top of the genre´s acts. In retrospect this album is considered as one of the top German Neo-Prog albums ever recorded and easily matches the best albums recorded by the parallel British Neo-Prog bands of the period.

Although the Neo-Prog genre was a priori limited by the concept that it had to continue the direction set by the original Prog genre initiated decades earlier with as little deviation from the original formulae as possible, it did produce some excellent music over time, of which this is a good example. Solid melodies, complex instrumentation and operatic vocals generate epic symphonic sound which at its best is overwhelming, but at its worst can be ridiculous and boring.

The album maintains a superb level of musicianship for its entire duration and is certainly an epitome of the Prog idiom, avoiding successfully the traps of repetition and duplication which many albums within the genre suffer from.

Progheads should find this remastered and expanded reissue a feast to their ears and considering the fact that the original release is impossible to find these days, this is a great opportunity to discover this excellent band.

As usual the remastered music and excellent liner notes make this reissue a must have. The ChickadiscFind albums on this label label is a subsidiary of the excellent Polish GADFind albums on this label Records, which by now is a trademark of quality.
Updated: 21/09/2021Posted: 30/06/2019CD 2 Remastered Bonus Tracks Recommend To A Friend

CHANDELIER ~ PURE
CHICKADISC 005 (Barcode: 5903068120091) ~ GERMANY ~ Progressive Rock

Recorded: 1988 - 1990 Released: 2018

This is a reissue of the debut album by the German Neo-Prog ensemble ChandelierFind albums by this artist, which consisted of vocalist Martin EdenFind albums by this artist, guitarist Udo LangFind albums by this artist, keyboardist Tobias BudnowskiFind albums by this artist, bassist Christoph TiberFind albums by this artist and drummer Heribert RubarthFind albums by this artist. The album presents ten original songs with lyrics (In English) by Eden and music co-credited to all five ensemble members. This remastered and expanded edition adds a whole second CD which presents the cassette only early album by the band with one previously unreleased outtake.

The music is obviously strongly influenced by the classic British Prog bands of the late 1960s / early 1970s as well as the early British Neo-Prog bands which exploded in the early 1980s like MarillionFind albums by this artist, IQFind albums by this artist, PallasFind albums by this artist, PendragonFind albums by this artist and many others. The songs on this album as every bit as good as the material these bands managed to produce, and offer great melodies, excellent instrumental parts and falsetto (as appropriate for the genre) vocals.

Neo-Prog sadly had a limited musical impact as it basically offered nothing new that was not already done in the past and refused to break beyond the self imposed limits of the genre. Nevertheless this album is quite strong as far as this genre has to offer and in the thirty years retrospective sounds really entertaining.

Progheads should find this remastered and expanded reissue a feast to their ears and considering the fact that the original release is impossible to find these days, this is a great opportunity to discover this excellent band.

As usual the remastered music and excellent liner notes make this reissue a must have. The ChickadiscFind albums on this label label is a subsidiary of the excellent Polish GADFind albums on this label Records, which by now is a trademark of quality.
Updated: 21/09/2021Posted: 29/06/2019CD 2 Remastered Bonus Tracks Recommend To A Friend

CHANDELIER ~ TIMECODE
CHICKADISC 008 (Barcode: 5903068120343) ~ GERMANY ~ Progressive Rock

Recorded: 1986 - 2018 Released: 2019

This is a reissue of the third (and last) album by the German Neo-Prog ensemble ChandelierFind albums by this artist, which consisted of vocalist Martin EdenFind albums by this artist, guitarist Udo LangFind albums by this artist, keyboardist Tobias BudnowskiFind albums by this artist, bassist Stephan ScholzFind albums by this artist and drummer Tom JarzinaFind albums by this artist. The album presents nine original songs with lyrics (In English) by Eden and music co-credited to all five ensemble members. This remastered and expanded edition adds a whole second CD of bonus material, called "Lost & Found", which presents previously unreleased demo, outtakes, rehearsal take, a cover of a GenesisFind albums by this artist song and new (2018) re-recordings, all recorded by the original lineup of the group with bassist Christoph TiberFind albums by this artist and drummer Heribert RubarthFind albums by this artist, which recorded the first two albums. Recorded and released five years after its predecessor, the album continues the classic Neo-Prog direction established on the two earlier albums. The playing is still very tight, slick and polished, the vocals are excellent and so are the tunes, but sadly by the end of the 1990s Neo-Prog was running completely out of steam and the band finally called it quits a few months after the album was released.

Although the Neo-Prog genre was a priori limited by the concept that it had to continue the direction set by the original Prog genre initiated decades earlier with as little deviation from the original formulae as possible, it did produce some excellent music over time, of which this is a good example. Solid melodies, complex instrumentation and operatic vocals generate epic symphonic sound which at its best is overwhelming, but at its worst can be ridiculous and boring.

Although this album maintains a superb level of musicianship for its entire duration and is certainly an epitome of the Neo-Prog idiom, it did not manage to avoid the traps of repetition and duplication which many albums within the genre suffer from, especially towards the end of the Century.

Progheads (well Neo-Progheads) should find this remastered and expanded reissue a feast to their ears and considering the fact that the original release is impossible to find these days, this is a great opportunity to discover this excellent band.

As usual the remastered music and excellent liner notes make this reissue a must have. The ChickadiscFind albums on this label label is a subsidiary of the excellent Polish GADFind albums on this label Records, which by now is a trademark of quality.
Updated: 21/09/2021Posted: 14/03/2020CD 2 Remastered Bonus Tracks Recommend To A Friend

KENNY CLARKE / FRANCY BOLAND BIG BAND ~ THREE LATIN ADVENTURES (LATIN KALEIDESCOPE / FELLINI 712)
MPS 731452909527 (Barcode: 731452909527) ~ BELGIUM ~ Big Band Jazz

Recorded: 1968 Released: 1995

This is a reissue / remaster of two albums: “Latin KaleidoscopeFind albums with this title” and “Fellini 712Find albums with this title” recorded by the Big Band co-led by American drummer / bandleader Kenny ClarkeFind albums by this artist and Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist, originally recorded in 1968 and released on the legendary MPSFind albums on this label label. The album presents three multi-part Jazz suites: “Latin Kaleidoscope” co-composed by American composer Gary McFarlandFind albums by this artist and Boland, “Cuban Fever” and “Fellini 712” composed by Boland, all arranged by him, which span together the fourteen tracks of the album. The orchestra comprises of some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeter Jimmy DeucharFind albums by this artist and drummer Kenny ClareFind albums by this artist, American expatriates: saxophonists Sahib ShihabFind albums by this artist and Johnny GriffinFind albums by this artist, trumpeter Benny BaileyFind albums by this artist and many other excellent musicians.

Clarke and Boland co-led the Big Band between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.

The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. The Latin accents, which were very fashionable by the mid-1960s, get a wonderful treatment here, completely eschewing the schmaltzy accents. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Every note played here is simply exceptional.

For Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school example of what Big Band music is all about. Brilliant stuff!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 16/03/2025Posted: 10/08/2021CD 1 Remastered Recommend To A Friend

KENNY CLARKE / FRANCY BOLAND BIG BAND ~ TWO ORIGINALS (ALL BLUES / SAX NO END)
MPS 731452352521 (Barcode: 731452352521) ~ BELGIUM ~ Big Band Jazz

Recorded: 1967 - 1968 Released: 1994

This is a reissue / remaster of two albums: “All BluesFind albums with this title” and “Sax No EndFind albums with this title” recorded by the international / resident in Europe Big Band, co-led by American drummer / bandleader Kenny ClarkeFind albums by this artist and Belgian pianist / composer / arranger / bandleader Francy BolandFind albums by this artist. “All Blues” was originally recorded in UK in 1968 and released on the legendary MPSFind albums on this label label in 1969. It was the 2nd album by the Big Band on MPS. “Sax No End” was originally recorded in Germany in 1967 and released on the legendary SABAFind albums on this label (later MPS) label in 1967. It was the 1st album by the Big Band on MPS. This reissue also adds as a bonus one tracks from the “Fellini 712Find albums with this title” album by the Big Band with a corrected mix. The album presents altogether fifteen tracks with both original albums and the bonus, which are mostly original compositions by Boland, including the three-part “All Jazz” suite, all also brilliantly arranged by Boland.

The Big Band includes some of the best European Jazz musicians active at the time, like British saxophonists Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, trumpeters Jimmy DeucharFind albums by this artist and Shake KeaneFind albums by this artist, drummer Kenny ClareFind albums by this artist and many American expatriates: saxophonists Sahib ShihabFind albums by this artist and Johnny GriffinFind albums by this artist, trumpeter Benny BaileyFind albums by this artist and many other excellent musicians.

Clarke and Boland co-led the Big Band between 1960 and 1972, which was one of the most formidable European Jazz Big Bands with an extensive recording legacy, with several notable releases also on the MPS label. Boland composed and arranged for the most important American Jazz Big Bands in the 1950s, like those of Benny GoodmanFind albums by this artist, Woody HermanFind albums by this artist and Count BasieFind albums by this artist, before returning to Europe and starting his work with legendary German Big Band leader Kurt EdelhagenFind albums by this artist.

The music is all within the mainstream Jazz idiom, but the sublime arrangements make it absolute timeless and distinctly different from the American Jazz Big Band tradition, with a much more complex orchestral sound and refined European aesthetics. There are plenty of wonderful soli by the orchestra members, as expected, but as usual in the European Big Band environment, the accent is on the entire orchestra sound, with the soloing being mostly the icing on the cake. Every note played here is simply exceptional.

Overall, for Big Band / Orchestral Jazz fans this album is an absolute must of course, a true school book example of what Big Band music is all about. Holy Grail!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 16/03/2025Posted: 16/03/2025CD 1 Remastered Bonus Tracks Recommend To A Friend

KENNY CLARKE / FRANCY BOLAND BIG BAND ~ ALL SMILES
MPS 4029759119562 (Barcode: 4029759119562) ~ BELGIUM ~ Jazz

Recorded: 1968 Released: 2017

This is a reissue of the second album for the MPSFind albums on this label label by international, resident in Europe, Kenny Clarke / Francy Boland Big BandFind albums by this artist. On this album the lineup consists of seventeen musicians, including: British trumpeter Jimmy DeucharFind albums by this artist, Swedish trombonist Ake PerssonFind albums by this artist, British saxophonists Derek HumbleFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, American saxophonist / flautist Sahib ShihabFind albums by this artist, American vibraphonist Dave PikeFind albums by this artist, Belgian pianist Francy BolandFind albums by this artist, American bassist Jimmy WoodeFind albums by this artist and drummer Kenny ClarkeFind albums by this artist and others. The album presents ten tracks, nine of which are standards and one is based on a John Philip SousaFind albums by this artist march, all of them arranged by Boland.

The music is absolutely breathtaking example of the sophistication of the Big Band idiom, achieved when American Big Band tradition meets European aesthetic values and the amalgam erupts with inventiveness, elegance and flair. The brilliant arrangements turn the Big Band into a musical hydra, which has one body but in this case seventeen heads, all working together towards a common goal. The music soars and flows gently, switching moods and emotions and the soloists have plenty of space to make their individual statements.

For over a decade the Big Band served as a home for many American Jazz musicians who lived in Europe, sometimes for extended periods of time. It also cemented the European Jazz community, which was developing rapidly during these formative years. It was a fruitful habitat for many ensembles that were established by the Big Band members in years to come.

For connoisseurs of Big Band music this is an absolute must have, especially in view of the exquisite recording quality this album offers, which enables each and every instruments to be heard perfectly clearly. They don´t make music like this any more…
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 28/05/2018Posted: 24/02/2018CD 1 Mini-Sleeve Remastered Recommend To A Friend

CLIMAX BLUES BAND ~ COULDN`T GET IT RIGHT
REPERTOIRE 4802 ~ UK ~ Blues


A superb retrospective collection spanning the years 1969-1976 by the highly acclaimed UK blues band. Although it includes some of the band`s strongest album tracks, it also includes many previously unavailable singles and their B-sides. For the many band´s fans this is a great summary of their work and for those new to their music - a great introduction.
 CD 1 Recommend To A Friend

CLIMAX BLUES BAND ~ GOLD PLATED
REPERTOIRE 4142 (Barcode: 4009910414224) ~ UK ~ Blues-Rock

Recorded: 1976 Released: 1991

This is the 9th album by the British Blues-Rock band Climax Blues BandFind albums by this artist, which was one of the many bands that came into existence during the mid to late 1960s British Blues revival, pioneered by Alexis KornerFind albums by this artist and John MayallFind albums by this artist. The band plays a great selection of self-penned material, which mixes Blues, Rock and even Soul, brilliantly executed with plenty of heartbreaking guitar and sax solos, as expected. This album includes the band´s greatest commercially successful single "Couldn´t Get It Right" and is considered as one of the classics of the British Blues-Rock releases and lost nothing of its charm in time. A must to every Blues-Rock fan!
 CD 1 Recommend To A Friend

CLIMAX BLUES BAND ~ PLAYS ON
REPERTOIRE 4077 ~ UK ~ Blues


2nd album from 1969 by this group. With an addition of saxophone their sound is even broader then before. A true classic.
 CD 1 Recommend To A Friend

CLIMAX BLUES BAND ~ RICH MAN
REPERTOIRE 4045 ~ UK ~ Blues


5th album from 1972. Slightly more rocky approach on some tracks, but still a strong blues album. 1 bonus track.
 CD 1 Recommend To A Friend

CLIMAX BLUES BAND ~ THE CLIMAX CHICAGO BLUES BAND
REPERTOIRE 4078 (Barcode: 4009910407820) ~ UK ~ Blues-Rock

Recorded: 1968 Released: 1990

This is the excellent debut album by the British Blues-Rock band Climax Blues BandFind albums by this artist, which was one of the many bands that came into existence during the mid to late 1960s British Blues revival, pioneered by Alexis KornerFind albums by this artist and John MayallFind albums by this artist. The band plays a great selection of classic Blues material and some self-penned material, brilliantly executed with plenty of heartbreaking guitar solos, as expected. This album is considered as one of the classics of the British Blues-Rock releases and lost nothing of its charm in time. A must to every Blues-Rock fan!
 CD 1 Recommend To A Friend

CLIMAX BLUES BAND ~ TIGHTLY KNIT
REPERTOIRE 4079 ~ UK ~ Blues


4th album from 1971. More of the same fine British blues, with guitar dominated sound and great vocals.
 CD 1 Bonus Tracks Recommend To A Friend

COMMAND ALL STARS ~ CURIOSITIES 1972
REEL RECORDINGS 010 (Barcode: 676868178023) ~ UK ~ Jazz

Recorded: 1972 Released: 2008

This album is a great example of what the Canadian Reel RecordingsFind albums on this label label is all about: unearthing recorded documents of the British Jazz / Avant-Garde scene dating back to the 1960s, which have been so far completely lost and (sadly) often forgotten. Considering the fact that the Golden Decade (1965-1975) was Britain´s most illustrious contribution to music, any recorded document from that period has an immense historical value and therefore the work done by this label is truly a quest worth following. The music contained herein was recorded with the intention to be released as a double album, presenting the Art of spontaneous improvisation, performed by a collective of young (at the time) but experienced British players, who spearheaded the local Free Jazz / Improvised Music scene and certainly deserved the "stardom" status in spite of the oxymoron such epithet might imply: pianist Keith TippettFind albums by this artist, saxophonist Elton DeanFind albums by this artist, trombonist Nick EvansFind albums by this artist, trumpeter Mark CharigFind albums by this artist, bassists Harry MillerFind albums by this artist and Johnny DyaniFind albums by this artist and drummer Keith BaileyFind albums by this artist. These musicians often played with each other in various ensembles, of which they were members, but never collectively as one group, hence the one-time opportunity to hear them improvise collectively is so attractive. Unfortunately, as it often happened at the time, even with Jazz labels as the one for which these recordings were made, the label found this music to be "too much to swallow" and the project was discarded, including whipping out the original master tapes (a crime, without a doubt). Fortunately two copies of the original four reels were recently discovered by Evans and here we are being able to finally listen to this music. The music itself needs little elucidation to people familiar with the recorded output of the protagonists – it is what they always did best, play whatever their hearts dictated at the moment, carefully listening to each other and together creating a whole, which is much bigger than its parts. The album also includes two tracks recorded later the same year (for the BBC? as the recording premises might suggest) by a sextet including Dean, Evans and Charig with guitarist Jeff GreenFind albums by this artist, bassist Neville WhiteheadFind albums by this artist and drummer Louis MoholoFind albums by this artist. This is a true "blast from the past" and an absolute must for any British Jazz / Avant-Garde fan, wholeheartedly recommended!
Updated: 12/04/2019Posted: CD 1 Digipak Recommend To A Friend

COPLAND / ABERCROMBIE / WHEELER ~ BRAND NEW
CHALLENGE 70122 (Barcode: 608917012224) ~ USA ~ Jazz

Recorded: 2004 Released: 2004

This is the second (and last) album by the trio comprising of American pianist / composer Marc CoplandFind albums by this artist, American guitarist / composer John AbercrombieFind albums by this artist and legendary British trumpeter / composer Kenny WheelerFind albums by this artist. The album presents nine tunes, seven of which are original compositions: two each by Copland and Wheeler and three by Abercrombie, and two are standards.

This album continues the concept established on the debut album with the three Master musicians performing intimate interpretations of their compositions and standards, all of which are kept within the melodic mainstream idiom. The music is mostly delicate and lyrical, presenting the gentle side of these three illustrious musicians.

The performances are of course wonderful from start to finish, as expected under these circumstances. Again this album exposes some of the most subtle and fragile guitar playing by Abercrombie, which should be a delightful discovery for his fans. Wheeler is also as brilliant as one might expect with every note perfectly articulated and the wonderful feel for melody present at all times. Copland keeps the music together, making a great job at it, especially in view of the absence of a rhythm section.

The interplay and mutual respect these musicians demonstrate on this album is of the highest standard and the music breathes aesthetics and superb aptitude all along the way.

Overall this is another superb album by the trio and a perfect companion to the debut, both of which deserve a place in any serious Jazz record collection. For Wheeler fans this is of course an absolute must!
Updated: 26/04/2019Posted: 26/04/2019CD 1 Recommend To A Friend

COPLAND / ABERCROMBIE / WHEELER ~ THAT`S FOR SURE
CHALLENGE 70098 (Barcode: 608917009828) ~ USA ~ Jazz

Recorded: 2000 Released: 2001

This is the debut album by the trio comprising of American pianist / composer Marc CoplandFind albums by this artist, American guitarist / composer John AbercrombieFind albums by this artist and British trumpeter / composer Kenny WheelerFind albums by this artist. The album presents nine tunes, eight of which are original compositions: two by Copland and three each by Abercrombie and Wheeler, and one is a standard.

The music is all quite conventional mainstream Jazz, mostly very melodic and low key, but of course all three participants are Masters of their trade, both as composers and players, so there is no shortage of great music here.

The intimacy and the relaxed, friendly atmosphere of the entire session is the key, which allows the musicians to toy with their ideas and play as much for each other as for the sake of the recording.

Abercrombie fans will find here some of the most melancholic guitar playing of his entire career, which of course is both surprising and delightful. Wheeler´s trumpet and flugelhorn are also at their absolute best, as he was at the absolute peak of his career at the time this music was recorded. Copland seems to be the quiet romantic here plying relatively few solo parts, but keeping the music together harmonically.

Overall this is a delightful album, which showcases three mature Masters at the peak of their creative years, playing superbly together. No big surprises here, but who needs surprises when everything works out just perfectly. The trio recorded another album together four years later, which is very similar to this one and is also certainly worth being discovered. For the Wheeler fans and connoisseurs, this is an absolute must in their collection!
Updated: 04/04/2019Posted: 04/04/2019CD 1 Recommend To A Friend

CHICK COREA / AKOUSTIC BAND ~ LIVE
CONCORD 888072172258 (Barcode: 888072172258) ~ USA ~ Jazz

Recorded: 2018 Released: 2018

This is a 2CD live album by pianist / composer Chick CoreaFind albums by this artist and his Acoustic BandFind albums by this artist trio with bassist John PatitucciFind albums by this artist and drummer Dave WecklFind albums by this artist. Vocalist Gayle MoranFind albums by this artist, Corea’s wife, is featured on one track. The album presents twelve compositions (one repeated twice), six of which are Corea originals and the other six are standards. Recorded in January of 2018, almost exactly four years ago (as of the time of writing), this was one of the last Corea’s albums recorded before his passing in 2021.

Among Corea’s enormous recording legacy, my favorites have always been his classic piano trios, regardless of the stylistic setting, starting with his early Avant-Garde trios, via Trio Music, Trilogy or Akoustic Band, those trios were always spectacular. I always felt that Corea felt the best in a piano trio setting and his most creative performances continuously emerged in that environment.

Corea and the Akoustic Band recorded three albums in the early 1990s and played some concerts in 2004 / 2005, which were filmed and released on video, and this final “reunion” of sorts came as a big surprise and joy of course, as hearing this sublime trio is always an exhilarating experience.

The choice of material is hardly surprising, combining both some of his favorite original compositions and standards that he loved to play. The unity, telepathic conversation, mutual admiration and respect between the trio members is obviously immediately apparent, from the onset of the music to the very last second.

Overall, this album immediately joins the ranks of the top classic piano trio Jazz recordings of all times, presenting an everlasting example of artistry, excellence and aesthetics rarely achieved, but forever admired. No serious Jazz records collection should exist without this album being a part of it, and hopefully the album stays in print long enough for everybody to grab a copy. It was already reprinted once, so please keep it this way. An absolute must!
Updated: 07/01/2022Posted: 07/01/2022CD 2 Digipak Recommend To A Friend

CHICK COREA & STEVE GADD BAND ~ CHINESE BUTTERFLY
STRETCH 888072042186 (Barcode: 888072042186) ~ USA ~ Jazz-World Fusion

Recorded: 2017 Released: 2017

This is a 2CD studio album recorded by a band co-led by two legendary American musicians: keyboardist / composer Chick CoreaFind albums by this artist and drummer Steve GaddFind albums by this artist, who recorded together many times before, but never co-led a band together. They are joined by guitarist Lionel LouekeFind albums by this artist, saxophonist / flautist Steve WilsonFind albums by this artist, Cuban bassist Carlitos Del PuertoFind albums by this artist and Venezuelan percussionist Luisito QuinteroFind albums by this artist. Vocalist Philip BaileyFind albums by this artist joins them on one tune. The album presents eight tracks, six composed by Corea, one co-composed by him and Loueke and one is a John McLaughlinFind albums by this artist composition.

The music is all highly melodic, with a strong Latin tinge, dominated by typical Corea’s Fusiony compositions and lengthy improvisations, which allows the excellent musicians to show their chops. Three of the tracks last for well over quartet of an hour and document the “jam like” atmosphere of this recording session.

Most of the music is new, written by Corea especially for this album, but a new and much extended version of the classic “Return To Forever” song, which features Bailey, is certainly one of the highlights of this album. In some respect this album could be regarded as a preamble to the “Antidote” album recorded a couple of years later and features some of the musicians present on this album.

Overall, this a great and highly rewarding album, which offers the familiar Corea’s musical explorations between Fusion and Jazz-World Fusion, to which he returned in the few last years of his life. Superb compositions and performances, which never fail to bring a smile. Highly recommended!
Updated: 13/04/2022Posted: 13/04/2022CD 2 Digipak Recommend To A Friend

CUBY AND THE BLIZZARDS ~ APPLEKNOCKERS FLOPHOUSE
ROTATION 064453 (Barcode: 044006445328) ~ NETHERLANDS ~ Blues-Rock

Recorded: 1969 Released: 2002

The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 8th album. An absolute must to all Blues-Rock fans and a great document of European music history!
 CD 1 Remastered Bonus Tracks Recommend To A Friend

CUBY AND THE BLIZZARDS ~ CATS LOST
NOT ON LABEL 97060 (Barcode: 8712629970603) ~ NETHERLANDS ~ Blues-Rock

Recorded: 2009 Released: 2009

The legendary Dutch Blues-Rock band Cuby And The BlizzardsFind albums by this artist reunited in the 1990s, fronted, as always, by vocalist Harry MuskeeFind albums by this artist (a.k.a. Cuby) and started to record albums again, to the delight of their many fans, old and young alike. They are still great performers and their powerful and heartfelt feel for the Blues is second to none. This is the latest (so far) album they recorded, full of great tunes, all originals, and exciting performances. Not to be missed by the band´s fans and all Blues-Rock enthusiast out there.
 CD 1 Recommend To A Friend

CUBY AND THE BLIZZARDS ~ DANCING BEAR
RED BULLET 66.161 (Barcode: 8712944661613) ~ NETHERLANDS ~ Blues-Rock

Recorded: 1998 Released: 1998

The legendary Dutch Blues-Rock band Cuby And The BlizzardsFind albums by this artist reunited in the 1990s, fronted, as usual, by vocalist Harry MuskeeFind albums by this artist (a.k.a. Cuby) and started to record albums again to the delight of their fans, old and new alike. They are still great performers and their feel for the Blues is second to none. This album is as strong as ever, with great melodies and excellent performances. Great lead guitar parts by Erwin JavaFind albums by this artist. Not to be missed by the band´s fans and all Blues-Rock enthusiasts out there.
 CD 1 Recommend To A Friend

CUBY AND THE BLIZZARDS ~ GROETEN UIT GROLLO
MERCURY 273835 (Barcode: 602527383514) ~ NETHERLANDS ~ Blues-Rock

Recorded: 1967 Released: 2010

The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 2nd album. An absolute must to all Blues-Rock fans and a great document of European music history!
 CD 1 Remastered Recommend To A Friend

CUBY AND THE BLIZZARDS ~ LIVE `68
UNIVERSAL 042283465923 (Barcode: 042283465923) ~ NETHERLANDS ~ Blues-Rock

Recorded: 1968 Released: 2004

The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 5th album and their first live recording and features the British Blues legend, vocalist Alexis CornerFind albums by this artist, on two tracks. An absolute must to all Blues-Rock fans and a great document of European music history!
 CD 1 Remastered Recommend To A Friend

CUBY AND THE BLIZZARDS ~ TOO BLIND TO SEE
MERCURY 273835 (Barcode: 602527383576) ~ NETHERLANDS ~ Blues-Rock

Recorded: 1970 Released: 2010

The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 9th album and features great brass arrangements. An absolute must to all Blues-Rock fans and a great document of European music history!
 CD 1 Remastered Recommend To A Friend

STONEY CURTIS BAND ~ ACID BLUES EXPERIENCE
PROVOGUE 7160 (Barcode: 8712725716020) ~ USA ~ Blues-Rock

Recorded: 2005 Released: 2005

Although completely anonymous, Stoney CurtisFind albums by this artist and his power trio (Colby SmithFind albums by this artist – bass and Charles Glover IIFind albums by this artist – drums) play a nock-out Blues-Rock set on this (apparently) debut album. All the music is original, but based on the 1970’s classics of the genre with Jimmy HendrixFind albums by this artist and Johnny WinterFind albums by this artist as immediate associations. The guitar work is absolutely stunning, twisting and screaming the blues in ways previously attempted only by the very best guitar players. The retro psychedelic sound fits this music perfectly and if I didn’t know better I would swear this was a lost treasure from the past. I realize it is almost impossible to convince people to try unknown artists, but this one truly deserves to be discovered and ignoring it would be a (musical) crime. I hope you will dare (and later send me a thank you note, as usual).
 CD 1 Recommend To A Friend

CUSTOM TRIO / ANDRZEJ PRZYBIELSKI ~ FREE BOP
POLONIA 226 ~ POLAND ~ Jazz

Recorded: 1999 Released: 2000

This is probably the best album recorded by the recently deceased Polish trumpet virtuoso / composer Andrzej PrzybielskiFind albums by this artist, who remains largely unknown to most Jazz aficionados even in his native country. An eccentric and outsider, Przybielski was blessed with an incredible talent, which unfortunately was recognized only by very few connoisseurs.

This studio recording, obviously well planned and relaxed, allows the great trumpeter to relax fully and play his heart out to the fullest, accompanied by excellent musicians worthy of his company, which are called Custom TrioFind albums by this artist. The trio consists of saxophonist Krzysztof KapelFind albums by this artist and the Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist – Poland´s Free Jazz most notable rhythm section. Together as a quartet they perform nine original compositions, five of which were composed by Przybielski and the remaining four by Bartlomiej Oles.

The performances are absolutely stellar and the album is one of the best Polish (and definitely not only Polish) Jazz albums ever recorded. As much as that sounds overblown, if you can listen to this music, you´ll be instantly convinced. Any other player placed opposite (or side by side) a genius like Przybielski is in a great danger of appearing pale. Luckily Kapel is capably to blow like only a few can, matching everything that Przybielski plays with a vengeance. This is simply unbelievable music, which stands easily opposite such legendary sessions as the early Ornette ColemanFind albums by this artist with Don CherryFind albums by this artist. In short this is essential Jazz, which can only be played by a very small group of exceptionally gifted players, which is definitely the case here. Brilliant!
Updated: 02/01/2017Posted: CD 1 Slipcase Recommend To A Friend

D`ANDREA / TOMMASO / GATTO ~ AIREGIN
RED 123252 (Barcode: 027312325225) ~ ITALY ~ Jazz

Recorded: 1991 Released: 1992

This is a wonderful album by the Italian Jazz trio comprising of pianist Franco D`AndreaFind albums by this artist, bassist Giovanni TommasoFind albums by this artist and drummer Roberto GattoFind albums by this artist. The album presents eleven tracks, six of which are standards, two are co-composed by all three members of the trio and the remaining tree are composed by one of the trio members.

Although performed by a classic Jazz piano trio, this album is a sublime example of European modern Jazz, which brilliantly interprets the American standards with such sophisticated twist, that ever Jazz lover find immediately himself smiling uncontrollably. D`Andrea’s brilliant ability to twist and transform the well know themes is simply absolutely ingenious. Of course the original compositions are no less interesting and altogether the trio offers a delightful portion of highly aesthetic and clever Jazz experience. Of course both Tommaso and Gatto are brilliant players as well, and serve as ideal partners to D`Andrea’s virtuosity.

D`Andrea’s extensive recording legacy, mostly in the trio and solo piano setting, is one of the most impressive Italian and European Jazz achievements, and his contributions as a composer and educator are invaluable.

Overall, this is an absolutely exemplary Jazz classic piano trio recording, which combines ideally the tradition with the innovation, and as such is a true must in every decent European Jazz record collection. It is not so easy to get hold of these days, but if you are able to find a copy don’t even blink! Pure gold from start to finish!
Updated: 18/06/2023Posted: 18/06/2023CD 1 Recommend To A Friend

FRANCO D`ANDREA ~ LIVE IN PERUGIA
PENTAFLOWERS 041 ~ ITALY ~ Jazz

Recorded: 1994 Released: 1995

This is a live solo piano album by Italian pianist / composer Franco D`AndreaFind albums by this artist. The album presents six tracks, two of which are medleys of two tunes, so altogether there are eight original tunes by D`Andrea.

D`Andrea is one of Italy’s most famous Jazz musicians and his extensive career spans almost seven decades (he is 82 years old at the time of writing). He played with many American and European Jazz musicians over the years and his recordings span about two hundred albums. He played with Gato BarbieriFind albums by this artist when the Argentine saxophonist resided in Italy, and took part in the recording of the legendary soundtrack of “Last Tango In ParisFind albums with this title” (1972). He was also a member of the Italian Progressive Rock band PerigeoFind albums by this artist during the 1970s with saxophonist Claudio FasoliFind albums by this artist and bassist Giovanni TommasoFind albums by this artist, both of whom later also had successful careers in Jazz music.

This album presents him as a mature Jazz virtuoso, with a highly personal style and modern approach, which has few equals on the European scene. The music flows brilliantly from one tune to another, with a hyper-energetic tension and intensity, leaving the listens practically breathless.

Overall, this is a spectacular display of the great talent and virtuosic technical ability by one of the most fascinating European pianists of all time and one of my personal favorites. I have not heard this album since it was initially released almost thirty years ago, and it reminds to be strikingly original, and as such wholeheartedly recommended, although probably not easy to find these days.
Updated: 26/07/2023Posted: 26/07/2023CD 1 Recommend To A Friend

ANDRZEJ DABROWSKI / ALL STARS ~ LIVE
FOR TUNE 0154 (Barcode: 5906395808700) ~ POLAND ~ Jazz

Recorded: 2018 - 2021 Released: 2022

This is a live album by veteran / iconic Polish Jazz vocalist / drummer Andrzej DabrowskiFind albums by this artist, recorded during a concert celebrating his 80th Birthday. He is accompanied by a formidable sexted comprising of top Polish Jazz musicians: trumpeter Robert MajewskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist, pianist Andrzej JagodzinskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Marcin JahrFind albums by this artist. Dabrowski sings nine songs, seven of which are American standards and two are Polish ones, written by Jan Ptaszyn WroblewskiFind albums by this artist and Agnieszka OsieckaFind albums by this artist. A bonus track, the symbolic “My Way” (sung in Polish), recorded at the Polish Radio three years later with different musicians, is added to complete the set.

Dabrowski has been a part of the Polish Jazz scene since its inception and this album is a loving tribute to his lifetime contribution to the Polish Jazz scene and its achievements. Considering the age of the protagonist of this recording, any attempt to say anything about his performances are completely irrelevant, and would simply miss the point by a mile. The musicians gathered here all pay tribute to their colleague, with obvious respect and adoration, and that is all that matters.

Overall, the For TuneFind albums on this label label should be congratulated for releasing this loving tribute, which is a wonderful document of the Polish Jazz scene history. The respect paid to Culture is always highly appreciated.

Side Note:

This For Tune release initiates the new graphic layout of the label’s releases, which combines the decade-long tradition of consistent elegance and class. The move to digipak from the traditional jewel case is a sign of commitment to the collectors, many of which own the entire output of this excellent label, now numbering 155 releases – a true treasure of Polish Jazz.
Updated: 09/06/2022Posted: 09/06/2022CD 1 Digipak Recommend To A Friend

ERLAND DAHLEN ~ RACOONS
IS IT JAZZ? 268 (Barcode: 7073317000653) ~ NORWAY ~ Jazz-Ambient Fusion

Recorded: 2023 Released: 2023

This is the fifth solo album by the Norwegian drummer / composer Erland DahlenFind albums by this artist, probably the busiest drummer in the country, with hundreds of albums to his credit. On this album he plays dozens of different instruments, not only drums or other percussion instruments, but also keyboards, synthesizers, guitars, etc. The album presents seven tracks, two of which are parts of the same composition. All the music was composed by Dahlen.

The music is an amalgam of many cross-genre elements, sounding mostly like Ambient / Electronic music infused with powerful drumming, but careful listening will of course expose also Jazz, Rock, Fusion and Progressive Rock influences. The result is quite unique and interesting, and music lovers from seemingly distant idioms might find interest in this unusual project.

Of course drums / percussion enthusiasts should find this music especially fascinating and can spend hours trying to identify specific instruments being used at each given section. The drone-like background is often just a canvas on which Dahlen displays his percussive elements.

Overall, this is a highly unusual piece of music, which features the might of power drumming and the infinite percussive possibilities available in a hands if a Master of the trade. For enthusiasts of drumming and percussive pulsations, this album is heaven on earth!
Updated: 04/02/2024Posted: 04/02/2024CD 1 Recommend To A Friend

DANDO SHAFT ~ DANDO SHAFT / LANTALOON
BGO 550 (Barcode: 5017261205506) ~ UK ~ Folk-Rock

Recorded: 1971 - 1972 Released: 2002

2nd and 3rd albums by the brilliant British Folk-Rock band Dando ShaftFind albums by this artist. Soon after they recorded their debut album "An Evening With Dando ShaftFind albums with this title", the group expanded to a sextet with the inclusion of female vocalist Polly BoltonFind albums by this artist, which brought them closer sound-wise to other Folk-Rock ensembles like PentangleFind albums by this artist, Fairport ConventionFind albums by this artist and Steeleye SpanFind albums by this artist. Stylistically they were closest to Pentangle, as their music was much influenced by Jazz and included a lot of instrumental improvisation, but they differed from most other British bands of the genre by performing all original material, rather than relaying on traditional folklore. The core of the group consisted of guitarists Kevin DempseyFind albums by this artist and Dave CooperFind albums by this artist, multi-instrumentalist Martin JenkinsFind albums by this artist (who excelled on the mandoline), bassist Roger BullenFind albums by this artist and percussionist Ted KayFind albums by this artist – an all acoustic ensemble with beautiful sound and superb instrumental qualities. The first of the two albums included here is especially magical, and often considered as one of the genre´s finest recordings. The second album is slightly more adventurous and Prog oriented, and therefore less favored by the folkies, but in retrospect it stands the tides of time beautifully. Collectors should note that the first album included here was originally released on the short-lived Prog offshoot of RCAFind albums on this label, called NeonFind albums on this label Records. Unfortunately the band fell apart after recording the second album included here, only to ne reunited for one more album five years later. Another live recording was done in the late 1980s. But the first three Dando Shaft albums are definitely a prime example of the British Folk-Rock, which remain almost unsurpassed to this very day. A must!
 CD 1 Recommend To A Friend

CHARLIE DANIELS BAND ~ MILLION MILE REFLECTIONS
FRIDAY MUSIC 1098 (Barcode: 829421109822) ~ USA ~ Classic Rock

Recorded: 1979 Released: 2009

American guitarist and fiddler Charlie DanielsFind albums by this artist and his band were champions of the early Southern Rock all through the 1970s and recorded a long series of excellent albums. Much of their work is parallel to the Allman Brothers BandFind albums by this artist Band, but is less influenced by the Blues and incorporates more Country elements. By the late 1970s, when this album was recorded, the group was looking to expand their musical background into other musical grounds, like Prog and Art Rock. The fans and critics hated it of course and the album was received coldly, but in retrospect it is a great piece of Classic Rock. One track from the album, called "The Devil Went Down To Georgia", scored a major international hit for the band, but other that that the albums passed into obscurity, leaving a sour taste. Fortunately this reissue enables us to reexamine the album from a new perspective and perhaps even grow to like it. Definitely worth exploring!
Updated: 18/01/2016Posted: CD 1 Remastered Recommend To A Friend

PETE DELLO AND FRIENDS ~ INTO YOUR EARS
REPERTOIRE 1117 (Barcode: 4009910111727) ~ UK ~ Progressive Rock

Recorded: 1972 Released: 2009

Only album by singer / songwriter Pete DelloFind albums by this artist, founder of the great Pop group HoneybusFind albums by this artist which enjoyed fame with their 1968 hit single "I Can´t Let Maggie Go". After leaving Honeybus, Dello recorded a set of his great songs, which are clearly more complex and can be considered quite Progressive / Chamber Rock. Many excellent players were invited to participate in the recording and the resulting album is a little gem, completely forgotten in time, now rescued from obscurity by this reissue.
 CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

DELUGE GRANDER ~ AUGUST IN THE URALS
EMKOG 001 (Barcode: 737885500522) ~ USA ~ Progressive Rock

Recorded: 2004 - 2006 Released: 2006

This is the 1st album by the excellent US Prog band Deluge GranderFind albums by this artist, formed by keyboardist Dan BrittonFind albums by this artist and drummer Patrick GaffneyFind albums by this artist, both members of Cerebus EffectFind albums by this artist at the time. Combining forces with several other musicians / guests, with a different lineup on each of the five tracks, they created a milestone achievement, certainly as far as US Prog is concerned. Continuing the Prog tradition from its peak at the mid 1970s, this album has everything that a Prog fan might expect: great melodies, brilliant instrumental improvisations, long tracks (one almost half an hour), in short "pure" Prog heaven. Britton, who also sings the lead vocal parts, composed most of the music, and he certainly can spin a tune. It is altogether a bit over the top perhaps, bigger than life, etc., but any die hard Prog fan is destined to fall for something like this for sure. Those Prog fans that missed it so far should definitely check it out, as they´ll probably love it to bits!
 CD 1 Recommend To A Friend

DELUGE GRANDER ~ THE FORM OF THE GOOD
EMKOG 004 (Barcode: 613285908628) ~ USA ~ Progressive Rock

Recorded: 2009 Released: 2009

This is the 2nd album by the excellent US Prog band Deluge GranderFind albums by this artist, formed by keyboardist Dan BrittonFind albums by this artist and drummer Patrick GaffneyFind albums by this artist, both members of Cerebus EffectFind albums by this artist at the time. Combining forces with guitarist Dave BerggrenFind albums by this artist and bassist Brett d´AnonFind albums by this artist and several guest musicians they created a superb follow up album to their superb debut. Continuing the Prog tradition from its peak at the mid 1970s, this album has everything that a Prog fan might expect: great melodies, brilliant instrumental improvisations, long tracks (one almost half an hour), in short "pure" Prog heaven. Britton, who also sings the lead vocal parts, composed most of the music, and he certainly can spin a tune. It is altogether a bit over the top perhaps, bigger than life, etc., but any die hard Prog fan is destined to fall for something like this for sure. Those Prog fans that missed it so far should definitely check it out, as they´ll probably love it to bits!
 CD 1 Recommend To A Friend

SANDY DENNY ~ LIKE AN OLD FASHIONED WALTZ
ISLAND 315 (Barcode: 602498280232) ~ UK ~ Folk-Rock

Recorded: 1973 Released: 2005

3rd album and a beautifully melancholic collection of songs with gentle arrangements. This ulbum unveils a new aspect of Sandy DennyFind albums by this artist`s amazing talent with a slightly jazzy approach to some of the tunes, probably influenced by the presense of some great jazz musicians taking part in the recording, like Alan SkidmoreFind albums by this artist and Danny ThompsonFind albums by this artist. The album stands the test of time with flying colors and remains a true gem of the British Folk-Rock movement.
 CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ LIKE AN OLD FASHIONED WALTZ (DELUXE EDITION)
ISLAND 602537002887 (Barcode: 602537002887) ~ UK ~ Folk-Rock

Recorded: 1973 Released: 2012

This is the third solo album by the British singer / songwriter Sandy DennyFind albums by this artist, the undeniable Queen of the British Folk-Rock movement, which flourished from the late 1960s to the mid 1970s. Danny fronted the best Folk-Rock groups of the day, such as StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist and later concentrated on her splendid solo career, recording four excellent solo albums for IslandFind albums on this label Records. Her life and career was abruptly cut short by her tragic and untimely death at the age of 31.

This album is quite different from Denny´s previous work, less Folk-Rock oriented and with some gentle Jazz touches, an influence she absorbed from her father. Most of the material is original, but a few Jazz standards are also included. The overall atmosphere of the album is deeply melancholic and very introvert, nostalgic and somewhat dark, beautifully performed by her and a superb band, which includes many British Folk-Rock heroes, like guitarists Richard ThompsonFind albums by this artist and her husband Trevor LucasFind albums by this artist, keyboardist John BundrickFind albums by this artist, drummer Dave MattacksFind albums by this artist and others. Several notable British Jazz players also take part, like saxophonist Alan SkidmoreFind albums by this artist and bassist Danny ThompsonFind albums by this artist. Denny´s angelic voice and her unique vocal style are simply stellar. Several of the songs feature beautiful orchestral arrangements.

This new 2CD edition adds a plethora of bonus material, which includes outtakes, demos, alternate versions and previously unreleased live material, which is all worth its weight in gold. It’s a proper tribute to Denny´s remarkable talents and wonderful output she left us to enjoy forever. It is an absolute must to every Folk-Rock fan anywhere on this planet!
Updated: 26/08/2020Posted: CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ LIVE AT THE BBC
ISLAND 984992 (Barcode: 602498499283) ~ UK ~ Folk-Rock

Recorded: 1966 - 1973 Released: 2007

This lavishly and lovingly produced Box Set collects all existing (audio & video) BBC recordings by Folk-Rock heroin Sandy DennyFind albums by this artist, who was not only one of the most distinctive voices of the Golden Age but also a superb songwriter. This collection spans from 1966 to 1973 and covers her solo career, which was before and after her being a member of StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist. Most of the material included here presents Sandy as “naked” as a singer can appear – just her hair-raising vocals and acoustic guitar or piano (only a few tracks include other backing musicians), which of course is for the best as she never really needed anything more. Her angelic and deeply penetrating voice and her theatrical ability to express the lyrics are so powerful that the experience is almost unparalleled. Most of the songs are her own (music & lyrics) and just a few are her arrangements of traditional folk material. The DVD includes the only footage in existence of Sandy performing. The set also includes beautiful photographs and excerpts of Sandy’s diaries. Sandy’s tragically premature death in 1978 put an end to her exquisite input to the world of music and she is sadly missed. I don’t think anything more needs to be said here – this is absolutely brilliant stuff, beyond essential for anybody who truly loves music and a must in any decent music collection.
Updated: 26/01/2019Posted: 3CD+DVD 4 Box Set Essential Recommend To A Friend

SANDY DENNY ~ RENDEZVOUS
ISLAND 316 (Barcode: 602498280249) ~ UK ~ Folk-Rock

Recorded: 1977 Released: 2005

4th and last album completed shortly before Sandy DennyFind albums by this artist´s tragic and untimely death at the age of 31. Her sublime voice and superb songwriting are somehow overshadowed by extensive production on this album, but all her qualities are present at their best. Hearing this work after so many years brings up the somber thoughts of waste, as she would have enriched out world with many more outstanding performances if only she lived on. A classic!
 CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ RENDEZVOUS (DELUXE EDITION)
ISLAND 602527993607 (Barcode: 602527993607) ~ UK ~ Folk-Rock

Recorded: 1976 - 1977 Released: 2012

This is the fourth and last solo album by the British singer / songwriter Sandy DennyFind albums by this artist, the undeniable Queen of the British Folk-Rock movement, which flourished from the late 1960s to the mid 1970s. Danny fronted the best Folk-Rock groups of the day, such as StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist and later concentrated on her splendid solo career, recording four excellent solo albums for IslandFind albums on this label Records. Her life and career was abruptly cut short by her tragic and untimely death at the age of 31.

This album was separated by almost three years from its predecessor, which saw Denny rejoining Fairport Convention and recording her fifth album with the group called "Rising For The MoonFind albums with this title" (the group´s tenth album). She also carefully prepared the songs for this album, which are again a change of direction, this time more towards Pop / Rock, emphasized by the inclusion of one of Elton JohnFind albums by this artist´s songs as one of the three non-original songs on this album. As usual she is accompanied by fabulous musicians including many British Folk-Rock heroes, like guitarist Richard ThompsonFind albums by this artist, keyboardist John BundrickFind albums by this artist, bassist Dave PeggFind albums by this artist, drummer Dave MattacksFind albums by this artist and others. Guest star appearances by Steve WinwoodFind albums by this artist and Acker BilkFind albums by this artist are also present. Denny´s angelic voice and her unique vocal style are simply stellar. Several of the songs feature beautiful orchestral arrangements, which were criticized at the time for being a bit overshadowing Denny´s performances, but the certainly don´t make that impression in retrospect and are just right for the occasion.

This new 2CD edition adds a plethora of bonus material, which includes outtakes, demos, alternate versions and previously unreleased live material, which is all worth its weight in gold. It’s a proper tribute to Denny´s remarkable talents and wonderful output she left us to enjoy forever. It is an absolute must to every Folk-Rock fan anywhere on this planet!
Updated: 26/08/2020Posted: CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ SANDY
ISLAND 314 (Barcode: 602498280225) ~ UK ~ Folk-Rock

Recorded: 1971 - 1972 Released: 2005

2nd album considered by many to be the peak of Sandy DennyFind albums by this artist`s solo career. A beautiful set of songs presenting a well ballanced mix of traditional material and her own compositions with a stellar cast of musicians form the Folk-Rock scene, including Dave SwarbrickFind albums by this artist, Richard ThompsonFind albums by this artist a.m.o. Some great orchestral arrangements by Allen ToussaintFind albums by this artist add to the musical splendor. This is definitely one of Folk-Rock`s greatest moments.
 CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ SANDY (DELUXE EDITION)
ISLAND 600753384299 (Barcode: 600753384299) ~ UK ~ Folk-Rock

Recorded: 1972 - 1973 Released: 2012

This is the second solo album by the British singer / songwriter Sandy DennyFind albums by this artist, the undeniable Queen of the British Folk-Rock movement, which flourished from the late 1960s to the mid 1970s. Danny fronted the best Folk-Rock groups of the day, such as StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist and later concentrated on her splendid solo career, recording four excellent solo albums for IslandFind albums on this label Records. Her life and career was abruptly cut short by her tragic and untimely death at the age of 31.

This album is often considered to be Denny´s best and in retrospect it stands out as one of the greatest Folk-Rock recordings of all times. The vast majority of the material comprises of original songs written by Denny, beautifully performed by her and a superb band, which includes many British Folk-Rock heroes, like guitarist Richard ThompsonFind albums by this artist, violinist Dave SwarbrickFind albums by this artist, keyboardist John BundrickFind albums by this artist and others. Denny´s angelic voice and her unique vocal style are simply stellar. Several of the songs feature beautiful orchestral arrangements.

This new 2CD edition adds a plethora of bonus material, which includes outtakes, demos and previously unreleased live material, which is all worth its weight in gold. It’s a proper tribute to Denny´s remarkable talents and wonderful output she left us to enjoy forever. It is an absolute must to every Folk-Rock fan anywhere on this planet!
Updated: 26/08/2020Posted: CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ THE NORTH STAR GRASSMAN AND THE RAVENS
ISLAND 313 (Barcode: 602498280218) ~ UK ~ Folk-Rock

Recorded: 1971 Released: 2005

1st album by the First Lady of the British Folk-Rock movement. After the breakup of her short-lived band FotheringayFind albums by this artist, Sandy DennyFind albums by this artist recorded this (her real first) album, which was produced by former Fairport ConventionFind albums by this artist band mate Richard ThompsonFind albums by this artist. Most of the songs are self-penned by Denny and the album emphasizes her fantastic voice and artistic approach to singing. In retrospect this is a true gem, which was overshadowed for years by Denny`s work as soloist with Fairport Convention and StrawbsFind albums by this artist. A must to all Folkies!
 CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ THE NORTH STAR GRASSMAN AND THE RAVENS (DELUXE EDITION)
ISLAND 600753340585 (Barcode: 600753340585) ~ UK ~ Folk-Rock

Recorded: 1971 Released: 2011

This is the debut solo album by the British singer / songwriter Sandy DennyFind albums by this artist, the undeniable Queen of the British Folk-Rock movement, which flourished from the late 1960s to the mid 1970s. Danny fronted the best Folk-Rock groups of the day, such as StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist and later concentrated on her splendid solo career, recording four excellent solo albums for IslandFind albums on this label Records. Her life and career was abruptly cut short by her tragic and untimely death at the age of 31.

This album is considered to be one of the greatest Folk-Rock recordings of all times. The vast majority of the material comprises of original songs written by Denny, beautifully performed by her and a superb band, which includes many British Folk-Rock heroes, like guitarists Richard ThompsonFind albums by this artist and Trevor LucasFind albums by this artist, bassists Pat DonaldsonFind albums by this artist and Tony ReevesFind albums by this artist, keyboardist Ian WhitemanFind albums by this artist, drummer Gerry ConwayFind albums by this artist and others. Denny´s angelic voice and her unique vocal style are simply stellar. A couple of tracks feature string arrangements.

This new 2CD edition adds a plethora of bonus material, which includes demos, BBC recordings and previously unreleased live material, which is all worth its weight in gold. It’s a proper tribute to Denny´s remarkable talents and wonderful output she left us to enjoy forever. It is an absolute must to every Folk-Rock fan anywhere on this planet!
Updated: 26/08/2020Posted: CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend

SANDY DENNY ~ THE NOTES AND THE WORDS – A COLLECTION OF DEMOS AND RARITIES
ISLAND 602537124695 (Barcode: 602537124695) ~ UK ~ Folk-Rock

Recorded: 1966 - 1979 Released: 2012

In 2010 IslandFind albums on this label Records released a nineteen CD Box Set simply entitled "Sandy DennyFind albums with this title", which supposedly collected the complete set of studio recordings by the diva of British Folk-Rock Sandy DennyFind albums by this artist, who during her tragically short lifespan singlehandedly defined the genre. The label largely underestimated the public interest in Denny´s music decades after it was recorded and as a result the limited edition Box Set was sold out immediately upon its release. If you wish to purchase a copy of the Box Set now, it will make your bank account lighter by about a thousand British Pounds.

In 2011 Island released the four solo albums by Denny in the 2CD deluxe edition format, adding some of the bonus tracks available in the Box Set as the second CD in each of these editions. And in 2012 here comes this 4 CD new Box Set, which again presents more of these bonus tracks, many overlapping those already present on the deluxe editions. So we can witness again the old practices of record labels, which led to their demise, still being practiced during their final moments. Although this Box Set is lovingly and lavishly packaged, it simply misses the point as far as record collectors and Denny´s many fans worldwide are concerned. The label should have simply repressed another edition of the original Box Set. What a pity / stupidity…

Of course, in complete contrast to the marketing strategy described above, the music this Box Set contains is absolutely divine from start to finish. Everything that Denny recorded is blessed by her unique talent and God given gift, which she passed to her listeners. Sadly her self-destructive personality robbed us from many more sublime moments, that might have been, but such is life. The selection here presents Denny in many different setting, from a cappella to fronting a full band, and regardless of the setting she always triumphs with her voice simply shattering the listener´s heart to smatterings.

One might wonder why in the decades that passed no other singer could come close to what Sandy Denny had to offer. Of course the Folk-Rock lost most of its popular appeal by the end of the 1970s, like many other genres that thrived during the Golden Decade era, but still Folk-Rock did not vanish from the face of the earth. In retrospect we must admit, that listening to Denny is after all a once in a lifetime opportunity, so let´s enjoy while it lasts.

If you don´t own the "Sandy Denny" Box Set, you absolutely must get this one, as long as it is available. Essential listening!
Updated: 26/08/2020Posted: CD 4 Box Set Remastered Essential Recommend To A Friend

SANDY DENNY / STRAWBS ~ ALL OUR OWN WORK (EXPANDED EDITION)
WITCHWOOD 2047 ~ UK ~ Folk-Rock

Recorded: 1967 Released: 2010

Breathtakingly beautiful album by the young and angelic British singer Sandy DennyFind albums by this artist and the founders of the seminal group StrawbsFind albums by this artist (Dave CousinsFind albums by this artist, Tony HooperFind albums by this artist and Ron ChestermanFind albums by this artist), captured here at the full glory of their youthful and somewhat naïve bliss of music making. This is a true beginning of British Folk-Rock, leading to a glorious future, in which the participants of these recordings were to play a central role. A few demos recorded by the quartet found their way to Denmark, where a local label SonetFind albums on this label offered them a recording contract, which produced this, their debut album. The most interesting point about the album is the fact that the entire material is self-written, mostly by Cousins with some contributions by Hooper and Denny. Denny sings most of the lead vocals, superbly supported in vocal harmony by Cousins and Hooper. This new edition of the album doubles the contents of the original release with out-takes, demos and previously unreleased material, which turn it into a true treasure chest for all Denny / Strawbs / British Folk-Rock fans. Absolutely brilliant stuff!
 CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend

DEREK AND THE DOMINOS ~ LAYLA AND OTHER ASSORTED LOVE SONGS (DELUXE EDITION)
POLYDOR 600753314296 (Barcode: 600753314296) ~ UK ~ Classic Rock

Recorded: 1970 - 1971 Released: 2011

I guess there´s not much left to say about this iconic album, considering the oceans of words already spilled on the subject. Post CreamFind albums by this artist / Blind FaithFind albums by this artist guitarist / vocalist Eric ClaptonFind albums by this artist moved over the pond and embraced American music: Blues (which was always his primary love), Country and Rock And Roll. Playing with American musicians Clapton seemingly changed his approach from the highly improvisational, endless and incredibly loud solos he used to play with Cream, to concise, almost simplistic brief solo moments, lots of vocals and lots of melody. For some it was a "new" Clapton, but for people with keen hearing Clapton was still playing the Blues, same as he did in the YardbirdsFind albums by this artist years ago and same as he did with Cream, slightly disguised / Americanized but basically honest and consistent with his past. And then of course the presence of Duane AllmanFind albums by this artist, the legendary guitar hero of the Allman Brothers BandFind albums by this artist and Southern Rock in general, which turns this album into what it truly is – a conversation between two Giants, which in Rock happens only once in a blue moon. So what do we have here: nice but not sensational music, mostly Blues based, superb guitar playing, great support from a great rhythm section and a lot of Magic, which turns this into one of the greatest Rock albums of all times. Of course it could have never been repeated and even if Duane did not meet his Maker soon after, this kind of miracle happens only once, so let´s be happy with what we have. The additional CD includes some great previously unreleased material, some live / some studio, including the sessions for the second, never finished album and other goodies. Did I say essential? Hell YES!
Updated: 01/06/2018Posted: CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

DJANGO DELUXE / NDR BIG BAND ~ DRIVING
MPS 4029759101857 (Barcode: 4029759101857) ~ GERMANY ~ Gypsy Jazz

Recorded: 2014 Released: 2015

This is the 2nd album by the delightful Gypsy Jazz German Django DeluxeFind albums by this artist trio (solo guitarist Giovanni WeissFind albums by this artist, rhythm guitarist Robert WeissFind albums by this artist and bassist Jeffrey WeissFind albums by this artist), recorded with the brilliant German NDR Big BandFind albums by this artist, conducted by Jorg Achim KellerFind albums by this artist and guests like guitarist Stochelo RosenbergFind albums by this artist and others. The album presents eleven tracks, four composed by Giovanni Weiss, one by Rosenberg, two are Jazz standards and the rest are from various sources. All the music was arranged by Keller and beautifully recorded at the NDR studio.

The music is absolutely divine, a superb mixture of Gypsy Swing and Big Band arrangements, simply breathtakingly performed by all the musicians involved. Giovanni Weiss plays some incredible soli here and so do the guests and several of the NDR members. Of course the spirit and soul of Django ReinhardtFind albums by this artist is strongly present for the entire duration and I can’t recall any other contemporary recording of this kind, which combines Gypsy Jazz and Big Band?

For some strange reason the trio somehow disappeared following the recording of this album, which is simply inexplicable. I’d really love to hear more from them, but alas nothing seems to be available.

Overall, this is an absolute bliss and joy of an album, obviously for Gypsy Jazz lovers, but honestly I can’t imagine any Jazz lover on this planet not loving this music to bits!
Updated: 16/02/2025Posted: 16/02/2025CD 1 Digipak Recommend To A Friend

ANDREAS DREIER ~ BUT NOT FOR ME
LOSEN 175 (Barcode: 7090025831751) ~ NORWAY ~ Jazz

Recorded: 2016 Released: 2017

This is the fourth album by Danish (resident in Norway) Jazz bassist Andreas DreierFind albums by this artist and the second recording with his trio which also includes Norwegian guitarist Bjorn SoliFind albums by this artist and Australian (resident in Rome) drummer Adam PacheFind albums by this artist. The album is a continuation of the previous trio recording (called "PoincianaFind albums with this title"), dedicated to a transcription for guitar trio of the piano trio recordings by Ahmad JamalFind albums by this artist, made in the late 1950s and early 1960s. The album presents nine tunes (one repeated twice), mostly well known standards with a couple of Jamal´s originals.

The music is everything one might expect from the a.m. idea, i.e. swinging mainstream Jazz, focusing on the virtuosic guitar performances, amicably supported by the rhythm section and very well recorded. Classic guitar trio albums are very rare these days, so this album should bring a lot of joy to guitar Jazz connoisseurs everywhere on this planet.

Soli plays fluently and with an obvious command of his instrument, sticking strictly to the Jazz tradition and successfully avoiding any excursions into Fusion territory, which is commendable. The rhythm section stays solidly in the background, doing its job elegantly, but without overshadowing the guitar parts, as appropriate for this situation.

Musically the album does not offer anything adventurous, but that is exactly the concept – to reproduce the spirit of Jamal´s recording and retain the perfect swing and feel it offered at the time.

For guitar Jazz enthusiasts this album is a must of course, a true case study of what classic Jazz guitar should sound and a showcase of its possibilities and charm. Its great to see that Jazz tradition is being cherished and kept alive, which is exactly what this album does.
Updated: 07/11/2017Posted: 07/11/2017CD 1 Mini-Sleeve Recommend To A Friend

DUMMER, JOHN / BLUES BAND ~ NINE BY NINE
INDIGO 2021 ~ UK ~ Blues


The John Dummer Blues Band was one of the first British young electric blues outfits that sprang up in UK as the result of the blues revival in the mid 1960s. The band included many members which were to become prominent in later days. This album is a reissue of an extremely rare early album by this band. Sound is Lo-Fi, but the music is spirited and gives a fascinating glimpse at the early UK blues movement.
1 last copy in stock!
Updated: 01/06/2018Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

EARTH AND FIRE ~ ATLANTIS
ESOTERIC 2148 (Barcode: 5013929724822) ~ NETHERLANDS ~ Progressive Rock

Recorded: 1972 Released: 2009

3rd album by the legendary Dutch group Earth And FireFind albums by this artist, who were considered the "Continental" answer to Pink FloydFind albums by this artist and GenesisFind albums by this artist. The group creates here a full concept album (around the Atlantis myth), expanding further the Prog influence. Full of mellotron and some great guitar work, this is a typical symphonic Prog at its best. The female vocals fit the music perfectly and there is nothing else to do but to sit down, close ones eyes and dive deep into the music. A gem!
 CD 1 Oversampling Remastered Recommend To A Friend

EARTH AND FIRE ~ ATLANTIS
UNIVERSAL JAPAN 9464 ~ NETHERLANDS ~ Progressive Rock


3rd album from 1973. The group creates here a full concept album (around the Atlantis myth), expanding further the Prog influence. Full of mellotron and some great guitar work, this is a typical symphonic Prog at its best. The female vocals fit the music perfectly and there is nothing else to to but to sit down, close one eyes and dive deep into the music. A gem!
Limited Edition
 CD 1 Mini-Sleeve Remastered Recommend To A Friend

EARTH AND FIRE ~ EARTH AND FIRE
ESOTERIC 2146 (Barcode: 5013929724624) ~ NETHERLANDS ~ Progressive Rock

Recorded: 1969 Released: 2009

1st album by the legendary Dutch group Earth And FireFind albums by this artist, who were considered the "Continental" answer to Pink FloydFind albums by this artist and GenesisFind albums by this artist. This debut album is still very psychedelic, but starting with the next one they will enter the Prog genre proper. Led by the brothers Chris KoertsFind albums by this artist (guitars) and Gerard KoertsFind albums by this artist (keyboards) and fronted by singer Jerney KaagmanFind albums by this artist, Earth And Fire were surely one of the most interesting European groups. This album has a Roger DeanFind albums by this artist cover. Highly recommended!
 CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend

EARTH AND FIRE ~ EARTH AND FIRE
UNIVERSAL JAPAN 9462 ~ NETHERLANDS ~ Progressive Rock


1st album from 1969 by this legendary Dutch group, who were considered a continental answer to Pink Floyd and Genesis. This debut album is still very psychedelic and starting with the next one they will enter the Prog genre proper. Led by the Koerts brothers: Chris (guitars) and Gerard (keyboard) and fronted by singer Jerney Kaagman, Earth and Fire were surely on of the most interesting European groups. Roger Dean cover!
Limited Edition
 CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

EARTH AND FIRE ~ SONG OF THE MARCHING CHILDREN
UNIVERSAL JAPAN 9463 (Barcode: 602498206270) ~ NETHERLANDS ~ Progressive Rock

Recorded: 1971 Released: 2004

2nd album. By the time they recorded this album, which is often considered as their best, Earth and Fire developed into a proper Prog band with dominant mellorton and extended, complex and thematic suites, like the one (over 17 minutes long) on this album. The female vocals, not unlike Annie Haslam`s efforts (but alto) are quite fascinating. A masterpiece!
Limited Edition
 CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

EARTH AND FIRE ~ SONG OF THE MARCHING CHILDREN
ESOTERIC 2147 (Barcode: 5013929724723) ~ NETHERLANDS ~ Progressive Rock

Recorded: 1971 Released: 2009

2nd album by the legendary Dutch group Earth And FireFind albums by this artist, who were considered the "Continental" answer to Pink FloydFind albums by this artist and GenesisFind albums by this artist. By the time they recorded this album, which is often considered as their best, Earth And Fire developed into a proper Prog band with dominant mellotron and extended, complex and thematic suites, like the title piece (over 17 minutes long) on this album. The female vocals, not unlike Annie HaslamFind albums by this artist`s efforts (but alto) are quite fascinating. A masterpiece!
 CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend

EARTH AND FIRE ~ TO THE WORLD OF THE FUTURE
ESOTERIC 2279 (Barcode: 5013929737921) ~ NETHERLANDS ~ Progressive Rock

Recorded: 1975 Released: 2011

This is the 4th album by the great Dutch Prog group Earth And FireFind albums by this artist, kept similar to their earlier efforts. After some personnel changes, the group is still fronted by the great female vocalist Jerney KaagmanFind albums by this artist and includes brothers Chris KoertsFind albums by this artist (guitar) and Gerard KoertsFind albums by this artist (keyboards), who are responsible for the music. At that point the group is still very much at its creative peak and constitutes a Continental answer to British Prog groups, which dominated the scene. This is a classic Symphonic Prog, with great melody lines and plenty of interesting instrumental work, which should keep every Prog fan happy. Definitely worth investigating!
 CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend

ELECTRIC SANDWICH ~ ELECTRIC SANDWICH
REPERTOIRE 7051 ~ GERMANY ~ Progressive Rock


Only album from 1973 by this obscure but excellent German early jazz-rock group, with strong psychedelic and blues influences. The musicians were all studio professionals and the level of playing is very high. In spite of the high hopes raised by this release, the group fell apart soon after the album was released.
 CD 1 Bonus Tracks Recommend To A Friend

ENGLAND ~ GARDEN SHED
SI-WAN 1042 ~ UK ~ Progressive Rock


Only album from 1977 by this group, which in years acquired a `legendary` status among Prog fans for being both extremely rare and extremely beautiful. A prime example of British Prog, with great compositions and excellent performances, which age well and are as valid today as they were when recorded. Influenced by early Yes and other groups, but still quite fresh and original. A must for any serious Prog fan.
 CD 1 Remastered Recommend To A Friend

ESPOO BIG BAND / HUSBAND ~ LAUMA
GALILEO 071 (Barcode: 4250095800719) ~ FINLAND ~ Jazz-Rock Fusion

Recorded: 2015 Released: 2017

This is an excellent album by the veteran Finnish Espoo Big BandFind albums by this artist, established in 1980 and considered as one of top Big Bands in the country. Since 1987 the Big Band hosts the annual April Jazz Festival in Espoo, near Helsinki. On this album the Big Band plays arrangements of the music by the Finnish Rock / Fusion quartet HusbandFind albums by this artist, led by guitarist / composer Varre VartiainenFind albums by this artist. The album presents ten compositions, eight of which were composed by Vartiainen and two were composed by the Big Band´s guitarist Jarmo SaariFind albums by this artist. The music was arranged for the Big Band by its conductor Marzi NymanFind albums by this artist and by Saari.

The music is a wonderful amalgam of Fusion and Big Band orchestral music, completely unique and wonderfully thought up. The arrangements are quite complex and multilayered, bringing forward the typical European stylistic and aesthetic values of Orchestral Jazz. The compositions, although based on straight-forward melody lines, are excellently structured and within the framework of the intricate arrangements are a true pleasure to listen to. In spite of the rich orchestral arrangements, the music manages to retain its Rocky kick and Fusion character, even without the presence of up front electric guitar in most cases. There are many wonderful solos of course, which emphasize the level of musicianship among the Big Band members.

Overall this is a brilliant piece of European Jazz, which shows again that Jazz knows no limits and undertaking ambitious projects pays off. It also reveals the superb level of Finnish Jazz, which sadly is way too little known outside of the country´s borders, but has a glorious history and superb recorded legacy, which I had the pleasure to follow closely in the last five decades.

This album is a little gem, which all Fusion and Big Band connoisseurs should not overlook by any means. A must!
Updated: 06/07/2018Posted: 06/07/2018CD 1 Mini-Sleeve Recommend To A Friend

GEORGIE FAME / USCHI BRUNING / ALAND SKIDMORE QUARTET ~ A DECLARATION OF LOVE
ITM 9200020 (Barcode: 4250317473738) ~ UK ~ Jazz

Recorded: 2008 Released: 2015

This is an archival release of a live concert which features the British Jazz singer / keyboardist / songwriter Georgie FameFind albums by this artist and the German Jazz singer Uschi BruningFind albums by this artist accompanied by the quartet led by the legendary British Jazz saxophonist Alan SkidmoreFind albums by this artist, which also includes pianist Steve MellingFind albums by this artist, bassist Geoff GascoyneFind albums by this artist and drummer Ian PalmerFind albums by this artist. The album presents ten tracks, of which five feature Fame, three feature Bruning, one is a Fame / Bruning duet and one is an instrumental performance by the quartet. The music is mostly Jazz standards, except the title tracks which is a Fame original and one standard which has lyrics written by Fame. Recorded at the Berlin Philharmonic, the album´s sound quality is impeccable.

Fame has been my favorite Jazz vocalist since I have heard him live in London in the late 1960s, and I have been fortunate to hear him perform many times over the years in very diverse circumstances ranging from intimate solo appearances to his concerts with Big Bands, always delivering the absolute top performances. Regardless if he sang Jazz, Blues, Rhythm And Blues or even Pop, his absolutely unique intonation and heartfelt articulation are simply magical. Now in his sixth decade as a performer, he is still a formidable Artist.

Bruning is a German Jazz icon, who started her career in the dark days of the DDR period, which paradoxically produced some of the most interesting European Jazz. Her work with the legendary saxophonist Ernst-Ludwig PetrowskyFind albums by this artist is one of the most interesting vocal recordings made at the time behind the Iron Curtain. She is still active today on the German scene and definitely worth following.

Skidmore needs no introduction of course, being one of the world top saxophonists and one of the most important Jazz musicians keeping the John ColtraneFind albums by this artist legacy alive. His enormous contribution to British / European Jazz is unprecedented.

Overall this is a wonderful vocal Jazz album, full of great singing, superb instrumental work and good taste, rarely present on contemporary recordings. Great fun from start to finish and of course warmly recommended!
Updated: 08/05/2023Posted: 21/07/2019CD 1 Slipcase Recommend To A Friend

RICARDO FASSI TANKIO BAND ~ PLAYS ZAPPA: THE RETURN OF THE FAT CHICKEN
ALFA MUSIC 200 (Barcode: 8032050017112) ~ ITALY ~ Big Band Jazz

Recorded: 2017 Released: 2017

This is an album by a Big Band led by Italian pianist / composer / arranger / bandleader Ricardo FassiFind albums by this artist, which, as the title suggests, is dedicated to the music of Frank ZappaFind albums by this artist. The Big Band includes many top Italian Jazz instrumentalists and an impressive list of guests, including vocalist / saxophonist Napoleon Murphy BrockFind albums by this artist, who took park is many recordings with Zappa’s bands. Also present are: Russian trumpeter Alex SipiaginFind albums by this artist, Italian clarinetist Gabriele MirabassiFind albums by this artist, Cuban (resident in Italy) violinist Ruben ChavianoFind albums by this artist, trombonist Mario CorviniFind albums by this artist and accordionist Antonello SalisFind albums by this artist. The album presents seventeen tracks, ten of which are Zappa’s compositions, one is by George DukeFind albums by this artist, and the remaining six, which are sort of short interludes between the Zappa related material, are composed by Fassi, Salis or co-composed by them both.

The music is absolutely gorgeous, all brilliantly arranged and spotlessly executed by the Big Band. It is, however, quite different from the original material, as performed by Zappa with his various groups, and as such might come as a surprise to many of his fans, who might accidentally stumble upon this album. The arrangements herein offer a classic European Jazz Big Band approach which is fundamentally different from the usual Zappaesque Fusion approach, which always includes Rock elements, which are absent here, and of course there is (almost) no guitar presence. However, having said all this, the music remains magnificent as ever, emphasizing Zappa’s enormous talent as a composer, which is fully exposed herein. The presence of Brock’s vocals offers a familiar bridge between the Zappa universe and this interpretation of his work.

The Big Band / Orchestral works by Zappa are of course one of his many pinnacles as an Artists, but his ensembles were usually never full sized Jazz Big Bands per se and his approach to arrangements and band dynamics were diametrically different from the classic Jazz Big Band environment. As a result, this recording shows how Zappa’s music could have sounded, if his destiny would have led him to evolve in a Jazz rather that Rock environment, which of course is very educational in addition to being superbly entertaining.

Fassi and his colleagues are to be congratulated for pulling the “mission impossible” task without a hitch. It takes a lot of courage and professionalism to undertake a project of this scale, and when everything works as well as it does here, hats off are in order.

Overall, this is brilliant cross-genre transition of the divine artistry, composed by the most original talent in American 20th Century music, which was done not only professionally, skillfully and with a lot of originality, but also with enormous dose of love and dedication. Such projects are, sadly, quite rare, which is a great pity, but the European atmosphere of aesthetics and appreciation of Art proves once again to be a winning environment.
Updated: 11/08/2023Posted: 11/08/2023CD 1 Slipcase Recommend To A Friend

FELLOWSHIP (FEATURING JON ANDERSON) ~ IN ELVEN LANDS
VOICEPRINT 378 ~ USA ~ Progressive Rock


This very interesting musical project took seven years to complete (1998-2005), but it was definitely worth waiting for. The Fellowship is an international group of musicians, who undertook a very challenging task of creating music based on the writings of J.R.R. Tolkien. Their approach is completely different from many other musicians, who created music inspired by Tolkien’s works (like Bo Hansson a.m.o.) – they conducted a thorough research of both Tolkien’s many writings of prose and poetry and also early European literature from the Middle Ages (13th & 14th century), all this to create the “authentic” music of the legendary “Middle Earth”. Of course the authenticity is a matter of opinion, as Tolkien himself did compose any music to accompany his writings, but as far as your humble servant here is concerned this sounds pretty “authentic” to me. The music is similar to early European Mediaeval music, with a touch of modernism, performed entirely on acoustic instruments (some ancient). The vocals (mostly by Yes front man Anderson) suit this music perfectly, and honestly to me this is better than are many other of his other projects. People who like early music fill have a feast with this album, but Yes fans and folkies should not stay far behind. I loved it!
 CD 1 Digipak Recommend To A Friend

FRANK FOSTER / SWR BIG BAND ~ A FRESH TASTE OF THAD JONES AND FRANK FOSTER
HANSSLER CLASSIC 4010276018582 (Barcode: 4010276018582) ~ USA ~ Big Band Jazz

Recorded: 1994 - 1996 Released: 2006

This is a wonderful Jazz Big Band album by American saxophonist / flautist / composer / arranger / bandleader Frank FosterFind albums by this artist, recorded with the brilliant German SWR Big BandFind albums by this artist during his two residencies as guest conductor in 1994 and 1996. The album presents eleven tracks, seven of which are compositions by Foster and four are compositions by Thad JonesFind albums by this artist.

Foster succeeded Jones as the leader of the legendary Count Basie OrchestraFind albums by this artist in 1986 and continued to lead it until 1995, creating some of the definite late American Big Band sound. The album pays tribute to Jones and that Big Band tradition. Foster solos on most of the tracks and his warm sound is immediately recognizable. Of course the European musicians have no problem with tackling the material with ease and elegance.

One is of course immediately tempted to compare the sound on this album, and other albums by German Big Bands like the NDR Big BandFind albums by this artist or HR Big BandFind albums by this artist, with their American counterparts. This album is particularly interesting due to the presence of American conductor and strictly American material, which are still unable the close the conceptual gap between European and American Big Band sound, which comes down to the difference between a collection of individuals as opposed of a one multi-headed body making music.

Overall, this is an interesting mixture of American and European Jazz Big Band, brilliantly played by everybody involved and featuring Foster as the main soloist and conductor. Lovers of the genre should have a field day with this, sadly little know album, which is definitely worth being discovered!
Updated: 18/01/2024Posted: 18/01/2024CD 1 Digipak Recommend To A Friend

FREE FUSION BAND ~ VULCAN`S ELECTRIC HAMMER
ALLEGRO 035 (Barcode: 5901157049353) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion

Recorded: 2006 - 2016 Released: 2017

This is the debut album by the Free Fusion BandFind albums by this artist, a project led by Polish (resident in Oslo) bassist / keyboardist / synthesizer player / composer Jakub PielakFind albums by this artist. The participants include several Polish and Norwegian musicians, including guitarist Tomasz KozaFind albums by this artist, percussionist Iwona LipinskaFind albums by this artist and many others. The album was recorded in Oslo over a period of over ten years and presents seven lengthy compositions, all by Pielak. It is lavishly packaged with graphics and texts full of Science Fiction allusions, which were an obvious influence on the composer.

The music is a unique amalgam of a plethora of electronic, ambient, improvised threads, combined together to create an Avant-Garde flow, which is fascinating and engaging, although certainly quite demanding, especially when encountered for the first time. There are distinct melodic themes and a coherent continuity, but the music is not devised to be analyzed on the detailed plane but rather embraced as a whole by simply succumbing to its natural flow.

There are many improvised passages, which as the band´s name suggests are inherently closer to Fusion than to Jazz, although could be accepted as both. The entire approach is more accidental and cinematic in its nature, which leads this music more into the "soundtracks of imaginary movies" category rather than a concrete melodic / harmonic entity.

Although the music was created and recorded over a prolonged period of time and involves different teams of participating musicians, it certainly manages to maintain a coherent concept and stylistic unity, which in projects of such nature is often very difficult. The natural flow and often hypnotic nature of the music enables listeners, who are drown to such emotional involvement, to get completely enthralled within the music.

This is certainly quite an unusual project in every respect and the will and consistency demanded from Pielak to bring this music into existence deserves respect and admiration. Going against the popular flow and following one´s true vision are rare qualities today.

I am already looking forward to hear more of Pielak´s conceptual vistas in the future and in the meantime recommend listeners´ who are able to make a conscious efforts and take a step out of the comfort zone and listen to some truly exciting music present on this album. A true voyage of discovery…
Updated: 12/04/2019Posted: 23/03/2019CD 1 HDCD Recommend To A Friend

GANDALF THE GREY ~ THE GREY WIZARD AM I
GEAR FAB 202 (Barcode: 645270020220) ~ USA ~ Folk-Rock

Recorded: 1972 Released: 2003

This album by US (NY) troubadour Gandalf The GreyFind albums by this artist (or Chris WilsonFind albums by this artist) is an example of the hippie generation´s fascination with the works of J.R.R. Tolkien. Self-penned and self-performed, this somewhat rough recording portrays an attempt to create another version of Middle Earth music. The bonus tracks provide a glimpse of his other albums (pre and post this one), which are more personal in nature. Although obscure, this album definitely worth investigating.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

GINE GAUSTAD ANDERSSEN ~ HEIM
LOSEN 165 (Barcode: 7090025831652) ~ NORWAY ~ Jazz-Pop Fusion

Recorded: 2014 Released: 2016

This is the debut album as a leader by Norwegian vocalist / pianist / songwriter Gine Gaustad AnderssenFind albums by this artist, on which she is supported by a Norwegian / Swedish team of musicians: guitarist Carl Emil SvenssonFind albums by this artist, bassists Fredrik NilssonFind albums by this artist and Johannes LundbergFind albums by this artist, drummers Hermund NygardFind albums by this artist and Martin OhmanFind albums by this artist, trumpeter Arve HenriksenFind albums by this artist and saxophonist Thomas GustafssonFind albums by this artist. She performs eight songs, six of which are composed by her and feature her lyrics, one song features her lyrics to an Astor PiazzollaFind albums by this artist composition and one song is by Norwegian singer / songwriter Kari BremnesFind albums by this artist. The lyrics are in Norwegian and in English.

The songs are all stunningly beautiful, intimate and lyrical and the vocalist performs them with a minimalistic accompaniment mostly of just guitar, bass and drums. On some songs her voice is multi-tracked to create a vocal harmony effect. The entire album is soaked in deep melancholy and introvert unfussiness, which is immensely effective, using a most convincing "more is less" modus operandi.

Although not Jazz per se, this music is closely associated with the Jazz idiom, as it possesses an intrinsic feeling of Swing, and of course the presence of the Jazz musicians on board also makes a significant impact. Regardless of the labeling one might associate with this album, it is a true joy and I wish many more albums like that were recorded.

Overall this is a very unique collection of gorgeous songs, performed by a great team of musicians and sung by the person who composed the material, in a most non-pretentious personal way, which makes the listener´s heart melt. Loved every minute if it! Well done!
Updated: 31/01/2017Posted: 31/01/2017CD 1 Mini-Sleeve Recommend To A Friend

GERA BAND ~ FATA MORGANA
GALEN 21 190 (Barcode: 8594042902054) ~ CZECHOSLOVAKIA ~ Jazz

Recorded: 1985 Released: 2021

This is a reissue / remaster of the debut album by the Czechoslovak quartet Gera BandFind albums by this artist, led by trumpeter Michal GeraFind albums by this artist, which also included saxophonist Vaclav BratrychFind albums by this artist, bassist Vit SvecFind albums by this artist and drummer Jaromir HelesicFind albums by this artist. The album presents six tracks, all of which are original compositions by Gera.

Gera was active on the Czechoslovak Jazz scene since the mid-1970s, as a member of the excellent Jazz-Rock Fusion ensemble ImpulsFind albums by this artist, the Prague Big BandFind albums by this artist and other formations. He took part in many collaborations with pianist / composer Milan SvobodaFind albums by this artist, which are also documented on albums. Gera Band released two more albums later on. His trumpet was surely one of the most distinctive voices of the local scene.

The music is an excellent example of the versatility and musical excellence of the Czechoslovak scene, which was up to date with the musical developments happening beyond the Iron Curtain and across the pond.

Overall, this is a most welcome reissue of material that tends to get forgotten over time, but is definitely worth being remembered. As usual the GalenFind albums on this label label does an excellent job in preserving the tradition, saving music treasure from oblivion.
Side Note
The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge.

For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.
Updated: 07/03/2025Posted: 07/03/2025CD 1 Digipak Remastered Recommend To A Friend

STAN GETZ / ANDRZEJ TRZASKOWSKI TRIO ~ POLISH RADIO JAZZ ARCHIVES VOL.01
POLSKIE RADIO 1567 (Barcode: 5907812245672) ~ USA ~ Jazz

Recorded: 1960 Released: 2013

This is the first installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well.

The material presented here was recorded in 1960 during the 3rd Jazz Jamboree and features American saxophone Giant Stan GetzFind albums by this artist, accompanied by a Polish rhythm section consisting of pianist Andrzej TrzaskowskiFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist. Nine of the twelve tracks included here were recorded live during the Festival and the additional three tracks were recorded in the same hall but late at night, without any spectators being presents. All the music comprises of Jazz standards. This recording was made before Getz reached the superstar popularity as a result of his Bossa Nova recordings a couple of years later, but he was already a much respected saxophonist with a very impressive record behind him, although he was just 33 years old at the time.

The story about why Getz opted to play with a local rhythm section has many versions. Most Polish sources quote some vague statements indicating this as being a conscious decision made "in recognition of the talent of the young Polish Jazz musicians". That version has very little support in reality. One should bear in mind that Getz was living at the time in Scandinavia and did not have a steady group he performed with in Scandinavia, where he actually arrived from to play at the Jazz Jamboree (not from the USA). When I talked to Getz about his first visit in Poland (he was there again in 1974 and 1980), he told me that he heard just a little about Jazz in Poland before he arrived there, thanks to the early relationships between the Polish and the Scandinavian scenes, which was about to be expanded in the years to come. His willingness to play with the young Poles should be rather credited to his open-mindedness and general good nature, with always characterized him as a person. Also let us not forget that the logistics and costs involved with bringing an entire quartet from the USA at that time were quite beyond the capabilities of the festival´s organizers.

As to the music, there is actually no need to say much about it. Getz plays divinely, as usual, with his unique tone and virtuosity and the sweetest saxophone sound ever. Obviously enjoying himself enormously, he allows the rhythm section to stretch out, playing relatively long solos. The young Poles: Trzaskowski (aged 27), Dylag (aged 22) and Dabrowski (aged 22) sound like veterans, obviously uplifted spiritually by the event. The music is simply perfect, from start to finish. The wonderful ambience of the hall and the remastered sound quality are spectacular, worm and natural, leaving many contemporary recordings way behind, even though they were done 53 years ago using quite primitive equipment. In short everything about this album is simply miraculous.

The only note of criticism about this new edition is the lack of a proper booklet with proper liner notes, photographs and other well deserved details, which this monumental music truly deserves. Polish Radio really should have made an effort there. A pity!

No wander that this material (in one form or another) was bootlegged countless times and the original vinyl release ("Stan Getz W PolsceFind albums with this title") reached outrageous sums on the collectors´ market all over the world. Now they are available in the best sounding quality ever for the price of a regular CD, so don´t even dare to think about this twice. This is an absolute must!
 CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend

MICHAEL GIBBS BAND ~ SYMPHONY HALL, BIRMINGHAM 1991
DUSK FIRE 116 (Barcode: 5065001032677) ~ UK ~ Jazz-Rock Fusion

Recorded: 1991 Released: 2018

This in an archival release presenting a live recording by a band led by the British trombonist / composer / bandleader Michael GibbsFind albums by this artist, which comprises of fourteen British and American Jazz musicians, who play music composed by Gibbs and John ScofieldFind albums by this artist. The Brits include such legendary musicians as trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist, saxophonists Tony CoeFind albums by this artist and (then very young) Julian ArguellesFind albums by this artist, trombonist Chris PyneFind albums by this artist and others and the American guests include guitarist / composer John Scofield, bassist Steve SwallowFind albums by this artist and drummer Bill StewartFind albums by this artist. The concert captured on this album was the tenth of a twelve concert UK 1991 tour. It presents eleven pieces, seven of which were composed by Scofield and arranged by Gibbs and four were Gibbs´ compositions.

Gibbs shows a consistent affinity towards the guitar and guitar players throughout his entire musical career. His early albums featured British guitarists like Chris SpeddingFind albums by this artist and Ray RussellFind albums by this artist, later on he included in his bands the Belgian guitarist Philip CatherineFind albums by this artist, and then Americans like Scofield, Hiram BullockFind albums by this artist and Bill FrisellFind albums by this artist. Scorching guitar solos and a Rocky feel are therefore a habitual part of Gibbs´ musical DNA and this album is no exception. The Scofield tunes originate from his debut album for the Blue NoteFind albums on this label label "Time On My HandsFind albums with this title" and from the follow up "Meant To BeFind albums with this title", as well as from the still unreleased at the time of the concert next album "Grace Under PressureFind albums with this title". A couple of the Gibbs tunes were premiered during these concerts.

Musically the album follows the "typical" Gibbs´ patterns, with the brass fanfares and swinging background sections, which slowly step back to make space for the soloists, and eventually come back to wrap things up. There are plenty of opportunities for almost everybody to play a solo and the tightly swinging rhythm section keeps everything exactly in check. Naturally Scofield is given the most extensive soloing space and he delivers everything one might expect from him.

This album, as all the albums released on the Dusk FireFind albums on this label label, under the watchful eyes of Peter MuirFind albums by this artist, is a tremendous document of British Jazz history, and is an invaluable addition to any British Jazz collection. The fact that this album features also American musicians makes it no less British, as it is after all Gibbs who sets the tone here, even if Scofield is the front person most of the time. Comparing this music with the versions recorded by Scofield on his solo albums reveals the differences in musical depth and perception, revealing the fact that a British flavor, zing and zest are able to turn pretty straightforward American music into a tasty dish.

The excellent sound quality of this recording makes this album even more desirable than it appears to be at the first glance and of course it is wholeheartedly recommended to all British Jazz connoisseurs, who are still alive and kicking in spite of the statistical truth pointing elsewhere.
Updated: 29/05/2018Posted: 22/05/2018CD 2 Mini-Sleeve Remastered Recommend To A Friend

MICHAEL GIBBS / NDR BIG BAND / NORMA WINSTONE ~ HERE`S A SONG FOR YOU
FUZZY MOON 005 (Barcode: 5065001308031) ~ UK ~ Jazz


This is an absolutely stunning album by British Jazz composer / arranger / bandleader Michael GibbsFind albums by this artist, recorded with the German NDR Big BandFind albums by this artist and featuring the vocals of the British Jazz Diva Norma WinstoneFind albums by this artist. The album presents twelve songs; some of which originate from Pop / Rock repertoire and other are Jazz standards. Only one song is an original by Gibbs, which goes back in time to his eponymous debut album.

Both Gibbs and Winstone have been cooperating with the NDR Big Band, which is hardly surprising as the NDR Big Band is the best of its kind in Europe (if not in the world) since many years and one of the last remaining active large ensembles of this kind, which manages not only to survive but also to produce numerous recordings of the highest quality. Winstone recorded the wonderful "It`s Later Than You ThinkFind albums with this title" (2004) album with them and Gibbs the albums "NonsequenceFind albums with this title" (2001), "Back In The DaysFind albums with this title" (1995-2003), "Plays The Bill Frisell Set ListFind albums with this title" (2013) and "In My ViewFind albums with this title" (2013-2015).

This album presents three separate layers, which amalgamate to produce a masterpiece of modern Jazz. First there is he stunning interpretation of the songs by Winstone, who is able to take them apart and transform them into unique vocal pieces that only she could sing the way she does. Then there are the brilliant arrangements by Gibbs, which often take the original songs very far away from the source, changing almost everything there is to change (harmony and rhythm most obviously) but still make them recognizable. Last, but by far not least, is the exquisite playing by the Big Band as a whole and the outstanding soloists, who stuff the entire musical cake with many sweet raisins. Of course each of these layers compliments the other two, creating something that is way more powerful than just a sum of the ingredients.

Overall this album is in many respects the most accessible musical gift to a wide range of Jazz connoisseurs that Gibbs and Winstone ever created, either separately or jointly. It is a pity that the CD was only released in a limited edition version.

Michael Gibbs graciously sent me a copy of this beauty from his vaults, after I´ve been hunting for it for years. So here we are with me smiling as the music is playing and my record collection being one step nearer the infinitely distant completeness. God bless, Mike!
Updated: 22/06/2018Posted: 22/06/2018CD 1 Mini-Sleeve Recommend To A Friend

GILLAN, IAN / BAND ~ LIVE AT THE BUDOKAN
REPERTOIRE 4795 ~ UK ~ Classic Rock


A double LP recorded live in Japan in 1982 on 1 CD. Deep Purple and Ian Gillan Band were the most popular rock attractions in Japan for many years and this album shows why. Included are many original Deep Purple songs, like `Smoke On The Water`.
 CD 1 Recommend To A Friend

IAN GILLAN / BAND ~ LIVE AT THE RAINBOW 1977
ANGEL AIR 608 ~ UK ~ Classic Rock


The only available footage of the Ian Gillan Band is no surprise to the fans of the band - brilliant and powerful. The tunes are stretched out to give plenty of opportunities for solos. Unfortunately the video material only last 35 minutes, but this DVD also includes a super rare Gillan interview and lots of rare audio material. Cosidering the fact that this is the only opportunity to see them perform it`s definitely worth it.
 DVD 1 Recommend To A Friend

BOB GLUCK / ANDREW STERMAN ~ TROPELETS
ICTUS 173 (Barcode: 748252698520) ~ USA ~ Jazz

Recorded: 2012 Released: 2014

This is an album by the duo comprising of American pianist / electronic music performer / composer Bob GluckFind albums by this artist and saxophonist Andrew StermanFind albums by this artist. Gluck, a former Rabbi, revisits on this album traditional Jewish Biblical chants, which he arranged for the duo, using also some vocal parts by guest participants. The album presents twelve pieces, based on the laments of Profit Jeremiah, which are dedicated to the memory of Gluck´s father.

As expected, the music is somber and deeply reflective, but the duo treats the traditional elements with respect and originality. The Jewish mysticism and intrinsic melancholy are all there but for listeners not familiar with the background of this music, it makes perfect sense by itself, which is a remarkable achievement. Obviously not an easy listening material, this music requires concentration and patience, but is eventually as rewarding as it is challenging.

This music should be viewed in perspective of the so called "New Jewish Music", which is enjoying an astounding Renaissance in Europe and especially in Poland, which after all was the homeland of the Ashkenazi Jewish Culture for the thousand years before the Holocaust. With several Jewish Culture festivals (Krakow, Warsaw and many smaller towns in Poland) Jewish music, in an incredible diversity, from Medieval chants, via the Klezmer tradition and up to Avant-Garde Contemporary Music and Jazz is alive and kicking almost like never before. As the Artistic Director of the Warsaw Singer Jazz Festival, I am exposed to this miraculous phenomenon in its full glory. Of course there are manifestations of the New Jewish Music also in the US, as this album shows.

People interested in the Jewish tradition and Avant-Garde Jazz should be able to enjoy this music to the fullest extent, but even without the Jewish background, this is fascinating music, which adventurous listeners should like very much. Definitely worth being discovered!
Updated: 12/04/2019Posted: 16/05/2016CD 1 Recommend To A Friend

ANDRZEJ GONDEK ~ MAZE
NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2022 Released: 2022

This is the debut album as a leader by Polish Jazz guitarist / composer Andrzej GondekFind albums by this artist, recorded in a trio setting with bass guitarist Slawomir KurkiewiczFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. Keyboardist Pawel TomaszewskiFind albums by this artist guests on three tracks and Robert KubiszynFind albums by this artist plays the moog bass on one track. The album presents eleven tracks, eight of which are original compositions by Gondek, one is co-composed with Kurkiewicz, one is by Tomaszewski and one is an arrangement of a song by the American Funk band The MetersFind albums by this artist.

Gondek has been around on the local scene in the last decade, recording on quite a few albums as a sideman, and this debut album puts him at last in the focus of things, showcasing his talent as both a great guitar player and composer. The album sparks with its excellent melodies, which are ideal vehicles to display the superb instrumental performances by all the participants.

Stylistically, the music is an interesting amalgam of Jazz, Funk and Fusion, with a dash of Blues, featuring the guitar at the epicenter, but involving the rhythm section as an integral part of the collective process. Gondek manages to achieve a very personal guitar sound, something which sounds almost unachievable these days, but definitely is happening here. That sound, combined with his excellent guitar technique and strong, dynamic and perfectly synchronized wall of sound created by the rhythm section generate an impressive “power trio” result, which might surprise guitar lovers, who think they have already heard everything in that idiom.

Overall, this is a very impressive debut, which places Gondek on the list of important Polish Jazz guitarists, who are definitely worth being noticed and watched, and which will serve as a head start of the next phase of his career. For the many guitar fans the world over, this is as opportunity to hear some original and unorthodox guitar acrobatics, which are relatively hard to come by these days.
Updated: 26/03/2023Posted: 21/03/2023CD 1 Digipak Recommend To A Friend

GRAND, OTIS ~ LIVE ANTHOLOGY
MYSTIC 140 ~ UK ~ Blues


A new collection of live performances by one of the best UK white blues guitarists. Grand continues the great British blues tradition, rising the flag high and mighty. Lots of gutsy solos and a delight to the blues fan.
 CD 1 Recommend To A Friend

GREAT WEE BAND ~ LIGHT BLUE
TRIO 589 (Barcode: 5060052775894) ~ UK ~ Jazz

Recorded: 2011 Released: 2011

This is the second (and last) album by the Great Wee Band quartet co-led by British Jazz trumpeter / composer Henry LowtherFind albums by this artist and guitarist / composer Jim MullenFind albums by this artist, which also included the legendary bassist Dave GreenFind albums by this artist and drummer Stu ButterfieldFind albums by this artist. Saxophonist Stan SultzmannFind albums by this artist guests on three tracks. The quartet was founded in 1999, some ten years before their debut studio album was recorded, and released a demo live album in 2002. The album presents eleven tracks, nine of which are standards and one each is an original by Lowther and Mullen.

The music is all mainstream Jazz oriented, with no surprises as to the stylistic direction, obviously played for fun and camaraderie by musicians who know each other for years. This enables the listener to concentrate on hearing the intricacies of the performances by the individual musicians, which are truly delightful. Lowther on trumpet and flugelhorn delivers many outstanding solos, as does Mullen on his guitar, and the rhythm section plays amicably and always exactly on time, as appropriate for the veterans of their statue.

Overall, this is a great opportunity to hear these musicians in an intimate, relaxed and friendly environment, often presenting a lesser known facet of their careers. This is classic mainstream Jazz with a British aftertaste, which is always a charming experience.
Updated: 11/04/2023Posted: 11/04/2023CD 1 Recommend To A Friend

GREAT WEE BAND ~ THE SOUND OF MUSIC
TRIO 584 (Barcode: 5060052775849) ~ UK ~ Jazz

Recorded: 2009 Released: 2010

This is the debut album by the Great Wee BandFind albums by this artist quartet co-led by British Jazz trumpeter / composer Henry LowtherFind albums by this artist and guitarist / composer Jim MullenFind albums by this artist, which also included the legendary bassist Dave GreenFind albums by this artist and drummer Stu ButterfieldFind albums by this artist. The quartet was founded in 1999, some ten years before this studio album was recorded, and released a demo live album in 2002. The album presents eight tracks, seven of which are standards and one is an arrangement of a Classical piece.

The music is all mainstream Jazz oriented, with no surprises as to the stylistic direction, obviously played for fun and camaraderie by musicians who know each other for years. This enables the listener to concentrate on hearing the intricacies of the performances by the individual musicians, which are truly delightful. Lowther on trumpet and flugelhorn delivers many outstanding solos, as does Mullen on his guitar, and the rhythm section plays amicably and always exactly on time, as appropriate for the veterans of their statue.

Overall, this is a great opportunity to hear these musicians in an intimate, relaxed and friendly environment, often presenting a lesser known facet of their careers. This is classic mainstream Jazz with a British aftertaste, which is always a charming experience.
Updated: 11/01/2023Posted: 11/01/2023CD 1 Recommend To A Friend

JOHNNY GRIFFIN / HAL SINGER / LESZEK ZADLO / FERDINAND POVEL ~ SWISS RADIO DAYS
TCB 02362 (Barcode: 725095023627) ~ POLAND ~ Jazz

Recorded: 1975 - 1980 Released: 2013

This is a live archival album, which combines four sessions recorded by the Swiss Radio with a local Swiss rhythm section comprising of German (resident in Switzerland) pianist Klaus KoenigFind albums by this artist, bassist Peter FreiFind albums by this artist and drummers Alberto CanonicoFind albums by this artist, Peter SchmidlinFind albums by this artist or Pierre FavreFind albums by this artist and guest musicians: American saxophonists Johnny GriffinFind albums by this artist from 1975, and Hal SingerFind albums by this artist from 1980, Polish Saxophonist Leszek ZadloFind albums by this artist from 1979 and Dutch saxophonist Ferdinand PovelFind albums by this artist from 1978. The first three sessions present one track and the fourth session presents two tracks.

Griffin, as expected, plays pretty straightforward mainstream Jazz, but the expanded playing time allows him to display his intensive improvisational abilities.

Singer is mostly a Blues traditionalist, and his melodic performance is completely predictable.

Zadlo, resident in Germany since 1975, is obviously the most interesting player on this album, pushing the boundaries of modern Jazz and Improvised Music, in the John Coltrane tradition. His fiery performance is convincing and jaw-dropping, and his presence on this album is the real reason why it is worth having a copy of it.

Povel, who is an excellent player, very active on the European scene at the time, shows that his performances, although still rooted in Bebop, are way more advanced harmonically than anything originating from across the pond.

Overall, due to the presence of Zadlo and Povel, this is a document of the European Jazz scene, especially important since the “Swiss Radio Days” series releases concentrated mostly on visiting American musicians, which seldom contributed interesting material.
Updated: 11/02/2025Posted: 11/02/2025CD 1 Recommend To A Friend

GEORGE GRUNTZ / CONCERT JAZZ BAND ~ GLOBAL EXCELLENCE
TCB 21172 (Barcode: 725095211727) ~ SWITZERLAND ~ Jazz

Recorded: 2001 Released: 2001

This is a fabulous album by the Swiss pianist / composer / bandleader George GruntzFind albums by this artist and his Concert Jazz BandFind albums by this artist, which for many years was the best European Jazz Big Band / Orchestra. Gruntz was one of the great Godfathers of European Jazz and his many activities and contributions over the years advanced the Jazz idiom immensely. This album presents eight compositions, four of which were composed by Gruntz, three others were composed by members of his orchestra and one is a traditional Turkish melody. Gruntz wrote the arrangements and orchestrations of all the pieces. Among the musicians playing on this album one can find trombonist Dave BargeronFind albums by this artist, drummer Danny GottliebFind albums by this artist, trumpeter Marvin StammFind albums by this artist, saxophonist Chris HunterFind albums by this artist, bassists Mark EganFind albums by this artist and Mike RichmondFind albums by this artist, a. m. o.

The music, although kept within the mainstream Big Band setting, in incredibly innovative and original, clearly pointing out the many differences between American and European Big Band approach. The arrangements and orchestrations are complex and convoluted, constantly changing the dynamics and tempi, with less emphasis on the individual solos and more dedicated to the overall orchestral sound and interplay.

The inclusion of the Turkish tune is typical of Gruntz openness towards World Music, which he displayed many times throughout his career. Same applies to the inclusion of the tune composed by Russian trumpeter / composer Alexander SipiaginFind albums by this artist, which shows the great respect Gruntz always felt towards Jazz originating in Eastern Europe.

Overall this is a monumental piece of Big Band music, at its finest and most sophisticated form, which should be truly enjoyed by all connoisseurs of that Jazz sub-genre. For young musicians, especially those studying composition and arrangement, this is an open book of how things should be done.

Although Gruntz is sadly no longer with us, his wonderful music lasts and his extensive recorded legacy is a treasure chest of musical gems. Not to be missed!
Updated: 08/06/2023Posted: 25/09/2016CD 1 Oversampling Recommend To A Friend

GEORGE GRUNTZ / CONCERT JAZZ BAND ~ TIGER BY THE TAIL
TCB 26702 (Barcode: 725095267021) ~ SWITZERLAND ~ Big Band Jazz

Recorded: 2005 Released: 2006

This is a fabulous album by the Swiss pianist / composer / bandleader George GruntzFind albums by this artist and his Concert Jazz BandFind albums by this artist, which for many years was the best European Jazz Big Band / Orchestra. Gruntz was one of the great Godfathers of European Jazz and his many activities and contributions over the years advanced the Jazz idiom immensely. The album was recorded in the US, and presents a mixed American / European lineup, with some of the finest Jazz musicians on the planet. The album presents eight compositions, four of which were composed by Gruntz and another four by members of the Big Band. Gruntz wrote the arrangements and orchestrations of all the pieces. Among the musicians playing on this album one can find trombonist Dave BargeronFind albums by this artist, drummer Danny GottliebFind albums by this artist, trumpeters Marvin StammFind albums by this artist, Jack WalrathFind albums by this artist and Franco AmbrosettiFind albums by this artist, saxophonists Chris HunterFind albums by this artist and Dave LiebmanFind albums by this artist, Israeli bass guitarist Arie VolinezFind albums by this artist, a. m. o.

The music, although kept within the mainstream Big Band setting, in incredibly innovative and original, clearly pointing out the many differences between American and European Big Band approach. The arrangements and orchestrations are complex and convoluted, constantly changing the dynamics and tempi, with less emphasis on the individual solos and more dedicated to the overall orchestral sound and interplay.

Although Gruntz is sadly no longer with us, his wonderful music lasts and his extensive recorded legacy is a treasure chest of musical gems. Not to be missed!

Overall, this is a monumental piece of Big Band music, at its finest and most sophisticated form, which should be truly enjoyed by all connoisseurs of that Jazz sub-genre. For young musicians, especially those studying composition and arrangement, this is an open book of how things should be done.
Updated: 05/03/2025Posted: 05/03/2025CD 1 Oversampling Recommend To A Friend

GUILDHALL BIG BAND / JOHN TAYLOR ~ PURE AND SIMPLE
CAM JAZZ 3303 (Barcode: 8024709330321) ~ UK ~ Big Band Jazz

Recorded: 2005 Released: 2007

This is a criminally little known brilliant album by the Guildhall Big BandFind albums by this artist – the home band of the renown Guildhall School of Music & Drama in London – conducted by Scott StromanFind albums by this artist, which plays Big Band arrangements of six compositions by British Jazz pianist / composer John TaylorFind albums by this artist, who was one of the teachers at the school and who played piano on these recordings.

People familiar with the music of Taylor will find these Big Band arrangements as striking as everything else he ever touched, completely different from the traditional Jazz Big Band approach, and to some extent continuing the modern British Big Band / Jazz Orchestra legacy, which was developed from the late 1960s onward by orchestra leaders like Michael GibbsFind albums by this artist, Mike WestbrookFind albums by this artist, Neil ArdleyFind albums by this artist and others. As a result these compositions sound quite refreshed and morphed cleverly into the new environment.

The Big Band performs splendidly, despite the complexity of the arrangements, which is hardly surprising considering the extraordinary level of talent by the young generation of British / European young musicians. One would never suspect that this is a band comprised of students, since it sounds as professional and disciplined as a fully fledged veteran working band.

Taylor plays wonderful soli on five of the pieces, which are usual displays of his High Artistry and offer the proverbial cherry on top of this superb album, which is an absolute must to all Taylor followers and British Jazz connoisseurs.
Updated: 26/09/2020Posted: 26/09/2020CD 1 Recommend To A Friend

NORMAN HAINES BAND ~ DEN OF INIQUITY
ESOTERIC 2301 (Barcode: 5013929431041) ~ UK ~ Progressive Rock

Recorded: 1971 Released: 2011

This is the only album recorded by the excellent British keyboardist / vocalist / composer Norman HainesFind albums by this artist and his band, which although being completely unnoticed at the time of its release, later achieved a legendary status, and rightly as it is really a lost gem. Haines, who was the leader of an earlier legendary band (with also had only one album), called LocomotiveFind albums by this artist, formed this band after Locomotive fell apart. It included guitarist Neil ClarkeFind albums by this artist, bassist Andy HughesFind albums by this artist and drummer Jimmy SkidmoreFind albums by this artist. Together they recorded this gem, which is a classic proto-Prog / Psychedelic minor masterpiece, with lengthy instrumental improvisations, great vocals and above all excellent melodies. An absolute must to all early Prog fans!
 CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend

HANDS ~ HANDS
SHROOM 96001 ~ USA ~ Progressive Rock

Recorded: 1977 - 1980

1st album by the little known band HandsFind albums by this artist, which recorded a Prog gem, considered by many to be one of the best ever US releases. Very much in the Gentle GiantFind albums by this artist tradition, with sophisticated melodies and rhythm changes. Mostly instrumental, including violin, with great interplays between the group members. Delightful and an absolute must!
This new edition was produced in cooperation with JazzisFind albums on this label Records.
 CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

HANDS ~ PALM MYSTERY
SHROOM 98005 ~ USA ~ Progressive Rock


2nd album, also recorded between 1977 and 1980. Much of the same approach as the first one, with more interesting compositions and brilliant playing. Definitely some of the best Prog you can lay your Hands on!
 CD 1 Recommend To A Friend

HANDS ~ THE EARLY YEARS 1974-76
SHROOM 20010 ~ USA ~ Progressive Rock


A collection of early Hands tracks, when they were known as Ibis and then Prism (see also the Prism CD). All live recordings of good quality and some great performances. Limited edition of 400 - individually numbered!
 CD-R 1 Recommend To A Friend

HANDS ~ TWENTY FIVE WINTERS
SHROOM 2113 (Barcode: 659131211320) ~ USA ~ Progressive Rock

Recorded: 2002 Released: 2002

Long awaited reunion album by one of the best US Prog groups ever and as the title suggests it took them 25 years to do it again. The passage of time did not deminish any of their abilities and this new effort is as good as anything they did in the past and a glorious return. It was definitely worth waiting for!
 CD 1 Recommend To A Friend

HANDY, JOHN ~ MUSICAL DREAMLAND
BOULEVARD 515 ~ USA ~ Jazz-World Fusion


US saxophonist John Handy is a legendary figure on the jazz scene. He was part of the exploding be-bop scene in the late 1940`s and then played for a long time with Charles Mingus. Handy was one of the first jazz musicians to get interested in other musical cultures, especially Indian music, and he incorporated Indian folklore and jazz many times. This wonderful album from 1991 is one of the last things he recorded and it includes Western and Indian musicians playing together. Apart from Handy the participation of the great bass player David Friesen is a wonderful addition.
 CD 1 Recommend To A Friend

KEEF HARTLEY BAND ~ HALFBREED
ESOTERIC 2050 (Barcode: 5013929715028) ~ UK ~ Blues-Rock

Recorded: 1969 Released: 2008

1st album by the excellent Keef Hartley BandFind albums by this artist, one the best Blues / Rock / Jazz ensembles ever, founded by drummer Keef HartleyFind albums by this artist following his stint with John MayallFind albums by this artist´s BluesbreakersFind albums by this artist. The band featured a nucleus consisting of singer / guitarist Miller AndersonFind albums by this artist, guitarist Spit JamesFind albums by this artist, keyboardist Peter DinesFind albums by this artist, bassist Gary ThainFind albums by this artist and Hartley on drums. In addition a horn section was added to expand the band´s sound, which on this album consisted of the best horn players in Britain: trumpeters Henry LowtherFind albums by this artist and Harry BecketFind albums by this artist and saxophonists Lynn DobsonFind albums by this artist and Chris MercerFind albums by this artist. Together this nine-piece band had a tremendous power and considering the quality of its members it was simply the best "little Big Band" around at the time. Hartley´s sensitive drumming drives the music through a set of fantastically well written and superbly arranged tunes, which are Blues based but extend often into Rock and Jazz. The guitar work is stunning, the brass arrangement just right on the money, in short heaven on earth for any Blues fan, but basically early Jazz-Rock Fusion enthusiasts will find here everything they need to make them happy. Definitely a classic of the genre and an essential piece of music if ever there was one!
 CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

KEEF HARTLEY BAND ~ LITTLE BIG BAND
ESOTERIC 2051 (Barcode: 5013929715127) ~ UK ~ Jazz-Rock Fusion

Recorded: 1971 Released: 2008

5th album by the excellent Keef Hartley BandFind albums by this artist, one the best Blues / Rock / Jazz ensembles ever, founded by drummer Keef HartleyFind albums by this artist following his stint with John MayallFind albums by this artist´s BluesbreakersFind albums by this artist. This live recording in London´s legendary Marquee Club is a most ambitious project the band undertook, expanding its personnel to a full scale Big Band of 16 musicians, which included the best Jazz players on the UK scene at the time. The entire project was prompted by an invitation from the BBC to record live and the bandwagon got rolling from there. Alongside the Hartley regulars the additional players include trombonist Derek WadsworthFind albums by this artist, saxophonist Barbara ThompsonFind albums by this artist, trumpeter Harry BeckettFind albums by this artist and many more. Although the material is Blues based, in fact the orchestral arrangements and the entire concept is a tribute to great Jazz Big Bands, which were a great source of influence to Hartley. This is not only great music but also a great document of the times, when musical project could be made to come true regardless of their complexity and expense. Just sit back and succumb to the engulfing sound of the band in its full might – satisfaction guaranteed! Superb stuff!
 CD 1 Remastered Recommend To A Friend

HARTLEY, KEEF / BAND ~ NOT FOOLISH NOT WISE
MOONCREST 043 ~ UK ~ Blues


After a long stint at the drum chair with John Mayall Bluesbreakers, Keef Hartley formed his own band in the early 1970s and recorded several outstanding albums. The band included the regular blues core (with lead guitar) but also a superb brass section, creating a very powerful sound. This albums presents for the first time some live material recorded in early 1970s and including tunes from the first two albums.
 CD 1 Recommend To A Friend

KEEF HARTLEY BAND ~ OVERDOG
ESOTERIC 2048 (Barcode: 5013929714823) ~ UK ~ Blues-Rock

Recorded: 1970 - 1971 Released: 2008

4th album by the excellent Keef Hartley BandFind albums by this artist, one of Britain´s greatest Blues / Rock / Jazz ensembles ever, founded by drummer Keef HartleyFind albums by this artist following his stint with John MayallFind albums by this artist´s BluesbreakersFind albums by this artist. By the time this album was recorded, the band consisted of core members: guitarist Miller AndersonFind albums by this artist, keyboardist Mick WeaverFind albums by this artist, bassist Gary ThainFind albums by this artist and Hartley on drums. They were joined by a brass section, which included Dave CaswellFind albums by this artist, Lyle JenkinsFind albums by this artist and Johnny AlmondFind albums by this artist. Drummer Jon HisemanFind albums by this artist (ColosseumFind albums by this artist) joined in for some drums duels with the leader. The band delivers its usual mix of Blues, Rock and Jazzy arrangements, with the music being composed mainly by Anderson. In retrospect this music lost nothing of its originality and spontaneity over time and is a real pleasure to be listened to almost 40 years later. People familiar with Hartley´s other recordings will definitely want to have this one in their collection.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

KEEF HARTLEY BAND ~ SEVENTY SECOND BRAVE
ESOTERIC 2100 (Barcode: 5013929720022) ~ UK ~ Blues-Rock

Recorded: 1971 Released: 2009

6th album by the great UK drummer Keef HartleyFind albums by this artist with a new version of his band, which included vocalist / guitarist Junior KerrFind albums by this artist, bassist Gary ThainFind albums by this artist, two saxophonists Chris MercerFind albums by this artist and Nick NewellFind albums by this artist and pianist Pete WingfieldFind albums by this artist. Old buddy Mick WeaverFind albums by this artist helped out on organ. The music is tight and has a strong Brass-Rock feel, mixing Blues, Rock, Jazz and some Prog elements. In retrospect the music still sounds great after all these years and Hartley´s fans will surely love to have this one in their collection.
 CD 1 Remastered Recommend To A Friend

KEEF HARTLEY BAND ~ THE BATTLE OF NORTH WEST SIX
ESOTERIC 2052 (Barcode: 5013929715226) ~ UK ~ Blues-Rock

Recorded: 1969 Released: 2008

2nd album by the excellent Keef Hartley BandFind albums by this artist, one the best Blues / Rock / Jazz ensembles ever, founded by drummer Keef HartleyFind albums by this artist following his stint with John MayallFind albums by this artist´s BluesbreakersFind albums by this artist. This album was recorded shortly after the stunning debut and features most of the musicians present on that recording with the addition of some notable guests, like saxophonist / flautist Barbara ThompsonFind albums by this artist, flautist Ray WarleighFind albums by this artist, guitarist Mick TaylorFind albums by this artist and keyboardist Mick WeaverFind albums by this artist. In total 14 musicians are involved in this recording and it is definitely one of the best Blues-Rock albums ever recorded in Britain. Hartley´s sensitive drumming drives the music through a set of fantastically well written and superbly arranged tunes, which are Blues based but extend often into Rock and Jazz. The guitar work is stunning, the brass arrangement just right on the money, in short heaven on earth for any Blues fan, but basically early Jazz-Rock Fusion enthusiasts will find here everything they need to make them happy. Definitely a classic of the genre and an essential piece of music if ever there was one!
 CD 1 Remastered Essential Recommend To A Friend

HATFIELD AND THE NORTH ~ HATFIELD AND THE NORTH (EXPANDED EDITION)
VIRGIN 2008 (Barcode: 077778726623) ~ UK ~ Canterbury Scene

Recorded: 1973 Released: 1990

1st album by Hatfield And The NorthFind albums by this artist, which became an absolute classic and is viewed by many as the culmination point of the Canterbury sub-genre of Prog. This group included probably the best ever collection of Canterbury musicians (Dave SinclairFind albums by this artist, Phil MillerFind albums by this artist, Pip PyleFind albums by this artist & Dave StewartFind albums by this artist) and produced many offspring groups later. An icon and an absolute must in every Prog record collection.
 CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

HATFIELD AND THE NORTH ~ HATFIELD AND THE NORTH (EXPANDED EDITION)
ESOTERIC 2139 (Barcode: 5013929723924) ~ UK ~ Canterbury Scene

Recorded: 1974 Released: 2009

1st album by the legendary Canterbury group Hatfield And The NorthFind albums by this artist, probably the most iconic and unsurpassed masters of the genre. Comprising of keyboardist Dave StewartFind albums by this artist, guitarist Phil MillerFind albums by this artist, bassist / vocalist Richard SinclairFind albums by this artist and drummer Pip PyleFind albums by this artist, with guests like reedman Geoff LeighFind albums by this artist (Henry CowFind albums by this artist), vocalist Robert WyattFind albums by this artist and others, they recorded what is considered to be the ultimate Canterbury masterpiece. The album represents everything that the genre stands for: brilliant melodies, strange harmonies, superb musicianship, quirk rhythmic patterns and a good dash of British humor. It is difficult to pinpoint why this album and its follow up turned out to be the genre´s icons, but the fact that they are the first thing that come to mind when Canterbury is mentioned speaks for itself. Whatever the reasons, this is an absolute classic album, which lost nothing of its intrinsic beauty and musical perfection over time. Absolutely essential!
 CD 1 Slipcase Remastered Bonus Tracks Essential Recommend To A Friend

HATFIELD AND THE NORTH ~ THE ROTTERS` CLUB (EXPANDED EDITION)
VIRGIN 2030 (Barcode: 777787267222) ~ UK ~ Canterbury Scene

Recorded: 1975 Released: 1990

2nd album by Hatfield And The NorthFind albums by this artist. As impossible as it may sound, this album is considered even better and more mature then the debut album. Regardless of what the case really is, this one is surely at least as good as the 1st one, which means it`s an absolute classic. The only sad thing is that this was to be their last album.
 CD 1 Remastered Bonus Tracks Essential Recommend To A Friend

HATFIELD AND THE NORTH ~ THE ROTTERS` CLUB (EXPANDED EDITION)
ESOTERIC 2140 (Barcode: 5013929724020) ~ UK ~ Canterbury Scene

Recorded: 1975 Released: 2009

2nd album by the legendary Canterbury group Hatfield And The NorthFind albums by this artist, probably the most iconic and unsurpassed masters of the genre. Comprising of keyboardist Dave StewartFind albums by this artist, guitarist Phil MillerFind albums by this artist, bassist / vocalist Richard SinclairFind albums by this artist and drummer Pip PyleFind albums by this artist, with guests like Jimmy HastingsFind albums by this artist, Mont CampbellFind albums by this artist, Lindsay CooperFind albums by this artist and Tim HodgkinsonFind albums by this artist, they recorded what is considered to be the ultimate Canterbury masterpiece. The album represents everything that the genre stands for: brilliant melodies, strange harmonies, superb musicianship, quirk rhythmic patterns and a good dash of British humor. It is difficult to pinpoint why this album and its predecessor turned out to be the genre´s icons, but the fact that they are the first thing that come to mind when Canterbury is mentioned speaks for itself. Whatever the reasons, this is an absolute classic album, which lost nothing of its intrinsic beauty and musical perfection over time. Absolutely essential!
 CD 1 Slipcase Remastered Bonus Tracks Essential Recommend To A Friend

SIRIL MALMEDAL HAUGE / KJETIL ANDRE MULELID ~ BLUES AND BELLS
GRAPPA 4757 (Barcode: 7033662047574) ~ NORWAY ~ Jazz

Recorded: 2022 Released: 2023

This is the debut album by the Norwegian duo comprising of vocalist / songwriter Siril Malmedal HaugeFind albums by this artist and pianist / composer Kjetil Andre MulelidFind albums by this artist. The album presents eleven songs, three of which are originals by the duo and the rest are their arrangements / interpretations of Pop / Jazz standards.

Although primarily associated with Jazz, the duo members take somewhat liberal approach to their Jazz roots on this album, creating a unique atmosphere, which blends many musical influences. The intimate setting allows for close dialogue between the two musical souls, which is always the most important aspect of any musical cooperation.

Hauge has a very particular timbre and vocal expression, which I personally like very much, but might perhaps not be for everybody. It is somewhat theatrical and cabaret oriented, and her English accent is charmingly foreign. But all in all I always enjoyed her vocals, although I suppose I’d have preferred her singing in her Mother tongue.

Mulelid is an excellent pianist and proved to be also a sensitive accompanist. His improvisations are sometimes a bit intense for this intimate setting, but on the other hand they are significantly enriching the musical tapestry of the entire album.

Overall, this is a very agreeable and enjoyable vocals / piano duo, with strong ties to Jazz, but not strictly Jazz per se, making it accessible to a relatively wide audience. Beautifully recorded, the music is certainly elegant and inviting, which should make many music lovers happy.
Updated: 01/04/2023Posted: 31/03/2023CD 1 Mini-Sleeve Recommend To A Friend

WARREN HAYNES BAND ~ LIVE AT THE MOODY THEATRE
PROVOGUE 7383 (Barcode: 8712725738329) ~ USA ~ Blues-Rock

Recorded: 2011 Released: 2012

US guitarist / vocalist / songwriter Warren HaynesFind albums by this artist needs no introduction and any Blues-Rock fan around the world is surely familiar with his work with The Allman Brothers BandFind albums by this artist, Gov`t MuleFind albums by this artist or his solo recordings. He is regarded as one of the best Blues-Rock guitarist out there and his versatility and talent precede him. This superb live recording of his band brigs everything he has to offer in one neat package with four hours of material on two CDs and a DVD, which should keep every Blues-Rock fan more than happy. The six-piece band and guest musicians go through two sets of songs, mostly written by Haynes, with just a few borrowed treasures. This is music straight from the heart and one should take it as it is, without looking for things that aren´t there. Haynes and his guitar are trademarks of contemporary US Blues-Rock and they kick bottoms. Warmly recommended!
 2CD+DVD 3 Digipak Recommend To A Friend

RASMUS HENRIKSEN BIG BAND ~ OUT OF THE SHADOWS
GATEWAY RHBB 01 (Barcode: 5707471046494) ~ DENMARK ~ Jazz

Recorded: 2016 Released: 2016

This is the debut album by Danish trombonist / composer / arranger / conductor Rasmus HenriksenFind albums by this artist, recorded with an international Big Band comprising of musicians associated with the Odense Music Academy, which includes twelve musicians, several of which are from Poland, like trumpeters Tomasz DabrowskiFind albums by this artist and Wojciech MorelowskiFind albums by this artist, guitarist Lukasz BorowickiFind albums by this artist and bassist Mariusz PrasniewskiFind albums by this artist. The album presents eight pieces, six of which are original compositions by Henriksen and two are standards. Fours of the pieces feature vocals performed by Amanda LagoniFind albums by this artist.

The music is well within the mainstream Jazz idiom, with excellent compositions by the leader and of course the wonderful sound of a Big Band that melts my heart every time. The arrangements are very elegant and interesting, typical of European Big Band approach, which treats the Big Band as a complex instrument. In view of the fact that there are so few Big Band albums released each year these days, every one of them is a blessing.

The Big Band performs excellently, obviously well rehearsed and including gifted instrumentalists. There are plenty of superb, albeit short, solos by the band members, testifying to the generally high level of the players. The vocal tracks are also first-rate, much to my surprise, as singing with a Bing Band requires a special talent, but Lagoni handles the task splendidly.

The overall sound and atmosphere are at times a bit too "retro", mimicking the great Swing orchestras of times long gone, but that does not spoil the great fun one can have with this music. This is pure pleasure from start to finish and mainstream Big Band / Orchestral Jazz should enjoy this effort to the max. Very impressive for a debut album and definitely worth getting!
Updated: 22/02/2019Posted: 09/05/2017CD 1 Digipak Recommend To A Friend

HIDDEN LANDS ~ IN OUR NATURE
PROGRESS 051 (Barcode: 7320470166918) ~ SWEDEN ~ Progressive Rock

Recorded: 2012 Released: 2012

This is the debut album by Swedish Prog band Hidden LandsFind albums by this artist, which was formed by four ex-members of the band Violent SilenceFind albums by this artist: keyboardist / guitarist / songwriter Hannes LjunghallFind albums by this artist, keyboardist Bjorn WestenFind albums by this artist, vocalist Bruno EdlingFind albums by this artist and bassist Phillip BastinFind albums by this artist. The quintet lineup was completed by drummer Gustav NybergFind albums by this artist. The album includes six original pieces, all written and composed by Ljunghall, one of which an instrumental.

With a double keyboard lineup the group is capable of playing a lot of notes at the same time, which normally would have been a certain recipe for overdoing it, but they somehow manage to avoid that trap, which is already a success. In fact the two keyboardists manage to complement each other quite cleverly, producing together an amazing array of synthesized keyboards sounds, which sound interesting and are often fresh and surprisingly original. The rhythm section is rather restrained, which is perfect for this setting, playing exactly what is needed and leaving the frontline to the keyboards and occasional guitar improvisations. The vocal parts are limited, with most of the music being instrumental and the vocalist is also somewhat composed, which again works rather well in the overall scheme of things and is infinitely more pleasing that having manic screams torturing the listeners´ ears. Of course the lyrics are in English (again), which is a shame. What is wrong with Swedish I ask?

The music is the strongest asset of this album; moody, atmospheric, laid-back and beautifully melodic, with that certain Scandinavian gloominess and melancholy Proggers love so much. All six compositions are pretty much on the same level musically, which creates a pleasant listening experience from start to finish – definitely a rarity among the Neo-Prog releases in the last decade. This album has some brilliant double keyboards moments and on the whole is an excellent Prog experience, which should be appreciated even among the sternest fineschmeckers.

These musicians have a lot of potential and I hope they keep the band together this time, with us looking forward to their next recording. Although not a mind-blowing masterpiece, it is a very solid album, which should be well received by most Prog connoisseurs, right across the sub-genre chasms. Wholeheartedly recommended!
Updated: 21/09/2021Posted: CD 1 Digipak Recommend To A Friend

ANDREW HILL ~ THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE
CAM JAZZ 1039 (Barcode: 8052405141866) ~ USA ~ Free Jazz / Improvised Music

Recorded: 1980 - 1986 Released: 2015

This superb Box Set collects recordings by the legendary American pianist / composer Andrew HillFind albums by this artist released on the Black SaintFind albums on this label and Soul NoteFind albums on this label labels. It includes four albums, two of which are solo piano recordings: "Faces Of HopeFind albums with this title" and "Verona RagFind albums with this title". The album "Strange SerenadeFind albums with this title" was recorded in a trio setting with bassist Alan SilvaFind albums by this artist and drummer Freddie WaitsFind albums by this artist. The album "ShadesFind albums with this title" was recorded in a trio / quartet setting with saxophonist Clifford JordanFind albums by this artist, bassist Rufus ReidFind albums by this artist and drummer Ben RileyFind albums by this artist. Most of the music was composed by Hill.

Hill is best known from a long stream of albums released on the Blue NoteFind albums on this label label in the 1960s, recorded with the top American players at the time, which show his brilliant technique and superb compositional talent. Later on Hill moved out of the Bebop and Post-bop traditions into more adventurous explorations, playing almost exclusively his own compositions, as documented on the albums included in this Box Set.

The music is still absolutely fresh and shows why Hill was so influential to generations of Jazz piano players and composers. This is definitely an important document of the American Free Jazz movement, which deserves to be preserved for posterity and which should serve as a source if inspiration to the young generation of contemporary Free Jazz artists.
Side Note
The Italian independent record label Black SaintFind albums on this label was founded by the music critic / author / producer Giacomo PellicciottiFind albums by this artist in 1975. It was taken over by the producer Giovanni BonandriniFind albums by this artist in 1978 and a year later (1979) a sister label, called Soul NoteFind albums on this label, was established. The twin labels were run by Giovanni and later his son Flavio BonandriniFind albums by this artist, until they were sold in 2008 to the Italian KEPACH Music Group, which already owned the CAM JazzFind albums on this label label, and which also bought another Italian independent record label Dischi Della QuerciaFind albums on this label.

The mission of the Black Saint / Soul Note labels was to record and document the Free Jazz / Improvised Music / Avant-Garde scene, mostly from the US but also from Europe, which continued between mid 1970s and late 1990s and produced a staggering collection of almost 550 albums recorded by world's most important Jazz innovators active at the time, providing an opportunity to American (mostly Afro-American) musicians, who would have never managed to make these recordings at home, ridden by racism, alienation and closed-mindedness. Without these two labels most of this fantastic human creativity would have been never documented.

However, the Black Saint / Soul Note Box Sets produced under the CAM JazzFind albums on this label moniker are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard to the essence of cultural values and general sloppiness, contrary to human decency, which requires us to treat our cultural legacy with respect and loyalty.

These Box Sets have no booklet which presents researched historical background and exact discographical information of the albums included, and most importantly an overview of the music and its meaning and contribution to the Jazz Art form. Although the original LP sleeves are reproduced, the information is in most cases too small to be readable at all. In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap!
Updated: 01/05/2020Posted: 01/05/2020CD 4 Mini-Sleeve Box Set Remastered Recommend To A Friend

HOLLAND BAROQUE / BASTARDA ~ MINNE
PENTATONE 8717306260022 (Barcode: 8717306260022) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2022 Released: 2022

This is the 6th album by Polish trio BastardaFind albums by this artist comprising of clarinetist Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist, recorded with the Holland BaroqueFind albums by this artist orchestra under the artistic leadership of Judith SteenbrinkFind albums by this artist (violin) and Tineke SteenbrinkFind albums by this artist (keyboards), which comprises (on this album) of nine violinists, a keyboardist and a guest reciter. The album presents nine tracks, two of which are credited to Bastarda, four to Judith Steenbrink, one is a Georgian chant and two are by early music composers.

The album’s concept was inspired by the texts of the 13th Century female poet HadewijchFind albums by this artist, who lived as a Flemish beguine in Brabant. Her exceptionally expressive love poems are a unique Medieval literary phenomenon.

The music offers a superb amalgam of cross-genre aspirations, combining ideally improvisation, Medieval and Baroque musical traditions and above all reflecting a spiritual connection between the seemingly separate worlds Bastarda and the orchestra belong to, but as usual in the case of the trio’s legacy, their chameleonic ability to adopt and integrate their music with the music of other musicians / ensembles, works like a dream.

The Holland Baroque orchestra manifests a remarkable open-mindedness in this collaboration, especially as far as improvisation in concerned, since this project is largely improvised in many respects, both conceptual and musical. This praiseworthy flexibility enabled the wonderful symbiosis, which characterizes this beautiful piece of music, without any artistic compromises.

Overall, this is a remarkable album, full of enchanting music, which bridges effortlessly across Centuries of music and Culture, preserving respectfully the original compositions and contemporary musical approaches, all perfectly performed with elegance and a wink of stylish aesthetics. Not surprisingly, the album offers also sublime sound quality and SACD audio. Bravo!
Updated: 31/05/2024Posted: 31/05/2024CD 1 Digipak SACD Recommend To A Friend

DAVE HOLLAND ~ EXTENSIONS
ECM 1410 (Barcode: 602517758421) ~ UK ~ Jazz

Recorded: 1989 Released: 2008

British bassist / composer Dave HollandFind albums by this artist is undoubtedly one of the greatest Masters of his trade. From his role as a member of the Miles DavisFind albums by this artist ensembles at their most revolutionary transition period through his work with other distinguished Jazz musicians and his work as a leader, Holland emerges as a pillar of stability and inventiveness combined into one Genius. This brilliant album presents Holland in somewhat unusual setting, with a quartet comprising of US musicians: saxophonist Steve ColemanFind albums by this artist, guitarist Kevin EubanksFind albums by this artist and drummer Marvin SmithFind albums by this artist, which means that the music includes a certain measure of Funk, which is not what Holland´s music is associated with normally. However, the leader and the group emerge victorious (as expected), with the music being fresh and artistically perfect, not allowing the Funk to dominate it, but cleverly incorporating it within. Holland, Coleman and Eubanks contribute two compositions each, and this highly spirited and brilliantly played music is a delightful musical experience. Superb stuff!
 CD 1 Mini-Sleeve Recommend To A Friend

DAVE HOLLAND ~ UNCHARTED TERRITORIES
DARE2 010 (Barcode: 634457860728) ~ UK ~ Free Jazz / Improvised Music

Recorded: 2017 Released: 2017

This is a brilliant 2CD album by legendary British Jazz bassist / composer Dave HollandFind albums by this artist released on his own Dare2Find albums on this label label. He invited another British veteran, saxophonist Evan ParkerFind albums by this artist and two much younger American Jazz players, pianist Craig TabornFind albums by this artist and drummer Ches SmithFind albums by this artist to take part in a spontaneous two-day recording session, which resulted in six hours or recorded music, of which twenty-three tracks appearing here were selected. Only three of the tracks were composed, two by Smith and one by Holland, and the rest are spontaneously improvised pieces.

As expected, the performances are all stellar, and contrary to the fears and reservations many people might hold against Free Jazz / Improvised Music, the result is completely audible and even likeable by most Jazz listeners, with just a bit of openness and slack / patience require to absorb this complex, but completely coherent music. Both the veterans and the “youngsters” display phenomenal improvising skills, mutual respect and telepathic communication with the other players, which is immediately apparent from the very first notes played.

As usual in these circumstances, the four musicians create all possible variations of solo, duo, trio and quartet involvement, which change constantly, and create streams of musical passages, that sound very melodic, even if no solid melody is actually present.

Overall, this is brilliant example of what Free Jazz / Improvised Music should sound like, which in reality happens extremely rarely. There is no one moment of cacophony or chaos on this album, in contrast to so many other albums in this genre, and as such it is truly exemplary and outstanding. Even if Improvising Music is not your cup of tea, do yourself a favor and try this one, which should be able to convince anybody of the true nature of the beast. Absolutely not to be missed!
Updated: 09/10/2022Posted: 09/10/2022CD 2 Mini-Sleeve Recommend To A Friend

HUGH HOPPER / BAND ~ ALIVE
BLUEPRINT 150 (Barcode: 604388103225) ~ UK ~ Canterbury Scene

Recorded: 1985 - 1987

Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist has been quite busy recording with many different musicians and groups besides the SM activities. These live recordings present the Canterbury legend leading a Big Band of Dutch musicians, with whom he toured in that period. This is similar to the late 70`s SM stuff, very jazzy (but not as free as SM) with some basic rock elements showing up beneeth the surface.
 CD 1 Recommend To A Friend

HUGH HOPPER / BAND ~ CAROUSEL
CUNEIFORM 067 (Barcode: 045775006727) ~ UK ~ Canterbury Scene

Recorded: 1993 - 1994 Released: 1995

After several live albums, this is the first studio album by the Hugh HopperFind albums by this artist Band (recorded 1994 - well not entirely: 3 live tracks from 1993 are also included). This band includes European musicians (mostly Dutch) and plays the jazzy side of Hopper`s compositions, with rock undertones. All the musicians are very experienced and the music flows naturally. Interesting compositions and good performances are all one needs to anjoy an album.
 CD 1 Recommend To A Friend

HR BIG BAND ~ KRIEGEL TODAY!
MOOSICUS 1313 (Barcode: 885513131324) ~ GERMANY ~ Big Band Jazz

Recorded: 2018 Released: 2020

This is a live album by the German HR Big BandFind albums by this artist (a.k.a. Frankfurt Radio Big BandFind albums by this artist), conducted by American pianist / composer / arranger Jim McNeelyFind albums by this artist. The album is a tribute to the great German guitarist / composer / bandleader Volker KriegelFind albums by this artist, one of the key figures of the modern German Jazz, who died in 2003. Three guitarist were invited to play the solo parts with the orchestra: German John SchroderFind albums by this artist, Dutch Jesse van RullerFind albums by this artist and British / German Martin ScalesFind albums by this artist. They perform eight compositions by Kriegel, arranged for the Big Band by McNeely.

The HR Big Band is one of several German Big Bands, such as the NDR Big BandFind albums by this artist (from Hamburg) or the WDR Big BandFind albums by this artist (from Cologne), which function side by side with the regional state broadcasting corporations active in Germany, being decentralized by law and remaining as one of the last bastions of independent publicly sponsored cultural organizations, adding a tremendous input into European Jazz in particular and European Culture in general. The musicians employed by these Big Bands have ideal working conditions and are free from economic struggles, which take a heavy toll on most freelance musicians. Also many projects, like the one documented on this album, would have never happened in a purely unsponsored commercial environment and the existence of these bands is simply a cultural miracle.

The music is absolutely sensational, and this new presentation emphasizes what a genius composer Kriegel was and how eternal his music is. The material was originally recorded for four albums by Kriegel: “SpectrumFind albums with this title” (1971), “Inside: Missing LinkFind albums with this title” (1972), “Lift!Find albums with this title” (1973) and “Mild ManiacFind albums with this title” (1974), all released originally on the legendary MPSFind albums on this label Records label. The fact that the music originates from over four decades earlier, makes one wonder if we are making any progress at all these days?

These Big Band arrangements of the original music, which was pioneering Fusion at the time, is an absolute masterpiece, since in most cases when Big Bands attempt to play Fusion, they botch it up completely, but on this album the music works out perfectly, against all odds. Guitar fanatics can expect a major feast with three great Artists playing their hearts out!

Overall, this is a true gem, which deserves to be heard by all Jazz (and genuine Fusion) enthusiasts, Jazz Big Band lovers and just music lovers in general, as it is accessible to a wide spectrum of listeners. The level of musicianship is absolutely stunning and the music is magical and even if you never heard about Volker Kriegel earlier on, which is a shame of course, make amendments now!
Updated: 13/09/2024Posted: 13/09/2024CD 1 Digipak Recommend To A Friend

GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 1
ABSTRACT LOGIX 027 (Barcode: 700261307053) ~ UK ~ Jazz-Rock Fusion

Recorded: 2010 Released: 2010

This is the first of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Steve HackettFind albums by this artist and Steve ToppingFind albums by this artist, keyboardist Jan HammerFind albums by this artist, violinist Jerry GoodmanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Steve PriceFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform twelve pieces, seven of which are original compositions by Husband and one is co-composed by him.

The music, as expected after reading the lineup, ranges from Rock via Fusion to Jazz, presenting a coherent picture of musical virtuosity and compositional elegance. In contrast to many other similar projects based on the same idea of recording an album with many superstars, which usually fail miserably to achieve any substantial musical value, this attempt works wonderfully from start to finish with no dull moments to spare. The stylistic variety and the different atmospheric vistas present a superb collage of intelligent and fascinating music, which is a pleasure to listen to.

As expected, the album is full of exceptional soloing. Husband keeps it all together with his dynamic and powerful rhythm drive, contributing a few keyboard solos on the way. The main point here is the mutual respect these stellar musicians have for each other, putting any competition and ego trips out of the way and concentrating on the final result. Husband turns out to be a wonderful catalyst here, able to create ad hoc lineups that sound as if they were playing together for ages.

In short this is not only Fusion heaven, but a comprehensive overview of the genre in the most open minded approach possible, which encompasses everything between Rock and Free Jazz. Husband´s openness towards similarly remote sub genres was always one of his most remarkable qualities. This is definitely a must for all Fusion lovers, but every connoisseur of good music should be able to enjoy this immensely!
Updated: 06/07/2016Posted: 06/07/2016CD 1 Mini-Sleeve Recommend To A Friend

GARY HUSBAND ~ DIRTY & BEAUTIFUL VOLUME 2
ABSTRACT LOGIX 033 (Barcode: 700261344836) ~ UK ~ Jazz-Rock Fusion

Recorded: 2012 Released: 2012

This is the second of two albums by British drummer / keyboardist / composer Gary HusbandFind albums by this artist recorded with a host of friends, all of which are superstars of British and international Jazz, Rock and Jazz-Rock Fusion, like guitarists Allan HoldsworthFind albums by this artist, John McLaughlinFind albums by this artist, Robin TrowerFind albums by this artist, Ray RussellFind albums by this artist, Wayne KrantzFind albums by this artist, Neil TaylorFind albums by this artist, Alex MachacekFind albums by this artist, Jimmy HerringFind albums by this artist and Mike SternFind albums by this artist, keyboardist Jan HammerFind albums by this artist, saxophonist Sean FreemanFind albums by this artist and bassists Jimmy JohnsonFind albums by this artist, Teymur PhellFind albums by this artist, Mark KingFind albums by this artist, Laurence CotileFind albums by this artist and Livingstone BrownFind albums by this artist. The various lineups perform eleven pieces, five of which are original compositions by Husband and one is co-composed by him.

The music on this set is less diverse stylistically and explores mainly the various possibilities of the Jazz-Rock Fusion idiom, with accents and variations influenced mainly by the presence of the different guitar players on these tracks. Each and every guitarist contributes his very personal stylistic nuances, presenting overall a wonderful kaleidoscope of guitar Fusion pieces. The melodic themes of all these pieces fit very well together, which turns this seemingly unconnected collection of pieces into a coherent album, which is a thrilling listening experience.

As on its predecessor, Husband plays drums and keyboards on the various pieces, always with great taste and his usual virtuosity. His drumming approach is another solidifying element of this entire collection, which again manages to sound like a complete pre-planned album as opposed to a random collection of tunes, in spite of such diverse lineups taking part in the proceedings.

As usual this is Fusion Heaven, not only because of the incredibly high level of individual performances, but mainly because it is all about music and not individual ego trips which often haunt Fusion to its death. Therefore I can only wholeheartedly recommend this album to all Fusion lovers, especially since really good Fusion albums are so incredibly scarce these days. Hats off, Maestro!
Updated: 09/07/2016Posted: 09/07/2016CD 1 Mini-Sleeve Recommend To A Friend

GARY HUSBAND ~ THE THINGS I SEE
ANGEL AIR 182 (Barcode: 5055011701823) ~ UK ~ Jazz

Recorded: 2000 Released: 2004

This is a re-release of a wonderful solo piano album by British keyboardist / drummer / composer Gary HusbandFind albums by this artist. The album was originally released on the small American label Art Of LifeFind albums on this label Records and this re-release brings the album to the British / European market. On the album Husband performs ten of his interpretations of music originally composed by British guitarist / composer Allan HoldsworthFind albums by this artist.

Husband admits that the music of Holdsworth influenced his entire musical life even before he became his partner in various endeavors they both participated in. Therefore this album is not just a loving tribute to Holdsworth the composer but also a reflection of many years of their friendship.

Selecting the acoustic piano as the medium to explore the music associated with Holdsworth, which immediately screams electric guitar and Fusion, might seem somewhat bizarre at first, but just a few moments into this album reveal that it was perhaps the imperative choice. Husband transforms the music totally, even when he stays loyal to the original melodies or chord structures, but does so with great respect towards the original creations. Even if some de-composing and re-composing is involved, the spirit of the music is beautifully preserved.

The nakedness of a solo piano performance is of course the definitive challenge and Husband emerges from it victorious on every imaginable platform. His command of the instrument is complete, his sensibility is awe-inspiring and his ability to weave intricate and multilayered threads is astounding. Most of the people who associate the figure of Husband with Fusion and who were never exposed to this album are in for a surprise of their lives.

I have listened to this album many times since it was released, and each and every time it took me completely by surprise, since the depth of emotion and elegance seems to simply grow within this music as the time moves on. This is a very rare quality which only the best of albums are blessed with and in retrospect I am glad that this is one of them, as it truly deserves to be a part of every music connoisseur´s permanent collection. Now, over fifteen years since this music was first conceived and recorded, it is still growing, as are its two protagonists: Husband and Holdsworth. In a word where artistic values are slowly (or perhaps rapidly) dying, these two proud British artists continue to serve as islands of sanity and hope. Not to be missed!
Updated: 10/07/2016Posted: 10/07/2016CD 1 Recommend To A Friend

GARY HUSBAND / DRIVE ~ HOTWIRED
ABSTRACT LOGIX 015 (Barcode: 827912084474) ~ UK ~ Jazz

Recorded: 2008 Released: 2009

This is a great album by British drummer / keyboardist / composer Gary HusbandFind albums by this artist and his quartet called DriveFind albums by this artist, which also includes trumpeter Richard TurnerFind albums by this artist (who sadly died at the ridiculous young age of 27 from a heart attack three years after this album was recorded), saxophonist Julian SiegelFind albums by this artist and American (resident in London) bassist Michael JanischFind albums by this artist. The album presents nine tunes, six of which are original compositions by Husband, one is by Siegel and two are standards.

Although Husband´s work is usually associated with Jazz-Rock Fusion, and even though this album is even labeled as such on its cover, this music is way more real Jazz than Fusion oriented and often ventures into freely improvised passages, not to mention collective improvisations, all of which have little to do with the usual Fusion drudgery. As a result this album might catch some of Husband´s fans by surprise, but this is modern Jazz at its best folks.

All four musicians are of course incredible instrumentalists, and therefore the level of performances herein comes as no surprise. Although melody based, the music is mostly about individual improvisations and teamwork. Husband sets the pace of course with his polyrhythmic beat and dominant drive, but he leaves a lot of space for everybody to contribute and plays a few nasty piano parts on top if it. The trumpet / saxophone unisono parts and dialogues are full of fire and grace, not to mention the explosive solos. The bass pulsations keep the music on a firm ground and the bass solos curdle your blood. In short this album kicks your bottom from start to finish.

Overall this is a great modern Jazz album, which continues the proud British Jazz tradition of individuality and excellence. I can´t think of a true Jazz fan that would not be impressed by this album and I hope to hear more of similar music in the future. It´s been a while since this album was recorded so another drive would be most welcome.

It´s about time for Gary Husband to get the respect and recognition he truly deserves. He is way to modest and good natured to put his elbows to work, so at least those who appreciate his talents should state their opinions out loud. The fact that Husband plays drums and keyboards and does so with the same deadly proficiency is part of the problem, as people often get confused as to his "true" devotion. Well, get used to this folks, he might be instrumentally schizophrenic, but both parts of his musical personality live perfectly in peace with each other. Keep up the great work Sir!
Updated: 02/07/2016Posted: 02/07/2016CD 1 Digipak Recommend To A Friend

HUSSAIN, ZAKIR / SHARMA, PANDIT SHIVKUMA ~ SANTOOR
MOMENT 1010 ~ INDIA ~ World Music & Folklore


AMG Review: What has 86 strings, is played with curved walnut sticks, and has grown from Kashmiri folk music roots into a classical, Hindustani instrument? The Santoor. The person most responsible for the Santoor´s refined development and introduction into the world of the concert hall is the esteemed Pandit Shivkumar Sharma. Trained by his father, Pandit Umadutt Sharma, Pandit Shivkumar Sharma began studying tabla and vocals before dedicating himself to learning the Santoor. With this collaboration, recorded live in a Calcutta auditorium in January of 1992, Sharma and Hussain pilot an aural journey through the undulating terrain of "Rag Rageshri." A composition intended for the evening, "Rag Rageshri" is characterized by its ascending pentatonic (five-note) scale and descending hexatonic (six-note) scale. Pandit Shivkumar Sharma begins "Rag Rageshri" with an "Alap-Jor-Jhal," in which he slowly introduces the theme of piece. Once the theme is established, Zakir Hussain joins the Santoor master in affirming, and then elaborating upon, the piece´s ten-beat rhythmic cycle known as Jhaptal. From there the expert duo continues to develop and play with "Rag Rageshri"´s form and content. Pandit Shivkumar Sharma, Santoor is a beautiful CD.
 CD 1 Recommend To A Friend

INCREDIBLE STRING BAND ~ ACROSS THE AIRWAVES
HUX 087 (Barcode: 682970000879) ~ UK ~ Folk-Rock

Recorded: 1969 - 1974 Released: 2007

Incredible String BandFind albums by this artist was one of the most bizarre phenomena on the UK Folk-Rock scene. Formed in 1966 by two folkies Mike HeronFind albums by this artist and Robin WilliamsonFind albums by this artist the band carried on until 1974 with ever changing lineups and kept releasing albums and building up a cult status. They were quite unique in their approach to music, expanding the basic folk roots (both UK and US) into Psychedelic and World Music areas as well as Brechtian cabaret. They always preferred experimentation and hippie attitude to music perfection. The band often included members with very limited musical abilities (girlfriends, roadies and dancers) with off-key singing and seemingly sloppy musical approach, but thanks to the extraordinary songwriting by Heron and Williamson it all worked out magically. One might put the ISB in the same camp with other weird Folk-Rock based ensembles like Third Ear BandFind albums by this artist, Tyrannosaurus RexFind albums by this artist or ComusFind albums by this artist. This album is of immense importance as it collects for the first time recordings of the ISB BBC sessions recorded between 1969 and 1974. As with all other matters, ISB approach to their BBC appearances was quite different from most bands. They used the sessions to perform new material, which was mostly not included on any of their albums, therefore making most of the music included here available for the first time. For all ISB fans this is quite a revelation of course and they’ll surely be delighted to put their hands on this album. For people not familiar with ISB output, this is a wonderful opportunity to try them out. Recommended.
 CD 2 Remastered Recommend To A Friend

INCREDIBLE STRING BAND ~ CHANGING HORSES / I LOOKED UP
COLLECTORS` CHOICE 291 (Barcode: 617742029123) ~ UK ~ Folk-Rock

Recorded: 1969 - 1970 Released: 2002

5th and 6th albums by the Incredible String BandFind albums by this artist, one of Britain´s most idiosyncratic representatives of the Folk-Rock and Psychedelic movements of the late 1960s and early 1970s. Formed by two ex-folkies Mike HeronFind albums by this artist and Robin WilliamsonFind albums by this artist, the band started out as an acoustic duo performing traditional Folk material, gradually developing their own style and musical approach, which incorporated World Music influences from the Far East, improvisation, mysticism and psychedelia. After recording three albums, the lineup was expanded to include the founders´ girlfriends Rose SimpsonFind albums by this artist and Licorice McKechnieFind albums by this artist and the band used occasional additional musicians at times. In retrospect it´s obvious that the band´s music was way ahead of its time and its very existence was only possible due to the openness prevailing during the Golden Decade. These two albums originate from the band´s most experimental period, where traditional songwriting was almost completely abandoned in favor of lengthy (four of the tracks here click well over 10 minutes) improvised pieces. Although not easy listening, this is exceptional music, which loses none of its inspiration and quality over time. Highly recommended!
 CD 2 Recommend To A Friend

INCREDIBLE STRING BAND ~ ORIGINAL ALBUM SERIES
RHINO 081227972530 (Barcode: 081227972530) ~ UK ~ Folk-Rock

Recorded: 1966 - 1968 Released: 2012

This Box Set collects the first five (or rather four, since the fourth album was a double LP which was also released as two separate LPs in the US) albums recorded by the British Folk-Rock ensemble Incredible String BandFind albums by this artist and released between 1966 and 1968 on the ElektraFind albums on this label label. Originating from Glasgow, Scotland the band started as a trio playing acoustic Folk music and consisted of Robin WilliamsonFind albums by this artist, Clive PalmerFind albums by this artist and Mike HeronFind albums by this artist. Following the release of the first album Palmer left and the rest of the albums were recorded by the duo of Williamson and Heron. Legendary bassist Danny ThompsonFind albums by this artist guests on the second album which also features Williamson´s girlfriend at the time Licorice McCechnieFind albums by this artist. Licorice and Rose SimpsonFind albums by this artist, Heron´s girlfriend at the time, take part in the recording of the fourth (double) album.

The band recorded three more (one of them another double) albums for Elektra and then switched to IslandFind albums on this label Records, recording five more albums for the label before calling it a day in 1974. In total they recorded twelve incredible albums (two of them double) in the span of just eight years, a remarkable achievement by any standard. They also appeared extensively on the BBC, which produced several radio session compilations released later on CDs.

The albums included in this Box Set are a wonderful testimony of the rapid and wondrous development the Incredible String Band from a rather straightforward Folk trio to a Psychedelic, almost Avant-Garde Progressive Fork-Rock ensemble of incredible quality, almost unparalleled by any other act on both sides of the pond. The increasingly complex musical ideas and poetic lyrics are some of the finest examples of the great British Folk-Rock renaissance, which swept the Isles during the Golden Decade.

Folk-Rock fans, who don´t have these albums in their collection, will find this Box Set as absolutely essential, especially the younger music lovers, who missed listening to this superb music while it was happening in real time. The older ones might want to renew these experiences by giving the Incredible String Band another chance, as they were indeed incredible.
Side Note
The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty.

The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations.

In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!
Updated: 05/04/2024Posted: CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend

INCREDIBLE STRING BAND ~ TRICKS OF THE SENSES (RARE AND UNRELEASED RECORDINGS 1966-1972)
HUX 100 (Barcode: 682970001005) ~ UK ~ Folk-Rock

Recorded: 1966 - 1972 Released: 2009

This wonderful collection of previously unreleased material by one of the most enigmatic bands of the 1960s / 1970s, Incredible String BandFind albums by this artist, is certainly a major event as far as many fans of the group are concerned, especially in view of the high quality (both sonically and artistically) of the material included. Taken from original master tapes (live and studio) one can find here rehearsal tapes, album outtakes and alternate versions and radio recordings obtained from the WitchseasonFind albums on this label and IslandFind albums on this label labels archives. Spanning the period of 6 years, the material is presented chronologically and reflects the ever changing character of the group. Accompanied by an extensive booklet with informative notes and great photographs, this is a superb example of the dedication and hard work invested by some reissue labels into their products, with the wonderful HuxFind albums on this label label certainly spearheading the pack. An absolute must to any ISB fan!
 CD 2 Remastered Recommend To A Friend

INCREDIBLE STRING BAND ~ U
COLLECTORS` CHOICE 288 (Barcode: 617742028829) ~ UK ~ Folk-Rock

Recorded: 1970 Released: 2002

5th album by the Incredible String BandFind albums by this artist, one of Britain´s most idiosyncratic representatives of the Folk-Rock and Psychedelic movements of the late 1960s and early 1970s. Formed by two ex-folkies Mike HeronFind albums by this artist and Robin WilliamsonFind albums by this artist, the band started out as an acoustic duo performing traditional Folk material, gradually developing their own style and musical approach, which incorporated World Music influences from the Far East, improvisation, mysticism and psychedelia. After recording three albums, the lineup was expanded to include the founders´ girlfriends Rose SimpsonFind albums by this artist and Licorice McKechnieFind albums by this artist and the band used occasional additional musicians at times. In retrospect it´s obvious that the band´s music was way ahead of its time and its very existence was only possible due to the openness prevailing during the Golden Decade. This album (originally a double LP) is unusual even in the broad standards set by the band and it documents the soundtrack of an ambitious stage production ("A Surreal Parable in Song and Dance") put up by the band with pantomimist Malcolm LeMaistreFind albums by this artist and his theatrical group Stone MonkeyFind albums by this artist, an innovative performance involving multimedia, definitely way ahead of its time. The album was recorded shortly after the show was presented on stage in London and New York. The music is truly up to the task and holds water on its own, although if the stage production would have been ever filmed, the resulting (potential) DVD would be sensational. Although not easy listening, this is exceptional music, which loses none of its inspiration and quality over time. Highly recommended!
 CD 2 Recommend To A Friend

JOHN IRVINE BAND ~ THE STARSHIPS ARE GATHERING
HEAD IN THE DOOR 007 (Barcode: 9508984316687) ~ UK ~ Progressive Rock

Recorded: 2023 Released: 2024

This is the 7th album by the John Irvine BandFind albums by this artist, led by British (Scottish) guitarist / bassist / keyboardist / composer John IrvineFind albums by this artist, recorded in a duo setting with drummer Andrew ScottFind albums by this artist. As the title (gently) suggests, this is the 2nd album in the “End Of Days” Sci-Fi trilogy of albums. The album presents eight tracks, all of which are original compositions by Irvine.

The music is exactly as described, a mixture of Prog and Fusion, more of the former than the latter perhaps, but it does not really matter. Surprisingly, the music is soaked in synthesizer sounds and there is very little guitar per se, which I found rather disappointing. Of course these might be synthesized guitars – who can tell these days.

The melodies are nice and coherent, played mostly up-tempo with a solid “wall of sound” drums behind, which leaves no chance for any silent moments for the ears to rest a bit. After a while it all sounds a bit samey with a lot of déjà vu, with early Prog bands getting out of their tombs and joining in.

Paraphrasing on the famous Frank ZappaFind albums by this artist saying: “Jazz isn’t dead, it only smells funny”, it seems that despite all efforts both Prog and Fusion are so dead, that they don’t even smell any more. The only rosy thing about them is nostalgia.

Having said all this, it’s obvious that Irving is a talented and dedicated musician, doing what he likes to do, which I respect of course, especially since he does it well. Of course he might have just forgotten the PIN code of his “back to the future” time machine, but he isn’t complaining.

Overall, this is a great butt-kicking album for listeners stuck musically in the early 1970s, serving them a fresh portion of their favorite medicine, which will not cure them, but keep them alive happily ever after.
Updated: 02/02/2024Posted: 02/02/2024CD 1 Digipak Recommend To A Friend

ISLAND ~ PICTURES
LASER`S EDGE 1024 (Barcode: 763232102422) ~ SWITZERLAND ~ Progressive Rock

Recorded: 1977 Released: 1996

Only album from 1977 by this little known Swiss Prog outfit. A gem in the King Crimson style, with complex instrumental work and dark atmosphere, also similar to the Scandinavian flavor of Prog. In time it became a much looked after rarity untill this CD reissue brought it back into circulation. One of those unforgetable treasures, once you put it on your player you just can`t take it off. And of course a great H. R. Giger cover!
 CD 1 Remastered Bonus Tracks Recommend To A Friend

PETER IVERS / BAND ~ KNIGHT OF THE BLUE COMMUNION
HUX 088 (Barcode: 682970000886) ~ USA ~ Progressive Rock

Recorded: 1969 - 1970 Released: 2007

This is one of those legendary albums that a lot of people have heard about, but very few actually heard, or at least until recently when the album was reissued. American harmonica player Peter IversFind albums by this artist was a polymath, a Renaissance man of many talents. He was not only a gifted musician / composer, but also a writer, TV personality and avid follower of martial arts. His love for the Blues induced his decision to pick up the harmonica as his tool of musical expression, but his usage of that instrument was completely different and almost Avant-Garde in comparison to the instrument’s Blues roots. Active on the lively Boston scene, Ivers rubbed shoulder with many famous garage (and not so garage) local bands and by sheer fluke of luck landed a contract with EpicFind albums on this label – a major record label (subsidiary of ColumbiaFind albums on this label). For the recording of his debut album Ivers assembled a great group of musicians, which was quite “different” in every respect. By listing the instruments played by the group’s members: harmonica, oboe, bassoon, sax, guitar, acoustic bass, percussion and intermodulator (an early electronic instrument) one already sees that this was no ordinary group by any means. Add to this the fantastic female vocalist Yolande BavanFind albums by this artist, who fronted the band and poet Tim MayerFind albums by this artist, who supplied the lyrics and you get one of the most unique US bands of the era, which is often compared to Captain BeefheartFind albums by this artist or early Frank ZappaFind albums by this artist in their unorthodox musical approach. This debut album is special in every respect: the complex music, the unusual use of the woodwinds and brass and the mesmerizing vocals, all combined creating a weird and wonderful sonic experience. Naturally the album was a total commercial flop and although Epic did record a send album with the band, it was shelved. The only glance of that album – a single - is featured here as bonus tracks. The second album was recorded with another sensational female vocalist, Asha PuthliFind albums by this artist. Ivers went on to record two more albums for Warner Bros., but these were significantly less successful. He died mysteriously in 1983. This album remains to this day as one of the most interesting documents of an era, when everything was conceivable and some of it doable. Very interesting!
Updated: 12/04/2019Posted: CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ CHOPIN LES BRILLANTES
NOT ON LABEL (Barcode: 9788393067404) ~ POLAND ~ Jazz

Recorded: 2009 Released: 2010

This is the fifth album dedicated to Jazz interpretations of the music composed by the great Polish composer Frederic ChopinFind albums by this artist recorded by Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist and his trio with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. This double album is a fact a new recording of the same material that is featured on the trio´s first two albums recorded fifteen years earlier, re-captured from a retrospective view and enriched by years of common experiences and joy of playing this music together.

When Jagodzinski first recorded Chopin´s music twenty years ago he was pioneering a trend, which in time swept the Polish Jazz scene like a tsunami, with literally hundreds of albums with Chopin´s music reinterpreted in the Jazz milieu. These attempts to follow a trend and jump on a bandwagon, which varied in quality form important and innovative to completely redundant and often preposterous, eventually had an adverse effect on the Polish Jazz fans, who had just about enough of Jazzy Chopin being showed down their throats.

Even if the original recording of Chopin´s music by Jagodzinski and his trio were not perfect and lacked the practice, they were bold, innovative and fresh. Sadly the repeated attempt, although richer and with better arrangements, lacks the original qualities and therefore is in some respect not such a great idea. Of course Jagodzinski and his cohorts are superb musicians and do a wonderful job playing on this album, but sticking to the original recordings is by and large preferable and sounds like a good idea. On the other hand since the original PoloniaFind albums on this label releases are not easily available, perhaps this album can fill the gap.

Overall there is plenty of great music herein, as well as excellent playing by these legendary veterans and in case you don´t own the original recordings this one is definitely worth checking out.
 CD 2 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ KONCERT FORTEPIANOWY G-MOLL
NOT ON LABEL (Barcode: 9788393067442) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2013 Released: 2013

Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist is one of the veterans of the local scene and a prominent figure among his peers. He was one of the first musicians to record Jazz versions of the music by the great Polish composer Frederic ChopinFind albums by this artist, and his trio recording of Chopin´s works from the early 1990s remains a classic of this variety and started a trend, which continues to this very day and produced dozens of similar projects over time, some of which are completely redundant.

This album takes Jagodzinski to a whole new level of the Jazz-Classical Fusion trend, with a piano concerto he composed for a Jazz piano trio and orchestra, presented here. The piano trio consists of Jagodzinski and two other Polish Jazz veterans: bassist Adam CegielskiFind albums by this artist and legendary drummer Czeslaw BartkowskiFind albums by this artist. The orchestral parts are performed by the National Philharmonic Orchestra directed by Wojciech ZielinskiFind albums by this artist.

The three-part concerto consists of melodic / romantic atmospheric music, which is heard mostly in the background, supporting the piano trio. The themes are all quite well-rounded and easy on the ear, easily accessible to the average listener and not really challenging his intellect. The trio performance is very good, as expected from such distinguished musicians, but also lacks a certain degree of excitement, which is expected in Jazz. The entire project seems to be making an effort of not stepping on anybody´s toes.

Overall this is a very "slick" piece of music, which undoubtfully will find many eager listeners, who like romantic, lyrical orchestral music. Enthusiasts of more ambitious Jazz projects might find this disappointing. The album lasts only for about 36 minutes, which really puts it in the EP category, regardless of the elegant digibook packaging.
 CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ MUZYKA POLSKA
NOT ON LABEL (Barcode: 9788393067428) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2009 - 2010 Released: 2011

This is a beautiful and very ambitious album by Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist and his trio with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, also involving the great vocalist Grazyna AuguscikFind albums by this artist and two Classical Music soloists: flautist Jadwiga KotnowskaFind albums by this artist and harpist Anna Sikorzak-OlekFind albums by this artist, as well as the AUKSO Chamber OrchestraFind albums by this artist conducted by Marek MosFind albums by this artist. The album presents a seven part Jazz suite for piano trio, voice, string orchestra and soloist, which attempts to "define" what "Polish Music" means in general and especially in the Jazz context as what we understand under the term "Polish Jazz". Five parts of the suite are based on Polish Folk tunes, one is a Krzysztof KomedaFind albums by this artist composition and one is a tune composed by Marcin JanuszkiewiczFind albums by this artist. Jagodzinski and Auguscik arranged the vocal parts and Jagodzinski wrote the elaborate piano trio / string orchestra arrangements.

The concept behind this album obviously points towards the conclusion that contemporary Polish Music / Polish Jazz are a synthesis of the Polish Folk tradition with contemporary music forms. The Polish Folk tradition is most obviously identified with the Polish Folklore dances, such as kujawiak, mazurka, oberek and others, but also with the intrinsic Polish melancholy and lyricism, which create its unique characteristics, which are instantly recognizable to a trained ear. Regardless of the concept, this album is first and foremost a true celebration of music, crossing and bridging between Folklore, Jazz and Classical Music and doing it in an impressive, intelligent and truly beautiful way. All the parts and ideas fall together into an amazing amalgam, which is a delightful listening experience.

The album is also a wonderful platform to enjoy the individual contributions by the participating musicians. Auguscik again proves that she has very little competition on the local scene and her wonderful sensitivity and power of expression are simply stunning. Her appearance on this album is somewhat prophetic in the sense that her album "Inspired By LutoslawskiFind albums with this title", which was recorded four years after this one, would deal with the same subject matter. Jagodzinski, who also plays accordion on this album, and his trio cohorts, as well as the soloists and orchestra all perform spotlessly and harmoniously, with obvious dedication and joy of creation.

This is the best album by far that Jagodzinski recorded during his splendid career, and one of the best attempts to create a coherent musical concept, dedicated to Polish Music. Personally I´d love to see more such attempts done by other musicians. Discovering one´s musical roots and traditions is surely preferable to imitating other cultures.

This album is a pure delight from start to finish and I recommend it wholeheartedly to every Polish Jazz fan, as it reveals many of the innermost secrets about what Polish Jazz really means.
Updated: 11/01/2023Posted: CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ REQUIEM
POLSKIE RADIO KATOWICE 142 ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2021 Released: 2022

The great Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist has been a pillar of the local Jazz scene since the early 1990s, with an impressive recording legacy, which includes some of Polish Jazz classic albums, both as a leader and sideman / accompanist. His musical style is firmly based in the Jazz mainstream, but he also flirts passionately with the Jazz-Classical Fusion idiom. His groundbreaking 1993 album “ChopinFind albums with this title” established the Polish Jazz tradition of interpreting the music of the Polish National composer Frederic ChopinFind albums by this artist, which is still quite popular thirty years later, sadly largely abused and misunderstood by now.

The music on this album perfectly depicts the marriage between Jazz and Classical / Sacred music. It incorporates the classic Jazz piano trio, which is Jagodzinski’s modus operandi in the last three decades, with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist, with a mixed choir Camerata SilesiaFind albums by this artist, directed by Anna SzostakFind albums by this artist and three renowned Polish Jazz vocalists: Grazyna AuguscikFind albums by this artist, Agnieszka WilczynskaFind albums by this artist and Wojciech MyrczekFind albums by this artist. The six-part Requiem is loosely based on the traditional Requiem structure and form, but obviously includes strong Jazz elements, as expressed by the trio improvisations and the vocalese parts by the three vocalists, with the choir providing the traditional sacred oriented parts.

It is extremely difficult to balance the Classical and Jazz elements within one musical piece, which often leads straight into the kitsch pit. But in this case Jagodzinski and the wonderful performers manage to create a coherent, elegant and harmonious unification, which makes perfect sense musically and aesthetically, with a truly moving effect. As a result, the music is universally appealing to a wide range of music lovers, from both idioms.

Overall, this is a beautiful example of cross-genre exploration, which as a result of the talent and experience of its creator and his team emerges as a sublime piece of music, which preserves both traditions and finds a peaceful coexistence, where the result is bigger than just the sum of its parts. Jagodzinski does not disappoint, and his “magic touch” is felt in every note, every nuance and every melodic theme on this album. As usual, I simply raise my hat to you Maestro, and wait for the next time I can hear you performing live, which is always a transcending experience.
Updated: 02/12/2022Posted: 02/12/2022CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI ~ W HOLDZIE WOLNOSCI
POLSKIE RADIO 1986 (Barcode: 5907812249861) ~ POLAND ~ Jazz

Recorded: 2015 Released: 2015

This is a live recording of a concert performed by veteran Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist, which was organized to commemorate the fifteenth Anniversary of the IPN (Institute of National Remembrance). For the concert Jagodzinski collected thirteen pieces of Polish music, which constitute a soundtrack of the Polish struggle for Freedom, both National and Political. They range from music composed by the Polish National composer Frederic ChopinFind albums by this artist to popular Folk and Pop songs, mostly those related in many ways to the Polish underground struggle during WW II, including the heroic Warsaw Ghetto uprising and the no less heroic Warsaw Uprising, the anti-Communist struggle following the immediate post-WW II years and up to the Solidarity movement, which finally led to the creation of the Free Polish Republic with the fall of the Soviet Empire.

These are all undoubtedly patriotic songs, one way or another, and in time when patriotism is often not considered as "politically correct", it is encouraging to see musicians taking a clear stand, without being ashamed or intimidated by it. Polish Jazz history has always been intertwined with political messages, as was Polish Literature, Poetry, Film and all other Arts. Being able to state one´s political or patriotic view is after all an integral ingredient of the very Freedom, Poles have been fighting for so long.

Jagodzinski "called to arms" some of the top Polish Jazz musicians on this album: vocalists Anna StankiewiczFind albums by this artist and Agnieszka WilczynskaFind albums by this artist, guitarist Janusz StrobelFind albums by this artist, trumpeter Robert MajewskiFind albums by this artist, bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. They all perform brilliantly, which is hardly surprising considering their experience and talent, creating a sensitive, intelligent and moving piece of meaningful music with carries a clear message without being vulgar or offensive. Jagodzinski´s arrangements are all elegant and tasteful, suiting the atmosphere ideally.

Of course this album has a layer which speaks only to people, who understand the Polish language and have some knowledge of Polish history. Nevertheless it has also universal values, which should be able to cross language barriers.

This album made very little impact on the Polish Jazz scene at the time of its release, which is a great pity. The fragmented and often plainly divided Polish Society should really grow up put aside its political differences, when it comes to appreciation of Art or human relationships. The precious Freedom is after all so fragile and easily lost..
Updated: 11/10/2016Posted: 11/10/2016CD 1 Digipak Recommend To A Friend

ANDRZEJ JAGODZINSKI TRIO ~ BACH
STUDIO REALIZACJI MYSLI TWORCZ (Barcode: 5907222840047) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2020 Released: 2020

This is an album by veteran Polish Jazz pianist / composer Andrzej JagodzinskiFind albums by this artist recorded with his fabulous trio with bassist Adam CegielskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. As the title suggests, the album is dedicated to the music of Johann Sebastian BachFind albums by this artist and presents six of his compositions, beautifully transformed into the Jazz idiom.

Playing Bach by Jazz musicians is of course nothing new and the romance goes back to the early 1960s, when French pianist / composer Jacques LoussierFind albums by this artist made a grand career by Jazzing up Bach’s compositions for the crowds, and many other Jazz musicians since tried to tackle this task, including Keith JarrettFind albums by this artist and Brad MehldauFind albums by this artist, with varying results. Bach’s music, which undoubtedly is one of the absolute pinnacles of Human artistic ingenuity, in most cases is best served by being left alone in its original form and shape, with rare exceptions.

I am happy to see (or rather hear) that Jagodzinski and his trio are up to the challenge of successfully transforming Bach’s music into the Jazz realm, served by their great sensitivity, talents and of course extensive experience. They manage to avoid trivializing this great music, keeping the original sense of flow, melody and rhythm intact, and adding the Jazzy ornamentations with carful respect of the original compositions. This is not altogether surprising taking into consideration the sublime Jazz oriented interpretations of the music by Polish National composer Frederic Chopin, which Jagodzinski and his cohorts managed to create in the past.

The performances are absolutely stellar, as expected, and although the piano is naturally in the epicenter of the sonic experience, the rhythm section also contributes some superb parts, which deserve no less admiration. Personally I hear a bit of Chopin on these interpretations of Bach, which again is hardly surprising, as Chopin’s music flows in the blood (or sub consciousness) of every Polish musician at all times.

Overall this is a wonderful album in every sense, both emotionally and intellectually, which deserves to be heard by every true lover of Jazz-Classical Fusion, Bach’s followers and Jazz piano trio enthusiasts all over the world. A true elixir for mind and body at these crazy days of misfortune and suffering.

On a personal note, almost exactly to a day last year I had the immense pleasure to attend a concert at a small Jazz club outside of Warsaw, where messieurs Jagodzinski, Cegielski and Bartkowski (and others) were performing. This was an unforgettable evening of great music and friendship, especially since it was the last live concert I managed to attend before the pandemic and the last time I was abroad…
Updated: 05/02/2021Posted: 05/02/2021CD 1 Digipak Recommend To A Friend

AL JARREAU & NDR BIG BAND ~ ELLINGTON
ACT 9060 (Barcode: 614427906021) ~ USA ~ Big Band Jazz

Recorded: 2016 Released: 2024

This is an archival live album by American Jazz vocalist Al JarreauFind albums by this artist, recorded with the mighty German NDR Big BandFind albums by this artist during his last European tour, just three months prior to his death. The album presents ten tracks, which are all, as to title suggests, compositions by Duke EllingtonFind albums by this artist or Billy StrayhornFind albums by this artist, brilliantly arranged by the conductor / arranger Jorg Achim KellerFind albums by this artist. The sound quality is not perfect, but the quality of the music compensates everything.

Jarreau was not only one of the best and most unique American Jazz vocalist ever, but he was also a superb entertainer, with an exquisite sense of humor, which this album documents perfectly. His contact with the audience, which I was lucky to witness in person several times, was always intimate and full of love for music. His premature death was a truly great loss.

The NDR Big Band is, as expected, fabulous all the way through, as appropriate for the best Big Band on earth IMHO. They are great partners for vocalists, as documented on may albums recorded over the years, and this album is no exception.

Overall, this is a wonderful vocal Jazz album and a Big Band album combined, especially welcome in view of the fact that Jarreau’s recorded legacy is rather modest, comprising less than twenty studio albums, most recorded in the 1970s and 1980s. Definitely worth being discovered, not only by the Jarreau fans!
Updated: 21/01/2025Posted: 21/01/2025CD 1 Digipak Recommend To A Friend

MATTI JARVINEN / CASCADE / MIKE WESTHUES BAND / FYYRALYYRA ~ POP LIISA VOL. 13 & VOL. 14
SVART 085 (Barcode: 6430065583080) ~ FINLAND ~ Jazz-World Fusion

Recorded: 1976 - 1977 Released: 2017

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artist, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on these two sessions.

Guitarist / composer Matti JarvinenFind albums by this artist appeared on the Finnish scene for a brief period, which allowed him to record just one album called "Martin LevyFind albums with this title" and a few concerts, before he decided to leave the music business completely and disappeared into oblivion. This live broadcast is the only glimpse in existence of his concert activities. He is supported by keyboardist Kari KuusamoFind albums by this artist, bassist Harri MerilahtiFind albums by this artist and drummer Upi SorvaliFind albums by this artist. Together they perform four original songs, all by Jarvinen, which originate from the a.m. album. Musically this material is Prog oriented and offers highly melodic compositions based on interesting Rock riffs. These live versions feature impressive guitar and keyboards soloing.

The group CascadeFind albums by this artist, fronted by the double female vocal line of Ami EspelundFind albums by this artist and Marjo-Riitta KervinenFind albums by this artist included also keyboardist Kari Kuusamo, guitarist Pekka LeminenFind albums by this artist, bassist Renne AngelvuoFind albums by this artist and drummer Heikki LyttinenFind albums by this artist. They perform four covers of Pop songs (three of which are by Stevie WonderFind albums by this artist), nicely arranged with a slight Jazzy feel. It is the most Pop oriented material in the entire Pop Liisa series.

American singer / songwriter Mike WesthuesFind albums by this artist lived in Finland twice for relatively short periods, during which he managed to record four albums as a leader. This live broadcast finds him performing five songs from the two albums he recorded for LoveFind albums on this label Records, all written by him. He is supported by pianist Heikki HiekkalaFind albums by this artist, guitarist Dave LindholmFind albums by this artist, bassist Make LievonenFind albums by this artist, and drummer Urpo LeppanenFind albums by this artist. Tiitta SpoutFind albums by this artist sings backing vocals. The music is pretty straightforward American Country Rock, but is excellently executed, being no less exciting than the same kind of music was played across the pond.

FyyralyyraFind albums by this artist is by far the most interesting group in this collection, a Jazz-World Fusion quintet fronted by two multi-instrumentalists Jouni KoskimakiFind albums by this artist and Hannu LehtorantaFind albums by this artist, who among the two of them played a plethora of string and wind instruments, guitarist Arto KakkoFind albums by this artist, bassist Hannu TahtelaFind albums by this artist and drummer Juoni KestiFind albums by this artist. Just before this live broadcast was captured they recorded their eponymous debut album, which sadly turned out to be their sole recorded output. They perform four pieces, two composed by Lehtoranta and two folk tunes (one Irish and one Finnish) arranged by Lehtoranta and Koskimaki. They are often compared to the legendary Finnish group PiirpaukeFind albums by this artist, who pioneered the local Jazz-World Fusion idiom.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!
Side Note
The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.

The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.

The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.

This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.
Updated: 15/05/2020Posted: 13/05/2020CD 1 Remastered Recommend To A Friend

JAZZ BAND MLYNARSKI - MASECKI ~ NOC W WIELKIM MIESCIE
LADO ABC C/26 (Barcode: 9788326826047) ~ POLAND ~ Jazz

Recorded: 2017 Released: 2017

This is a phenomenal album by the Polish ensemble called Jazz Band Mlynarski - MaseckiFind albums by this artist, co-led by vocalist / banjola player Jan MlynarskiFind albums by this artist and pianist Marcin MaseckiFind albums by this artist, which also includes three saxophonists / clarinetists: Tomasz DudaFind albums by this artist, Michal FetlerFind albums by this artist and Jaroslaw BothurFind albums by this artist, sousaphone player Piotr WrobelFind albums by this artist and drummer Jerzy RogiewiczFind albums by this artist. The album presents nine Polish songs, popular in the 1930s, predominantly composed and written by Polish Jews who were the core of popular music / cabaret / vaudeville in the swinging Warsaw, which had a large Jewish population at the time. All the songs were masterly arranged for the ensemble by Masecki.

The music is a loving tribute to a period and a Culture that was wiped out off the face of the earth by the Holocaust, and later on by forgetfulness and ignorance, and as such it is an extremely important undertaking as far as preservation of the Polish / Jewish Culture is concerned.

But of course the album is also a masterpiece of rejuvenation of musical tradition, bringing back to life the essence of early Swing, but also transforming the spirit of the music to contemporary idioms. Masecki´s arrangements, which are all far from being simplistic or trivial, brilliantly combine the tradition with modernism, and experienced Jazz connoisseurs will find plenty of unexpected hooks of his brilliance within the music.

Mlynarski brilliantly revives the tradition of the crooners of the time, and his vocal theatrics are a delight, especially in view of the sense of humor his performances display. The rest of the musicians in the band all play brilliantly, bravely overcoming the seemingly simple music made devilishly difficult by the sophisticated arrangements. The use of the sousaphone in place of the bass is another bright idea, which contributes to the "vintage" sound aura.

Since this album was released, the ensemble performs it live all over Poland with great success. I had the pleasure to hear one of the concerts and it was simply breathtaking and the reaction of the public was overwhelming. Evidently Culture is not dead yet, and people are still able to recognize it when they see / hear it face to face.

Overall this is a superb album in every respect, taking the listener ninety years back into the past, using a musical time machine, into times long gone, but now not longer forgotten. This is a multilayered intellectual and emotional experience of rare quality and dedication. The album comes with extensive liner notes explaining the historical background of this music and a story about each of the nine songs. One can only wish that many such well prepared and devoted releases like this album could be made more often. Radiant stuff!
Updated: 31/03/2018Posted: 31/03/2018CD 1 Digibook Recommend To A Friend

JANIS JOPLIN / BIG BROTHER AND THE HOLDING COMPANY ~ LIVE AT THE WINTERLAND `68
COLUMBIA 485150 ~ USA ~ Classic Rock


Although in retrospect Janis JoplinFind albums by this artist is recognized now as the greatest American rock singer of the 1960’s, her tragically short recording career left a legacy so limited, that every scrap of new material is simply indispensable. Therefore it is a great pity that this incredible concert recording from April 1968 had to wait for 30 years to be heard (the album was released in 1998). The recording was made just after Janis and her band Big Brother And The Holding CompanyFind albums by this artist secured their recording deal with ColumbiaFind albums on this label, but before the legendary “Cheap ThrillsFind albums with this title” album was released. They perform with zest and confidence typical of bands on the verge of stardom, with Janis tearing the room with her shrills and groans that only she was capable of. Firmly based on the blues tradition, the band’s material is spiced with a psychedelic flavor of the San Francisco variety, most of it soon be recorded for the “Cheap Thrills” album. Strangely enough just a few months later Janis decided to leave Big Brother and start her solo career, a move as illogical and uncalculated as all the rest of her decisions in her troublesome and tragic life. She would never again have such a sympathetic and “natural“ group of musicians supporting her and bringing out the best of her abilities. This album is not only a rare and wonderful document of Joplin’s immense talent, but also a document of an era – recorded in the peak of the intense, but short lived San Francisco music explosion. As perfect as it is I keep daydreaming to have this one on DVD – that would really be the ultimate thrill.
 CD 1 Remastered Recommend To A Friend

ANDRZEJ JOZEFOW ~ THREEISM
SYNTACTICA 001 ~ POLAND ~ Jazz

Recorded: 2013 Released: 2015

This is the debut album by Polish Jazz guitarist / composer Andrzej JozefowFind albums by this artist, recorded in a trio setting with bassist Adam ZuchowskiFind albums by this artist and Chilean drummer Luis Mora MatusFind albums by this artist. The album presents ten tracks, seven of which are originals by Jozefow, one is co-composed by all three trio members, one is a standard and one is a Classical piece by the French composer of Polish / Jewish origin Alexandre TansmanFind albums by this artist.

From the very onset of this album it becomes apparent that this is not the "usual" guitar trio album, usually created to show the guitarist´s skills and neck breaking speed. This one is a much more serious and deep affair, dark and introvert, which presents a musical concept and ensemble approach rather rarely found in such projects.

Jozefow´s music, which is the core of this album, is very melancholic, ascetic and slowly developing, a set of characteristics usually typical of Classical Music, but it is also inevitably Jazz in the best sense of the idiom. There is a lot of space and freedom in this music, which allows the musicians to spread their wings and soar high above the basic melodic and harmonic structure of the tunes, which keeps the listener on his toes for the entire duration.

The execution is also quite extraordinary; Jozefow plays gently, delicately strumming the guitar and sparingly uttering his notes, being a complete antidote of the usual guitar madness. His notes are like delicate strokes of paint on canvas, slowly but consistently exposing the idea. Zuchowski is a wonderful partner in this creating, playing with the bow almost as much as plucking his bass, adding another layer of color to the musical canvas and always being right there when he is needed. Matus also keeps his drums in check, faithfully supporting the subtle musical structures with his tasteful touches, keeping the rhythm on time only when absolutely needed and playing around the rhythms when appropriate. The overall interplay between these three musicians is nothing short of astonishing.

This is definitely a most impressive debut album, which surely promises many great things to come. I had the pleasure of meeting Jozefow in person during my recent visit in Gdansk, and he certainly makes an impression of treating his Art and career highly professionally. Therefore I can only wish him the best of luck, which he truly deserves.
 CD 1 Mini-Sleeve Recommend To A Friend

PAWEL KACZMARCZYK / AUDIOFEELING BAND ~ COMPLEXITY IN SIMPLICITY
ACT 9484 (Barcode: 614427948427) ~ POLAND ~ Jazz

Recorded: 2009 Released: 2009

This is the first international release by Polish pianist / composer / arranger Pawel KaczmarczykFind albums by this artist and his Audiofeeling BandFind albums by this artist. Hailed since several years as Poland´s most promising young Jazz musician, Kaczmarczyk is a typical representative of the third generation of his country´s post-WWII Jazz scene. Whereas the previous generations were largely consumed with political and sociological issues, fighting for the rightful recognition of Jazz music becoming a part of their country´s cultural identity as well as for their personal freedom of expression and life´s harsh realities under the Socialist regime, the new generation is free to concentrate just on making music, free from being concerned by such heavyweight concerns. It´s therefore fascinating to compare the new generation´s music with that made by their predecessors, forefathers of Polish Jazz. One might consider the obvious cliché about Art being most productive at times of great personal frustration, mishap and anguish, but honestly anybody truly familiar with Art knows that serenity and well being can be as much productive and usually more so. This music is definitely serene; there are no tragic howls and expressions of a tormented soul, as those almost omnipresent in early Polish Jazz. This is "triple-e" music: elegant, eloquent and elitist, and above all European. Kaczmarczyk the composer displays here a level of musical maturity, which is quite astounding, way above what one might expect from such a young person. But we all know that time seems to flow faster these days, so this, combined with his extraordinary talent, will have to suffice as the explanation. Considering the diversity, both stylistically and harmonically, displayed by the compositions included on this album (he composed nine of the eleven tunes on this album, which also includes one collective composition and one pop song by Elton JohnFind albums by this artist and arranged them all), one can safely assume that Kaczmarczyk is destined to become a major Jazz composer. The performances are no less stellar than the compositions. The collective ensemble performing on this album lists twelve musicians, who perform in various lineups ranging from a trio to a septet. They include some of the best young Jazz musicians on the contemporary Polish scene, all highly skilled and sensitive players doing an outstanding job. The emphasis on this album is on ensemble playing rather than on showcasing soloist and even the leader rarely plays in the forefront, except for the short, but beautifully sensitive redemption of Elton´s "Blue Eyes", which has all the characteristics of a Jazz standard anyway. Listening to this album can be compared to eating a multilayered cake – each new layer (track) bursts with new flavors and delights, and finally when the whole cake is consumed it leaves a wonderful aftertaste in one´s mouth for a very long time, the memory of which lasts even longer. This is brilliant stuff and a must to all serious Jazz connoisseurs, wherever they might be.
 CD 1 Digipak Recommend To A Friend

KAISER, CLOV, AND HARRIS ~ MEASURE ONCE CUT TWICE
AMALGAM 009 (Barcode: 888295599122) ~ USA ~ Free Jazz / Improvised Music

Recorded: 2016 Released: 2017

This is the debut album by Chicago based Improvising Music trio consisting of guitarist Steve KaiserFind albums by this artist, saxophonist Alex Clov BaczkowskiFind albums by this artist (of Polish descent obviously) and drummer Bill HarrisFind albums by this artist. The album presents eight pieces credited to all three members of the trio.

Although the trio plays Improvised Music, there are distinct melodic themes and the improvisation is mostly "well behaved" enough to make the music accessible to listeners beyond the strict Avant-Garde circles. The trio´s unusual instrumentation enables a clear sonic reception of the music without clashes between the instruments that often make Improvised Music sound cacophonic.

The trio members demonstrate obvious respect and spirit of cooperation, which of course are the basic qualities necessary for making music together. These young musicians clearly move towards innovative expressionism, rather than joining the hordes or mainstream trotters, which is commendable. Of course they will in time develop a personal language, and based on what they present here they are on the right track.

Individual performances are all promising: Kaiser plays a retro sounding guitar with a sound faithful to early Improvising guitarists, Clov has already a well developed technique and sounds especially impressive on the baritone saxophone and Harris, as usual in such environment, plays anything but time, simply adding addition rhythmic layer to the music.

Overall this is a promising debut offering, which will be hopefully followed by additional interesting musical explorations in the future.
Updated: 12/04/2019Posted: 03/02/2018CD 1 Recommend To A Friend

KASPER TOM / ALEXANDER VON SCHLIPPENBACH / RUDI MAHALL ~ ABSTRACT WINDOW
WHYPLAYJAZZ 032 (Barcode: 4250459999325) ~ DENMARK ~ Free Jazz / Improvised Music

Recorded: 2016 Released: 2017

This is the debut album by the trio consisting of Heavyweight Champions of the European Improvised Music scene: Danish drummer Kasper Tom ChristiansenFind albums by this artist and German pianist Alexander von SchlippenbachFind albums by this artist and clarinetist Rudi MahallFind albums by this artist. They perform eleven relatively short improvised pieces credited to the three participating musicians.

The trio is a wonderful example of the continuity of the European Improvised Music tradition, bringing together musicians from three generations: Kasper Tom (born 1981), von Schlippenbach (born 1938) and Mahall (born 1966). The age and experience differences are of course completely irrelevant as far as the music is concerned. The album also crowns the fast developing career of Kasper Tom, who with his consistently excellent contributions as performer and composer pawed his way from anonymity the international repute in this extremely competitive field in a relatively short period of time.

The music also emphasizes the nature of European Improvised Music, against its parallel from across the pond. These relatively short pieces are concentrated expressions of Freedom, which is articulated by the unity of the trio and not by a race of musicians trying to blow each other off the stage.

The music is of course everything people familiar with these musicians in particular, and the European Improvised scene in general, might expect: brilliant musicianship, wonderful respect and attention towards each other, minimalism and elegance, all these of the highest caliber. Improvised Music does not get better than this.

The individual statements are also very interesting, being completely different from each other. Von Schlippenbach plays long beautiful arpeggios and harmonic chords, which constitute the basic layer upon the music is floating. Mahall carries the role of a story teller, spinning his short, dramatic tales consisting of long series of notes. Kasper Tom plays everything but a steady rhythm, but at the same time he still is the metronome of this music. His tribal approach turns the rhythmic patterns into a multicultural experience. Of course the performances present a series of wonderful solo, duo and trio improvisations, which spontaneously emerge in the process.

Overall this is an instant classic, an album which other Improvised Music recordings will be measured against, not in the sense of competition but in the sense of setting an example others should learn from. Absolutely essential to all Improvised Music connoisseurs!
Updated: 03/06/2017Posted: 03/06/2017CD 1 Mini-Sleeve Recommend To A Friend

KNUDSEN / RUDZINSKIS SPACE BIG BAND ~ SPACE BIG BAND
CHALLENGE 71393 (Barcode: 608917139327) ~ DENMARK ~ Big Band Jazz

Recorded: 2020 Released: 2021

This is the debut album by the Berlin based Jazz Big Band called Space Big BandFind albums by this artist, co-led by Danish bassist / composer Kenneth Dahl KnudsenFind albums by this artist and Latvian saxophonist / composer Toms RudzinskisFind albums by this artist. The band comprises of eighteen musicians from Eastern and Western Europe. The album presents ten tracks with original compositions, five each by both co-leaders.

The music is Modern European Mainstream Jazz, with melodic ties but a lot of freedom for the soloists and complex rhythmic meters, which creates a fascinating listening experience. The sound is very up-to-date, pretty far from the American Big Band tradition, with somewhat Fusiony orientation emphasized by the electric guitar soloing and dominating drumming, but the music keeps shifting constantly, changing its facets often dramatically.

The brass arrangements are pretty atypical, creating a very specific ambience, again far apart from the traditional Big Band approach, which makes listening to this album especially interesting, since nothing is predictable. The compositions offer a wide palette of moods and colors, all falling into a coherent continuum.

I have been following Knudsen since his arrival on the European Jazz scene and watching his development as a musician, composer and leader is an example of the incredible talents of the new generation of European Jazz musicians and a great hope for the future of Jazz.

Overall this is a very interesting Big Band Jazz recording, quite different from what one expects to happen within that idiom, with examples of new approach to tonality, arrangement and composition. It might require more than one listening session to get into this music, but patience will be rewarded by deep aesthetic satisfaction.
Updated: 16/12/2021Posted: 16/12/2021CD 1 Recommend To A Friend

HANS KOLLER / BIG BAND ~ NEW YORK CITY (MOST PERFECT SOUND EDITION)
MPS 9813437 ~ AUSTRIA ~ Jazz


Absolutely astounding jazz suite / concerto for Big Band composed by Austrian composer / saxophonist Hans KollerFind albums by this artist and recorded in 1968 (but released only in 1979). The recording was done during a visit in Germany by the brilliant Czech jazz orchestra led by Gustav BromFind albums by this artist (members of the orchestra were all top Czech jazz players, including the phenomenal bassist Jiri MrazFind albums by this artist – who would soon after emigrate to the US and become George MrazFind albums by this artist).

The orchestra was “strengthened” for the recording by adding some of the top German jazz players at the time (Emil MangelsdorffFind albums by this artist, Joki FreundFind albums by this artist and others) and the resulting lineup is simply phenomenal. Koller’s music is also outstanding - very modern, with some free elements and devilishly clever polyrhythmic structures. The entire suite has enough drama and substance to amaze even the most sophisticated listener and is years ahead of anything else in that musical domain. It is a prime example of the emergence of European jazz, which points in a new direction, continuing but also significantly altering the American jazz tradition. For any serious jazz aficionado this is a “must have” album essential for comprehension of the development of modern jazz.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 28/05/2018Posted: CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend

ANDRZEJ KORZYNSKI ~ AKADEMIA PANA KLEKSA (SOUNDTRACK)
GAD 051 (Barcode: 5901549197662) ~ POLAND ~ Soundtracks

Recorded: 1983 Released: 2016

This is an archival album presenting the soundtrack of the cult children movie "Akademia Pana Kleksa". Although a soundtrack LP was released at the time of the movie´s release (1984), this new edition presents the actual instrumental music used in the movie and a plethora of previously unreleased pieces or alternate takes of those pieces which were included on the soundtrack LP. The music was composed by the great Polish composer / arranger Andrzej KorzynskiFind albums by this artist, who composed many soundtracks of Polish movies, including the "W Pustyni I W PuszczyFind albums with this title" soundtrack released earlier by the GADFind albums on this label Records label. The album presents twenty five mostly short pieces, all beautifully performed by an orchestra and an instrumental ensemble conducted by Korzynski.

Although soundtracks usually don´t work well as stand alone music without the visual substance, especially instrumental soundtracks, the music by Korzynski easily overcomes any such difficulties and this soundtrack is a great example of instrumental music, which makes complete sense on its own and is a pleasurable listening experience. Diverse and fascinating this music is timeless and sounds as fresh today as it did at the time of its making. The listeners not familiar with the original movie this music was meant for can easily plot their own scenarios while listening to it.

This music definitely deserves to be remembered and preserved, and this release will hopefully bring it to many music lovers who did not have the opportunity to see the original movie. This music definitely deserves to be discovered and might surprise many connoisseurs of soundtracks, Prog and electronic / ambient music. Definitely worth investigation!
Updated: 29/01/2019Posted: 20/03/2017CD 1 Remastered Recommend To A Friend

ANDRZEJ KORZYNSKI ~ MOWA PTAKOW (EXPANDED EDITION)
GAD 106 (Barcode: 5903068120473) ~ POLAND ~ Soundtracks

Recorded: 1967 - 2019 Released: 2019

This is the soundtrack of the "Mowa PtakowFind albums with this title" movie composed by the prolific Polish cinematic composer Andrzej KorzynskiFind albums by this artist. It includes seven different versions of the main theme and the rest of the eighteen tracks originate form Korzynski´s extensive archives. Apart from the instrumental work (piano and synthesizers) by Korzynski, following people also contribute: vocalists Zaneta PalicaFind albums by this artist and Eryk Kulm Jr.Find albums by this artist, violinist Filip SiejkaFind albums by this artist and pianist Rafal KulczynskiFind albums by this artist.

This expanded edition adds an entire second CD of music by Andrzej Korzynski, which reflects the long cooperation between the composer and the director / writer Andrzej ZulawskiFind albums by this artist, who wrote the script for the "Mowa Ptakow" movie, and who was the father of Xawery ZulawskiFind albums by this artist who directed the movie. It includes music written for the films Andrzej Zulawski wrote and directed over the years, like "Na Srebrnym Globie", "Pavoncello", "Progresja", "Wiernosc" and others, composed between 1967 and 2000, and the entire score for his last film as director "Kosmos" from 2015, which was the final project they shared, and which appears here on an album for the first time.

The album presents synthesizer soaked instrumental music, which as usual in the case of Korzynski is excellent and easily stands alone as a valid listening experience without the visual contents.

Apart from the role as a collection of soundtracks, this album serves as an excellent opportunity to be exposed to the seemingly endless creative power of Korzynski, whose inventiveness and superb compositional talents are truly astounding, and as usual absolutely worth investigating. He is probably one of the very few musicians who manage to turn synthesizer based music into a fully aesthetic musical experience.

Warmly recommended and an absolute must for Electronic / Ambient must!
Updated: 12/03/2020Posted: 12/03/2020CD 2 Remastered Bonus Tracks Recommend To A Friend

ANDRZEJ KORZYNSKI ~ MOWA PTAKOW (SOUNDTRACK)
GAD 104 (Barcode: 5903068120435) ~ POLAND ~ Soundtracks

Recorded: 2019 Released: 2019

This is the soundtrack of the "Mowa Ptakow" movie composed by the prolific Polish cinematic composer Andrzej KorzynskiFind albums by this artist. It includes seven different versions of the main theme and the rest of the eighteen tracks originate form Korzynski´s extensive archives. Apart from the instrumental work (piano and synthesizers) by Korzynski, following people also contribute: vocalists Zaneta PalicaFind albums by this artist and Eryk Kulm Jr.Find albums by this artist, violinist Filip SiejkaFind albums by this artist and pianist Rafal KulczynskiFind albums by this artist.

The album presents synthesizer soaked instrumental music (except for the two vocal versions of the main theme), which as usual in the case of Korzynski is excellent and easily stands alone as a valid listening experience without the visual contents.

Apart from the role as soundtrack, this album serves as an excellent opportunity to be exposed to the seemingly endless creative power of Korzynski, whose inventiveness and superb compositional talents are truly astounding, and as usual absolutely worth investigating. He is probably one of the very few musicians who manage to turn synthesizer based music into a fully aesthetic musical experience.

Warmly recommended!
Updated: 10/03/2020Posted: 10/03/2020CD 1 Digipak Recommend To A Friend

ANDRZEJ KORZYNSKI ~ ORWO YEARS: MUSIC FROM MOVIES BY CELINO BLEIWEISS (SOUNDTRACKS)
GAD 090 (Barcode: 5903068120220) ~ POLAND ~ Soundtracks

Recorded: 1975 - 1982 Released: 2019

This is the first ever release of the soundtracks of the East German TV movies directed by German / Jewish director Celino BleiweissFind albums by this artist, who was born in Poland and survived the Holocaust as a child. The soundtracks were composed by Polish cinematic music composer Andrzej KorzynskiFind albums by this artist. The music was recorded by an East German orchestra conducted by Manfred RosenbergFind albums by this artist. The album presents thirty one short tracks, which were incorporated into the soundtracks of four movies. Shortly after the last of these four films were made Bleiweiss and his family escaped from East Germany to West Germany, where he continued his work as a film director.

The music, as usual in the case of Korzynski, is full of atmosphere and tension, wonderfully arranged for orchestra and synthesizers, and sound completely contemporary and untouched by the passing time.

It is a wonderful example of cinematic / incidental music that has a complete and full "life" by itself and is fascinating without the initially intended role as soundtrack. Korzynski is a masterful composer, who wrote many soundtracks for TV and cinema over the years but also composed popular music

As usual GADFind albums on this label Records bring this music to our attention, saving it from oblivion, which is truly commendable. This album is the fourth album with soundtrack music composed by Korzynski released by GAD over the years.
Updated: 25/06/2019Posted: 25/06/2019CD 1 Remastered Recommend To A Friend

ANDRZEJ KORZYNSKI ~ W PUSTYNI I W PUSZCZY (SOUNDTRACK)
GAD 028 (Barcode: 5901549197365) ~ POLAND ~ Soundtracks

Recorded: 1973 Released: 2015

Polish cinematic composer and pianist Andrzej KorzynskiFind albums by this artist is one of the most prolific and respected representatives of his trade in his country. The list of films he scored the music for is long and impressive, and emphasizes the fact that he worked with the top Polish film directors over the years. This album presents the music Korzynski composed in 1973 for the soundtrack of the epic film "W Pustyni I W Puszczy" ("In Desert And Wilderness"), based on the novel by the Polish Nobel Laureate novelist Henryk SienkiewiczFind albums by this artist. The film was split into two parts, each an hour and a half long and therefore the amount of music needed was bigger than usual. The forty tracks on this album present the entire soundtrack in its complete form, as opposed to the actual music present in the movie, which was often cut according to need.

The problem with instrumental soundtracks, like this one, is of course the fact that on their own, without the visual context, they lose most of their relevancy and are not suitable for listening as such. Even in the cases when a movie musical theme becomes popular and successful, the rest of the music is quickly forgotten. Although the music here is very diverse, rich in moods and emotionally engaging, it is pretty difficult to see it as a coherent musical statement on its own. Therefore, even if each of the short incidental pieces is beautifully crafted, they lack a continuity and sense of direction when listened to without the visual layer.

Overall this is a great soundtrack, which is well worth being remembered, but which should be enjoyed while watching the film rather than on its own. Of course this album has its merits as a historical document of Korzynski´s career as a cinematic composer and Polish Cinema in general, in addition to a nostalgic value of its own. Definitely worth investigation for soundtrack hunters!
Updated: 20/03/2017Posted: CD 1 Remastered Recommend To A Friend

ANDRZEJ KORZYNSKI ~ WIELKI SZU (SOUNDTRACK)
GAD 061 (Barcode: 5901549197815) ~ POLAND ~ Soundtracks

Recorded: 1982 - 1983 Released: 2017

This is an archival release of the previously unreleased soundtrack to the cult Polish movie "Wielki Szu", scored by one of the most prolific Polish cinematic composers Andrzej KorzynskiFind albums by this artist. This is the third album on the excellent Polish GADFind albums on this label Records label, which presents a soundtrack scored by Korzynski. This expanded edition includes the eighteen pieces that were included in the movie and three bonus tracks, one of which is an outtake and two are taken from another movie filmed at the same period, called "Dzien Kolibra", also scored by Korzynski. The music is performed by an ensemble which features some of the top instrumentalists of the time, including guitarist Winicjusz ChrostFind albums by this artist, trumpeter Henryk MajewskiFind albums by this artist, bassist Arkadiusz ZakFind albums by this artist, drummer Adam LewandowskiFind albums by this artist and others.

The music is an amalgam of synthesizer based instrumental music, which originates from Korzynski´s studio ensemble Arp LifeFind albums by this artist days and a more up to date groove, disco, blues, funk and what have you, which somehow work together even in this stand-alone version outside of the movie´s framework. In retrospect the Polish Funk of the 1980s, which is now a thought after commodity and a source of many compilations, is well represented here.

The instrumental work, although limited by the time restrictions of soundtrack music, is really interesting, especially so the bluesy guitar parts by Chrost and superb drumming by Lewandowski.

The sound quality, intelligent liner notes, photographs, graphic design and the meticulous attention to details, which characterize all GAD releases, is an example of how reissues are supposed to look like and what they are all about. Preservation of Polish National Cultural Heritage is a work of love and dedication, and happens even without the support of the Polish Ministry, which is supposed to support it. Well done, as always!
Updated: 29/01/2019Posted: 26/01/2018CD 1 Remastered Bonus Tracks Recommend To A Friend

PIOTR KOSTRZEWA BIG BAND ~ I GOT RHYTHM AND DANCE
MTJ 11750 (Barcode: 5906409117507) ~ POLAND ~ Jazz

Recorded: 2016 Released: 2017

This is the fourth album by the Polish Big Band led by Piotr KostrzewaFind albums by this artist. Established in 2006 the band consists of students of the Frederic Chopin University of Music in Warsaw and Kostrzewa is its artistic manager since 2012. Since the University does not have a Jazz Department, a membership in the Big Band is the only exposure to Jazz the students get during their studies. The Big Band performs eleven pieces, mostly Jazz standards, a few Cuban and Brazilian standards and one Classical piece, all arranged for the Big Band.

Since Big Bands are almost extinct in today´s artistic and economic reality, the very fact that this Big Band exists and even more so in view of its concert and recording activity it is a great pleasure to see its success. The members of the band are all highly talented musicians and under Kostrzewa´s direction the Big Band sounds professional in every respect. Although the repertoire is quite conventional and straightforward, the main purpose of this Big Band is the popularization of the Jazz idiom to a wide audience, which it does highly professionally and skillfully.

For fans of the Big Band sound and Jazz from the Swing period, this album is a great fun to listen to. Of course nothing beats the sound of a Big Band heard live, but listening to this album is definitely a second best.
Updated: 02/03/2017Posted: 02/03/2017CD 1 Digipak Recommend To A Friend

ROLAND KOVAC ~ TRIP TO THE MARS
MPS 4029759097419 (Barcode: 4029759097419) ~ AUSTRIA ~ Jazz

Recorded: 1968 Released: 2014

This is a reissue of a little known album by Austrian keyboardist / composer / arranger / bandleader Roland KovacFind albums by this artist, one of the early pioneers of European Jazz and a most prolific composer of Jazz pieces but also of cinematic soundtracks and even advertising spots. This album was recorded in Munich, Germany where Kovac worked for many years producing his masterpieces, and originally released on the SABAFind albums on this label label. The orchestra, which recorded this album, never performed live and existed only within the recording studio. It included many European and American musicians, who lived at the time in Munich, like Belgian pianist Francis CoppietersFind albums by this artist, British trumpeter Jimmy DeucharFind albums by this artist, trombonist Cliff HardyFind albums by this artist, saxophonist Derek HumbleFind albums by this artist and many others.

The music consists of seventeen short Big Band pieces, all composed and arranged by Kovac, which are all pearls of Big Band writing, arranging and performances – simply brilliant. Somewhat similar to the work of Henry ManciniFind albums by this artist, but more daring and experimental, Kovac´s pieces are completely unique and fascinating, with very little competition from any other Big Band / Orchestra leader then and since.

The space exploration, which was very popular at the time this album was recorded, inspired its title and the titles of the separate pieces, like it did numerous other albums at the time. People familiar with the early James Bond instrumental movie scores will find this music sounding very similar.

Although melodic and seemingly easy on the ear, this music is extremely sophisticated and astonishing in its minute details and tricks of the trade. Kovac remains as one of the best European Jazz composers and his music refuses to get outdated.

This forgotten little gem is definitely worth being discovered!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.

In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.

Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.

In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.

Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
Updated: 27/05/2018Posted: 28/05/2016CD 1 Slipcase Remastered Recommend To A Friend

ANDRZEJ KOWALSKI ~ ABSTRAKT
NOT ON LABEL (Barcode: 5907653893612) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2019 Released: 2019

This is the debut album by young Polish Jazz guitarist / composer Andrzej KowalskiFind albums by this artist recorded in a quartet setting with saxophonist Robert WypasekFind albums by this artist, bassist Jan WierzbickiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine original compositions, all by Kowalski. It was recorded at the excellent Monochrom Studio and offers a high sound quality.

The music is excellent modern mainstream Fusion, based on solid compositions which incorporate melodic themes and quite unusual rhythmic structures, creating a dynamically diverse atmosphere of tension. The compositions are way more complex than the average Fusion material and certainly more sophisticated and intelligently weaved.

These four young musicians share the responsibility for the music the quartet produces quite equally, which is rather unusual. Although the guitar and the saxophone deliver most of the soloing, as expected, the rhythm section is also constantly busy with laying out the complex pulsations and quirky tempi changes, all clearly audible for the entire duration of the music, as well as soloing impressively.

Overall this is a surprising and unusual debut album, which manages to step outside of the conventional Fusion frameset by adding more freedom, both harmonically and rhythmically, rejuvenating the somewhat stale genre and proving that it is still able to astonish the listener. The level of performances by these young musicians proves again that the Polish Jazz scene enjoys an incredible surge of juvenile blood transfusion into its veins, which keeps it alive and sparkling.
Updated: 29/10/2019Posted: 29/10/2019CD 1 Digipak Recommend To A Friend

KARIN KROG / BERGEN BIG BAND / JOHN SURMAN ~ SEAGULL
GRAPPA 4212 (Barcode: 7033662042128) ~ NORWAY ~ Big Band Jazz

Recorded: 2005 Released: 2005

This is a brilliant album by Norwegian vocalist / songwriter Karin KrogFind albums by this artist, accompanied by the excellent Bergen Big BandFind albums by this artist, conducted by British saxophonist / composer John SurmanFind albums by this artist, who also adds a few soli on several of the tracks. The album presents twelve tracks, two of which are written by Krog, five are co-written by Krog and Surman, and the rest are Jazz standards. The arrangements are mostly by Surman, but four of them are by another Brit (well, born in Canada) John WarrenFind albums by this artist. The album was recorded by my Friend Jan Erik KongshaugFind albums by this artist, and offers a spectacular sound quality.

The album presents two separate European Jazz collaborations, the first between Surman and the Bergen Big Band, which also produced the superb “Another SkyFind albums with this title” album from 2014, also released on the GrappaFind albums on this label label, and the second between Krog and Surman, which started in 1976 and produced a long series of albums created oved many decades. Considering the fact that Krog and Surman are two of my all-time favorite musicians, and the Jazz Big Band is one of my favorite Jazz idioms, this album is for me an absolute delight from start to finish.

Krog, as I have already stated many times previously, is one of the finest interpreters of Jazz standards, as well as a great songwriter of her own right, and she has been active since the mid-1960s, i.e. for almost six decades now, never singing a wrong note since, and her idiosyncratic vocals are one of European Jazz best known secrets. Surman is of course a true Jazz Master in every respect and his accumulated achievements are second to none.

The Bergen Big Band is also a great representative of the European orchestral music approach, and all of their recordings are definitely worth being checked out for lovers of that particular Jazz sub-genre. Active since 1993, it is one of best European Big Bands around, featuring some of the best musicians in the country and often inviting guests from abroad.

Overall, this a brilliant album, which combines Big Band Jazz and Jazz vocals, which can hardly get any better. It showcases the unique talents of Krog and Surman, here also as arranger / conductor, in short a splendid display of talent and virtuosity. Absolutely breathtaking!
Updated: 27/01/2024Posted: 27/01/2024CD 1 Recommend To A Friend

JOACHIM KUHN TRIO / HR-BIGBAND ~ OUT OF THE DESERT LIVE
ACT 9521 (Barcode: 614427952127) ~ GERMANY ~ Jazz-World Fusion

Recorded: 2010 Released: 2011

This is the fourth album by German pianist / composer Joachim KuhnFind albums by this artist and his trio with Moroccan vocalist and oud / Guembri Master Majid BekkasFind albums by this artist and Spanish drummer Ramon LopezFind albums by this artist, accompanied by the hr-BigbandFind albums by this artist (Frankfurt Radio Big Band) and recorded live at the 2010 JazzFest Berlin. It is a continuation of the "Out Of The DesertFind albums with this title" studio album recorded by the same trio in Morocco a couple of years earlier, but offers seven new compositions, six by Kuhn and one by Bekkas. Kuhn also arranged the music to include the wonderful hr-Bigband conducted by Ed PartykaFind albums by this artist.

The music is a brilliant example of Jazz-World Fusion at its best. Kuhn´s openness to a wide range of musical influences during his long and fruitful career, which explored diverse musical genres combined with his Avant-Garde approach and the prolific recorded legacy is a glorious portrayal of the European Jazz idiom. His fascination with African / Middle Eastern music is not surprising and his affinity and ability to channel his musical ideas into that specific direction is an absolute marvel.

Kuhn and his cohorts play superbly, as expected, and the Big Band arrangements manage to add a new dimension and incredible power to the music, creating one of the most colorful and profound statements of this kind.

It is highly recommended to compare this album to the other recordings by this trio, which will emphasize both the differences and the similarities between this unique project and the source it originates from, which can be truly educational. The fascination with the African dessert music is of course share by many European musicians since the 1960s, including Rock stars like Brian JonesFind albums by this artist.

Of course, as all recordings by Kuhn, this is an absolute must to all serious lovers of European Jazz, Avant-Garde, Jazz-World Fusion and sublime music in all its forms. Go get it as every day of your life before you heard this album was missing something…
Updated: 18/07/2020Posted: 10/07/2020CD 1 Digipak Essential Recommend To A Friend

ROLF KUHN / NDR BIG BAND ~ BOUNCING WITH BUD
IN+OUT 77081 (Barcode: 798747708128) ~ GERMANY ~ Big Band Jazz

Recorded: 1995 Released: 2005

Following the recent demise of the great German clarinetist / composer / bandleader and one of the Godfathers of the modern German Jazz, as well as a dear Friend, Rolf KuhnFind albums by this artist. I decided to dig into my shelves and write about some of his albums I did not review previously.

Kuhn dedicated this album to the memory of the great American pianist / composer and Bebop innovators Bud PowellFind albums by this artist, whom Kuhn met and befriended during his USA stint in the late 1950s. Another hero of the album is the German-born American composer Chris WaldenFind albums by this artist, who composed and arranged three new pieces for this album.

Kuhn plays some amazing clarinet on this fabulous album and the magnificent NDR Big BandFind albums by this artist performs brilliantly, as always, showing the subtle and not so subtle differences between the European and American Big Band approach.

Kuhn a sublime example of a total musician, with a career spanning decades and crossing styles from Swing to Avant-Garde, always with grace, intelligence and professionalism beyond reproach.

Overall, this an instant classic, full of brilliant music and heavenly performances, which is absolutely perfect from start to finish. Goodbye Friend!
Updated: 10/09/2022Posted: 10/09/2022CD 1 Digipak Recommend To A Friend

ROLF KUHN / RAIS BIG BAND ~ SMILE
INTUITION 3342 (Barcode: 750447334229) ~ GERMANY ~ Big Band Jazz

Recorded: 2001 Released: 2002

Following the recent demise of the great German clarinetist / composer / bandleader and one of the Godfathers of the modern German Jazz, as well as a dear Friend, Rolf KuhnFind albums by this artist, I decided to dig into my shelves and write about some of his albums I did not review previously.

Kuhn dedicated this album, as the title suggests, to the great and everlasting film music, which produced an endless string of Jazz standards over the years. The music was recorded with the Berlin RAIS Big BandFind albums by this artist and the Cologne VoicesFind albums by this artist duo in best fashion of cinematic performances and the wonderful Big Band sound accompanying Kuhn’s magic clarinet performances. Jorg Achim KellerFind albums by this artist conducted the Big Band and wrote the superb arrangements, which make the music shine and twinkle.

Kuhn plays some amazing clarinet on this fabulous album and the magnificent Big Band performs brilliantly, showing the subtle and not so subtle differences between the European and American Big Band approach. This is Kuhn the romantic warrior, with perfect feel for the melody and the swing, needed to deliver these, often quite complicated arrangements.

Kuhn a sublime example of a total musician, with a career spanning decades and crossing styles from Swing to Avant-Garde, always with grace, intelligence and professionalism beyond reproach.

Overall, this an instant classic, full of brilliant music and heavenly performances, which is absolutely perfect from start to finish. Goodbye Friend!
Updated: 21/09/2022Posted: 21/09/2022CD 1 Recommend To A Friend

LESZEK KULAKOWSKI / BIG BAND ~ KONCERT MONOGRAFICZNY
NOT ON LABEL ~ POLAND ~ Jazz

Recorded: 2011 Released: 2012

This is a live recording by the Big Band comprised of students of the Music Academy in Gdansk, directed by the Polish pianist / composer / educator Leszek KulakowskiFind albums by this artist, who teaches at this Academy. He also plays piano on some of the tracks. The album includes ten original compositions, all by Kulakowski, who also wrote the arrangements (I assume so, as that is not explicitly mentioned on the album´s cover), four of which include vocals and the rest are instrumentals.

The Big Band is of course the pinnacle of Jazz and requires perfect discipline and vast experience to make it "click" at all, not to mention performing brilliantly. Therefore the fact that these kids are able to pull this off the way they do is truly amazing. Although obviously somewhat hesitant and far from clock-like perfection, the Big Bands performs the rather difficult and often complex music quite admirably, all things considered. Hats off to Leszek Kulakowski for undertaking such a challenging project.

But as usual with Kulakowski´s music, the charm is hidden in the music itself, which is simply superb. Additionally the unusual arrangements, which are completely different from what one expects to hear in a Big Band setting, are a complete surprise. Closer to contemporary Classical or perhaps Third Stream Music (which on second thought is not surprising at al in Kulakowski´s case) these arrangements are a beautiful example of what can be achieved with a Big Band. This is quite typical as far as European Big Bands are concerned, when the traditional American Big Band norms are rethought and refreshed, creating a new approach.

Although somewhat naïve and beautifully imperfect, this is overall a great piece of music, which deserves to be heard and is far from a "school souvenir" to the graduates. Strongly recommended to Big Band fans but anybody who likes slightly "twisted" Jazz is most welcome!
 CD 1 Digipak Recommend To A Friend

ANDRZEJ KURYLEWICZ ~ TRIO
POLSKIE RADIO 0226-0227 (Barcode: 5901448112261) ~ POLAND ~ Jazz

Recorded: 2000 Released: 2007

The legendary Polish Jazz pianist / composer Andrzej KurylewiczFind albums by this artist is one of the godfathers of the great Polish Jazz movement, starting from the 1950s. Sadly his role is often almost forgotten and certainly much less appreciated that that of his counterpart pianist / composer Krzysztof KomedaFind albums by this artist, who managed to achieve some international exposure and prominence. Kurylewicz is a formidable force and his skills as pianist / composer / arranger / conductor are truly admirable. He also composed music for cinema, theatre and TV as well and contemporary Classical music. Unfortunately his recorded legacy of Jazz performances is rather limited and therefore the outmost importance of this superb album, which documents his return to Jazz piano after several years of absence, with his brilliant trio with bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. These absolutely stunning recordings present the trio playing a set of original compositions and standards, played with finesse and taste completely unmatched. Of course the age and experience of the veteran musician have a lot to do with this (he was almost 70 by the time of this recording) but the talent and above all his incredible feel for Jazz, melody and improvisation, which are simply beyond what most other musicians have to offer. In his own compositions Kurylewicz is deeply rooted in the Polish musical tradition, which incorporates folklore and Classical music. His interpretation is typically European; elegant, sophisticated, clever and moving and this music simply uplifts the listener to another plane. The album also includes several video clips taken during the recording sessions of this album, which are also a great pleasure to watch. In short this is a great example of Polish (and European) Jazz at its finest moments, which should be treasured by Jazz connoisseurs around the world. A must!
 CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ KURYLEWICZ / TOMASZ STANKO ~ KOROZJE
POLJAZZ / ANEX 218 (Barcode: 5907513047476) ~ POLAND ~ Jazz

Recorded: 1983 Released: 2009

Two icons of Polish Jazz: pianist / composer Andrzej KurylewiczFind albums by this artist and trumpeter / composer Tomasz StankoFind albums by this artist combine forces on this superb album presenting an unusual setting of piano / trumpet duets. This intimate meeting of Giants is full of beautiful interplays and intelligent music, effortlessly overcoming the limitations of the absence of a rhythm section. The music, although pre-composed is basically improvised on the spot, based mostly on the intimate dialog between these two outstanding musicians. The album requires attentive listening and probably repeated listening sessions to be completely understood, but after all this is typical of all great music. Enthusiasts of Polish Jazz will find this album an integral part of their collection and all lovers of modern Jazz should definitely try it out. Superb stuff!
 CD 1 Digipak Remastered Recommend To A Friend

ANDRZEJ KURYLEWICZ / WANDA WARSKA / NIEMEN ~ MUZYKA TEATRALNA I TELEWIZYJNA
MUZA 842 (Barcode: 5907783498428) ~ POLAND ~ Jazz

Recorded: 1971 Released: 2006

Since the day this album was released I´ve always cherished it as one of the greatest albums ever recorded. Undoubtedly my Polish background, my love of the Polish Culture and my ability to understand the lyrics / poetry has something to do with the fact that this album is so meaningful to me, but honestly I believe that any music connoisseur in the world should be moved by this extraordinary music and performances. The music, composed by pianist / composer Andrzej KurylewiczFind albums by this artist, one of Poland´s musical icons and a precursor of Polish Jazz, was originally written for theatre and television and is presented here in a special arrangement for a string orchestra and Jazz combo, featuring two of Poland´s most extraordinary vocal talents: Wanda WarskaFind albums by this artist and NiemenFind albums by this artist. The Jazz combo consists of the composer on piano, trumpeter Andrzej PrzybielskiFind albums by this artist, bassist Jacek BednarekFind albums by this artist and drummer Wladyslaw JagielloFind albums by this artist. The lyrics are all based on Polish poetry, mainly works of the great Polish poet Cyprian Kamil NorwidFind albums by this artist. Warska, the leading interpreter of Polish poetry and faithful performer of the music composed by Kurylewicz, is a superbly sensitive singer blessed by an angelic voice and extraordinary theatrical sensitivity. Niemen is of course Poland´s all time greatest musical genius known worldwide for his achievements, but his appearance on this album is one of the highlights of his career. Niemen´s "obsession" with Norwid´s poetry comes here to an ideal fruition and his vocal parts are simply breathtaking. Although not strictly a Jazz album, the album´s music has a distinct Jazzy character and falls easily into the extended definition of the genre. Overall this is a masterpiece of rare beauty, perfect in every sense, everlasting and always inspiring. An absolute must in every respect!
 CD 1 Digipak Remastered Essential Recommend To A Friend

ALEKSANDRA KUTRZEPA ~ IMPRESSIONS
NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz-Rock Fusion

Recorded: 2018 Released: 2018

This is the debut album by Polish Jazz violinist / composer Aleksandra KutrzepaFind albums by this artist recorded in a quartet setting with guitarist Bartlomiej GarczynskiFind albums by this artist, bassist Michal StudniarekFind albums by this artist and drummer Robert KutrzepaFind albums by this artist. Vocalist Anna GadtFind albums by this artist and pianist Patryk CzyzewskiFind albums by this artist appear as guests on selected tracks. The album presents eight original compositions, all by Alexandra Kutrzepa.

The music offers a series of contemporary Polish Jazz compositions, full of lyricism, melancholy and even romanticism, all developing slowly and based on solid melodic themes. Stylistically the music displays a strong touch of Fusion, especially when the guitar is featured up front, but also due to the unique sound and manner of playing the violin that Kutrzepa utilizes, which has strong ties with the French Fusion violin school (Jean-Luc PontyFind albums by this artist / Didier LockwoodFind albums by this artist) rather than with the Polish Jazz violin school (Zbigniew SeifertFind albums by this artist / Michal UrbaniakFind albums by this artist).

As already mentioned above, Kutrzepa manages to achieve a unique and very personal violin sound and mannerism, which is quite different from the numerous other young generation Polish Jazz violin players, and which is quite remarkable by itself. She is very aloof, minimalist and reserved creating incredible tension and anticipation, which is extremely effective.

The rest of the players on the album are all highly professional and talented. Garczynski serves as a contrast to Kutrzepa´s laid-back phrasing with his energetic and expressive solos, like a musical cold-hot or yin-yang seesaw. The rhythm section supports the soloists amicably and displays inventive and fully responsible ensemble playing, always solid and reliable. The guests add spice and panache to the proceedings, as expected, with Gadt taking the music slightly towards more imaginary ground on the last track with her beautiful vocal contributions. Personally this is my favorite piece on the album and perhaps points towards the direction the music might take in the future.

Overall this is an excellent debut offering, obviously well planned and rehearsed, original and ambitious, and most importantly offering elements previously unheard and exploring uncharted territory, which after all happens quite rarely. For lovers of intelligent Fusion this album is a true gem and should not be missed, and judging by the potential it displays, Kutrzepa is definitely a Lady to keep a close watch on, both as a composer and a player, which I definitely intend to do in the future, wishing her all the best on the way.
Updated: 18/12/2018Posted: 18/12/2018CD 1 Digipak Recommend To A Friend

ALEKSANDRA KUTRZEPA ~ MERMAID
NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz-Rock Fusion

Recorded: 2019 Released: 2019

This is the second album by Polish Jazz violinist / composer Aleksandra KutrzepaFind albums by this artist recorded by the same quartet as the one that recorded the debut "ImpressionsFind albums with this title" a year earlier: guitarist Bartlomiej GarczynskiFind albums by this artist, bassist Michal StudniarekFind albums by this artist and drummer Robert KutrzepaFind albums by this artist. Vocalist Anna GadtFind albums by this artist and pianist Milosz BazarnikFind albums by this artist appear as guests. The album presents seven original compositions, six by Aleksandra Kutrzepa and one by Robert Kutrzepa.

This album is stylistically very similar to its predecessor and everything I wrote about the debut applies also here, so I won´t repeat myself (just click on the link above). The music is a fine example of intelligent Fusion featuring beautiful lyrical compositions, unique violin style and elegant execution, which offers an excellent listening experience, accessible to a wide range of listeners who like anything between mainstream Jazz, Fusion and even Progressive Rock. Some excursions into more Free territory on the tracks with Gadt (sensational as always) and Bazarnik on board are hopefully pointers as to what Kutrzepa should pursue in the future and their presence upgrade this album considerably.

This album cements Kutrzepa´s status as a promising composer and original violinist, which definitely deserves being followed, but she will need to update her formula on future recordings in order to avoid a pattern, which will became stale if repeated to often.

Overall this is an excellent album by all means, which intelligent Fusion and violin aficionados will love to bits, and which also offers highly aesthetic and ambitious vistas pointing (perhaps) to the future endeavors. Warmly recommended!
Updated: 14/12/2019Posted: 14/12/2019CD 1 Digipak Recommend To A Friend

ALEKSANDRA KUTRZEPA ~ NO ONE KNOWS WHERE…
NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz-Rock Fusion

Recorded: 2021 Released: 2021

This is the third album by Polish Jazz violinist / vocalist / composer Aleksandra KutrzepaFind albums by this artist and her quartet, with guitarist Bartlomiej GarczynskiFind albums by this artist, bassist Michal StudniarekFind albums by this artist and drummer Robert KutrzepaFind albums by this artist. Vocalist Anna GadtFind albums by this artist guest on one track and saxophonist / bass clarinetist Mikolaj TrzaskaFind albums by this artist guests on three tracks. The album presents six original compositions, all by the leader.

This album offers a significant departure from the formula dominating the first two albums, and almost completely leaves the melodic / lyrical tendencies and Jazz-Rock Fusion stylistic in favor of almost completely Avant-Garde / Free Improvised music, which of course is a welcomed development testifying as to the need of searching for new paths. The choice of the two guest musicians complies with this new direction, as both are associated with the Polish Jazz Avant-Garde scene.

Kutrzepa also expands her role in the music making by using her vocals extensively, in addition to her violin playing, which obviously shows new aspects of her musical personality. Her vocalese, which is used more as a background rather than main feature of the music, but adds a most appropriate element to the result and works our splendidly.

The soloing is now mostly performed by the leader and the guests, with the guitar playing a more restricted role on this album in comparison to the earlier work, and remains a clear link to the past, still sounding rather Fusion like. The rhythm section follows the new direction without a hitch, but tends to remain somewhat subdued, which altogether serves the new ambience rather well.

Overall this is an excellent and fascinating album, which proves Kutrzepa is here to stay and slowly structures her individual voice and position on the local scene. Due to the fact that her approach to violin is completely different from the traditional Polish Jazz violin school, her work deserves to be noticed and surely watched in the years to come. Perhaps not the easiest album to listen to, it is definitely an eye (ear) opener. Well done!
Updated: 24/12/2022Posted: 23/08/2021CD 1 Digipak Recommend To A Friend

ALEKSANDRA KUTRZEPA ~ PUSTO NOC
NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz-World Fusion

Recorded: 2022 Released: 2022

This is the fourth album by the Polish Jazz violinist / vocalist / composer Aleksandra KutrzepaFind albums by this artist, recorded with her quartet, which also includes guitarist Bartlomiej GarczynskiFind albums by this artist, bassist Michal StudniarekFind albums by this artist and drummer Robert KutrzepaFind albums by this artist. Trumpeter Piotr DamasiewiczFind albums by this artist and two female vocalists appear as guests. The album presents seven original compositions, all by the leader.

The album continues Kutrzepa’s development towards the Avant-Garde facet of the young Polish Jazz scene, this time also adding a Jazz-World Fusion accent, since the album was recorded during field research in the Kashubia region, the music of which seems to be a strong source of inspiration to many Polish Jazz musicians. The theme is a bit somber, as it reflects Kashubian traditional lamentations sung during a wake in honor of the deceased. The traditional melodies are sung briefly by the vocalists and then expanded into lengthy improvisations by Kutrzepa and Damasiewicz, who fits this musical environment like a proverbial glove, since his current work is also concentrated around World music, field research, etc.

The rest of the quartet provide another facet of the music, with Garczynski’s excellent guitar work adding a scorching Fusiony tinge and the rhythm section balancing skillfully between the more rhythmic and the Free / open environments. All the musicians offer a splendid instrumental work, which continuously keeps the listener on the edge. Kutrzepa’s development as a violinist is no less than astounding and is by now unmatched on the more open side of the local scene.

The presence of Damasiewicz on this album is a stupendous idea, which catalyzes effects never previously present on Kutrzepa’s earlier albums. He is not “stealing” the show, but pushes her to make another step towards highly intensive improvised crescendos, which are breathtaking. Perhaps a duo album would be a good idea?

Overall, this is a wonderful, highly atmospheric and reflective piece of music, which requires attentive listening and open-mindedness, but pays back abundantly to the dedicated listener. The music will probably penetrate as deeply as it deserves only on consecutive listening session, but the patience is definitely worth the effort. This is definitely one of the most impressive Polish Jazz albums of 2022 - highly recommended and kudos to you, My Lady, for doing your own thing, which is rarely the easiest solution. Hats off!
Updated: 24/12/2022Posted: 24/12/2022CD 1 Digipak Recommend To A Friend

MICHAEL LANDAU / GROUP ~ LIVE
PROVOGUE 7209 (Barcode: 8712725720928) ~ USA ~ Jazz-Rock Fusion

Recorded: 2004 - 2006 Released: 2006

Michael Landau is one of the best-kept secrets on the US West Coast scene. Although almost completely anonymous, he is definitely one of the best and most gifted guitar players in US today. He is quite famous to the “insiders” of the music scene as he is featured (as a session player) on an endless list of albums by the biggest names in rock music. His work as a leader is unfortunately hardly available and this new album is a most welcome addition. The album is a showcase of his amazing versatility and staggering technique. The first disc of this 2CD set id dedicated to the electric blues, which Landau performs brilliantly with shades of Hendrix and Vaughan coming to mind immediately. The second discs could not be more different and it includes a superb set of jazz / rock Fusion, with Landau playing some amazing licks. He also composed all the music (sans one track) on this album. If you have never heard of this guy, do yourself a favor and listen to this album. I can assure you won’t be sorry!
 CD 2 Recommend To A Friend

LANDBERK ~ INDIAN SUMMER
RECORD HEAVEN 2 ~ SWEDEN ~ Progressive Rock


2nd album by this band, even more sophisticated and modern then the debut album. Fascinating melodies and great playing.
 CD 1 Recommend To A Friend

LANDBERK ~ RIKTIGT AKTA
RECORD HEAVEN 1 ~ SWEDEN ~ Progressive Rock


1st album by another great Swedish band, based somewhat on Scandinavian folk music with mixed in sophisticated Prog elements.
 CD 1 Recommend To A Friend

JOËLLE LÉANDRE ~ LIVE IN ISRAEL
KADIMA COLLECTIVE 17 (Barcode: 634479851179) ~ FRANCE ~ Jazz

Recorded: 2007 Released: 2008

French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. In 2007 Joëlle visited Israel and her live performances there have been recorded and are now issued on this double CD. The first CD includes 7 solo bass (and voice) performances and the second CD offers her playing in duo, trio and sextet settings with the top Israeli Improvised Music artists: Jean Claude JonesFind albums by this artist – bass, Steve HorensteinFind albums by this artist – baritone and soprano sax, flute, Sameer MakhoulFind albums by this artist – oud and voice, Assif TsaharFind albums by this artist – bass clarinet, Daniel SaridFind albums by this artist – piano, Hagai FershtmanFind albums by this artist – drums, Albert BegerFind albums by this artist – tenor sax and Ariel ShiboletFind albums by this artist – soprano sax. These wonderful musical moments are some of the highlights of the Improvised Music created in Israel, a small but quite lively scene led by Jones and consistently documented on his Kadima CollectiveFind albums on this label label. Connoisseurs of the genre will be quite delighted to hear this stuff.
 CD 2 Recommend To A Friend

JOËLLE LÉANDRE / BARRE PHILLIPS ~ A L`IMPROVISTE
KADIMA COLLECTIVE 16 (Barcode: 634479752964) ~ FRANCE ~ Jazz

Recorded: 2007 Released: 2008

French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. Her partner for this recording is no other than another bass virtuoso – American born (but living in France since the early 1970s) Barre PhillipsFind albums by this artist, one of the most esteemed Free Jazz and Improvised Music players, with a career stretching back to the 1960s and cooperation with such great musicians like John SurmanFind albums by this artist, Derek BaileyFind albums by this artist, Paul BleyFind albums by this artist and many others. His ECM album with Dave HollandFind albums by this artistMusic From Two BassesFind albums with this title” was the first bass duo recording (1971), which brings us to this superb duet. Excellently recorded by the French Radio, the music is a completely improvised set, full of beautiful conversations and exchanges between the players, who display almost telepathic contact. Full of deep feeling and lyricism, but always inspired by the fire and passion for the music, the duo performs some incredible music, which although demanding, is most enjoyable. It is a great example of how Improvised Music can stay being Avant-Garde in nature, but become mature and technically flawless. Highly recommended to lovers of acoustic bass and challenging musical experiences.
Updated: 12/04/2019Posted: CD-R 1 Mini-Sleeve Recommend To A Friend

PIOTR LEMANCZYK ELECTRIC BAND ~ INHERITED DREAM
NOT ON LABEL (Barcode: 198004805995) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2022 Released: 2023

This is the second album by Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist under the Electric BandFind albums by this artist moniker, this time as a basic trio with guitarist Marcin WadolowskiFind albums by this artist and drummer Tomasz LosowskiFind albums by this artist, expanded to a quartet with the addition of pianist Leszek MozdzerFind albums by this artist. Vocalists Hanna-Sosnowska-BillFind albums by this artist and Natalia Capelik MuiangaFind albums by this artist guest each on one track. The album presents eleven original compositions, ten composed by Lemanczyk and one co-composed with Mozdzer.

In the last few years Lemanczyk seems to prefer the (six strings) electric bass guitar over the acoustic bass, and his recordings become consistently more Fusion oriented, leaving Jazz behind. This album continues this new direction and offers a series of melodic compositions, performed by the quartet, with the electric bass at the very epicenter of things. Lemanczyk is a great virtuoso beyond any doubt, and the only question remains if this is enough to keep things to hold water.

There is no doubt that Wadolowski refined his guitar playing over time and he adds some excellent soloing on this album and Losowski is a superb drummer with great experience and technique, who keeps this album rhythmically together. But Mozdzer seems to have kidnapped the music completely, adding his piano parts, which are hardly appropriate to the Fusiony environment, with his usual “as many notes per second as humanly possible” approach. Mozdzer’s lyrics to the song he co-composed with Lemanczyk don’t help to clear the confusion as well. As a result, the music loses its focus time after time and sadly the album, despite its potential, does not manage to create a cohesive musical massage.

Overall, although offering some amazing bass guitar performances by the leader and great support by the guitarist and drummer, the album succumbs to overproduction and studio manipulation, lack of artistic vison and way too many piano notes. I miss the old Lemanczyk…
Updated: 06/04/2023Posted: 06/04/2023CD 1 Digipak Recommend To A Friend

INGA LEWANDOWSKA ~ PRZEBUDZENIE
SJ 051 (Barcode: 5902596066611) ~ POLAND ~ Jazz & Poetry

Recorded: 2018 - 2019 Released: 2020

Although hardly a newcomer on the Polish Jazz scene, this is the bona fide debut album by vocalist / composer / lyricist Inga LewandowskaFind albums by this artist. Recorded in a quintet setting with trumpeter Piotr SchmidtFind albums by this artist, keyboardist Przemyslaw RaminiakFind albums by this artist, bassist Grzegorz PiaseckiFind albums by this artist and drummer / percussionist Slawomir BernyFind albums by this artist – a formidable team by all means. The music also features the Baron Chamber OrchestraFind albums by this artist, led and conducted by Piotr BaronFind albums by this artist.

The album presents eleven original songs, all composed by Lewandowska and featuring her lyrics, as well and ten poems and numerous paintings also by her, included in the lavish digibook packaging of the album.

It is not surprising that the album firmly belongs to the Polish Jazz & Poetry idiom, since Lewandowska´s earlier recordings were also strongly connected to literary / poetry subject matter. She continues this heartfelt affiliation splendidly also herein.

The songs are all absolutely wonderful, offering modern Jazz without compromise and shortcuts, melody based and precisely arranged, but in many respects also unconventional and innovating, still within the mainstream but obviously at the very edge of the idiom. Not surprisingly the Polish melancholy is omnipresent, but not overbearing.

Surprisingly Lewandowska utilizes a significant amount of vocalese in addition to straightforward singing of the lyrics, which transports this album somewhat away from a traditional vocal Jazz album. Her highly theatrical delivery of the texts, full of wonderful mannerisms that seem to pop out of nowhere, but make perfect sense time after time, is really refreshing. As a result the vocals become as much an instrument performing side by side with the four instrumentalists, with the vocals standing "separately" on their own. Her vocal abilities and surprisingly "youthful" timbre, which creates a charming contrast to the content of the lyrics, ale absolutely delightful.

The four instrumentalists are all Masters of the trade and they manage to utilize their experience and talents to suit this music ideally. Schmidt torches the air with his trumpet soloing, Raminiak lays out layers of delicate harmonic accompaniment and most of the time stays in the background. Soloing sparingly. Piasecki is a pillar of stability and precision, keeping the music chronometrically in time and swinging, whereas Berny brilliantly ornaments the proceedings with his percussive paraphernalia, rather than just keeping the time. The string arrangements are no less brilliant, very delicate and sophisticated, adding another layer of sound and harmony, which takes the music far and beyond.

Overall this is a wonderful album, long expected and deserving a lot of praise in view of its qualities, which arrives late, but the awakening (pun intended) is never too late, and in these gloomy days of despair and desolation, is a true ray of sunshine. Well done Milady, Godspeed!
Updated: 29/10/2020Posted: 29/10/2020CD 1 Digibook Recommend To A Friend

INGA LEWANDOWSKA / KUBA STANKIEWICZ ~ ULICE WIELKICH MIAST – BALLADY AGNIESZKI OSIECKIEJ
INTRO 003 (Barcode: 5907592167027) ~ POLAND ~ Jazz

Recorded: 1999 Released: 1999

This is an absolutely brilliant album in the Jazz & Poetry vein, for which the Polish Jazz scene is so famous and in which it excels since its early days. Vocalist Inga LewandowskaFind albums by this artist performs eleven songs, all of which share the author of their lyrics, the Polish poetess Agnieszka OsieckaFind albums by this artist, an iconic figure of the post-WWII Polish Culture and author of over 2000 song lyrics. Lewandowska and pianist / composer Kuba StankiewiczFind albums by this artist, who also beautifully arranged all the songs on this album, chose mostly Jazz-related material, which features Osiecka´s lyrics and was written by some of the most prominent figures on the Polish Jazz scene, like Wlodzimierz NahornyFind albums by this artist, Jan Ptaszyn WroblewskiFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and others. Stankiewicz composed two of the songs presented here.

The vocalist is accompanied by a quintet of excellent musicians, which include in addition to Stankiewicz also trumpeter Piotr WojtasikFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist, bassist Darek OleszkiewiczFind albums by this artist and Austrian drummer Mario GonziFind albums by this artist. The quintet provides superb support to the vocalist but also plays extended instrumental passages, which are simply exquisite examples of European Jazz lyricism. Especially notable is the delicate and sympathetic work by the piano and the "singing" bass solos, for which Oleszkiewicz is world famous. One of the songs presents a vocals / bass duet, which is a true classic!

Lewandowska does a splendid job, utilizing more of the Polish Jazz vocal tradition firmly established by legendary performers like Ewa Demarczyk and Wanda Warska, rather than trying to be more up to date, which altogether works in her favor. That time of expressive, melancholic singing, in which every breath matters and every syllable is clearly pronounced and is perfectly audible is a rarity and I wish the new generation of Polish Jazz vocalists would pay more respect to that "lost" Art form. The songs are mostly low key, as the title suggests and Lewandowska cleverly avoids any flashy exhibitionism, staying well within the established milieu, which is chick and elegant.

In many respects listening to this album feels like an "end of an era". It was, after all, recorded at the very closing of the 20th Century and seems, in retrospect, to be the last of its kind, a tribute to the days when Polish Jazz experienced its first golden era, associated with intellectual, artistic and often revolutionary spring, which was soon over.

I am glad I discovered this wonderful gem, although late, but nevertheless most enthusiastically. It is little known, as it managed to hide from me for so long, but should be studied, as already mentioned, by all upcoming vocalist, as it is a classic point of reference. It is also an absolute must for every Polish Jazz connoisseur, anywhere on this planet.
 CD 1 Digipak Recommend To A Friend

INGA LEWANDOWSKA ~ CHOPIN SONGS OP. 74
SOLITON 1313 (Barcode: 5903684233137) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2022 Released: 2022

This is an album by Polish Jazz vocalist Inga LewandowskaFind albums by this artist, recorded with local Jazz musicians: trumpeter Jan ChojnackiFind albums by this artist, pianist Przemyslaw RaminiakFind albums by this artist, bassist Grzegorz PiaseckiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine of the seventeen songs composed by the Polish National composer Frederic ChopinFind albums by this artist, collected together as Op. 74, with lyrics by various Polish poets. The music was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, as offers a splendid sound quality.

This album is in fact a “remake” of an album Lewandowska recorded some twenty years earlier with pianist Kuba Stankiewicz, entitled “Chopin Songbook Op. 74”, which offers a 2CD bi-lingual version of this material, but this recording offers a completely new arrangements and instrumentation, in addition to twenty years of experience, and as such is a valid attempt. Of course my opinion about serious molestation of Chopin’s music by Polish Jazz musicians are still sound and valid, but again, since this is something that was done already, at least it can’t add any harm.

As perilous as this material might become, all in all I quite like this album. Lewandowska has an idiosynchratic voice, which takes a while to get used to, but her vocalese and the vocal gymnastics she performs here are quite impressive, which keeps the listen in suspense. Her articulation and theatrical pronunciations are great fun and she obviously knows what she wants. For example, on the last track of this album she sings accompanied only by the bass, and still manages to hold the melody and improvise, like a pro.

The instrumental work is as perfect as one might wish for, with Chojnacki ornamenting the proceedings with his trumpet solos and Raminiak’s accompaniment being right on at all times, with several great solos added as well. The rhythm section adds a supportive pulse and as already mentioned the bass also plays splendidly along with the vocals.

Overall, this is a very pleasant and splendidly executed album, which should keep all Vocal Jazz fans happy, not to mention the many Chopin a la Jazz fans out there, who never seem to get enough. Although the lyrics are in Polish, this is of secondary importance here. Have fun and enjoy!
Updated: 03/02/2023Posted: 03/02/2023CD 1 Digipak Recommend To A Friend

ZBIGNIEW LEWANDOWSKI ~ ZBIGNIEW LEWANDOWSKI
GAD 121 (Barcode: 5903068120770) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 1983 Released: 2020

This is a reissue of the debut album by Polish Jazz drummer / composer / bandleader Zbigniew LewandowskiFind albums by this artist, originally released on the legendary PoljazzFind albums on this label label. The music was recorded in 1983 during two sessions separated by several months, with two lineups. The first lineup was a quintet which included alongside Lewandowski also iconic trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Piotr BaronFind albums by this artist, guitarist Pawel ScieranskiFind albums by this artist and bass guitarist Krzysztof ScieranskiFind albums by this artist. The second lineup was extended to an octet and included also saxophonist Andrzej OlejniczakFind albums by this artist, second bass guitarist Mieczyslaw JureckiFind albums by this artist and percussionist Jose TorresFind albums by this artist. The original LP presented six tracks but this remastered edition was expanded by two additional tracks from the first session, previously unissued. All the compositions were by the musicians participating in the recording except for one standard.

The music, influenced by the revolutionary work of Miles DavisFind albums by this artist, has a distinct Fusion tinge, but is very far from an attempt to copy the great Master. Przybielski, aged thirty-nine at the time of the recording, was already Poland´s most idiosyncratic Jazz musician and trumpet Genius. He displays the full range of his abilities, and the fact that the music is Fusion oriented, offers a rare opportunity to hear him in that specific idiom, rather than within his "usual" Avant-Garde environment. His performances on this album are amongst the most extensive documents of his playing, including his weird sense of humor. In retrospect this album emphasizes the devastating loss Polish Jazz suffered with his untimely death in 2011. I had the immense luck and pleasure to produce the album "The Book Of JobFind albums with this title", just a couple of years after this recording was made, which also featured Przybielski at his absolute best.

Baron, only twenty-two years old at the time, also contributes wonderfully to the album´s overall ambience, offering his compositions, most of the arrangements and excellent soloing. The rest of the players were already more experienced and their professionalism and obvious talents are clearly evident in the resulting music.

Overall this is a momentous recording, perhaps one of the most important Polish Jazz albums from the 1980s, and beyond. Polish Jazz / Fusion fans should be grateful to GADFind albums on this label Records for resurrecting this gem and saving it from oblivion. Brilliant stuff!
Updated: 23/09/2020Posted: 23/09/2020CD 1 Remastered Bonus Tracks Recommend To A Friend

ZBIGNIEW LEWANDOWSKI QUINTET ~ A NEW OPENING
PSJ WROCLAW 004 (Barcode: 5906492433102) ~ POLAND ~ Jazz

Recorded: 2023 Released: 2024

This is an album by veteran Polish Jazz drummer / composer Zbigniew LewandowskiFind albums by this artist, recorded in a quintet setting with saxophonist / flautist Tomasz PruchnickiFind albums by this artist, pianist Robert JarmuzekFind albums by this artist, bassist Jakub OlejnikFind albums by this artist and American guitarist Kenny CarrFind albums by this artist. The album presents eight tracks, all of which are original compositions, three by the leader and five by Pruchnicki. The album was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, offering a wonderfully worm and clear sound quality.

The album marks a most welcome return of Lewandowski to recording duty, which has been interrupted by a three-decades long gap. Judging by the energy and quality of the new recording, Lewandowski lost none of his skill and talent over time.

The music is somewhere between mainstream and modern Jazz, based on excellent compositions with strong melodic themes and interesting rhythmic textures, flowing coherently for the entire duration. Carr’s guitar work adds a slight Fusiony touch here and there, but all in great taste and impeccable precision.

All the quintet members get ample opportunity to show their chops, and all stand up to the challenge without a hitch. Lewandowski adds a dense rhythmic layer, but without dominating the proceedings unnecessarily, which is excellently complemented by the bass lines, both on bass guitar and acoustic bass.

Overall, this is an excellent mainstream Jazz recording, with a gentle touch of Funk and Groove, which is a real pleasure to listen to and which managed to make me smile when listening, which happened pretty rarely these days. Accessible to a wide Jazz loving audience, this is a true little gem, a nice reminder of the good old days and a pleasant dose of good time!
Updated: 18/05/2024Posted: 18/05/2024CD 1 Mini-Sleeve Recommend To A Friend

JAMES BRANDON LEWIS ~ DIVINE TRAVELS
OKEH 888837666428 (Barcode: 888837666428) ~ USA ~ Jazz

Recorded: 2011 Released: 2014

This is the second album by young US saxophonist James Brandon LewisFind albums by this artist, recorded in a trio format with two veteran Free Jazz / Improvised Music activists: bassist William ParkerFind albums by this artist and drummer Gerald CleaverFind albums by this artist. The album presents ten original pieces, all credited the trio members. Two of the pieces include lyrics written by American poet Thomas Sayers EllisFind albums by this artist and recited by him.

The music is a typical free form session with spontaneous improvisation being the focus of this date. It is difficult to guess how much of this music was preconceived or rehearsed in advance, but it seems as if not everything is left to spontaneity here. There are some short melody lines stated at the start of most of the pieces, but those are soon abandoned in favor of improvised sections, which don´t really have a clear purpose, sense of direction or emotional expression.

Parker and Cleaver are of course recognized as some of the improvised scene leaders, but Lewis still has a long way to go. His improvisations are somewhat restricted in scope, tend to sound repetitious and display a very limited emotional range. As a result it is difficult for him to carry the weight of a whole album as the focal soloist. There is no "fire" and no "ice" in this music, just a lot of notes that manage to tingle the perception but fail to sink in.

The attempt to create a Jazz & Poetry episode also remains rather unimposing, as it is only a "sidekick" and the music and words fails to create a bond that makes them something more that just word and notes uttered simultaneously.

The only positive aspect of this album is the fact that it was released on the revitalized OkehFind albums on this label label, which is a subsidiary of SonyFind albums on this label Music. When I see a Free Jazz album released by a Major record label, this is a feast indeed. Hopefully Lewis will do better next time, as this is rather unimpressive.
 CD 1 Recommend To A Friend

LOCANDA DELLE FATE ~ FORSE LA LUCCIOLE NON SI AMANO PIU
SI-WAN 0010 ~ ITALY ~ Progressive Rock


1st album from 1977 by this excellent Italian band playing Prog heavily influenced by classical music. Full of stunning compositions and superb playing, this album is widely agreed upon as one of the greatest treasures of Italian Prog. Surprisingly the group re-formed in 1999 and released a new album.
 CD 1 Recommend To A Friend

ALEJANDRO LOMELIN ~ LUZ DE INTENSO AZUL
KORADI 001 ~ MEXICO ~ Progressive Rock

Recorded: 1996 Released: 1997

Mexican keyboards player / composer Alejandro LomelinFind albums by this artist was a member of the legendary Mexican Prog band Caja De PandoraFind albums by this artist. This solo keyboards project shows his abilities as a player and composer, and although only partly Prog (could be also categorized as ambient electronic music) is still quite interesting. Obviously these home recordings are very personal and introspective, much more relaxed and even meditative at times. If you’re looking for some keyboards pyrotechnics, this is not for you, but people who enjoy ambient stuff should love this.
 CD 1 Recommend To A Friend

LOUD JAZZ BAND ~ 25TH ANNIVERSARY CONCERT
LJB 009 ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2014 Released: 2015

As the title suggests, this is a live recording celebrating the 25th anniversary of the multi-national Jazz-Rock Fusion ensemble called Loud Jazz BandFind albums by this artist, founded and led by guitarist / composer Miroslaw KaczmarczykFind albums by this artist. The octet lineup, which is captured on this video, includes also trombonist Erik JohannessenFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, pianist Pawel KaczmarczykFind albums by this artist, bassist Sebastian HaugenFind albums by this artist, drummer Ivan MakedonovFind albums by this artist, percussionist Maciej OstromeckiFind albums by this artist and keyboardist Piotr IwickiFind albums by this artist. The concert was filmed at the Polish Radio studios in Warsaw and captures the ensemble performing nine original compositions, all by the leader.

The music of the Loud Jazz Band is a highly polished, melodic and mostly lyrical Jazz-Rock Fusion, with a well balanced ratio between the more Jazz oriented brass solos and more Rock oriented guitar and keyboard solos, supported by a superbly slick and well oiled rhythm section. The compositions get expanded treatments, which allow for all the ensemble members to show off their chops. The band is obviously one of the best of its kind in Europe, definitely more ambitious and sophisticated than most. It is a real pleasure to watch and hear this band in action, especially in view of the superb solos performed in the duration, which spice the proceedings enormously.

On this particular recording the internal balance of the band is somewhat shifted towards Jazz with the addition of the Polish piano superstar Pawel Kaczmarczyk, who proverbially "steals the show" with his extraordinary performances. Of course his presence adds a new level to the entire sound and well being of the ensemble, but his star quality is a magnet of attention. It is quite surprising to hear Kaczmarczyk to handle Jazz-Rock Fusion so well, albeit the fact that this is not his typical milieu.

As good as the music of Loud Jazz Band is the actual video is truly disappointing, almost amateurish with a inadequate camera work, which is limited to an open shot view of the band and some primitive close-ups. The sound quality is, however excellent, clear and well balanced. As a result the visual part of the DVD is in fact redundant (as happens in most music DVDs) and this material holds water based on its audible ingredient alone. For Jazz-Rock Fusion fans this is a highly recommended piece of excellent music, which yields nothing but pure delight!
 DVD 1 Mini-Sleeve Recommend To A Friend

LOUD JAZZ BAND ~ FROM THE DISTANCE - LIVE IN OSLO
LJB 006 (Barcode: 7090025839429) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2012 Released: 2013

This is the eighth album by the multi-national Jazz-Rock Fusion ensemble called Loud Jazz BandFind albums by this artist, which was founded in 1989 in Poland by guitarist / composer Miroslaw KaczmarczykFind albums by this artist and a decade later moved to Norway. The current edition of the band includes musicians from Poland, Norway and Bulgaria and the octet lineup which recorded this album includes, in addition to Kaczmarczyk the following players: trombonist Erik JohannessenFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, pianist Oystein SkarFind albums by this artist, keyboardist Piotr IwickiFind albums by this artist, bassist Kristian EdvardsenFind albums by this artist, drummer Ivan MakedonovFind albums by this artist and percussionist Maciej OstromeckiFind albums by this artist. The album, which was recorded live, includes seven original compositions by Kaczmarczyk.

After listening to just a few moments of this music, it becomes immediately apparent that this is a highly professional ensemble of skilled and experienced musicians, playing polished arrangements of very melodic music spiced with very impressive solo spots. The music, perhaps not very challenging or adventurous, is nevertheless skillfully put together and "easy on the ear", sounding simply beautiful and pleasant. And yet this is far from being elevator music or God forbid muzak, even if it sounds "nice"; on the contrary, it is simply perfectly designed to fit a precise niche of what is usually referred to as the "easier side of Jazz". If Pat MethenyFind albums by this artist can play this kind of music, and be universally praised for it, why not the Loud Jazz Band, especially if they are at least as good?

The sound quality of this album, especially in view of the fact that it was recorded live, is simply stunning and the balance and separation between the instruments and overall ambience are truly magnificent. This album should be used in all the Hi-Fi stores to test the audio equipment. The album is also beautifully and tastefully designed and packaged, suiting well the music it contains. For people listening to more melodic Jazz / Fusion this is a true gem!
 CD 1 Mini-Sleeve Audiophile Recommend To A Friend

LOUD JAZZ BAND ~ LIVE IN OSLO: 30TH ANNIVERSARY SPECIAL EDITION
LJB 010 ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2019 Released: 2020

As the title suggests, this is a live recording celebrating the 30th anniversary of the multi-national Jazz-Rock Fusion ensemble called Loud Jazz BandFind albums by this artist, founded and led by Polish guitarist / composer Miroslaw KaczmarczykFind albums by this artist. The nonet lineup, which is captured on this album, includes also trombonist Oyvind BraekkeFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, pianist Pawel KaczmarczykFind albums by this artist, bassist Pawel PantaFind albums by this artist, drummer Ivan MakedonovFind albums by this artist, percussionist Kenneth EkornesFind albums by this artist and pedal steel guitar player Kjetil RoyslandFind albums by this artist. The concert presents the ensemble performing five original compositions, all by the leader.

The music of the Loud Jazz Band is a highly polished, melodic and mostly lyrical Jazz-Rock Fusion, with a well balanced ratio between the more Jazz oriented brass solos and more Rock oriented guitar and keyboard solos, supported by a superbly slick and well oiled rhythm section. The compositions get expanded treatments, which allow for all the ensemble members to show off their chops. The band is obviously one of the best of its kind in Europe, definitely more ambitious and sophisticated than most. It is a real pleasure to hear this band in action, especially in view of the superb solos performed in the duration, which spice the proceedings enormously.

Although Fusion is usually quite a limited idiom musically, the Loud Jazz Band consistently manage to prove that with talent and right attitude Fusion can be exciting, interesting and intelligent. The combination of the electric Rock elements and the Big Band Jazz sound they create is unique and remains completely relevant, now in their fourth decade of activity. Although the music on this album was released previously on the band´s studio albums, these live renditions are definitely worth hearing.

Overall this is, as usual, an excellent album and for Fusion and Jazz fans a highly recommended piece of excellent music, which yields nothing but pure delight!
Updated: 28/03/2020Posted: 28/03/2020CD 1 Mini-Sleeve Recommend To A Friend

LOUD JAZZ BAND ~ THE GIANT AGAINST THE GIRL
POLSKIE RADIO 1362 (Barcode: 5907812243623) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2016 Released: 2017

This is the ninth album by the multi-national Jazz-Rock Fusion ensemble called Loud Jazz BandFind albums by this artist, led by Polish guitarist / composer Miroslaw KaczmarczykFind albums by this artist. The ensemble continues in the octet lineup and again features the talents of Polish pianist Pawel KaczmarczykFind albums by this artist. A couple of guest artists appear on two tracks. The album presents seven original compositions, all composed by Miroslaw Kaczmarczyk and one live bonus track also composed by him.

The music continues the same pattern of melodic themes, which are arranged to feature the brass section (trombone and saxophone), two keyboardists, an extended rhythm section (bass, drums and percussion) and of course the guitar work by the leader, which this time is less dominating than on previous recordings by the ensemble. The powerful orchestral sound is very impressive and enables plenty of opportunities for solos by all the participants. The expanded compositions have their internal dynamics and flow, which makes them very listenable. It seems that the music of Loud Jazz Band is slightly less "loud" this time, with the compositions being more multifarious, both melodically and rhythmically and often quite intimate.

The individual contributions are all top notch as far as talent and professionalism are concerned and the ensemble functions in superb unison. At times the music is somewhat reminiscent of Progressive Jazz-Rock bands from the 1970s, which of course is meant as a compliment.

The only snag about this album is the fact that the music of Loud Jazz Band has reached a comfortable formula, which allows them to produce album after album of very similar material, which even as good as it is can´t last them forever, which in turn means that a pursuit of new avenues should be contemplated.

Overall this album is a very pleasant and polished piece of Fusion, which should keep the fans of the genre very happy and another proof of the fact that Loud Jazz Band are one of the best ensembles in that particular field. Definitely worth checking out!
Updated: 07/04/2017Posted: 07/04/2017CD 1 Digipak Recommend To A Friend

LOVE AND BEAUTY SEEKERS ~ ZAR
LOVE & BEAUTY 01 (Barcode: 5707471048733) ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 2015 Released: 2016

This is the debut album by young Polish trio Love And Beauty SeekersFind albums by this artist, which consists of saxophonist Jedrzej LagodzinskiFind albums by this artist, bassist Franciszek PospieszalskiFind albums by this artist and drummer Szymon GasiorekFind albums by this artist. The album presents eleven original compositions, five of which were composed by Lagodzinski, four by Pospieszalski and two by Gasiorek.

I had the pleasure to hear the trio live a couple of times in 2015, first in a small club in Krakow and than as guests of my Singer Jazz Festival in Warsaw, and was very impressed by the music they create. This album captures this music very authentically and presents one of the most interesting new ensembles on the Polish scene, even though as of now they reside in Copenhagen, where they still attend the local Music Conservatory.

The music of the trio is a unique amalgam of Free Jazz, Improvised Music, Punk and Romanticism, which results in an incredibly fascinating, vibrant and fresh sound and attitude. Although the music includes a lot of freedom and space, it also features beautiful melodic themes and coherent development of the compositions, in complete contrast to the chaos and mayhem that usually characterizes Avant-Garde music. The trio uses a plethora of effects, toys and other paraphernalia to create sounds that ornament their basic trio sound, which also broadens the overall result.

The individual contributions by all the trio members are absolutely perfect within the framework of their music. They are all equal partners and the trio is not a saxophone player accompanied by a rhythm section, but three musicians who play different instruments and create music together. Lagodzinski elegantly moves between playing gentle melodic themes and blowing his horn wildly, Pospieszalski switches between clear bass lines to freely improvised multi-tempo passages and Gasiorek, as appropriate for a gifted drummer, plays anything but basic rhythmic patterns, simply moving all over the place and creating layers of percussive embellishments.

Polish Jazz is a very fertile soil for Free Jazz / Improvised Music and the number of individual musicians and ensembles working within the framework of the Avant-Garde scene is stupefying. And yet this ensemble definitely stands out as a surprising contestant to the veterans of the genre with this mind blowing debut. I am already highly curious as to their next release, hoping it will be a worthy follow up to this debut effort, which won´t be easy to beat or even match easily. Respect!
Updated: 12/04/2019Posted: 04/01/2017CD 1 Digipak Recommend To A Friend

ANDREAS LOVEN ~ DISTRICT SIX
LOSEN 152 (Barcode: 7090025831522) ~ NORWAY ~ Jazz

Recorded: 2015 Released: 2016

This is the second album by Norwegian (currently residing in South Africa) pianist / composer Andreas LovenFind albums by this artist, recorded in a classic Jazz quartet setting with three native South African musicians: saxophonist Buddy WellsFind albums by this artist, (female) bassist Romy BrautesethFind albums by this artist and drummer Clement BennyFind albums by this artist. The album consists of nine original compositions, all by Loven. The album is dedicated to the Cape Town´s "District Six" community, which symbolized the spirit of possible coexistence in South Africa, but was demolished during the 1970s by the apartheid regime.

The music is beautifully melodic and well within the mainstream Jazz idiom. Contrary to the expectations, it sounds very European, even Scandinavian most of the time, displaying only subtle African influences. This of course does not harm in any way the beauty of this music, but is simply, as mentioned above, somewhat unexpected.

The most surprising element of this album is the exceptional level of playing displayed here. All four musicians play gracefully, elegantly and sympathetically towards each other. Loven plays the piano with gentle touches, full of lyricism and melancholy. Wells follows the great tradition of seductive saxophone, with long vibrato lines and heartbreaking charm, Brauteseth plucks the bass with sheer virtuosity and incredible feel of both melody and rhythm, and finally Benny keeps his pulsations well in the background in order not to disturb the overall delicate approach, and is more upfront only when it is completely appropriate, showing a remarkable respect so rarely met in drummers.

To avoid any misunderstandings, the fact that this music is subtle and melodic does not mean that it is in any way trivial. These tunes are all excellently woven, structured and performed, and the tranquility, so rarely present in today´s music, is exactly what this music needs. In our daily hectic life pressured by the aggressive deafening media, music like this one is an oasis if sanity and tranquility.

Fans of melodic, Scandinavian Jazz, should have a field day with this album, but basically there is so much excellent music herein that every Jazz connoisseur should be able to bond with it. Warmly recommended!
Updated: 11/02/2016Posted: 11/02/2016CD 1 Digipak Recommend To A Friend

ANDREAS LOVEN ~ NANGIJALA
LOSEN 135 (Barcode: 7090025831355) ~ NORWAY ~ Jazz

Recorded: 2014 Released: 2015

This is the debut album by Norwegian pianist / composer Andreas LovenFind albums by this artist, recorded while he lived in South Africa, created in an intimate duo setting with local saxophonist Buddy WellsFind albums by this artist. Vocalist Spha MdlaloseFind albums by this artist is featured on a couple of tracks and contributed the lyrics to the song she performs. The album presents ten tracks, nine of which are original compositions by Loven and one is a composition by the Danish composer Bent Fabricius-BjerreFind albums by this artist.

The music is beautifully melodic and lyrical, even melancholic at times, which is often the case with musicians originating in the Scandinavian countries. Loven did not yet immerse himself at this point into the riches of the South African ethnic experience, and therefore this music is still very much European, but it does show some subtle World Music influences.

Loven plays wonderfully from start to finish, keeping the music swinging and floating gently. Wells adds his excellent saxophone contributions, playing fluidly and in perfect harmony with Loven, creating together in intimate, highly emotional aesthetic environments, which in often minimal sonically but full of graceful music. Obviously the "less is more" method wins again.

The two vocal tracks are both excellent. Mdlalose sings a superb vocalese on one track and conventional lyrics on the other, and they are definitely like a proverbial cherry on top of the cake. I´d love to hear more from her.

The album has a wonderful sound quality, warm and embracing, which will surely put a wide smile on the faces of people who enjoy exquisite Hi-Fi results, those in addition of course to the great musical contents.

Overall this is a very impressive debut recording, which promises good things to come in the future. Delicate, gentle and highly aesthetic and of course warmly recommended!
Updated: 21/03/2016Posted: 21/03/2016CD 1 Mini-Sleeve Recommend To A Friend

LUBLIN STREET BAND ~ OD MROKU PO WSCHOD
NOT ON LABEL ~ POLAND ~ Brass Rock

Recorded: 2020 Released: 2021

This is the debut album by Polish nine-piece (five brass and four rhythm) Brass Rock ensemble Lublin Street BandFind albums by this artist, led by trumpeter / vocalist / composer Marcin SuszekFind albums by this artist. The album presents ten original songs, all written by Suszek.

The music is a delightful retro Funk / Brass Rock experience, which takes the listener back to the times when music was fun to listen to. It follows the established format of Brass Rock material with the songs featuring vocals backed by the brass instruments and spiced with soloing by the individual brass players, all this based on a strong Funk riffs supplied by the rhythm section. Although the vocals are in Polish, this hardly matters to be honest, as the music is sure to move the booty of anybody who has any sense of rhythm in their body.

Although there is nothing here that we haven’t heard before, the music and the performances are too good to be ignored, especially since nobody makes music like this today. Yet again we have a proof that the “White Man Can’t Jump” slogan is pure BS, and this album as good as anything of this kind ever made across the pond, with vengeance.

Obviously Lublin can not only produce Tzadiks but also some great Funky music as well, which by the way includes some Hassidic motifs audible for those with pointed ears. It is also worth to mention Suszek’s earlier band, called Sex Machine BandFind albums by this artist, which released the excellent “Funkmistrz Z LublinaFind albums with this title” album in 2015, which is also worth checking out!

Overall, this is pure delight from start to finish, especially for people who are not completely dead inside yet, and can enjoy music that goes directly to their guts rather than anywhere else in in their body. Funk away!
Updated: 30/04/2021Posted: 30/04/2021CD 1 Digipak Recommend To A Friend

ANDY LUMPP TRIO / ANDRZEJ PRZYBIELSKI ~ MUSIC FROM PLANET EARTH
NABEL 4687 (Barcode: 4011471468721) ~ GERMANY ~ Free Jazz / Improvised Music

Recorded: 2000 Released: 2000

This is an album by German pianist / composer Andy LumppFind albums by this artist, recorded with his trio: bassist Heinrich ChastcaFind albums by this artist and drummer Stefan HoelkerFind albums by this artist and with the legendary Polish trumpeter Andrzej PrzybielskiFind albums by this artist. The album presents a live (but without an audience) recording of twelve improvised pieces, co-credited to all the four participating musicians. This is the first of the two albums recorded by the same quartet on the German NabelFind albums on this label Records label.

The music is a typical European Free Jazz / Improvised Music setting, which develops slowly and allows for the interaction between the musicians to build up step by step, creating a cohesive and coherent musical expression. The music is mostly subdued and somewhat melancholic, exposing fragments of melodic themes and regular rhythms, which quickly dissolve into the next chapter of the improvisation.

The individual performances are all excellent and show the great respect and comradeship between the players, which allows for solo, duo, trio and quartet passages, all worked out in real time. For Free Jazz / Improvised Music connoisseurs this is an instant classic. Przybielski plays some incredible phrases here and his superb dynamics, power of expression and genius are captured here for posterity.

The album is a very important part of Przybielski´s relatively limited discography, being one of the very few recordings capturing him with musicians coming from outside of Poland and also one of the recordings with a very high recording quality, which enables proper presentation of the incredibly diverse range of sounds produced by him.

Overall this is an excellent album in the Free Jazz / Improvised Music idiom, definitely worth seeking out and for Polish Jazz collectors this is an absolute must!
Updated: 14/02/2022Posted: 14/02/2022CD 1 Digipak Recommend To A Friend

ANDY LUMPP TRIO / ANDRZEJ PRZYBIELSKI ~ MUSICA EX SPIRITU SANCTO
NABEL 4694 (Barcode: 4011471469421) ~ GERMANY ~ Free Jazz / Improvised Music

Recorded: 2001 Released: 2002

This is an album by German pianist / composer Andy LumppFind albums by this artist, recorded with his trio: bassist Heinrich ChastcaFind albums by this artist and drummer Stefan HoelkerFind albums by this artist and with the legendary Polish trumpeter Andrzej PrzybielskiFind albums by this artist. The album presents a live recording of an eight-part musical improvisation, recorded in a monastery. All the music is co-credited to the four musicians participating in the recording. This is the second of the two albums recorded by the same quartet.

The music is a typical European Free Jazz / Improvised Music conception, which develops slowly and allows for the interaction between the musicians to build up step by step, creating a cohesive and coherent musical expression. The music is mostly subdued and somewhat melancholic, exposing fragments of melodic themes and regular rhythms, which quickly dissolve into the next chapter of the improvisation.

The individual performances are all excellent and show the great respect and comradeship between the players, which allows for solo, duo, trio and quartet passages, all worked out in real time. For Free Jazz / Improvised Music connoisseurs this is an instant classic. Przybielski plays some incredible phrases here and his superb dynamics, power of expression and genius are captured here for posterity.

The album is a very important part of Przybielski´s relatively limited discography, being one of the very few recordings capturing him with musicians coming from outside of Poland and also one of the recordings with a very high recording quality, which enables proper presentation of the incredibly diverse range of sounds produced by him.

Overall this is an excellent album in the Free Jazz idiom, definitely worth seeking out and for Polish Jazz collectors this is an absolute must!
Updated: 14/02/2022Posted: 02/05/2017CD 1 Digipak Recommend To A Friend

MANDALABAND ~ THE EYE OF WENDOR: PROPHECIES
ECLECTIC 1004 ~ UK ~ Progressive Rock


A wonderful concept album by a `vistual` one-off group created especially for this project. Conceived and recorded at Strawberry Studios in Stockport between 1976 and 1977 by producer David Rohl, `The Eye of Wendor` features musical and vocal appearances by Barclay James Harvest, 10cc, Justin Hayward (The Moody Blues), Maddy Prior (Steeleye Span), Noel Redding (Jimi Hendrix Experience), Sad Café and the Hallé Orchestra. The Tolkein-esque conceptual work appeals to collectors of all the guest performers and is a long sought after rarity.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

HARVEY MANDEL ~ LIVE AT BROADWAY STUDIOS – SAN FRANCISCO
ROCK BEAT 3366 (Barcode: 089353336622) ~ USA ~ Blues-Rock

Recorded: 2001 Released: 2018

This is an archival live album by legendary American Blues guitarist / composer Harvey MandelFind albums by this artist, recorded with keyboardist Dave ScottFind albums by this artist, bassist Joe DevitoFind albums by this artist and drummer John UlenFind albums by this artist. The album presents ten tracks, all of which are original compositions by Mandel, including many of his signature tunes.

Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day.

Mandel’s guitar sound and phrasing are completely unique and as such are highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos. He really deserves to be discovered by the true guitar lovers of all ages, as his relative anonymity is a crying shame.

This live recording offers relatively long explorations, full of brilliant guitar playing, which portrays Mandel’s abilities at their more explosive display, including a fourteen minutes long version of his composition “Wade In The Water”. The sound quality of this album is quite exceptional and offers an unedited document of the performance without any sound manipulation, which makes it very authentic.

Overall, this is an excellent opportunity to get to know or revisit one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when he first appeared on the scene.
Updated: 08/06/2023Posted: 08/06/2023CD 1 Recommend To A Friend

HARVEY MANDEL ~ SNAKE BOX
PURPLE PYRAMID 3014 (Barcode: 889466301421) ~ USA ~ Blues-Rock

Recorded: 1968 - 1972 Released: 2022

This is a 6CD Box Set by American Blues-Rock guitarist / composer Harvey MandelFind albums by this artist, which collects his first five solo albums and a bonus CD with a previously unreleased 1968 live recording at the Matrix club. The albums are “Cristo RedentorFind albums with this title” (1968), “RighteousFind albums with this title” (1969), “Games Guitars PlayFind albums with this title” (1970), “Baby BatterFind albums with this title” (1971) and “The SnakeFind albums with this title” (1972).

Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day. The musicians who play alongside Mandel on these early albums include many legendary musicians of the period, including keyboardists Graham BondFind albums by this artist and Barry GoldbergFind albums by this artist, bassist Larry TaylorFind albums by this artist and others. Most of the music was composed by Mandel.

Mandel’s guitar sound and phrasing are completely unique and as such highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos.

This Box Set is a reprint of the same Box Set released in 2015, offering no bonus tracks and very basic packaging and sketchy liner notes, as usual in such cases, but the music is brilliant from start to finish.

Overall, this is an excellent opportunity to get to know one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when it was recorded.
Updated: 01/05/2022Posted: 01/05/2022CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend

HARVEY MANDEL ~ SNAKE PIT
TOMPKINS SQUARE 5296 (Barcode: 856225005296) ~ USA ~ Blues-Rock

Recorded: 2016 Released: 2016

This is the fifteenth studio album by legendary American Blues-Rock guitarist / composer Harvey MandelFind albums by this artist, recorded with keyboardist Ben BoyeFind albums by this artist, bassist Anton HatwichFind albums by this artist, drummer Ryan JewellFind albums by this artist, guitarist Brian SulpizioFind albums by this artist and conga player Jose NajeraFind albums by this artist. The album presents eight tracks, seven of which are original compositions by Mandel.

Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day.

Mandel’s guitar sound and phrasing are completely unique and as such are highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos. He really deserves to be discovered by the true guitar lovers of all ages, as his relative anonymity is a crying shame.

Overall, this is an excellent opportunity to get to know or revisit one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when he first appeared on the scene.
Updated: 24/02/2023Posted: 24/02/2023CD 1 Mini-Sleeve Recommend To A Friend

HARVEY MANDEL ~ WHO`S CALLING
TOMPKINS SQUARE 5920 (Barcode: 856225005920) ~ USA ~ Blues-Rock

Recorded: 2022 Released: 2022

This is an album by legendary American Blues guitarist / composer Harvey MandelFind albums by this artist, recorded in a trio format with bassist Andy HessFind albums by this artist and drummer Ryan JewellFind albums by this artist. The album presents eight original compositions, all by Mandel.

Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day.

Mandel’s guitar sound and phrasing are completely unique and as such are highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos.

Overall, this is an excellent opportunity to get to know or revisit one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when he first appeared on the scene
Updated: 21/01/2023Posted: 21/01/2023CD 1 Digipak Recommend To A Friend

MANDELRING QUARTETT ~ BERTHOLD GOLDSCHMIDT - FRUEHER & SPAETER
LARGO 5117 ~ GERMANY ~ Classical


Like Dmitri ShostakovichFind albums by this artist, Berthold GoldschmidtFind albums by this artist committed many of his innermost thoughts to his string quartets and related works. »Early« and »Late« tells of a composer whose early success was followed by fifty years of adversity and neglect, little of which disturb the almost Brahmsian mellowness of the Clarinet Quartet.
Updated: 18/10/2022Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ ANGEL STATION
COHESION 011 ~ UK ~ Classic Rock


9th album from 1979. As the decade comes to the close, the direction is more rock oriented than ever, but still in very good taste.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ BEST OF
COHESION 018 ~ UK ~ Classic Rock


Fantastic collection of the greatests recordings by this group with many rare items added to spice up the contents even more, all previously unreleased. A true homage to this group.
Updated: 12/07/2019Posted: CD 1 Remastered Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ BEST OF VOL.2
COHESION 020 ~ UK ~ Classic Rock


Second volume of this fantastic collection of the greatests recordings by this group with many rare items added to spice up the contents even more, all previously unreleased. A true homage to this group.
Updated: 12/07/2019Posted: CD 1 Remastered Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ BUDAPEST LIVE
COHESION 014 ~ UK ~ Classic Rock


12th album from 1983. The first official live album by the band, recorded in the Hungarian capital. Includes live versions of well known greats in extended versions. Remastered and with bonus tracks.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ CHANCE
COHESION 012 ~ UK ~ Classic Rock


10th album from 1980. In his usual good form, a more contemporary oriented selection of Manfred`s original tunes, with many guest musicians, including Trevor Rabin from Yes.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ CRIMINAL TANGO
COHESION 015 ~ UK ~ Classic Rock


13th album from 1986. Back in great shape and with the original singer (Chris Thompson) this is another fine release by the band.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ GLORIFIED MAGNIFIED
COHESION 004 ~ UK ~ Classic Rock


2nd album from 1972. Same kind of material. If you like the Earth Band, you`ll get all of them anyway. Remastered and with bonus tracks.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ MANFRED MANN`S EARTH BAND
COHESION 003 ~ UK ~ Classic Rock


1st album from 1971. Mann created this new band, which will be his vehicle for the years to come, in order to do his own thing - to play ambitious music free from commercial limitations. This album starts a long series of releases, all of witch are brilliant Prog music, slightly on the `lighter` and more melodic side. Remastered and with bonus tracks.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ MANN ALIVE
COHESION 1 ~ UK ~ Classic Rock


16th album from 1998. A 2CD set recorded live by Manfred and the group during the `Soft Vengeance` tour. A great collection of tracks not only from that album but spanning the entire group`s history. Very vibrant and powerful.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ MASQUE
COHESION 016 ~ UK ~ Classic Rock


14th album from 1987. Includes Manfred`s ambitious project of rewriting parts of Gustav Holst`s `Planets Suite`. This was to be the last album before a break of almost 10 years occurred till the next album was released. Remastered and with bonus tracks.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ MESSIN`
COHESION 005 ~ UK ~ Classic Rock


3rd album from 1973. Mann is one of the first musicians who becomes aware of the environmental problems created by modern society and his albums deal with this issue.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ NIGHTINGALES AND BOMBERS
COHESION 008 ~ UK ~ Classic Rock


6th album from 1975. Another huge commercial success but contents as strong as ever with great melodies and elaborate arrangements.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ RADIO DAYS VOL. 4
EAST CENTRAL ONE 4 (Barcode: 5060051334498) ~ UK ~ Progressive Rock

Recorded: 1971 - 1973 Released: 2019

This is the fourth volume of an archive series collecting the BBC radio recordings by the various groups led by British keyboardist / composer / bandleader Manfred MannFind albums by this artist. This volume, recorded between 1971 and 1973 includes the recordings by the first incarnation of Manfred Mann`s Earth BandFind albums by this artist, which consisted of Mann on keyboards, Mick RogersFind albums by this artist on vocals and guitar, Colin PattendenFind albums by this artist on bass and Chris SladeFind albums by this artist on drums.

The album presents twenty one tracks, which include radio recordings with original announcements, altogether a superb historical glance at British Progressive Rock at its best. The group is still alive and kicking today (2019), now in its fifth decade of activity and many wonderful album releases under the belt. The material included here comes mostly from the first four albums by the group: the eponymous debut ("Manfred Mann`s Earth BandFind albums with this title"), "Glorified MagnifiedFind albums with this title", "Messin`Find albums with this title", and "Solar FireFind albums with this title".

Manfred Mann´s Earth Band was from its inception an integral part of the British Progressive Rock movement, although it operated within a unique outline dominated by Mann´s compositions and his Jazz influenced keyboards wizardry and imaginative improvisation skills. His pioneering keyboard technique and especially the wonderful usage of the Moog synthesizer established him as one of the most revered keyboards player on the scene. His extended keyboard extravaganzas, which can be heard here, are among the finest examples of Moog playing in Progressive Rock, way more advanced that what other synthesizer players at the time were doing.

As appropriate for the genre, some of the tracks present here are extended versions of album tracks, running beyond the ten minutes mark and in one case almost reaching the twenty minutes mark. In contrast to many other attempts by Prog groups, which often resulted in boring excessive doodling, the music present here is exciting and fascinating all the way through.

Overall this is an absolute must for all Manfred Mann fans and connoisseurs of British Progressive Rock of the early 1970s period and a stunning historical document of the period, which should not be missed! The music was compiled by Greg RussoFind albums by this artist, who also wrote the informative booklet accompanying this album – great job mate!
Updated: 13/07/2019Posted: 13/07/2019CD 2 Remastered Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ SOFT VENGEANCE
GRAPEVINE 213 ~ UK ~ Classic Rock


15th album from 1996. Manfred is back in his formidable form with a selection of great tunes and a powerful band. A concept album of sorts, includes a lengthy suite in the best Prog tradition.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ SOLAR FIRE
COHESION 006 ~ UK ~ Classic Rock


4th album from 1973. The most successful one which brought this band to a much wider audience.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ SOMEWHERE IN AFRICA
COHESION 013 ~ UK ~ Classic Rock


11th album from 1982. A great concept album, incorporating elements of World Music and for the first time female vocals on some of the tracks.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ THE GOOD EARTH
COHESION 007 ~ UK ~ Classic Rock


5th album from 1974. Again concerned with environment issues. The band is getting more polished and inventive all the time. Remastered and with bonus tracks.
Updated: 12/07/2019Posted: CD 1 Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ THE ROARING SILENCE
COHESION 009 ~ UK ~ Classic Rock


7th album from 1976. Considered one of the best by this group. Great melodies, vocals and instrumental performances.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MANFRED MANN`S EARTH BAND ~ WATCH
COHESION 010 ~ UK ~ Classic Rock


8th album from 1978. Considered to be the finest of the later albums.
Updated: 12/07/2019Posted: CD 1 Remastered Bonus Tracks Recommend To A Friend

MARYLAND ~ CROSSING AND BLENDING
NOT ON LABEL ~ AUSTRIA ~ Jazz

Recorded: 2005 Released: 2005

This is the only album by the ensemble MarylandFind albums by this artist, fronted by the Austrian singer / composer Maria NeckamFind albums by this artist with pianist Franz von ChossyFind albums by this artist, bassist Valdi KolliFind albums by this artist and drummer Uli GenengerFind albums by this artist. A few guest musicians participate on some of the tracks. The album was recorded in Netherlands where Neckam was studying at the time vocal Jazz at the Conservatory of Amsterdam. This is her debut recording, a collection of fourteen songs, twelve of which are her compositions and lyrics, one is composed by the pianist to her lyrics and one is a standard. All the lyrics are in English, except in one case, where a poem in German is recited, rather that sung.

From the very opening note of this album the listener enters a world of music, which is utterly Maria Neckam´s universe, distinctive, unique and completely irresistible. Amazingly she manages to set her musical framework at such an early stage of her career. Although still lacking the experience and readiness of a mature artist, her amazing talent and youthful life-force overcome any possible traps and blunders. The album is so amazingly "complete", full of superb music and heartfelt performances, that all the minor flaws, which are surely present herein, are completely pushed aside and become meaningless in view of the enormous amount of aesthetic pleasure, elegance and intelligence. Neckam´s idiosyncratic style reminds me of the young Annette PeacockFind albums by this artist, both in her compositional approach and some of her vocal technique. Singer / composer Lauren NewtonFind albums by this artist also comes to mind, especially on Neckam´s less structured pieces.

Neckam´s music shows a wide range of influences and empathies, resulting in an enormously versatile scope of stylistic approaches on this album. Of course a debut album is often characterized by the strong desire to "spill out" vast amount of music, which has been accumulating for a very long time. Although such lack of focus might become a major problem for some artists, in the case of this album the versatility simply serves as an opportunity to show the listener how accomplished Neckam really is. Firmly based in the Jazz tradition, the music amalgamates a plethora of different influences, such as World Music, European neo-romanticism, traditional and experimental vocalese, and many others. Of course Neckam´s charm is all about taking all these different elements and making them completely and uniquely her own.

As far as debuts go, this is definitely one of the most impressive ones that a music connoisseur might come across. Although it had little media coverage and no real impact at the time of its release, it is nevertheless a superb piece of music, which deserves to be re-discovered, especially now in view of Neckam´s more recent success. A charming fruit, somewhat un-ripe and yet already delicious – a gem!
 CD 1 Recommend To A Friend

GARY MCFARLAND / ORCHESTRA ~ SPECIAL GUEST SOLOIST: BILL EVANS
FIVEFOUR 3 (Barcode: 5013929310322) ~ USA ~ Jazz

Recorded: 1962 - 1963 Released: 2005

This wonderful and sadly little known album combines the talents of two great American Jazz Masters: composer / arranger / vibraphonist Gary McFarlandFind albums by this artist and virtuoso pianist Bill EvansFind albums by this artist. McFarland composed and arranged this music for his Orchestra with Bill Evans in mind as the featured soloist and fortunately the project was eventually realized. His beautifully lyrical and contemplative music is an ideal vehicle for Evans´ exquisite piano playing, which always shared the same musical qualities as McFarland´s compositions. The music is seemingly quite melodic, but the undercurrents of contemporary Classical counterpoint and sophisticated multi-layered arrangements turn the music into an enchanted listening experience. Apart from McFarland and Evans, other musicians participating in the recording are all stars by themselves: guitarist Jim HallFind albums by this artist, reedman Phil WoodsFind albums by this artist, bassist Richard DavisFind albums by this artist and drummer Ed ShaughnessyFind albums by this artist. In retrospect this music is still completely valid and intellectually challenging some 40 years after it was recorded. It´s great to have this gem back in circulation and hopefully younger listeners will discover its beauty.
 CD 1 Recommend To A Friend

MEINILD / ANDERSKOV / TOM ~ SPECTRAL ENTANGLEMENTS
BAREFOOT 081 ~ DENMARK ~ Free Jazz / Improvised Music

Recorded: 2022 Released: 2023

This is the debut album by the Danish Jazz trio comprising of saxophonist / clarinetist / flautist Sven Dam MeinildFind albums by this artist, pianist Jacob AnderskovFind albums by this artist and drummer Kasper Tom ChristiansenFind albums by this artist. The album presents five tracks, all original compositions co-credited to all three members of the trio.

Despite their relatively young age, all these musicians have already quite extensive experience playing and recording together, but not as a trio. Christiansen has been active on the European scene since 2006 and recorded more than two dozen albums as a leader and sideman, with various European musicians, mostly from Poland and Germany, and is certainly one of my favorite drummers / composers on the young European scene.

The music is a wonderful example of contemporary European Improvised Music / Free Jazz at its absolutely best. Using, albeit with great care, electronics and sound manipulation, the music remains coherent and focused, despite the feeling of abstract and freedom prevailing for the duration. Although spontaneously improvised, the melodic / harmonic “backbone” remains, as they define it, “abstract compositional”, and the emotional restrain serves the desired effect perfectly.

There is a lot of space, silence, minimalism and understatement present in this music, creating a delicate fabric, which leaves enough distance between the notes to stimulate the listener’s brain to fill the blanks at will, which makes him a partner in the creative process. This is definitely a superb example of the “less is more” approach, which I am always a great fan of.

Overall, this is an amazing piece of music, which although perhaps somewhat demanding, is full of European aesthetics, cleverness and brilliant inventiveness. I find it uplifting and satisfying, and as such recommend it wholeheartedly to every lover of contemporary music out there!
Updated: 10/01/2024Posted: 10/01/2024CD 1 Digipak Recommend To A Friend

MELLOW CANDLE ~ SWADDLING SONGS
SI-WAN 0021 ~ IRELAND ~ Folk-Rock


One of the most `legendary` Prog albums of all times, this solitary effort by the Irish band form 1972 met with a `cold` reception at the time of its release to become in years one of the most sought after albums of all times. A brilliant Folk / Prog album similar in style to many well known recordings in this genre but exceptionally beautiful and heartworming.
 CD 1 Recommend To A Friend

MELLOW CANDLE ~ THE VIRGIN PROPHET
SI-WAN 4053 ~ IRELAND ~ Folk-Rock


Mellow Candle`s 1972 album `Swaddling Songs` is established as the Holy Grail of Folk / Prog. This CD contains early unreleased songs and demo versions of songs later re-recorded for their only album. An extensive band history is included in the booklet. An unexpected treasure! Just think about the fact that the lead singer was 16 years old when this was recorded!?
 CD 1 Recommend To A Friend

ANDY MIDDLETON ~ BETWEEN WORLDS
PROVA 14 (Barcode: 9008798037513) ~ USA ~ Jazz

Recorded: 2008 Released: 2010

This is an album by American (resident in Austria) saxophonist / composer Andy MiddletonFind albums by this artist, recorded in a quartet setting with German pianist Tino DeradoFind albums by this artist, American (resident in Germany) bassist Paul ImmFind albums by this artist and American drummer Alan JonesFind albums by this artist. The album presents ten tracks, all of which are original compositions by the leader.

The album’s title refers to Middleton’s move to Vienna and the period of transition between countries, people, cultures, etc. that all emigrants, and Artists in particular, go through in their lives, when making a leap, although as far as I know this was a move “in the right direction” for him, with Vienna becoming his new happy habitat. We are Friends since some years, and he always felt way more a European than an American to me, also on the musical plateau.

The music is beautifully melodic, and the classic quartet setting is an ideal environment to express the lyricism of the compositions and allow the leader to improvise extensively, which he does with passion. All the members of the quartet are seasoned musicians, which is immediately apparent, and the music offers a marvelous flow, despite some complex time signatures and non-trivial harmonics. This is modern Jazz at its best and to me it sound way more European than what I can hear from across the pond.

Overall, this is a wonderful album, in a classic Jazz quartet setting with excellent compositions and superb musicianship, so what else can one ask for? Well, perhaps it’s high time for some new recordings from you, my Friend!
Updated: 03/02/2025Posted: 03/02/2025CD 1 Digipak Recommend To A Friend

ANDY MIDDLETON ~ NOMAD`S NOTEBOOK
INTUITION 3264 (Barcode: 750447326422) ~ USA ~ Jazz

Recorded: 1998 Released: 1999

This is the third album as a leader by American (resident in Vienna) saxophonist / composer Andy MiddletonFind albums by this artist recorded with a superb team of musicians including legendary American guitarist / pianist / composer Ralph TownerFind albums by this artist, no less legendary British bassist Dave HollandFind albums by this artist and American (resident in US and Germany) drummer Alan JonesFind albums by this artist. Three guest musicians play on selected tracks. The album presents nine tracks, five of which are original compositions by Middleton, one is his arrangement of two traditional melodies, and three are original compositions by Towner.

The music is modern Jazz with some World Music influences, stunningly performed by these world-class musicians. The superb compositions by Middleton and Towner, full of deeply melodic and highly aesthetic contents, allow individual members to solo extensively and produce a harmonious ensemble sound all around. The Word Music influences create as ambience of mystique and the album offers a truly wonderful musical journey.

For Towner and Holland followers, this album, probably unknown to most, is certainly worth seeking out, as it presents them both at their absolute best. Of course Middleton also plays wonderfully here and the album is still absolutely fresh, even though it was recorded over two decades ago.

On a personal note; I met Andy in person a few years ago and we have had opportunity to meet regularly since during an annual event, which in time developed into a friendship. It took me a while to get hold of this album, which is not an easy task, but apparently not an impossible one – so get hold of a copy as long as it is possible!
Updated: 14/06/2021Posted: 14/06/2021CD 1 Recommend To A Friend

ANDY MIDDLETON ~ REINVENTING THE WORLD
INTUITION 33102 (Barcode: 750447331020) ~ USA ~ Jazz

Recorded: 2001 Released: 2003

This is the fourth album as a leader by American (resident in Vienna) saxophonist / composer Andy MiddletonFind albums by this artist recorded with a superb team of musicians including Canadian saxophonist Sheila CooperFind albums by this artist, British (of Canadian origin) trumpet Maestro Kenny WheelerFind albums by this artist, German trombonist Nils WogramFind albums by this artist, Canadian clarinetist Darcy HepnerFind albums by this artist, American pianist Henry HeyFind albums by this artist and bassist John HebertFind albums by this artist and Canadian drummer Owen HowardFind albums by this artist. The album presents nine original compositions, all composed by Middleton and a short bass intro to one of the tunes composed by Hebert.

The music is all modern mainstream Jazz, based on the superb compositions by Middleton, which serve as ideal vehicles for the excellent performances by the instrumentalists. The compositions are interesting and coherent, and are all splendidly arranged for the large ensemble, which allows individual members to solo extensively and produce a harmonious ensemble sound all around.

For Wheeler´s followers, this album offers plenty hair-raising examples of his genius and is therefore a highly recommended addition to every serious British Jazz connoisseur´s collection.

On a personal note; I met Andy in person a few years ago and we have had opportunity to meet regularly since during an annual event, which in time developed into a friendship. It took me a while to get hold of this album, which is not an easy task, but apparently not an impossible one – so get hold of a copy as long as it is possible!
Updated: 03/02/2025Posted: 27/09/2020CD 1 Recommend To A Friend

MIDDLETON-AHWAI / MORRISSEY-MULLEN BAND ~ ANOTHER SLEEPER / CAPE WRATH
VOCALLION 8493 (Barcode: 765387849320) ~ UK ~ Jazz-Rock Fusion

Recorded: 1979 Released: 2012

This is a wonderful reissue of two albums recorded in 1979 and originally released on the legendary HarvestFind albums on this label label, EMIFind albums on this label´s progressive imprint, which present the Funk side of the British Jazz-Rock scene at the time. Keyboardist Max MiddletonFind albums by this artist and guitarist Robert AhwaiFind albums by this artist, who are present on both these albums, were among the movers and shakers of the British Jazz-Funk in late 1970s and 1980s, proving that American-born Funk penetrated deep the seemingly cold British character and mixed with Jazz roots created some mighty fine music.

"Another SleeperFind albums with this title" is the only album by a group co-led by Middleton and Ahwai and it features eight original compositions, six by Middleton and two by Ahwai. The group also includes bassist Kuma HaradaFind albums by this artist, drummer Richard BaileyFind albums by this artist, percussionist Darryl Lee QueFind albums by this artist, a brass section and background vocalists. The music is mostly Jazzy and the Funk element is expressed by what the rhythm section players do in the background. Middleton, a superb keyboardist and improviser, plays some great licks here, which often sound like Chick CoreaFind albums by this artist´s work with Return To ForeverFind albums by this artist. In retrospect this albums sounds definitely as something deserving more attention that it ever achieved at the time of its release.

"Cape WrathFind albums with this title" is the second album by the group co-led by saxophonist Dick MorrisseyFind albums by this artist and guitarist Jim MullenFind albums by this artist, which was Britain´s most revered Jazz-Rock-Funk ensemble at the time. On this album the other members of the band are four musicians playing on "Another Sleeper": Middleton, Ahwai, Harada and Bailey and percussionist Tony CarrFind albums by this artist. They play eight pieces, five of which are original compositions, two each by Middleton and Mullen and one by Morrissey, two are Jazz standards and one is an arrangement of a Pop song. The level of the musicianship here is truly excellent and the album is great fun to listen to after all these years.

Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz-Rock-Funk, a rather less frequently re-visited chapter in the British Jazz history, but one that has quite a few surprises to offer, when an effort is made. Definitely worth investigating for listeners who enjoy the "lighter" side of Jazz, which at its best can be as good as the "serious" side of the music.
Updated: 16/02/2024Posted: CD 2 Remastered Recommend To A Friend

STEVE MILLER / BAND ~ KING BISCUIT FLOWER HOUR
KING BISCUIT 88002 ~ USA ~ Classic Rock


Recorded in 1973 and 1976 this live recording is a superb document of the talents of the great group led by the singer and guitarist Steve Miller. The album is full of great songs and superb instrumental work and shows clearly why this group was so immensly popular with the crowds. All the favorite tunes are of course covered.
 CD 2 Recommend To A Friend

MIRTHRANDIR ~ FOR YOU THE OLD WOMEN
SYN-PHONIC 06 ~ USA ~ Progressive Rock

Recorded: 1975 Released: 1992

Only album by US Prog group MirthrandirFind albums by this artist, a rare lost gem from 1970s, brought back to life on this CD reissue. The band was a sextet comprising of two guitarists, a keyboards player, a bassist, who also played flute, a drummer and a vocalist, who also plays some trumpet parts. The music is typical Symphonic Prog, with good melodies and extensive instrumental passages. The lead singer´s falsetto voice was often criticized as the group´s only weakness, but in fact it is quite good and certainly not more annoying than other vocalists in Prog with similar voice characteristics. The music is overall excellent, with multi-part expanded lengthy tracks, one timing almost 15 minutes. Considering the fact that the US contribution to Prog was quite limited, this is definitely one of the better efforts of its kind. Prog fans will definitely love this album to bits.
 CD 1 Remastered Recommend To A Friend

ANDRZEJ MITAN / GRZEGORZ ROGALA ~ KIEDY UMIERA CZLOWIEK / PODNIESIENIE
TRZECIA FALA 001 ~ POLAND ~ Jazz

Recorded: 1983 Released: 2013

This DVD is another reminder of the fact that Polish Avant-Garde is alive and kicking and from time to time also takes a look back at its fascinating roots. The legendary figure of Andrzej MitanFind albums by this artist, which re-appears in the limelight from time to time, mostly completely unexpectedly, is always full of surprises. This time Mitan produces a multi-media project combining music and cinematography (or video-art), resulting in this debut release on a new Polish label called Trzecia FalaFind albums on this label, headed by a young Art enthusiast Lukasz StrzelczykFind albums by this artist.

Back in the mid-1980s, when Poland was in its most depressing period, both politically and culturally, Polish Avant-Garde was enjoying a renaissance of sorts, taking advantage of the state of confusion that the Socialistic Regime was in due to the eminent collapse of the system already clearly apparent and as a result with a laxer censorship in place. Andrzej Mitan, who always believed in doing things rather than talking about them, released in 1984 a series of very bold musical statements by Avant-Garde musicians as five independently pressed LPs under the Alma ArtFind albums on this label moniker, which also presented outrageous and innovative packaging designed by Avant-Garde artists, including for example a barb-wired LP sleeve. Those five albums have become record collector´s Holy Grail due to the fact that only 1000 copies of each album were pressed, reaching today astronomical prices on the collector´s market. In 1987 four more albums appeared in a similar effort.

This DVD uses part of the first of these legendary album as the musical layer, combining it with a video-art by Polish experimental artists Grzegorz RogalaFind albums by this artist, who utilizes a technique called time stretching, which in this case takes a 3 seconds long fragment of video and stretches it to last for about seven minutes, which produces an almost still like picture with barely visible change. The combination of the tension induced by the video and the dramatic musical background produce together a powerful statement, which is also quite unique.

The music, which was recorded during the 1983 Jazz Jamboree in Warsaw (organized shortly after the Martial Law in Poland was lifted and obviously symbolizing an eruption of liberty), is performed by many Polish Avant-Garde legends, like bassist / leader Helmut NadolskiFind albums by this artist, vocalist Andrzej Mitan, pianist Andrzej BiezanFind albums by this artist (who died shortly after the recording), trumpeter Andrzej PrzybielskiFind albums by this artist and others, appearing under the moniker of Jubileuszowa Orkiestra Helmuta NadolskiegoFind albums by this artist.

In retrospect it becomes clearly evident that these nine albums released by Mitan in the 1980s are extremely important documents of Polish Jazz and Polish Avant-Garde and absolutely have to be made available again, the sooner the better. Considering the fact that this DVD was also released as a numbered limited edition of 100 copies, it is by now as impossible to get as those legendary albums.
Updated: 12/04/2019Posted: DVD 1 Recommend To A Friend

ZOOT MONEY / BIG ROLL BAND ~ BIG TIME OPERATOR
REPERTOIRE 5343 (Barcode: 4009910534328) ~ UK ~ Pop & Rock

Recorded: 1964 - 1968 Released: 2017

This is a wonderful Box Set collecting early recordings by British vocalist / organist Zoot MoneyFind albums by this artist and his excellent ensemble called Big Roll BandFind albums by this artist. Spread over 4 CDs, the material includes the two albums: "Zoot!Find albums with this title" (Recorded live at the Klook´s Kleek club and released in 1966) and "It Should`ve Been MeFind albums with this title" (The debut studio album released in 1965) and a plethora of additional material, which was recorded live at the Flamingo, as well as at the BBC. Also included are singles and other recordings made between 1964 and 1968, altogether ninety tracks spanning over five hours of music, worth their weight in gold. The band included such luminaries like saxophonists Nick NewallFind albums by this artist, Johnny AlmondFind albums by this artist and Clive BurrowsFind albums by this artist, guitarist Andy SummersFind albums by this artist (later of PoliceFind albums by this artist fame), vocalist / bassist Paul WilliamsFind albums by this artist and drummer Colin AllenFind albums by this artist.

Although the music reflects the British Soul and Rhythm And Blues explosion of the mid 1960s, it also clearly reveals the seeds of early Jazz-Rock and the closely intertwined, cross-genre approach that characterized the British scene at the time. Many musicians felt as comfortable playing a Rhythm And Blues gig as they would playing a Blues or a straight ahead Jazz gig, displaying the same dexterity, knowhow and passion, regardless of the circumstances.

Zoot Money and the Big Roll Band replaced Georgie FameFind albums by this artist and the Blue FlamesFind albums by this artist as the house band at the Flamingo, and the similarities between these two excellent bands are striking; both led by a vocalist / organist, with similar throaty vocal quality, both featured brass sections and a famous (to be) guitarists (in the case of the Blue Flames it was no else than John McLaughlinFind albums by this artist). Most importantly both these ensembles were swinging like hell and had a strong Jazzy feel whatever they were doing.

In retrospect the music presented by the Box Set, although definitely "dated", still sounds absolutely fresh and inspiring. Yes, nobody plays like that anymore, and what a pity it is that they don´t. In spite of the seemingly naïve melodic structures, the music is full of clever hooks and twists, and the playing is simply superb from start to finish.

Beautifully remastered, accompanied by a book with background essays, interviews and many wonderful photographs, this Box Set is a treasure chest, like many similar compilations made by the German RepertoireFind albums on this label label, which specializes in reissues. I hope some younger listeners will reach out and give this music a listen, as it could be really enlightening, especially in view of what is considered as music today. To the people who remember this stuff from their youth, like yours truly, this is an absolute must and an invigorating reminder that music was fun a long, long time ago.
Updated: 08/05/2023Posted: 24/05/2018CD 4 Digibook Box Set Remastered Bonus Tracks Recommend To A Friend

MOUNT MEANDER ~ LIVE IN BERLIN
GOTTA LET IT OUT 29 ~ LATVIA ~ Free Jazz / Improvised Music

Recorded: 2017 Released: 2019

This is the second album by the international Jazz quartet Mount MeanderFind albums by this artist, which comprises of Latvian saxophonist Karlis AuzinsFind albums by this artist, German pianist Lucas LeidingerFind albums by this artist, Polish bassist Tomo JacobsonFind albums by this artist and German drummer Thomas SauerbornFind albums by this artist. The album presents eight original compositions all attributed collectively to the quartet members, which were recorded live in a Berlin Jazz club.

The music is a continuation of the formula introduced on the quartet´s debut album, which offers a series of conversations between the musicians based around fragmented melodic themes, but mostly freely improvised. It is however much more coherent and offers a wonderful continuity in comparison to the previous effort, which was somewhat hesitant, obviously marking the early days of this musical adventure. It is a wonderful example of contemporary Improvised Music / Free Jazz at its best. It is minimalist and restrained, completely non-aggressive and highly cooperative, but allows for highly expressive soloing by the individual musicians.

All four members of the quartet contribute sublime performances throughout the duration of the album, but it is difficult to ignore the stunning contributions by Auzins, who reaches an emotional apex equal to the great Masters of the genre. His fluidity and inventiveness are absolutely incredible. But the rest of the quartet is definitely up to par with the saxophone magic, each one of them in a different way; Leidinger lays sheets of atmospheric vistas and his delicate touches in the quiet passages are all masterful, Jacobson keeps the pulse of the music steady and gives it an anchor without which it would disintegrate and finally Sauerborn ornaments the rhythmic layer more intuitively than chronometrically. In short this is a magic performance.

Overall this is definitely one of the best European Avant-Garde Jazz albums that landed on my desk so far in 2019. It offers a hope and a beacon for Avant-Garde Jazz and Improvised Music, which sadly more often than not tend to fall apart and become more radical and chaotic than need be in an attempt to try and be original. One can only hope that more music of this quality will be made by these young musicians soon. Hats off Gentlemen!
Updated: 28/07/2019Posted: 28/07/2019CD 1 Mini-Sleeve Recommend To A Friend

MOUNT MEANDER ~ MOUNT MEANDER
CLEAN FEED 375 (Barcode: 5609063003758) ~ LATVIA ~ Free Jazz / Improvised Music

Recorded: 2015 Released: 2016

This is the debut album by a young European Jazz quartet Mount MeanderFind albums by this artist comprising of musicians from different countries: Latvian saxophonist Karlis AuzinsFind albums by this artist, German pianist Lucas LeidingerFind albums by this artist, Polish bassist Tomo JacobsonFind albums by this artist and German drummer Thomas SauerbornFind albums by this artist, who all studied in Copenhagen, Denmark where their paths converged. Together they perform nine pieces, all attributed collectively to the quartet members and recorded during one recording session.

The music offers a solid but fragmented melodic background on occasion, which serves as basis for extended free improvisations. There is a continuous conversation between the quartet members, which helps the music to move forward, although at times it is painfully slow and hesitant. Auzins is taking most of the soloing duty upon his shoulders and his playing is always impressive, similarly to his work on other recordings. Leidinger keeps mostly to the role of accompanist and collaborator. Jacobson plays some very interesting passages, often presented as if on a separate plain from the rest of the quartet. Sauerborn keeps a low key, avoiding rhythmic patterns at all cost but supporting his cohorts with bursts of percussive madness. Overall this music makes sense even though its level of communication with the listeners is very limited. As many Improvised Music creations, this music is a very personal statement with most of its meaningfulness related to the musicians rather than the listeners, which of course is both its blessing and its curse.

The most important thing about this album is the fact that young European musicians make albums like this one today, while the majority of their contemporaries are producing loads of brainless excrement. The sheer personal courage to make a statement, regardless of how it will be accepted by others is the essence.

Personally I´d love to hear these musicians in a slightly more rigorous setting, since abandoning all rules and regulation so early in life might result at reaching a creative brick wall all too soon.

But all things considered, this is a fine debut effort and hopefully more will be heard of these young Jazz heralds in the future.
Updated: 13/09/2016Posted: 13/09/2016CD 1 Mini-Sleeve Recommend To A Friend

KJETIL ANDRE MULELID ~ NOT NEARLY ENOUGH TO BUY A HOUSE
RUNE GRAMMOFON 2196 (Barcode: 7033662021963) ~ NORWAY ~ Free Jazz / Improvised Music

Recorded: 2017 Released: 2017

This is the debut album as a leader by Norwegian pianist / composer Kjetil Andre MulelidFind albums by this artist, recorded in a trio format with bassist Bjorn Marius HeggeFind albums by this artist and drummer Andreas Skar WintherFind albums by this artist. The album presents nine pieces, eight of which are original compositions by Mulelid and one is a free improvisation.

The music is melody based modern Jazz, but with many elements of freedom and space, which allows it to develop into unexpected directions. The melodic themes are stated at the beginning of each tune, but further on the music becomes more improvised, complex and rhythmically irregular. Surprisingly the music is not typically Nordic in its nature and in a blindfold test could not be easily identified as originating from Norway, probably due to the contemporary Classical Music influences it tends to exhibit, rather than the Nordic melancholy and lyricism.

The rhythm section plays exceptionally well, with the bass supporting the piano work steadily along the way but the drums taking a lot of liberties and often wandering into separate planes, creating a wonderful tension and sense of exploration. Mulelid obviously is a very able pianist and his usage of tempi and silent breaks add a lot to the overall effect of the music. This music is quite unique in many ways, and as such difficult to classify. It would be probably too difficult for listeners of swinging piano trio Jazz, but should be very well received by modern and Free Jazz connoisseurs.

Considering the young age of these musicians, this is certainly a very strong and promising debut, which shows enormous potential and interest. Definitely worth exploring and following these artists in the future!
Updated: 24/11/2017Posted: 24/11/2017CD 1 Digipak Recommend To A Friend

KJETIL ANDRE MULELID ~ PIANO
RUNE GRAMOFFON 2220 (Barcode: 7033662022205) ~ NORWAY ~ Jazz-Classical Fusion

Recorded: 2020 Released: 2021

This is the third album as a leader by Norwegian Jazz pianist / composer Kjetil Andre MulelidFind albums by this artist and his first solo piano recording. The album presents eleven original compositions, all by Mulelid.

The music is very melodic, lyrical and melancholic, with clearly defined outlines and repeated waves of improvisations, always returning to the basic melody. There are many references to Classical Music forms, with long arpeggios and other Romantic gestures, which take the music further and further away from the traditional Jazz idiom.

The resulting music is therefore only marginally Jazz oriented, and would appear to be more appealing to listeners of solo piano Classical music, rather than Jazz enthusiasts. Considering the fact that the compositions tend to be somewhat similar to each other and offer relatively little dynamics and diversity, listening to this music might prove to be somewhat trying to more hot blooded Jazz music lovers.

I must confess that I found the two trio albums by Mulelid, as well as his work with the WakoFind albums by this artist ensemble, to be more rewarding, but of course this is just my personal opinion. He is undoubtedly an excellent pianist and an important part of the young Norwegian Jazz scene, and is sure to contribute many more important recordings in the future.
Updated: 17/08/2021Posted: 17/08/2021CD 1 Digipak Recommend To A Friend

KJETIL ANDRE MULELID ~ WHAT YOU THOUGHT WAS HOME
RUNE GRAMMOFON 2208 (Barcode: 7033662022083) ~ NORWAY ~ Jazz

Recorded: 2018 Released: 2019

This is the second album by young Norwegian Jazz pianist / composer Kjetil Andre MulelidFind albums by this artist, recorded in the same piano trio setting like his debut, with bassist Bjorn Marius HeggeFind albums by this artist and drummer Andreas Skar WintherFind albums by this artist. The album presents nine original compositions, eight by Mulelid and one by Hegge. The recording offers exceptional sound quality, which of course is crucial in the case of piano trio recordings.

The music is more melody oriented than the debut, with well defined themes, which are later basis for improvised passages. Most of the tunes are slow tempo, rather introvert and lyrical, and this time have a distinct Nordic elements in them, again in contract to the debut album. As a result both these albums could be looked upon as complementing each other and presenting different personal / musical elements, which are both parts of their creator. To some extent this album is somewhat better balanced and focused, which marks a clear progression as far as Mulelid´s compositions are concerned. Of course some of the music is free spirited and open, as appropriate for modern Jazz, but it never looses the touch with the melodic current underneath.

The performances are perfect in every respect, both those by the pianists and the rhythm section, which supports the leader amicably gracing him with a lot of breathing space and even leaving him completely solo at times. The ensemble camaraderie is marvelous at all times and the trio performs as one spiritual body, combining their talents into one faultless union.

For lovers of Jazz piano trio albums, this is certainly a rarity that should not be ignored and as such it is absolutely worth seeking out. The music is accessible to a wide range of listeners, and although artistically refined, it is not over-intellectual, resulting in an unadulterated listening pleasure for the entire direction. Wholeheartedly recommended!
Updated: 17/09/2019Posted: 17/09/2019CD 1 Digipak Recommend To A Friend

KJETIL ANDRE MULELID ~ WHO DO YOU LOVE THE MOST?
RUNE GRAMMOFON 2229 (Barcode: 7033662022298) ~ NORWAY ~ Jazz

Recorded: 2021 Released: 2022

This is the fourth album by Norwegian pianist / composer Kjetil Andre MulelidFind albums by this artist and the third album recorded with his trio, which also includes bassist Bjorn Marius HeggeFind albums by this artist and drummer Andreas Skar WintherFind albums by this artist. The album presents ten tracks, eight of which are original compositions by the leader, one is a freely improvised piece and one is an interpretation of a composition by controversial American singer / songwriter Judee SillFind albums by this artist. Two compositions are trio versions of two tracks that appeared on Mulelid’s solo piano album “Piano”, released a year earlier.

The music continues the work frame of the two previous trio albums, presenting wonderfully melodic themes expanded into trio improvisations, with a solid Nordic atmosphere prevailing but some Gospel roots also occasionally popping up. Both the leader and the rhythm section display highly developed technique and splendid Jazz sensibility, creating an exemplary teamwork in the process. It seems that the trio managed to develop over the five years of its existence a unique stylistic niche, which puts them apart from most other Scandinavian piano trios, with a more open and at times Free approach, rather than staying within a rigid melody based context.

Overall, this is splendid piano trio Jazz album, which should make the many fans of the genre very happy, especially those enamored in the Nordic sound. Mulelid firmly established his position on the Norwegian scene, and is a talented representative of the young European Jazz scene, which proudly continues the Jazz tradition, often also searching to expand the horizons. Well done, again!
Updated: 24/07/2022Posted: 24/07/2022CD 1 Digipak Recommend To A Friend

MUNICH LAB BAND ~ THE WAY THINGS ARE
MUTTERKOMPLEX 024 (Barcode: 4056813175806) ~ GERMANY ~ Big Band Jazz

Recorded: 2022 Released: 2023

This is the debut album by the German Munich Lab BandFind albums by this artist Jazz Orchestra / Big Band comprising of young Jazz musicians and co-led by trumpeter / composer Felix EckeFind albums by this artist and conductor / composer Vincent EberleFind albums by this artist. The album presents eight tracks, all of which are original compositions by Ecke, arranged by him for the Big Band, which explains the subtitle “Featuring the music of Felix Ecke”.

The music offers a nice amalgam of the American Big Band tradition and European Orchestral Jazz tradition, excellently performed by these obviously well-schooled young musicians. The forte of the album is the original music, which is based on solid melodic continuity and coherent development, which turns the album into a pleasant, but non-trivial listening experience. The arrangements balance well between the rhythm section and the three brass sections, which complement each other splendidly. Some typical German Brass echoes can also be heard in the background, which is hardly surprising.

The album offers excellent sound quality, with every subtle sonic development captured and the balance between the soloists and the Big Band is always perfect. Combined with the musicianship and composing skills present herein, this is wonderful European Big Band recording.

Overall, this is a surprisingly elegant Big Band album recorded by young but highly skilled and trained musicians, which offers interesting music aesthetically arranged for the communal orchestral effect, in the best tradition of the European Big Bands. It is an impressive debut by all means and hopefully will be continued by new recordings in the future. Well done indeed!
Updated: 23/01/2024Posted: 23/01/2024CD 1 Digipak Recommend To A Friend

NATURAL ACOUSTIC BAND ~ BRANCHING IN
SI-WAN 1040 ~ UK ~ Folk-Rock


2nd album from 1972. Natural Acoustic Band were a trio playing and singing great Folk / Prog. This album presents the group in the best light performing superb songs and accompanied by additional studio musicians (and orchestra on 2 tracks). A real pleasure from the first note to the very last.
 CD 1 Recommend To A Friend

NATURAL ACOUSTIC BAND ~ LEARNING TO LIVE
SI-WAN 1038 ~ UK ~ Folk-Rock


1st album from 1972 by this UK Folk / Prog trio. Some outstanding vocals by the singer Krysia Kocjan. Very similar to other bands in the same genre such us Incredible String Band and Spirogyra.
 CD 1 Recommend To A Friend

NEW BRAND QUINTET ~ NEW BRAND QUINTET
BLUES&JAZZ 003 (Barcode: 5908254159886) ~ POLAND ~ Jazz

Recorded: 2020 Released: 2021

This is the debut album by Polish Jazz quintet called New Brand QuintetFind albums by this artist, led by veteran drummer Arek SkolikFind albums by this artist and four younger musicians: saxophonist Jaroslaw BothurFind albums by this artist, trumpeter Pawel PalcowskiFind albums by this artist, pianist Tomasz BialowolskiFind albums by this artist and bassist Maciej KitajewskiFind albums by this artist. The album presents six classic American Jazz standards.

The choice of the participants and the choice of the material are well suited together, as these musicians have all been linked to the Polish Jazz mainstream, which cultivates the Bebop and Hard Bop tradition on the local scene. The musicians are all well-schooled and experienced, which results in a faithful reproduction of the traditional sound and feel of the music, which changed very little in the last seven decades.

There is of course nothing innovative in this music, but it is well played and of course mainstream Jazz is still a legitimate Artform, which many, mostly American Jazz musicians dedicate their lives to. It has become less popular on the European scene in time, but that does not mean that it disappeared from the surface. Bebop and Hard Bop are still the heart of the Jazz tradition and learning that tradition is part of the basic education each Jazz musician should go through during his musical path.

If this album proves anything, it is first and foremost the fact that the Polish Jazz scene, including the new generation, should not feel any inferiority complexes in comparison to their contemporaries across the pond. These young players know the tricks of the trade and can play shoulder to shoulder with anybody on this planet.

Overall, this album should keep mainstream Jazz fans happy, regardless of their age or origin!
Updated: 12/04/2024Posted: 28/08/2021CD 1 Digipak Recommend To A Friend

RANDY NEWMAN ~ ORIGINAL ALBUM SERIES
WARNER BROS. 081227975395 (Barcode: 081227975395) ~ USA ~ Pop & Rock

Recorded: 1968 - 1977 Released: 2011

This Box Set collects reissues of first five studio albums by the iconic American singer / songwriter / pianist Randy NewmanFind albums by this artist, originally released on RepriseFind albums on this label Records. label between 1968 and 1977. They are: “Randy NewmanFind albums with this title” (1968), “12 SongsFind albums with this title” (1970), “Sail AwayFind albums with this title” (1972), “Good Old BoysFind albums with this title” (1974) and “Little CriminalsFind albums with this title” (1977).

Newman wrote some of the most beautiful Pop songs, which exhibit his idiosyncratic sense of melody and humor, some of which were hits when performed by him but more often became huge hits when sung by other Pop / Rock artists. He achieved also a great success as composer of cinematic soundtrack, and over time he became one of the most awarded American Artist, with scores of Grammies, Academy awards and Golden Globe awards.

Newman’s highly unusual vocal performances and theatrical delivery make him stand out as one of the most unique singer / songwriter artists of the 20th Century and a superb storyteller (usually with a moral). He continues, despite his age and at a slower paste, to write new music and songs to this very day.

Overall, this is an incredible collection of his early work, which has but a few parallels and lost absolutely nothing of its beauty and depth over time, and in fact seasoned in time, standing out as a perfect example of what songwriting is all about.
Side Note
The "Original Album SeriesFind albums with this title" by Warner Bros.Find albums on this label, the "Original Album ClassicsFind albums with this title" by SonyFind albums on this label, the "5 Original AlbumsFind albums with this title" by UniversalFind albums on this label, the Box Sets by RhinoFind albums on this label and other similar releases are an archetypal example of how good intentions turn sour. Although these new editions often bring back to life some of the best music ever made on this planet, which in many cases has been lost in the tides of time and was unavailable on the market for ages, they suffer from an unforgivable disregard for the essence of cultural values and general sloppiness, contrary to human decency, which requires as to treat our Cultural Legacy with respect and loyalty.

The Box Sets produced under these monikers have no discographical information whatsoever about the lineups, musician names, composers, lyricists, dates and places of recording, original release data and even basic copyright data (the last is strictly illegal BTW). Although the original LP sleeves are reproduced, they are often edited and information (which would be in most cases too small to be readable) is removed. Most importantly these Box Sets don't include any booklet offering a historical background and perspective about the Artists and the Music, which are extremely important and vital to the preservation of our Culture and passing the knowledge to the next generations.

In short the fact that these Box Sets are meant to be inexpensive, does not mean that they have to be cheap. Considering the fact how many times this music has been sold over and over again by the labels, this is a crying shame!
Updated: 23/09/2021Posted: 23/09/2021CD 5 Mini-Sleeve Box Set Recommend To A Friend

ERIK NORLANDER ~ INTO THE SUNSET
HELLION 742 ~ USA ~ Progressive Rock


New edition of Norlander`s 2000 album, which finds the keyboards wizard in a much `harder` environment then his Rocket Scientist group. With Arjen Anthony Lucassen on guitar and a host of guest singers including Glenn Hughes and Lana Lane, this is much rockier then anything else he`s done before and reminds closely the Ayeron projects. Definitely worth checking out!
 CD 1 Bonus Tracks Recommend To A Friend

NORLANDER, ERIK ~ THRESHOLD
KINESIS 1020 ~ USA ~ Progressive Rock


Norlander is the keyboards player and leader of Rocket Scientists. This is his first solo effort and it`s apparent that he is a master worthy of wider recognition. Great compositions and exceptional playing all over. Rick Wakeman and Keith Emerson fans should love this one. Keith himself wrote the liner notes for this album!
 CD 1 Recommend To A Friend

ERIK NORLANDER ~ THRESHOLD (SPECIAL EDITION)
THINK TANK 1035 ~ USA ~ Progressive Rock


1st album (recorded 1996-97) by the US keybords wizard and leader of Rocket Scientists. Norlander`s virtuosity and excellent compositions put him in the league of Emerson and Wakeman, but he has a more Metal tendency. This reissue was expanded to a double CD with plenty of bonus tracks and video material. Definitely worth investigating.
 CD 2 Bonus Tracks Recommend To A Friend

NOT NECESSARY BAND ~ NIEKONIECZNIE KONIECZNY
NOT ON LABEL 01 (Barcode: 606707129411) ~ POLAND ~ Jazz

Recorded: 2021 Released: 2021

This is the debut album by the Not Necessary BandFind albums by this artist led by veteran organist / composer / arranger Pawel SerafinskiFind albums by this artist, one of the unsung heroes of the Polish Jazz scene active since the 1970s. The quartet also includes saxophonists Piotr BaronFind albums by this artist (another Polish Jazz veteran) and Kuba RaczynskiFind albums by this artist and drummer Radek BolewskiFind albums by this artist, the last two are representatives of the new generation of the local scene. Members of the hip-hop group ThinkadelicFind albums by this artist guest briefly on one track. The album presents six tracks, three of which are original compositions by Serafinski, one is co-composed by the quartet members and two are composed by the legendary Polish composer Zygmunt KoniecznyFind albums by this artist.

The music is all mainstream oriented Jazz, with touches of Blues and Soul, very relaxed and lyrical. Serafinski composed some elegant tunes, which offer great melody lines and are superb platforms for improvisation. Konieczny is of course a Master songweaver, and his two compositions are classics.

As a sucker for the Hammond organ I simply cannot help the nostalgia / sentiment to overflow any rational approach and like the music, even if only for the great fun it brings to the listener. It does sound rather retro, but that was probably intentional, and the album has a distinct 1970s attitude, which in today’s music is a blessed whip of fresh air, rather than a sign of being old-fashioned.

The quartet offers a very unusual sound ambience, with just the organ up front, supported by the sax players, no bass (which is compensated by organ pedals) and the drums keeping the time vigorously and tastefully. Funs of Brian AugerFind albums by this artist and Graham BondFind albums by this artist will obviously find this quite familiar stylistically.

Overall, this is a very well put together album, which offers great music and excellent performances, with a focus on the Hammond organ sound, which of course makes it a must for the many lovers of this legendary keyboard. The minimalist, subdued atmosphere of this music is a welcome contrast to the terrible noise that surrounds us today most of the time.
Updated: 15/12/2021Posted: 15/12/2021CD 1 Digipak Recommend To A Friend

ANDRZEJ OLEJNICZAK ~ NEW SAX CONCERTOS
POLSKIE RADIO 1855-1856 (Barcode: 5907812248550) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2013 Released: 2014

This is a wonderful album by Polish (living in Spain) Jazz saxophonist Andrzej OlejniczakFind albums by this artist, who performs three "borderline" pieces bridging Jazz and Classical music, which feature the saxophone as the leading instrument. The album was recorded live with Olejniczak performing the music with the Polish Radio OrchestraFind albums by this artist conducted by Krzesimir DebskiFind albums by this artist. Drummer Lukasz ZytaFind albums by this artist is featured as co-soloist on one track.

The first piece, entitled "Focus Suite", was written by American composer Eddie SauterFind albums by this artist specifically for saxophonist Stan GetzFind albums by this artist, who recorded the suite in 1961 on the album entitled "FocusFind albums with this title", which to this day remains as one of the most revered Jazz recordings of all times. The original recording features Getz supported by a Jazz piano trio (pianist Steve KuhnFind albums by this artist, bassist John NevesFind albums by this artist and drummer Roy HaynesFind albums by this artist) and a small string ensemble, with the music beautifully arranged by Sauter.

The second piece, entitled "Sax Concerto For Soprano Saxophone And Symphony Orchestra, was written by American composer Mark KussFind albums by this artist in 2006.

The third piece, entitled "Jazz Concerto For Saxophone And Orchestra", was written by Polish violinist / composer / conductor Krzesimir Debski in 2008. Debski and Olejniczak were both members of the legendary Polish Jazz ensemble String ConnectionFind albums by this artist, which was active in the 1980s. The concerto was written for Olejniczak and incorporates many of the themes that appeared on the albums String Connection recorded at the time and the solo saxophone parts are based on transcriptions of the violin solos played by Debski at the time. In many respects this concerto symbolizes the closing of a time loop bringing the two great musicians together again.

The music is excellently performed by Olejniczak, who has a beautiful tone and superb technique. Although most of the music here is composed, there are plenty of opportunities for Olejniczak to express his own improvised passages, making this entire performance a once in a lifetime event. The orchestra is also top notch, supporting the soloist with elegance and obvious sympathy.

Fans of Jazz-Classical fusion will find this music right up their alley, but listeners of both Classical Music and Jazz should find this music worth their attention, especially in view of its aesthetic merits. Warmly recommended!
 CD 2 Digipak Recommend To A Friend

ANDRZEJ OLEJNICZAK / APERTUS STRING QUARTET ~ DIFFERENT CHOICE
QUADRANT 00022 (Barcode: 4040824081706) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2010 Released: 2010

Veteran Polish saxophonist Andrzej OlejniczakFind albums by this artist, who was a member of such legendary ensembles as Extra BallFind albums by this artist, Sun ShipFind albums by this artist and String ConnectionFind albums by this artist, left Poland in the mid 1980s and disappeared completely from the local scene for many years. He continued his career as a musician and educator in Spain, which is quite successful and fruitful. The idea to record an album featuring the saxophone playing with a string quartet and improvising to its accompaniment fascinated Olejniczak for many years and was finally realized in 2010, when this album was recorded in Poland with the Polish Apertus String QuartetFind albums by this artist. The music was mostly composed and arranged by the great Polish violinist / composer Krzesimir DebskiFind albums by this artist, the leader of String Connection, with Olejniczak contributing three compositions and two additional compositions being by other composers. The overall concept is to create a synthesis between Jazz and contemporary Classical music, with Olejniczak, who plays tenor and soprano saxophones, improvising at length over a pre-arranged background performed by the string quartet. This is definitely "serious" music, which has absolutely nothing to do with the popular sax & strings muzak, a music which requires attentive listening and quite an intellectual effort to follow. Olejniczak is a very experienced improviser and his tangled and convoluted solos are often challenging, and with the complex layers of the music played by the strings the total musical experience might easily prove a bit too much for a casual listener. Serious music connoisseurs however, should be able to enjoy this music profoundly. It does require several listening sessions, but the effort is definitely worth it. Such musical journeys are rare and Olejniczak (and Debski, who is definitely a major force behind this music) deserves praise and respect for pulling it through and making "different choices" indeed. It won´t probably prove to be a very "popular" album, but this is exactly the reason why such music should be made, especially at a time when Artistry is fighting for its very existence. Wholeheartedly recommended!
 CD 1 Digipak Recommend To A Friend

PANDEMIC ONO BAND ~ PANDEMIC ONO BAND
OGD 0011 (Barcode: 4582336783452) ~ JAPAN ~ Jazz-Rock Fusion

Recorded: 2021 Released: 2022

This is the debut album by Japanese quartet called Pandemic Ono BandFind albums by this artist, which consists of guitarist Yoshi MiharaFind albums by this artist, Hammond organ player Midori OnoFind albums by this artist, bassist Tetsu ToshimaFind albums by this artist and drummer Chico NishinoFind albums by this artist. The album presents ten tracks, six of which are original composition by the band members and four are arrangement of Rock and Jazz standards.

The album, which was recorded partly live and partly in the studio, sounds remarkably like something that was recorded in the late 1960s, closely resembling early Jazz-Rock recordings by Brian AugerFind albums by this artist.

The music is dominated by the Hammond C3 sound, with occasional soloing by the guitar and heavy / Rocky rhythm section accompaniment. The result is a wonderful nostalgic trip to times before these musicians were born. The quartet manages to reproduce the sound and the atmosphere so realistically, that if put to a blind test would have probably passed as a lost early British recording. Even the recording quality is a bit rough around the edges, adding to the authenticity. The original compositions are solid and the arrangements interesting, which adds to the genuine listening pleasure this album manages to achieve.

Overall, although the music does not offer anything not heard previously, it is a brilliant trip down the memory line and a sublime tribute to the early Hammond Fusion players. I’d love to hear Auger’s comment too this music. I had an absolute blast listening to this album and I hope the quartet continues to pursue this direction in the future. Very well done!
Updated: 15/10/2022Posted: 15/10/2022CD 1 Mini-Sleeve Recommend To A Friend

PANTA / DYS / SZMANDA ~ PLAY BACH / BEETHOVEN / CHOPIN / MALECKI
NOT ON LABEL (Barcode: 5902249020519) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2012 - 2013 Released: 2015

This is a tribute album dedicated to the memory of the Polish Jazz pianist / composer Marcin MaleckiFind albums by this artist, who died in 2008 after losing the battle with cancer. The material on this album was intended to be recorded by Malecki on his second album, but sadly that recording never materialized. This album recreates the ideas from the remaining scores and the piano parts are played by Krzysztof DysFind albums by this artist, together with the original members of Malecki´s trio, bassist Pawel PantaFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. As the title suggests, the album includes two original compositions by Malecki and five arrangements of classical pieces. The music was fabulously recorded at the Studio Tokarnia with Jan SmoczynskiFind albums by this artist at the helm, as always.

The music is everything one might expect from a Jazz-Classical Fusion album, with clever arrangements of well known Classical pieces beautifully performed by first class musicians, who are amongst the best on the Polish Jazz scene. Kept well within the mainstream Jazz conventions, the music manages to keep the listener on his toes mainly due to the virtuosic performances by all three members of the trio. Dys reveals his Classical roots and his wonderful ability to swing, Panta plays complex yet natural bass lines and Szmanda vigorously keeps things swinging, with a great drums solo displaying his abilities.

This is as good a classic Jazz piano trio album as they come and every fan of piano trio should enjoy this to the max, especially those people who like Jazzy interpretations of Classical music. It is also a beautiful example of friendship and honoring a friend´s memory, which is commendable, especially in a world where every man for himself seems to be the leading motto. Well done Gentlemen!
Updated: 22/02/2017Posted: 22/02/2017CD 1 Digipak Recommend To A Friend

PARKER / TRZASKA / EDWARDS / SANDERS ~ CITY FALL
FSR 2016/04 (Barcode: 5905279364097) ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 2014 Released: 2016

This is a live recording by a Free Jazz / Improvising Music quartet, which comprises of three British musicians: legendary saxophonist Evan ParkerFind albums by this artist, bassist John EdwardsFind albums by this artist and drummer Mark SandersFind albums by this artist and Polish saxophonist / clarinetist Mikolaj TrzaskaFind albums by this artist. The quartet performs just three lengthy improvisations, the first of which resides on the first CD and the other two reside on the second CD of this 2CD set. All music is credited, as appropriate in such circumstances, to all four members of the quartet. The music was recorded during a concert in London´s Café OTO.

Anybody familiar with the British Free Jazz scene will recognize the names of the British musicians as top representative of the genre and the same applies of course of people familiar with the parallel Polish scene, where Trzaska is considered as a unique phenomenon not only as Free Jazz player / leader but also as one of the most important contemporary composers of cinematic music.

The music captured on this album testifies as to the immediate rapport between the players, especially so between Evans (born 1944) and Trzaska (born 1966), who keep exchanging licks, phrases and vast amounts of energy between them for the entire duration of the concert, which often sounds superhuman in its intensity. The age difference seems to be completely inconsequential, which of course does not surprise me at all as my pairing of Trzaska with the Israeli clarinetist Harold RubinFind albums by this artist (born 1932) was similarly successful. In fact the saxophone duets, performed without the rhythm section, are some of the most fascinating moments on this album and I´d love to hear more of those.

As far as live albums of Free Jazz / Improvised Music are concerned, my opinion usually is that the music was primarily intended for those people who attended the concert and in recorded form the music loses most of its authenticity, energy and spirit, and becomes significantly less relevant. This album is one of the relatively few exceptions, probably due to the class of the musicians involved and the comradeship between them, and as a result hearing the music in recorded form is still very emotionally involving and aesthetically pleasing.

Of course this music is strictly for connoisseurs of this specific idiom and people who seek entertainment in their musical escapades should avoid this music at all cost. Those brave hearted few who enjoy the organized madness should have a most wonderful time while this music lasts, especially since meetings like these are usually a one time only events. Strong stuff!
Updated: 03/01/2017Posted: 03/01/2017CD 2 Mini-Sleeve Recommend To A Friend

PAST PRESENT & ANDREW D`ANGELO ~ SHORT PIECES
HEVHETIA 0148 (Barcode: 8588005258098) ~ NORWAY ~ Free Jazz / Improvised Music

Recorded: 2018 Released: 2018

This is the debut album by a collaboration between the Norwegian duo Past PresentFind albums by this artist, comprising of trumpeter Simen Kiil HalvorsenFind albums by this artist and bassist Alexander HoholmFind albums by this artist, and American saxophonist Andrew D`AngeloFind albums by this artist. Three guest musicians: pianists Pete RendeFind albums by this artist and Elias StemesederFind albums by this artist and drummer Jim BlackFind albums by this artist appear on selected tracks. The album presents ten original improvised pieces, all unusually short (under four minutes in duration) credited to the participating musicians.

The music is surprisingly very melodic, especially in view of its improvisational nature, with the Nordic melancholy omnipresent. The melody lines are often stated and soon after left to reverberate before the improvisation takes over. The concept of creating only short pieces of music proves to be successful in this case, as Improvised Music more than often suffers from overstated and in the long run repetitive exploration leading nowhere, which is completely avoided in this case.

Perhaps the idea is based in the minimalist approach, which simply puts forward a musical idea and than lets the listener to fill the blanks. One way or another these short pieces stimulate curiosity and interest, but often leave the listener surprised, when the music is unexpectedly over.

Overall this is a very interesting Improvised Music / Free Jazz statement, which manages to stick to the European aesthetics of non aggressive coexistence, which helps the music to be acceptable to listeners from outside of the relatively closed sphere of Avant Garde aficionados. Definitely worth exploring!
Updated: 17/12/2018Posted: 17/08/2018CD 1 Digipak Recommend To A Friend

JACO PASTORIUS BIG BAND ~ THE WORD IS OUT!
HEADS UP 3110 ~ USA ~ Jazz

Recorded: 2005

2nd album by the Jaco PastoriusFind albums by this artist tribute Big Band, expanding the idea of the debut album recorded a couple of years earlier. The concept remains the same, i.e. to feature Jaco’s compositions and the best bass guitar players on the scene to pay tribute to his genius as a composer and instrumentalist. The Big Band this time is strengthened by the presence of a huge selection of exceptional jazz musicians, all Masters of their respective instruments: Randy BreckerFind albums by this artist, Mark EganFind albums by this artist, Peter ErskineFind albums by this artist, Bob MintzerFind albums by this artist, Arturo SandovalFind albums by this artist and many more. With a band of such distinguished and able players the music is just perfect in every sense. Of course Pastorius deserves all of it, considering his enormous contribution to the development of jazz and fusion. There is no need to explain any further – if you like Pastorius and bass guitar, you will love this album to bits.
 CD 1 Recommend To A Friend

JACO PASTORIUS BIG BAND ~ WORD OF MOUTH REVISITED
HEADS UP 3078 ~ USA ~ Jazz

Recorded: 2003

1st album by the Jaco PastoriusFind albums by this artist tribute Big Band, conducted and led by Peter GravesFind albums by this artist. Graves was the leader of the Big Band, in which Pastorius played for five years (1970-1975) and where he perfected his chops, before leaving to record his eponymous debut album and then joining Weather ReportFind albums by this artist, where he stayed for another five years (1976-1981). Pastorius revolutionized the way bass guitar would be played from his days onward and earned a momentous respect for the instrument, placing it alongside the leading instruments in any musical setting. He died in tragic circumstances in 1987. Graves collected some of the original Big Band members, added many superb contemporary players and invited the best bass players on the scene (Marcus MillerFind albums by this artist, Jimmy HaslipFind albums by this artist, Gerald VeasleyFind albums by this artist, Victor BaileyFind albums by this artist, and others) to create this tribute recording. The music includes tunes from the early Big Band days, Jaco’s solo albums and Weather Report albums. The band swings like hell, the bassists fly and soar and the music is exceptional all the way through. Between the music tracks there are inserts of Jaco’s spoken commentary during the recording sessions of his albums, which enhance the atmosphere and make this recording even more special. For any Pastorius or / and bass guitar fan this is a wet dream come true – an absolute must! This enhanced CD includes bonus material and a link to video clips documenting the recording session.
 CD 1 Digipak Bonus Tracks Recommend To A Friend

PIIRPAUKE / TAPIO TUOMINEN TRIO / PORI BIG BAND / TAPIOLA BIG BAND ~ JAZZ LIISA VOL. 15 & VOL. 16
SVART 097 (Barcode: 6430065583509) ~ FINLAND ~ Jazz

Recorded: 1975 - 1977 Released: 2017

The "Popstudio" / "Jazzstudio" broadcasts were usually dedicated to one band / artists, but in some cases two acts were combined into one show, which allowed each of them just about twenty minutes to perform, as is the case on the first show included here. The other two sessions were recorded on different dates.

PiirpaukeFind albums by this artist, founded in 1974 by saxophonist / keyboardist / composer Sakari KukkoFind albums by this artist and still active today forty-five years later, was one of the first European Jazz-World Fusion ensembles. It includes initially also guitarist Hasse WalliFind albums by this artist, bassist Antti HyttiFind albums by this artist and drummer Jukka WasamaFind albums by this artist. Synthesizer player Otto RomanowskiFind albums by this artist appeared as an associate member. This live radio broadcast captures the group before the release of their eponymous debut album, which created quite a stir at the time. They perform three pieces; one composed by Kukko and two unique arrangements by the group members of folk songs: one Romanian and the other Karelian in origin. Both folk songs were included on the a.m. debut album. The music is a wonderful amalgam of modern Jazz, sometimes with freely improvised parts, and folkloristic inspirations, which will become the modus operandi of the group.

Saxophonist Tapio TuominenFind albums by this artist and his trio, which also included bassist Jorma KoivulehtoFind albums by this artist and drummer Jukka WasamaFind albums by this artist, represent the Finnish Free Jazz movement, which flourished in the 1970 and led to high local activity as well as international cooperation with other European players, including those from Poland and other East European countries. The trio plays three original compositions credited to Wasama, but obviously presenting a group improvisation effort. Similarly to the material presented by the Wasama - Tuominen TrioFind albums by this artist, presented on an earlier release of the "Jazzstudio" sessions, the music is typical of European Free Jazz at the time, highly inventive and emotional, which lost nothing of its power over time.

The 1970s were hay days for the Finnish Big Bands and several were active in parallel at the time, which for a country of the size of Finland was absolutely phenomenal. One of the factors that enabled this to happen was the solid local and national financial support available for Arts at the time, and combined with the number of young Jazz musicians flooding the scene and involvement of semi-professional / amateurs evolved into a heaven on earth for Big Band enthusiasts.

Pori Big BandFind albums by this artist, founded in 1971 and still active today, was led over the years by top Finnish musicians / instrumentalists and has an impressive legacy of recordings to its credit. It is traditionally featured during the annual Pori Jazz Festival. On this live radio broadcast the Big Band was conducted by bassist / composer Markku KokkoFind albums by this artist and performed two original compositions: one by trombonist / composer Kaj BacklundFind albums by this artist and one by Kokko.

Tapiola Big BandFind albums by this artist, founded in 1970 by Martti LappalainenFind albums by this artist and still active today, included many top Finnish musicians over time, some of which were double billing as members of the Mother Ship of the Finnish Big Band scene, the UMOFind albums by this artist Orchestra. On this live radio broadcast the Big Band was conducted by Lappalainen and included a crème de la crème lineup of Finnish Jazz musicians and performed two pieces: one original composition by Mike KoskinenFind albums by this artist and an arrangement of a folk song by Eero KoivistoinenFind albums by this artist.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz connoisseurs this is an absolute must have!
Side Note
The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.

The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.

The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.

This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.
Updated: 15/06/2020Posted: 15/06/2020CD 1 Remastered Recommend To A Friend

POLISH RADIO JAZZ ORCHESTRA / ANDRZEJ KURYLEWICZ ~ POLISH RADIO JAZZ ARCHIVES VOL.23
POLSKIE RADIO 1875 (Barcode: 5907812248758) ~ POLAND ~ Jazz

Recorded: 1964 Released: 2015

This is the twenty-third installment in the series of releases initiated by the Polish Radio, which presents archive Jazz recordings from the radio vaults. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only available additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venues, including the annual Jazz Jamboree Festival and many other festivals as well.

The nineteen tracks collected here were recorded in 1964 by the Polish Radio Jazz OrchestraFind albums by this artist conducted by pianist / trumpeter / trombonist / composer Andrzej KurylewiczFind albums by this artist. Sixteen tracks were recorded by the Polish Radio Studio during various sessions and three were recorded live during the seventh Jazz Jamboree Festival. The orchestra included at the time several well known musicians, like saxophonists Michal UrbaniakFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist, vibraphonist Jerzy MilianFind albums by this artist and others. The material is a mixture of Jazz standards (five tracks) and original compositions by Polish Jazz composers: Jan Ptaszyn WroblewskiFind albums by this artist (six tracks), Jerzy Milian (three tracks), Andrzej Trzaskowski (two tracks), Edward DylagFind albums by this artist (two tracks) and Michal Urbaniak (one track).

The arrangements and orchestrations are firmly based in the American Big Band tradition, but the overall sound of the orchestra already shows the European approach and the majority of original compositions reflects the tendency to find a new path, which will take big format Jazz another step forward in the years to follow. Of course the individual performances, soloing and orchestral harmonization are all top-notch. In the historic perspective this is a superb document of the transition between the American influenced Jazz and the emancipated European Jazz that is about to erupt, including the big format Jazz environment. Trzaskowski, of course, was definitely one of the pioneers of this new movement, and his influence was crucial as far as the Polish Jazz is concerned, prompting and leading it to make the shift.

The beautifully restored sound quality is excellent and the warm ambience of the analog recording is a true joy. As usual with this series, which is very reasonably priced, I miss the presence of "in depth" liner notes / booklet, which should convey the circumstances at which this music was recorded and its importance to the development of Jazz in Poland. Nevertheless this is an absolutely essential piece of Jazz history which every Jazz fan will surely consider an absolute must.
 CD 1 Digipak Remastered Recommend To A Friend

MARCO POSTACCHINI BIG BAND ~ ONE FINGER SNAP
ALFA MUSIC 269 (Barcode: 8032050022307) ~ ITALY ~ Big Band Jazz

Recorded: 2022 Released: 2022

This is an album by a Big Band led by Italian Jazz saxophonist / flautist / composer / arranger Marco PostacchiniFind albums by this artist. Two guest vocalists appear, each on two tracks. The album presents nine tracks, two of which are original compositions by the leader and the rest are Big Band arrangements of Jazz / Pop standards and Brazilian songs.

The music is all well within mainstream Jazz, with typical Big Band arrangements, strongly influenced by the American tradition of orchestral Jazz, with emphasis on uniform harmonious performances spiced by numerous soli by the participating musicians.

In contrast to the European Big Band tradition, which is more about the ensemble sound of the Big Band as a multi-headed performer, this album sounds similar to Count BasieFind albums by this artist or other Broadway orchestral ensembles, presenting a slick, polished and glamorous sound, which swings elegantly, inviting the listener to dance rather than listen attentively.

Nevertheless, the performances are highly professional, well-coordinated and technically perfect, and the music is very well recorded with good separation enabling the listener to hear the individual instruments.

Overall, this is a highly entertaining Big Band album, full of swinging music that makes the ass move involuntarily, and is a great fun to listen to. For listeners who love American Big Band music, which was at its peak in the middle of the last Century, this is heaven on earth.
Updated: 21/12/2022Posted: 21/12/2022CD 1 Mini-Sleeve Recommend To A Friend

PRAGUE BIG BAND ~ PODOBIZNA (PORTRAIT)
GALEN 19 158 (Barcode: 8594042901675) ~ CZECH REPUBLIC ~ Jazz

Recorded: 1977 Released: 2019

This is a reissue of the superb debut album by the Prague Big BandFind albums by this artist, founded in 1974 and led to this day by Czech pianist / arranger / composer / bandleader Milan SvobodaFind albums by this artist. At the time this album was recorded the Big Band included some of the most prominent Czech Jazz musicians active on the local scene, including flautist / saxophonist Jiri StivinFind albums by this artist, trumpeter Michal GeraFind albums by this artist, trombonist Bohuslav VolfFind albums by this artist, pianist Michael KocabFind albums by this artist and many others. The album presents six original compositions (one being a three-part suite), two composed by Svoboda and one each by Volf, Gera, Kocab and Stivin. This remastered edition offers a splendid sound quality and preserves the ambience of the original recording.

Although the Big Band was initially set up according to the mold created by the American Big Band tradition, it soon changed to reflect more of the East European Jazz spirit, reflected best by the original compositions by the leader and other members of the Big Band, as well as the as the impending changes within the Jazz idiom, as reflected on this album.

Before the "Velvet Revolution" Svoboda and his Prague Big Band managed to record two more excellent albums for the state owned SupraphonFind albums on this label label: "ReminiscencesFind albums with this title" and "Poste RestanteFind albums with this title" and the live Big Band album "GeminiFind albums with this title" recorded in the US, as well as the excellent album "InterJazz 5Find albums with this title" recorded with The Czech / Polish Big BandFind albums by this artist, which featured an absolute dreamy lineup. Later on more Big Band recordings followed.

Svoboda and his Prague Big Band managed to record a string of highly successful albums, all of which are warmly recommended, but this iconic album, available here on CD for the first time, is a true gem of special significance.

For connoisseurs of Orchestral / Big Band Jazz this album is an absolute must and a wonderful example of the European Jazz idiosyncrasy.
Side Note
The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge.

For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.
Updated: 04/06/2020Posted: 04/06/2020CD 1 Digipak Remastered Recommend To A Friend

ANDRZEJ PRZYBIELSKI ~ ABSTRACT
NOT TWO 761 ~ POLAND ~ Jazz

Recorded: 2003 Released: 2005

This is the first album recorded by Polish Avant-Garde Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist with the fantastic rhythm section of Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, and a unique document of the genius of Przybielski at work. The sessions, completely spontaneous and unplanned, capture on the spot improvisations by the trio, based of sketchy melodies and somewhat chaotic instruction given to the two "youngsters" by the legendary player seconds before the music starts.

The relaxed atmosphere of this sessions and apparent good mood of the leader (the tape keeps running when he makes his little jokes) results in some of the best moments of Przybielski´s playing ever, full of energy, Godly inspiration and great talent. Unfortunately with Przybielski´s untimely death in February 2011, all we have lest are his rather scarce recordings, which should be cherished for generations to come.

It´s interesting to compare this recording with the posthumously released "De ProfundisFind albums with this title", recorded by the same trio, some seven years apart. Some of the music on both recordings originated in the same themes, but is completely different of course. This music is an absolute treasure in every respect and one can only hope that more people will discover this music, now saved for posterity. Absolute must to all Avant-Garde Jazz connoisseurs!
Updated: 12/04/2019Posted: CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ PRZYBIELSKI ~ DE PROFUNDIS
FENOMMEDIA 011 (Barcode: 5907604327111) ~ POLAND ~ Jazz

Recorded: 2010 Released: 2011

Recently deceased Polish trumpeter / composer Andrzej PrzybielskiFind albums by this artist was without a doubt one of the greatest Polish Jazz musicians of all times. This fact is known only to a very small group of "insiders", familiar with his playing and his role in history of Polish Jazz, mostly on the Avant-Garde scene, but nevertheless is an undeniable fact. Przybielski was a genius in every respect. His eccentric personality, erratic behavior, alcohol and drug abuse, lack of basic life and organizational skills have placed him on the outskirts of society and only when on stage or in a recording studio his figure would be surrounded by a divine aura and his trumpet would utter some of the most profound sounds ever produced by a human.

It´s hardly surprising that his recorded legacy is truly pitiful and a "career" spanning over 50 years did not produce even one proper recording as a leader. I feel especially lucky in this case, as Przybielski did play on my "The Book Of JobFind albums with this title" production, contributing another small document of his amazing talents. In the last decade of his life Przybielski was associated with the Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Barlomiej Brat OlesFind albums by this artist, Poland´s most formidable Free Jazz rhythm section.

This album features a live trio performance by Przybielski with the Oles Brothers, recorded in April 2010 (10 months before his death). They perform five pieces, three of which are credited to Przybielski and the other two to the trio. The music is perfectly suited for the extended improvisations by all the participants, which are the basis of this music. The recording and sound qualities are very good, which adds greatly to the overall effect.

The level of musicianship is of course phenomenal and this album ranks among the best Free Jazz albums recently recorded that I happened to listen to. Every moment is simply breathtaking, every sound just right, every note magnificent. Having said that, the fact that Przybielski is no longer with us makes me franticly regret the fact that more such music was not recorded. This is an absolute must and all those Tomasz StankoFind albums by this artist fans out there, please listen to this music and discover his unknown soul brother. Brilliant!
Updated: 12/04/2019Posted: CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ PRZYBIELSKI ~ SESJA OPEN
NOT ON LABEL ~ POLAND ~ Jazz

Recorded: 2005 Released: 2011

The fact that this is the only recording session as a leader by the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist is truly shocking, especially since it was only released recently following his tragic and untimely death in February 2011. Although Przybielski took part as a sidemen in numerous Polish Jazz recordings, his tragic life story ridden by a plethora of personal issues (mental instability, drug addiction, sociopathic behavior and reclusion) is equivalent to the amount of misfortune found in a Greek Tragedy, making him a rare bird and an outsider, known almost exclusively only by other Polish Jazz musicians. And yet, he was a true musician´s musician, as his genius was usually appreciated only by those, who were able to understand how great his talent truly was. In retrospect Przybielski had only one peer on the Polish scene, the great Tomasz StankoFind albums by this artist, even if their respective careers were so diametrically different. Przybielski´s tone, phrasing, speed and inventiveness, clarity, consistency and versatility are so amazing, that (again in retrospect) his existence is not only Polish Jazz best ever kept secret, but a phenomenon worthy of a worldwide attention. This album, recorded almost by accident, was supposed to present Przybielski´s regular quartet led by him in the last years of his life with vibraphonist Karol SzymanowskiFind albums by this artist, bassist Grzegorz NadolnyFind albums by this artist and drummer Grzegorz DaronFind albums by this artist. However the vibraphonist could not take part in the session and was replaced at the last moment by saxophonist Yuriy OvsyannikovFind albums by this artist. The recording consists of eight original compositions by Przybielski, brilliantly executed by the quartet, mostly in a Free Jazz mood, but with clearly stated melodic themes and completely coherent rhythmic support, which keeps it well inside the realm of music most Jazz enthusiasts are able to enjoy. Of course "hearing is believing" in this case, so until you do you have to take my word for it – but it probably will be one of the best Jazz trumpet performances you ever experienced. Of course one mustn´t miss Przybielski´s "De ProfundisFind albums with this title" with the Oles BrothersFind albums by this artist (also released posthumously). I personally take a huge pride in the fact that Przybielski played on my production of "The Book Of JobFind albums with this title", which gave me the personal delight to watch him play at first hand. The album was released by a foundation, dedicating the proceeds to a production of a multimedia album about the life and Art of Andrzej Przybielski – only 500 copies of this album were pressed (´nuff said!).
 CD 1 Recommend To A Friend

ANDRZEJ PRZYBIELSKI ~ TREN ZALOBNY
MULTIKULTI 017 (Barcode: 5907529223178) ~ POLAND ~ Jazz

Recorded: 2008 - 2009 Released: 2011

This is the third posthumous release (in a few months) by the great Polish Avant-Garde trumpeter / composer Andrzej PrzybielskiFind albums by this artist, which is about as many albums as he released under his name during his entire life. This sad statistic once more reminds us that Art should be appreciated preferably while the Artist is still with us rather than when he´s gone. But, "better late than never", which is a solace for the fools, applies nevertheless. This album collects the recordings (both live and studio) Przybielski made with two young musicians: bassist Jacek MazurkiewiczFind albums by this artist and drummer Pawel OsickiFind albums by this artist, which were one of his last projects. The music is quite different from the acoustic trio performances with the Oles BrothersFind albums by this artist, as it also includes some electronically generated sound layers, vocal parts (with Przybielski´s distinctive voice) and other effects, which expand the scope significantly. In many respects this is a lesser known side of Przybielski´s activity, although he was involved with many innovative projects his entire life, some of which lied well beyond the Jazz idiom. Of course the music is brilliant and challenging as always in his case and attentive and open-minded listeners should find here an unusual and most rewarding musical experience. The album is an overwhelming proof of Przybielski´s versatility and complete disregard of conventions and limitations, which makes his untimely death even more tragic, as he definitely was one of very few of his class. Modern Avant-Garde Jazz lovers rejoice!
Updated: 12/04/2019Posted: CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ PRZYBIELSKI / CUSTOM TRIO ~ ANDRZEJ PRZYBIELSKI & CUSTOM TRIO
POLONIA 273 ~ POLAND ~ Jazz

Recorded: 2001 Released: 2001

This is the second album by legendary Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist with the Custom TrioFind albums by this artist, which consists of saxophonist Janusz SmykFind albums by this artist, bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist – Poland´s most respected Free Jazz rhythm section). The music was recorded live at a coffee house in Bydgoszcz, a town where Przybielski lived and which is an important center of Polish Free Jazz / Improvised Music activity. They perform seven original compositions, all composed by Przybielski except one co-composed with Tymon TymanskiFind albums by this artist, another legendary Polish Jazz figure and the pioneer of Yass. Sadly the sound quality is truly sub-standard, almost certainly captured on a portable cassette recorder, which hampers the otherwise sublime musical experience.

The music is of course simply magnificent, presenting the essence of Free Jazz at its absolute apex, performed with flair and complete dedication. Przybielski is at top form and his solos soar straight to heaven. The young and relatively little known Smyk also plays like there is no tomorrow, standing firmly shoulder to shoulder with the Maestro. The fabulous rhythm section drives the entire vehicle forward ceaselessly with outstanding energy and drive. In retrospect there are very few other Polish Jazz recordings of this kind, which can be considered similar in quality and importance.

Just a decade after this recording was made Przybielski died, neglected, lonely and forsaken. His talent was never recognized and appreciated during his lifetime, his complex personality and behavioral abnormalities estranged him from society and of course the establishment. Like so many great Artists the recognition, albeit marginal, was absolutely too little, too late. Therefore this album is another important piece of the limited legacy Przybielski left us to remember him by and of course an essential piece of Polish Jazz history.
Updated: 02/01/2017Posted: CD 1 Recommend To A Friend

ANDRZEJ PRZYBIELSKI & OLES BROTHERS ~ SHORT FAREWELL
AUDIO CAVE 2021/001 (Barcode: 5908298549209) ~ POLAND ~ Avant-Garde Jazz

Recorded: 2003 Released: 2021

This is an archival album presenting recordings made by the legendary Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist, with the superb rhythm section consisting of bassist Marcin OlesFind albums by this artist and his twin brother Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist). These recordings were considered lost for all these years until now, and after being miraculously recovered and restored, are presented here for the first time. The album presents eleven original compositions, one twelve minutes long and the others running from just under half a minute and up to about four minutes. Three of the compositions are credited to Przybielski, six to Oles Brothers, one to the trio and finally one to Bartlomiej Oles.

Przybielski and Oles Brothers recorded together several times, going back to the turn of the Millennium. First they recorded two albums with the Custom TrioFind albums by this artist, which featured the Oles Brothers: “Free BopFind albums with this title” and “Andrzej Przybielski & Custom TrioFind albums with this title”. At the time the music included here was recorded (2003), they recorded the album “AbstractFind albums with this title” and some years later (2010) they recorded the album “De ProfundisFind albums with this title”. This album is of course a precious addition to their common recorded legacy and a historic document of the outmost importance.

Przybielski, who died in 2011, was one of Polish Jazz most idiosyncratic figures, a fearless Avant-Gardist and a loner, who was rejected by the local Jazz mainstream and its establishment and as a result was offered relatively few opportunities to record and perform, always acting on the artistic fringe. His sublime technique allowed him to play with heartbreaking lyricism and uncompromising honesty, which sadly was recognized by but a few. I was extremely lucky and fortunate to meet and work with Przybielski during the recording of “The Book Of JobFind albums with this title” album, which left an immense impression on me at the time.

It is great to see that Przybielski and his music are not forgotten and are preserved by those who knew and worked with him, carrying the legacy to the next generations. Projects, like this one, are beautiful examples of preservation of High Culture, especially in days when the world is being drowned is mindless excrements.

For true fans of Polish Jazz and European Avant-Garde, this album, despite its short playing time, is an absolute must, of course, literally worth its weight in gold. It would be sacrilegious to treat this music as accidental “leftovers” and it deserves to be treated with love and respect. A great memorial gesture celebrating the tenth anniversary of Przybielski’s premature departure.
Updated: 11/03/2021Posted: 11/03/2021CD 1 Digipak Remastered Recommend To A Friend

RAGTIME JAZZ BAND ~ RAGTIME JAZZ BAND (POLISH JAZZ VOL.07)
MUZA 1007 (Barcode: 5907783420078) ~ POLAND ~ Jazz

Recorded: 1966 Released: 2006

The Traditional Jazz (a.k.a. Trad) is a term describing several Jazz sub-genres, which were stylistically developed mostly in the early 20th Century, and includes a plethora of quite distinct types of music including Ragtime, New Orleans, Dixieland and others. With the development of modern Jazz in the 1950s, a parallel movement of "returning to the roots" swept the Jazz world and a plethora of Trad groups appeared everywhere, including of course the lively Polish Jazz scene. Trad was especially popular with Polish students, and most Polish Trad group originated in the various Universities around the country. Ragtime Jazz BandFind albums by this artist, formed by cornet player Wladyslaw DobrowolskiFind albums by this artist in 1962, comprised of student from Warsaw. The septet lineup crystallized rapidly and the group gained popularity first around Poland and later also abroad. It was considered as one of the best Trad bands on the Polish scene and this is their only album. The group managed to enlist the help of excellent Swedish trumpeter Hans CarlingFind albums by this artist, turning the group into an octet for most of the tracks included on the album. The music is all original, composed by the group´s members and is absolutely brilliant from start to finish, definitely as good as any such music played at the time around the world. In retrospect it´s a real gem and a proud evidence of how good the Polish Jazz scene was at the time. Recommended!
 CD 1 Digipak Remastered Recommend To A Friend

ANDREA REA ~ IMPASSE
LOSEN 166 (Barcode: 7090025831669) ~ ITALY ~ Jazz

Recorded: 2015 Released: 2016

This is the third album by Italian Jazz pianist / composer Andrea ReaFind albums by this artist, recorded in a classic piano trio setting with bassist Daniele SorrentinoFind albums by this artist and drummer Marcello Di LeonardoFind albums by this artist. The album presents seven pieces, three of which are original composition by Rea, one is an original by Sorrentino, one is an arrangement of an Italian Pop song and two are standards.

The music is mainstream modern Jazz, which is melody based but ventures into more adventurous territory, like most contemporary European Jazz, using the melody as a vehicle to explore more open harmonic and rhythmic structures. Both the original compositions and the arrangements of the compositions originating from outside the trio are all very solid and the album manages to generate a cohesive musical vista, which flows elegantly from one piece to another.

The personal contributions are all very well executed, with the trio functioning organically as a unified music making organism. As usual in such circumstances, the piano is at the center of the listener´s attention, but the rhythm section supports the leader amicably and adds greatly to the flow and natural movement of the music. Rea manages with ease both the low key ballads and the up tempo numbers and his stylistic idiosyncrasies should make the connoisseurs of piano trio Jazz music very happy.

Overall this is a pleasant and yet definitely not trivial album, which is accessible by listeners well outside of the hardcore Jazz enthusiasts and which should keep fans of piano trios very happy. Definitely worth investigation!
Updated: 30/01/2017Posted: 30/01/2017CD 1 Mini-Sleeve Recommend To A Friend

BUDDY RICH BIG BAND ~ VERY ALIVE AT RONNIE SCOTT`S
BGO 785 (Barcode: 5017261207852) ~ USA ~ Jazz

Recorded: 1972 Released: 2008

Drummer / bandleader Buddy RichFind albums by this artist was for many years an iconic figure on the US Jazz scene, first as drummer in big bands led by Artie ShawFind albums by this artist and Tommy DorseyFind albums by this artist and later as a leader of his own Big Band. His incredible technique, speed, power and inventiveness as well as his personal charisma and a dry sense of humor soon awarded him the title of “the world’s greatest drummer”, which was largely true as far as mainstream / swing Big Band Jazz was concerned. His bands featured over the years some of the best players on the scene and the music was meticulously arranged to achieve the maximal effect as far as Big Band sound is concerned. This wonderful album, recorded live at the legendary Ronnie Scott’s club in London, is probably one of the best recordings Rich ever made. The club’s intimate atmosphere and sympathetic crowd, as well as the acoustics of the venue, contribute greatly to the music, which is performed with flair and vengeance. For Big Band enthusiasts this is an absolute must, and it serves as a great document of the era as well as the Big Band phenomenon, which is almost gone today. Wholeheartedly recommended!
 CD 2 Slipcase Remastered Recommend To A Friend

ANDRII SACHEVA ~ ELUSIVE SIGNS
SJ 021 (Barcode: 5912596066245) ~ UKRAINE ~ Jazz-Rock-World Fusion

Recorded: 2016 Released: 2017

This is the debut album (an EP lasting just under twenty minutes) by the Ukrainian (resident in Poland) violinist / multi-instrumentalist / composer Andrii SachevaFind albums by this artist. The album was recorded by various lineups involving musicians from six different countries. The five tracks on the album, all original compositions by Sacheva, feature female vocalists, and in the case of three of them it is the Polish vocalist Julia KaniaFind albums by this artist, who also wrote the English lyrics for these songs. Other young Polish participants are keyboardist Bartosz KalickiFind albums by this artist, bassist Mateusz SzewczykFind albums by this artist and drummer Liliana ZieniawaFind albums by this artist.

The music is basically melodic Pop with rich instrumental arrangements, which include in addition to the conventional instruments also some electronically generated sounds. The arrangements are elaborate and include some cross-genre influences from Jazz, World and Ambient music. The overall sound and atmosphere of the music is rather somber and melancholic, quite appropriate for soundtrack of a mystery / thriller movie.

Sacheva plays a plethora of instruments in addition to the violin, but his performances on this album are not extensive enough to learn in depth about his abilities as an instrumentalist. Judging by whatever can be heard he is definitely a gifted musician. The performances by all the other participants are first-rate, especially the vocalese parts by Lithuanian vocalist Ida SevelkaityteFind albums by this artist on one track.

Overall this is a promising debut effort, but still very ambivalent musically. Although these tracks present a coherent approach, the exact stylistic maturity is still to be clarified in the future, which of course usually happens in time.
Updated: 30/09/2017Posted: 30/09/2017CD 1 Mini-Sleeve Recommend To A Friend

SAMO SALAMON / ARILD ANDERSEN / BOB MOSES ~ PURE AND SIMPLE
SAMO ~ SLOVENIA ~ Jazz

Recorded: 2021 Released: 2022

This is an album by Slovenian Jazz guitarist Samo SalamonFind albums by this artist, recorded in a trio setting with two Jazz icons: Norwegian bassist Arild AndersenFind albums by this artist and American drummer Bob MosesFind albums by this artist. The album presents nine tracks, five of which are original compositions co-composed by the trio members, one is co-composed by Salamon and Moses, one each are by Anderson and Moses and finally one is the trio’s interpretation of a standard by Albert AylerFind albums by this artist.

The music is absolutely delightful, based on sketchy melody lines and improvised extensively, keeping the volume low and the creativity high at all times. Salamon is an amazing guitar player, with an extensive recorded legacy to his credit, and a respectful position on the scene, despite his relatively young age. His guitar creates ambient layers of sound, which are completely unique, which is truly astounding considering the fact that the guitar is after all the most popular instrument out there.

Andersen, my favorite bass player of all time, provides the melodic layer with his virtuosic plucking and amazing sound. I have known him for almost as long as I have listened to music, and never heard him play anything less than heart wrenchingly beautiful. He is probably the most melodic bass player among his peers, and this album clearly shows why. Moses goes back to the sources of modern Jazz and his equally unique approach to drumming and sense of rhythm is obviously legendary. On this album his playing is kept somewhat at a distance, but at the same time present at all times, adding a heartbeat pulse and keeping the music on a chronometric track.

Overall, this is a brilliant and highly unusual album, full of superb playing and Jazz aesthetics of the highest caliber. If Salamon is a new name for you, it’s high time to catch up, as he is definitely a musician to put on one’s watch list. If you are a guitar player, well listening to this album might make you think twice about your future. If you love great Jazz, this album is an absolute must!
Updated: 21/07/2022Posted: 21/07/2022CD 1 Digipak Recommend To A Friend

OLE MARIUS SANDBERG ~ ENSEMBLE
SKARET 03 (Barcode: 7041882498489) ~ NORWAY ~ Jazz

Recorded: 2017 Released: 2018

This is the third album by Norwegian bassist / composer Ole Marius SandbergFind albums by this artist recorded in a quartet setting with saxophonist / clarinetist Eirik HegdalFind albums by this artist, pianist Erlend SlettevollFind albums by this artist and drummer Stein Inge BraekhusFind albums by this artist. Guitarist Thomas T DahlFind albums by this artist guests on four tracks and drummer Steinar KrokstadFind albums by this artist on one track. The album presents seven original compositions, all by Sandberg.

The music is modern Jazz with strong Scandinavian ties, full of melancholy and introverted, slowly developing themes. Although melody based the album offers a lot of freedom and open improvisation, contributed mostly by the saxophone and clarinet, which is especially impressive. All the compositions are well structured and offer elegant harmonic structures, which are ideal vehicles for the improvised parts. The level of the compositions is consistently excellent and they are intelligent and emotional at the same time.

The level of execution is also very high, with Hegdal being mostly up front weaving his unusual improvisational magic. Slettevoll balances the music with strictly melodic chords structures and graceful solos. Sandberg steers the music forward and keeps the flow with his strong bass structures and Braekhus adds the rhythmic layer subtly and with great sensitivity. The four tracks featuring Dahl definitely benefit from his contribution.

Overall this is an excellent European Jazz / Scandinavian Jazz album, which should make all modern Jazz fans happy, regardless of their location. It shows the versatility and ingeniousness of contemporary European Jazz scene, which refuses to stand still and keeps constantly reinventing the idiom. Highly recommended!
Updated: 20/02/2018Posted: 20/02/2018CD 1 Digipak Recommend To A Friend

ARTURO SANDOVAL ~ DEAR DIZ
CONCORD 33020 ~ CUBA ~ Jazz

Recorded: 2011 Released: 2012

This is a wonderful tribute album to the legendary trumpeter / composer Dizzy GillespieFind albums by this artist, one of the Godfathers of Bebop and Jazz most important innovators. This loving project is executed by Cuban trumpeter / composer Arturo SandovalFind albums by this artist, who always considered Diz as a father figure. Sandoval expressed his gratitude to the man is his book "Dizzy Gillespie – The Man Who Changed My Life" and this album is in many respects an extension of this book. Diz of course helped Sandoval to escape from Cuba and move to the US and later in the process of establishing a name for himself on the US scene.

Sandoval selected ten Jazz standards, nine of which were composed or co-composed by Diz and added a song especially written by him for this album. All the music was arranged in contemporary fashion, using many different settings, utilizing an orchestra and even a string quartet. The players are simply the crème de la crème of the American scene and the special guests / soloist include many legendary Jazz giants, such as vibraphonist Gary BurtonFind albums by this artist, organist Joey DeFrancescoFind albums by this artist, saxophonist Bob MintzerFind albums by this artist and many more.

All this music is obviously timeless, but hearing it in these beautiful arrangements and in contemporary sonic setting gives them a new dimension and sounds simply marvelous. I can´t imagine any Jazz connoisseur not enjoying this music, even if it is somewhat retro oriented. After all this is a tribute to the sublime Jazz tradition, which still sound as perfect as it did decades ago. Brilliant!
 CD 1 Recommend To A Friend

SANDROSE ~ SANDROSE
MUSEA 4003 ~ FRANCE ~ Progressive Rock


1st and only album from 1972 by this French group. Very interesting compositions, somewhat jazzy at times, with nice lead female vocals (sung in English, which is unusual for French bands!). A great document of European early Prog.
 CD 1 Recommend To A Friend

SCHEEN JAZZORKESTER & JON OYSTEIN ROSLAND ~ TAMANOAR
LOSEN 177 (Barcode: 7090025831775) ~ NORWAY ~ Jazz

Recorded: 2017 Released: 2017

This is the third album on the LosenFind albums on this label Records label by the twelve piece strong Norwegian ensemble called Scheen JazzorkesterFind albums by this artist, featuring the work of saxophonist / composer Jon Oystein RoslandFind albums by this artist, who is one of the orchestra´s members. The album presents ten compositions, which constitute a musical suite with a concept behind it, which is described in detail on the liner notes. The album was recorded at the legendary Rainbow Studio, with Jan Erik KongshaugFind albums by this artist presiding at the knobs, with the expected sensational sonic result.

The music is a wonderful collection of compositions, which incorporate many diverse idioms amalgamated within an extraordinary Big Band / Orchestral Jazz environment. There are shades of World Music, contemporary Classical Music and of course Swing, exquisitely weaved together into a complex, but extremely elegant, coherent and beautiful musical world of its own.

The orchestra performs the music with superb dedication and brilliant skills, even when the music is far for being straightforward. The dynamics of the entire ensemble and the individual solo parts are all beyond reproach, same as on the earlier albums by this ensemble.

This music is the epitome of the European approach to Jazz, where the idiom´s tradition is there more "in spirit" rather than de facto, with a much liberal and universal treatment of the subject matter. As such it becomes multilayered and multi-genre, rich and highly developed. There is so much musical content in this music that only repeated listening session are able to expose all the intricacies.

Overall this is a stunning (yet again) album, which places the Scheen Jazzorkester somewhere on the highest pedestal of the Jazz Big Band / Orchestra category. Hopefully this music will be able to reach a wider audience in time, as it deserves to be heard by all Jazz connoisseurs the world over. The ensemble´s work should also be taught in music schools, as a primary example of what can be achieved when a large group of musicians is at work in a symbiotic environment. Brilliant stuff!
Updated: 08/11/2017Posted: 07/11/2017CD 1 Mini-Sleeve Recommend To A Friend

SHADOWLAND ~ MAD AS A HATTER
VERGLAS 003 (Barcode: 5029282100036) ~ UK ~ Progressive Rock

Recorded: 1996 Released: 1996

3rd album by great UK Neo-Prog group ShadowlandFind albums by this artist led by Clive NolanFind albums by this artist of ArenaFind albums by this artist fame. Nolan`s enormous talent and creativity prompts him to participate in many musical projects simultaneously. Shadowland is softer and more melodic oriented then Arena, presenting yet another face of Mr. Nolan. The music is heavily based in British literature, as the title suggests.
Updated: 21/09/2021Posted: CD 1 Recommend To A Friend

SHADOWLAND ~ RING OF ROSES
VERGLAS 006 ~ UK ~ Progressive Rock


1st album from 1992 by this UK Neo-Prog band, which is another `side` project of Clive Nolan - leader and keyboards player with Arena and Pendragon. Shadowland is more lyrical and calm then the other groups Noland plays with and the themes are largly based on literary works.
Updated: 21/09/2021Posted: CD 1 Bonus Tracks Recommend To A Friend

SHADOWLAND ~ THROUGH THE LOOKING GLASS
VERGLAS 010 ~ UK ~ Progressive Rock


2nd album from 1993 by this UK Neo-Prog group led by Clive Nolan from Arena and Pendragon. Beautiful melodies and gentle themes based on literary influences (mainly Lewis CarrollFind albums by this artist) are the main characteristic of the group`s music. Excellently played and sung, this is Neo-Prog at its best.
Updated: 31/03/2024Posted: CD 1 Bonus Tracks Recommend To A Friend

ANDY SHEPPARD ~ DANCING MAN & WOMAN
PROVOCATEUR 1020 (Barcode: 5038491102021) ~ UK ~ Jazz

Recorded: 1999 Released: 2000

British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For his debut recording on Provocateur (“Learning To WaveFind albums with this title”), Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. On this album, the follow-up release, the quintet is expanded to a septet with the addition of the legendary US electric bass player Steve SwallowFind albums by this artist and young tabla player Kuljit BhamraFind albums by this artist. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.
 CD 1 HDCD Recommend To A Friend

ANDY SHEPPARD ~ LEARNING TO WAVE
PROVOCATEUR 1016 (Barcode: 5019148619413) ~ UK ~ Jazz

Recorded: 1998 Released: 1998

British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For this, his debut recording on Provocateur, Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. Tabla player Shalda SahaiFind albums by this artist is added on three tracks. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.
 CD 1 HDCD Recommend To A Friend

ANDY SHEPPARD ~ MOVEMENTS IN COLOUR
ECM 2062 (Barcode: 602517950429) ~ UK ~ Jazz-World Fusion

Recorded: 2008 Released: 2009

This is the debut album on the ECMFind albums on this label label by British saxophonist Andy SheppardFind albums by this artist, who has a strong presence on the UK scene since the late 1980s (see his brilliant recordings on the ProvocateurFind albums on this label label) and is internationally known as a member of Carla BleyFind albums by this artist´s band. Sheppard composed all the music on this album, which is lyrical and melodic, but spiced with World Music elements and ambient / electronic effects, creating a unique and very interesting atmosphere. The quintet, which recorded the album comprises of an Anglo-Norwegian lineup, with Sheppard´s old colleague guitarist John ParricelliFind albums by this artist (see also his recordings on Provocateur), percussionist Kuljit BhamraFind albums by this artist, both from the UK of course and Norwegians: guitarist Eivind AarsetFind albums by this artist and bassist extraordinaire Arild AndersenFind albums by this artist. The usage of Indian tabla and percussion instead of regular drums adds a beautifully exotic mood to the music, which is moving and interesting. Recommended!
 CD 1 Slipcase Recommend To A Friend

ANDY SHEPPARD ~ NOCTURNAL TOURIST
PROVOCATEUR 1029 (Barcode: 5038491102922) ~ UK ~ Jazz

Recorded: 2001 Released: 2001

British saxophonist / composer Andy SheppardFind albums by this artist takes a bold step into creating a one-man-show concept album, which is a big step away from his usual subject matter as a mainstream Jazz musician. Playing several instruments (saxophones, keyboards, guitar and synthesizers) and accompanied only by French drummer / percussionist Stephane San JuanFind albums by this artist, Sheppard brilliantly employs also an array of studio wizardry, using samples, pre-recorded background sounds, fragments of recorded conversation, lops, etc., all these to create a very interesting collage of sounds, on top of which he improvises. His highly developed sense of melody prevails of course and his improvisations are kept strictly within the melody lines. Nevertheless the overall effect of this music is quite fascinating, as it presents another way to expand the Jazz idiom into new and contemporary vistas. Although some Jazz purists might shrug about this music, let’s make no mistake here – it is still good music, even if unconventional in the traditional Jazz aspect. As a matter of fact this album might serve as a perfect tool to introduce many listeners to Jazz, especially the younger generation. Comparing this music with many lounge and ambient projects created in the last decade, the result will still place this album way above other efforts. I had a lot of fun listening to this and quite a few surprises along the way. Definitely worth checking out!
 CD 1 Digipak HDCD Recommend To A Friend

ANDY SHEPPARD / JOHN PARRICELLI ~ P.S.
PROVOCATEUR 1034 (Barcode: 5038491103424) ~ UK ~ Jazz

Recorded: 2003 Released: 2003

British saxophonist / composer Andy SheppardFind albums by this artist and his partner guitarist / composer John ParricelliFind albums by this artist are both household names on the contemporary British Jazz scene. They have collaborated many times before recording this duo album, which documents perfectly their mutual admiration and respect for each other’s talents. They both contributed equally from their respective songbooks and added one co-composed tune to round things up. The music is very intimate, as appropriate for a duo recording, with mostly lyrical content. The cooperation and interplay is perfect in every sense and the tempi vary from classic Jazz, Latin and even African rhythmic patterns. Parricelli plays both the acoustic and electric guitars and Sheppard plays both the tenor and soprano saxophones, so between the two of them there is certainly enough variety to keep the listener hooked and enchanted. The overall atmosphere is similar to many ECMFind albums on this label recordings, where silence and space are equally important as are the actual sounds played. Enthusiasts of that kind of subdued and restrained emotionality will absolutely love this album. Definitely worth checking out!
 CD 1 Digipak HDCD Recommend To A Friend

SHOW BAND ~ DNO PRZESTRZENI
GAD 072 (Barcode: 5901549197976) ~ POLAND ~ Jazz-Funk Fusion

Recorded: 1975 Released: 2018

This is the second archival album with previously unreleased material by the Polish trio Show BandFind albums by this artist, led by bassist Anatol WojdynaFind albums by this artist, which also included keyboardist Maciej GluszkiewiczFind albums by this artist (ex-Klan) and drummer / violinist Jan MazurekFind albums by this artist (ex-BreakoutFind albums by this artist, QuorumFind albums by this artist). Percussionist Aleksander BemFind albums by this artist (ex-BemibekFind albums by this artist) appears as a guest musician. The album presents nine original compositions, all by Wojdyna.

The music is a mixture of Jazz-Rock Fusion, Funk, Soul and Groove, all on the lighter side of the Jazz spectrum, but presenting solid compositions and excellent musical skills by the musicians. In retrospect the music sounds a bit dated due to the retro sound / ambience, but followers of Polish Funk should be delighted by this material, exactly in the same manner as with the previously released album by this trio.

After recording this material, which was originally recorded as library music for the Polish Film Chronicle, the trio fell apart and the musicians followed separate paths.

In retrospect this album is a nice collection of Polish Funk, which over four decades later still finds new followers all over the world, in spite of the fact that it is almost completely unknown. Another great find by GADFind albums on this label Records, which keeps great music safe from oblivion.
Updated: 29/01/2019Posted: 17/04/2018CD 1 Remastered Recommend To A Friend

SHOW BAND ~ PUNKT STYKU
GAD 013 (Barcode: 5901549197143) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 1974 Released: 2014

The Show BandFind albums by this artist trio was one of many Polish ensembles, which never managed to record an album during their lifespan as a band, although performed extensively in Poland and abroad. Formed by bassist Anatol WojdynaFind albums by this artist it also included Hammond organ player Maciej GluszkiewiczFind albums by this artist (ex-KlanFind albums by this artist) and drummer Jan MazurekFind albums by this artist (ex-BreakoutFind albums by this artist), the trio played music that stylistically floated between Jazz-Rock Fusion and Funk, and managed to work out a specific sound and feel, which sounded more like American instrumental Funk bands (Booker T. & The MG`sFind albums by this artist immediately come to mind) than Eastern European ensembles at the time.

Luckily for us, the band was approached by the Warsaw Documentary Filmmakers Group (WDF) to records a series of tracks, which would be later used as background music for the Polish Film Chronicle documentary series. The trio eagerly accepted the offer and recorded in early 1974 ten tracks, eight of which were original compositions by Wojdyna and two were compositions by Zbigniew NamyslowskiFind albums by this artist. For the recording the trio was expanded by two guest musicians: pianist Jan JarczykFind albums by this artist and percussionist Aleksander BemFind albums by this artist. The recorded music survived the tides of time and sounds superbly after being remastered to modern standards.

Forty years later this music lost nothing of its charm and zest and is definitely worth being remembered and listened to. Although pretty straightforward it offers quality melodic contents and great performances. It is also a great opportunity to pay tribute to the sadly departed Jarczyk, who plays some truly excellent stuff here. For lovers of Polish Funk this is an absolute must!

Again thanks to GADFind albums on this label Records for finding this lost gem and bringing it back to life as part of the label´s modus operandi, which consistently preserves Polish musical heritage.
 CD 1 Remastered Recommend To A Friend

SIMON AND GARFUNKEL ~ BRIDGE OVER TROUBLED WATER (40TH ANNIVERSARY SPECIAL EDITION)
SONY 782829 (Barcode: 886978282927) ~ USA ~ Classic Pop

Recorded: 1969 Released: 2011

There is really very little that needs to be said about this monumental Masterpiece, which in many respects is one of the most remarkable and enduring soundtracks of that era, which bloomed and exploded and was over in a blink of an eye, inspiring the entire human race for generations to come. Paul SimonFind albums by this artist´s brilliant songwriting, Art GarfunkelFind albums by this artist´s sublime voice and the duo´s perfect execution, with their heavenly vocal harmony and incredible sensitivity to both the music and the lyrics simply makes it all just click. This special edition brings us the remastered original album as well as an additional CD with live recording from the duo´s 1969 concert tour, which is breathtaking. And in addition the included DVD presents two documentaries: the superb "Songs Of America" from 1969, which was not available anywhere in the last 40 years as well as the new "The Harmony Game", which tells the story of making the album in 40 years retrospect. This is heaven on earth and such a kick! Beyond essential!
Visitors' Comments
Christopher  Brice
This album was my amazed introduction to hi-fi stereo (instead of the leatherette-covered "portable" record player): Baby Driver certainly scared the cat dozing between the speakers! It´s great to have a high quality replacement for my aged LP and the live CD is a real bonus (I haven´t had time to pay attention to the DVD yet).

 2CD+DVD 3 Digipak Remastered Bonus Tracks Essential Recommend To A Friend

SING SING PENELOPE / ANDRZEJ PRZYBIELSKI ~ STIRLI PEOPLE – IN JAZZGA
MONOTYPE 022 (Barcode: 5908310927084) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2008 Released: 2009

This phenomenal recording presents a somewhat unlikely cooperation between young Polish ensemble Sing Sing PenelopeFind albums by this artist and the dark prince of Polish Jazz Avant-Garde, genius trumpeter / composer Andrzej PrzybielskiFind albums by this artist (now sadly departed). Sing Sing Penelope, formed by Polish drummer / composer Rafal GorzyckiFind albums by this artist also includes brilliant trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, keyboardist Daniel MackiewiczFind albums by this artist and bassist Patryk WeclawekFind albums by this artist. They recorded three albums since the mid-2000s, all of which are excellent, and this is their fourth release. Przybielski was a key figure on the Polish Avant-Garde scene since the 1960s, and his scarce, but mostly brilliant recorded legacy is a prime example of the Eastern-European Jazz at its most creative best. The music created by the young members of the ensemble and the veteran trumpeter is a wonderful surprise, completely unexpected not only due to the age and musical background differences but mainly because of the vibrancy and vitality of the result, which resembles the power and verve of the early electric Miles DavisFind albums by this artist ensembles. The sound is very modern and up to date, mostly up tempo and sometimes quite Rock oriented, but always within the Jazz aesthetic and always simply radiant. Of the seven composition presented on the album Przybielski is credited with three, another three are co-credited to him and the group and the last one is by the group. The most striking feature of the album is of course the double trumpet front line, which is simply phenomenal. Jachna already proved his ability as a player on several albums featuring his unique talents and playing alongside a genius such as Przybielski must have proven a unique inspiration, which is evident from the result. Przybielski himself simply plays beautifully all the way and this recording is definitely one of his best moments. As much as two saxophones lineups are very popular in Jazz, a two trumpets ones are almost inexistent, which is a great pity, as this recording proves beyond any doubt. But of course all the participants of this recording deserve to be praised, as everybody contributes towards the unprecedented success. Overall this is one of the strongest Polish Jazz albums recorded recently and a grand memorial to the talents of Andrzej Przybielski, who received almost no recognition before his untimely and tragic death. Definitely a must to every connoisseur of Polish and Eastern-European Jazz!
Updated: 12/04/2019Posted: CD 1 Mini-Sleeve Recommend To A Friend

SKIDMORE / OXLEY / HAURAND ~ S.O.H. LIVE IN LONDON
JAZZWERKSATT 016 (Barcode: 4250079757824) ~ UK ~ Free Jazz / Improvised Music

Recorded: 1983 Released: 2007

This is an archival live recording by the wonderful trio consisting of British Jazz saxophonist Alan SkidmoreFind albums by this artist, drummer Tony OxleyFind albums by this artist and German bassist Ali HaurandFind albums by this artist, known collectively as S.O.H.Find albums by this artist The trio performs four extended pieces, all being original compositions by the trio members with one tune co-composed by the Dutch pianist Jan HuydtsFind albums by this artist.

The trio, which was active between 1978 and 1984, recorded just a couple of obscure albums released on small independent European labels and this live recoding, which saw the light of day only more than twenty years after it was recorded, is a substantial addition to its discography. Both Skidmore and Oxley are among my favorite British Jazz musicians and both made tremendous contributions to the development of British and than European Jazz, as did Haurand, not only as a musician but also as organizer and bandleader of such formidable international groups like the European Jazz QuintetFind albums by this artist which than developed into the European Jazz EnsembleFind albums by this artist, which exists to this very day.

The music is a classic example of European post-Coltrane Free Jazz, based on intensive and highly emotional performances by the trio members. Skidmore is a brilliant improviser and his lengthy solos are unstoppable, to the delight of all Free Jazz enthusiasts. Oxley, who is without a doubt the most original Jazz drummer ever, is a monster and his solo work on this album is some of the finest recorded evidence of his genius. Haurand fills in very well and supports his cohorts with his energetic pulsations. The overall sound of the trio is a modern version of the "wall of sound" effect, initiated by John ColtraneFind albums by this artist two decades earlier, but with more emphasis on sophistication rather than on raw power.

Overall this is a tremendous piece of highly charged music, which captures one of the most interesting European Jazz ensembles active in the late 1970s / early 1980s at its peak form and portrays the British / European Jazz scene at the time. An absolute must for British Jazz enthusiasts / collectors!
Updated: 11/01/2017Posted: 11/01/2017CD 1 Slipcase Remastered Recommend To A Friend

STANISLAW SOJKA / ANDRZEJ PRZYBIELSKI ~ SZTUKA BLADZENIA
POMATON 724352593828 (Barcode: 724352593828) ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 1999 Released: 2000

This is an album by the Polish duo which comprises of the vocalist / pianist / violinist Stanislaw SojkaFind albums by this artist and legendary trumpeter Andrzej PrzybielskiFind albums by this artist. Sojka does not perform any vocals on this album and appears only as pianist and violinist. The album, recorded during two sessions held a couple of months apart, presents fifteen relatively short freely improvised pieces, not credited on the album´s artwork and therefore assumed to be co-composed by the duo members. Sojka and Przybielski cooperated on several recording projects over the years.

The music is obviously a result of searching for new forms of expression, especially as far as Sojka is concerned, since he is mostly associated with Blues and mainstream vocal Jazz, in complete contrast to Przybielski, who was always associated with the Avant-Garde Polish Jazz movement, although he could play brilliant melodic music as well, when required to do so. Therefore the effort to bridge between the natural environments of the two players is an impossible task and the result fails to create any relevant results. Sojka is completely lost in the Improvising Music idiom and Przybielski is just playing along.

Przybielski plays some brilliant trumpet passages, but they are completely detached from the piano and violin parts created by Sojka and sound completely out of place. Although the album´s title promises the listener to discover the art of wandering, in fact he is sadly exposed to the failure of senseless wandering.

Although every piece of recorded music by Przybielski is a treasure chest, this album is probably the weakest effort he was ever involved with and as a result it is only marginally interesting.
Updated: 12/04/2019Posted: 03/05/2017CD 1 Recommend To A Friend

SOLAL, MARTIAL / BIG BAND ~ MARTIAL SOLAL BIG BAND
DREYFUS 36512 ~ FRANCE ~ Jazz


French pianist, composer, arranger and bandleader Martial Solal is one of Europe`s most respected and admired Jazz musicians. This 1984 recording of his Big Band, which constitutes of the best French Jazz players, includes all original material composed and arranged by Solal. The sound and the power of the Big Band are truly formidable and the modern compositions and brilliant soloing make this a challenging and truly interesting listen.
 CD 1 Recommend To A Friend

SOPHIA GRAND CLUB ~ 4 A.M.
AFRO VIBE 001 ~ POLAND ~ Jazz-Rap Fusion

Recorded: 2017 Released: 2018

This is the debut album by the Polish ensemble Sophia Grand ClubFind albums by this artist, comprising of rapper EskaubeiFind albums by this artist (a.k.a. Bartlomiej SkubiszFind albums by this artist), saxophonist Bartlomiej PrucnalFind albums by this artist, keyboardist Kuba PluzekFind albums by this artist, veteran bassist Vitold RekFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. The album presents eight original compositions, four by Pluzek, three by Rek, one co-composed by Pluzek and Rek and one improvised piece credited to all members of the ensemble. Seven of the numbers feature lyrics by Eskaubei and one is an instrumental.

Musically the album continues the formula set up by Eskaubei with his two albums recorded with Tomek NowakFind albums by this artist Quartet for the For Tune Label, i.e. Jazz tunes featuring Rap and spoken word amalgamating the genres into a new musical entity. Pluzek, who proves to be one of the most versatile players / composers on the young Polish Jazz scene, delivers again some fiery Jazz / Funk tunes and Rek adds his more melancholic contributions, together creating a wonderful collection of highly effective musical vistas.

Eskaubei yet again delivers a set of meaningful texts, touching upon deeply troublesome problems of contemporary life, social relationships, loneliness, injustice and many others. It is a pity the lyrics were not included in the album´s artwork, as they are definitely worth reading on their own. These lyrics could be seen as contemporary revelation of what we once called "protest songs" fifty of so years ago, just to show that the world is nothing like a TV commercial, then or today.

The instrumental work is also first rate, with Prucnal delivering some soulful solos and elegant accompaniment, Pluzek is master of the ceremony with his keyboards providing most of the melodic and harmonic framework, Rek plays wonderful bass parts, which are both very Jazzy and superbly Funky at the same time, and finally Olszewski adds his polyrhythmic Groove to keep things moving ahead.

Overall this is another superb album by Eskaubei and his instrumental cohorts, which proves that Rap can be a meaningful idiom, both musically and textually. Highly recommended to open-minded listeners, who like to be told the truth straight in their faces, which even the Funk doesn´t make much easier to digest. Well done again!
Updated: 01/04/2018Posted: 01/04/2018CD 1 Digipak Recommend To A Friend

STARK BAND ~ STARK BAND
NOT ON LABEL (Barcode: 9008798181506) ~ SLOVAKIA ~ Pop & Rock

Recorded: 2015 Released: 2015

This is the debut album by young Slovak Funk / Soul ensemble called Stark BandFind albums by this artist, which is an octet fronted by female vocalist Katarina DemskaFind albums by this artist and featuring a brass section: Tomas JavnickyFind albums by this artist on saxophone, Frantisek BabcakFind albums by this artist on trumpet and Ivan KopecekFind albums by this artist on trombone, and a smoking rhythm section: guitarist Juraj KovacFind albums by this artist, keyboardist Peter TelepcakFind albums by this artist, bassist Peter KocisFind albums by this artist and drummer Lukas KorchnakFind albums by this artist. The album presents nine original compositions, eight of which feature vocals (in English and Slovak), most of which were co-composed by Kovac and Telepcak with lyrics by Kovac or Demska and Kovac. Telepcak was in charge of the brass arrangements.

Why on earth would I write about this album? Well life is a series of coincidences and this album landing in my lap (so to speak) is one of them. About a month ago I stayed in the beautiful Slovak town of Kosice and Stark Band played a concert in a pub just across the street of my hotel. I was completely knocked out by the energy and talent of these young musicians and asked them if they already made an album, which they did – this is it. Ergo it´s been playing in my car and at my home ever since.

Stark Band creates a wonderful combination of vintage Funk / Soul, somewhat similar to the Earth, Wind & FireFind albums by this artist idiom, with contemporary Pop sound, all spiced with vitality, elegance and good taste. The songs are all incredibly catchy and yet sophisticated melodically and harmonically, immediately placing the music on a much higher plane that most contemporary Pop music. The Jazzy brass arrangements add flavor and flair to the tunes, as do the scorching guitar solos and the Funky rhythm section keeps the tunes moving forward and the listeners moving their heaps and feet to the pulse. Demska has a fine soulful voice and even manages to get away safely with the English lyrics.

Some bands like Stark Band work only live and their recordings are quite pale in comparison with the on stage performances, but this album manages to preserve the band´s spirit quite well. Considering the fact that it was self produced by the band, it really is a superb calling card and a most impressive debut. Of course I already look forward to hear their sophomore outing.

This kind of music should not be overanalyzed – it is meant to give the audience a good time and at the same time convey an artistic message – this album does both of these tasks admirably. I am definitely happy that out paths have crossed and hope they will cross again in the future. Thanks for the music!
 CD 1 Mini-Sleeve Recommend To A Friend

STODOLA BIG BAND ~ LET`S SWING AGAIN (POLISH JAZZ VOL.28)
MUZA 1028 (Barcode: 5907783420283) ~ POLAND ~ Jazz

Recorded: 1971 Released: 2006

This is the only album by the Polish Stodola Big BandFind albums by this artist, one of the relatively few Big Bands active in that country over the years. The logistic and economic complexity of sustaining a working Big Band without continuous and frequent performing opportunities is simply to much in most cases anywhere in the world, and even more so in a country under a Socialist regime, where Jazz opportunities were limited. The fact that this Big Band managed to exist for several years and make this album is a rare treat indeed. The band was conceived and founded by the veteran Polish Jazz trumpeter / composer Henryk MajewskiFind albums by this artist, who managed to enlist some of the best Jazz players on the local scene, such as saxophonists / composers Janusz ZabieglinskiFind albums by this artist and Zbigniew JaremkoFind albums by this artist. The band was named after the Warsaw´s Jazz club Stodola, which was the bastion of traditional Jazz in Poland for many years. They played a very original brand of Swing, based on the American tradition, but much more adventurous as far as the compositions and improvisations are concerned. Of the eleven tracks on this album only two are standards and the rest are originals, mostly composed by Zabieglinski, Jaremko and Majewski. In retrospect the music lost nothing of its swing and freshness and is a great document of the era. Big Band fans will love this stuff!
 CD 1 Digipak Remastered Recommend To A Friend

STRING BIG BAND ~ STRING BIG BAND
POLSKIE RADIO 1634 (Barcode: 5907812246341) ~ POLAND ~ Jazz-Classical Fusion

Recorded: 2013 Released: 2013

It takes a true musical "nut" (of the nicest sort), like The Polish pianist / composer / arranger / conductor Krzysztof HerdzinFind albums by this artist to come up with a project like this, which is designed to establish a new musical "genre" (or sub-genre) of chamber string music he defines as "string big band", a marriage between the European tradition of the string orchestra and the American Jazz Big Band. In order to prove his point, Herdzin took ten "classic" Jazz standards, some of which are closely associated with Big Band performances, others that aren´t, and arranged them for a musical collective, which brings together the sensational Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist) with Sinfonia VivaFind albums by this artist orchestra to create a large string ensemble equivalent to the size of a Big Band. Bassist Robert KubiszynFind albums by this artist and vocalist Agnieszka WilczynskaFind albums by this artist (she sings on a couple of tracks only) also take part and the entire ensemble, conducted by Herdzin, which is appropriately named String Big BandFind albums by this artist.

I must admit that before I listened to the music, just by looking at the CD and reading the texts, I was absolutely sure I´m going to hate this thing with vengeance. Boy was I wrong! It turned out to be one of the most uplifting pieces of musical delight I have heard in a long time. Herdzin somehow managed the impossible: he turned a potentially kitschy and schmaltzy musical idiom into absolute magic. I felt transformed back in time, about ninety years or so back in time, watching a Broadway stage performance at the peak of the Great Gatsby´s "Jazz Age", with tall women in tight lush dresses, glasses of champagne and all that Jazz! Pure Magic!

Of course a big part of the success goes also to the wonderful performers; Atom String Quartet emerges as one of the most intriguing discoveries on the Polish scene in the last decade and the Sinfonia Viva orchestra, which Herdzin utilizes repeatedly as part of his projects, is definitely a group of most talented and worthy of admiration musicians. But Maestro Herdzin is definitely the main honcho, the inspirer and the chief (or perhaps chef) of this whole crazy happening. It takes a lot of courage and self confidence to undertake such a perilous venture and to emerge triumphant and victorious is simply phenomenal.

This music can be enjoyed by almost anybody who has a working pair of ears on him, and it so multilayered and elegant that the more experienced and sophisticated the listener, the more pleasurable the experience becomes. Kudos Krzysztof, you really hit the jackpot this time!

The live recording at the Polish Radio studio #3 in Warsaw has an unusually excellent, clear and vibrant sound quality, which enhances the whole album tremendously. The stars were definitely smiling at that project!
 CD 1 Digipak Recommend To A Friend

MATEUSZ STRZELECKI / ANDRZEJ PAWEL SLAZAK ~ DEDYKACJA
REQUIEM / OPUS 2018/30 ~ POLAND ~ Classical

Recorded: 2018 Released: 2019

As the title of this album suggests and the liner notes describe, it is "…a tribute to the outstanding Polish (Classical Music) composers of the first half of the 20th Century, whose lives were marked by the war and oppression..." It includes compositions by Karol RathausFind albums by this artist, Aleksander TansmanFind albums by this artist, Wladyslaw SzpilmanFind albums by this artist, Jozef KofflerFind albums by this artist and Roman PadlewskiFind albums by this artist performed by violinist Mateusz StrzeleckiFind albums by this artist and pianist Andrzej Pawel SlazakFind albums by this artist. The music includes six relatively short pieces composed between 1925 and 1949, five of which are violin / piano duets and one is a solo piano suite, some of them multi-part, altogether fifteen tracks. The recording quality is excellent.

To set the record straight Rathaus was not Polish; although born in the Ukrainian city of Ternopil, which has obvious Polish roots, at the time of his birth it was part of the Austro-Hungarian Empire and Rathaus was educated in Vienna and Berlin and is considered of Austrian-German heritage. Of course he was also, or perhaps primarily Jewish, as were Tansman, Szpilman and Koffler, a fact not mentioned in the album´s otherwise erudite booklet. Since the album also celebrates Poland´s hundredth Independence Anniversary, perhaps it also symbolizes the depth of the Jewish contribution to Polish Culture.

The music is marvelous from start to finish, offering a kaleidoscopic display of modern Classical Music as diverse as one may wish for, moving between Neo-Romanticism, Impressionism, Dodecaphony and even Folkloristic influences. Seemingly limited by the scope of the duet (or solo piano) it offers a rich and elegant fabric, harmonic sophistication and above all ingenuity. Listeners, who would usually avoid Classical Music, could be easily enthralled by what this album has to offer.

Both instrumentalists heard on this album are sophisticated performers and Masters of their instruments, which becomes immediately apparent from the opening notes. Their superb teamwork makes even the most complex parts of the compositions present on this album to sound coherent and effortless to absorb by the listener, which of course is admirable.

Kudos are due to the classy RequiemFind albums on this label Records label for releasing highly prestigious, well researched and artistically significant projects like this one. Their collected catalogue includes some of the most interesting and challenging music made in Poland, always beautifully packaged and excellently produced. Hats off!
Updated: 17/06/2019Posted: 17/06/2019CD 1 Digipak Recommend To A Friend

STAN SULZMANN BIG BAND ~ BIRTHDAYS, BIRTHDAYS
VILLAGE LIFE 99108 (Barcode: 5037013991082) ~ UK ~ Big Band Jazz

Recorded: 1999 Released: 1999

This is a wonderful Big Band album by another British Jazz silent hero, saxophonist / composer Stan SulzmannFind albums by this artist. The music was recorded by an absolutely dreamy Big Band, which comprises of the crème de la crème of British Jazz musicians, like trumpeters Henry LowtherFind albums by this artist and Kenny WheelerFind albums by this artist, saxophonists Ray WarleighFind albums by this artist and Pete HurtFind albums by this artist, guitarist John ParricelliFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist, drummer Paul ClarvisFind albums by this artist, who owns the Village LifeFind albums on this label label, which released this album, and many others. The album presents thirteen relatively short pieces, all (except one arrangement of a standard) original compositions by Sultzmann, composed over a period of many years, collected here as part of the celebrations of his 50th Birthday.

Although strongly present on the British Jazz scene since many years and with dozens (actually well over a hundred as far as my collection reveals) of albums recorded as a leader and sideman, Sultzmann stays mostly in the shadows and is rarely in the limelight, despite his mammoth achievements and legacy.

This album is a sublime example of the European approach to Big Band Jazz, where the entire ensemble plays like one metaphysical being rather than a collection of individuals, and where the sound of the ensemble is more important than the soloing, although when solos are played, they are all stunning. The compositions are all beautifully melodic and complex enough to keep the listener fascinated at all times. The album is a fitting tribute to Sultzmann’s activity up to that point, which of course continues to this very day.

Overall, this is a superb Big Band Jazz album in every respect, which offers wonderful music and brilliant performances by everybody involved. The British Jazz feel is omnipresent here, which adds to the charm. Obviously this album deserves to be a part of every serious British Jazz collection, and I am ashamed to admit that I missed it for over two decades, now however, it is happily united with the rest of my collection.
Updated: 20/01/2023Posted: 20/01/2023CD 1 Recommend To A Friend

ANDY SUMMERS ~ GREEN CHIMNEYS
REPERTOIRE / RARE 1002 (Barcode: 4009910000229) ~ UK ~ Jazz-Rock Fusion

Recorded: 1988 Released: 2007

It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. PoliceFind albums by this artist guitarist Andy SummersFind albums by this artist, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is a tribute to the music of the great American pianist / composer Thelonious MonkFind albums by this artist, showcases Summers as a splendid Jazz guitarist, with beautiful technique and exquisite taste. Of course Summers manages to achieve a completely unique sound and voicing on his instrument, which retain a certain affiliation with his Rock roots, but overall the album is an absolute knockout. With drummer Peter ErskineFind albums by this artist, organist Joey DeFrancescoFind albums by this artist, bassist Dave CarpenterFind albums by this artist, StingFind albums by this artist doing vocals on one track and many other superb musicians, this album is a true delight. Life is full of surprises!
 CD 1 Digipak Bonus Tracks Recommend To A Friend

ANDY SUMMERS ~ PEGGY`S BLUE SKYLIGHT
REPERTOIRE / RARE 1003 (Barcode: 4009910000328) ~ UK ~ Jazz-Rock Fusion

Recorded: 2000 Released: 2007

It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. PoliceFind albums by this artist guitarist Andy SummersFind albums by this artist, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is a tribute to the music of the great American bassist / composer Charles MingusFind albums by this artist, showcases Summers as a splendid Jazz guitarist, with beautiful technique and exquisite taste. Of course Summers manages to achieve a completely unique sound and voicing on his instrument, which retain a certain affiliation with his Rock roots, but overall the album is an absolute knockout. With bassist Dave CarpenterFind albums by this artist, drummer Joel TaylorFind albums by this artist, trumpeter Randy BreckerFind albums by this artist and many other superb musicians, this album is a true delight. Life is full of surprises!
Visitors' Comments
Christopher  Brice
I was a little sceptical about this but have thoroughly enjoyed it; a new slant on successful fusion in my view - jazz with pop/rock production!

 CD 1 Digipak Bonus Tracks Recommend To A Friend

ANDY SUMMERS / VICTOR BIGLIONE ~ SPLENDID BRAZIL
REPERTOIRE / RARE 1016 (Barcode: 4009910001622) ~ UK ~ Jazz-World Fusion

Recorded: 2002 Released: 2008

It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. PoliceFind albums by this artist guitarist Andy SummersFind albums by this artist, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is the second guitar duo recording with the Brazilian (born in Argentina) virtuoso guitarist Victor BiglioneFind albums by this artist, presents Summers as a monster acoustic guitar player and a most sensitive performer. The duo performs material ranging from Jazz standards to World Music pieces, all of which were composed by great Brazilian musicians (Hermeto PascoalFind albums by this artist, Tom JobimFind albums by this artist and others) and all of which is absolutely brilliant. This is guitar heaven! Life is full of surprises!
 CD 1 Digipak Recommend To A Friend

ANDY SUMMERS / VICTOR BIGLIONE ~ STRINGS OF DESIRE
REPERTOIRE / RARE 1015 (Barcode: 4009910001523) ~ UK ~ Jazz-World Fusion

Recorded: 1998 Released: 2008

It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. PoliceFind albums by this artist guitarist Andy SummersFind albums by this artist, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is the first guitar duo recording with the Brazilian (born in Argentina) virtuoso guitarist Victor BiglioneFind albums by this artist, presents Summers as a monster acoustic guitar player and a most sensitive performer. The duo performs material ranging from Jazz standards to World Music pieces, all of which is absolutely brilliant. This is guitar heaven! Life is full of surprises!
 CD 1 Digipak Recommend To A Friend

ANDY SUMMERS / BEN VERDERY ~ FIRST YOU BUILD A CLOUD
REPERTOIRE / RARE 1001 (Barcode: 4009910000120) ~ UK ~ Jazz-Classical Fusion

Recorded: 2004 Released: 2007

It is not often that a Rock musician decides to cross over into much more advanced musical environment, such as Jazz or World Music and does so completely and seriously. PoliceFind albums by this artist guitarist Andy SummersFind albums by this artist, obviously known to most Rock listeners on this planet, is one of those musicians, who changed their path and successfully developed a "new" career. This album, which is the first guitar duo recording with the American virtuoso guitarist Ben VerderyFind albums by this artist, presents Summers as a monster acoustic guitar player and a most sensitive performer. The duo performs material composed by Summers with one piece by StingFind albums by this artist and one classical composition, all of which are absolutely brilliant. This is guitar heaven! Life is full of surprises!
 CD 1 Digipak Recommend To A Friend

MILAN SVOBODA / PRAGUE BIG BAND ~ GOOD NEWS
CUBE / METIER 2842 (Barcode: 8591562027427) ~ CZECH REPUBLIC ~ Big Band Jazz

Recorded: 2007 Released: 2007

This is an album by Czech pianist / composer / arranger / bandleader Milan SvobodaFind albums by this artist and his Prague Big BandFind albums by this artist, which he first founded in 1974 and led and conducted ever since. Generations of Czech Jazz musician appeared over the time as members of the Big Band, as well as many guests from abroad. The Big Band plays almost exclusively original compositions by Svoboda. This album presents seven original compositions, all composed and arranged by Svoboda, most of which have been previously recorded by earlier incarnations of the Big Band or other ensembles led by Svoboda, and appear here in new / updated / extended and newly recorded versions, hence the somewhat misleading subtitle of this album “The Best Of Prague Big Band”, which might suggest a compilation album, which this album is definitely not.

The music and the performances are absolutely brilliant from start to finish, presenting a superb example of the European Jazz Big Band approach, which focuses on the orchestral sound and overall ambience of the ensemble rather than on individual soloing, although there are plenty of brilliant soli here, which will send chills down the listener’s spine. Svoboda’s superb compositions are ideal vehicles for the Big Band to shine in its full glory and never cease to amaze in their thematic richness and harmonic perfection.

Three of the compositions go back as far as 1984, when they were recorded initially during Svoboda’s stint at the Berklee Collage Of Music in Boston, and now get a rejuvenated full Big Band treatment, proving that already at that time his compositional powers were already at their full blast. The composition dedicated to Gill Evans goes back as far as 1986, when it was recorded with the Czech / Polish Big Band, again expanded and reworked.

For Big Band Jazz enthusiasts this album, like all Svoboda / Prague Big Band albums, is an absolute delight and a perfect example of the power and artistry of the Big Band idiom, and deserves an honorable place in any serious Jazz collection.

I have known Milan and his music for the last five decades and he never created music which was not worthy of admiration and respect, and he obviously does not mean to change now. Since we were born only a few days apart, hearing this music makes me feel young and help to forget our age – obviously the creativity is not gone yet. Thank you for the music and the vision my Friend!
Updated: 08/09/2021Posted: 08/09/2021CD 1 Recommend To A Friend

MILAN SVOBODA / PRAGUE BIG BAND ~ SWINGING HAT
GALEN 21 185 (Barcode: 8594042901989) ~ CZECH REPUBLIC ~ Big Band Jazz

Recorded: 2020 Released: 2021

This is the fourteenth album by Czech pianist / composer / arranger / bandleader Milan SvobodaFind albums by this artist and his Prague Big BandFind albums by this artist, which he first founded in 1974 and led and conducted ever since. Generations of Czech Jazz musician appeared over the time as members of the Big Band, as well as many guests from abroad. The Big Band plays almost exclusively original compositions by Svoboda. This album presents six original compositions, loosely inspired by the work of Czech composer Jaroslav JezekFind albums by this artist, who was one of the early Czech Jazz precursors in the early 20th Century, and an important composer for theatrical plays.

Although initially based on the American Big Band model, the Prague Big Band soon became one of the most progressive European Big Bands, moving toward more adventurous arrangements and even somewhat Avant-Garde approach, similar to what the Austrian Vienna Art OrchestraFind albums by this artist was doing at the time. Later on the style changed again returning to more “conventional” sound, but always brilliantly fresh and innovative. Svoboda’s compositions for the Big Band are wonderful examples of European Jazz, which incorporates many European cultural influences, including Folklore and Classical Music inspirations. His brilliant arrangements emphasize the Big Band orchestral sound, with less prominence of soloing and more focus on ensemble performance.

For connoisseurs of early Jazz, Svoboda brilliantly incorporates vivid examples of Hot and Swing within the collage of his arrangements, which pay tribute to the original compositions by Jezek, but brings them up to date with Funk and other contemporary musical influences, creating a perfect cross-genre amalgam, which keeps the tradition alive and at the same time shows it timeless / everlasting values.

I have known Milan and his music for the last five decades and he never created music which was not worthy of admiration and respect, and he obviously does not mean to change now. Since we were born only a few days apart, hearing this music makes me feel young and help to forget our age – obviously the creativity is not gone yet.

Thanks for the music and the vision my Friend - Swinging Hat(s) off!
Updated: 29/07/2021Posted: 29/07/2021CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ SWIES ~ FLYING LION
SJ 071 (Barcode: 5905489720027) ~ POLAND ~ Jazz-Rock Fusion

Recorded: 2021 Released: 2023

This is the debut album as a leader by Polish Jazz bassist / composer Andrzej SwiesFind albums by this artist, recorded in a trio setting with guitarist Rafal SarneckiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The album presents eleven original compositions, nine composed by Swies and two improvised and credited the trio members.

It is hard to believe that after recording dozens of albums as a sideman and two albums as co-leader it is only now that Swies gets to record his true debut, but on the other hand many great musicians share this fate and sometimes never actually get to record as leaders, despite their achievements. Happily, in this case we get to hear this “baby” finally coming to fruition.

The music is everything one would expect from a bass-centered album, offering great melodic lines with Funky, Jazzy and sometimes even Rocky rhythmic approach, wonderfully executed by the trio. The sound is saturated by a plethora of bass sounds, some created directly by the instrument and others electronically enhanced / transformed, which allow Swies to display his virtuosity and boundless imagination in full. Contrary to the accepted formula, the music is not dominated by the guitar, which usually captures the front stage, but by the acrobatic bass guitar barrage of notes, which is absolutely dazzling.

Swies managed to select two perfect partners for the recording. Sarnecki, definitely one of the top Polish Jazz guitarists, takes a step back and amicably supports the leading bass guitar lines in the background, soloing sparingly, only when appropriate. Dobrowolski, another Polish Jazz maverick, who also likes to stand in the shadows, supports the music by his intense, but highly sensitive barrage, which never disturbs the leader thanks to the right sound balance of the recording. Together the trio manages to achieve a collective sound, which fully conveys the leader’s music, expanding and supporting his ideas constructively and with great aesthetic sensitivity.

Overall, this is a highly unique, unusual album, which explores the world of the bass guitar and presents many previously hidden vistas of the instrument. It is not an attempt to show off and prove something, which Swies really does not need to do any more, but an honest attempt to create a bass-centered experience, which is no less than heaven for the lovers of the bass guitar and its world of sound. Now, that the deed is done, we can only hope that it will be repeated, and in the meantime thanks for this revealing piece of bass Artistry.
Updated: 18/03/2023Posted: 18/03/2023CD 1 Digipak Recommend To A Friend

SZMANDA / NUBIOLA / MAZURKIEWICZ ~ TEN PLAGUES
NOT ON LABEL ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 2019 Released: 2020

This is the debut album by a trio consisting of Cuban (resident in Poland) saxophonist Luis NubiolaFind albums by this artist and Polish bassist Jacek MazurkiewiczFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. Percussionist Philip South guests on a couple of tracks. The album present five original pieces co-credited to the participating musicians. The very short total playing time (under half an hour) makes this an EP rather than a full album.

Nubiola, who is usually associated with Cuban / Latin Jazz, fits perfectly with the two veteran improvisers, creating an interesting series of spontaneous free pieces, which sound natural. His wonderfully worm saxophone tone is a nice twist, and manages to create just the right kind of interplay with the rhythm section.

The music is completely improvised, but has a strict melodic sub context, which makes it easily accessible to a wide range of listeners. It is also quite minimalist and subdued, which creates a delicate, emotional mood. All three musicians play wonderfully, being veterans of the trade, and the intimate setting enables their individual contributions to be heard clearly.

Overall this sounds like a friendly experiment, which hopefully will lead to a bona fide full album soon. In the meantime we can enjoy this short foreteller and wait for the next one.
Updated: 30/07/2020Posted: 30/07/2020CD 1 Digipak Recommend To A Friend

THIRD EAR BAND ~ ALCHEMY / ELEMENTS
GOTT DISCS 010 ~ UK ~ Progressive Rock


1st & 2nd albums from 1969 & 1970 by this UK band. Although part of the Prog genre, they were certainly a class in themselves. Using only accoustic instruments (violin, viola, oboe, cello, hand percussion, etc.) and combining ethnic motiffs from the Middle and Far East, they sounded nothing like your average Prog group. The music is instrumental, mostly improvisational in nature and quite dark. The 1st album consists of 8 shorter pieces but the 2nd includes only 4 long raga-like extended soundscapes. They reached only very limited audiences with their visionary music at the time and the albums sold poorly, but they were asked to write and perform the soundtrack to Roman Polanski`s film version of Macbeth (their 3rd album). In retrospect this sounds today every bit as good as it did then, which should be a good enough reason to re-discover them.
 CD 2 Remastered Recommend To A Friend

THIRD EAR BAND ~ THE MAGUS
ANGEL AIR 173 ~ UK ~ Progressive Rock


4th album from 1972. Third Ear Band were one of the most interesting and challenging Prog groups to appear on the UK scene in the late 60`s and early 70`s. Their purely acoustic music, using unusual instrumentation (oboe, violin, etc.) and heavily influenced by mysticism and eastern musical forms, was decades ahead of their time. They released 3 albums (including the last one, which was the soundtrack for Roman Polanski`s Macbeth) and sadly disappeared. Now their 4th album, which remained unreleased till now, is finaly out for all of us to enjoy. What a delightful discovery!
Updated: 29/01/2019Posted: CD 1 Remastered Recommend To A Friend

THOMPSON, RICHARD AND LINDA ~ HOKEY POKEY
UNIVERSAL JAPAN 9488 ~ UK ~ Folk-Rock


2nd album from 1975. Although their brilliant debut album was incredibly tough to follow, the Thompsons did a fantastic job to keep the same level of greatness on this one as well. An incredible collection of great songs and perfect execution make this a delightful album in every respect. Fans of Folk / Prog just can`t afford to miss this one!
Limited Edition
 CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

THOMPSON, RICHARD AND LINDA ~ I WANT TO SEE THE BRIGHT LIGHTS TONIGHT
UNIVERSAL JAPAN 9487 ~ UK ~ Folk-Rock


1st album from 1974 by this delightful duo. Richard Thompson was a founding member of Fairport Convention. He left the group in in 1972 and started a most successful solo career. After one solo album he teamed up with his wife Linda and they released several brilliant albums as a duo. This, their debut album, is considered one of the most important Folk / Prog albums of all times and an absolute masterpiece!
Limited Edition
 CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend

ANDRES THOR ~ HEREBY
LOSEN 269 (Barcode: 7090025832697) ~ ICELAND ~ Jazz

Recorded: 2021 Released: 2022

This is an album by Icelandic Jazz guitarist Andres ThorFind albums by this artist, recorded in a trio setting with French bassist Nicolas MoreauxFind albums by this artist and Icelandic drummer Magnus Trygvason EliassenFind albums by this artist. The album presents nine original compositions, all by the leader.

The music is all strictly melody based and well within mainstream Jazz idiom. There is little, if any, Scandinavian feel associated with the music, so it lacks a specific identity and could have originated from anywhere. The melodies are round and somewhat lethargic, but listeners looking for a nice, relaxed, almost background music might enjoy it.

The performances are professional, as expected, with the guitar being up front for the entire duration, with a solid acoustic bass backbone and amicable drumming. Thor knows his instrument obviously, playing some nice licks and changing the sound of his instrument between one piece and another, which adds some diversity.

Overall, this is a pretty standard guitar trio album, with relaxed atmosphere and pleasant tunes, but not something that might turn one’s head. Guitar freaks might enjoy and appreciate the guitar sounds, but there is not much excitement otherwise.
Updated: 17/10/2022Posted: 17/10/2022CD 1 Mini-Sleeve Recommend To A Friend

ANDERS THOREN ~ SOURCES OF INSPIRATION
AMP 001 ~ NORWAY ~ Jazz

Recorded: 2014 Released: 2014

This is the debut album by the Swedish (resident in Norway) drummer / composer Anders ThorenFind albums by this artist, recorded in a quartet setting with Norwegian saxophonist Borge-Are HalvorsenFind albums by this artist, Swedish pianist Lars JanssonFind albums by this artist and Norwegian bassist Frode BergFind albums by this artist. The album presents eleven pieces, three composed by Jansson, two co-composed by Jansson and Thoren, two composed by Halvorsen and four composed by musicians outside of the quartet. As the title suggests, the album is dedicated to music by fellow musicians, who inspired Thoren´s journey into music, including the celebrated pianist / composer Lars Jansson, who is featured on this album.

The music is beautiful mainstream contemporary Jazz, with a strong Nordic tinge, but moving also to other, more exotic, territories. Wonderfully melodic and accessible, the music manages to keep a high standard in all respects, with intelligent arrangements and heartfelt love of the subject matter. It is a wonderful example of melody based music which can be sophisticated, elegant and fascinating, without being tiresome and pretentious. The level of the compositions is excellent and full of positive energy and inspiration.

The execution is absolutely stunning in every respect. Jansson virtuosic piano parts are of course the highlight of the quartet´s sound, but all the musicians play in perfect harmony and with obvious respect. Halvorsen adds sleek saxophone parts and the rhythm section is simply fabulous, working like a symbiotic duo to support the soloist and adding their respective solos on the way. Berg is marvelously melodic and his full tone adds significantly to the overall sound of the quartet. Thoren has an excellent feel of time and uses a plethora of techniques to keep the pulsating rhythms in check, while not being obtrusive.

Overall this is a very impressive debut, which should make all Jazz connoisseurs happy, especially since it offers also a sublime sound quality. A wonderful gift of pure and unadulterated mainstream Jazz, which should warm the listeners hears during long winter evening or cool them down during hot summer nights.
Updated: 21/10/2017Posted: 21/10/2017CD 1 Digipak Recommend To A Friend

JUKKA TOLONEN BAND / HURMERINTA – SORVALI BIG BAND ~ POP LIISA VOL. 09 & VOL. 10
SVART 015 ~ FINLAND ~ Jazz-Rock Fusion

Recorded: 1975 - 1977 Released: 2016

Following the breakdown of the pioneering Finnish group Tasavallan PresidenttiFind albums by this artist in 1974, guitarist / composer Jukka TolonenFind albums by this artist continued his successful solo career, releasing albums on a regular basis. By the time his band was captured playing on this live broadcast, his fourth solo album "HystericaFind albums with this title" was about to be released soon after. The band, which also included saxophonist Pekka PoyryFind albums by this artist, keyboardist Esa KotilainenFind albums by this artist, bassist Heikki VirtanenFind albums by this artist and drummer Esko RosnellFind albums by this artist, perform four instrumental pieces, all originating from the "Hysterica" album and all composed by Tolonen. These live versions of the pieces are quite different from the studio versions and therefore their inclusion here is a perfect companion to the original album.

The music is almost completely Fusion oriented, with superb soloing by all the band members. Kotilainen´s keyboard performances are probably the only strong link present here to Progressive Rock, but the Fusion elements include also some Funk influences. Considering the fact that the bad collectively comprised of the "hottest" players on the Finnish scene, the fact that all the performances here are simply stellar.

Guitarist Sami HurmerintaFind albums by this artist, his wife vocalist Maarit HurmerintaFind albums by this artist and drummer Upi SorvaliFind albums by this artist put together the Hurmerinta – Sorvali Big BandFind albums by this artist in 1977, combining forces with many musicians they performed and recorded with earlier on, such as British vocalist Frank RobsonFind albums by this artist (ex-Tasavallan Presidentti), trumpeter Esko HeikkinenFind albums by this artist, Romanian trombonist Mircea StanFind albums by this artist, saxophonists Pertti PaivinenFind albums by this artist and Pentti LahtiFind albums by this artist, keyboardist Kari KuusamoFind albums by this artist, bassist Harri MerilahtiFind albums by this artist, and second drummer Roope KoistinenFind albums by this artist. This eleven-piece Big Band was not a typical Jazz Big Band, but rather a Brass Rock ensemble with a double vocal front. The Big Band existed for about a year between 1977 and 1978 and never recorded a studio album, so this live broadcast is their only recorded legacy.

The Big Band performs six songs, three of which were written by Jimi HendrixFind albums by this artist, two by Robson and one by Sami Hurmerinta. Hendrix was an obvious influence on these musicians and the legendary album by Gil EvansFind albums by this artist and his Orchestra "Plays The Music Of Jimi HendrixFind albums with this title" prompted them to form the Big Band in the first place. The music is of course typical of Brass Rock bands of the time, which combined Rock and Jazzy horns sound.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for Fusion and Jazz oriented Prog-heads this is an absolute must have!
Side Note
The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.

The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.

The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.

This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.
Updated: 09/05/2020Posted: 08/05/2020CD 1 Remastered Recommend To A Friend

JUKKA TOLONEN RAMBLIN` JAZZ BAND / KOM QUARTET ~ JAZZ LIISA VOL. 03 & VOL. 04
SVART 024 (Barcode: 6430050665807) ~ FINLAND ~ Jazz-Rock Fusion

Recorded: 1973 - 1975 Released: 2016

Guitarist / composer / bandleader Jukka TolonenFind albums by this artist moved with ease between Progressive Rock, Fusion and Jazz and was one of the founders of modern Finnish music scene. The band captured during this live radio broadcast features a powerful double rhythm section and includes also trumpeter Mike KoskinenFind albums by this artist, saxophonist Pekka PoyryFind albums by this artist, bassists Pekka PohjolaFind albums by this artist and Heikki VirtanenFind albums by this artist and drummers Reino LaineFind albums by this artist and Ronnie OsterbergFind albums by this artist, a most impressive collection of top Finnish Fusion / Jazz musicians at the time.

They perform only two extended pieces, around twenty minutes each, both composed by Tolonen. The first piece originates from his second album "Summer GamesFind albums with this title" and the second from his debut album "Tolonen!Find albums with this title". Both pieces feature extensive soloing by all participants, including a rare violin solo by Pohjola, who of course is primarily known as a legendary bassist / composer.

The KOM QuartetFind albums by this artist, which was captured here in an expanded sextet lineup featuring two vocalists: Eija OrpanaFind albums by this artist (who also plays violin) and Pertti MelasniemiFind albums by this artist (who also plays percussion) in addition to the four instrumentalists, regular members of the band: pianist Eero OjanenFind albums by this artist, guitarist Jukka HauruFind albums by this artist, bassist Tapani TamminenFind albums by this artist and drummer Ari ValtonenFind albums by this artist, were members of the KOM Theatre group of musical / social activists.

They perform six songs (two combined into one track), composed three each by Hauru and Ojanen, all based on the lyrics by the novelist / poet Claes AnderssonFind albums by this artist, who was later on Finland´s Minister of Culture (1995-1998). Although featuring lyrics, these tracks are mostly instrumental and feature extensive soloing by Hauru and Ojanen.

Overall this is some of the most staggering music created in Europe in the early to mid 1970s that one is able to hear and for European Jazz and Fusion connoisseurs this is an absolute must have!
Side Note
The Finnish independent label SvartFind albums on this label Records released an unprecedented series of albums called Pop Liisa and Jazz Liisa, which present priceless historical recordings of Finnish Rock, Progressive Rock, Jazz-Rock Fusion and Jazz music, recorded live and broadcasted from the Liisankatu Studios in Helsinki under the "Popstudio" and "Jazzstudio" monikers between 1972 and 1977. The studios were owned by the YLE (Finnish Broadcasting Company), a public broadcasting service, which not only allowed the burgeoning Finnish music scene at the time to be exposed but also carefully archived the recordings for future generations. All this incredible music was previously unissued and collectively is probably the most important document of Finnish music from that period ever assembled.

The music was released on 36 LPs (Pop Liisa Vol. 01 to Vol. 18 and Jazz Liisa Vol. 01 to Vol. 18) and on 18 CDs with every two consecutive volumes combined on one CD.

The sound quality is absolutely superb, often better than the sound quality on the LPs released by these artists at the time. Many of the groups appearing on these albums never managed to record an album and these recordings are the only recorded legacy in existence of their activity. The released are accompanied by well researched and intelligent liner notes.

This archival project is an outstanding example of how Cultural Legacy should be treated as well as of exemplary dedication to record producing professionalism.
Updated: 03/06/2020Posted: 03/06/2020CD 1 Remastered Recommend To A Friend

KASPER TOM / JACOB ANDERSKOV ~ CHROMA
BAREFOOT 037 (Barcode: 5707471036099) ~ DENMARK ~ Jazz

Recorded: 2014 Released: 2014

This is an album by a duo of Danish Jazz musicians: drummer / composer Kasper Tom ChristiansenFind albums by this artist and pianist / composer Jacob AnderskovFind albums by this artist, both representatives of the new wave of Danish Jazz music, which has been experiencing a significant resurgence since the turn of the Millennium. Anderskov, who is commonly recognized as one of the leaders of the local Danish scene, is a prolific performer, composer and recording artists with a sizeable legacy of over twenty releases as a leader since his debut in 2001 and many more as a sideman. He won the Danish Jazz Composer of the Year award in 2013 and is definitely an Artist worth following. Christiansen, who started to record in 2007, participated in more than ten releases since, with a steady progress towards excellence. This album includes eight original compositions, seven of which are by Christiansen, and the opening track is a piece credited to both participants.

The fact that Anderskov takes part in this album almost exclusively as a pianist is a tremendous vote of confidence in Christiansen´s talent as a composer. But more importantly, for anybody listening to this music, it becomes pretty obvious that Christiansen is a brilliant music weaver. His intrinsic melancholy, lyricism and feel for freedom of expression are his pillars, and then it´s up to the performers to translate these principles into actual soundscapes.

Anderskov was an ideal choice to turn this music into what it finally becomes: a dreamy soundtrack of an imaginary voyage through space and time, delicate and fragile, illusive and mystical. The gentle piano strokes and the muffled drum parts work hand in hand towards a common goal of caressing the listener´s soul via his ears. This music can be absorbed on many different levels, from highly cerebral to completely emotional, all with an equally satisfactory aesthetic effect.

This is a very intimate piece of music, humble in a way, somewhat minimalistic, and yet it contains more music and artistic expression that most other, much more flamboyant recordings. For me this is one of the most profound pieces of music I´ve had the pleasure to hear this year. As usual in such occasions, I simply raise my imaginary hat, thanking the Artists for sharing.
 CD 1 Mini-Sleeve Recommend To A Friend

TRZASKA / MAZUR / PANDI ~ TAR & FEATHERS
GUSSTAFF 1402 (Barcode: 5050580617261) ~ POLAND ~ Jazz

Recorded: 2012 Released: 2014

This is a live recording of an exciting meeting between two Polish Improvised Music players: saxophonist Mikolaj TrzaskaFind albums by this artist and bassist Rafal MazurFind albums by this artist with Hungarian drummer Balazs PandiFind albums by this artist associated with European Avant-Garde / alternative / improvised Rock. The concert was captured at the A38 Club in Budapest, which is in fact a ship anchored to a pier on the Danube River. The album includes six original improvised pieces, all credited to the three performers.

In many respects the music captured here is more "conventional" that most of other projects, which Trzaska is usually associated with. Probably the solid rhythmic drumming by Pandi and fairly melodic bass lines by Mazur influenced Trzaska´s performance, moderating his untamed instincts. As a result the overall flow of the mostly up-tempo material is quite accessible to open-minded Jazz listeners, who usually don´t plunge into Improvised Music.

As usual in such situations, the level of cooperation between the musicians is what makes the resulting music cohesive and focused. Trzaska is usually directed by a fine taste when choosing his partners and this encounter is no different. The dynamic and powerful rhythm section certainly pushes his playing into areas, which go back to his days with the legendary ensemble MiloscFind albums by this artist.

Another aspect of this recording is the contact between the burgeoning Improvised Music scene in Poland and the relatively smaller but very interesting scene developing lately in Hungary, which deserves to be discovered. Hopefully this album could serve as a trigger to more such collaborations.
Updated: 12/04/2019Posted: CD 1 Mini-Sleeve Recommend To A Friend

ANDRZEJ TRZASKOWSKI ~ POLISH RADIO JAZZ ARCHIVES VOL.05
POLSKIE RADIO 1609 (Barcode: 5907812246099) ~ POLAND ~ Jazz

Recorded: 1962 Released: 2013

This is the fifth installment in the new series of releases initiated by the Polish Radio, which presents archive Jazz recordings. Radio recordings are always a fabulous source of remarkable material, and as far as Polish Jazz history is concerned, the Polish Radio, which was a state monopoly for 45 years, recorded over time a plethora of invaluable material, which apart from the albums released by the Polskie Nagrania record company (also a state monopoly), is the only additional source of Polish Jazz recordings. For many years Polish Radio recorded concerts presented during Poland´s most important Jazz venue, the annual Jazz Jamboree Festival and many other festivals as well.

The material presented here presents the iconic figure of the post WWII Polish Jazz pioneer, pianist / composer Andrzej TrzaskowskiFind albums by this artist. Of the twelve tracks on this album, first five are live recordings from the 1962 Jazz Jamboree Festival and the remaining seven are studio radio recordings from the same year. The material was recorded by three different lineups: The WreckersFind albums by this artist quintet (which alternated bass players), which included saxophonists Zbigniew NamyslowskiFind albums by this artist and Michal UrbaniakFind albums by this artist, bassists Roman DylagFind albums by this artist or Juliusz SandeckiFind albums by this artist and drummer Adam JedrzejowskiFind albums by this artist, the Andrzej Trzaskowski Quintet, which had the same lineup as The Wreckers, except for drummer Andrzej DabrowskiFind albums by this artist and the Andrzej Trzaskowski Trio, which included bassist Roman Dylag and drummer Adam Jedrzejowski. The material includes both original compositions by Trzaskowski (four of the five live tracks) and modern Jazz standards.

Listeners familiar with the Polish Jazz history will of course notice immediately that the core of Trzaskowski´s group (Namyslowski and Urbaniak) was also the core of the soon to be formed revolutionary ensemble led by Krzysztof KomedaFind albums by this artist, and Dylag already played with Komeda as a member of his trio at the very same Jazz Jamboree 1962 Festival. This brings on the issue of the buried controversy as to who was in fact the pivotal Godfather figure of the Polish Jazz, Andrzej Trzaskowski or Krzysztof Komeda. Komeda (born 1931), who was a couple of years older from Trzaskowski (born 1933) but they both definitely belonged to the same generation, both dominated the scene in the late 1950s and early to mid 1960s and both were breaking new ground with their music, as performers and composers. Of course Komeda will go down in history as the overall winner of this little debated contest, due to his enormous international success as composer of film music, which Trzaskowski also dealt with but with a much lesser success.

Considering the fact that Trzaskowski´s recorded legacy is lamentably limited, this album is a superb addition to his heritage, especially in view of the top-form performances and fantastic remastering work, which makes the music herein sound fresh, clear and vibrant. Namyslowski and Urbaniak fans will also have a field day with this music, which documents the early days of their illustrious careers. This album is therefore a "must have" for any Polish Jazz fan, old and young alike, as this music is ageless and its historic significance is priceless.
 CD 1 Digipak Remastered Recommend To A Friend

ANDRZEJ TRZASKOWSKI ~ SEANT (POLISH JAZZ VOL.11)
POLSKIE RADIO 0541 (Barcode: 5901448115415) ~ POLAND ~ Jazz

Recorded: 1965 - 1966 Released: 2005

This monumental album, perhaps as important as fellow Polish Jazz Godfather Krzysztof KomedaFind albums by this artist´s "AstigmanticFind albums with this title", recorded at the same period, is unfortunately significantly less known and appreciated, both in Poland and abroad, which is a great misfortune. Pianist / composer Andrzej TrzaskowskiFind albums by this artist contributed enormously to the development of Polish Jazz, especially in the field of more experimental, Avant-Garde, Free Jazz music, which was rapidly developing worldwide in the 1960s. This sextet recording, which includes American trumpeter Ted CursonFind albums by this artist (of Charles MingusFind albums by this artist fame), who was spending as much of his time in Europe as at home, playing along brilliant Polish crew: saxophonists Wlodzimierz NahornyFind albums by this artist and Janusz MuniakFind albums by this artist, bassist Jacek OstaszewskiFind albums by this artist and drummer Adam JedrzejowskiFind albums by this artist. The music, all original compositions by Trzaskowski, is simply brilliant and absolutely pioneering in every respect. Listening to this album in retrospect one can hear clearly that in the historic perspective it was as innovative and groundbreaking as anything else created at the time over the pond and beyond the Iron Curtain. In addition it is also aesthetically beautiful and intellectually challenging. An absolute must to any Polish Jazz enthusiast; this is an essential piece of Polish Jazz history.
Updated: 12/04/2019Posted: CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend

TSABROPOULOS / ANDERSEN / MARSHALL ~ ACHIRANA
ECM 1728 (Barcode: 602448279248) ~ GREECE ~ Jazz

Recorded: 1999 Released: 2022

This is a reissue of a wonderful album by a trio consisting of Greek Jazz pianist / composer Vassilis TsabropoulosFind albums by this artist, Norwegian Jazz bassist / composer Arild AndersenFind albums by this artist and British Jazz drummer John MarshallFind albums by this artist. The album presents nine tracks, five composed by Tsabropoulos, two composed by Andersen and two co-composed by all three musicians. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by my Friend Jan Erik KongshaugFind albums by this artist, with the usual sublime sound quality.

The music is all beautifully melodic and lyrical, brilliantly performed by these Giant musicians. This is the 1st album recorded by this trio, followed by the no less beautiful “The TriangleFind albums with this title”, originally released in 2004. Tsabropoulos, who emerged as a Classical pianist, turns out to be a most sensitive Jazz musician, with wonderful improvisational qualities. Andersen, one of my favorite bass magicians on this planet, displays his usual qualities, which are simply breathtaking. Marshall, the veteran of British / European Jazz scene since the 1960s, was at the time still one of the best drummers around, here sticking mostly to the “less is more” approach.

Overall, this is an absolutely “classic” Jazz piano trio album, which deserves an honorary place on the shelf of the “best ever” recordings in that niche. Lovers of the Artistry of Bill EvansFind albums by this artist should be especially interested, as Tsabropoulos has often a very similar touch and style to the American Giant. Criminally overlooked and absolutely essential Piano trio album, which should not be missed by anybody, who calls himself a Jazz lover!
Updated: 05/08/2024Posted: 05/08/2024CD 1 Mini-Sleeve Recommend To A Friend

UZI AND THE STYLES ~ UZI AND THE STYLES (EXPANDED EDITION)
HED ARZI 64752 (Barcode: 7293372475290) ~ ISRAEL ~ Classic Rock

Recorded: 1969 - 1970 Released: 2007

Uzi FuxFind albums by this artist and his band The StylesFind albums by this artist were one of a plethora of Israeli rock bands (The ChurchillsFind albums by this artist, The Blue StarsFind albums by this artist, The New StarsFind albums by this artist, The Fats & ThinsFind albums by this artist, The GeneralsFind albums by this artist, The MonksFind albums by this artist, The SpidersFind albums by this artist and many others) active on the local scene in the late 1960s and early 1970s. The main difference between The Styles and other bands was the fact that they performed mainly self-written material and in English as opposed to the other bands, which did mostly covers and original songs in Hebrew. The band included two British musicians: Abe OrchoverFind albums by this artist (organ) Tony PriceFind albums by this artist (songwriter), who were responsible for the band’s advanced sound and production. They were influenced by The BeatlesFind albums by this artist and Manfred MannFind albums by this artist, but managed quickly to form their unique character, placing the group as one of the most important early Israeli rock outfits. Their only album was recorded in 1970, presenting all (but one) original songs written by Orchover and Price and including their biggest hit “Friends”. This expanded edition includes their single and EP releases (the EP was released in UK, USA, Spain, Germany and Belgium and met with quite a success at the time), collecting all the recorded legacy of the band.
 CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend

VANDER, MAURICE ~ MAURICE VANDER
DREYFUS 36502 ~ FRANCE ~ Jazz


French pianist Maurice Vander presents a showcase of brilliant technique in this trio performances. Accompanied by Italian bass player Luigi Trussardi and US master drummer Philly Joe Jones, he flies through a set of jazz standards and original compositions with grace and passion. This 1968 recording is a real treat to all piano trio fans.
 CD 1 Recommend To A Friend

KEN VANDERMARK / OLES BROTHERS ~ IDEAS
NOT TWO 765 (Barcode: 5907589871654) ~ USA ~ Free Jazz / Improvised Music

Recorded: 2005 Released: 2005

This is a an album by American saxophonist / clarinetist / composer Ken VandermarkFind albums by this artist, recorded in a trio setting with Polish rhythm section comprising of bassist / composer Marcin OlesFind albums by this artist and drummer / composer Bartlomiej OlesFind albums by this artist, collectively known as Oles BrothersFind albums by this artist. The album presents ten original compositions, all co-composed by all three members of the trio.

Vandermark enjoyed enormous popularity in the Polish Free Jazz circles, playing often in Poland with his American ensembles and groups featuring local musicians and recording dozens of albums over time, which were consequently released in Poland. That popularity was certainly way beyond the popularity Vandermark enjoyed in his home base in Chicago or in the US in general and remains an anomaly in the Polish Jazz history, the only explanation of which is the notorious Polish inferiority complex, which awards to American musicians the rank of God, which in most cases is completely mislead.

This particular recording is definitely one of the best recordings by Vandermark made in Poland, which has to be credited to the wonderful contributions made by the Oles Brothers herein, which manage to tame Vandermark´s often chaotic statements and achieve a melancholic and deeply moving statement by the trio. Both the saxophone and clarinet statements are subdued and introvert, superbly supported by the sensitive, elegant and highly aesthetic performances by the rhythm section. The rhythm section is by no means constrained to provide the rhythmic patterns, but actually performs on the same level with the soloist, in perfect conceptual unison.

Although the music is credited to the trio, listeners familiar with the work of Oles Brothers will surely recognize their compositional patterns in most of the compositions present here, with Vandermark´s contribution being less detectable.

Overall this is an excellent contemporary Jazz with some Free and Improvised Music elements but on the whole completely accessible by most Jazz connoisseurs. This is definitely not a very typical Vandermark statement, which of course works for the best. Highly recommended and I urge everybody to get a copy before this gem gets out of print.
Updated: 01/05/2017Posted: 01/05/2017CD 1 Mini-Sleeve Recommend To A Friend

VANDOORN ~ THE QUESTION IS ME
RIFF 85030 ~ NETHERLANDS ~ Jazz

Recorded: 1993 Released: 1994

This is the debut album by Dutch Jazz vocalist Ineke van DoornFind albums by this artist (later VandoornFind albums by this artist), recorded with a quintet which includes guitarist Marc van VugtFind albums by this artist, pianist Joren van VlietFind albums by this artist, bassist Wiro MahieuFind albums by this artist and drummer Chris StrikFind albums by this artist. British trumpeter Kenny WheelerFind albums by this artist guests on three tracks and Canadian pianist Don ThompsonFind albums by this artist guests on one track. The album presents nine tracks, all of which feature lyrics by van Doorn, seven were composed by van Vugt and one each by Wheeler and Thompson.

The album offers a collection of nice songs, all performed without a hitch by these young (at the time) musicians, who are obviously well schooled and talented. The couple of van Doorn and van Vugt continue their music career to this very day and continue to record albums.

Obviously my interest in this album was the presence of Wheeler, who perform brilliantly here, as always. His openness to play and record with young musician the world over is a fascinating story and makes collecting a “complete” collection of his recordings quite a challenge, which of course I gladly take a part in.

Overall, this is a charming, a bit naïve but still sounding good today album by a Dutch couple, with Wheeler playing marvelous soli on three tracks and contributing music to one song. Another Wheeler discography rarity in the collection.
Updated: 18/02/2025Posted: 18/02/2025CD 1 Recommend To A Friend

VAS / BUKOWSKI / SZMANDA ~ OPEN-CLOSED PRINCIPLE
SJ 068 (Barcode: 5902596066994) ~ HUNGARY ~ Jazz

Recorded: 2021 - 2022 Released: 2022

This is the debut album by the trio comprising of Hungarian (resident in Poland) organist / composer Bence VasFind albums by this artist and Polish vibraphonist Dominik BukowskiFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. The album presents eight original compositions, all by Vance. The music was recorded at the excellent Studio Tokania and engineered by Jan SmoczynskiFind albums by this artist, who owns the studio and is a fabulous organist himself, which of course guarantees a fabulous sound quality.

The trio offers a unique aural experience and the unusual instrumental lineup, despite its minimalist setting, offers an almost orchestral sound, much denser and elaborate in textures than one might expect. Both the organ and the vibraphone are among my favorite instruments, so I obviously have no complains in that department, although aurally the matching of these two instruments might prove difficult.

The compositions are less exciting and the feeling is that the music tends to linger somewhat longer than necessary, not really developing much after the melodic theme was introduced. Also the compositions are quite similar to each other, which offers little dynamics over the playing time of the album. Of course all three musicians are highly professional and capable of playing the music without a hitch, with most of the inventive soloing is taken over not surprisingly by Bukowski, who is a true Master of the trade. Szmanda, as usual, keeps the music swinging at all times.

Overall, this is a nice, melodic Jazz album, which offers a rather unusual sound and instrumental blend, in a chamber like atmosphere, often close to Classical music. For fans of organ Jazz, this is certainly something they might like to look into.
Updated: 16/01/2023Posted: 16/01/2023CD 1 Digipak Recommend To A Friend

BENCE VAS & BIG BAND ~ OVERTURE ET AL.
NOT ON LABEL (Barcode: 794712431091) ~ HUNGARY ~ Big Band Jazz

Recorded: 2020 Released: 2020

This is the fifth album by Hungarian (resident in Poland) organist / composer Bence VasFind albums by this artist, this time recorded with a Hungarian Big Band comprising of some of the best young Hungarian Jazz / Contemporary Music players, most members of the Modern Art OrchestraFind albums by this artist (MAO), conducted by Daniel DinnyesFind albums by this artist. The solo parts are performed by Vas, pianist Gabor CsekeFind albums by this artist and saxophonist Kristof BacsoFind albums by this artist. The album presents a five-part suite, composed by Vas.

The music is an amalgam of Jazz and orchestral music, with contemporary Classical Music ties, all tightly composed with little space for improvisation. Vas indicates that he was inspired by Bela BartokFind albums by this artist, hardly surprising in his case, but other influences are also clearly evident. The music offers highly melodious and harmonious serenity, which make it accessible to a wide spectrum of music lovers.

The sound of the organ, supported by a Big Band / Orchestra, is highly original, contrasting the usual Rock / Jazz small combo setting. This is in fact the second album Vas recorded with a Big Band, which indicates his affinity for that format.

The performances are all very professional and the Big Band / Orchestra offers the usual magnificent power of a big ensemble, which works splendidly as an accompaniment for the soli and of course on its own merit.

Overall this is a very pleasant, well put together and performed piece of music, which should satisfy many music lovers, not necessary from any specific genre. The wonderful sound of the Big Band and the melodic contents offer a joy ride, supported by the great sound quality of the recording.
Updated: 26/03/2021Posted: 26/03/2021CD 1 Digipak Recommend To A Friend

VERMILION SANDS ~ WATER BLUE
MUSEA 4293 ~ JAPAN ~ Progressive Rock


Japanese Prog outfit Vermilion Sands produced a sound very similar to the material released by Renaissance. With female vocals up front and soft melodic compositions, the resemblance is evident. This is their only album from 1989 with some great additional material, especially the 1996 one-time reunion live tracks featuring KBB`s violinist Akihisa Tsuboy.
 CD 1 Remastered Bonus Tracks Recommend To A Friend

VILLE EMARD BLUES BAND ~ COMPLETE VEBB 1973-1975
PROGRESSON 01 ~ CANADA ~ Progressive Rock


Don´t be confused by the name - VEBB were a Canadian supergroup, which although had its beginnings as a blues outfit, soon developed into a full fledged Prog group. They played long and complex compositions and there was plenty of great improvising, especially during live performances. This wonderful album collects all their recorded output and is a great tribute to one of the best ever Canadian groups. The use of brass places them close to the early jazz / rock genre as well. Absolutely worth discovering!
 CD 2 Remastered Bonus Tracks Recommend To A Friend

VISTULA RIVER BRASS BAND ~ ENTERTAINER (POLISH JAZZ VOL.51)
MUZA 0951 ~ POLAND ~ Jazz

Recorded: 1976 Released: 2004

This album by veteran ensemble Vistula River Brass BandFind albums by this artist presents the versatility of the Polish Jazz scene, which at all times presented the entire scope of Jazz music, from Ragtime to Avant-Grade, all of them on a very high artistic level. The ensemble was formed in the late 1960s by drummer Jerzy WieckowskiFind albums by this artist, who remained the leader for many years. They were basically an amateur ensemble, as most of the nine members had regular jobs, but they played like pros, winning many traditional Jazz competitions and recording two albums for the Polish Jazz series, of which this is the first. Stylistically they remained close to the very early days of Jazz, playing mostly music associated with New Orleans and Chicago in early 20th Century. The material on this album comprises only of standards, except for the bonus track, which was composed by the pianist of the band Jerzy ZebrowskiFind albums by this artist. The level of performance is absolutely excellent all the way through and every Jazz fan should be able to enjoy this music for what it stands for: quality and fun! Recommended!
 CD 1 Digipak Oversampling Remastered Bonus Tracks Recommend To A Friend

WANDA WARSKA ~ DOMOWE PIOSENKI
POLSKIE RADIO 1984-1985 (Barcode: 5907812249847) ~ POLAND ~ Jazz & Poetry

Recorded: 1964 - 2015 Released: 2016

This is a phenomenal collection of radio recordings by the iconic Polish Jazz vocalist Wanda WarskaFind albums by this artist, the wife of the Godfather of Polish Jazz, pianist / trumpeter / trombonist / composer / arranger / conductor / bandleader Andrzej KurylewiczFind albums by this artist. In retrospect, considering the criminally limited recorded legacy by Warska, in spite of her status and immense talent, she was perhaps overshadowed by the colossal figure of her husband and perhaps decided to support his career rather than develop her own. Whatever the reasons might have been, there is almost nothing available on the Polish music market that reflects her incredible artistry and this collection is a most welcome, albeit much belated, tribute to this Wonder Women!

This 2CD album presents thirty seven stunning songs, all of which have two things in common: Warska sings them all and she wrote the lyrics to all of them, unveiling a part of her creative nature less know to the public. As if this wasn´t impressive enough, she also composed twenty four of these songs. Those she did not composed are mostly by Brazilian composers: Antonio Carlos JobimFind albums by this artist, Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist and Joao GilbertoFind albums by this artist, the Godfathers of Bossa Nova and modern Brazilian music (total nine songs). Warska started her career as a lyricist in 1964, when she translated into Polish the a/m Bossa Nova songs, which swept the Polish scene as they did all over the world at the time. The remaining four songs come from other sources and interestingly none of the songs on this album were composed by Kurylewicz.

These songs were recorded during a number of recording sessions as follows: one song was recorded in 1963, five songs were recorded in 1964, seven songs were recorded in 1966, one song was recorded in 1971 and seven songs were recorded in 1972; on all of the above twenty one songs Warska is accompanied by various ensembles led by Kurylewicz, lineups of which are unknown. Thirteen songs were recorded in 2002 and one in 2004 with a quartet which included Kurylewicz on piano, guitarist Marek NapiorkowskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. Two more songs were recorded in 2015 (after the passing of Kurylewicz in 2007) with a trio featuring pianist Andrzej JagodzinskiFind albums by this artist, Napiorkowski and Panta.

The songs composed by Warska are all pearls of the Polish Jazz & Poetry idiom, full of that heartbreaking lyricism, Slavic melancholy and beautiful melodies, that only Poles are capable of weaving. Warska´s interpretations of these songs are absolutely divine, although she was always the absolute Queen of Cool, playing around with her beautiful voice and using cleverly the idiosyncrasies of the Polish language and diction, but eschewing theatrics and drama. This perfect minimalism is her trademark, and sets her apart from all other Polish Jazz vocalists, regardless of their age.

In truth this album is a wonderful opportunity to compare Warska to her alter ego, the legendary Polish Jazz vocalist Ewa DemarczykFind albums by this artist, who also enjoys an iconic status based mostly on a very limited number of recordings done decades ago. Demarczyk and Warska are the two most important figures of the Polish Jazz vocal artistry, and they both remain unchallenged so far. Demarczyk, the absolute Drama Queen, is the devilish face of Polish Jazz vocals whereas Warska is the absolute angelic face of it. They compliment each other perfectly, like Yin & Yang and a prospect of seeing them both on one stage and / or the possibility of them making an album together gives me the Goosebumps.

As usual in such cases, the lyrical content of this album is sadly limited to those listeners who understand the Polish language, however I´m pretty sure that the beauty and the power of these songs is much stronger than language barriers and all sensitive listeners anywhere on this planet should be able to enjoy this album immensely.

As far as Polish Cultural Heritage is concerned, this is an absolute National Treasure, which deserves to be cherished and studied by young musicians in Poland, first and foremost by vocalists of course. For us, the humble admirers, this is an essential addition to our record collections, no questions asked. We thank you from the bottom of our hearts!
Updated: 05/05/2016Posted: 05/05/2016CD 2 Digipak Remastered Essential Recommend To A Friend

WDR BIG BAND ~ BALKAN JAZZ
BIGBAND 1003 (Barcode: 4250459910030) ~ GERMANY ~ Big Band Jazz

Recorded: 2004 Released: 2010

This is an album by the German WDR Big BandFind albums by this artist from Cologne, dedicated to Balkan Jazz motifs. The Big Band is conducted by American pianist / conductor / arranger Bill DobbinsFind albums by this artist. The main guest soloist is Romanian (resident in Germany) saxophonist / composer Nicolas SimionFind albums by this artist. Additional guest instrumentalists include Hungarian violinist Zoltan LantosFind albums by this artist, Italian accordionist Fausto BeccalossiFind albums by this artist, French drummer Benjamin HenocqFind albums by this artist and Croatian percussionist Kruno LevacichFind albums by this artist. The album presents ten tracks, all original compositions by Simion, arranged by Dobbins.

The WDR Big Band is one of several German Big Bands, such as the NDR Big BandFind albums by this artist (from Hamburg) or the HR Big BandFind albums by this artist (from Frankfurt), which function side by side with the regional state broadcasting corporations active in Germany, being decentralized by law and remaining as one of the last bastions of independent publicly sponsored cultural organizations, adding a tremendous input into European Jazz in particular and European Culture in general. The musicians employed by these Big Bands have ideal working conditions and are free from economic struggles, which take a heavy toll on most freelance musicians. Also many projects, like the one documented on this album, would have never happened in a purely unsponsored commercial environment and the existence of these bands is simply a cultural miracle.

The music is a brilliant amalgam of the Orchestral / Big Band Jazz and Jazz-World Fusion idioms, which combines the best of the two worlds. Balkan music has been a huge influence on the European Jazz scene over time, and its quirky rhythm patterns and typical melodic melancholy can be found on many on quite a few albums, but a meeting with the Big Band environment is relatively rare, and this is a splendid opportunity to enjoy it to the max.

Nicolas Simion is a prolific figure on the European Jazz scene, with an impressive recording legacy to his credit, which covers several sub-genres and offers many international joint projects. His Transylvanian roots are always strongly in his compositions and I am a big fan of his work, as much as his company as a Friend, which go perfectly with my Romanian secret ties ;)

Overall, this is a truly delightful piece of music, which can be enjoyed by a wide audience of Jazz listeners. Of course Big Band lovers, especially those of the European Big Band variety, will be completely smitten by the virtuosity of the performances and the depth of the music found on this album.
Updated: 05/10/2024Posted: 05/10/2024CD 1 Digipak Recommend To A Friend

WDR BIG BAND ~ JAZZ AL` ARAB
BIGBAND 1001 (Barcode: 4250459910016) ~ GERMANY ~ Big Band Jazz

Recorded: 2006 Released: 2012

This is an album by the German WDR Big BandFind albums by this artist from Cologne, dedicated to Maghreb (the western part of North Africa, including Morocco, Algeria and Tunisia) Jazz motifs. The Big Band is conducted by British composer / conductor / arranger Michael GibbsFind albums by this artist. The guest soloists are Maghrebian musicians: Karim ZiadFind albums by this artist, Aziz SahmaouiFind albums by this artist, Mehdi AskeurFind albums by this artist and Rhani KrijaFind albums by this artist, all of whom contribute vocal and percussion parts. The album presents nine tracks, a mixture of traditional and original compositions by Sahmaoui, Ziad and others, arranged by Gibbs.

The WDR Big Band is one of several German Big Bands, such as the NDR Big BandFind albums by this artist (from Hamburg) or the HR Big BandFind albums by this artist (from Frankfurt), which function side by side with the regional state broadcasting corporations active in Germany, being decentralized by law and remaining as one of the last bastions of independent publicly sponsored cultural organizations, adding a tremendous input into European Jazz in particular and European Culture in general. The musicians employed by these Big Bands have ideal working conditions and are free from economic struggles, which take a heavy toll on most freelance musicians. Also many projects, like the one documented on this album, would have never happened in a purely unsponsored commercial environment and the existence of these bands is simply a cultural miracle.

The music is a brilliant amalgam of the Orchestral / Big Band Jazz and Jazz-World Fusion idioms, which combines the best of the two worlds. The Maghreb music is a wonderful treasure chest of music, especially the Berber and Gnawa traditions, and it produced some world-famous figures, like my Friend Majid BekkasFind albums by this artist, and had some influence on the European Jazz scene over time, but a meeting with the Big Band environment is relatively rare, and this is a splendid opportunity to enjoy it to the max.

It should be noted that Maghreb music, like all Middle Eastern musical traditions, includes intrinsically the element of improvisation, which of course makes it more open to Jazz than most European musical traditions. Especially so in the vocal music, which is almost entirely improvised and at times can last as long as half an hour, improvising just on one basic tune.

Overall, this is a truly delightful piece of music, which can be enjoyed by a wide audience of Jazz listeners. Of course Big Band lovers, especially those of the European Big Band variety, will be completely smitten by the virtuosity of the performances and the depth of the music found on this album. Gibbs’ arrangements are especially charming, and deserve to be listened to with attention and admiration.
Updated: 10/10/2024Posted: 10/10/2024CD 1 Digipak Recommend To A Friend

ADAM WENDT AND FRIENDS ~ RHYTHM & JAZZ
SOLITON 862 (Barcode: 5901571098623) ~ POLAND ~ Jazz

Recorded: 2018 Released: 2018

This is an album by veteran Polish Jazz saxophonist / composer Adam WendtFind albums by this artist recorded in a quartet setting with pianist Wojciech NiedzielaFind albums by this artist, bassist Zbigniew WrombelFind albums by this artist and drummer Marcin JahrFind albums by this artist. American trumpeter Randy BreckerFind albums by this artist guests on two tracks and guitarist Dean BrownFind albums by this artist on one track. The album presents nine original compositions, all by Wendt. The album was beautifully recorded at the RecPublica Studios and engineered by Lukasz OlejarczykFind albums by this artist and offers a truly spectacular sound,

The music, as the title suggests, is all mainstream Jazz that emphasizes the Rhythm And Blues stream in American Jazz popular in the 1950s and 1960s. It is pretty astounding how American this music sounds, although it is completely "Made in Poland"! When blindfold tested this music might have been identified as a "lost" Cannonball AdderleyFind albums by this artist album. For the Jazz cognoscenti the Adderley´s great hit "Mercy, Mercy. Mercy" comes immediately to mind when this music plays, but we should remember it was written by Joe ZawinulFind albums by this artist, who was as European as they come. Niedziela´s vamping on this album and his piano parts are a great tribute to Zawinul.

The execution is absolutely perfect in every respect – the sound, the beat, the feel and everything else sounds like top American musicians at work. But considering the fact that these are original compositions, one can only take the hat off in full respect and admiration.

Although this album does not overall offer anything new or unexpected, it presents a truthful reproduction and a tribute to the lighter side of American Jazz, with originally contributed music, which does hold its ground perfectly. For the many enthusiasts, who still love this kind of Jazz, this album is a true delight and an irrefutable proof that "White Man Can Jump", especially if they are Polish.
Updated: 08/05/2023Posted: 29/12/2018CD 1 Digipak Recommend To A Friend

WESTON, RANDY ~ NUIT AFRICANE
ENJA 2086 ~ USA ~ Jazz


Piano solo recording by the legendary US musician, who was one of the pioneers that incorporated African and Caribean music into Jazz, creating a multi-cultural amalgam. Recorded in 1975 in Paris.
 CD 1 Recommend To A Friend

AGNIESZKA WILCZYNSKA / ANDRZEJ JAGODZINSKI ~ WILCZE JAGODY
NOT ON LABEL (Barcode: 5907222840030) ~ POLAND ~ Jazz & Poetry

Recorded: 2019 Released: 2019

This is a beautiful Jazz & Poetry album by the Polish duo comprising of vocalist Agnieszka WilczynskaFind albums by this artist and veteran pianist / composer Andrzej JagodzinskiFind albums by this artist. The album presents eleven original songs composed by Jagodzinski and featuring lyrics by contemporary Polish poets / lyricists: Andrzej PoniedzielskiFind albums by this artist, Stanislaw TymFind albums by this artist, Wieslawa SujkowskaFind albums by this artist and Jan WolekFind albums by this artist. Wilczynska contributed the lyrics to one of the songs. Jagodzinski in addition to playing the piano add also some accordion parts.

The music is an archetypal example of what the essence of Polish Jazz represents, in its profound lyricism, melancholy and harmonies deeply rooted in Polish Folklore, which are unmistakably idiosyncratic. Jagodzinski´s compositions, which are influenced and inspired by his insightful love and understanding of the music of Frederic ChopinFind albums by this artist, are heartbreakingly melodic and deeply wistful, and when combined with the intelligent and thoughtful lyrics they simply become irresistible. For listeners interested in exploring his exceptional status and his contribution to the Polish Jazz idiom, I recommend the wonderful "Muzyka PolskaFind albums with this title" album, which is a classic.

But clearly the amalgam of this superb music and the marvelous vocal performances by Wilczynska is what makes this album even more special. She is undoubtedly an ideal Jazz & Poetry singer, with a perfect diction that allows each and every syllable to be heard precisely, a sublime theatrical expressionism which allows sensitive delivery of the underlying emotions and last but not least has a wonderful voice and feel of the music, which is clearly evident when she sings the lyrics or improvises using vocalese. Wilczynska cleverly avoids any unnecessary theatrical extravagance, delivering the lyrics with charming minimalism, clearly achieving the "less is more" effect, which ideally suits the concept of this album. I wish all the young Polish Jazz vocalists simply listened to this album, which is a classic example of how things should be done in that field.

During my last visit in Poland, just a few weeks ago and before the corona virus took control of our lives, I had an opportunity to hear Wilczynska, Jagodzinski and other Polish Jazz musicians deliver an unforgettable performance in a small club in the outskirts of Warsaw. The venue was absolutely packed with fans, which wouldn´t let the musicians off the stage after two solid hours of brilliant music. I hope all of you, my Friends, are well and I do hope to see you all again soon. May the Jazz Force be with you!
Updated: 22/03/2020Posted: 22/03/2020CD 1 Digipak Recommend To A Friend

WILD MANS BAND ~ FREDENSBORG
NINTH WORLD 050 (Barcode: 5709498212524) ~ GERMANY ~ Jazz

Recorded: 2013 Released: 2015

This is the sixth album by The Wild Mans BandFind albums by this artist, a conceptual trio, which invites other musicians to join them one at a time in turn, to create an ad hoc quartet. The trio consists of veteran European Free Jazz / Improvised Music musicians: German saxophonist / clarinetist Peter BrotzmannFind albums by this artist, Danish bassist Peter Friis NielsenFind albums by this artist and Danish drummer Peter Ole JorgensenFind albums by this artist. On this album they are joined by the great Polish saxophonist / clarinetist Mikolaj TrzaskaFind albums by this artist, who completes the quartet lineup. The quartet performs five original compositions, all co-composed by all the quartet members.

The music is a fantastic explosion of raw energy and collective improvisation of the highest caliber, which hardly leaves a moment to gather one´s thoughts, simply taking the listener on a wild and reckless journey of imagination and emotional treasure hunt. The level of interplay and individual virtuosi statements is staggering and this music has something new to offer with every listening session.

Brotzmann and Trzaska cooperate superbly together and the age and background differences seem to have no influence whatsoever on their incredible dialogues. With both of them having a very strong and unique personalities, their interplay is even more intense and eventually also more fruitful than other meetings of this kind.

The rhythm section is also absolutely brilliant, standing shoulder to shoulder with the intense foreground action. Nielsen has an incredible flexibility and speed and his pulsation keeps the entire musical environment in check, saving it from chaos and anarchy. Jorgensen is very skillful in not barraging the proceedings with his drumming, which would have annihilated the overall sound, keeping his wonderful drum parts just at the right level to be audible but not dominating. On the more serene parts his drumming is very musical and even melodic, adding a new dimension to the entire outcome.

In short this is a great example of Free Jazz / Improvised Music that is creative, surprising, emotional and engaging, which unfortunately does not happen too often in that idiom. Completely lacking any ego trips and the need to prove something, this music simply flows naturally, which makes it stronger and more influential than music that is trying to impress.

This is a must have for all lovers of Free Jazz / Improvised Music, as recordings of such class, masterly execution and aesthetic beauty are rare indeed.
 CD 1 Recommend To A Friend

CASSANDRA WILSON ~ COMING FORTH BY DAY
SONY 888750636225 (Barcode: 888750636225) ~ USA ~ Jazz

Recorded: 2014 Released: 2015

Celebrating the 100th Birthday of Billie HolidayFind albums by this artist, American vocalist / composer Cassandra WilsonFind albums by this artist dedicates this album to her memory, performing some of the songs forever associated with Lady Day´s career. Of the twelve songs on this album two were written by Holiday and the rest are standards she used to perform often, except for the last song which is an original by Wilson.

Wilson is performing these song accompanied by a basic piano trio, which comprises of pianist Jon CowherdFind albums by this artist, bassist Martyn CaseyFind albums by this artist and drummer Thomas WydlerFind albums by this artist. Several guest musicians add their input on selected tracks and lush orchestral arrangements are present on most tracks. The overall atmosphere is rather distant from the Jazz / Blues setting which surrounded the original interpretations of these songs, but sounds more like a cabaret / musical performance. Wilson´s throaty contralto sounds as good as ever of course, but sadly the passion and fire, which are present in Holiday´s performances, are lost in the process of wrapping these songs in cellophane.

The album is beautifully overproduced, which means that a lot of listeners will love it to bits, but somehow it is like a meal in a fancy restaurant; you leave hungry but you can´t even think about food any more. Reading the liner notes I realize that there was a lot of good intensions invested in this album…
 CD 1 Recommend To A Friend

JOHNNY WINTER ~ AND / AND LIVE
BGO 610 (Barcode: 5017261206107) ~ USA ~ Blues-Rock

Recorded: 1970 - 1971 Released: 2004

3rd album, which was recorded by a new band AndFind albums by this artist Johnny WinterFind albums by this artist formed with ex-McCoysFind albums by this artist members, including the guitarist / singer / songwriter Rick DerringerFind albums by this artist, who was to be Winter’s associate for many years. The new quartet had a rockier sound, based on guitar and vocal duets. Still strongly rooted in the blues legacy, this is one of the strongest examples of early Southern Rock (see Allman Brothers BandFind albums by this artist). Derringer contributes some notable songs, which are rockier than the traditional Winter material and the bland of tunes works perfectly. Winter’s guitar pyrotechnics are of course the highlight time after time, but the entire album is just a superb trip down the memory lane, when everything just sounded right. Edgar WinterFind albums by this artist, Johnny’s brother and future band member helped with the excellent production. Just listen to the track “Nothing Left”, where Winter plays in similar fashion to Jimmy HendrixFind albums by this artist, in order to appreciate his guitar playing skills. As excellent as this album is, it was to be overshadowed by the bands live performances of some of these songs captured on the next album.
4th album and a natural follow up to its predecessor, the studio album with Winter’s group And. Recorded during two concerts (Fillmore East in NY and Pirate’s World in Florida) this is one of rock’s greatest live albums with levels of energy and superb performances rarely captured on record. Winter and Derringer exchange guitar licks and vocals and the rhythm section drives the show like there’s no tomorrow. Just listen to their version of "Jumpin’ Jack Flash", which makes the Rolling StonesFind albums by this artist sound like kindergarten kids, to understand the level of musicianship involved. Some other Rock And Roll classics get a similar treatment and of course a fair share of great blues numbers are included. This electrifying concert is a classic example of what rock sounded like at its peak and sounds every bit as good today as it did then. I hope the entire concerts get a release sometime in the future, but in the meantime this is not to be missed. Essentail stuff!
Updated: 01/06/2018Posted: CD 2 Slipcase Essential Recommend To A Friend

JAREK WIST / KRZYSZTOF HERDZIN BIG BAND ~ SWINGING WITH SINATRA
DUX 0090 (Barcode: 5902547000909) ~ POLAND ~ Jazz

Recorded: 2011 Released: 2013

This is a live recording of a concert dedicated, as the title suggests, to the songs which were part of the classic repertoire of Frank SinatraFind albums by this artist. The songs are performed by young Polish vocalist Jarek WistFind albums by this artist, who is accompanied by a Big Band led and conducted by distinguished veteran pianist / composer / arranger Krzysztof HerdzinFind albums by this artist. The album includes fourteen tracks, twelve of which are standards from the Sinatra repertoire and two are original compositions by Herdzin, one used as an intro and the other as a showcase to present the members of the Big Band at mid-time.

Sinatra, who was often dismissed by narrow-minded Jazz buffs as a crooner and mere entertainer, was in fact one of the greatest American Jazz singers and had more swing in his toes alone than most others, certainly more than his critics. His very individual and unique treatments of the great American Songbook are the absolute Holy Grail of American Jazz vocals and remain untouched by time, incomparable, undefeated and uncontested. Especially notable are his superb recordings with Big Bands, like the Count BasieFind albums by this artist Orchestra and several others, arranged and conducted by such luminaries as Nelson RiddleFind albums by this artist, Neal HeftiFind albums by this artist or Quincy JonesFind albums by this artist. All these recordings are quintessential, pure and unadulterated Jazz classics. It is simply impossible to listen to this album without comparing it, for example, to the classic "Sinatra At The SandsFind albums with this title", recorded with the Count Basie Orchestra conducted by Quincy Jones.

Unfortunately the comparison doesn´t leave much space to remain positive about this album, which is a great pity, since the intentions were probably quite honorable and the participants are all excellent musicians. I can understand Herdzin willing to step into the shoes of the great Big Band arrangers of the past and indeed his part as the arranger is probably the best ingredient of the entire package. However even these arrangements sound rather pale and lack the zest and the kick which characterize the original Sinatra recordings. I have no idea if the Big Band had ample opportunity to rehearse and considering the economic realities of a Big Band, they most probably did not, which is immediately apparent. As already stated, the participating musicians, who include pianist Piotr WrombelFind albums by this artist, guitarist Marek NapiorkowskiFind albums by this artist, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist and thirteen additional brass and reed players, are all able and talented musicians, but obviously have limited opportunities to show their skills within the Big Band collective when accompanying a lead singer.

Wist is a rather ordinary singer, completely lacking the theatrical and humorous sides of Sinatra´s stage persona. His interpretations of these classic standards are simply dull and often imperfect technically. And of course there is the dreaded Polish accent and pronunciation, which is perhaps acceptable on the local market but completely unbearable to an English speaker. It´s a pity the producers of this album did not consider the additional step of getting the lyrics translated into Polish; this might have saved the day, al least to some extent. Even the audience´s applause present at the hall where this music was recorded sounds hesitant and weary and the sound quality of the recording suffers from uneven volume, poor separation and overall muddy resonance.

In retrospect this was a lost case before it even begun. Tackling the enormity of Sinatra´s talent, heritage and status is not a very wise decision and such things are usually best left alone. The old saying: "a smart man knows how to get out of trouble but the wise man knows how to avoid trouble in the first place" is very appropriate here. During the concert Herdzin complains about the difficulty of his multi-talented persona (he not only arranged the songs, composed two pieces and conducted the band, but also plays the piano on one track and sings on another). Perhaps there is a lesson here for him, since after all he is an extremely talented person. On the other hand those who don´t do don´t make mistakes, and he surely does a lot.
 CD 1 Recommend To A Friend

WOJCINSKI / SZMANDA QUARTET ~ DELUSIONS
FSR 2016/06 (Barcode: 5905279364066) ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 2014 Released: 2016

This is a debut album by the Wojcinski / Szmanda QuartetFind albums by this artist, which comprises of trumpeter Maurycy WojcinskiFind albums by this artist, pianist Szymon WojcinskiFind albums by this artist, bassist Ksawery WojcinskiFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. It presents eight original compositions, which are not credited on the album´s cover and are therefore assumed to be co-composed by all the quartet members.

The Wojcinski brothers are quite known on the Polish scene, each of them active in a separate setting, and this more or less spontaneous meeting of their respective talents is quite a surprise. They claim that the participation of Szmanda was the decisive factor, which turned the four individuals into a bona fide Jazz quartet.

The music, which is very difficult to describe as it eschews most of the Jazz conventions, is a form of conversation, which allows space and freedom for the individual players, but is coherent enough to create an aesthetic whole, which also makes a musical sense, although definitely does not try to make it easy to be absorbed. It develops slowly, often from an individual sound, changing into a duet and then being joined by the others, to eventually reach an ensemble form, with all four musicians contributing with equal intensity.

Although all four musicians are obvious masters of their personal instruments, the true hero of this album is beyond the doubt Ksawery Wojcinski, who serves as the binding, driving and steering element, without which this music would have simply fallen apart. His virtuosity and self-confidence construct the spine on which the other performances relay for balance and guidance. Nevertheless the other musicians contribute formidably, with Maurycy producing several scorching solos and Szymon playing many brilliant phrases and laying the harmonic base for the improvisations. Szmanda brilliantly does not attempt to play any straightforward rhythms and turns his contributions into Baroque ornamentations, which simply emphasize the basic beauty of the musical structures created by the brothers.

Overall this is a brilliant Free Jazz / Improvised music album, bold, adventurous and interesting, which should make the participants proud of their work. There are endless little gems in this music that are worth being discovered and as such turn this album into a potentially repeated listening experience. It is also a superb example of music, which in spite of the strong element of freedom it is based on, does not venture into chaos and introvert expression that limits communication with the listener.

This is definitely one of the strongest statements on the Polish Free Jazz / Improvised Music scene in 2016 (although recorded two years earlier) and another excellent release on the Fundacja Sluchaj Records (FSRFind albums on this label).
Updated: 29/10/2016Posted: 29/10/2016CD 1 Digipak Recommend To A Friend

WOJCINSKI / SZMANDA QUARTET ~ WITH ALL DUE RESPECT
KANSAS ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 2018 Released: 2019

This is the second album by the Polish Avant-Garde Jazz ensemble Wojcinski / Szmanda QuartetFind albums by this artist, which comprises of the brothers: trumpeter Maurycy WojcinskiFind albums by this artist, pianist Szymon WojcinskiFind albums by this artist and bassist Ksawery WojcinskiFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. The album presents four lengthy compositions co-credited to all four members of the quartet. The music was recorded live as part of the "Quality Jazz Live!" series of concerts at the Quality Studio in Warsaw and offers an excellent sound quality and clarity.

The music is less surprising this time, as it continues the direction the quartet developed on the debut recording, but it is by all means no less powerful and expressive. The four strong musical personalities are perfectly merged together to create a flawlessly tuned Improvised Music ensemble, which functions based on just about telepathic communication between the participants. The modus operandi of the quartet remains unchanged and is basically a series of conversations involving two, three or four musicians, often happening simultaneously on two or more parallel planes, which of course does not make it easy for the listener to follow everything that is happening and requires skill and concentration.

Although the four pieces, which all last on average for about fifteen minutes, might seem a bit excessive, the result is quite the opposite. The intrinsic structure of these pieces is fascinating and offers a coherent build up of tension and musical scope. Starting with a few single notes, these improvisations fork (Unix users will get this) into several threads existing in parallel and yet cooperating to create a greater whole.

One of the most interesting aspects of this music is the treatment of the traditional role of the rhythm section, which is almost completely discarded here. The bass and the drums are assigned totally equivalent credence to the trumpet and the piano and as a result become true partners of the entire process. The beautiful bass parts and the superbly inventive drumming are every bit as important in this music as are the scorching trumpet soli and the intriguing piano parts.

Overall this is an amazing piece of music, which is a beacon for the entire Avant-Garde / Free Jazz / Improvised Music idiom, which sadly more often than not misses the "music" part in its essence. It is the epitome of contemporary European / Polish Jazz at its best, which proves again that great Avant-Garde music can be communicative due to its intrinsic power of expression. These fabulous musicians don’t mess around, as so many other representatives of this idiom constantly do, and simply play music. Hats off Gentlemen!
Updated: 15/06/2019Posted: 15/06/2019CD 1 Digipak Recommend To A Friend

WORLD CITIZEN BAND ~ ANTARES
NOT ON LABEL ~ DENMARK ~ Jazz-World Fusion

Recorded: 2022 Released: 2023

This is the 2nd album by the international Jazz quintet, comprising of Israeli saxophonist Uri GurvichFind albums by this artist, Argentinean guitarist Ramiro OlacireguiFind albums by this artist, Spanish pianist Marcos MerinoFind albums by this artist, Danish bassist Kenneth Dahl KnudsenFind albums by this artist and Costa Rican drummer Rodolfo ZunigaFind albums by this artist, all of which are resident around European Jazz centers like Berlin or Copenhagen. The album presents eleven tracks, all original compositions, two each except three by Olaciregui.

The music is straightforward mainstream Jazz with strong World Music influences, which is not surprising considering the diverse musical backgrounds of the band members. The compositions are all solid, but not exceptional, and the music is pleasantly melodic, with a “something for everyone” attitude. Of course the musicians are all very gifted and experienced, which is immediately apparent, but the music lacks a unique focus, perhaps due to the “democratic” principle of including compositions by all participants. The solid and always perfect bass lines by my Friend Knudsen hold the music together, which at times is a bit too busy due to the over-dynamic and high in the mix drumming.

Overall, this is a pleasant mainstream Jazz album, with World / Latin influences, which offers some excellent performances by these talented musicians, but does not surprise of innovate.
Updated: 05/02/2024Posted: 05/02/2024CD 1 Mini-Sleeve Recommend To A Friend

YANKEL BAND ~ W LODZKIEJ SZKOLE FILMOWEJ
NOT ON LABEL ~ POLAND ~ Jazz-World Fusion

Recorded: 2011 Released: 2015

This is a live recording by the Polish ensemble called Yankel BandFind albums by this artist, which hails from the town of Lodz and plays mostly original instrumental music. The ensemble is a quartet and comprises of violinist Piotr PrzybylFind albums by this artist, guitarists Krzysztof KociszewskiFind albums by this artist and Bogdan GradFind albums by this artist and accordionist Maksymilian PelczarskiFind albums by this artist. For the concert captured on this DVD the band was expanded to a sextet with the inclusion of the Polish Jazz bass legend Krzysztof ScieranskiFind albums by this artist and Mexican (resident in Poland) percussionist Thomas Celiz SanchezFind albums by this artist. The sextet performs five compositions, four of which are originals composed by Przybyl and Kociszewski (two each) and the remaining one is a Yiddish standard.

Contrary to the band´s name, which suggests an association with Jewish Music and Culture, the ensemble presents an amalgam of Jazz and World-Music influences, mostly of Gypsy and other European folkloristic sources, but not connected to Jewish music per se. The inclusion of the Yiddish standard seems a bit out of place, as if used only to justify the band´s name?

All the musicians involved in this project are highly professional players with extensive experience, and they manage to create an intimate almost acoustic ambience, cooperating with each other splendidly. The tunes receive expanded arrangements, stretched out to allow elaborate solo parts by all the participants. Many of these solos are truly excellent, musically coherent and even bordering on virtuosity. Scieranski is still in excellent shape and still leaves most other Polish electric bassist way behind.

However, the band fails to present a truly original voice overall, and sounds like numerous other ensembles playing similar material in Poland, not mentioning the World over. Nevertheless the concert is definitely worthy of the attention of fans of improvised melodic World Music, and should be enjoyed by most listeners.

As to the video component of this DVD, it is honestly rather unexciting. Watching six musicians standing in a circle and exchanging licks is as interesting visually as licking ice. Releasing this material in audio form would have been more than enough. But of course that is not my call… Enjoy!
 DVD 1 Mini-Sleeve Recommend To A Friend

YELLOW HAND ~ YELLOW HAND
FALLOUT 2097 (Barcode: 5051125209712) ~ USA ~ Classic Rock

Recorded: 1969 Released: 2008

Only album by the obscure US West Coast Rock group Yellow HandFind albums by this artist, which owes its fame to the fact that it includes six songs written by Neil YoungFind albums by this artist and Stephen StillsFind albums by this artist during their Buffalo SpringfieldFind albums by this artist days, but never actually recorded by that seminal group. Yellow Hand were a typical late 1960s US band, a sextet fronted by an able lead singer Jerry TawneyFind albums by this artist, who also wrote the original material that fills the album. Lead guitarist Pat FlynnFind albums by this artist plays some superb licks throughout the album, and the other band members supply good vocal harmonies. In retrospect the albums is as good as anything recorded at the time and the lack of success that the band met with is totally inexplicable, as it definitely deserves much more recognition, not only as the “extra Buffalo Springfield album” but very much on its own merit. Worth investigating for Classic Rock lovers and a must for Buffalo Springfield fans.
 CD 1 Remastered Recommend To A Friend

YOU AND I ~ YOU AND I
PERIFERIC 041 ~ HUNGARY ~ Progressive Rock

Recorded: 1995

1st album by Hungarian Prog band You And IFind albums by this artist, which features a female lead singer (singing in English and Hungarian). They are obviously influenced by classic Prog bands, especially Yes, but also many other musical influences are evident, including Hungarian folk and classical music. Several of the tunes on the album are instrumentals. It is a very strong and promising debut, which was followed later (after some personnel changes) by other impressive releases. Considering the high quality of Hungarian Prog in general, this is a worthy addition to the local Prog scene and definitely worth investigating.
 CD 1 Recommend To A Friend

ZAKROCKI / OLAK / FERNANDEZ ~ SPONTANEOUS CHAMBER MUSIC VOL.2
FSR 2018/03 (Barcode: 5905279364158) ~ POLAND ~ Free Jazz / Improvised Music

Recorded: 2017 Released: 2018

This is the second album by the Polish Improvised Music duo comprising of violinist Patryk ZakrockiFind albums by this artist and guitarist Marcin OlakFind albums by this artist, expanded to a trio with the participation of the Spanish pianist Agusti FernandezFind albums by this artist. The album presents sixteen, mostly quite short, completely improvised pieces, which are not specifically credited on the album´s cover art and therefore are assumed to be collective compositions.

The music is a continuation of the ideas first explored on the previous album, which are an attempt to create what the title precisely describes – Chamber Improvised Music – chamber meaning minimalistic, limited by the scope of instruments and intimate.

As such, this music is not very similar to the typical Avant-Garde / Improvised Music outings, which are usually extremely intense and extrovert, with the participants mostly interested in saying as much as possible within the time limitations. This music is much more relaxed, reflexive and modest, based on the intense togetherness and listening to each other by the participating musicians.

Fernandez displays a remarkable self control on this album, playing delicately and sparingly, in complete contrast to other recordings he takes part in, where he is usually quite dominant and outright aggressive. His contributions on this album are all tasteful and wonderfully cooperative.

Zakrocki and Olak seem to have a symbiotic relationship, which is reflected in their telepathic conversations as a duo. Their non-conformist approach to improvisation is fresh and inspiring.

Overall this is a very interesting and rich album, full of exciting moments and relaxed interludes, keeping the listener on his toes for the entire duration. This music is unique and shows a completely different Avant-Garde concept, which allows for calmness and contemplation to replace anger and aggression, which often turns Avant-Garde music into and unlistenable cacophony.

This album is highly recommended for Improvised Music connoisseurs, who are a tiny, but highly loyal crowd.
Updated: 02/09/2020Posted: 25/06/2018CD 1 Mini-Sleeve Recommend To A Friend

ZIEBICKA ORKIESTRA MANDOLINISTOW ~ FRANKENSTEIN
AUDIO CAVE 2023/013 (Barcode: 5908298549735) ~ POLAND ~ Soundtracks

Recorded: 2022 Released: 2023

This is an album by a Mandolinists Orchestra from the small Lower Silesian town of Ziebice, which includes eighteen mandolin players, vibraphonist, pianist, trumpeter, clarinetist, drummer and bassists Dariusz DzuganFind albums by this artist, who also composed and arranged all the music. The album presents thirteen tracks, which are intended to serve as a soundtrack to the 1910 silent movie “Frankenstein”.

To explain the background, Ziebice is very close to the town Zabkowice Slaskie, which was earlier called no other than Frankenstein and gave the name to the sordid legend as a result of the events that happened in that town in the year 1606. Look up the rest ;)

Although initially I considered this album as a curiosity stunt, especially due to the unusual 3D packaging, the music turned out to be quite interesting and perfectly suitable as a movie soundtrack. The compositions are all coherent, with melodic themes and a strong feel of suspense and tension perfectly created by orchestra. The mandolins create an effect, which would have been usually achieved by a string orchestra, but sounds much more interesting and rich.

I have not matched the music with the actual movie, to see if there is a possible synchronization. The original movie is only 16 minutes long, but the running time of the album is thirty-one minutes and a half, so no match here, but of course music can be faded out. Since the film is now in public domain, it would be nice to see it with this music in the background on DVD perhaps – just a suggestion for a Deluxe Edition? Actually there was an associated cue sheet of fourteen musical background pieces, which came out with the original movie, so there is almost a perfect match here.

Overall, this is a very nice piece of cinematic movie, which sounds perfectly on its own. The atmosphere and tension are perfectly achieved and the entire project makes perfect sense. Kudos again to Audio CaveFind albums on this label for releasing such a curious and unusual album regardless of the cost involved with the elaborate 3D packaging, which is one of the most original of its kind. Definitely worth checking out!
Updated: 05/03/2024Posted: 05/03/2024CD 1 Mini-Sleeve Recommend To A Friend

ZOLDAR AND CLARK ~ THE GHOST OF WAY
OXFORD CIRKUS 005 (Barcode: 796873054034) ~ USA ~ Progressive Rock

Recorded: 1976 Released: 2008

This fantastic album is really a bunch of surprises! The origins of the recording and the people involved are quite mysterious and apparently it was recorded by a group called Jasper WrathFind albums by this artist, which included (among others) the keyboardist Jeff CannataFind albums by this artist, who is responsible for this reissue on his Oxford CircusFind albums on this label label. Apparently the group recorded enough material for two albums, which were released separately, one under the Zoldar And ClarkFind albums by this artist moniker and the other as Arden HouseFind albums by this artist. This new edition brings all the material recorded originally for the first time and it is an amazing collection of Prog at its best – richly melodic, complex and witty, almost too good to be true and certainly not sounding as made in the US, as the sound and musical approach are deeply rooted in the classic UK Prog tradition, almost Canterbury. Great keyboards and mellotron, quirky guitars and unusual time signatures, all the ingredient for great Prog music are here for all of us to savor finally. This is as good as Prog gets and this new edition is surely the reissue of 2008, bringing to life some of the best memories of the glorious past. Essential!
 CD 1 Digipak Essential Recommend To A Friend

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