Record Reviews
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  | AARDVARK ~ AARDVARK
UNIVERSAL JAPAN 9514 ~ UK ~ Progressive Rock
Only album from 1970 by this proto-Prog band. Typical of many bands of the period, they mixed elements of Psychedelia and early Prog. As the band had no guitarist in their ranks, the instrumental emphasis is on the keyboards and therefore their music is compared often to Spring. Some influences are quite clearly evident, like Soft Machine and even early Pink Floyd, but they manage to establish their own identity. The original album is a very rare collector`s item.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | AARDVARK ~ AARDVARK
ESOTERIC 2286 ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2011
This is the only album recorded by the obscure British proto-Prog band AardvarkFind albums by this artist, which in retrospect turned out to be one of the greatest early recordings of the genre. Guitar-less, the band was based around the fantastic sound of the Hammond organ, played by Dave WattsFind albums by this artist, and also included bassist / multi-instrumentalist Stanley AldousFind albums by this artist and drummer Frank ClarkFind albums by this artist. The founder and leader of the band was the vocalist / songwriter (who wrote all the music), Dave SkillenFind albums by this artist. The music was a wonderful mixture of adventurous Rock, Psychedelics, early Electronic adventures and some Jazz influences, together creating a unique bland, that was rarely achieved by other groups of the period. Soon after the album was recorded, the group disintegrated into the this air, leaving behind this obscure Gem, that was hidden from the public eye for over two decades and re-discovered in the 1990s as an extra-rare collectors’ item. Today the album is considered an integral part of any serious Prog collection, but is never easy to find. Grab it, if you can find it!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | MICK ABRAHAMS ~ AT LAST
BGO 671 (Barcode: 5017261206718) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 Released: 2005
2nd album by UK guitarist Mick AbrahamsFind albums by this artist with the Mick Abrahams BandFind albums by this artist, which was expanded to a quintet for this album with the addition of Mick´s partner in Blodwyn PigFind albums by this artist, reedman Jack LancasterFind albums by this artist. Lancaster´s return marked a change in the band´s overall sound, which was now quite similar to that of Blodwyn Pig, being more Jazz influenced as opposed to the last album being more Bluesy. The rest of the band´s lineup is identical to the one, which recorded the previous album. Lancaster is the main soloist on this recording, with Abrahams keeping a relatively low profile, but he did write most of the music here, with the rest written by keyboardist Bob SargeantFind albums by this artist. Altogether the album is another splendid effort by Abrahams and his team, with great compositions and splendid musicianship, which unfortunately didn´t help much to gain any popularity. Disillusioned by the music business, Abrahams quit the scene completely for two decades, reappearing only in the early 1990s with a new edition of the Mick Abrahams Band, which released several albums since. This is a must for all Blodwyn Pig / Abrahams fans and a splendid piece of British Jazz-Rock Fusion.
| | | CD 1 Slipcase Recommend To A Friend |
  | ACCEPDANCECOLLECTIVE ~ A HANDFUL OF ACCEPDANCE
SESSION WORK 115 (Barcode: 9005321115199) ~ AUSTRIA ~ Jazz-World Fusion
Recorded: 2018 Released: 2019
This is the debut album by the Austrian / Polish quintet AccepDanceCollectiveFind albums by this artist comprising of Austrian guitarist Martin WeselyFind albums by this artist, bassist Flo HupfaufFind albums by this artist and drummer Andreas SchifferFind albums by this artist and Polish guitarist Piotr DomagalaFind albums by this artist and multi-instrumentalist Oleg DyyakFind albums by this artist. The album presents ten original compositions, four by Wesely, three by Domagala, two by Schiffer and one by Wesely / Schiffer.
The music is strongly influenced by various World Music themes, including Flamenco, Middle Eastern, Balkan and many other atmospheres, primarily very lyrical and delicate, spiced by extended Jazzy improvisations by Wesely, Domagala and Dyyak (mostly on accordion). The rhythm section adds a steady support and harmony, with excellent bass parts by Hupfauf and delicate but firm drumming by Schiffer and percussion ornamentations by Dyyak.
The double guitar front line offers of course plenty of excellent soloing both individually and as a duo, and considering the excellent recording quality, which allows each and every note to be heard perfectly, this album offers a true musical feast
Overall this is an excellent debut effort by seasoned musicians, which combines great compositions and virtuosic performances offering a rich tapestry of sounds and emotions. Connoisseurs of Jazz-World Fusion should find this album as an ideal listening experience, but this music should be appealing to a wide spectrum of music lovers, across any genre borders. Warmly recommended!
| | Updated: 28/04/2020Posted: 28/04/2020 | CD 1 Digipak Recommend To A Friend |
  | ACQUA FRAGILE ~ ACQUA FRAGILE
ESOTERIC 2277 (Barcode: 5013929737723) ~ ITALY ~ Progressive Rock
Recorded: 1973 Released: 2011
This is the 1st album by Italian Prog band Acqua FragileFind albums by this artist, led by the great vocalist Bernardo LanzettiFind albums by this artist, who later became the lead singer for PFMFind albums by this artist, the best known of the great Italian bands. Lanzetti´s vocals, sung in English, are of course the highlight of the band, but it also included four great instrumentalists and their material was truly excellent, from start to end, and in fact better than most. Often compared to the top British bands of the period, the band´s two albums are absolute Prog classics. Having been our of circulation for many years, this new reissue is a most welcome event, as every Prog fan will sure love to get his hands on this beauty!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | AD SHAVE ~ AD COMPLEMENTUM
SOLITON 880 (Barcode: 5901571098807) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2018 Released: 2018
This is an album by Polish Jazz drummer / composer Adam GolickiFind albums by this artist, which compliments (as the title suggests) his debut album entitled "Ad ShaveFind albums with this title", released this time under the Ad ShaveFind albums by this artist moniker rather than under his own name. It was recorded with an excellent team of Polish Jazz musicians which include saxophonist Maciej SikalaFind albums by this artist, trumpeter Marcin GawdzisFind albums by this artist, pianist / accordionist Cezary PaciorekFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and several other musicians appearing on selected tracks. The album presents ten tracks, seven of which are composed or co-composed by Golicki, one each is composed by Paciorek and Lemanczyk and one is a Classical piece.
The music is a wonderful collection of beautiful melodies, arranged mostly in a smooth Jazz-Rock Fusion mode and superbly performed by all the musicians involved. Although not innovative as such, the music is simply perfect in what it stands for and a schoolbook example of contemporary Fusion, which concentrates on excellent compositions and skillful arrangements rather than exploring endless instrumental doodling.
The album is a most enjoyable ride, full of excellently weaved melodies, exciting soloing and a coherent "good time" approach, which is a breath of fresh air as far as most contemporary Fusion is concerned. Personally I had a great time listening to this music, which although seemingly pretty straightforward, does not make any compromises as far as aesthetic values are concerned and is an example of good taste and first class craftsmanship both on the compositional and performing platforms.
Warmly recommended to Jazz-Rock Fusion fans, which prefer depth to flashy showmanship!
| | Updated: 04/05/2019Posted: 04/05/2019 | CD 1 Digipak Recommend To A Friend |
  | ADVANCEMENT ~ ADVANCEMENT
FALLOUT 2065 (Barcode: 5051125206513) ~ USA ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2007
Only album by the obscure US West Coast instrumental sextet The AdvancementFind albums by this artist, established by the bassist Lou KabokFind albums by this artist and drummer Hal GordonFind albums by this artist, both members at the time of the famous Hungarian guitarist Gabor SzaboFind albums by this artist’s quintet. This beautiful and obscure gem is one of the earliest examples of Fusion, with the distinct West Coast Jazz influence, tasteful, relaxed and cool. Very melodic, with some great writing and arranging by the band members, this music is quite different from the Fusion mainstream, and therefore unique. The emphasis here is on elegance and grace, with superbly played parts and jazzy improvisations. The music sound great today, untarnished by time and modernism, still a great example of combining musical genres to achieve a better total. It’s a crime this album didn’t get the recognition at the time of its release, so with the second chance it is getting now, I truly hope more people will discover this little beauty. Wholeheartedly recommended!
| | | CD 1 Remastered Recommend To A Friend |
  | AFFINITY ~ AFFINITY
ANGEL AIR 111 (Barcode: 5055011701113) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2002
Only album by legendary group AffinityFind albums by this artist. This pioneering Jazz-Rock band is considered as one of the forefathers of Prog and the album is considered as a cornerstone of any Prog record collection. Vocals by one of the most talented singers of the era - Linda HoyleFind albums by this artist - are expressive and enchanting.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | AFTER CRYING ~ ALMOST PURE INSTRUMENTAL
PERIFERIC 027 (Barcode: 5998272702034) ~ HUNGARY ~ Progressive Rock
Recorded: 1998 Released: 1998
This is the 7th album by Hungarian Prog masters After CryingFind albums by this artist, sort of a "best of" compilation of this fantastic group and a great introduction to the mystical world of After Crying. Brilliant compositions and perfect execution. Includes 4 previously unreleased tracks and remasters / remixes of older material. A must!
| | Updated: 29/01/2019Posted: | CD 1 Recommend To A Friend |
  | AKINETÓN RETARD ~ AKINETÓN AO VIVO
EDITIO PRINCEPS 06 ~ CHILE ~ Progressive Rock
Recorded: 2004
4th album (recorded live in Chile and Brazil) by the exquisite Chilean band Akinetón RetardFind albums by this artist, which is probably the most eloquent South American representative of RIO, but taking the original RIO musical ideology far and out beyond any preconceived notions. The music is as “crazy” as it gets, incorporating the freedom and virtuosity of European RIO groups, traces of MagmaFind albums by this artist (including linguistic mambo-jumbo), free jazz and you name it – completely far out but so breathtakingly good and absorbing that you feel completely drenched after an attentive listening session. Definitely not recommended for the weak-hearted, but compulsory for the adventurous listener with wide musical horizons. The album presents music taken from the three studio albums the band recorded and adds new material heard here for the first time. As usual in a live recording, there is much more space for extended soloing, which of course is always welcome. Any attempt to describe this music any further would be completely useless – just grab this and have a time of your life!
| | | CD 2 Recommend To A Friend |
  | AKINETÓN RETARD ~ AKRANANIA
MYLODON 004 (Barcode: 7898217280727) ~ CHILE ~ Progressive Rock
Recorded: 2001 Released: 2001
2nd album by the Chilean Avant-Prog / RIO band Akinetón RetardFind albums by this artist and a formidable successor to their breathtaking debut album. There is no doubt about Akinetón Retard being one of the most interesting new bands on the Prog / RIO scene and their extraordinary music bringing a hurricane of fresh ideas and approaches. It is extremely difficult to describe their music in words – it is often described as something in between Johnn ColtraneFind albums by this artist and Frank ZappaFind albums by this artist, which is one way of looking at it. The band is a sextet and it includes two saxophonists, which contribute the jazzy aspects. The rest of the band (guitar, bass, drums and percussion) is the rocky counterpart, but the music is of course neither jazz nor rock, as with most RIO bands. The compositions are devilishly complex and quirky, switching tempos and rhythms at breathtaking paste. Rather than trying to describe this music in more detail, let me just say this is essential stuff for anybody who likes adventurous and challenging music.
| | | CD 1 Essential Recommend To A Friend |
  | JAN AKKERMAN ~ A TOUCH OF CLASS
VOICEPRINT 017 (Barcode: 604388663224) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1973 - 1983 Released: 2005
Dutch guitar virtuoso Jan AkkermanFind albums by this artist is most widely known as the co-leader of the legendary band FocusFind albums by this artist. However, after leaving Focus, Akkerman developed a splendid solo career, which now spans over 30 years of activity. As a soloist, Akkerman proved to be a most versatile musician, playing both acoustic guitar (and many other acoustic guitar-related instruments) and electric guitar, all this in different genres, from classical music, early music, blues, jazz and fusion. His exceptional technique and highly developed musical taste place him in a class of his own. This excellent DVD brings to light some archival material not seen in many years. The main part of the DVD includes a 1983 TV special, filmed in London for the BBC. It includes his then current group performing material from Jan’s albums: Can`t Stand NoiseFind albums with this title and TabernakelFind albums with this title, interviews with Akkerman and BBC footage of Focus from 1973. The bonus material includes footage filmed 18 month later and capturing a rare performance of Akkerman using the guitar synthesizer. For many Akkerman / Focus fans this is an absolute must and a most enjoyable musical experience. NTSC
| | | DVD 1 Bonus Tracks Recommend To A Friend |
  | JAN AKKERMAN ~ ARANJUEZ
GOTT DISCS 009 ~ NETHERLANDS ~ Progressive Rock
Recorded: 1978
7th album by the Dutch guitar virtuoso Jan AkkermanFind albums by this artist and ex-member of FocusFind albums by this artist. The fascination with classical music was eveident on all Akkerman`s early solo albums and his excellent acoustic guitar playing of classical material served as an alter ego to his energetic electric rock accomplishments. This is a splendid album, beautifully arranged by Claus OgermanFind albums by this artist, who also conducts the classical orchestra accompanying the guitarist and who also worked with other Focus memeber Thijs van LeerFind albums by this artist on his classical solo albums. Akkerman performs mostly classical material by Rodrigo, Villa-Lobos, Ravel and others, with just one composition of his own. This is a gentle, delicate work of passion - not for everybody, but those with the classical streak in them will enjoy this one immensly.
| | | CD 1 Slipcase Remastered Recommend To A Friend |
  | ALLMAN BROTHERS BAND ~ AMERICAN UNIVERSITY WASHINGTON, D.C. 12/13/70
CASTLE 1186 (Barcode: 5050749411860) ~ USA ~ Classic Rock
Recorded: 1970 Released: 2005
Every piece of recorded legacy by the classic Allman Brothers BandFind albums by this artist is always welcome, especially is it as well recorded as this one. The Allmans go through their well known material with vigor and passion and the 15+ minutes "You Don`t Love Me" and 20+ minutes "Whippin` Post" are superb showcases of Duane`s mastery of guitar genius. Even if you already own other ABB live recordings, there is never enough of this AFAIAC!
| | Updated: 20/12/2024Posted: | CD 1 Recommend To A Friend |
  | ALLMAN BROTHERS BAND ~ AT FILLMORE EAST (DELUXE EDITION)
MERCURY 077353 (Barcode: 044007735329) ~ USA ~ Classic Rock
Recorded: 1971 Released: 2003
3rd album, recorded live in 1971 when the Allman Brothers BandFind albums by this artist were at the peak of their creative powers and before a long chain of tragic events that seemed to haunt them later. Considered by many as one of the best Rock / Blues albums ever recorded, certainly one of the best ever live albums. Featuring the dual guitar leads by Duane AllmanFind albums by this artist and Dickey BettsFind albums by this artist exchanging licks of heartbreaking beauty. This edition includes for the first time the entire material recorded at Fillmore with `Mountain Jam` expanded to the original 33+ minutes version. Over 2 and a half hours of pure, unadelturated musical pleasure!
| | Updated: 18/01/2016Posted: | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | MISHA ALPERIN ~ AT HOME
ECM 1768 (Barcode: 731454961028) ~ RUSSIA ~ Jazz
Recorded: 1998 Released: 2001
This is the 4th album on ECMFind albums on this label by ex-Soviet (now living in Norway) brilliant pianist / composer Misha AlperinFind albums by this artist, which finds him at the most intimate setting of all – alone at the piano in his house. Alperin´s music is contemplative and deeply moving, complex but also melodic, reminiscent of some contemporary Classical music but with a distinct Jazz connection. The twelve relatively short pieces presented here are all brilliant of course and deserve to be discovered. I can´t imagine any serious music connoisseur not falling in love with this music immediately and if you´re not familiar with it, now is the time!
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  | ALVARADO / KOIVISTOINEN / TUOMARILA ~ ALMA
SVART 208 (Barcode: 6430065588023) ~ FINLAND ~ Jazz-World Fusion
Recorded: 2018 - 2019 Released: 2019
This is a wonderful album by a trio which puts together Argentinean Tango vocalist Martin AlvaradoFind albums by this artist and two Finnish Jazz Masters: saxophonist / composer Eero KoivistoinenFind albums by this artist and pianist / composer Alexi TuomarilaFind albums by this artist. The album presents eleven songs, five composed by Koivistoinen and two by Tuomarila, all with lyrics by Alvarado, one by Alvarado and three come from other sources.
The music is a very authentic Jazz-World Fusion adventure, combining the Tango characteristics with Jazzy accompaniment, not trying to sound overtly related to any of the genres but rather creating a new amalgam. The original compositions by both the Finns manage successfully to create a Tango subtext, but also venture into other idioms, like Blues and Latin music.
The intimate setting creates a special ambience, where the vocals and the saxophone / piano accompaniment compliment each other very tightly, presenting plenty of opportunities for solo parts by both instruments, both executed perfectly. Koivistoinen, despite his age, sounds vital and creative, as if untouched by the tides of time, which hopefully will continue for many years to come.
Overall this is a very unique and beautiful project, splendidly executed and reverberating the idea of cross-genre pollination. Argentinean Tango was always spiritually close to Jazz, as already demonstrated by the pioneering work of Astor PiazzollaFind albums by this artist, and the many fans of this kind of musical bridge will find this album certainly worthy of their attention.
| | Updated: 15/08/2020Posted: 15/08/2020 | CD 1 Digipak Recommend To A Friend |
  | AMALGAM ~ ANOTHER TIME
FMR 116 (Barcode: 649849981615) ~ UK ~ Jazz
Recorded: 1976 Released: 2003
5th album by the superb British Jazz / Improvised Music ensemble AmalgamFind albums by this artist, one of the precursors of British / European Free Jazz scene in the late 1960s and 1970s, founded by saxophonist Trevor WattsFind albums by this artist. On this album the lineup is a quartet, including guitarist Steve HaytonFind albums by this artist, bassist Pete CowlingFind albums by this artist and drummer Liam GenockeyFind albums by this artist, which marks the beginning of the second phase of Amalgam, which is characterized by the dual saxophone – guitar frontline. The music is written entirely by Watts, who after the departure of drummer John StevensFind albums by this artist became the group´s main composer. This album was originally released on the tiny German independent VinylFind albums on this label label, and was unavailable for many years, which is now rectified by this CD issue. With the guitar and electric bass the sound of the band changes completely, with a distinct Fusion feel, but the dexterity and obvious genius are still the same as always. This is probably the most accessible Amalgam album ever recorded and young listeners, ignorant of the band´s Improvised Music roots should be able to enjoy it immensely. This is still a classic, although a different cup of tea altogether. Brilliant stuff!
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  | AMAROK ~ AMAROK
ARS MUNDI 029 ~ POLAND ~ Progressive Rock
Recorded: 2001 Released: 2002
This is the 1st album by Polish Prog group AmarokFind albums by this artist, which created quite a stir when it first arrived on the scene. The group is in fact multi-instrumentalist / composer Michal WojtasFind albums by this artist and a bunch of guest artists. Strongly influenced by Mike OldfieldFind albums by this artist and Pink FloydFind albums by this artist (among many others), Wojtas manages to compose some great new music, which is very melodic and original in spite of the influences. He also plays many instruments, including all guitars and keyboards on this album, and there are a lot of these. Overall this is typical Prog stuff, which many listeners enjoy immensely and is definitely worth investigating. Recommended!
| | | CD 1 Recommend To A Friend |
  | AMAZING BLONDEL ~ A FOREIGN FIELD THAT IS FOREVER ENGLAND
TRANSATLANTIC 330 ~ UK ~ Progressive Rock
Amazing Blondel were probably the most unique UK Prog group in all times, dedicated to playing ancient and medieval English music performed on the original instruments of the period and sung in amazing vocal harmonies. Their work was trully breathtaking. This allbum collects live recordings from 1972-1973 captured during the group`s European performances. An absolute must!
| | | CD 1 Recommend To A Friend |
  | AMYGDALA ~ AMYGDALA
SOLEIL ZEUHL 11 ~ JAPAN ~ Progressive Rock
Amygdala are a new Japanese Zeuhl band (a duo in fact) playing some absolutely fascinating music. Using many keyboards and guitars they produce an intensive sound and very impressive melodies, with jazzy rhythms and long improvisations. This is Zeuhl at its best, as everything else released by this wonderful French label and fans of the genre will feast on this!
| | | CD 1 Bonus Tracks Recommend To A Friend |
  | ANAND ~ A MAN`S MIND
PERIFERIC 066 (Barcode: 5998272703666) ~ HUNGARY ~ Progressive Rock
Recorded: 2000 Released: 2000
Debut album by the amazing guitar player AnandFind albums by this artist. He does things with the guitar you should definitely not try at home and most guitar players wish to burn their instrument after listening to this album. A mixture of Prog, rock and fusion, to hear is to believe. Go get it!
| | | CD 1 Recommend To A Friend |
  | ARILD ANDERSEN ~ AFFIRMATION
ECM 2763 (Barcode: 602448285935) ~ NORWAY ~ Jazz
Recorded: 2021 Released: 2022
This is an album by Norwegian bassist / composer Arild AndersenFind albums by this artist, recorded with an all Norwegian quartet, which also includes saxophonist Marius NesetFind albums by this artist, pianist Helge LienFind albums by this artist and drummer Hakon Mjaset JohansenFind albums by this artist. The album presents eight tracks, seven of which are combined into a two-part suite, co-composed by all members of the quartet, and the last piece was composed by Andersen.
The music is very minimalist and although offers melodic themes, seems to be largely improvised. The performances are delicate, restrained, subdued and offer a highly contemplative atmosphere, very much in the Nordic Jazz tradition, but with a substantial element of Freedom. The performances are, as expected, stellar, as on all albums involving Andersen, despite the fact that the musicians are separated by a generation gap. But the younger representatives of the Norwegian Jazz scene herein are all seasoned Jazz musicians and offer world-class quality.
Andersen is not only my favorite all-time Jazz bass player, but also one of the finest Masters of his trade, and his extensive recorded legacy, not only on the ECMFind albums on this label label, is a wonderful example of the European Jazz aesthetics and superb class and exquisite taste.
Overall, this is another example of Andersen’s ingenuity as a leader / composer and a highly rewarding piece of music, although perhaps a tad more demanding than his usual output, which requires more patience / attention / piece of mind in order to enjoy the music fully. Time has been very kind to him and he is still producing superb music today and hopefully will do so for a long while.
| | Updated: 21/12/2024Posted: 21/12/2024 | CD 1 Slipcase Recommend To A Friend |
  | JON ANDERSON ~ ANIMATION (EXPANDED EDITION)
OPIO 01 (Barcode: 604388679423) ~ UK ~ Progressive Rock
Recorded: 1982 Released: 2006
3rd album by the legendary YesFind albums by this artist founding member and singer Jon AndersonFind albums by this artist. Anderson recorded over the years extensively as solo artists in parallel to his work with Yes, accumulating an impressive musical legacy. This album is considered to be his strongest and most consistent release. Recorded by a stellar cast of over 30 musicians, including Clem ClempsonFind albums by this artist (ColosseumFind albums by this artist), Simon PhillipsFind albums by this artist, David SanciousFind albums by this artist, Jack BruceFind albums by this artist and many others, with brass and string sections and arrangements, this is one impressive piece of music. As usual in Anderson’s case this is a concept album, based on a story written by him. The convoluted lyrics are as unclear and mystical as ever, to the delight of his fans and a source of mockery by his critics. Whatever one might think about Anderson’s literary talents, the music – composed entirely by him - is excellent, with strong fusion (and even some jazz) undertones, played brilliantly all the way. The new expanded edition adds bonus material recorded at the same session, including the almost 12 minutes long epic track called “The Spell”. An absolute must to all Yes fans and a very strong Prog album overall. Recommended.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ANEKDOTEN ~ A TIME OF DAY
VIRTA 005 (Barcode: 7320470083093) ~ SWEDEN ~ Progressive Rock
Recorded: 2006 - 2007 Released: 2007
5th album by the legendary Swedish Prog band AnekdotenFind albums by this artist, which together with other Swedish bands like AnglagardFind albums by this artist and Isildurs BaneFind albums by this artist are responsible for defining the so called Scandinavian Prog sound. The band released an album every 3-4 years since 1993, maintaining an almost unchanged lineup since formation, as well as being stylistically consistent and remarkably creative. The four musicians (Peter NordinsFind albums by this artist – drums, Anna Sofi DahlbergFind albums by this artist – mellotron, Nicklas BarkerFind albums by this artist – mellotron and guitar and Jan Erik LiljeströmFind albums by this artist – bass) play a vast array of instruments and manage to create the famous “wall of sound” effect using the double mellotron (or mellotron and moog) instrumentation. The Nordic melancholy and gloominess are predominant, but they carry all the mystic and enchanting elements upon which the musical tapestries are woven. The vocal parts (with English lyrics) are an integral part of the overall sound and are kept on the same (musical) plane with the instrumental parts, rather than being pushed to the foreground. This album is every bit as monumental as its predecessors, with slightly less aggressive approach than the first two releases (mellowing with age?) but not one iota less daring or brilliant. Guest flutist Gunnar BergstenFind albums by this artist contributes a few remarkable solos, bringing the sound of the band closer than ever to the sound of the sadly disbanded Anglagard. Although one does not expect anything less than brilliance from a band of such statue, the result simply overshadows all expectations, blessing us with another masterpiece. This is an absolute must for all Scandinavian Prog fans and perhaps a golden opportunity to enter the enchanted world of the Nordic musical wonders for those who are still not familiar with them.
| | | CD 1 Digipak Recommend To A Friend |
  | ANOMALIA ~ ANOMALIA
MULTIKUKTI MPPA 001 (Barcode: 5903068683305) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2019 Released: 2020
This is the debut album by the Polish Jazz septet AnomaliaFind albums by this artist comprising of saxophonists Krzysztof KusmierekFind albums by this artist and Kacper KrupaFind albums by this artist, trumpeter Patryk RynkiewiczFind albums by this artist, trombonist Adam KurekFind albums by this artist, guitarist Fryderyk SzulgitFind albums by this artist, bassist Piotr CienkowskiFind albums by this artist and drummer Stanislaw AleksandrowiczFind albums by this artist hailing from the Poznan music scene. Krupa, Cienkowski and Aleksandrowicz are members of the Kwasny DeszczFind albums by this artist trio. The album presents six original compositions, two by Krupa and one each by Rynkiewicz, Szulgit, Kurek and Kusmierek, although the album´s artwork also credits the entire group as co-composers.
The music is based on rough melody themes and then improvised at length featuring individual extended soloing by the septet members. The approach moves between heavy septet sound, with powerful horn section playing riffs and more delicate fragments where the soloists are accompanied more sparsely by the rhythm section. It includes many diverse approaches, which include hypnotic repetition, almost Rocky riffing, group improvisation, unisono brass parts, and other tricks of the trade. If not for the Free Form improvisation the album often sounds like Brass Rock, which is one of my favorite idioms.
As a result the music, which is naturally quite complex, loses some of its compositional focus, which might have enhanced the overall result. It is worth to remember the "less is more" formula, especially in larger ensembles, where the co-existence of many instruments needs extra careful attention to detail in order to avoid confusion. Having said that, the music is certainly very interesting and unique enough to raise eyebrows, offering very individual approach to multi-layered "big Sound", which at its best is nothing short of being spectacular.
It is a joyful event to see or rather hear these young musicians exploring uncharted territory and threading through their individual ideas, rather than copying and recycling familiar messages ad nauseam. Obviously they are just starting a long journey of creativity, but judging by these early steps, they are on the right path. There is a lot of honesty, searching and adventure in this music, which deserves to be praised.
This album is a proud representation of the young Polish Jazz Avant-Garde scene, which keeps surprising by its resourcefulness and ambition, and although a bit soft around the edges, it is a most enjoyable listening experience, showcasing a lot of potential. It is definitely an excellent debut effort – well done Gentlemen!
| | Updated: 19/07/2020Posted: 19/07/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ANTYKWINTET ~ ANTYKWINTET (SWINGING TRICITY VOL.3)
SOLITON 231 (Barcode: 5901571092317) ~ POLAND ~ Jazz
Recorded: 1978 - 1980 Released: 2012
This is the third installment in the excellent archival series documenting Polish Jazz created in the country´s Tricity on the Baltic Sea, one of the important centers where Polish Jazz thrives and over the years produced numerous first-rate musicians and superb bands. The series presents material, which in most cases never previously appeared in any form and therefore is of immense historic importance.
This chapter presents the AntykwintetFind albums by this artist ensemble, which was a relatively short lived quartet / quintet founded in 1978 and active for about four years, but unfortunately never managed to record even one album under their name, which sadly was the fate of many Polish Jazz artists during the Socialist regime. However they did participate three times (1978, 1979 & 1980) in the Jazz Nad Odra festival in Wroclaw, where all of the material on this album comes from.
Antykwintet was founded by pianist / composer Leszek KulakowskiFind albums by this artist and flautist Antoni SliwaFind albums by this artist (who´s siblings played with two other ensembles documented by this series: BasztaFind albums by this artist and Rama 111Find albums by this artist). The initial quartet also included bassist Lech WielebaFind albums by this artist and drummer Jozef EliaszFind albums by this artist. That quartet also included percussionist Piotr SapiejaFind albums by this artist as a guest musician. Later on the quartet was expanded to a quintet with the addition of trumpeter Mariusz StopnickiFind albums by this artist and Eliasz was replaced by Marian SzarmachFind albums by this artist.
The music includes seven compositions, six of which are originals by Kulakowski and one is by American guitarist Barney KesselFind albums by this artist, all recorded live as mentioned earlier. The sound quality is not great, but remastered it is certainly good enough to be enjoyed. The live setting allows for expanded treatments of the compositions, four of which are over ten minutes and one over seventeen minutes long. This means there are ample opportunities to hear long solos, mostly by the pianists (on both acoustic and electric piano) and the flautists. Since the flute is sadly rarely used as the front solo instrument in Jazz, this album should be greatly interesting to flute aficionados. The quintet with the trumpet / flute front line is also very unusual, almost unique in fact, which is another interesting aspect of this album.
The music is modern mainstream, not revolutionary but certainly interesting and quite innovative at the time. The live setting again allows for a lot of freedom, especially during the extended solos, which, assuming the ensemble would have continued together might have developed into more imaginative pastures, but alas we´ll never know. In any case this is certainly worth revisiting some thirty plus years later.
This is another great piece of Polish Jazz history, which should definitely be told and preserved as part of the country´s Cultural Heritage. Kudos to Marcin JacobsonFind albums by this artist for creating this series and keeping it going!
| | | CD 1 Remastered Recommend To A Friend |
  | APOCALYPSE ~ APOCALYPSE
NMC (ISRAEL) 65271 (Barcode: 7290003301577) ~ ISRAEL ~ Progressive Rock
Recorded: 1972 Released: 1992
Only album by the Israeli group ApocalypseFind albums by this artist, which were the pioneers of Israeli Prog and years ahead of their time. Mixing elements of Psychedelia and Hard Rock with some humor and irony, they created memorable moments that stand well the test of time and sound quite fresh even today. All the members of the group were instrumental in the development of Israeli Rock in years to follow.
| | | CD 1 Recommend To A Friend |
  | APOTEOSI ~ APOTEOSI
MELLOW 139 ~ ITALY ~ Progressive Rock
Only album from 1975 by this little known Italian Prog band. Dominated by keyboards, played in the typical style of the era with excellent drumming to keep things in the right frame. Female vocals are very good, but scarce. Great compositions with many tempo changes and quirky instrumental passages. In short a very good album which will make every Prog fan happy.
| | | CD 1 Recommend To A Friend |
  | ARACHNOID ~ ARACHNOID
MUSEA 4126 ~ FRANCE ~ Progressive Rock
Recorded: 1978 Released: 1996
Only album by this French Prog band, which created some of the strangest and most impressive music on the `darker` side of Prog, similar to later KC works. Flashing guitar and tormented keyboards set the scene for the overly dramatic vocals, at which the French bands excell. A must for the lovers of this sub-genre.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ARCHAIA ~ ARCHAIA
SOLEIL ZEUHL 01 ~ FRANCE ~ Progressive Rock
The only album from 1977 by this unusual French group, which plays an unbelievable mixture of psychedelics, Avant-Garde rock and Prog. You need to hear this one to believe it! Considered by many as an one of the treasures of the French scene. This new edition adds some live bonus tracks from 1978.
| | Updated: 12/04/2019Posted: | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | NEIL ARDLEY ~ A SYMPHONY OF AMARANTHS
DUSK FIRE 107 (Barcode: 5065001032189) ~ UK ~ Jazz
Recorded: 1971 Released: 2012
This is the criminally overdue reissue of the second album by British Jazz composer / arranger / bandleader Neil ArdleyFind albums by this artist, which also was the second part of his great trilogy, which started with "The Greek VariationsFind albums with this title" and was followed later by "Kaleidoscope Of RainbowsFind albums with this title". It is one of the great gems of the revolutionary British Jazz, which developed in the Golden Decade (1965-1975) and changed to face of music as we know it.
Influenced by Duke EllingtonFind albums by this artist and Gil EvansFind albums by this artist, Ardley was the creator of the innovative Big Band / Orchestral sound, which was one of the magic ingredients of the new British Jazz at the time. Although based on the compositional ideas of Ellington and Evans, Ardley managed to push them way forward into an amalgam with contemporary European Classical music, early atmospheric / ambient music and other elements, creating unique orchestral soundscapes. As the musical director, resident arranger and conductor of the New Jazz OrchestraFind albums by this artist (a.k.a. NJOFind albums by this artist), Ardley had at his disposal the crème de la crème of the British Jazz players, and quite naturally he used them to record his own projects as well.
The list of the protagonists behind this recording is of truly epic proportions and includes such luminaries as trumpeters Henry LowtherFind albums by this artist and Harry BeckettFind albums by this artist, trombonist Derek WadsworthFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Don RendellFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and Dave GellyFind albums by this artist (who also wrote the informative liner notes for this reissue), pianists Stan TraceyFind albums by this artist and Karl JenkinsFind albums by this artist, bassist Chris LaurenceFind albums by this artist and Jeff ClyneFind albums by this artist, drummer Jon HisemanFind albums by this artist. The only one of its kind Ivor CutlerFind albums by this artist recites a famous nonsense poem and the divine Norma WinstoneFind albums by this artist sings Ardley´s music accompanying three classic poems, his first adventure with vocal music.
Overall the album presents a wondrous splendor of musical ideas, marvelously executed by the musicians involved, creating together one of the most beautiful examples of creativity and intelligence, which were the chief ingredients of the music created by Ardley time and again. As an album, this is one of the very few examples of musical perfection, which set the standards for all the others. It is in every respect as perfect today as it was at the time of its recording.
A curious point about this album is the fact that this was the first ever recording to be funded by a grant from the Art Council, which supported a plentitude of great musical projects in the years to come. The album was produced by the legendary Denis Preston, who was in charge of recording a myriad of brilliant early British Jazz albums and without whom the this great music might have never been captured for posterity. The reissue is brilliantly remastered and sounds absolutely spectacular.
This is an unconditional, absolute essential piece of music!
| | | CD 1 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | JULIAN ARGÜELLES ~ AS ABOVE SO BELOW
PROVOCATEUR 1033 (Barcode: 5038491103325) ~ UK ~ Jazz-Classical Fusion
Recorded: 2002 Released: 2003
British saxophonist / composer Julian ArgüellesFind albums by this artist is considered as one of the most prominent representatives of the second generation of British Jazz musicians. A brilliant player and gifted composer, he first came to prominence as a member of the legendary Loose TubesFind albums by this artist ensemble. He recorded albums since the 1990s and toured widely with his own groups as well as with other prominent British (including the Colin TownsFind albums by this artist Mask OrchestraFind albums by this artist), European and American Jazz artists. This album, his second on the prestigious ProvocateurFind albums on this label label (and 6th as a leader), was recorded with a splendid octet, which includes both young British Jazz players and seasoned veterans, including Stan SulzmannFind albums by this artist (sax) and Henry LowtherFind albums by this artist (trumpet), and a 20-piece string ensemble. The music is a beautiful synthesis of Jazz and contemporary Classical Music that is surely Julian’s most ambitious and far-reaching work as a composer. The tranquil and contemplative themes are splendidly orchestrated and the octet performs in perfect harmony with the string ensemble. Deeply moving and uplifting, this music combines formal musical structures and improvisation in a most elegant way. Serious Jazz connoisseurs as well as those who love Classical Music are both for a treat. This is worthy addition to any serious Jazz album collection and wholeheartedly recommended.
| | | CD 1 Digipak HDCD Recommend To A Friend |
  | ARKENSTONE, DAVID ~ ANOTHER STAR IN THE SKY
NARADA 62014 ~ USA ~ Electronic & Ambient
Beautiful album from 1994 dedicated to Arkenstone`s Mother. As usual the composer also plays all the keyboards and guitars on this album, but the orchestration is supplied by a string ensemble, which adds significant sound depth and beauty. The tracks fall seamlessly into one continuous stream, which results in a lovely musical tapestry. Definitely worth getting into.
1 last copy in stock!
| | | CD 1 Recommend To A Friend |
  | ARMAGEDDON ~ ARMAGEDDON
ESOTERIC 2150 (Barcode: 5013929725027) ~ UK ~ Classic Rock
Recorded: 1975 Released: 2009
Only album by the short-lived Prog / Hard Rock band ArmageddonFind albums by this artist formed by keyboardist / vocalist Keith RelfFind albums by this artist (founding member of YardbirdsFind albums by this artist and then RenaissanceFind albums by this artist), guitarist Martin Pugh (SteamhammerFind albums by this artist), bassist Louis Cennamo (Renaissance, Steamhammer) and US drummer Bobby Caldwell. With strong Prog / Blues / Rock background the group eventually opted for a heavy Hard Rock sound, which dominates this, their only album. The group folded shortly after the album was released, which was followed by Relf´s tragic death in 1976. The album is considered to be an iconic Hard Rock album, completely overlooked at the time, but now considered a classic. In retrospect it is definitely a milestone of the genre, emphasizing the saying: They don´t make music like that any more! For guitar freaks this is heaven on earth, but most Classic Rock fans should have a field day with this.
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | SHLOMO ARTZI ~ A PLACE
HED ARZI 14931 ~ ISRAEL ~ Classic Rock
Recorded: 1982 Released: 1991
Israeli singer / songwriter Shlomo ArtziFind albums by this artist has been the most iconic figure on the local music scene since the late 1970s. His songs have become the soundtrack of Israeli life, both in the moments of joy and those of profound sadness, overwhelmingly accepted as the epitome of the collective Israeliness, shared by all those living in Israel. In retrospect this phenomenon is quite surprising, as Artzi´s music is definitely non-trivial and often quite complex and his lyrics are usually cryptic, convoluted and associative, rather than narrative. And yet hundreds of thousands of Israelis are able to sing his songs, quoting every phrase and chanting each note. His live performances, which are legendary in scope and intensity, transcend well beyond cultural events and for many of the participants turn into emotional experiences of truly epic proportions. Although Artzi started his musical life at an early age, the initial period of his career and his early recordings are considered less significant, although some indications of his abilities were already present these. It was the release of the album "He Lost His Way…Find albums with this title" which established him as a major force on the local scene and his career took off from this point onward with a meteoric momentum. It was followed up by the brilliant albums "WaysFind albums with this title" and "MidnightFind albums with this title", which were true giant steps in Artzi´s "Golden Age". This, his next album, is unusual in many respects, since it features 4 songs (out of 11) not composed by Artzi and returns to using poems as the song´s lyrics (again by Natan YonatanFind albums by this artist and Shaul TchernichovskyFind albums by this artist and a few others). As the album´s title suggest, the subject matter is the land of Israel, its vistas and people and their lives and feelings. The album is a transitional stage between the first phase of his successful career and the next one, which will be much more personal and intimate. Again brilliantly arranged and played by Israel´s best musicians, this is a delicate and wonderful album. Of course every Artzi album is an absolute must for every lover of Israeli music in general and Israeli Rock in particular. A classic!
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  | ASCETIC ~ ASCETIC
AUDIO CAVE 2023/008 (Barcode: 5908298549667) ~ POLAND ~ Jazz
Recorded: 2022 Released: 2023
This is the debut album by young Polish Jazz quartet AsceticFind albums by this artist, led by clarinetist / saxophonist Mateusz RybickiFind albums by this artist, and also including pianist Tomasz KaczmarekFind albums by this artist, bassist Ju GhanFind albums by this artist and drummer Jan SlowinskiFind albums by this artist. The album presents ten tracks, which although based on ideas suggested by the leader, are all co-credited to the four members of the quartet. One of the tracks is based on a 15th Century traditional song. The music was excellently recorded at the Monochrom Studio.
The music is an absolutely classic Jazz quartet recording, which offers an atmosphere and tonality of the Polish Jazz sometime in the late 1960s, when modern Polish Jazz was born. The delicate, almost hypnotic melodies, the relaxed, as if intentionally slowed down tempi, the wonderful clarinet / saxophone soli, which avoid unnecessary complexity and showing off, but push the melody to the very edge, the excellent harmonic support by the piano, the solid, stable bass pulsations and supportive but not overbearing drumming – it is all there to make the music just perfect from start to finish.
I often complain that the young Polish Jazz musicians are not taking enough risks lately and seem somewhat out of steam, but perhaps reexamining the classics can be every bit as inventive, as breaking new ground, which is exactly what is happening here. The clarinet, which sadly has been pushed aside so often, proves that in the right hands it can be as innovative and daring as all the saxophone family, and with its specific tonality it is surely more heartwrenching.
It would be trivial to compare this music to the music of John ColtraneFind albums by this artist or Krzysztof KomedaFind albums by this artist (which I have already noticed in the scribblings by my colleagues), since naturally every Polish Jazz musician is inadvertently influenced by these Giants; it is important to see what these young musicians have to say beyond the tradition, even when they pay “in the tradition”. And they certainly have a very individual and personal statements to offer, all of which are present herein, for those willing to listen.
Overall, this is a brilliant debut recording, by any standard, and a surprising attempt to re-construct / de-construct the classic Jazz quartet statement, on an unprecedented scale, even if the musicians are not aware consciously of what emerged as a result of their creative effort. When the dust settles, this album is certainly here to stay as one of the most significant statements on the Polish Jazz scene this year, if not beyond. Time will tell, but in the meantime my warmest thanks to you Gentlemen, for your talents and determination. Hats off!
| | Updated: 29/07/2023Posted: 28/07/2023 | CD 1 Digipak Recommend To A Friend |
  | ASSOCIATION ~ AND THEN… ALONG COMES THE ASSOCIATION
COLLECTORS` CHOICE 647 (Barcode: 617742064728) ~ USA ~ Classic Pop
Recorded: 1966 Released: 2006
1st album by the excellent US Pop group AssociationFind albums by this artist, a sextet of gifted songwriters, players and most importantly singers, who brought the art of vocal harmony to the highest levels known in popular music. The group enjoyed some success on the US charts in the late 1960s and two of their first hits are included on this album ("Along Comes Mary" / "Cherish"), but they were way more sophisticated and creative to be considered just as hit makers. Over the years the group released a series of excellent albums, each and every one of them full of great songs, superbly performed and sung. The fact that most of their material was self penned, self played and self arranged the collective talent and ingenuity of the band members is beyond doubt. Their vocal harmonies, firmly based in the American Folk vocal tradition but cleverly adapted to the Pop / Rock climate, are a model revered and copied to this very day. There are hardly any weak songs on any of their albums, this one being no exceptions, and with six songwriters in the band they were never short of material. This is classic Pop, which still sounds perfect today! Wholeheartedly recommended!
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  | ATOM ACCORDION QUINTET ~ ATOM ACCORDION QUINTET
REQUIEM 120 (Barcode: 5902547013411) ~ POLAND ~ Classical
Recorded: 2015 Released: 2016
This is the debut album by Polish ensemble Atom Accordion QuintetFind albums by this artist, which comprises of accordionist Rafal GrzakaFind albums by this artist and the renowned string quartet called Atom String QuartetFind albums by this artist (violinists Dawid LubowiczFind albums by this artist and Mateusz SmoczynskiFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). Together they perform four contemporary Classical compositions by young Polish composers: Mikolaj MajkusiakFind albums by this artist, Piotr WrobelFind albums by this artist, Krzysztof Lenczowski and Nikola KolodziejczykFind albums by this artist. While the works by the Majkusiak and Wrobel are single-piece compositions, the work by Lenczowski is a four-part Quintet and the work by Kolodziejczyk is three-part suite. The album was released simultaneously on two Polish labels: RequiemFind albums on this label Records and DUXFind albums on this label Records
As much as I appreciate the need to expose young composers, which this album is all about, somehow I felt a bit disappointed when the music was over. Contemporary Classical music can be, and often is challenging and groundbreaking but this album has little of these qualities. The sound of accordion and a string quartet works together well but was already explored before, and although the musicians are top class, but the music itself just fails to make a strong impression. Even the music by Lenczowski, who writes wonderful music in the Jazz idiom, somehow does not present his usual excellence here, being simply too conventional, even if it is beautifully melodic and gracefully melancholic. An example of the lack of originality is the very last track on this album (by Kolodziejczyk), which sounds almost exactly like music by Astor PiazzollaFind albums by this artist with string quartet. Somehow the entire album invokes a kind of a déjà vu symptom.
The album is supposed to offer, according to the enclosed booklet, an amalgam of Classical Music, Folklore and Jazz. There is Classical music in abundance, there are some Folkloristic motifs, but there is certainly no Jazz at all, as there is obviously no improvisation involved since all the music is strictly written. This of course is not a problem by itself, but simply an unnecessary confusion.
Obviously the album has its positive sides as well: a profound European aesthetics, wonderful performances by all five musicians, who are obviously virtuosic players, an excellent recording and sound quality and elegant packaging that includes informative bilingual liner notes.
Overall this is a well done and original presentation of contemporary Polish Classical Music, which can be enjoyed by many Classical Music connoisseurs anywhere in the world and serve as a wonderful calling card of Polish Culture.
| | Updated: 22/11/2016Posted: 22/11/2016 | CD 1 Digipak Recommend To A Friend |
  | ATOM STRING QUARTET ~ ATOMSPHERE
KAYAX 087 (Barcode: 5907678818454) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2014 Released: 2015
This is the 3rd album by the Polish string quartet called Atom String QuartetFind albums by this artist, one of the most unique and successful music ensembles on the local scene in the last half-decade, which comprises of violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist. Recorded a couple of years after its predecessor, this album, spread over two CDs, presents twelve new original compositions (five by Lenczowski, two by Smoczynski, two by Lubowicz, two by Zaborski and one co-composed by all of them), two compositions by Polish contemporary Classical composer Witold LutoslawskiFind albums by this artist (arranged by Lenczowski) and finally one by legendary Polish Jazz violinist Zbigniew SeifertFind albums by this artist (arranged by Smoczynski).
Musically this album more or less follows the same pattern already established by its predecessors, with the quartet walking the rope between Jazz influenced pieces and more "serious" Classically influenced pieces, somehow managing to keep the two quite diverse trends to merge and coexist. They are all obviously extremely talented musicians and composers, virtuosi performers and great entertainers, but at this point of their existence the question if their novelty and extraordinary abilities are enough to keep them going?
Perhaps the decision to release a double album was a bit hasty as the material, as good as it is, is certainly not diverse enough to justify a two CD extravaganza. Perhaps a single CD of more simmered down, distilled and self-censored material would have worked better?
On the other hand these young people have obviously a lot to say and feel an urge to share their musical discoveries with a large audience, which is perfectly fine. They can, after all, play extremely well and the string wizardry is always exciting.
Personally after listening to this double album several times I still can´t grasp exactly why I feel a bit disappointed? Perhaps the feeling of déjà vu is to blame; in any case I am sure that many listeners will find this album very satisfying. I still hope these young people have more in them that shown herein.
| | Updated: 27/06/2024Posted: | CD 2 Digibook Recommend To A Friend |
  | BRIAN AUGER ~ AUGER INCORPORATED
SOUL BANK 009 (Barcode: 4062548057089) ~ UK ~ Jazz-Pop Fusion
Recorded: 1965 - 2000 Released: 2023
This is a collection album by the great British keyboardist / composer / bandleader Brian AugerFind albums by this artist. The 2CD album presents twenty-five tracks, which span Auger’s entire career and include rarities and previously unreleased material. The tracks are presented in chronological order and include some early Jazz acoustic piano material, The SteampacketFind albums by this artist, The TrinityFind albums by this artist, Oblivion ExpressFind albums by this artist and more recent solo material.
I have been a faithful admirer of Auger since the mid-1960s, when I first heard him play live, and my fascination never weakened throughout the years. I closely followed his career and fanatically obtained every recording he took part in, including the reissues of his albums, which periodically appeared on the market since the concept of reissues was born. I have always considered him as one of the most talented and inventive musicians, with a chameleonic ability to sound just right in every musical environment. His Hammond work is absolutely second to none and his revolutionary recordings with Julie Driscoll rank among the best music ever created on this planet. Therefore, the music on these two CDs is absolutely divine and it is a great pleasure to listen to this collection, even if I consider collections as a bad idea in principle.
Having said all that, the history of Auger’s material being repeatedly reissued by different labels over time presents a grim picture is mismanagement and market misunderstanding, of which this album is a classic example.
I am sure that the true fans would prefer a single CD collection of previously unissued material than a mixture of released (which everybody owns already) and unreleased material. From the production / discographical point of view this collection is a disaster, since there is absolutely no information as to the recording dates and lineups of the individual tracks, no information as to where the previously released tracks originate from, etc. In short this is one gigantic blunder.
So, my dear Brian, you should really be more careful before you approve releases like this one, as they damage your reputation rather than pay a tribute you really deserve.
Overall, this is a collection full of great music, but suffering from unforgivable production blunders, which don’t hurt the music per se, but seriously question the purpose of it all. Love you anyway ;) and hope for some new music coming our way!
| | Updated: 10/09/2023Posted: 10/09/2023 | CD 2 Remastered Recommend To A Friend |
  | AZIMUTH ~ AZIMUTH / THE TOUCHSTONE / DEPART
ECM 1546/48 (Barcode: 731452301024) ~ UK ~ Jazz
Recorded: 1977 - 1979 Released: 1994
This wonderful Box Set contains the first three albums by the superb British trio AzimuthFind albums by this artist, which consists of three Jazz icons: vocalist Norma WinstoneFind albums by this artist, her husband pianist / composer John TaylorFind albums by this artist and trumpeter Kenny WheelerFind albums by this artist, recorded in the 1970s and released on the ECMFind albums on this label label, which are "AzimuthFind albums with this title" (ECM 1099) recorded in 1977, "The TouchstoneFind albums with this title" (ECM 1130) recorded in 1978 and "DepartFind albums with this title" (ECM 1163) recorded in 1979. On the last album the trio is expanded to a quartet with the participation of the US guitar virtuoso Ralph TownerFind albums by this artist. These exquisite players combine their talents in this unique ensemble, which is all about elegance, delicacy and sophistication. This almost "chamber" setting produces music, which is timeless, cross-genre and above all aesthetically fulfilling and deeply moving. Winstone´s usage of the human voice both in her singing and vocalese is simply breathtaking, and I personally can never get enough of it. Wholeheartedly recommended!
Side Note: These three albums were not reissued or are not available on CD individually, so this is the only way to obtain them in CD form.
Visitors' Comments
Christopher Brice
It´s a pleasure to be able to fill in the "back story" to the relatively recent Azimuth albums - thanks to ECM and of course to Adam!
| | Updated: 26/01/2019Posted: | CD 3 Box Set Recommend To A Friend |
  | BACKSPACE ~ AD_DA
HEVHETIA 0188 (Barcode: 8588005258616) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2019 Released: 2019
This is the debut album by Polish experimental / Avant-Garde duo BackspaceFind albums by this artist, which comprises of violinist Lukasz CzekalaFind albums by this artist and accordionist Zbigniew ChojnackiFind albums by this artist, who both also employ extensively live electronics in their music. On this album the duo was expanded (or "augmented") to a trio with the addition of cornetist Marcin Albert SteczkowskiFind albums by this artist. The album, recorded live (and unedited), presents four extensive pieces, which are not specifically credited and are assumably spontaneously co-created by the participants.
Chojnacki appeared like a comet on the Polish Jazz / Avant-Garde firmament just a few years ago, but his extraordinary talent and virtuosic performances on the accordion, a sadly much neglected instrument in Jazz and experimental music, earned him an almost instant stardom, despite his youthfulness. I have followed closely his development both as a recording artist and live performer from the onset of his career and invited him to perform a solo concert during the Singer Jazz Festival in 2017. In the process I witnessed his rapid metamorphosis from a timid wunderkind to a full blown and mature sound magician. Another aspect of his development over time was the growing involvement with electronic sound devices, which gradually overshadowed the acoustic sound of the accordion and become almost completely a wall of synthesized sound effects, often completely detached from any straightforward melodic substance. And yet this accordion / electronics fusion, which might have caused some of his early admirers to stay behind, developed into a new phantasmagoric instrument that places Chojnacki right along the leaders of the pack.
However, in the company of Czekala and Steczkowski, who create a plethora of exquisite melodic passages, both brief and prolonged, his role as integrator and supplier of the sound layers behind the violin and cornet "soloing" is absolutely stunning. Listeners expecting to hear any unambiguous accordion on this album will be obviously disappointed, but there are plenty of brilliant passages created by Chojnacki. The performance of the trio is absolutely mesmerizing and offers a perfect model of what one might expect from contemporary electro-acoustic music. For the entire duration of the album there is an intimate closeness between the performers and the listener and a calm, wonderful warmness of co-existence. The interplay and coordination between the trio members is nothing short of being telepathic. I hope my attention to the role of Chojnacki in this recording does not overshadow the contributions of Czekala and Steczkowski, which are of course equally important.
Overall this is an absolute brilliant piece of contemporary music, cross-genre and beyond classification, which shows the way and explores uncharted territory, offering a non-aggressive, cohesive and aesthetically pleasing piece of modern sound Art (since calling it just music might not do it justice). There is almost nothing else I could recommend as warmly as this gem!
| | Updated: 28/10/2019Posted: 28/10/2019 | CD 1 Digipak Recommend To A Friend |
  | GINGER BAKER / AIR FORCE ~ AIR FORCE
LEMON 022 (Barcode: 5013929762220) ~ UK ~ Jazz-Rock-World Fusion
Recorded: 1970 Released: 2004
1st album by the legendary ensemble Air ForceFind albums by this artist, formed by drummer Ginger BakerFind albums by this artist following the collapse of the two Rock super-groups he was a member of: CreamFind albums by this artist and Blind FaithFind albums by this artist. Baker formed the ensemble to pursue the music he was truly interested in, which included Jazz and African Music. He managed to persuade a large number of British luminaries to join forces in this ambitious project, creating a first of its kind Jazz-Rock-World Fusion ensemble. The list of the participants reads like a who´s who of the British music scene at the time and includes: Steve WinwoodFind albums by this artist (organ and vocals) and Rick GrechFind albums by this artist (bass) – both ex-Blind Faith, Graham BondFind albums by this artist, Denny LaineFind albums by this artist, Chris WoodFind albums by this artist, the great Harold McNairFind albums by this artist and Baker´s revered teacher and legendary British Jazz drummer Phil SeamenFind albums by this artist. The first album was recorded live at the Royal Albert Hall and was originally released as a double LP. The music is a wonderful mixture of Jazz, Rock and World Music, performed with passion and virtuosity. The lengthy tracks allow for extended instrumental improvisations and the two drummers have ample opportunity to engage in mighty duels. In retrospect the album is visionary and educational, allowing a glimpse at a time when musical dreams were realized. This pioneering effort is a wonderful legacy for generations to come and includes many unforgettable moments. Unavailable for decades, this CD reissue is a wonderful opportunity to get familiar with a piece of musical legacy, which remains untouched by time. Absolutely not to be missed!
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  | BALVIG / BULOW / CHRISTENSEN ~ ASSOCIATED WITH WATER
AMP 015 (Barcode: 662578831099) ~ DENMARK ~ Jazz
Recorded: 2017 Released: 2017
This is the debut album by the Danish Jazz trio comprising of pianist Christian BalvigFind albums by this artist, bassist Adrian ChristensenFind albums by this artist and drummer Frederik BulowFind albums by this artist. They perform eleven original compositions, four by Balvig, five by Christensen and two by Bulow.
The music is a beautifully melodic piano trio performance, with very strong and coherent compositions and heartfelt execution. The tracks are relatively short, so the music flows fluently from one track to another, displaying new harmonious vistas one after another. The overall character of the music is rather contemplative and lyrical, and on the whole quite minimalistic. The level of the compositions is superb throughout, which of course adds to the imminent success of this album.
Balvig plays rather sparingly, using a lot of single notes rather that long arpeggios, which is slightly unusual and very effective. He is definitely concentrating on delivering the musical message rather than showing off. In the more energetic tunes his playing becomes percussive and sizzling. Christensen plays splendidly, moving hand in hand with the piano and filling effectively the spaces and the bottom range of the scale. Bulow stays most of the time in the shadows, amicably supplying the rhythmic pulsations but carefully not dominating the music. The level of interplay and mutual respect between the trio members is admirable.
Altogether this is a splendid debut effort, which deserves to be heard and will surely satisfy all piano trio connoisseurs all around the globe. I am already on the lookout for their next recording, considering the potential displayed here. Well done indeed!
| | Updated: 04/10/2017Posted: 04/10/2017 | CD 1 Digipak Recommend To A Friend |
  | BANCO DEL MUTUO SOCCORSO ~ AS IN A LAST SUPPER
ESOTERIC / MANTICORE 1010 (Barcode: 5013929381025) ~ ITALY ~ Progressive Rock
Recorded: 1976 Released: 2010
Italian Prog giants Banco Del Mutuo SoccorsoFind albums by this artist were the second Italian Prog band (after PFMFind albums by this artist) signed by the Emerson, Lake & PalmerFind albums by this artist owned ManticoreFind albums on this label label, to promote the band in UK and US.
The band was formed in Rome in 1969 and changed its lineup several times before a stable equilibrium of talent was finally achieved. The founders, brothers Gianni NocenziFind albums by this artist and Vittorio NocenziFind albums by this artist, both keyboards players, were joined by vocalist Francesco Di GiacomoFind albums by this artist, guitarist Rodolfo MalteseFind albums by this artist, bassist Renato D`AngeloFind albums by this artist and drummer Pier Luigi CalderoniFind albums by this artist.
Following the release of three masterpiece albums in their native country, this was their second (and sadly the last) UK release and it includes violinist Angelo BraduardiFind albums by this artist in the lineup, who was also responsible for the English language version of the lyrics. The album was released simultaneously in Italy (and with lyrics in Italian) under the title "Come In Un`Ultima CenaFind albums with this title" and in UK under this title.
This is a concept album with the "Last Supper" as it center theme, which raised a certain level of controversy at the time. This is classic stuff, well known to most serious Prog fans, so there is no need to say much more, except for the fact that this album is often considered as the band´s best work. The English accent, often ridiculed by some of the less polite critics, has a charm in itself for me. A classic!
| | Updated: 17/05/2019Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | BANDA ELASTICA ~ AI TENCARGO
LUNA NEGRA 22 ~ MEXICO ~ Progressive Rock
Recorded: 1999 - 2003 Released: 2003
1st album from 2003 by this new sensational Mexican Prog band Banda ElasticaFind albums by this artist, recorded over en extended period of time. In contrast to other Mexican Prog bands (CastFind albums by this artist, etc.), which play mainly Symphonic Prog, Banda Elastica venture into much more advanced teritorry, bordering on free jazz, experimental music and RIO. Astonishing and most refreshing musical approach and some devilishly clever music!
| | | CD 1 Recommend To A Friend |
  | BARCLAY JAMES HARVEST ~ AND OTHER SHORT STORIES
HARVEST 538407 ~ UK ~ Progressive Rock
3rd album from 1971 by this excellent UK Prog band, which sadly never acheived the `cult` status other outfits managed to secure. Solid song-writing, great playing and superb vocals were the group`s forte througout their long and fruitful career and they surely deserve to be re-discovered.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | BASTARDA ~ ARS MORIENDI
LADO ABC C/31 ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2019 Released: 2019
This is the 2nd album by Polish trio BastardaFind albums by this artist comprising of clarinetist Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist. Vocalist Olga MyslowskaFind albums by this artist appears on one track. The album presents ten tracks, which are the group’s interpretation of Medieval music connected with death rituals. Some of the tracks are by unknown authors and others are by Spanish composer Cristobal de MoralesFind albums by this artist, French composer Guillaime Du FayFind albums by this artist, Dutch composer Josquin des PrezFind albums by this artist and Italian composer Constanzo FestaFind albums by this artist.
The music and the trio arrangements are absolutely brilliant from start to end, and although appropriately somber, the music is full of beautiful melodic lines and poignant atmosphere. Although seemingly minimalist in scope, the three instrumentalists are able to create a wide scale of emotions and profound harmony, due to their virtuosity and incredible sensitivity.
Already at that early stage in the recording career of the trio it was obvious that Bastarda are a completely unique and original musical unit, which was further proved by their extraordinary recordings, which followed. After the first two albums, which dealt with Medieval music, Bastarda extended their activities into Jewish, Portuguese, Slavic and other World Music traditions, always with great thoughtfulness and sublime aesthetics.
Overall, this is an absolutely astounding album, which brings Medieval music up to date, sounding as fresh as humanly possible. Everything recorded by Bastarda is a true treat, but this album is especially wonderful, with the trio members often sounding like an entire Heavenly orchestra. A true treasure!
Side Note:
I have been looking for a copy of this album since the day it was released, i.e. for almost five years, finally managing to find a copy courtesy of my Friend Magda WiklinskaFind albums by this artist, the lady behind the Polish For TuneFind albums on this label Records label, whom I thank for her detective skills and dedication.
| | Updated: 07/05/2024Posted: 07/05/2024 | CD 1 Digipak Recommend To A Friend |
  | BATTERED ORNAMENTS ~ A MEAL YOU CAN SHAKE YOUR HANDS WITH
REPERTOIRE 4406 ~ UK ~ Progressive Rock
1st album from 1969. This band was formed by Pete Brown, the famous poet/singer who wrote all the Cream/Jack Bruce lyrics. An important pioneering Prog release with slight jazzy influences and superb musicianship. Bonus tracks.
| | | CD 1 Recommend To A Friend |
  | BBM ~ AROUND THE NEXT DREAM
VIRGIN 724358367324 (Barcode: 724358367324) ~ UK ~ Classic Rock
Recorded: 1993 - 1994 Released: 2003
This is an expanded reissue / remaster of the only album by the short-lived British BBMFind albums by this artist trio, which comprised of three legendary figures: drummer Ginger BakerFind albums by this artist, bassist / vocalist Jack BruceFind albums by this artist and guitarist / vocalist Gary MooreFind albums by this artist. The original album presented ten tracks and this edition adds four bonus tracks, two of which were recorded live and two others are outtakes. Most of the songs were co-written by Moore and Bruce, some with the help of Kip HanrahanFind albums by this artist and a couple of Blues standards are also present.
The sound and feel of the album is remarkably close to that of the iconic CreamFind albums by this artist, which is hardly surprising. The production is of course much more polished and the almost thirty years separating this trio from Cream made its impact, but overall the resemblance is remarkable, almost as if this could be the album Cream never recorded.
Moore plays some outstanding guitar here, obviously with a wink towards Eric ClaptonFind albums by this artist, and Bruce is in top form singing his heart out, as is Baker beating the hell out of the drums.
For some and incomprehensible reason this album was almost completely ignored at the time of its release in 1994, which proves that music went to the drain by that time, as it is an absolute classic example of the British Rock tradition and formidable Blues-Rock recording.
Overall, this is an absolute marvel of an album, completely neglected and deserving being remembered. It offers brilliant songwriting and superb instrumental performances completely absent from today’s Rock scene. An absolute must in any decent Rock record collection!
| | Updated: 19/03/2024Posted: 19/03/2024 | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | GORDON BECK ~ APPLEBY BLUES (LIMITED EDITION)
ART OF LIFE 1025 (Barcode: 804640102526) ~ UK ~ Jazz
Recorded: 2005 Released: 2007
This live recording of the Gordon BeckFind albums by this artist trio at the Appleby Jazz Festival is a great proof of the fact that the legendary pianist is still at the top of his form in spite of his age. Vibrant and brilliant as always, Beck flies through a set original compositions and standards with grace and sensibility, rarely found elsewhere. Back is supported by an excellent rhythm section: the excellent young bass player Jeremy BrownFind albums by this artist and brilliant veteran drummer Tony LevinFind albums by this artist (who like Beck played in the Tubby HayesFind albums by this artist groups). Together they present a superb Jazz piano trio music, which sparkles with technical perfection and musicality. Levin’s extraordinary drumming is a perfect match for Back’s talents and his solo spots are quite amazing. The recording quality is also exceptionally fine, with every little detail perfectly audible. All together this is a perfect Jazz piano trio album, which every lover of that format will love and play repeatedly. Wholeheartedly recommended!
| | | CD 1 Oversampling Recommend To A Friend |
  | BEGGARS OPERA ~ ACT ONE
REPERTOIRE 7041 ~ UK ~ Canterbury Scene
1st album from 1970. As many other Prog groups of that period, Beggars Opera based the material of their debut album on interpretation of classical music pieces, but gave the music very unusual arrangements. This album created quite a stir at the time is is still considered as one of the best early Prog works.
| | | CD 1 Recommend To A Friend |
  | SÉRGIO BENCHIMOL ~ A DROP IN THE OCEAN - AN OCEAN IN A DROP
NOT ON LABEL ~ BRAZIL ~ Progressive Rock
Recorded: 2004 Released: 2004
Once in a blue moon a completely anonymous album drops in my lap, leaving me completely awestruck. This is one of those rare and absolutely wonderful albums that renew my inspiration and my eternal quest for that kind of music. Brazilian multi-instrumentalist and composer Sérgio BenchimolFind albums by this artist (obviously Jewish with a Jarmulka on his head) presents here a suite of outrageous beauty, which mixes Prog, Jazz, World Music and Classical motifs, fascinating and uplifting from the first note played to the very last. The music is melodic and moves smoothly between one theme to another, with frequent rhythm changes and wonderful instrumental arrangements. Benchimol collected a great cast of musicians to play with him on the album, each and every one contributing their magic to the total result. Anything else I could say is in fact superfluous, as it will never come close to the experience of listening to this masterpiece. Any person with musical sensitivity should find this album a blessing. Absolutely essential!
| | | CD 1 Essential Recommend To A Friend |
  | BIG BAND SLASKI ~ A WIDE SPECTRUM
TEATR ROZRYWKI 002 (Barcode: 5902596066819) ~ POLAND ~ Big Band Jazz
Recorded: 2022 Released: 2022
This is the debut album by a new Jazz Big Band on the Polish scene, appropriately called Big Band SlaskiFind albums by this artist (Silesian Big Band), as it was founded in Chorzow (the town where I was born) and includes many of the musicians who graduated from the Katowice Music Academy, like trumpeter Pawel PalcowskiFind albums by this artist or saxophonist Jaroslaw BothurFind albums by this artist, to mention just a few. The Big Band is led by its Artistic Director, trombonist / composer Grzegorz NagorskiFind albums by this artist. The album presents seven compositions, one by Nagorski, one by trombonist / composer Michal TomaszczykFind albums by this artist, one by pianist / composer Pawel TomaszewskiFind albums by this artist, who appears as a special guest on the album, two by American trumpeter / composer Tim WaltersFind albums by this artist and the remaining two by another American trumpeter / composer / arranger Michael Philip MossmanFind albums by this artist. The music was recorded at Radio Katowice and offers a splendid sound quality and separation, which makes the music resound clearly and brightly.
The music is all strictly within the mainstream Jazz idiom, offering melodic compositions arranged skillfully for the Big Band and performed spotlessly by all the musicians, featuring many splendid solo parts. Most of the music is pretty straightforward, except for the closing track by Tomaszewski, and is obviously dominated by the American Big Band tradition, which sounds somewhat outdated today, despite its slick and professional glamor. I would have expected from a contemporary Polish Jazz band to be somehow more aligned with the European approach to Jazz Big Bands, which is more daring and innovative, but all things considered and in view of the fact that Jazz Big Bands are such a rare phenomenon today, we should rejoice every time some new Big Band music is being created.
Overall, this is a very pleasing and entertaining, almost danceable, Jazz Big Band album, which should make many enthusiasts of the genre happy. The music is accessible and the performances are highly spirited, which results is a most enjoyable listening experience. Hopefully the Big Band Slaski will be able to continue its activity in the uncertain, economically and otherwise, atmosphere that surrounds the music scene these days.
| | Updated: 28/12/2022Posted: 28/12/2022 | CD 1 Digipak Recommend To A Friend |
  | BIZARRE PENGUIN ~ ACIDO DOMINGO
EASTRINGS 0003 (Barcode: 196400420262) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2020 Released: 2021
This is the debut album by Polish Avant-Garde Jazz trio Bizarre PenguinFind albums by this artist comprising of drummer Tomasz KoperFind albums by this artist, bassist Maciej SadowskiFind albums by this artist (who also plays synthesizers) and trumpeter Dawid LipkaFind albums by this artist, who recorded already several albums together under various monikers. The album presents five compositions, all uncredited and assumed to be co-composed by the trio members.
Although recorded in the midst of the pandemic, with the musicians not able to see each other and interact visually, which is almost imperative in Improvised Music, the album offers a remarkable musical coherence, often not found on conventionally recorded albums. These musicians obviously managed to develop an unusual rapport between them, which already produced some exceptional recordings like “NecrosofiaFind albums with this title”, “MurmursFind albums with this title” or “Jazz Dla ZwierzatFind albums with this title” (the last two on Sadowski’s record label EastringsFind albums on this label Records), which is also prevailing on this superb recording.
The music manages to combine acoustic and electronic auras perfectly, offering Improvised Music which is beautifully melodic and lyrical, and yet completely unusual and unpredictable. Lipka’s sublime trumpet playing, closely resembling Tomasz StankoFind albums by this artist during his early experimental phase, is absolutely stunning and irresistible. Koper and Sadowski support layer upon layer of complex rhythmic patterns, both acoustic and electronic, as well as wall of sound effects, creating wonderfully powerful sound vistas.
The music moves between contemplative excursions and energetic soul-drenching exchanges, which keep the listener completely mesmerized. I had the album on “repeat” mode for quite a while, before being able to clear my head and write these lines, as admittedly it’s been quite a while since I heard any music of such power of expression.
Overall, this is definitely one of the very best, and perhaps the best Polish Improvised Music album I have had the pleasure to listen to in 2021, especially so in view of the rather dull and weak output in that area on the local scene, which sadly seems to be completely lost lately. These musicians seem to have a “golden touch” and hopefully will produce much more great music when the world gets back to normal. Hats off and thank you for this extraordinary music!
| | Updated: 04/01/2022Posted: 04/01/2022 | CD 1 Digipak Recommend To A Friend |
  | BLEY / SHEPPARD / SWALLOW ~ ANDANDO EL TIEMPO
ECM 2487 (Barcode: 602547797117) ~ USA ~ Jazz
Recorded: 2015 Released: 2016
This is the 3rd album by the trio co-led by American Jazz pianist / composer Carla BleyFind albums by this artist, British Jazz saxophonist Andy SheppardFind albums by this artist and American Jazz bass guitarist Steve SwallowFind albums by this artist. The album presents five tracks, the first three being parts of a suite. All the compositions are by Bley. The music was recorded by the great Stefano AmerioFind albums by this artist and offers a sensational sound quality.
The beautifully melodic music is a superb example of Bley’s unique sense of melody and compositional aesthetics, which is her trademark since 1960 on. When she died in 2023, Bley left a vast body of compositions created in over six decades, many of which remain absolute Jazz classics.
The trio offers a tight, precise and beautifully well balanced music-making tool to present the music, complementing each other for the entire duration and exchanging lead parts in tandem. The entire presentation is minimalist and modest, with not one unnecessary note, offering a melancholic journey, full of beauty and reflection.
The trio would record only one more album together, called “Life Goes On”, which would be Bley’s final recording.
Overall, this is a beautiful, delicate piece of music, which summarizes quite faithfully her entire career, not only as performer and composer, but perhaps more importantly as an instigator and catalyst of styles and directions, far beyond her own career.
| | Updated: 29/12/2024Posted: 29/12/2024 | CD 1 Slipcase Recommend To A Friend |
  | CARLA BLEY ~ APPEARING NIGHTLY
WATT 33 (Barcode: 602517255166) ~ USA ~ Jazz
Recorded: 2006 Released: 2008
The Superwoman of American Jazz, pianist / composer / arranger / bandleader Carla BleyFind albums by this artist is undoubtedly the most significant female figure dominating the scene since the late 1950s (yes it does seem incredible). Her numerous compositions constitute an unparalleled songbook, which has been used not only by herself and her various ensembles and bands, but by almost every Jazz musician the world over. Her work is extremely versatile and covers the many different Jazz subgenres as well as Progressive Rock and others. One has to admit that very few other composers have such an ability to write a seemingly simple tune, which turns into a great and timeless melody like she does, and many love her just for that. This superb albums includes some of her recent compositions, which in their approach, styling and general feel play tribute to the great Big Bands of the early 20th Century, particularly the greatest of them all, the Duke EllingtonFind albums by this artist Orchestra. Like Ellington before her, Bley sees in Jazz the contemporary Classical music and she treats it with the same seriousness and zeal. The music is beautifully arranged and breathtakingly performed by a superb collection of musicians, like British saxophonists Andy SheppardFind albums by this artist and Julian ArgüellesFind albums by this artist, Austrian saxophonist Wolfgang PushingFind albums by this artist, American trumpeter Lew SoloffFind albums by this artist, the omnipresent (as far as Bley is concerned) bassist Steve SwallowFind albums by this artist and many other wonderful musicians. The music was recorded live at the legendary Parisian "New Morning" club, and is one of the best live Big Band recordings I´ve ever heard. Overall this is an unbelievable experience, a blessed hour of music of the highest quality, performed gracefully and elegantly and composed by a Genius. What more could one want? An absolute must to anybody with ears, which still work…
| | | CD 1 Recommend To A Friend |
  | PAUL BLEY ~ ANNETTE
HATOLOGY 674 (Barcode: 752156067429) ~ USA ~ Jazz
Recorded: 1992 Released: 2010
This is a brilliant album by American Giant pianist / composer Paul BleyFind albums by this artist, one of the greatest Jazz modernists with an extensive recording legacy, which is full of treasures. In a trio setting with trumpeter Franz KoglmannFind albums by this artist and bassist Gary PeacockFind albums by this artist, they perform a set of wonderfully lyrical composition by the great Annette PeacockFind albums by this artist (except the title track composed / improvised by the trio). The drum-less trio is ideal for this intimate music, which becomes a dreamy suite of delicate touches and melancholic vistas. The performances are absolutely stellar and the music stunning, which of course is not surprising. This album is an example of perfection in every sense and I can´t imagine any connoisseur of modern Jazz not falling in love with this gem instantly. Exquisite stuff!
| | | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | JANE IRA BLOOM ~ ART AND AVIATION
ARABESQUE 107 (Barcode: 026724010729) ~ USA ~ Jazz
Recorded: 1992 Released: 1992
This is an album by American Jazz saxophonist / composer Jane Ira BloomFind albums by this artist, recorded with British Jazz trumpeter Kenny WheelerFind albums by this artist and American musicians: trumpeter Ron HortonFind albums by this artist, pianist Kenny WernerFind albums by this artist, bassists Rufus ReidFind albums by this artist or Michael FormanekFind albums by this artist and drummer Jerry GranelliFind albums by this artist. The album presents nine tracks, seven of which are original compositions by the leader and two are standards.
As far as I know this is one of two recordings by Bloom with Wheeler and since it was released over thirty years ago it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection.
Bloom is one of my favorite American Jazz musicians / composers since she appeared on the scene in the 1980s. She is daring and original and is also one of the pioneers of incorporating electronics in her music. Her music sounds more like European Jazz rather than American, which is quite refreshing. This album has especially somewhat ECMish sound and atmosphere, which must have been influenced by Wheeler’s presence. For the many Wheeler followers, he can be heard playing some marvelous trumpet parts here, easily comparable to his best work on more renowned albums.
Overall, this is an excellent modern Jazz album, performed by first class musicians and is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.
| | Updated: 12/05/2023Posted: 29/03/2023 | CD 1 Recommend To A Friend |
  | BLUES UP FRONT ~ ALL THE WAY FROM DUBLIN
RECORD HEAVEN 22 ~ IRELAND ~ Blues
An Irish blues band, playing some nice licks and mostly self-penned material, with absolutely great slide guitar. Nothing one would expect from the Celts, but truly wonderful blues record!
| | | CD 1 Recommend To A Friend |
  | MIRNA BOGDANOVIC ~ AWAKE
BERTHOLD 4250647323079 (Barcode: 4250647323079) ~ SLOVENIA ~ Jazz
Recorded: 2023 Released: 2023
This is the second album by Bosnian / Slovenian (resident in Berlin) vocalist / songwriter and kalimba player Mirna BogdanovicFind albums by this artist, recorded with young musicians, including keyboardist Povel WidestrandFind albums by this artist, guitarist Peter MeyerFind albums by this artist, bassist Felix HenkelhausenFind albums by this artist and drummer Philip DornbuschFind albums by this artist. Several guests and a string trio appear on selected tracks. The album presents eleven tracks, ten of which are originals by Bogdanovic and one is an arrangement of a Pop song. Seven of the tracks feature lyrics in English, and four feature wordless vocalese.
The music is a wonderful example of modern Jazz, using a plethora of contemporary instrumental approaches, fresh sound and arranging originality, and compositions deeply soaked in Eastern European / Balkan musical tradition. But above all, Bogdanovic offers an astounding vocal range and technique, which is completely innovative and combined with her marvelous compositions offers a deeply moving sonic experience, which stands out high above the standard recorded output that reaches my desk.
The complex, multi-layered music, adorned with the string quartet arrangements and dense instrumental performances might sound somewhat estranging at first to less experienced listeners, but reveals its depth and beauty with repeated attentive listening, which expose layer after layer of creativity and inventiveness, which exists not only in her original compositions but also in her interpretation of the only song she decided to adopt on this album.
The album is a superb example of ensemble music making, with very few solo instrumental parts, but with a consistent ensemble sound, which supports the vocal parts, which in turn are in themselves more “instrument” oriented, rather than typically centered on the vocals. Such general approach is very unusual, especially these days, where vocalist like to dominate the music, rather than becoming a part of a greater whole. Bogdanovic shows a remarkable maturity herein and manages to create a true masterpiece on the way.
Overall, this is a highly original, completely unique vocal Jazz album, which stands out in its beautiful aesthetics and novel conceptual approach, which might take a while to be decrypted by first-time listeners, but offers remarkable depth and maturity with repeated listening. This is definitely one of the most notable vocal albums that arrived on my desk this year and a serious contender to the top of my favorites list.
| | Updated: 26/05/2023Posted: 26/05/2023 | CD 1 Digipak Recommend To A Friend |
  | MARCIN BOZEK ~ AFFAIR WITH ART
NASZE NAGRANIA 006 ~ POLAND ~ Jazz
Recorded: 2013 Released: 2014
This is the debut album by the Polish bassist / composer Marcin BozekFind albums by this artist, recorded solo using electric bass. The album includes just three tracks, the longest of which is almost half an hour in duration. The music is all spontaneously improvised
Since the day I´ve heard Barre PhillipsFind albums by this artist´ "Journal VioloneFind albums with this title" in 1968 (and later on Dave HollandFind albums by this artist´s "Emerald TearsFind albums with this title" almost a decade later) I have learned not to take anything for granted, especially so solo bass albums, which in some cases emerged as cornerstones of modern music, Jazz or otherwise. However, there is always also a possibility that a solo bass album might simply turn out to be a worthless masturbation.
One must always admire the boldness of an artistic statement, such as this album. Regardless if one is able to connect to this music or not, one should at least respect the inner urge of an artist to express his emotions. After all nobody is forcing anybody to listen to a particular album after all.
This music suffers from the same problem that other Avant-Garde explorations also often suffer from; it is a total statement completely disregarding the listener, a self-concentrated satisfaction of an urge rather than an attempt to communicate. Therefore it remains mostly uncommunicative, and probably unable to make the listener to enjoy the experience. Notwithstanding however, art is not always meant to be pleasurable, en contraire, some best examples of artistic expression are deliberately non pleasurable, in order to shock and subvert.
To put it plainly, this is not music for everybody, or even better put it is music for very few listeners, who are able to take the plunge with the artists into the unknown, regardless of the result. Avant-Garde is here to stay, and this is Avant-Garde at its boldest. If only because of that, I´m all for it.
| | Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | BRAND, DOLLAR ~ AFRICAN SPACE PROGRAM
ENJA 2032 ~ USA ~ Jazz
AMG Review: Still known as Dollar Brand at the time of this recording, Abdullah Ibrahim had his first encounter with a large ensemble on African Space Program, and the results are quite successful. Despite a muddy sound quality, this is music built on infectious themes and played with verve by a fine cast of instrumentalists. The first part of "Tintiyana," entirely written, is redolent of Ellington and Mingus, all churning low tones and percussion. When the second portion begins, the mood turns celebratory with a striding, gospel-imbued theme supporting heroic solos from all involved. Several of the musicians on hand were generally involved with the Avant-Garde end of the jazz spectrum at the time, and their playing is full of bite and a risk-taking nature that greatly enlivens the proceedings. The companion piece, Jabulani-Easter Joy," is similarly structured, though here the theme bears a striking, if accidental, resemblance to the central melody of "Jesus Christ, Superstar" (!). The soloing is perhaps even more rambunctious than on "Tintiyana," and brings the album to a quite rousing conclusion. Among all the fine work, special mention should be made of the rhythm team of Cecil McBee and Roy Brooks who, along with the leader´s relentless and driving accompaniment, pace the ensemble beautifully and add their own superb solo statements.
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | BREAD, LOVE AND DREAMS ~ AMARYLLIS
SUNBEAM 5027 (Barcode: 5051125502714) ~ UK ~ Folk-Rock
Recorded: 1970 Released: 2007
3rd and last album by Scottish duo Bread, Love And DreamsFind albums by this artist, which included singer David McNivenFind albums by this artist, who also wrote most of the material, and female singer Angie RewFind albums by this artist. The group started originally as a trio with another female singer Carolyn DavisFind albums by this artist and they recorded their debut album a year earlier. After Carolyn left to pursue a solo career, the duo engaged in an extensive recording project, which produced enough material for a double album. Unfortunately the record label (Decca) refused to issue a double album (originally intended to be called “Mother Earth”) and as a result the first of the two was released a few month earlier under the title The Strange Tale Of Captain Shannon And The Hunchback From GighaFind albums with this title, taken from the title of the epic song included on that album, and the second a few month later, again taking the title from the epic three-part suite present on this album. The duo was lucky to have some great musicians taking part in the recording sessions, namely Pentangle’s rhythm section of Danny ThompsonFind albums by this artist on bass and Terry CoxFind albums by this artist on drums, as well as saxophonist Dick Heckstall-SmithFind albums by this artist from ColosseumFind albums by this artist. Some of the songs were also beautifully arranged and orchestrated. The resulting music is a prime example of British Folk-Rock with some Psychedelic influences as well. Although the original albums sold poorly at the time they were released, in time they achieved a legendary status among British Folk-Rock enthusiast and became rare collectors’ items. Having them back in circulation is a long-awaited dream come true and no Acid Folk fan can call his collection complete without these two albums.
| | | CD 1 Remastered Recommend To A Friend |
  | BREAD, LOVE AND DREAMS ~ AMARYLLIS
SI-WAN 0035 ~ UK ~ Progressive Rock
3rd album from 1971. Extremely obscure, includes the lengthy title suite based on a poem, which was comissioned by the Edinburough Festival. A superb example of Folk / Prog and the much loved poetry & music genre popular at the time. Some legendary players perform on the album, including Danny Thompson and Terry Cox from Pentangle.
| | | CD 1 Recommend To A Friend |
  | BRESLAUER COCKTAIL ~ ABSYNETRIA
MULTIKULTI MPT 013 (Barcode: 5907796319918) ~ POLAND ~ Pop & Rock
Recorded: 2015 - 2016 Released: 2017
This is the debut album by the Polish group Breslauer CocktailFind albums by this artist, which comprises of vocalist Natalia NikolskaFind albums by this artist, drummer Janusz WawrzalaFind albums by this artist, bassist Szymon DanisFind albums by this artist, guitarist Marcin KuzdowiczFind albums by this artist and trombonist Kuba KlepczynskiFind albums by this artist. Several other musicians guest on selected tracks. The album presents thirteen songs, mostly originating in the 1930s, with the exception of one original song.
The basic concept behind the album is to present popular songs from the pre-WWII era, representing the Polish, German, Russian and Jewish Cultures prominent in Central Europe at the time. The songs have been re-arranged, or rather transformed into contemporary Pop / Rock environment, but are sung in the original languages. The overall attitude is rather nonchalant, punkish and simplistic, which in most cases loses the original songs in the process almost entirely.
Although potentially an interesting attempt to bring this music back to life, the actual result leaves me personally cold and estranged. It is all too chilly, too fast and too loud, sort of artificial and impersonal. The sound (I assume purposely) is muffled and blurred, which does not contribute to the aural experience. Of course I am an old fart and this music might be simply too modern for me, but it´s sadly not my cup of tea. Additionally the vocals in German, Yiddish and Russian suffer badly from terrible accent and pronunciation, which in the punkish don´t care atmosphere might work but they hurt my ears.
The album was released in the "Tikkun" (which in Hebrew means reparation / correction / rectification) series, sadly (for me) not fulfilling any of these goals.
| | Updated: 26/09/2017Posted: 26/09/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | PETE BROWN / BATTERED ORNAMENTS ~ A MEAL YOU CAN SHAKE HANDS WITH IN THE DARK / MANTLE-PIECE
BGO 489 (Barcode: 5017261204899) ~ UK ~ Jazz-Rock Fusion
Recorded: 1969 Released: 2000
1st and 2nd albums by UK group Battered OrnamentsFind albums by this artist, led (on the first album only) by poet / musician Pete BrownFind albums by this artist. Brown was one of the most colorful and interesting figures on the UK scene in the 1960s, a part of a larger group of friends, which included Jazz, Rock and Avant-Garde musicians like Graham BondFind albums by this artist, Jack BruceFind albums by this artist, Dick Heckstall-SmithFind albums by this artist and even John McLaughlinFind albums by this artist. He took active part in the Jazz & Poetry experimental movement leading a group called First Real Poetry BandFind albums by this artist, which was combining elements of Blues, Avant-Garde Rock, Jazz and Jazz-Rock. Of course Brown is mostly remembered for his co-writing of many songs with Jack Bruce, which were part of the CreamFind albums by this artist repertoire, as well as on Jack´s early solo albums. Brown continued his musical adventured by forming the band Battered Ornaments with George KhanFind albums by this artist on saxophone, Chris SpeddingFind albums by this artist on guitar, Charlie HartFind albums by this artist on organ and a great Jazzy rhythm section. The band recorded just one, absolutely brilliant album (the first of the two presented here), with Brown singing the lead vocals, something he tried to avoid but did anyway, and Heckstall-Smith playing on two tracks. The music is absolutely stunning, a great example of the early UK Jazz-Rock, which is completely different of course from the later Jazz-Rock Fusion that most US bands pursued. After recording the first album the personality clash and rivalry between Brown and Spedding resulted in Brown leaving the band (and forming immediately a new one called PibloktoFind albums by this artist). The band, now led by Spedding, recorded a second album, using material written by Spedding and Brown earlier. Although not as brilliant as the first, it is still a great example of early Jazz-Rock and includes basically the same lineup as the first album less Brown and Hart. Together these two albums are a must to any fan of the early British Jazz-Rock scene and include some of the most ingenious music ever made. A must!
| | Updated: 12/04/2019Posted: | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | JACK BRUCE ~ A QUESTION OF TIME
ACADIA 8155 (Barcode: 805772815520) ~ UK ~ Progressive Rock
Recorded: 1989 Released: 2007
This is a superb album by the great Jack BruceFind albums by this artist, who returns to active duty after several years of silence, with an incredible set of new songs, most of which are co-written with his lifetime friend, lyricist Pete BrownFind albums by this artist. Surrounded by a dreamy support band, which features such distinguished musicians as guitarists Allan HoldsworthFind albums by this artist, Vernon ReidFind albums by this artist and Jimmy RippFind albums by this artist, old-timers: pianist Nicky HopkinsFind albums by this artist and drummer Ginger BakerFind albums by this artist, World Music stars like Zakir HussainFind albums by this artist and Mark NauseefFind albums by this artist and others, Bruce delivers his incredible vocals and plays keyboards and of course bass, creating one of his best albums ever. An absolute must for every Bruce fan on earth!
| | | CD 1 Recommend To A Friend |
  | JACK BRUCE ~ A QUESTION OF TIME
ESOTERIC 2270 (Barcode: 5013929737020) ~ UK ~ Progressive Rock
Recorded: 1989 Released: 2011
This is a superb album by the great Jack BruceFind albums by this artist, who returns to active duty after several years of silence, with an incredible set of new songs, most of which are co-written with his lifetime friend, lyricist Pete BrownFind albums by this artist. Surrounded by a dreamy support band, which features such distinguished musicians as guitarists Allan HoldsworthFind albums by this artist, Vernon ReidFind albums by this artist and Jimmy RippFind albums by this artist, old-timers: pianist Nicky HopkinsFind albums by this artist and drummer Ginger BakerFind albums by this artist, World Music stars like Zakir HussainFind albums by this artist and Mark NauseefFind albums by this artist and others, Bruce delivers his incredible vocals and plays keyboards and of course bass, creating one of his best albums ever. An absolute must for every Bruce fan on earth!
| | | CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | JACK BRUCE ~ AUTOMATIC
ESOTERIC 2116 (Barcode: 5013929721623) ~ UK ~ Progressive Rock
Recorded: 1983 Released: 2009
This beautiful album by bassist / composer Jack BruceFind albums by this artist, one of the most eclectic and exceptional figures in music history has been a hidden jewel for most music lovers until the recent reissue. Recorded in the early 1980s, when Jack´s career reached a crossroad as far as his future musical direction was concerned, he chose a brave approach of taking some time to reflect and recorded this, perhaps his most personal album ever. Recently introduced to the new computer-aided music making technology Bruce decided to record a solo project on which he would play all the instruments himself and put the music together using the computer. The resulting album, released initially on LP only on the German market, includes some of the most wonderful songs Bruce has written during his long career, which are similar to the stuff recorded on his early solo albums. His unique and always astounding voice is heard here more vividly and up front that on many other recordings, which, of course, allows the listener to enjoy it in full. The instrumental work (bass, keyboards, harmonica, etc.) is also exceptional, as always in his case. The fact that this is the first time this music appears on CD is an act of criminal negligence, now finally rectified by this edition. An absolute must for all Jack Bruce fans!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | BILL BRUFORD / EARTHWORKS ~ ALL HEAVEN BROKE LOOSE
SUMMERFOLD 011 ~ UK ~ Jazz
Recorded: 1991
3rd album by Bill BrufordFind albums by this artist´s EarthworksFind albums by this artist with the same lineup as the previous recording, which means Earthworks had now 5 years of playing together and 3 years playing without personell changes. All this is evident as the perfection and interplay between the musicians is truly phenomenal and they swing like never before. The compositions are more daring and are mostly co-composed by the band members. A timeless piece of musc.
Limited Edition including bonus sample CD
| | | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | MARKUS BURGER / JAN VON KLEWITZ ~ ACCIDENTAL TOURISTS
CHALLENGE 73403 (Barcode: 608917340327) ~ GERMANY ~ Jazz
Recorded: 1993 Released: 2015
This is an album by German pianist / composer Markus BurgerFind albums by this artist and saxophonist / composer Jan von KlewitzFind albums by this artist, which is a lovely tribute to the legendary British trumpeter / composer Kenny WheelerFind albums by this artist, who also takes part in this project, as does British vocalist Norma WinstoneFind albums by this artist, German trombonist Stefan LottermannFind albums by this artist, bassist Martin GjakonovskiFind albums by this artist and drummer Felix AstorFind albums by this artist. The album was recorded live and remained unreleased for twenty two years, to be finally released following the lamented passing of Wheeler. The album presents eight original compositions, four each by Burger and von Klewitz, arranged as series of five movements and three codas.
The music is quintessential modern European Jazz, which floats between Free Form and more organized / melodic moments, all beautifully performed by the German / British septet. Despite the rather busy setting the music is full of breathing space and offers some spectacular collective improvisations, which are wonderfully ornamented by Winstone´s stunning vocal parts.
The album also presents some relaxed, melodic passages, with Winstone singing lyrics, (which she most probably wrote although the album´s liner notes don´t mention this explicitly). The entire eight part suite flows naturally and coherently and offers a fertile ground for the superb soloing by all participants, as well as collective contributions. Wheeler performs several stellar solos, which are pure mastership.
Overall this is a highly exciting musical journey and a superb document of the talents of the two composers as much as the spectacular abilities of Wheeler and Winstone. Considering the fact that this music was being hidden in the vault for so long, it is a great pleasure to be able to listen to it, better late than never.
The album suffers from imperfect sound quality at times, but this recording was never actually meant to be released commercially, and of course in view of the importance of this document, the sound quality issue becomes secondary. For the many Wheeler / Winstone enthusiasts, this is a must have of course, so spread the word and grab it as long as it is available. Highly recommended!
| | Updated: 29/01/2019Posted: 27/06/2018 | CD 1 Slipcase Recommend To A Friend |
  | BUSHMAN`S REVENGE ~ ALL THE BETTER FOR SEEING YOU
IS IT JAZZ? 264 (Barcode: 7073317000318) ~ NORWAY ~ Jazz-Rock Fusion
Recorded: 2022 Released: 2023
This is the 11th album by Norwegian Jazz / Fusion power trio Bushman`s RevengeFind albums by this artist, which comprises of guitarist Even Helte HermansenFind albums by this artist, bassist Rune NergaardFind albums by this artist and drummer Gard NilssenFind albums by this artist. The album presents six tracks, all of which are original compositions by Hermansen. The album’s release marks the trio’s 20th Anniversary.
The music is quite unique, based on solid melodic tunes and featuring lengthy guitar improvisations backed up by a “heavy” sound created by the rhythm section. The tunes are rather lethargic and develop slowly, which results in something that might be considered as Nordic Fusion.
The discrepancy between the lyrical melodies and the intense heavy, almost Metal sound, creates a strange feeling of tension and anxiety, which is very rarely achieved by music, and therefore makes this music very special. Of course it is pretty far from conventional Jazz, but Fusion listeners should find it quite intriguing, if not fascinating, and of course some Prog fans should also be interested.
Overall, this is an interesting amalgam between Jazzy improvisation and heavy guitar oriented Rock sound, which is unique and uncommon. Recommended for the brave hearted and open-minded listeners, who are ready to explore uncharted territory, sort of Hendrix meets Coltrane in a dark alley in Oslo.
| | Updated: 05/02/2024Posted: 05/02/2024 | CD 1 Recommend To A Friend |
  | CAMBRIDGE SINGERS ~ A BANQUET OF VOICES
COLLEGIUM 123 ~ UK ~ Classical
The Cambridge Singers are the most famous choir in the world and each of their records is a treat to the ears. Here they present a collection of choir masterpieces which is stunning and beautiful. This CD received the Rosette - the highest possible rating for a classical CD!
| | | CD 1 Recommend To A Friend |
  | CARAM, ANA ~ AMAZONIA
CHESKY 045 ~ BRAZIL ~ Jazz
Another great album by the Brasilian singer Ana Caram. Singing both in English and Portugese, she gives a superb performance as usual. Some great playing by the accompanying musicians and a wonderful album for all seasons.
| | | CD 1 Oversampling Recommend To A Friend |
  | CARAVAN ~ ALL OVER YOU
TALKING ELEPHANT 090 (Barcode: 5028479009022) ~ UK ~ Canterbury Scene
Recorded: 1995 - 1996 Released: 2006
It doesn´t happen too often that a band takes a look back at its music recorded over 20 years earlier and decides to re-record it from scratch, as if from another perspective. But than again, CaravanFind albums by this artist, the legendary British Prog / Canterbury pioneering group, is hardly a "usual" band – one can always expect them to come up with the unexpected. This album is exactly that – a new look at the glorious material the band recorded in the 1970s and a new presentation of that material. Of course many fans saw this move as sacrilegious, holding the opinion that this classic Prog material should remain untouched. With all due respect to the fans, it´s really up to the band to decide what they wish to do with it, and honestly, considering how great this new versions are, this bold move truly paid off. Pye HastingsFind albums by this artist, Geoffrey RichardsonFind albums by this artist, Dave SinclairFind albums by this artist, Jimmy HastingsFind albums by this artist and Richard CoughlanFind albums by this artist (the Caravan lineup at the time this album was recorded) did a splendid job and this historic material sounds absolutely fresh and brilliant as it ever did and in some cases even better. Years of experience and evolution surely added layers of sophistication and understanding, which can, and in this case do outshine the youthful enthusiast and spirit of the original recordings. A must for any Canterbury music fan!
| | | CD 1 Bonus Tracks Recommend To A Friend |
  | CAST ~ A LIVE EXPERIENCE
MUSEA 4288 ~ MEXICO ~ Progressive Rock
Recorded: 1995 - 1998 Released: 1999
This superb live album was recorded during performances given by the best Mexican Prog band in the years 1995-1998. Studio albums by Cast are a great experience, but here they really show us what they can do, stretching and improvising on their melodies. Several tracks go over 20 minutes long and the vibrant atmosphere and supportive audience are felt throughout the album.
| | | CD 2 Recommend To A Friend |
  | CAST ~ AL-BANDALUZ
MUSEA 4512 (Barcode: 3426300045126) ~ MEXICO ~ Progressive Rock
Recorded: 2003 Released: 2003
Double album from the Mexican Symphonic Prog masters CastFind albums by this artist. The spirit of YesFind albums by this artist and other past greats is alive and well and Cast certainly know how to play the right notes. This set includes two lengthy epics (over 30 minutes each), as proper for Symphonic Prog, and other shorter pieces which are equally interesting. Their many fans need no encouragement to get this one.
| | | CD 2 Recommend To A Friend |
  | TERRY CAVENDISH / ORCHESTRA ~ ALL IN AN AFTERNOON`S WORK
VOCALION 8419 (Barcode: 765387841928) ~ UK ~ Jazz-Rock Fusion
Recorded: 1972 - 1974 Released: 2006
The funny part of the story behind this album is the fact that there never was a Terry CavendishFind albums by this artist. The name is a completely fictitious. So where does it come from? Well, Cavendish was a name of a British “music library” – a company specializing in recording music, which was later licensed to radio, TV and film produces to serve as background / incidental music. The actual “brain” behind the music on this album is trumpeter / composer / arranger Ray DaviesFind albums by this artist. Davies was strongly influenced by Jazz and Funk at the time and the album is a beautiful example of Big Band / Orchestral music, spiced with a funky rhythm section, creating a superb blend of skillfully arranged and beautifully performed instrumental music, which is quite unique even today. Davies used the top session musicians in his band, really the cream of the crop, and a fantastic rhythm section, which drives this at all times and makes it go where normal Big Band music rarely goes. This is the true 1970s sound, which completely disappeared from the face of the earth later on. The bonus material is taken from other Cavendish recordings and was also composed / arranged by Ray Davies. People who love the powerful sound of a Big Band / Orchestra and Funk will have a field day with this.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | CEZIK ~ AMBIWALNIETY
SJ 035 (Barcode: 5903111492809) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2018 Released: 2018
This is the debut album by Polish singer / songwriter CeZikFind albums by this artist (a.k.a. Cezary Zenon NowakFind albums by this artist), active on the local scene since the mid 2000s. A decision to record a full album of his songs led to the meeting between CeZik and Polish Jazz pianist / composer Michal CiesielskiFind albums by this artist, who agreed to write the Jazzy arrangements to CeZik´s songs, which are executed by some of the best young Polish Jazz players: Ciesielski on piano, bassist Pawel UrowskiFind albums by this artist, drummer Adam GolickiFind albums by this artist, trumpeter Pawel PalcowskiFind albums by this artist, trombonist Szymon KlekowickiFind albums by this artist, saxophonist Wojciech LichtanskiFind albums by this artist and percussionist Sylwester MalinowskiFind albums by this artist. The album presents eleven original songs written by CeZik (lyrics and music), one co-composed with Ciesielski, all arranged by CeZik and Ciesielski.
Despite the Jazzy arrangements, the songs are basically Pop oriented, somewhat of cabaret / vaudeville character, especially due to the satiric lyrics, which are full of bitter humor and sarcasm (naturally being in Polish they are sadly only perceivable to the Polish speaking audience). CeZik´s vocal delivery is frivolous and theatrical rather than strictly musical, but it suits the overall character of the project ideally and works out perfectly. Some of the melodies are beautifully lyrical, sometimes delivered with exaggerated pathos, bringing recollections of the Polish popular songs created in the 1920s and 1930s. The album flows beautifully and delivers the intended atmosphere of a cabaret show.
The musicians are all highly professional and play with gusto and elegance, emphasizing the Jazzy atmosphere without being overtly assertive, staying respectfully in the background. The arrangements are perfectly suited to the music and create a coherent and highly graceful flow and continuity.
Overall this is a brilliant album from start to finish, entertaining, but educational, splendidly performed and masterfully sung, dripping with painfully sardonic messages, wrapped in sweet and soothing melody lines and superb vocal delivery by CeZik. This is definitely a highly unusual and unique project, which deserves praise and admiration, and one can only hope that it will be cherished by the listeners, who are able to appreciate its many values. Bravo!
| | Updated: 13/04/2019Posted: 11/01/2019 | CD 1 Digipak Recommend To A Friend |
  | CHICAGO ~ AT CARNEGIE HALL (IV)
RHINO 76174 ~ USA ~ Brass Rock
4th album (recorded 1971), and the first live recording. After releasing 3 consecuitive double LPs Chicago astounded the music world with the release of this 4 LPs set - the first ever in Rock. The beautiful packaging and the enclosed goodies (photos & posters) made this one of the most memorable albums in the history of Rock. The music includes selections from the 3 first albums, as well as new tunes performed here for the first time. The recording quality is simply breathtaking, especially in view of the fact that Carnegie Hall was built and designed for acoustic (mostly classical) music. Also the ability of the band to perform live the complex and lengthy compositions is truly amazing. This is undoubtedly one of the most important live albums ever recorded and this expanded reissue, which includes a whole CD worth of bonus material is a treasure not to be missed.
| | Updated: 18/04/2020Posted: | CD 4 Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | KUBA CICHOCKI ~ AUDUBON LAB EXPERIMENT
NOT ON LABEL 024606956035 (Barcode: 024606956035) ~ POLAND ~ Jazz-Funk Fusion
Recorded: 2016 Released: 2016
This is the debut album by Polish (resident in NY) Jazz keyboardist / composer Kuba CichockiFind albums by this artist, recorded with his ensemble called Audubon Lab ExperimentFind albums by this artist, which also includes bassist Dylan KaminkowFind albums by this artist, drummer Allen BranchFind albums by this artist and percussionist Francis BenitezFind albums by this artist. Vocalist Bogna KicinskaFind albums by this artist (another Polish NY resident) guests on one track. The album presents five original compositions, all by Cichocki.
The music is a typical Jazz-Rock Fusion, which was popular in the early 1970s and closely follows the pattern of Chick CoreaFind albums by this artist´s early albums with Return To ForeverFind albums by this artist or Herbie HancockFind albums by this artist´s albums of that period. The music is very melodic and offers a Funk groove, which makes it a very pleasant listening experience, although at the same time invoking a strong déjà vu feeling.
The fact that there is only one instrument capable of soloing makes the overall experience a bit trying, but on the other hand the sound of the Rhodes is irresistible and people who have profound nostalgia to that kind of music will definitely enjoy it.
The rhythm section does a great job; the bass keeps the Funky feeling up quite brilliantly, and performs a few nice solo parts, and the two percussionists add a polyrhythmic background, which also keeps the music bubbling.
Overall this is a superb Funky / Fusion album, which is a great fun to listen to and perhaps even to dance to. Nothing innovative, au contraire, a strong nostalgic trip to the time when music was based on the "no bullshit" approach. Funky / Fusion fans will have a field day with this, as nobody makes music like this today. Unadulterated Fun(k)!
| | Updated: 29/05/2017Posted: 29/05/2017 | CD-R 1 Digipak Recommend To A Friend |
  | ALBERT CIRERA I KAMARILLA ~ AQUELLA COSA
UNDERPOOL 057 ~ SPAIN ~ Free Jazz / Improvised Music
Recorded: 2017 - 2021 Released: 2022
This is an album by Spanish Jazz saxophonist / composer Albert CireraFind albums by this artist, one of the most active and prolific Jazz musicians originating from the Iberian Peninsula, who shares his time between Barcelona and Lisbon. This album was recorded with the KamarillaFind albums by this artist ensemble, which includes saxophonist Marcel·li BayerFind albums by this artist, trombonist Vincent PerezFind albums by this artist, trumpeters Ivan GonzalesFind albums by this artist or Pol PadrosFind albums by this artist, bass guitarist Martin LeitonFind albums by this artist and drummer Ramon PratsFind albums by this artist. The album presents seven tracks and two bonus tracks, one of which recorded live in 2017, all composed by the leader.
It is clearly evident that the Iberian Peninsula developed in the last decade or so as a superb source of modern Jazz and Improvised Music, producing impressive number of beautiful and highly interesting recordings. This album was released on the excellent, Barcelona based, UnderpoolFind albums on this label label, which is also a recording studio.
The music is a fantastic amalgam of composed and improvised music, blended together and brilliantly performed by the participating musicians. Constantly changing tempi and themes, the music flows briskly, keeping the listeners in constant state of tension and anticipation, as only best music can.
Although there is plenty of extensive improvising, the music never loses focus and is beautifully coherent and engaging. The ensemble, with four brass instruments, is able to create a myriad of combinations and lineups, which is constantly shifting. The rhythm section holds everything together at all times, and the ensemble sound is nothing less than spectacular.
Overall, this is an incredible piece of music, which might surprise many listeners not familiar with the Iberian Peninsula scene. This album, as well as many other releases on the Underpool label, are all worth being discovered. For modern Jazz lovers with a strong free improvised seasoning, this album is a revelation and definitely worth your attention and is wholeheartedly recommended!
| | Updated: 31/10/2022Posted: 29/10/2022 | CD 1 Digipak Recommend To A Friend |
  | KENNY CLARKE / FRANCY BOLAND BIG BAND ~ ALL SMILES
MPS 4029759119562 (Barcode: 4029759119562) ~ BELGIUM ~ Jazz
Recorded: 1968 Released: 2017
This is a reissue of the second album for the MPSFind albums on this label label by international, resident in Europe, Kenny Clarke / Francy Boland Big BandFind albums by this artist. On this album the lineup consists of seventeen musicians, including: British trumpeter Jimmy DeucharFind albums by this artist, Swedish trombonist Ake PerssonFind albums by this artist, British saxophonists Derek HumbleFind albums by this artist, Ronnie ScottFind albums by this artist and Tony CoeFind albums by this artist, American saxophonist / flautist Sahib ShihabFind albums by this artist, American vibraphonist Dave PikeFind albums by this artist, Belgian pianist Francy BolandFind albums by this artist, American bassist Jimmy WoodeFind albums by this artist and drummer Kenny ClarkeFind albums by this artist and others. The album presents ten tracks, nine of which are standards and one is based on a John Philip SousaFind albums by this artist march, all of them arranged by Boland.
The music is absolutely breathtaking example of the sophistication of the Big Band idiom, achieved when American Big Band tradition meets European aesthetic values and the amalgam erupts with inventiveness, elegance and flair. The brilliant arrangements turn the Big Band into a musical hydra, which has one body but in this case seventeen heads, all working together towards a common goal. The music soars and flows gently, switching moods and emotions and the soloists have plenty of space to make their individual statements.
For over a decade the Big Band served as a home for many American Jazz musicians who lived in Europe, sometimes for extended periods of time. It also cemented the European Jazz community, which was developing rapidly during these formative years. It was a fruitful habitat for many ensembles that were established by the Big Band members in years to come.
For connoisseurs of Big Band music this is an absolute must have, especially in view of the exquisite recording quality this album offers, which enables each and every instruments to be heard perfectly clearly. They don´t make music like this any more…
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 28/05/2018Posted: 24/02/2018 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | CLARK-HUTCHINSON ~ A=MH² (EXPANDED EDITION)
SUNBEAM 5048 (Barcode: 5051125504817) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2008
1st album (well not really but more about this later) by UK duo Clark-HutchinsonFind albums by this artist, or Andy ClarkFind albums by this artist and Mick HutchinsonFind albums by this artist, two multi-instrumentalists and prominent figures on London’s late 1960s Psychedelic and Blues scene. Mick, a superb guitarist, plays also some keyboards and Andy plays anything from drums, percussion, keyboards, flute and saxophone. Listening to this extraordinary album it’s really difficult to believe that two musicians, using rather primitive studio technology available at the time, were able to create such massive and complex sound. But sound aside, the music is what makes this album such an extraordinary experience. Based on modal and Indian music and using the slowly developing raga as a model, they create a most amazing amalgam of Jazz, Psychedelic and World Music, which at the time was revolutionary and pioneering. Hutchinson’s lengthy guitar solos are a prime example of jazzy improvisation and one of the first Jazz-World Fusion attempts, which will be later perfected by John McLaughlinFind albums by this artist in ShaktiFind albums by this artist. The overall contemplative nature of the music and the imaginative ornamentation by additional (overdubbed) instruments create a mystical atmosphere, which is seldom found on other album. This expanded edition also includes the real first album by Clark-Hutchinson, recorded just a couple of months earlier, but rejected by their record label, which remained unreleased until now. Although based on Blues as a guiding model (both Andy and Mick loved the Blues), it follows much the same “working model” of the two musicians overdubbing several instruments, although a bass player and a drummer were used on these sessions. The resulting album is at least as good as any other UK Blues album recorded at the time by John MayallFind albums by this artist, Savoy BrownFind albums by this artist, etc., with Mick’s scorching guitar solos providing the icing on the cake. With extensive liner notes and great sound quality this is a well-deserved reissue of one of the most groundbreaking musical projects of the late 1960s. A true blast from the past!
| | | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | DAVID CLAYTON-THOMAS ~ A BLUES FOR THE NEW WORLD
ANTOINETTE 680889031328 (Barcode: 680889031328) ~ CANADA ~ Brass Rock
Recorded: 2012 Released: 2013
This is a studio album by Canadian vocalist / songwriter David Clayton-ThomasFind albums by this artist, primarily known as the charismatic frontman of the legendary Brass Rock ensemble Blood, Sweat & TearsFind albums by this artist, recorded with a great team of musicians: keyboardists Lou PomantiFind albums by this artist and Rob GusevsFind albums by this artist, guitarists Bernie LeBargeFind albums by this artist and Peter MuellerFind albums by this artist, bassist George KollerFind albums by this artist, drummer Paul LeLongFind albums by this artist and others, and featuring a brass section, which manages to create a sound ambience very close to the original sound of BS&T. The album presents thirteen original songs, all by Clayton-Thomas.
The solo recording career of Clayton-Thomas was revitalized near the turn of the Millennium, when he was nearing the age of sixty, which is quite remarkable and unparalleled. He recorded (so far) thirteen albums since 1996, this being the ninth of them, more than twice the number of albums he recorded beforehand since the start of his career.
The songs present the diverse musical spectrum and although mostly soaked in Blues, include also Soul, Rock and other elements. Clayton-Thomas revisits his Blues roots and his songwriting is strong as ever. He sings brilliantly and with a great feeling and his idiosyncratic voice, charisma and love of music remain intact and for his many fans this album is strong as everything else he ever recorded.
The accompanying musicians are all pros and the album offers superb soloing from start to finish with the classic Brass Rock sound being as exciting as it can get, never failing to create the atmosphere the many fans of the genre enjoy!
After being a great fan of Clayton-Thomas for over five decades, it is great to hear him carrying on with what he loves to do taking us along on a wonderful ride.
| | Updated: 12/08/2020Posted: 12/08/2020 | CD 1 Digipak Recommend To A Friend |
  | DAVID CLAYTON-THOMAS ~ AURORA
JUSTIN TIME 211 (Barcode: 068944021123) ~ CANADA ~ Jazz
Recorded: 2004 Released: 2005
This is a studio album by Canadian vocalist / songwriter David Clayton-ThomasFind albums by this artist, primarily known as the charismatic frontman of the legendary Brass Rock ensemble Blood, Sweat & TearsFind albums by this artist, recorded with a great team of musicians: keyboardist Doug RileyFind albums by this artist, who also produced the album, guitarists Rob PiltchFind albums by this artist and Jake LangleyFind albums by this artist, bassist George KollerFind albums by this artist and drummer Terry ClarkeFind albums by this artist. The album presents twelve songs, three originals by Clayton Thomas and the rest mostly classic Jazz standards except for one Joni MitchellFind albums by this artist song, all superbly arranged for the intimate Jazzy climate this album offers.
The solo recording career of Clayton-Thomas was revitalized near the turn of the Millennium, when he was nearing the age of sixty, which is quite remarkable and unparalleled. He recorded (so far) thirteen albums since 1996, this being the fourth of them, more than twice the number of albums he recorded beforehand since the start of his career.
The album is a tribute to the Jazz balladry and is a reminder of his work at small Jazz clubs, being his first recording in an intimate Jazz quartet setting. He shows that he is able to feel perfectly comfortable in this idiom, proving again his remarkable diversity. The songs are beautifully played by the quartet and Clayton-Thomas performances are brilliant as always. His feeling and his idiosyncratic voice, charisma and love of music remain intact and for his many fans this album is strong as everything else he ever recorded. The accompanying musicians are all pros and the album offers superb soloing from start to finish. These are undoubtedly some of the fines songs ever written and sung by Clayton-Thomas they prove how eternal and lasting they are, losing nothing of their original power and beauty.
After being a great fan of Clayton-Thomas for over five decades, it is great to hear him carrying on with what he loves to do taking us along on a wonderful ride.
| | Updated: 23/08/2020Posted: 23/08/2020 | CD 1 Digipak Recommend To A Friend |
  | CODICE ~ ALBA Y OCASO
ART SUBLIME 006 ~ MEXICO ~ Progressive Rock
Recorded: 1998 Released: 1999
Only album by the Mexican Prog group Codice, which is a most impressive debut, considering it´s a double album with two solid hours of original music. Led by guitarist Marco Corona, who also composed all of the music on this album, the group also includes keyboardist Mario Mendoza, bassist Arturo Garcia, drummer David Martinez and vocalist Luis Maldonado. The music is similar to other South American Symphonic Prog, dominated by guitar and keyboards soloing during the lengthy instrumental passages. The melodic contents and the arrangements are surprisingly well executed and the music soars from start to finish, which is much better that most Neo-Prog albums recorded at the time. The second CD is dedicated to a multi-part suite, almost an hour long, quite an ambitious undertaking. Overall this is a most enjoyable album, which holds the listeners attention throughout the entire duration and most Prog fans should enjoy it immensely. Sadly nothing was heard of the group since the release of this album, which seems like a great pity, as they definitely had a great potential. Perhaps one day? If so, I´ll be there to listen!
| | Updated: 21/09/2021Posted: | CD 2 Recommend To A Friend |
  | AVISHAI COHEN ~ ADAMA
STRETCH 9015 (Barcode: 013431901525) ~ ISRAEL ~ Jazz
Recorded: 1998 Released: 1998
1st album by Israeli bassist / composer Avishai CohenFind albums by this artist, recorded while he was a member of Chick CoreaFind albums by this artist’s acoustic trio and the OriginFind albums by this artist sextet and released on Corea’s label StretchFind albums on this label Records. The core lineup, which participates in the album’s recording is a sextet with Cohen, Steve WilsonFind albums by this artist on soprano sax, Steve DavisFind albums by this artist on trombone (both Origin members), Jason LindnerFind albums by this artist on piano, another Israeli – Amos HoffmanFind albums by this artist on guitar and Jeff BallardFind albums by this artist on drums. In addition, some guest artists are also appearing, including Chick Corea, Brad Mehldau and Danilo Perez on piano. Cohen’s ability as a bass player is of course legendary and needs no further discussion here, but his true greatness is his extraordinary ability to compose superb Jazz pieces, which skillfully combine the American Jazz tradition with other musical elements, mainly folklore and World Music. Cohen’s Middle Eastern background is clearly evident in his music, although he is also wide open to other sources of inspiration. Of the twelve pieces on the album Cohen composed eleven using just one standard. The overall effect is truly refreshing and the combined skills of the musicians involved create an album of rare beauty, which contains an immense amount of new and exciting music. A truly remarkable debut, which announces many great things to come out of this extraordinary talent. A must!
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  | AVISHAI COHEN ~ AFTER THE BIG RAIN
ANZIC 5101 (Barcode: 616892887928) ~ ISRAEL ~ Jazz-World Fusion
Recorded: 2006 Released: 2007
2nd album by Israeli (resident in US) trumpeter / composer Avishai CohenFind albums by this artist (not to be confused with the bass player of the same name), one of several Israeli Jazz musicians who are already firmly established on the international scene. Avishai is the brother of Anat CohenFind albums by this artist and Yuval CohenFind albums by this artist, both gifted reeds players, and together they perform under the 3 CohensFind albums by this artist moniker. This album is the first release of a Jazz trilogy called "Big Rain", and presents Cohen in a quintet setting with guitarist Lionel LouekeFind albums by this artist, keyboardist Jason LindnerFind albums by this artist, bassists Omer AvitalFind albums by this artist and drummer Daniel FreedmanFind albums by this artist. Chekere player Yosvany TerryFind albums by this artist guests on several tracks. The ensemble creates together a highly atmospheric and beautiful mixture of Jazz and World Music, which is a superb example of how Jazz can be saved from stagnation and pushed beyond its usual perimeters. Cohen skillfully employs the trumpet´s natural lyricism as well as electronic effects to produce a plethora of different sounds. Lindner´s playing is delicate and touching, especially when he uses the Fender Rhodes (no other keyboard except the Hammond has such profound and unique sound for me). Loueke´s guitar adds ethnic colors and his occasional vocals (in the Fon language) take the music straight into the heart of Africa. Avital is brilliant, as always, with his bass pulsating like a heart of the music and finally Freedman ornaments the music rather than driving it forcefully, which in this case is exactly what the music needs. Cohen composed most of the music, with Lindner and Loueke contributing one tune each. Altogether this album is an excellent example of creative contemporary Jazz, combining tradition with vision, excellently executed and uplifting. Wholeheartedly recommended!
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  | AVISHAI COHEN ~ AS IS… LIVE AT THE BLUE NOTE
HALF NOTE 4531 (Barcode: 616892453123) ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2007
Avishai CohenFind albums by this artist, Israeli Jazz Ambassador in NY, presents his beautiful music in full glory on this CD & DVD set, recorded live at the legendary NY Blue Note Club. Since the 1990s Cohen established his career by playing with some of the finest musicians in the US: Paquito D`RiveraFind albums by this artist, Roy HargroveFind albums by this artist, Danilo PerezFind albums by this artist and of course Chick CoreaFind albums by this artist (in Corea’s group OriginFind albums by this artist and his trio). Universally accepted as one of the top contemporary bass players, Cohen is also a prolific composer and his music, deeply influenced by Middle-Eastern motifs, is always fresh and uplifting. This recording with his regular trio (Sam BarshFind albums by this artist – keyboards and Mark GuillianaFind albums by this artist – drums) augmented by Diego UrcolaFind albums by this artist – trumpet and Jimmy GreeneFind albums by this artist – saxophones, features a set of Cohen’s compositions (with the exception of one standard) and emphasizes his great talents as a player and a composer. The music is, as always in his case, complex and yet melodic with all the qualities required of good modern Jazz. Definitely something any Jazz listener will enjoy immensely.
| | | CD+DVD 2 Digipak Recommend To A Friend |
  | AVISHAI COHEN ~ AT HOME
TAV 8 (Barcode: 7290105160010) ~ ISRAEL ~ Jazz
Although Israel produced a fair number of excellent Jazz musicians over the years, none of them reached the international fame and admiration of the same proportions as bestowed upon Avishai CohenFind albums by this artist. Cohen is considered one of the best bass players in the US today and his performances with Chick CoreaFind albums by this artist are truly legendary. But Cohen is also a pianist, an arranger and most importantly an extremely gifted composer, as evident on this album. The music enclosed here includes a set of ensemble and trio performances, all written and arranged by him and he plays acoustic or electric bass on all pieces. The compositions are complex, often incorporating Middle-Eastern rhythms and motifs, but retain a strong melodic feeling. The performances by all the musicians are truly outstanding and the entire album is a masterpiece of contemporary Jazz in every respect. Most warmly recommended!
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  | JOHN COLTRANE ~ A LOVE SUPREME (DELUXE EDITION)
IMPULSE! 589945 (Barcode: 731458994527) ~ USA ~ Jazz
Recorded: 1954 Released: 2002
Legendary John ColtraneFind albums by this artist album, which is considered as one of the most beautiful and most important jazz albums of all times. It reflects Coltrane`s deep interest in Eastern beliefs and the mantra like themes go right deep into the soul of the listener. The additional material includes never previously released alternate takes and a live version of the music recorded in 1965 at the Antibes Jazz Festival. An absolute must to any jazz fan and essentially to any music lover.
| | | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | JOHN COLTRANE ~ A LOVE SUPREME: LIVE IN SEATTLE
IMPULSE! 602438499977 (Barcode: 602438499977) ~ USA ~ Free Jazz / Improvised Music
Recorded: 1965 Released: 2021
This is an archival album by iconic American Jazz saxophonist / composer / bandleader / visionary John ColtraneFind albums by this artist, captured live on October 2, 1965 at the Penthouse Jazz club in Seattle with his septet, which also includes saxophonists Pharoah SandersFind albums by this artist and Carlos WardFind albums by this artist, pianist McCoy TynerFind albums by this artist, bassists Jimmy GarrisonFind albums by this artist and Donald GarrettFind albums by this artist and drummer Elvin JonesFind albums by this artist. The album presents eight tracks, the four-part “A Love Supreme” suite and four interludes.
The music was recorded informally by local Seattle saxophonist and educator Joe BrazilFind albums by this artist and the tapes were in his private collection for many years, until they were discovered in 2013 but released only eight years later. The recording is pretty rough and primitive, using just two microphones directly plugged into the tape recorder, resulting in a highly unbalanced sound mix with the drums dominating most of the music.
Coltrane very rarely performed the suite live after it was recorded in the studio in December of 1964, and there was only one available live recording of it before these tapes were discovered. This is not really surprising considering Coltrane’s very special relation to the suite, which he considered highly spiritual. The decision to perform it on the last day of the Seattle club residence was most probably entirely spontaneous, but the musicians in Coltrane’s septet were obviously not taken aback by that decision and played along as if it was a completely natural one.
The music is, despite the difficulty to be able to hear it properly, absolutely stunning, demonstrating and peak of Coltrane’s Free Jazz period, just before he entered the final “wall of sound” period. It is not difficult to distinguish between Coltrane’s and Sanders’ solos of course, as their approach was quite different. Tyner, whenever heard, plays Godly, as usual, with his staccato bombardment of the keyboard, and yet beautifully melodically at all times. The double bass lineup allows the rhythm section to expand its role and using the bow, as well as solo extensively during the Interludes and Jones is what he is, masterly keeping time and playing around the time all at once.
Overall, this is a superb document of American Free Jazz at its absolute peak, as well as another “missing link” in the seemingly endless Coltrane discography, which is one of the most important one-man manifestations of American Jazz ever. The bad sound balance gets all forgotten when the music lashes at the listener’s ears, and every split second of the music is an incredible evidence of Genius incarnate.
| | Updated: 08/07/2024Posted: 28/02/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN COLTRANE ~ A LOVE SUPREME: THE COMPLETE MASTERS (SUPER DELUXE EDITION)
IMPULSE! 602547489470 (Barcode: 602547489470) ~ USA ~ Jazz
Recorded: 1964 - 1965 Released: 2015
This is the singular most important piece of music ever recorded.
Everything else I or anybody else has to say about it is of secondary importance to be honest, so I´ll just stick to the facts and a few personal reflections.
This version of the "A Love SupremeFind albums with this title" album is the second expansion of the original album released in 1965, which featured four tracks (called "Acknowledgment", "Resolution", "Pursuance" and "Psalm") recorded on December 9, 1964 by the legendary quartet led by American saxophonist / composer John ColtraneFind albums by this artist, which also included pianist McCoy TynerFind albums by this artist, bassist Jimmy GarrisonFind albums by this artist and drummer Elvin JonesFind albums by this artist.
The 2002 Deluxe Edition added to the original album on the first CD a second CD comprising of "A Love Supreme" recorded live at Festival Mondial du Jazz Antibes, Juan-les-Pins, France on July 26, 1965, and also a couple of alternate takes from the quartet session recorded on December 9, 1964 and a couple of alternate takes from the sextet session with saxophonist Archie SheppFind albums by this artist and second bassist Art DavisFind albums by this artist, recorded on December 10, 1964, which attempted to record the same music but resulted in recording only six takes of "Acknowledgment".
This 2015 Super Deluxe Edition is expanded to three CDs and includes in addition to all the tracks of the Deluxe Edition nine previously unreleased alternate takes, five of which originate from the quartet session and four from the sextet session. It also includes an informative little book with many photographs and handwritten remarks and musical notation by Coltrane, which is highly educational.
God only knows if more recordings connected to these sessions will pop up in the future; experienced record collectors know very well to treat the word "complete" with extreme caution and disbelieve. In the meantime we are of course grateful to have access to this Godly music and enjoy it to the max.
I have been listening to this music continuously from the day it was released, which is now over forty years in the past. I grew up with it, lived with it and now am getting old with it and never for a moment could I imagine it to be absent from the soundtrack of my life. In retrospect this music encompasses everything I consider essential in music: it has great melodies, it is mesmerizing from start to finish, it includes the entire Jazz tradition, from Ragtime to Free, it connects with Music from other Cultures, it is deeply spiritual and intellectual at the same time, and of course it is absolutely super-humanly performed.
I often say that all music created after Coltrane, as good as it might be, and it often is insanely good, never really expanded the boundaries of music again. Coltrane was the Messenger, and he simply said it all. This does not mean of course that new music shouldn´t be made; of course not, it simply means that there is a scale of reference, which we can always apply to music, in order to properly appreciate and evaluate it.
Side Note: Today is Valentine´s Day, so what could be more appropriate than "A Love Supreme"! But seriously, this is the 5,000th album review that I write for the "Soundtrack Of My Life" site, a number which probably does mean very little to most people but it encapsulates years of writing about music, an activity I love to be involved with more than anything else. Hopefully some people are also reading this…
| | Updated: 20/05/2018Posted: 14/02/2016 | CD 3 Mini-Sleeve Remastered Bonus Tracks Essential Recommend To A Friend |
  | COMMON BOND ~ ANCIENT SONG OF NATURE
NOT ON LABEL ~ ISRAEL ~ Jazz-Rock-World Fusion
Recorded: 2013 Released: 2013
This is the second album by the Israeli Jazz-World Fusion ensemble Common BondFind albums by this artist, formed and led by guitarist / composer Kobi ShefiFind albums by this artist. The current lineup of the band includes also the female vocalist Naama LevyFind albums by this artist, keyboardist Ilan PustopetskiFind albums by this artist, oboe player Yoram LachishFind albums by this artist who plays also many other instruments, bassist Nimrod LachishFind albums by this artist, drummer Roni ZadikFind albums by this artist and percussionist Chen MeirFind albums by this artist. Among themselves the band members play a plethora of instruments, many of which are original ethnic instruments from many parts of the world. The album includes twelve original compositions, eight of which were composed by Shefi, two by Zadik, one by Nimrod Lachish and one is the group´s arrangement of a BeatlesFind albums by this artist song.
The music is excellent from start to finish, with a diverse spectrum of genres and influences, mixing ethnic motifs from Africa and the Middle East with Jazzy improvisations, Pop melodies and percussive pulsations and Funky rhythms. The entire amalgam of so many colorful elements makes a perfect musical sense and creates a truly enjoyable musical experience. All the musicians have plenty of opportunities to play solo spots, although the relaxed atmosphere and spiritual approach seem to be the driving force here rather than competing for attention.
Common Bond is, in many respects, the epitome of contemporary Israeli music, doing what Israeli do best, mixing the countless sources of tradition, inspiration and influence form the entire world. Cross genre, cross style and cross culture, this music is simply music, which can touch any listener anywhere on this planet.
The performances are all excellent, both the sensitive vocals and the energetic instrumental passages, which flow easily and elegantly in spite of their sophistication and intelligent craftsmanship. The ensemble exists since the late 1990s and certainly deserves a much wider recognition than it managed to achieve so far, so this new album will hopefully bring their music to a much wider audience. At least I hope so, at they truly deserve it!
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  | CHICK COREA ~ ANTIDOTE
CONCORD 888072103351 (Barcode: 888072103351) ~ USA ~ Jazz-World Fusion
Recorded: 2019 Released: 2019
As 2021 nears its end it’s time to commemorate the passing of one of the greatest heroes of American Jazz, keyboardist / composer / bandleader Chick CoreaFind albums by this artist, who sadly passed in February this year.
This is the last studio album by Corea, recorded with an octet, which includes also drummer Marcus GilmoreFind albums by this artist, bassist Carlitos Del PuertoFind albums by this artist, saxophonist / flautist Jorge PardoFind albums by this artist, guitarist Nino JoseleFind albums by this artist, trombonist Steve DavisFind albums by this artist, trumpeter Michael RodriguesFind albums by this artist and percussionist Luisito QuinteroFind albums by this artist. Tap dancer Nino de los ReyesFind albums by this artist and vocalists Ruben BladesFind albums by this artist, Gayle MoranFind albums by this artist and Maria BiancaFind albums by this artist also appear on selected tracks.
The album re-visits Corea’s compositions from the albums “My Spanish HeartFind albums with this title” and “TouchstoneFind albums with this title”, presents two newly composed pieces for this album and also two pieces by other composers (Paco de LuciaFind albums by this artist and Antonio Carlos JobimFind albums by this artist) and finally a short treatment of a Classical composition, together eleven tracks.
The music is distinctly more Latin oriented that the original albums, taking it somewhat away from the Jazz facet and deeply into the grooves and rhythms of Spanish, Cuban, Brazilian and other areas of Latin music, all beautifully arranged, orchestrated and performed by these splendid musicians, under the guidance of the leader. This international team, which includes players from Cuba, Spain and American based musicians born in Latin countries, adds the authentic flavor, which was somewhat more hinted on the original albums. In the liner notes Cores says: “I might be of Italian heritage, but my heart is Spanish”, which certainly explains his adoration for the Latin zest.
Although the album does not introduce anything innovative as far as Corea’s musical heritage is concerned, it certainly confirms his unique talents as composer and player, which have always been beyond reproach.
Overall, this is certainly a proper document of one of the many facets of Corea’s music, which embraced a plethora of styles, genres and approaches, from Avant-Garde to Fusion, always brilliant and completely unique. His Artistry will be sadly missed and his sweet personality, to those who met him, will be always a cherished memory.
| | Updated: 28/12/2021Posted: 28/12/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | CHICK COREA / HERBIE HANCOCK ~ AN EVENING WITH CHICK COREA & HERBIE HANCOCK
POLYDOR 835680 (Barcode: 042283568020) ~ USA ~ Jazz
Recorded: 1978 Released: 1988
The 1978 acoustic piano duet tour of Chick CoreaFind albums by this artist and Herbie HancockFind albums by this artist is documented on two albums – this one and the ColumbiaFind albums on this label companion album (also called An Evening WithFind albums with this title). Fortunately Chick & Herbie played so much music during their concerts that the two (both double vinyl albums originally) have no parallel tunes on them, except for the signature tunes: “Maiden Voyage” and “La Fiesta”, which get a completely different treatment on each release. This means that, as the music on both albums is absolutely divine (see my comments on the other album), they are both absolutely essential and constitute in fact a non-separable document. There is a slight difference in the choice of material on both releases, with this album including more complex and “freer” pieces with plenty of opportunities for both players to demonstrate their complete command of the instrument and more “unusual” playing techniques. On a side note: the tour was arranged not only to enable the two incredible musicians to enjoy each other’s company and inspiration, but also to “give the finger” to the horde of critics, which brutally dismissed Chick’s & Herbie’s 1970’s electric / fusion work, accusing them of betrayal towards the jazz Art Form and doubting their artistic integrity (which of course was a heap of nonsense). The performances included on these two albums prove how totally wrong they all were. Unfortunately two tracks on this album were edited (shortened) to enable the release of this material on a single CD (an artistic crime, that should be punishable by beheading the corporate decision-makers). Therefore a proper reissue of this album is still due – hats off to Columbia for not making the same stupid mistake.
| | | CD 1 Remastered Essential Recommend To A Friend |
  | LARRY CORYELL / MICHAL URBANIAK ~ A QUIET DAY IN SPRING
STEEPLECHASE 31187 (Barcode: 716043118724) ~ USA ~ Jazz
Recorded: 1983 Released: 1992
This is the second album recorded by the duo comprising of American Jazz guitar virtuoso / composer Larry CoryellFind albums by this artist and Polish Jazz violin virtuoso / composer Michal UrbaniakFind albums by this artist. This time the duo is expanded to a trio with the participation of Danish bassist Jasper LundgaardFind albums by this artist. The album presents seven original compositions, five by Coryell and two by Urbaniak.
The previous meeting between Coryell and Urbaniak resulted in the album simply titled "DuoFind albums with this title", released originally in 1982, which featured Polish Jazz vocalist Urszula DudziakFind albums by this artist as guests on two tracks.
The music is an absolutely spectacular collection of great melodies, very diverse stylistically spanning between Gypsy Jazz, Classically influenced themes, Folklore and many more, stunningly performed by these two Masters. The intimate duo setting allows for tight interplay as well as individual soloing, all elegantly supported by the excellent bass playing, which fills the spaces.
Both Coryell and Urbaniak are in absolutely top form and the obvious empathy and respect between them is what makes this music such a delight. Following a period of involvement with Fusion by both these musicians in the early to mid 1970s, this album shows their love of acoustic, intimate formats, which can be as fully expressive as the passionate and innovative form of Fusion they were involved with.
Personally I love the two duo recordings by Coryell and Urbaniak very much and in spite of the fact that I am familiar with dozens of albums recorded by these musicians individually, those two are definitely among my all time favorites. This is absolutely essential listening to all Coryell and Urbaniak fans and with Coryell sadly departed, his legacy deserves to be remembered.
| | Updated: 14/02/2020Posted: 14/02/2020 | CD 1 Recommend To A Friend |
  | COSTELLO, ELVIS ~ ALMOST BLUE
DEMON 7 ~ UK ~ Classic Rock
One of the finest UK singers / songwriters Elvis Costello has a long and illustrous career to his credit. He writes some of the most deeply touching melodies and his lyrics are always full is meaningfull messages, often deeply personal and sometimes touching on social / political satire. This great CD includes not only the original album but also a live EP and even more live material. Delicious!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | CRESSIDA ~ ASYLUM
REPERTOIRE 4105 ~ UK ~ Progressive Rock
2nd album from 1971. Continues the superb work from the first album, with long Mellotron improvisations and great compositions.
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  | MARILYN CRISPELL ~ AMARYLLIS
ECM 1742 (Barcode: 044001340024) ~ USA ~ Jazz
Recorded: 2000 Released: 2001
This is the second album on the ECMFind albums on this label label by the great trio of US pianist / composer Marilyn CrispellFind albums by this artist with legendary bassist Gary PeacockFind albums by this artist and no less legendary drummer Paul MotianFind albums by this artist. This time the music is all composed by the trio members (except for one track) and some of it is actually on the spot composed slow pieces improvised in the studio during the recording. Crispell is, as always, very introvert and secretive, with a minimalistic approach which draws the listener to become a part of the creative process while listening to the music. The music is very moving, with both the better known and the spontaneous pieces being equally enthralling but it requires attentive listening and involvement. Satisfaction guaranteed!
Visitors' Comments
Christopher Brice
Lovely album; I bought it because of Motian and Peacock and immediately fell in love with Crispell, too!
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  | CROSBY & NASH ~ ANOTHER STONEY EVENING
BLUE CASTLE 852550031238 (Barcode: 852550031238) ~ USA ~ Classic Rock
Recorded: 1971 Released: 2011
This is the fifth album by the iconic duo of singer / songwriter friends, American David CrosbyFind albums by this artist and British Graham NashFind albums by this artist, who were also the core members of Crosby, Stills & NashFind albums by this artist and Crosby, Stills, Nash & YoungFind albums by this artist. Although originally released in 1997, this is an archival release documenting a concert recording from October 10, 1971, before the duo was even formally formed and before they recorded their debut album. The album presents acoustic versions of fifteen songs, all but one written separately by Crosby and Nash and one co-written by Crosby, Paul KantnerFind albums by this artist and Stephen StillsFind albums by this artist. The entire performance features Crosby and Nash singing and playing acoustic guitars with the exception of one song on which Nash plays the piano.
Most of the songs originate from the two solo albums released by Crosby and Nash earlier that year, and of course from the debut albums by Crosby, Stills & Nash and Crosby, Stills, Nash & Young, but a few appear here for the first time. The intimate duo versions of these songs are absolutely overwhelming and in some cases they offer the absolutely best renditions of these tunes ever. The superhuman telepathy that Crosby and Nash are able to achieve on stage is absolutely unique and matchless.
Crosby and Nash were the voice of their generation (well, my generation too) and at that magical moment in the US history, when thousands strong audiences were actually listening to the lyrics and identifying with the messages was sadly very brief and would never return. The people in the audience, who are a part of this recording, took part in such spiritual experience.
These fifteen songs are of course examples of some of the best songwriting of the era and they lost absolutely nothing of their charm, beauty and meaning over time. They are the proof that human voice and minimal instrumental accompaniment are enough to create miracles and move musical mountains.
In retrospect this is obviously one the highlights of the entire illustrious career of Crosby and Nash, both individually and collectively and an iconic document of the era. For music lovers this is an essential piece of music history, which inevitably grows better with time.
| | Updated: 19/11/2018Posted: 19/11/2018 | CD 1 Recommend To A Friend |
  | CROSBY, STILLS & NASH ~ AFTER THE STORM
ATLANTIC 075678265426 (Barcode: 075678265426) ~ USA ~ Classic Rock
Recorded: 1994 Released: 1994
This is the fifth (and so far the last) studio album by the iconic Classic Rock trio Crosby, Stills & NashFind albums by this artist. This album celebrated the 25th Anniversary of their legendary debut album and its release was followed by extensive touring. Assisted by a plethora of guest musicians, like keyboardists Craig DoergeFind albums by this artist and Michael FinniganFind albums by this artist, bassist James HutchinsonFind albums by this artist, and also including two Stills´ children and son of the album´s producer, the trio managed to produce eleven splendid new songs, two by David CrosbyFind albums by this artist, four by Stephen StillsFind albums by this artist, three by Graham NashFind albums by this artist and two co-written by Crosby with Nash or Stills. The only song coming from outside the group is an adaptation of a BeatlesFind albums by this artist song.
Although poorly received both by the critics and the fans at the time, the music is characterized by the usual amazing vocal harmonies, great melodies and superb instrumental work, which is as good anything they recorded earlier, but might have sounded dated by (then) contemporary listeners. Mature and more experienced, the trio members might have lost some of their spontaneity and edge, but definitely gained finesse and sensitivity, and most importantly depth. The lyrics remain powerful and meaningful, and are an integral part of the overall artistic delivery.
In historical perspective this album sadly remains overshadowed by the early work of the trio and the fact that it was released at the time when Classic Rock was being pushed out by other (then) contemporary musical trends, which in time led to the annihilation of Rock Music at large. For the true fans and connoisseurs of the trio´s recorded works, this album is an absolute must of course.
| | Updated: 02/02/2019Posted: 02/02/2019 | CD 1 Recommend To A Friend |
  | CROSBY, STILLS, NASH & YOUNG ~ AMERICAN DREAM
ATLANTIC 075678188824 (Barcode: 075678188824) ~ USA ~ Classic Rock
Recorded: 1988 Released: 1988
This is the second studio album by the iconic Classic Rock group Crosby, Stills, Nash & YoungFind albums by this artist. The four singers / songwriters are supported by bassist Bob GlaubFind albums by this artist, drummer Joe VitaleFind albums by this artist, percussionist Joe LalaFind albums by this artist and several other guests. The album presents fourteen original songs, recorded over a period of several months in 1988 an written or co-written by the group members and the musicians playing on the album, with Neil YoungFind albums by this artist being involved in writing half of the songs on the album.
Personal conflicts, ego wars and genuine problems prevented Crosby, Stills, Nash & Young from fulfilling their tremendous potential and the fact that they managed to record only three studio albums is a travesty. "American DreamFind albums with this title" is a truly prophetic title, since the two decades that separate the recording of this album from their groundbreaking debut "Déjà VuFind albums with this title" not only changed the worldwide music scene but also marked the shattering of the America Dream in every aspect: political, social, moral and intellectual. The days of Freedom and Hope were gone and the bleak reality took over.
If any other group wrote and recorded these fourteen songs they would have been considered as excellent, but sadly in comparison to their glorious past these songs, which also suffered from the 1980s production malady, sound somewhat pale and underachieved, which gave both the critics and even the faithful fans plenty of opportunity to bitch bitterly.
To be fair, in retrospect the album is not that bad at all, surely not in comparison to what passes as music these days. Crosby, Stills, Nash & Young did not loose their ability to compose superb melodies, write meaningful lyrics and sing sublime vocal harmonies, which can all be found on this album. If not for the somewhat muddy sound and dreadful synthesizers the album sounds quite nice and surprisingly stands the test of time relatively well, especially so the two David CrosbyFind albums by this artist songs, which are up to par with his usual classics.
Overall this is perhaps not the greatest recording by these iconic musicians, but definitely an album worth to be remembered and re-visited periodically, making sure it is not forgotten.
| | Updated: 19/01/2019Posted: 19/01/2019 | CD 1 Recommend To A Friend |
  | CUBY AND THE BLIZZARDS ~ APPLEKNOCKERS FLOPHOUSE
ROTATION 064453 (Barcode: 044006445328) ~ NETHERLANDS ~ Blues-Rock
Recorded: 1969 Released: 2002
The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 8th album. An absolute must to all Blues-Rock fans and a great document of European music history!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | STONEY CURTIS BAND ~ ACID BLUES EXPERIENCE
PROVOGUE 7160 (Barcode: 8712725716020) ~ USA ~ Blues-Rock
Recorded: 2005 Released: 2005
Although completely anonymous, Stoney CurtisFind albums by this artist and his power trio (Colby SmithFind albums by this artist – bass and Charles Glover IIFind albums by this artist – drums) play a nock-out Blues-Rock set on this (apparently) debut album. All the music is original, but based on the 1970’s classics of the genre with Jimmy HendrixFind albums by this artist and Johnny WinterFind albums by this artist as immediate associations. The guitar work is absolutely stunning, twisting and screaming the blues in ways previously attempted only by the very best guitar players. The retro psychedelic sound fits this music perfectly and if I didn’t know better I would swear this was a lost treasure from the past. I realize it is almost impossible to convince people to try unknown artists, but this one truly deserves to be discovered and ignoring it would be a (musical) crime. I hope you will dare (and later send me a thank you note, as usual).
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  | CURVED AIR ~ AIR CONDITIONING
WARNER BROS. 26433 (Barcode: 075992643320) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2000
1st album by one of the most remarkable UK Prog bands Curved AirFind albums by this artist. Formed by violinist Darryl WayFind albums by this artist, a graduate of the Royal College of Music, they would be one the first ensembles to incorporate classical music directly into their superb compositions. Way`s considerable instrumental skills were well supported by similar talent of the keyboards player Francis MonkmanFind albums by this artist and they both composed all of the band`s material. The addition of vocalist Sonja KristinaFind albums by this artist, a remarkable singer with a unique voice, turned Curved Air into an outstanding creative musical unit. This album is considered to this very day one of the strongest debut Prog releases ever and the instrumental "Vivaldi With Cannons" turned into a Prog anthem. The original album was the first ever vinyl picture disk. A true Prog classic.
| | Updated: 18/07/2019Posted: | CD 1 Recommend To A Friend |
  | CURVED AIR ~ AIR CONDITIONING (EXPANDED EDITION)
ESOTERIC 2616 (Barcode: 5013929471641) ~ UK ~ Progressive Rock
Recorded: 1970 - 1971 Released: 2018
This is a reissue of the debut album by the British Progressive Rock group Curved AirFind albums by this artist, one of the most unique and ambitious representatives of the genre. The band was fronted by the charismatic and idiosyncratic female vocalist Sonja KristinaFind albums by this artist and included two classically trained musicians: violinist Darryl WayFind albums by this artist and keyboardist / guitarist Francis MonkmanFind albums by this artist. Bassist Robert MartinFind albums by this artist and drummer Florian Pilkington-MiksaFind albums by this artist completed the lineup. The album presented ten original songs written or co-written by Way, Monkman and Martin, which offered a unique amalgamation of British Folk, Classical Music, Electronic Music, Rock and Jazz influences, unmatched by any of their contemporaries. This remastered and expanded edition adds one outtake from the original recording sessions and an entire second CD of alternate takes, singles and BBC radio recordings. The somewhat muddy sound quality of the original album was significantly improved on this reissue.
When originally released in 1970, the album (and the group) achieved both commercial success and critical acclaim, despite its unconventional sound and complexity, which of course was a sign of the times. Curved Air were one the first British acts to use the violin in their lineup (see also High TideFind albums by this artist and East Of EdenFind albums by this artist) and the first to feature violin to such an extent.
Sonja Kristina remains to this very day one of the most distinctive Rock vocalists. She managed to maintain a steady, although less glamorous career over the years, producing a substantial volume of excellent music. She also fronts the reformed edition of Curved Air.
Overall this is one of the essential British Classic Rock / Prog albums, which lost absolutely nothing of its strength over time and still sounds fresh and moving today. This reissue is a splendid opportunity for the new generation of music listeners to discover this everlasting classic. Essential piece of music history!
| | Updated: 18/07/2019Posted: 18/07/2019 | CD 2 Digipak Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | CURVED AIR ~ AIR CUT
ESOTERIC 2617 (Barcode: 5013929471740) ~ UK ~ Progressive Rock
Recorded: 1973 Released: 2018
This is a reissue of the fourth album by the British Progressive Rock group Curved AirFind albums by this artist, one of the most unique and ambitious representatives of the genre. The band was fronted by the charismatic and idiosyncratic female vocalist Sonja KristinaFind albums by this artist. Following the departure of the three founding members of the group: Darryl WayFind albums by this artist, Francis MonkmanFind albums by this artist and Florian Pilkington-MiksaFind albums by this artist, Kristina and bassist Mike WedgwoodFind albums by this artist carried the group´s name into the future, enlisting the violinist / keyboardist Eddie JobsonFind albums by this artist, guitarist Kirby GregoryFind albums by this artist and drummer Jim RussellFind albums by this artist to complete the new lineup, which recorded this album. It presents eight original songs, written by Gregory, Jobson, Wedgwood and also Kristina, who wrote the lyrics to two songs written by others. This remastered reissue offers improved sound quality but no bonus material.
The music offered a unique amalgamation of British Folk, Classical Music, Electronic Music, Rock and Jazz influences, unmatched by any of their contemporaries and despite the departure of the two songwriters responsible for the majority of the material present on the first three classic albums, the material this album offers is on a par with its predecessors. Sadly this lineup proved to be short lived and disbanded shortly after the album was released in the summer of 1973.
In 1974 Curved Air reunited and recorded one live album called simply "LiveFind albums with this title", which featured the original lineup except for the bassist and a year later Kristina and Way managed to put another lineup together and recorded two more albums: "Midnight WireFind albums with this title" (1975) and "AirborneFind albums with this title" (1976) before disbanding for many years to come.
Sonja Kristina remains to this very day one of the most distinctive Rock vocalists. She managed to maintain a steady, although less glamorous career over the years, producing a substantial volume of excellent music. She also fronts the reformed edition of Curved Air.
Overall this is one of the essential British Classic Rock / Prog albums, which lost absolutely nothing of its strength over time and still sounds fresh and moving today. This reissue is a splendid opportunity for the new generation of music listeners to discover this everlasting classic. Essential piece of music history!
| | Updated: 25/07/2019Posted: 25/07/2019 | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | D`ANDREA / TOMMASO / GATTO ~ AIREGIN
RED 123252 (Barcode: 027312325225) ~ ITALY ~ Jazz
Recorded: 1991 Released: 1992
This is a wonderful album by the Italian Jazz trio comprising of pianist Franco D`AndreaFind albums by this artist, bassist Giovanni TommasoFind albums by this artist and drummer Roberto GattoFind albums by this artist. The album presents eleven tracks, six of which are standards, two are co-composed by all three members of the trio and the remaining tree are composed by one of the trio members.
Although performed by a classic Jazz piano trio, this album is a sublime example of European modern Jazz, which brilliantly interprets the American standards with such sophisticated twist, that ever Jazz lover find immediately himself smiling uncontrollably. D`Andrea’s brilliant ability to twist and transform the well know themes is simply absolutely ingenious. Of course the original compositions are no less interesting and altogether the trio offers a delightful portion of highly aesthetic and clever Jazz experience. Of course both Tommaso and Gatto are brilliant players as well, and serve as ideal partners to D`Andrea’s virtuosity.
D`Andrea’s extensive recording legacy, mostly in the trio and solo piano setting, is one of the most impressive Italian and European Jazz achievements, and his contributions as a composer and educator are invaluable.
Overall, this is an absolutely exemplary Jazz classic piano trio recording, which combines ideally the tradition with the innovation, and as such is a true must in every decent European Jazz record collection. It is not so easy to get hold of these days, but if you are able to find a copy don’t even blink! Pure gold from start to finish!
| | Updated: 18/06/2023Posted: 18/06/2023 | CD 1 Recommend To A Friend |
  | D`RIVERA, PAQUITO ~ A NIGHT IN ENGLEWOOD
MESSIDOR 15829 ~ USA ~ Jazz
D`Rivera was the first Cuban player to reach a major status in US jazz, after emmigrating from his country. Dizzie Gillespie took him under his wings and made him co-leader of the `United Nation Orchestra` - a big band featuring players of many cultural backgrounds. After Dizzie`s death Paquito led the band and this is a beautiful recording of their live performance. Stunning stuff!
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  | MILES DAVIS ~ AT CARNEGIE HALL: THE COMPLETE CONCERT
COLUMBIA 65027 (Barcode: 5099706502722) ~ USA ~ Jazz
Recorded: 1961 Released: 1998
It’s good to see that record companies sometimes are able to get a grip and correct the mistakes of the past. ColumbiaFind albums on this label has certainly tried its best to do justice to the magnificent recorded legacy of Miles DavisFind albums by this artist and this album is a part of that effort. This album assembles the complete Miles Davis Quintet / Gil EvansFind albums by this artist Orchestra concert recorded on May 19, 1961 at the Carnegie Hall, putting everything at the original recording order without editing or dubbed applause (the music included here was previously available on two separate albums: Miles Davis At Carnegie HallFind albums with this title and More Music From The Legendary Carnegie Hall ConcertFind albums with this title). This album is of course a perfect companion to the sublime Columbia 6 CDs Box Set The Complete Columbia Studio RecordingsFind albums with this title, especially as the concert was the first time Miles performed with the Gil Evans Orchestra live. 1961 marked an extremely busy and productive year for Miles. Following the departure of John ColtraneFind albums by this artist and Bill EvansFind albums by this artist, the “first” legendary Miles Davis Quintet was history and Miles quickly organized a new Quintet, which was to be his vehicle for an interim period of about two years, until the “second” legendary Quintet was to rise like a phoenix and take Jazz places never dreamt about. The “interim” Quintet included excellent and experienced players: Hank MobleyFind albums by this artist – saxophone, Wynton KellyFind albums by this artist – piano, Paul ChambersFind albums by this artist – bass and Jimmy CobbFind albums by this artist – drums (the last two were remaining members from the “first” Quintet). These players followed their leader with skill and devotion, creating some of the best modern jazz on record. Just one month before this concert the Quintet recorded a magnificent live album In PersonFind albums with this title (which is now available as a 4 CDs Box Set In Person Friday And Saturday Nights At The Blackhawk, CompleteFind albums with this title). The studio album Someday My Prince Will ComeFind albums with this title was recorded just a couple of months before the Carnegie concert recording. The next (and last) studio recording with Gil Evans (Quiet NightsFind albums with this title) was just months ahead. Looking back at this period it becomes plainly evident that Miles was already “miles ahead” in his mind, looking for a new vehicle and a new direction, which would commence shortly with the formation of the new Quintet and the groundbreaking new album ahead (Seven Steps To HeavenFind albums with this title). That of course makes this music no less magnificent, as Miles was destined to be “in transition” for the duration of his entire career. It remains here, recorded for posterity, for us mortals to enjoy (almost 46 years later), loosing absolutely nothing of its relevance and eternal beauty. Miles of course was one of the very few artists, who made a statement with every note they played. As such, these notes are a source of inspiration and joy for those who love this music. Essential!
| | Updated: 26/01/2019Posted: | CD 2 Oversampling Remastered Essential Recommend To A Friend |
  | MILES DAVIS ~ AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL.4
COLUMBIA 888750819529 (Barcode: 888750819529) ~ USA ~ Jazz
Recorded: 1955 - 1975 Released: 2015
This is the 4th installment of the "Bootleg Series" live recordings by American trumpeter / composer Miles DavisFind albums by this artist, released by ColumbiaFind albums on this label Records. This time the recordings originate from the performances by Davis and his various groups as part of the annual Newport Jazz Festival, which still functions uninterruptedly since its inception in 1954 and served over time as one of the most important icons of American Jazz.
This 4 CD set spans twenty years of performances by Davis at Newport, starting with his appearance as a member of an all-star ad-hoc ensemble in 1955 and ending with his group´s appearance at the 1975 edition of the festival. It also includes two live recordings made in Europe (Germany and Switzerland) during the Newport Festival European tours.
With the exception of the first four tracks on CD 1, which include the above mentioned 1955 performance, which is rather badly recorded and completely banal musically, the rest of this set is, as expected, absolutely brilliant, with every second being completely revealing and historically significant. The 1958 appearance features the legendary first quintet with John ColtraneFind albums by this artist, the 1967-68 appearance features the even more legendary second quintet, the 1969 appearance features the core of the "Bitches BrewFind albums with this title" group, the 1971 appearance features the group with Gary BartzFind albums by this artist and finally the 1973-75 appearances feature the double guitar (Pete CoseyFind albums by this artist and Reggie LucasFind albums by this artist) and no keyboards group with Dave LiebmanFind albums by this artist (or Sam MorrisonFind albums by this artist).
Since the tracks are arranged (almost) chronologically, this set wonderfully depicts the transformation of Davis and his groups during that period, expanding the horizons of Jazz (and music in general) in a radical way, which only an Artist of his vision and prophetic drive could achieve. Considering the fact that most of this music was previously unreleased and the recording quality is quite excellent, this set is simply irresistible to every Davis fan. This music remains absolutely timeless and fresh, completely untouched by the tides of time; the Holy Grail!
| | Updated: 31/12/2024Posted: | CD 4 Digipak Remastered Essential Recommend To A Friend |
  | DE MADERA ~ AIRE Y CANDELA
ALULA 1018 ~ USA ~ World Music & Folklore
De Madera is one of the few performing Latin/Flamenco guitar duos in the United States. Currently residing in Charlotte, North Carolina, Juan Benavides and Jaime Ibarra have been performing and recording together for over 5 years. Their experiences as founding members of the band Fuego del Alma reconnected them with their musical roots, sparking a deep and lasting interest in Iberian and Latin-style playing. Benavides grew up in Bogotá, Colombia. Although influenced by a wide range of artists such as Stevie Ray Vaughan and Peter Gabriel, he has been mostly affected by Paco de Lucía. "His presence, dexterity and elegance stuck to my soul," Benavides says, remembering a televised concert of Paco he saw as a child. Ibarra, the son of a Spanish father and an Irish mother, comes from Australia. Like Benavides, his musical background is eclectic, encompassing a wealth of influences ranging from flamenco artists such as Gerardo Núñez to western composers such as Sarah McLachlan. "I have always been drawn to those rare few artists that can take you on a journey through their music".
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  | DELUGE GRANDER ~ AUGUST IN THE URALS
EMKOG 001 (Barcode: 737885500522) ~ USA ~ Progressive Rock
Recorded: 2004 - 2006 Released: 2006
This is the 1st album by the excellent US Prog band Deluge GranderFind albums by this artist, formed by keyboardist Dan BrittonFind albums by this artist and drummer Patrick GaffneyFind albums by this artist, both members of Cerebus EffectFind albums by this artist at the time. Combining forces with several other musicians / guests, with a different lineup on each of the five tracks, they created a milestone achievement, certainly as far as US Prog is concerned. Continuing the Prog tradition from its peak at the mid 1970s, this album has everything that a Prog fan might expect: great melodies, brilliant instrumental improvisations, long tracks (one almost half an hour), in short "pure" Prog heaven. Britton, who also sings the lead vocal parts, composed most of the music, and he certainly can spin a tune. It is altogether a bit over the top perhaps, bigger than life, etc., but any die hard Prog fan is destined to fall for something like this for sure. Those Prog fans that missed it so far should definitely check it out, as they´ll probably love it to bits!
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  | SANDY DENNY / STRAWBS ~ ALL OUR OWN WORK (EXPANDED EDITION)
WITCHWOOD 2047 ~ UK ~ Folk-Rock
Recorded: 1967 Released: 2010
Breathtakingly beautiful album by the young and angelic British singer Sandy DennyFind albums by this artist and the founders of the seminal group StrawbsFind albums by this artist (Dave CousinsFind albums by this artist, Tony HooperFind albums by this artist and Ron ChestermanFind albums by this artist), captured here at the full glory of their youthful and somewhat naïve bliss of music making. This is a true beginning of British Folk-Rock, leading to a glorious future, in which the participants of these recordings were to play a central role. A few demos recorded by the quartet found their way to Denmark, where a local label SonetFind albums on this label offered them a recording contract, which produced this, their debut album. The most interesting point about the album is the fact that the entire material is self-written, mostly by Cousins with some contributions by Hooper and Denny. Denny sings most of the lead vocals, superbly supported in vocal harmony by Cousins and Hooper. This new edition of the album doubles the contents of the original release with out-takes, demos and previously unreleased material, which turn it into a true treasure chest for all Denny / Strawbs / British Folk-Rock fans. Absolutely brilliant stuff!
| | | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | AL DI MEOLA ~ ACROSS THE UNIVERSE
EAR MUSIC 4029759140313 (Barcode: 4029759140313) ~ USA ~ Jazz-Pop Fusion
Recorded: 2019 Released: 2020
This is an album by American guitar hero Al Di MeolaFind albums by this artist, his second release paying tribute to the music by The BeatlesFind albums by this artist, following the “All Your LifeFind albums with this title” album from 2013. Di Meola plays several guitars, bass, drums and percussion, which makes this almost a solo album, but there are also some strings and brass arrangements and the Indian tabla player Amit KavthekarFind albums by this artist, Italian accordionist Fausto BeccalossiFind albums by this artist and American trumpeter Randy BreckerFind albums by this artist play on selected tracks. The album presents fourteen tracks, all familiar songs composed by The Beatles.
The music takes the Pop songs into the Jazz-World Fusion world, which is the turf where Di Meola feels most comfortable, and the virtuosic guitar improvisations and dense arrangements transform the songs into new environment, but leave enough of the original melodies so the listener is able to recognize them without much effort.
Personally this album is a bit too busy for me, i.e. too many things are happening all at once, and since The Beatles music has been utterly explored almost to death, the entire enterprise leaves me somewhat cold, but I do appreciate the musicianship and talent involved.
Overall, this is a nice display of Di Meola’s abilities, but somewhat hectic and populist as far as I am concerned. But guitar aficionados and Beatles deadheads will love this to bits.
| | Updated: 02/09/2024Posted: 02/09/2024 | CD 1 Digipak Recommend To A Friend |
  | AL DI MEOLA ~ ALL YOUR LIFE
IN-AKUSTIK 9128 (Barcode: 707787912822) ~ USA ~ Jazz-World Fusion
Recorded: 2012 - 2013 Released: 2013
This is a solo guitar album by American Jazz guitarist / composer Al Di MeolaFind albums by this artist, which, as the title suggests, is a tribute to the music of The BeatlesFind albums by this artist. The album presents fourteen tracks, all composed by John LennonFind albums by this artist / Paul McCartneyFind albums by this artist and recorded during three separate sessions at London’s Abbey Road Studios, where The Beatles recorded their music originally.
Di Meola’s interpretations of the songs are often quite remote from the original, which of course is hardly surprising. Therefore, although a tribute, the album is to no lesser extent also an original creation by the guitarist. All the music is performed using different acoustic guitars, sometimes overdubbed, with a strong Latin / Flamenco / Mediterranean accents, which characterize Di Meola’s musical path since his early days. His guitar performances are of course absolutely brilliant, and completely devoid of flashy show-off licks that many guitar players are often guilty of.
Overall, this is an intense, beautiful and superbly performed album, which should keep all guitar loving fans perfectly happy. Beatles’ fans might find this music be quite remote from the popular versions of these songs, but then again it’s been almost six decades since the original songs were recorded, so perhaps it’s time to move on musically. Brilliant stuff!
| | Updated: 06/03/2024Posted: 06/03/2024 | CD 1 Digipak Recommend To A Friend |
  | DICKINSON, BRUCE ~ ALIVE IN STUDIO A
ESSENTIAL 764 ~ UK ~ Classic Rock
After leaving Iron Maiden in 1993, Dickinson recorded this double live album to prove that he can be as good on his own as with his ex band. Two separate sessions - one `live` in the studion and the other at the `Marquee` club - catch his relentless energy and vigor at their best. Hard Rock fans love this album!
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  | DJAM KARET ~ A NIGHT FOR BAKU
CUNEIFORM 169 ~ USA ~ Progressive Rock
13th album (recorded 2002) by this unique group. The concept of the album derives from Japanese mythology and the music is enigmatic and powerful as usual. They use more keyboards and electronics than ever and the collaboration with the legendary electronic / ambient player / composer Steve Roach is wonderfully successful. The band`s many fans need no encouragement to go for this one.
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  | DJAM KARET ~ A SKY FULL OF STARS FOR A ROOF
HC PRODUCTIONS 019A (Barcode: 747014631423) ~ USA ~ Progressive Rock
Recorded: 2017 - 2019 Released: 2019
This is the nineteenth album by the American Prog group Djam KaretFind albums by this artist, which marks the group´s thirty-fifth Anniversary. The group still includes the four founding members: guitarists Gayle EllettFind albums by this artist and Mike HendersonFind albums by this artist, bassist Henry J. OsborneFind albums by this artist and drummer Chuck Oken, Jr.Find albums by this artist Several guest players appear on selected tracks. The album presents eight original compositions, collectively credited to the group.
Musically this album expands the ambient influences that dominated the previous album "Sonic CelluloidFind albums with this title" and moves even further away from the "classic" Prog idiom into the field of sonic explorations with a tad of World Music influences and Minimal Music aesthetics, which adds up to what might be described as soundtrack material for imaginary movies. There are many wonderfully melodic moments and the relaxed, laid back atmosphere of the proceedings set a dreamy "out of time" mood.
I have been following Djam Karet over the years since their inception and it´s really great to see that they make a continuous effort to stay apart from the Prog "mainstream" from day one. This consistency is as important as the group´s musical inventiveness. In fact for listeners for whom this might be the first encounter with Djam Karet, most would probably not associate the group with their Prog roots at all.
Personally I have enjoyed this music very much and had a most enjoyable listening experience, simply by letting myself to become completely immersed in the music. It is a kind of music that would probably sound differently every time, depending of the mindset of the listener, which of course does not happen too often.
Overall this is another successful step in the long history of one of the most unique American bands, which is one of the very few who still have something meaningful to say. Well done Gentlemen!
| | Updated: 12/07/2019Posted: 12/07/2019 | CD 1 Digipak Recommend To A Friend |
  | DJAM KARET ~ ASCENSION
HC PRODUCTIONS 012 (Barcode: 747014432020) ~ USA ~ Progressive Rock
Recorded: 2000 - 2001 Released: 2001
Ascension is a companion album to New Dark AgeFind albums with this title (subtitled New Dark Age Vol.2) and includes outtakes of the New Dark Age sessions, which were not included on the album. The concepts and musical ideas of the album are further explored and expanded here, with the entire range of Djam KaretFind albums by this artist’s technical vocabulary. The atmosphere is more ambient than on the original album, with many world music accents and long contemplative passages, making this an ideal late-night listening favorite. Pink FloydFind albums by this artist and Porcupine TreeFind albums by this artist fans should find this particularly interesting, although this music is slightly more demanding.
Limited Edition of 750 copies
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  | AXEL DONNER ~ AXEL DONNER QUARTETT
EDEL CONTENT 4029759082941 (Barcode: 4029759082941) ~ GERMANY ~ Jazz
Recorded: 1987 Released: 2012
This is a reissue (first time on CD) of an album by the East German pianist / composer Axel DonnerFind albums by this artist, recorded with his quartet which also included saxophonist Thomas KlemmFind albums by this artist, bassist Wolfgang MusickFind albums by this artist and drummer Dieter EhrhardtFind albums by this artist. On three tracks the quartet is expanded to a sextet with the inclusion of trumpeter Joachim HesseFind albums by this artist and percussionist Mario WurzebesserFind albums by this artist. The album presents six original compositions, all by Donner.
The music is a very melodic modern Jazz, well within the mainstream idiom, and with dominant Afro-Cuban rhythmic patterns. Very well composed and perfectly executed, this album proves that East German Jazz was not only about Avant-Garde and mainstream and even traditional Jazz existed and thrived there as well.
Donner is an excellent musician, who plays perfectly well in diverse stylistic situations, always fluent and interesting. Klemm is also an excellent soloist, capable of playing melody lines and fierce improvisations at the same level of professionalism. Musick pays some very hot licks on the electric fretless bass and Wurzebesser drives the music relentlessly ahead. In some respect this album is similar to Chick CoreaFind albums by this artist´s Latin Jazz period, but it presents an individual approach and great original compositions.
Fans of melodic, Latin oriented modern Jazz will find this album to be one of the best one can get in that particular niche. Of course the music lost nothing of its vitality and excellence over time and sounds really very inviting today. It´s great to see it available again!
Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems.
Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!
| | Updated: 12/04/2019Posted: 16/05/2016 | CD 1 Recommend To A Friend |
  | DORUZKA / WYLEZOL / BALLARD ~ ANDROMEDA`S MYSTERY
BIVAK 004 (Barcode: 8594211850018) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2021 Released: 2022
This is the debut album by an international Jazz trio comprising of Czech guitarist / composer David DoruzkaFind albums by this artist, Polish keyboardist / composer Piotr WylezolFind albums by this artist and American drummer / composer Jeff BallardFind albums by this artist. The album presents eight original compositions, four by Doruzka, three by Wylezol and one by Ballard.
Doruzka emerged in the last decade as one of the most active and highly appreciated musicians on the European scene, appearing on many albums in his home country and in Poland. Wylezol is a well-established musician on Polish scene and personally one of my favorite Polish Jazz pianists, shining among a fierce competition, and Ballard is well known for playing with top Jazz musicians in the US and leading his own bands – which means this album is exploding with talent and creativity from start to finish.
The music is all surprisingly well-behaved, modern and probing but based on solid melodic themes, with both Doruzka and Wylezol always weave like magic. Quite naturally Doruzka takes upon himself most of the soloing, always brilliantly supported by the two partners, but Wylezol also contributes some impressive solo parts, which are every time incredibly creative, in addition to being in charge of the bottom bass pulsations created on synths. Ballard stays somewhat in the background and deliveries a dense, polyrhythmic pulsation behind the melodic contents, ornamenting and leading the music simultaneously.
The atmosphere created by the trio is somewhat dark and gloomy, despite the beautiful melodies, soaked in lyricism and profundity, which is at times overbearing, which means that this music requires serious listening attitude and focus, like all serious music should do. But the aesthetic values invoked by the music are certainly worth the effort and concentration invested.
Overall, this is an elegant, highly unusual album, which offers the listener a multi-layered Artistic experience, deeply rewarding and fulfilling. Not an easy encounter, but deep stuff rarely is easy, as we all know. I was truly enchanted by this music and a heartfelt thank you is offered to you, my Friends, for taking your Art seriously and sharing it with us. Godspeed!
| | Updated: 13/01/2023Posted: 13/01/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DR. JOHN ~ AFTERGLOW
BLUE THUMB 7000 (Barcode: 011105700023) ~ USA ~ Big Band Jazz
Recorded: 1995 Released: 1995
This is a lovely and sadly little known album by iconic American singer / pianist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded with a full Jazz Big Band / Orchestra. The album presents ten songs, seven of which are American Songbook standards and three are his own songs. The album was produced by the legendary producer Tommy LiPumaFind albums by this artist and the songs were arranged and conducted by John ClaytonFind albums by this artist. The instrumentalists include guitarist Phil UpchurchFind albums by this artist, bassist Ray BrownFind albums by this artist, drummer Jeff HamiltonFind albums by this artist and other renown Jazz players.
The beautiful idiosyncratic voice, piano playing and general attitude of Dr. John work absolutely perfectly with the Big Band arrangements, and the resulting music works as if it was initially created exactly for this unique setting.
Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it, how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!
| | Updated: 05/10/2022Posted: 05/10/2022 | CD 1 Recommend To A Friend |
  | DR. JOHN ~ ANUTHA ZONE
VIRGIN 724384621827 (Barcode: 724384621827) ~ USA ~ Jazz-Pop Fusion
Recorded: 1998 Released: 1998
This is the 21st studio album by iconic American singer / keyboardist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded in New York and London with his regular band consisting of guitarist Bobby BroomFind albums by this artist, bassist David BarardFind albums by this artist and drummer Herman Ernest IIIFind albums by this artist and many additional guest musicians, including Paul WellerFind albums by this artist. The album presents fourteen songs, which were mostly written by Dr. John or co-written with his wife Cat YellenFind albums by this artist, except one song by John MartynFind albums by this artist.
Stylistically this album returns to the early days of Dr. John with his New Orleans idiosyncrasies, Mardi Gras, Voodoo, etc. perfectly combined with Jazzy arrangements. The beautiful throaty voice, keyboards playing and general attitude of Dr. John are absolutely perfectly for these the Funky, Blues soaked, Boogie songs, and are a proof of his enormous talent. Listening to this album is one great thrill from start to finish, and the organ parts are simply delicious.
Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it about how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!
| | Updated: 18/10/2023Posted: 18/10/2023 | CD 1 Recommend To A Friend |
  | KRZYSZTOF DUDA ~ ALTUS
GAD 012 (Barcode: 5901549197129) ~ POLAND ~ Electronic & Ambient
Recorded: 1980 - 1985 Released: 2013
This album brings back to life a series of compositions by Polish synthesizer music pioneer Krzysztof DudaFind albums by this artist, recorded in the early 1980s mostly for Polish TV. This music was used as soundtrack for various TV programs, among them the cult popular science series called "SondaFind albums with this title", but also others. The album features twenty tracks, all composed and performed by Duda, who used an impressive array of synthesizers including the ARP, Hohner, Korg, Moog, Roland and others, including some custom made instruments.
The music is mostly constrained to the three minutes per track timing, but manages to present an impressive array of great melodic themes and an enormous collection of synthesizer sounds, which of course also characterized the Pop and Rock scene at the time. Duda manages to create his own universe of sounds, which is characterized by dramatic, mysterious and wonderfully crafted melodies arranged into multilayered sound sculptures. The four-part suite called "Przez Pryzmat Krysztalu" is the most ambitious and advanced musically piece on the album and a true masterpiece of synthesizer music.
As usually with GADFind albums on this label Records this collection is meticulously researched, offers excellent sound quality and is accompanied by an informative bilingual booklet, which provides the historic background relevant to the included music, in short a model for producing reissues and preserving the heritage of Polish music, which would have otherwise simply disappeared in the tides of time, if not for the work of the producer and record label owner Michal WilczynskiFind albums by this artist. Another great piece of the puzzle!
| | Updated: 25/02/2016Posted: 20/02/2016 | CD 1 Remastered Recommend To A Friend |
  | DUO NAZARIO ~ AMÁLGAMA
UTOPIA 006 ~ BRAZIL ~ Jazz-Rock-World Fusion
Recorded: 2013 Released: 2014
This is a fantastic album by the Brazilian Duo NazarioFind albums by this artist consisting of brothers: drummer Zé Eduardo NazarioFind albums by this artist and keyboardist Lelo NazarioFind albums by this artist. Nazario Brothers are great pioneers on Brazilian Jazz-World Fusion, Jazz-Rock Fusion and Progressive Rock and in the past they were instrumental in creating modern Brazilian music as founders of the legendary Grupo UmFind albums by this artist, members of the group Pau BrasilFind albums by this artist and members of the groups led by the legendary Hermeto PascoalFind albums by this artist, and more recently founders and co-leaders of the group PercussônicaFind albums by this artist. This album presents some re-workings of older material and newly composed pieces, all performed by the duo. All of the music is original and of the eleven compositions nine are by Lelo Nazario, one is by Zé Eduardo Nazario and one is co-composed by them both.
The music, as duly named in the album´s title, is an amalgam of many influences, combined with Brazilian melodic themes and Afro-Brazilian rhythmic patterns, which has been the modus operandi of the Nazario Brothers since many years. Lelo Nazario is a brilliant keyboardist and he creates multi-layered melodic themes, which always have that specific Brazilian tinge. Zé Eduardo Nazario adds his polyrhythmic percussion, which drives the music formidably and displays the rhythmic affluence of Brazilian music. Together they sound like a full ensemble, in spite of the fact that there are just two musicians behind all this kaleidoscope of sounds.
This album, like all the albums created by the Nazario Brothers, is a formidable example of multiculti music at its best. It respects the melodic and harmonic tradition of European music as much as the Brazilian rhythmic tradition and manages to combine the two in the most effective way. It is worth of being studied as a classic example of what Jazz-World Fusion is all about.
I have been following the work of the Nazario Brothers for decades and always found it to be exemplary. It is a pity they are little known outside their country, as they deserve truly a much wider recognition. For followers of Jazz-World and Jazz-Rock Fusion this album and anything else of their work one can find is absolutely worth getting. So make an effort and grab it. Thanks Zé Eduardo and Lelo for being out there!
| | Updated: 16/07/2016Posted: 16/07/2016 | CD 1 Recommend To A Friend |
  | KRYSTYNA DURYS ~ AT THE MOVIES
NOT ON LABEL ~ POLAND ~ Smooth Jazz
Recorded: 2021 Released: 2022
This is the second album by Polish Jazz vocalist Krystyna DurysFind albums by this artist, recorded with her band, an orchestra and a long list of friends. As the title suggests, the album presents ten standards taken from movie soundtracks, sung in English.
The music is all completely mainstream / Smooth Jazz oriented, with lavish orchestral arrangements, backing vocals and guest soloists, a formula which goes back as far as the Swing Era and its orchestras, and follows the American model faithfully.
The arrangements are professional, but lackluster, not daring to innovate and copying countless similar albums released over the last hundred years or so. If not for the Polish accent, the album might have been recorded in the US (well apparently it was in part), which might sound like a compliment, but isn’t really. Why on earth would anyone want to put so much effort into copying and repeating the obvious?
Been there, seen that, done that ...
| | Updated: 13/04/2022Posted: 13/04/2022 | CD 1 Digipak Recommend To A Friend |
  | DWA PLUS JEDEN ~ AKTOR
MUZA 1452 (Barcode: 5907783424526) ~ POLAND ~ Progressive Rock
Recorded: 1977 Released: 2012
Polish group Dwa Plus JedenFind albums by this artist (a.k.a. 2 Plus 1Find albums by this artist) was one of the most popular Polish Pop groups in the 1970s and 1980s. Formed in 1971 by guitarist / vocalist / composer Janusz KrukFind albums by this artist and his future wife flautist / vocalist Elzbieta DmochFind albums by this artist the basic trio also included initially guitarist Andrzej RybinskiFind albums by this artist, who was later replaced by Andrzej KrzysztofikFind albums by this artist and in 1976 by saxophonist / vocalist Cezary SzlazakFind albums by this artist. This album, recorded in 1977, was created by an expanded ensemble that included in addition to Kruk, Dmoch and Szlazak also bassist Andrzej PawlikFind albums by this artist, drummers Andrzej WojcikFind albums by this artist and Jozef GawrychFind albums by this artist, pianist Janusz KomanFind albums by this artist and keyboardist / violinist Adam PilawaFind albums by this artist. The album, dedicated to the memory of the great Polish actor Zbigniew CybulskiFind albums by this artist, who died tragically at a ridiculously young age in a train accident, is a musical suite comprising of eight tracks. All the music was composed by Kruk and the lyrics are by Marek DutkiewiczFind albums by this artist.
The group (or rather Kruk, who composed their music) recorded this album to prove it is not just a simplistic mindless Pop act and is capable of making "serious" and much more advanced music. The suite is a mixture or Pop, Jazz-Rock and Progressive Rock and includes extended instrumental passages with excellent improvisations, especially by the violinist. In retrospect it is a great pity the group did not continue in that direction.
Although little known to the Prog enthusiasts both in Poland and abroad, this is, in retrospect, a classic Prog concept album, full of good music, great vocal harmonies and excellent instrumental work. Although this album remains as the only Prog album the group recorded, it is still an important piece of Polish Progressive Rock history. The new edition adds one bonus track and excellent remastered sound quality. Definitely worth investigation!
| | | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | EARTH AND FIRE ~ ATLANTIS
UNIVERSAL JAPAN 9464 ~ NETHERLANDS ~ Progressive Rock
3rd album from 1973. The group creates here a full concept album (around the Atlantis myth), expanding further the Prog influence. Full of mellotron and some great guitar work, this is a typical symphonic Prog at its best. The female vocals fit the music perfectly and there is nothing else to to but to sit down, close one eyes and dive deep into the music. A gem!
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | EARTH AND FIRE ~ ATLANTIS
ESOTERIC 2148 (Barcode: 5013929724822) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1972 Released: 2009
3rd album by the legendary Dutch group Earth And FireFind albums by this artist, who were considered the "Continental" answer to Pink FloydFind albums by this artist and GenesisFind albums by this artist. The group creates here a full concept album (around the Atlantis myth), expanding further the Prog influence. Full of mellotron and some great guitar work, this is a typical symphonic Prog at its best. The female vocals fit the music perfectly and there is nothing else to do but to sit down, close ones eyes and dive deep into the music. A gem!
| | | CD 1 Oversampling Remastered Recommend To A Friend |
  | ECHOLYN ~ A LITTLE NONSENSE: NOW AND THEN
VELVETEEN ~ USA ~ Progressive Rock
Recorded: 1991 - 2000 Released: 2000
This beautiful Box Set brings back to life (and circulation) a huge chunk of the material recorded during the 1990’s by the best US Prog band ever. EcholynFind albums by this artist might not have reached the level of recognition and appreciation they deserve (partly due to the fact that their albums remained unavailable for many years), but that does not mean of course that they don’t deserve it. Very few bands did manage to produce such consistently excellent musical output – complex and intelligent and yet highly melodic and moving. Their songs are always perfectly crafted and executed with passion and flair. This set includes the band’s debut self-titled album from 1991, the 3rd album (EP) …And Every BlossomFind albums with this title from 1993 and the 5th album When The Sweet Turns SourFind albums with this title from 1996 – all these on two CDs. In addition a third CD includes bonus material, which consists of live and unreleased material as well as re-recorded new versions of older songs. The whole set is exquisitely packaged and sure to become a collector’s item. An absolute must, not only for the many Echolyn fans but also for any Prog fan on earth.
| | Updated: 26/01/2019Posted: | CD 3 Box Set Bonus Tracks Recommend To A Friend |
  | ECHOLYN ~ AS THE WORLD
VELVETEEN 00011 ~ USA ~ Progressive Rock
4th album (recorded 1994), released originally on a Major label (Sony). This masterpiece of Prog is considered as one of the best and most important Prog releases of the 1990`s. After years of being unavailable (due to Sony`s politics) here is is again, reissued with a companion DVD documenting a 1995 performance filmed just 2 days before the initial release of the album. For Echolyn many fans (and every Prog lover) this is a Godsent!
| | | CD+DVD 2 Digipak Recommend To A Friend |
  | DON ELLIS ~ AT FILLMORE
WOUNDED BIRD 3024 (Barcode: 664140302426) ~ USA ~ Jazz
Recorded: 1970 Released: 2005
For just about a decade (the Golden Decade as a matter of fact 1965-1975) trumpeter Don Ellis led one of the most sensational jazz Big Bands in history. A visionary musician, composer, arranger and bandleader, Ellis took the Big Band vehicle places it never went before and probably was never intended to go beforehand. His Big Band was unusual in every respect, as it included an extended brass section, rhythm section with two or even three drummers and bass players, a string section and a score of electronic devices like the ring modulator. The sound of the band in full swing was overwhelming and breathtaking, especially when it performed some of the more wacky music with strange time signatures like 5/4 or 15/16. Ellis was open to musical influences from all over the globe and when the brilliant Bulgarian pianist Milcho Leviev joined the band soon after arriving in the US, the Balkan rhythmic patters soon became also part of the regular repertoire. Ellis suffered a heart attack in the mid 1970s and died untimely in 1978, a great loss to the world of jazz and music in general. This album presents the Don Ellis Big Band at its peak, recorded in 1970 at the Fillmore West. A superb set of compositions and arrangements suit the abilities of the players perfectly and this music is so powerful and sophisticated that no serious jazz lover should ever consider ignoring it. A few words about the Fillmore: Fillmore’s (East and West) owner Bill Graham was a man of great musical taste and open mind. He booked some of the most popular acts of the time as well as some of the most obscure ones and what’s even more important he disregarded genres completely, giving Miles Davis and Jimi Hendrix the same amount of respect and hospitality. We should cherish his memory for organizing so many of the momentous and historically important concerts at his venues, many of which turned out to be recorded for posterity.
| | | CD 2 Recommend To A Friend |
  | DON ELLIS ~ AUTUMN
WOUNDED BIRD 9721 (Barcode: 664140972124) ~ USA ~ Jazz
Recorded: 1968 Released: 2007
Brilliant American trumpeter / composer / arranger / bandleader Don EllisFind albums by this artist led a superb Big Band, which was one of the most outstanding Jazz ensembles in the late 1960s and early 1970s. Eons ahead of its time, Ellis´ fascination with uneven meters and World Music influences made his music truly revolutionary and fresh and the music lost nothing of its relevance over the years. He also had a rare talent to pick up the best musicians for his band, mostly forward-thinking individuals, ideally suited for his unusual approach to music and brilliant instrumentalists. Some of the musicians playing on this album are saxophonists Frank StrozierFind albums by this artist and John KlemmerFind albums by this artist, trumpeter Glen FerrisFind albums by this artist and many more outstanding musicians. The brilliant music was all composed by Ellis, except one Charlie ParkerFind albums by this artist standard. At its full might the orchestra sounds like nothing else before or since, with every instrument perfectly fulfilling its role. Two of the six tracks were recorded live and show the orchestra as one of the most exciting live acts at the time. It´s fascinating to read the album´s liner notes written by Al KooperFind albums by this artist, who was ColumbiaFind albums on this label´s A&R manager at the time, describing the Don Ellis experience at the time. This is an absolute must to and Big Band fan, but all music connoisseurs should find this music fascinating.
| | | CD 1 Recommend To A Friend |
  | ELMA ~ AD REM
HEVHETIA 0113 (Barcode: 8588005257657) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2016
This is the second album by Polish Jazz vocalist ElmaFind albums by this artist, but in fact it could be viewed as the second part of Elma´s debut album, as it presents material recorded at the same recording session as the material released on the debut. A conscious decision was made at the time to collect the "song oriented" material on the debut and the improvised material on this second album
The album was recorded by a quartet, which features Elma with Finnish trumpeter Verneri PohjolaFind albums by this artist and Polish pianist Dominik WaniaFind albums by this artist and bassist Maciej GarbowskiFind albums by this artist and was recorded at the Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist. The music on this album comprises of twelve improvised pieces; a prologue and then an eleven-part suite. Except for the first part of the suite which is credited to Elma and Pohjola, the rest of the music is credited to all four participants.
Although the Improvised Music is enjoying a spectacular Renaissance in the last few years, it is almost always completely instrumental and does not involve the human voice. The glorious days of the vocal Improvised Music are sadly completely gone and pioneering vocalists like Jeanne LeeFind albums by this artist, Lauren NewtonFind albums by this artist, Urszula DudziakFind albums by this artist, Jay ClaytonFind albums by this artist, Bobby McFerrinFind albums by this artist and others are either forgotten or changed their field of interest. Therefore Elma can be considered as the torch bearer of this fantastic tradition into the 21st Century.
Elma treats her voice as an instrument, which has always been the basic rule of great vocalists. Since the human voice is limited only by the vocalist´s imagination, it is the most versatile and virtually unlimited instrument, a fact which becomes plainly evident to anybody listening to this music. With the incredibly compassionate accompaniment Elma receives from her three partners, the resulting music is one of the most unique musical creations recorded in the last few years.
The importance of this music is twofold; firstly it is breathtakingly beautiful, emotionally intense and aesthetically stunning and secondly it is intellectually courageous and fascinating. Elma is not regressing to the 1970s to create more of the same vocal Improvised Music created then, but takes the tradition right up to date, moving forward and updating the concept, adapting it to contemporary Jazz language, sound and vision. Her vocalese and other tricks of the trade, most of which she invented herself or expanded from earlier examples, is a completely new language in itself, which enables her to go where nobody went before; an extremely rare quality these days.
The contributions of the three instrumentalists present here is simply outstanding. They all manage to contribute to the music without overshadowing the focus of the vocals and their empathy and ability to communicate with Elma almost telepathically is simply phenomenal.
This is indisputably one of the most important albums released on the Polish Jazz scene in the last decade and as far as vocal Jazz is concerned, also on a world scale. There is no other vocal Improvised Music of this intensity and innovative authority anywhere else at the moment, which makes this album simply a one of its kind. To say the truth, this album should be studied by every vocalist in the world, Jazz and otherwise, just to make them aware of what the human voice (and mind) is capable of. This might of course make some of them stop singing, which would be of great benefit of course.
Absolutely essential item in every serious record collection!
| | Updated: 29/02/2016Posted: 29/02/2016 | CD 1 Digipak Essential Recommend To A Friend |
  | ARI EREV ~ A HANDFUL OF CHANGES
NOT ON LABEL (Barcode: 885767262577) ~ ISRAEL ~ Jazz
Recorded: 2011 Released: 2012
Almost four years after his sensational debut album, Israeli pianist / composer Ari ErevFind albums by this artist returns with his second album as a leader. As the title suggests, it´s all about changes, and therefore this outing is very different from the previous one in every respect. Whereas the debut was a classic piano trio album, with subtle, delicate and often introvert musical love-making, this one is joyous and energetic, recorded mostly in a quintet setting. Of the eleven compositions included herein, seven are Ari´s originals, two are by the great Israeli composer Alexander ArgovFind albums by this artist and the remaining two are standards.
The quintet, which recorded most of the music, consists of prominent American (NY) tenor and soprano saxophonist Joel FrahmFind albums by this artist, Ari on piano, bass guitarist Arie VolinezFind albums by this artist, drummer Eitan ItzcovichFind albums by this artist and percussionist Gilad DobreckyFind albums by this artist. Bassist Tal RonenFind albums by this artist plays double bass on three tracks and reeds player Ofer ShapiroFind albums by this artist plays alto saxophone on one track and clarinet on another. The overall level of performance is absolutely spotless from start to finish, presenting sophisticated and intelligent mainstream Jazz, which is as good as anything recorded in America or Europe in the same category.
Volinez and Itzcovich are a formidable rhythm section, with decades of playing together behind them; Shapiro delivers a wonderfully heartfelt clarinet work; Dobrecky ornaments the music with his rhythmic inventions, adding a slightly exotic tinge; Frahm plays beautifully and skillfully; but of course it´s Ari´s piano work that shines brightly and is exceptionally lovely throughout. His touch and intimate feel for the melody is absolutely gorgeous and as much as I try to forget it, it keeps reminding me of Bill EvansFind albums by this artist´ playing.
My personal favorite track on this album is the wonderful piano / sax duet, which in its intimacy and nakedness presents the beauty of the music at its fullest. But of course the entire album is a feast from start to finish. I can only thank Ari and his cohorts for bestowing upon us all such wonderful music. It proves that the Israeli Jazz scene, regardless of the fact if it happens here or in the middle of NY, reached a maturity and professionalism I dreamt about since decades. Hats off Ari and may the (Jazz) Force be with you!
| | Updated: 06/03/2025Posted: | CD 1 Digipak Recommend To A Friend |
  | ARI EREV ~ ABOUT TIME
NOT ON LABEL (Barcode: 094922849564) ~ ISRAEL ~ Jazz
Recorded: 2007 Released: 2008
1st album by Israeli Jazz pianist / composer Ari ErevFind albums by this artist. The title is most appropriate, as Ari has been playing and composing for quite a while and it’s about time for us to enjoy the fruits of his labor. The album presents him in a piano trio setting (my favorite Jazz format) with Israeli veterans Yorai OronFind albums by this artist on bass and Gideon PasahovFind albums by this artist on drums. Of the thirteen tunes played six are original compositions, five are standards (two of them not surprisingly by Bill Evans) and the remaining two are his interpretations of Israeli evergreens by Shalom HanochFind albums by this artist and Nurit HirshFind albums by this artist. It’s pretty obvious, from the very first few chords on this album, that Ari is deeply inspired by the piano work of Bill EvansFind albums by this artist, with Evans’ spirit hovering over his shoulder at all times. The choice of material, the delicate touch, the intrinsic melancholy are all signatures of the great Master. Of course Ari manages carefully to avoid the trap of becoming an Evans impersonator, and his own personal approach is strong enough to indicate his own input. Overall this is a splendid album, quiet and introversive, full of beauty and romance. Considering the fact that this is a first of its kind recording in Israeli Jazz, I can only congratulate him for this wonderful gift to our country’s cultural legacy and Jazz achievements. Most warmly recommended!
| | | CD 1 Recommend To A Friend |
  | PETER ERSKINE ~ AS IT WAS
ECM 2490/93 (Barcode: 602547558329) ~ USA ~ Jazz
Recorded: 1992 - 1997 Released: 2016
This wonderful Box Set contains the four albums by the American drummer / composer Peter ErskineFind albums by this artist recorded by his trio which included British pianist John TaylorFind albums by this artist and Swedish bassist Palle DanielssonFind albums by this artist and released on the ECMFind albums on this label label, which are: "You Never KnowFind albums with this title" (ECM 1497) recorded 1992, "Time BeingFind albums with this title" (ECM 1532) recorded 1993, "As It IsFind albums with this title" (ECM 1594) recorded 1995 and "JuniFind albums with this title" (ECM 1657) recorded 1997. The music was mostly composed by the trio members. All these albums were recorded at the magnificent Rainbow Studio in Oslo by Jan Erik KongshaugFind albums by this artist.
Erskine, one of the most versatile and open-minded American drummers, who feels at ease in many diverse musical environments, has a long history of cooperating with European musicians, which strongly influenced his approach and brought him closer to the European aesthetics, which is strongly present on these recordings.
Piano trios led by the drummer are a relative rarity in Jazz history, but as these albums demonstrate they can be every bit as excellent as those led by pianists. These three Master musicians create superb music together, in the best tradition of the classic piano trio, strongly emphasizing European approach to melody and improvisation, full of elegance and lyricism. The music is all melody based and "well behaved", but can hardly be considered as mainstream, thanks to Taylor´s wonderful performances and rhythmic openness carried out by the rhythm section.
The piano parts played by Taylor are a striking evidence of his genius and the fact that he is no longer with us underlines the importance of this reissue, as the individual albums are of course no longer available. But the virtuosic bass parts by Danielsson and fabulous drumming by Erskine are equally worth being heard again of course.
As usual with this "Old And New Masters" series, the individual CDs are housed in plain white carton sleeves – a matter of elegance or budget? – and the booklet includes a very long background article, this time by respected critic John KelmanFind albums by this artist, which I seriously doubt many people have the stamina to read these days.
Overall this is an absolute must have for all Jazz piano trio lovers and of course British Jazz enthusiasts, who cherish every keystroke by John Taylor, like yours truly. Brilliant stuff!
| | Updated: 11/07/2019Posted: 11/07/2019 | CD 4 Mini-Sleeve Box Set Recommend To A Friend |
  | ZOFIA ESDEN ~ ACCIDENTAL SAMPLING
NOT ON LABEL ~ POLAND ~ Avant-Garde Jazz
Recorded: 2023 Released: 2023
This is the debut solo album by Polish vocalist Zofia EsdenFind albums by this artist, who utilizes electronics, synthesizers, loops and other devices in addition to her vocals. Several guest musicians take part in the recording, most notably bassist Jacek MazurkiewiczFind albums by this artist. The album presents twelve tracks, some composed or co-composed by Esden and the rest being her interpretations of songs by others.
Although featuring vocals, the music is mostly generated by electronic instruments and devices, and almost completely non-melodic in the conventional sense. It mostly escapes any attempt to be precisely categorized, which of course is completely legit. Like most Ambient music, it is totally dependent on the listener’s state of mind at any given moment. Even as far as Ambient it is pretty Avant-Gardist, certainly eschewing any conventional approaches.
It is certainly a courageous statement by an Artist, who knows exactly what she wants, disregarding trends and fashions, which is certainly not something one finds around too often. Avant-Garde is not meant to be obvious, and as such it is up to the listener to make up his mind how much he can communicate with this music.
Overall, as all experimental music, it is not for everybody and can be controversial, but with some open-mindedness and tolerance it can be interesting and challenging. Definitely worth investigating by listeners willing to step beyond the obvious.
| | Updated: 18/12/2023Posted: 18/12/2023 | CD 1 Digipak Recommend To A Friend |
  | ESKATON ~ ARDEUR
SOLEIL ZEUHL 10 ~ FRANCE ~ Progressive Rock
2nd album from 1980 by this French band, who were part of the Zeuhl movement (Magma), but have their disctictive sound mainly due to the use of wordless vocals. Very improvised and jazzy in parts. A superb find similar in quality to the other releases on this wonderful small label, which keeps surprising the Prog fans by unearthing such treasures.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | BILL EVANS ~ ALBUM (EXPANDED EDITION)
COLUMBIA 64963 (Barcode: 5099706496328) ~ USA ~ Jazz
Recorded: 1971 Released: 1996
The history of jazz is crowned by a small pantheon of stellar figures, which are (more or less) unequivocally accepted as the most prominent contributors to the development of the genre. Miles DavisFind albums by this artist and John ColtraneFind albums by this artist are members of that exclusive club and so is Bill EvansFind albums by this artist, the most influential jazz pianist ever.
Since Evans’ biography is available from many sources, I won’t go into it here, so here are just a few personal comments: Although Evens played in a variety of settings, he surely deserves the title of inventor of the piano trio, a format in which most of his exceptional work was done. Over the years Evans led a series of legendary trios with the most eloquent bass and drums players, primarily noticeable for the phenomenal and telepathic level of interplay between the trio members. His (fortunately) numerable trio recordings are not only a document of his exceptional sensibility and lyricism as a player and composer, but also cornerstones of musical collaboration. Starting from the first trio (1959) with Scott LaFaroFind albums by this artist and Paul MotianFind albums by this artist and up to the last moments of his life (1980) with Marc JohnsonFind albums by this artist and Joe LaBarberaFind albums by this artist, the trio recording have always been the safest bets on musical delight one might ever take when buying a jazz album.
This particular album, recorded with legends Eddie GomezFind albums by this artist on bass and Marty MorellFind albums by this artist on drums, is very important in Evans’ history. It includes his first contributions on the electric piano (a custom-made version of the Fender Rhodes), which he will explore more extensively later in his career. It also includes exclusively his own compositions, as opposed to his treatments of jazz standards, which were earlier the bulk of his recording material. This was the first of the only two albums Evans recorded for ColumbiaFind albums on this label – the other (“Living Time”) still awaiting a proper reissue. I can’t imagine anybody who loves jazz (or in fact anybody who loves music) ignoring this album, so if you still don’t have it – now is your chance. Absolutely essential!
| | Updated: 01/03/2024Posted: | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | BILL EVANS ~ ANOTHER TIME: THE HILVERSUM CONCERT
RESONANCE 2031 (Barcode: 096802280405) ~ USA ~ Jazz
Recorded: 1968 Released: 2017
This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded in a classic piano trio setting with bassist Eddie GomezFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist. It is only the 3rd album released by this particular trio. The music was recorded at the Dutch Radio Union studio on June 22, 1968, just a couple of days after the recording at the legendary MPSFind albums on this label Records studio in Villingen, Germany, on June 20, 1968, which yielded the “Some Other Time: The Lost Session From The Black ForestFind albums with this title”, released by ResonanceFind albums on this label Records a year earlier. The recording took place just one week after Evans and the trio recorded the iconic live album “At The Montreux Jazz FestivalFind albums with this title”.
The album presents nine tracks, three of which are Evans’ originals and the rest are standards. It offers a stunning sound quality, one of the absolutely best live Evans’ recordings. It also features an extended booklet with interviews with Gomez and DeJohnette and other background information.
The music is executed with passion and elegance, which were always the essential ingredients of Evans’ music. There are trio, duo and solo performances. The phenomenal and literally symbiotic relationship between Evans and Gomez is omnipresent and the bass gets a prominent presence in the mix and numerous solo spots, in contrast to the drums, which are almost completely far in the background, when present at all. DeJohnette was a member of the trio for just a few months and this is perhaps why his role on this album is minimized, which results in most of the music sounding like a piano / bass duo, which of course does not lessen any of the music’s magic quality.
Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering a lesser documented period of his activity. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.
| | Updated: 23/02/2024Posted: 23/01/2024 | CD 1 Digipak Remastered Recommend To A Friend |
  | EXTRA BALL ~ AKUMULA-TORRES
POLJAZZ / ANEX 215 (Barcode: 5907513047445) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1983 Released: 2006
Polish Jazz-Rock Fusion band Extra BallFind albums by this artist was the best and most dominant ensemble on the local scene in the late 1970s. Founded by the best young Polish Jazz musicians at the time, members of the second generation of the country´s splendid tradition, they displayed an amazing level of individual talents both as players and composers. Led by guitarist Jaroslaw SmietanaFind albums by this artist, the initial incarnation of the band also included saxophonist Andrzej OlejniczakFind albums by this artist and keyboardist Wladyslaw SendeckiFind albums by this artist. Although the band practically ceased to perform and record by the end of the 1970s, Smietana organized an ad-hoc lineup for the recording of this, the last album by the legendary band, recorded live at the Warsaw Aquarium Jazz club. The lineup includes trumpeter Adam KawonczykFind albums by this artist and bassist Antoni DebskiFind albums by this artist from the last active incarnation of the band, with drummer Jacek PelcFind albums by this artist and Cuban percussionist Jose TorresFind albums by this artist, who lives in Poland. Saxophonist Henry MiskiewiczFind albums by this artist and conga player Adam KawonczykFind albums by this artist guest on the album. Stylistically this album marks a more percussive approach to music mixed with traditional Jazz elements, but is excellent in every sense, as everything the band recorded. An absolute must!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | EXTRA BALL ~ AQUARIUM LIVE NO.3
POLJAZZ / ANEX 305 (Barcode: 5907513047605) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1977 Released: 2009
Polish Jazz-Rock Fusion band Extra BallFind albums by this artist was the best and most dominant ensemble on the local scene in the late 1970s. Founded by the best young Polish Jazz musicians at the time, members of the second generation of the country´s splendid tradition, they displayed an amazing level of individual talents both as players and composers. Led by guitarist Jaroslaw SmietanaFind albums by this artist, the initial incarnation of the band also included saxophonist Andrzej OlejniczakFind albums by this artist, keyboardist Wladyslaw SendeckiFind albums by this artist, bassist Jan CichyFind albums by this artist and drummer Benedykt RadeckiFind albums by this artist. These live performances are the last recording by the original lineup, except for drummer Marek StachFind albums by this artist, who replaced Radecki. Recorded live at the Warsaw Aquarium Jazz club, this is an amazing performance with a band at their highest peak, but torn internally as to the musical direction, which led to their demise soon after, with Sendecki and Olejniczak forming Sun ShipFind albums by this artist. The inclusion of two Jazz standards clearly points out the tendency of some band members to return to the more traditional Jazz forms rather that continue the Fusion path. Smietana´s superb guitar licks will amaze every Fusion fan, who was never exposed to his performances and Sendecki´s keyboard wizardry is simply astounding. This is an excellent album, which all Fusion lovers on this planet should be proud to have in their collections. An absolute must!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | EZRA WINSTON ~ ANCIENT AFTERNOONS
ROCK SYMPHONY 053 (Barcode: 7898217280536) ~ ITALY ~ Progressive Rock
Recorded: 1990 Released: 2000
2nd album by the superb Italian Symphonic Prog band Ezra WinstonFind albums by this artist, which is universally accepted as one of the best Italian Prog bands in all times and equaled with past giants, such as PFMFind albums by this artist. The album ranks among Prog fans as one of the best Prog albums in all times. Although recorded in the 1990’s, it is never considered as Neo-Prog, as it truly preserves the original approach and sound of the 1970’s. With beautiful melodies, serene atmosphere, rich instrumentation and long well developed compositions (one of which is 26+ minutes long), the album truly holds everything dear to a Symphonic Prog fan. This edition is the CD reissue of the original LP and has one bonus track. Essential!
| | Updated: 21/09/2021Posted: | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | ANTOINE FAFARD ~ AD PERPETUUM
UNICORN 5092 (Barcode: 649906856153) ~ CANADA ~ Jazz-Rock Fusion
Recorded: 2014 Released: 2014
This is the third album as a leader by Canadian Fusion bassist / composer Antoine FafardFind albums by this artist, recorded in a trio setting with guitarist Jerry De Villiers, Jr.Find albums by this artist and legendary drummer Vinnie ColaiutaFind albums by this artist. Three guest musicians: keyboardist Gerry EtkinsFind albums by this artist, drummer Gary HusbandFind albums by this artist and saxophonist Jean-Pierre ZanellaFind albums by this artist appear on selected tracks. The album presents ten original compositions, nine of which are composed by Fafard and one is co-composed by Fafard and De Villiers.
Fafard is a veteran Fusion player, who led the Montreal based group Spaced OutFind albums by this artist, which released six albums and a couple of DVDs between 2000 and 2008. Spaced Out was floating somewhere between Fusion and Progressive Rock, but Fafard´s solo albums, first of which was released in 2011, are decidedly more Jazz oriented with focus on improvisation and cooperation with world´s leading Fusion players.
Stylistically Fusion is often an extremely limited niche, with most albums in that genre sounding very similar, if not identical, to each other. Of the thousands of Fusion albums recorded since the genre crystallized from the early Jazz-Rock cradle, only a handful are truly inspired, innovative and even fewer are groundbreaking. The main reason is usually the focus on the endless instrumental doodling and show off faster than light soloing, rather than on the musical qualities, melody, harmony, etc. In short most Fusion albums have sadly very little music in them.
This album is, I´m happy to say, an exception to the rule in every conceivable aspect. The compositions are all extremely musical, with solid melodies and diverse rhythm patterns, which keep the listener on his toes. The arrangements call for an attentive interplay and split second coordination between the players and the overall ambience of the music is more lyrical than the usual Fusion setting, which often tends to be rather aggressive.
Of course there are the individual performances by the musicians, which are all first-class. There are many solo spots for everybody, but those are kept short and intensive leaving the listener wishing for more, rather than praying for the torture to be over with. Colaiuta, as usual, drives the music forcefully and his playing is always phenomenal, second after second. His unique feel and extraterrestrial technique are like the icing on a cake on every album he plays on. The drums "duet" he plays with Husband on one of the tracks is sensational. De Villiers plays some superb guitar licks, but again, does not dominate the proceedings like most Fusion guitarist tend to. Fafard plays tasty, melodic bass lines and his solos are classics of the genre.
Overall this is a superb Fusion album, which should make every fan of the genre happy, but also be accessible to more Jazz oriented listeners beyond the strict Fusion circles. Well done indeed!
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  | FAIRPORT CONVENTION ~ ANGEL DELIGHT
UNIVERSAL JAPAN 9483 ~ UK ~ Folk-Rock
6th album from 1971. Fairport Convention were among the most important pioneers of the British Folk / Prog and one of the most important bands ever in that genre. This is the first album recorded after Richard Thompson left the band to pursue a solo career, but the loss of their most important member did not make any dents in the group`s strength and this delightful album is one of their highlights.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend |
  | GEORGIE FAME / USCHI BRUNING / ALAND SKIDMORE QUARTET ~ A DECLARATION OF LOVE
ITM 9200020 (Barcode: 4250317473738) ~ UK ~ Jazz
Recorded: 2008 Released: 2015
This is an archival release of a live concert which features the British Jazz singer / keyboardist / songwriter Georgie FameFind albums by this artist and the German Jazz singer Uschi BruningFind albums by this artist accompanied by the quartet led by the legendary British Jazz saxophonist Alan SkidmoreFind albums by this artist, which also includes pianist Steve MellingFind albums by this artist, bassist Geoff GascoyneFind albums by this artist and drummer Ian PalmerFind albums by this artist. The album presents ten tracks, of which five feature Fame, three feature Bruning, one is a Fame / Bruning duet and one is an instrumental performance by the quartet. The music is mostly Jazz standards, except the title tracks which is a Fame original and one standard which has lyrics written by Fame. Recorded at the Berlin Philharmonic, the album´s sound quality is impeccable.
Fame has been my favorite Jazz vocalist since I have heard him live in London in the late 1960s, and I have been fortunate to hear him perform many times over the years in very diverse circumstances ranging from intimate solo appearances to his concerts with Big Bands, always delivering the absolute top performances. Regardless if he sang Jazz, Blues, Rhythm And Blues or even Pop, his absolutely unique intonation and heartfelt articulation are simply magical. Now in his sixth decade as a performer, he is still a formidable Artist.
Bruning is a German Jazz icon, who started her career in the dark days of the DDR period, which paradoxically produced some of the most interesting European Jazz. Her work with the legendary saxophonist Ernst-Ludwig PetrowskyFind albums by this artist is one of the most interesting vocal recordings made at the time behind the Iron Curtain. She is still active today on the German scene and definitely worth following.
Skidmore needs no introduction of course, being one of the world top saxophonists and one of the most important Jazz musicians keeping the John ColtraneFind albums by this artist legacy alive. His enormous contribution to British / European Jazz is unprecedented.
Overall this is a wonderful vocal Jazz album, full of great singing, superb instrumental work and good taste, rarely present on contemporary recordings. Great fun from start to finish and of course warmly recommended!
| | Updated: 08/05/2023Posted: 21/07/2019 | CD 1 Slipcase Recommend To A Friend |
  | FAMILY ~ A SONG FOR ME (EXPANDED EDITION)
MYSTIC 170 ~ UK ~ Progressive Rock
3rd album (recorded 1970). Poli Palmer joined Family for this one and his outstanding instrumental capabilities on vibes and flute created another dimention. The tunes are more complex, with longer instrumental passages, Chapman`s voice superb as usual and the group is really a well oiled Prog machine by that time. Essential!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | FAMILY ~ A SONG FOR ME / ANYWAY...
BGO 854 (Barcode: 5017261208545) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2009
3rd and 4th albums by the fantastic British Prog band FamilyFind albums by this artist, one of the most imaginative, sophisticated and excellent bands of the 1970s. Formed by vocalist Roger ChapmanFind albums by this artist and guitarist John WhitneyFind albums by this artist, who also were responsible for writing the band´s exceptional material, the original lineup included also saxophonist Jim KingFind albums by this artist, bassist Rick GrechFind albums by this artist and drummer Rob TownsendFind albums by this artist. This lineup recorded two exceptional albums: "Music In A Doll`s HouseFind albums with this title" and "Family EntertainmentFind albums with this title", which are considered as Prog masterpieces. Following the departure of Grech (to form Blind FaithFind albums by this artist) and later King, they were replaced by bassist John WeiderFind albums by this artist and multi-instrumentalist Poli PalmerFind albums by this artist respectively. Palmer´s contributions on vibraphone, flute and piano expanded the band´s sound considerably, adding subtle Jazzy nuances to the already intricate musical amalgam the band produced. Chapman´s unique vocal qualities, which had absolutely no rivalry on the British scene, combined with the superb instrumental backing turned Family into an absolute marvel, which has stayed unchallenged for the last 40 years. The new lineup recorded the two albums included here in rapid succession, using 4 live tracks on the second album to speed up the recording process, which ultimately turned out to be the only live material ever formally released by the band. The quality of the songwriting, as well as the extended instrumental work, is staggering and completely uncompromised by the passage of time. This is the Holy Grail of early Prog, regardless the fact that most Prog historians and music critics often fail to recognize the band´s contribution to the genre. This remastered edition spiced up with many bonus tracks is a must to any collector of Prog albums, as no collection can be complete without them. Absolutely essential!
| | | CD 2 Slipcase Remastered Bonus Tracks Essential Recommend To A Friend |
  | FAMILY ~ ANYWAY... (EXPANDED EDITION)
MYSTIC 171 (Barcode: 604388621620) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2004
4th album (recorded 1970). As there was hardly enough time to properly write and rehearse new material in such a short time, the first 4 tracks on this one were recorded live. The rest are new studio recorded songs. Continuation of the ideas from previous albums, all beautiful and fresh. It`s amazing how good it all sounds after all these years. Brilliant!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | DON FARDON ~ ALL THE YOUNG BLOOD TRACKS
INRESPECT 9402 ~ UK ~ Classic Rock
A complete collection of all 24 tracks recorded by the UK singer Don Fardon for the short-lived Young Blood label. Fardon and his group the Sorrows were a one-hit wonders with the song `Indian Reservation` in 1968. Don recorded his only solo album for the label - I`m Alive - in 1970 and a few more singles, but his career was soon over. This is the first compillation of his entire recorded legacy, including never previously released material.
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  | CHRIS FARLOWE ~ AS TIME GOES BY
MIG 00792 (Barcode: 885513007926) ~ UK ~ Jazz
Recorded: 1995 Released: 2013
This is a reissue of the wonderful album by British Blues-Rock vocalist Chris FarloweFind albums by this artist, which presents his interpretations of classic Jazz vocal standards. As such it is the most atypical album by Farlowe and the one closest to Jazz he ever recorded. Farlowe is accompanied by a great sextet lead by saxophonist Pat CrumlyFind albums by this artist, which also includes trombonist Mark NightingaleFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, pianist John PearceFind albums by this artist who also wrote all the arrangements, bassist Simon WoolfFind albums by this artist and drummer Simon MortonFind albums by this artist. The album was recorded at the Temple Studios and engineered by the studio owner, the legendary Jon HisemanFind albums by this artist. This reissue is remastered and includes one bonus track from the same session which was left out on the original release.
This album emphasizes the great Jazz sensitivity and the improvisational urge Farlowe displayed thru ought his long career, but which remained mostly hidden and overshadowed by his Blues-Rock front. His theatrics and vocal trickery fits the old and well known standards superbly, presenting them with a certain twist and different sensitivities, which are delightful and often surprising. For many Farlowe followers this album is quite an "ear opener" into his abilities which are expressed herein for the first time.
As Farlowe says in the album´s liner notes this was the music he heard in his early days, before he discovered Rhythm And Blues, which obviously influenced him and was partly responsible for his future musical personality. No wonder he decided to pay tribute to his Jazz roots, doing so with all his heart, as this album evidently shows.
Obviously this album is a must to the many Farlowe fans and followers, but it is also definitely deserves to be discovered by the British Jazz followers who are probably completely unaware of its existence. This is such a pleasure to listen to this music and I hope many people will seek it out to join the party!
| | Updated: 08/05/2023Posted: 25/06/2016 | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | MORDY FERBER ~ ALL THE WAY TO SENDAI
ENJA 6030 (Barcode: 063757603023) ~ ISRAEL ~ Jazz-Rock Fusion
Recorded: 1990 Released: 1990
This is the debut album as a leader by Israeli guitarist / composer Mordy FerberFind albums by this artist, recorded with a spectacular international lineup, which includes Japanese trumpeter Tiger OkoshiFind albums by this artist, American saxophonists Bob MintzerFind albums by this artist, keyboardists American Brad HatfieldFind albums by this artist and Swiss Matthias GohlFind albums by this artist, bassists Czech Miroslav VitousFind albums by this artist and French Gildas BocleFind albums by this artist, American drummer Marty RichardsFind albums by this artist and Brazilian percussionist / vocalist Nana VasconcelosFind albums by this artist. The album presents six tracks, all of which are original compositions by Ferber.
Ferber, born in 1958 near Haifa, was one of the many young Israeli musicians, who frequented my home while growing up and getting into Jazz, partly under my influence. By the end of the 1970s and in early 1980s Ferber became a most sought after Israeli session guitarists and took part in recording many legendary albums at the time. He left to study at Berklee, like many other Israeli Jazz musicians, and decided to stay in the US, visiting Israel occasionally.
The music floats between melodic contemporary Jazz and some more Fusion influenced pieces, all beautifully put together and performed by this highly talented team. His guitar performances are nothing short of stellar and the entire album is a great piece of delightful music, which sadly never achieved the proper attention on the US scene, which has always been flooded by way too many mediocre releases. He recorded several more albums but his output sadly does not reflect his great talent, which is a great pity.
Overall, this is a beautiful album, full of great music and spectacular playing, which is criminally little known both in Israel and on the global scene. Of course guitar enthusiasts should be primarily happy with this music. A great piece of personal nostalgia for me.
| | Updated: 11/08/2024Posted: 11/08/2024 | CD 1 Recommend To A Friend |
  | FINNFOREST ~ ALPHA TO OMEGA: THE COMPLETE STUDIO RECORDINGS 1973-1980
SVART 056 (Barcode: 6430065585435) ~ FINLAND ~ Jazz-Funk Fusion
Recorded: 1973 - 1980 Released: 2018
This is a reissue of the collected studio recordings by the Finnish Progressive Rock / Fusion ensemble FinnforestFind albums by this artist. It includes the remastered versions of the three LPs recorded by Finnforest and released on the legendary LoveFind albums on this label Records label: "FinnforestFind albums with this title" (1975), "Lahto MatkalleFind albums with this title" (1976) and "DemonnightsFind albums with this title" (1979). Additionally two singles, one compilation track and two previously unissued recording sessions, one before the debut album (1973) and another after the last album (1980), are also included. Beautifully packaged and with in depth liner notes this 3 CD set is a proper tribute to this great band.
Finnforest was formed in 1973 by twin brothers Pekka TegelmanFind albums by this artist, who played guitar and Jussi TegelmanFind albums by this artist, who played drums. The early version of the band included also keyboardist Jukka RissanenFind albums by this artist, bassist Jarmo HiekkalaFind albums by this artist and vocalist Ari MustonenFind albums by this artist. This quintet lineup plays on the six early tracks recorded in 1973.
The first album was recorded in Sweden in 1975 just by the trio of Tegelman brothers and Jukka Rissanen. The second album was also recorded in Sweden a year later, and featured the Tegelman brothers, Hiekkala on bass and keyboardist Jukka LinkolaFind albums by this artist, Second keyboardist Pertti PokkiFind albums by this artist plays on two tracks and a string section conducted by Otto DonnerFind albums by this artist plays on one track. The third album was recorded in 1978 and features only Jussi Tegelman from the original lineup and the rest are all new members: keyboardist Jarmo SavolainenFind albums by this artist, guitarist Jari RissanenFind albums by this artist, bassist Tuomo HelinFind albums by this artist and saxophonist Juhani AaltonenFind albums by this artist. Pekka Tegelman plays only on some of the tracks. The last session features all new musicians playing with Jussi Tegelman. All the music present on this set, except for one track, was composed by one or the other of the Tegelman brothers.
The early tracks are typical proto-Prog but starting with the tracks on the first album the music becomes absolutely stunning, with complex compositions and lengthy improvisations, slowly moving from Symphonic Prog into Jazz-Rock Fusion, with even more daring and challenging musical excursions.
In retrospect it is clear that Finnforest were one of the most important European Prog groups in the 1970s, creating some of the most exciting music that came out of Finland at the time, despite the fact that they had fierce competition as Finland at the time produced incredible amount of fascinating music. It is great to see these classic albums back in circulation and the bonus tracks are always a welcome incentive. This is definitely a must have for all true Prog and Fusion collectors from around the world.
| | Updated: 02/07/2020Posted: 02/07/2020 | CD 3 Remastered Bonus Tracks Recommend To A Friend |
  | BÉLA FLECK / MARCUS ROBERTS ~ ACROSS THE IMAGINARY DIVIDE
ROUNDER 011661914223 (Barcode: 011661914223) ~ USA ~ Jazz-World Fusion
Recorded: 2011 Released: 2012
This is another banjo / Jazz piano album by the undeniable king of banjo Béla FleckFind albums by this artist and the excellent Jazz pianist / composer Marcus RobertsFind albums by this artist. However, there are quite a few differences between this recording and the meeting between Fleck and pianist Chick CoreaFind albums by this artist, which resulted in "The EnchantmentFind albums with this title" album recorded five years earlier. The meeting with Corea was a duo recording, whereas here Flack plays with the Marcus Roberts trio, with bassist Rodney JordanFind albums by this artist and drummer Jason MarsalisFind albums by this artist.
The album includes twelve original instrumental pieces, five of which were composed by Fleck, six by Roberts and one is co-composed by both of them. The music is difficult to characterize, as it is definitely neither Jazz nor Bluegrass, although of course it has touches of both. The presence of a piano trio naturally has strong Jazz connotations, but those remain only in the background. Overall this album lacks the excitement and spark present on the Corea / Fleck recording, but of course considering the incredible level of talent involved it certainly has its moments.
It is quite possible that the musicians intended to achieve exactly this vaudeville / early 20th Century entertainment feel, which somehow is being transmitted herein. Excellently played it nevertheless remains pure entertainment never actually crossing the thin line dividing entertainment and art. But it is definitely first rate entertainment, which many people will surely enjoy immensely.
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  | FOCUS ~ AT THE RAINBOW
RED BULLET 66.190 (Barcode: 8712944661903) ~ NETHERLANDS ~ Progressive Rock
Recorded: 1973 Released: 2001
This is the 4th album (and the only live album) by the great Dutch group FocusFind albums by this artist, led by flautist / keyboardist / composer Thijs van LeerFind albums by this artist, which also included the brilliant guitarist / composer Jan AkkermanFind albums by this artist. Following the somewhat unfocused debut album, this masterpiece finds them at their absolute best, an album which is one of the best classic Prog albums of all times and an essential piece of music history. Recorded at the legendary London venue "The Rainbow" it captures the group at their absolute peak and is one of the greatest live Prog albums of all times. A timeless classic!
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  | ANAT FORT ~ A LONG STORY
ECM 1994 (Barcode: 602517014169) ~ ISRAEL ~ Jazz
Recorded: 2004 Released: 2007
This is the first album on the prestigious ECM label by Israeli pianist / composer Anat FortFind albums by this artist and her second release to date. Fort is the first Israeli musician to release an album on ECM. The album was recorded in NY with a formidable quartet, which includes American Jazz players: clarinetist Perry RobinsonFind albums by this artist, bassist Ed SchullerFind albums by this artist and drummer Paul MotianFind albums by this artist, presenting a set of original compositions / improvisations by Anat, who manages to create her own musical universe, unique and distinct from any other music made on this planet, quite an accomplishment for any musician today. Somewhere between modern Jazz, contemporary Classical music, late 19th Century Romanticism and Eric Satie´s Minimalism, the music of Anat Fort is like an impressionist painting, full of melancholy and lyricism and yet sparkling with color and emotion. Her music is always receptive to the listener´s mood, enabling him to discover a different facet every time he listens attentively. It sounds great in early mornings and late at night, being invigorating and soothing at the same time. Of course there is also Anat, the player, gently caressing the keyboard and masterfully applying pressure, when necessary. And yet the album is not an easy listening experience, especially at the first attempt. As all good Art, it requires attentive and repetitive listening, slowly breaking the barrier of assimilating with the listener´s perception. It sneaks on you slowly, doing deeper and deeper ever time, until you are completely hooked, left helpless and fully exposed to its beauty. What bliss! In retrospect I prefer her next album "And IfFind albums with this title", which was recorded with her regular trio. Uninhibited by the presence of strong personalities she is able to express herself more fully on that album, which is all for the best. But personal preferences aside, this is still a formidable album and I can´t imagine any serious music lover not falling in love with this album eventually, even if it takes some effort. Therefore I urge everybody to give it a try, as you surely won´t regret it in the long run. Music of this quality is too rare to be left unnoticed!
Visitors' Comments
Christopher Brice
Thanks for the Introduction, Adam! I loved this at first play, and it has been playing on and off for the last 24 hours, getting better and better (apart from the one short ocarina section). Quite different from my other favourite piano quartets and trios on ECM, but it still has that special ECM clarity and delicacy of sound. Paul Motian is very restrained, almost as if in awe (which is not an emotion I normally associate with him), and of course he gets it just right. I have been waiting for an opportunity to hear Ed Schuller and he was worth the wait. When Adam recommended Anat I chose the this album because of Paul and Ed but now I´m hooked - Adam says "And If" is even better so I´m off to join the waiting list.
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  | ANAT FORT ~ AND IF
ECM 2109 (Barcode: 602527332161) ~ ISRAEL ~ Jazz
Recorded: 2009 Released: 2010
This is the second album on the prestigious ECMFind albums on this label label by Israeli pianist / composer Anat FortFind albums by this artist and her third release to date. Fort is the first Israeli musician to release an album on ECM. Recorded with her regular trio with bassist Gary WangFind albums by this artist and drummer Roland SchneiderFind albums by this artist, the album presents a set of new original compositions / improvisations by Anat, who manages to create her own musical universe, unique and distinct from any other music made on this planet, quite an accomplishment for any musician today. Somewhere between modern Jazz, contemporary Classical music, late 19th Century Romanticism and Eric SatieFind albums by this artist´s Minimalism, the music of Anat Fort is like an impressionist painting, full of melancholy and lyricism and yet sparkling with color and emotion. Her music is always receptive to the listener´s mood, enabling him to discover a different facet every time he listens attentively. It sounds great in early mornings and late at night, being invigorating and soothing at the same time. Of course there is also Anat, the player, gently caressing the keyboard and masterfully applying pressure, when necessary. The rhythm section accompanies her with a kind of humility, which is inspired by respect and understanding, always there at her side, but never pushing her around. Together they are a harmonic unit, an ideal piano trio, which epitomizes Jazz more that any other combination of players known to men. And yet the album is not an easy listening experience, especially at the first attempt. As all good Art, it requires attentive and repetitive listening, slowly breaking the barrier of assimilating with the listener´s perception. It sneaks on you slowly, going deeper and deeper every time, until you are completely hooked, left helpless and fully exposed to its beauty. What bliss! In retrospect I prefer this album to its predecessor "A Long StoryFind albums with this title", which was recorded with a cast of most reputable musicians, but lacks the true personal touch of Anat´s musical true-self. Uninhibited by the presence of strong personalities she is able to express herself more fully on this album, which is all for the best. I can´t imagine any serious music lover not falling in love with this album eventually, even if it takes some effort. Therefore I urge everybody to give it a try, as you surely won´t regret it in the long run. Music of this quality is too rare to be left unnoticed!
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  | MACIEJ FORTUNA ~ AT HOME
FM 009 (Barcode: 888174080475) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013
This is the fourth album by the Polish Jazz trumpeter / composer Maciej FortunaFind albums by this artist, who emerges as one of the leaders of the local scene in the second decade of the 21st Century. His prolific activity as a player and recording artist is unprecedented and his rapid development as a musician and composer, as documented by his frequent recordings, is simply astounding.
This album is a "home" recording in a trio format, with the same lineup that recorded Fortuna´s previous album "SahjiaFind albums with this title", which features the brilliant and by now veteran bassist Piotr LemanczykFind albums by this artist and the excellent drummer Krzysztof GradziukFind albums by this artist (of RGGFind albums by this artist fame). The material includes eleven original compositions, seven of which are by the leader and the remaining four (which are parts of a four-piece suite, the first of which features vocals by Marta PodulkaFind albums by this artist) are credited to the trio.
Following a period of touring together, this trio is a prime example of team cooperation and collective effort, which results in the outcome being much more than a sum of its parts. One should hardly look at this music as a leader with a supporting rhythm section; on the contrary Fortuna puts his ego away in order to construct a unit, which performs as one. Obviously there is also plenty of superb soloing here, as appropriate for a Jazz recording; Lemanczyk plays way beyond a typical role required by a bassist; his lyricism and sublime feel of harmony create a whole layer of background sounds parallel to trumpet lines, Gradziuk hardly ever keeps time per se, using his kit as a melodic environment and less so as a rhythmic tool and Fortuna is of course phenomenal as a soloist, with a beautiful tone and breathtaking arpeggios. His playing is changing over time to become similar to the great Jazz trumpeters of the past, even somewhat similar to early Tomasz StankoFind albums by this artist, but much more polished technically.
The most important characteristic of the wonderful music presented here is its minimalism and modesty. There is so much lyricism and melancholy in Fortuna´s compositions that they become probably the most genuine extensions of the Polish Jazz legacy that first started in the 1960s. It´s not a conscious attempt to play "retro" oriented music, au contraire it is completely up to date, and yet, at least for me, it carries on the tradition more than most other Polish Jazz ensembles do at the moment. There is also more freedom here than in Fortuna´s earlier recordings, without loosing any of the coherence and clarity his music is blessed with. This melody based Free Jazz is after all the ideal mixture of everything Jazz is all about: a perfect marriage of discipline and liberty.
This is a remarkable album by all standards and it is a pleasure to follow the development of such talented Artists, who are like a tree bearing better and better fruit year after year. There is nothing else one can do but raise one´s hat in salute and hope for the next harvest. God bless you guys for sharing this music with us.
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  | FRANK FOSTER / SWR BIG BAND ~ A FRESH TASTE OF THAD JONES AND FRANK FOSTER
HANSSLER CLASSIC 4010276018582 (Barcode: 4010276018582) ~ USA ~ Big Band Jazz
Recorded: 1994 - 1996 Released: 2006
This is a wonderful Jazz Big Band album by American saxophonist / flautist / composer / arranger / bandleader Frank FosterFind albums by this artist, recorded with the brilliant German SWR Big BandFind albums by this artist during his two residencies as guest conductor in 1994 and 1996. The album presents eleven tracks, seven of which are compositions by Foster and four are compositions by Thad JonesFind albums by this artist.
Foster succeeded Jones as the leader of the legendary Count Basie OrchestraFind albums by this artist in 1986 and continued to lead it until 1995, creating some of the definite late American Big Band sound. The album pays tribute to Jones and that Big Band tradition. Foster solos on most of the tracks and his warm sound is immediately recognizable. Of course the European musicians have no problem with tackling the material with ease and elegance.
One is of course immediately tempted to compare the sound on this album, and other albums by German Big Bands like the NDR Big BandFind albums by this artist or HR Big BandFind albums by this artist, with their American counterparts. This album is particularly interesting due to the presence of American conductor and strictly American material, which are still unable the close the conceptual gap between European and American Big Band sound, which comes down to the difference between a collection of individuals as opposed of a one multi-headed body making music.
Overall, this is an interesting mixture of American and European Jazz Big Band, brilliantly played by everybody involved and featuring Foster as the main soloist and conductor. Lovers of the genre should have a field day with this, sadly little know album, which is definitely worth being discovered!
| | Updated: 18/01/2024Posted: 18/01/2024 | CD 1 Digipak Recommend To A Friend |
  | PETER FRAMPTON ~ ALL BLUES
UNIVERSAL 602577644245 (Barcode: 602577644245) ~ UK ~ Blues-Rock
Recorded: 2019 Released: 2019
This is the 17th solo album by legendary British guitarist / vocalist / songwriter Peter FramptonFind albums by this artist, recorded with his regular band, which includes keyboardist Rob ArthurFind albums by this artist, guitarist Adam LesterFind albums by this artist, drummer Dan WojciechowskiFind albums by this artist and bassists Glenn WorfFind albums by this artist or David LabruyereFind albums by this artist. Several guest musicians appear on selected tracks. The album presents ten tracks, all Blues classics and obviously Frampton’s favorites.
Following almost six decades of music career as member of The HerdFind albums by this artist and Humble PieFind albums by this artist, and a solo artist since 1971, which produced, among others, one of the top live Rock albums of all time, the iconic “Frampton Comes AliveFind albums with this title”, Frampton returns to his youth influences, paying tribute to the Blues. The selection of songs is impeccable and his abilities as a guitarist and vocalist, despite the diagnosed illness, are still absolutely stunning. The Blues was always an essential part of his musical persona, and this album proves why.
An interesting choice of including Miles DavisFind albums by this artist’ “All Blues”, as one of the covers and the album’s title, which gests a sensational rendition herein, emphasizes the omnipresence of the Blues in all forms and shapes of music.
Overall, this is a wonderful Blues Rock album, with superb guitar work, heartfelt vocals and a tinge of nostalgia, which no Blues fan ignore. Chapeau bas to one of the heroes of my youth, who still kicks ass way more convincingly that anybody half his age, despite the fact that our days are numbered!
| | Updated: 21/02/2024Posted: 21/02/2024 | CD 1 Recommend To A Friend |
  | MLADEN FRANKO ~ AMAZING SPACE
GAD 027 (Barcode: 5901549197358) ~ GERMANY ~ Electronic & Ambient
Recorded: 1980 Released: 2015
Multi-instrumentalist / composer Mladen FrankoFind albums by this artist was born in former Yugoslavia, but left for Germany immediately after graduating from high school and slowly climbed the ladder towards establishing his name as a composer, which eventually led him into the field of library music. He became one of the most prolific contributors to Sonoton, world´s biggest music library founded by composer Gerhard NarholzFind albums by this artist.
Sonoton licensed its music to many TV stations all over the world, including Poland, where Franko´s instrumentals were often used as background music for TV productions, including the legendary popular science program "SondaFind albums with this title". Two collections of Franko´s compositions were named "Amazing Space" (Vol.1 & 2) and were among his most widely used pieces, although the TV audiences were completely oblivious as to the composer´s identity.
This album collects the music included on both original "Amazing Space" vinyl albums, which were used to distribute the music but not released commercially. The music was composed, arranged and eventually performed by Franko, who played all the instruments by himself. It is based mostly on extensive use of synthesizers and presents an interesting collection of melodic pieces, with a slight Jazzy feel and Groove, spiced up by short improvised solos. Although many such productions often tend to represent the kitschy side of the music industry, Franko´s pieces are anything but corny or trivial and withstand the tides of time splendidly.
Although the overall sound is somewhat dated, this is a most pleasing piece of instrumental music, with a dash of nostalgia, which is a great fun to listen to, without insulting the listener´s intelligence. Kudos to GADFind albums on this label Records for making this available for the general public!
| | | CD 1 Remastered Recommend To A Friend |
  | FUSION SYNDICATE ~ A SPEEDWAY ON SATURN`S RINGS
PURPLE PYRAMID 4022 (Barcode: 889466402227) ~ USA ~ Jazz-Rock Fusion
Recorded: 2012 - 2023 Released: 2023
This is the second album by the Fusion SyndicateFind albums by this artist, a brainchild of American guitarist / composer / producer Fernando PerdomoFind albums by this artist, who assembled a group of Fusion / Prog superstars to record (mostly) his compositions with various lineups, which change from track to track. The collective lineup includes guitarists Al Di MeolaFind albums by this artist and Jan AkkermanFind albums by this artist, keyboardists Rick WakemanFind albums by this artist and Brian JacksonFind albums by this artist, bassist Jah WobbleFind albums by this artist and Alphonso JohnsonFind albums by this artist and drummer Chester ThompsonFind albums by this artist, among others. The album presents eight tracks recorded in late 2022 and early 2023.
The album also presents four bonus tracks produced and composed by bassist / composer Billy SherwoodFind albums by this artist, which originate from the debut eponymous album by Fusion Syndicate from 2012, which is difficult to find these days. It features such Fusion giants like bassist Jimmy HaslipFind albums by this artist, guitarist Larry CoryellFind albums by this artist, violinist Jerry GoodmanFind albums by this artist, drummer Billy CobhamFind albums by this artist and others.
Although featuring excellent musicians, the album has nothing new to offer musically and has no coherent concept per se. There is plenty of excitement and excellent soloing by the participants, as expected, but sadly it confirms the notion that Fusion, following a relatively brief period of creativity and Artistic productivity during the Golden Decade (1965-1975) has been mostly dormant, if not dead since.
Overall, this is a well-played typical Fusion album, which adds nothing new to the genre’s illustrious past, but offers a pleasant listening experience to the genre’s hard to die fans.
| | Updated: 08/12/2023Posted: 08/12/2023 | CD 1 Digipak Bonus Tracks Recommend To A Friend |
  | FUSK ~ ABSURD ENTHUSIASM
WHYPLAYJAZZ 060 (Barcode: 4250459992609) ~ DENMARK ~ Jazz
Recorded: 2022 Released: 2022
This is the fifth album by International Jazz quartet FUSKFind albums by this artist, led by Danish drummer / composer Kasper Tom ChristiansenFind albums by this artist, with Polish trumpeter Tomasz DabrowskiFind albums by this artist, German clarinetist Rudi MahallFind albums by this artist and Danish bassist Andreas LangFind albums by this artist. The album presents ten original compositions, all by Christiansen, recorded “live” in the studio. This album celebrates 15 years of the quartet’s existence and is released five years after the previous album “The Jig Is UpFind albums with this title” from 2018.
The music continues pretty much where it was left before the lengthy break, with excellent modern Jazz padded by a large degree of freedom, based on the excellent and very complex compositions by the leader. All members of the quartet are first class musicians, with extensive experience, so nothing can really go wrong.
FUSK offers a unique sound as it misses a harmonic support and the trumpet / clarinet front line has to create all the melodic messages, which they of course manage to handle beautifully. The excellent rhythm section offers full support for the two soloists, who play most of the time in tandem, often unisono, which creates the distinctive sound effect the quartet offers.
Overall, this is another splendid offer by this quartet, which explodes with talent and creativity. The open borders of the European Union make it easy for international cooperation to blossom, which this quartet personifies, but it is by far not the only gathering of the kind. Hopefully we won’t have to wait for another five years to hear the next outing by FUSK.
| | Updated: 26/02/2023Posted: 26/02/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | RICHARD GALLIANO ~ AROUND GERSHWIN
PENTATONE 8717306262293 (Barcode: 8717306262293) ~ FRANCE ~ Jazz-Classical Fusion
Recorded: 2023 - 2024 Released: 2024
This is a solo album by French Jazz accordion / bandoneon virtuoso Richard GallianoFind albums by this artist, which as the title indicates, is dedicated to the music of George GershwinFind albums by this artist, but also other early 20th Century composers, like Sergei RachmaninoffFind albums by this artist, Eric SatieFind albums by this artist, Claude DebussyFind albums by this artist, Maurice RavelFind albums by this artist and Gabriel FaureFind albums by this artist, all adapted for accordion by Galliano, and also including a couple of pieces composed by himself. The album presents fourteen tracks and offers a splendid sound quality.
I have been following the career of Galliano since as long as I can remember (he is almost exactly one year older than me) and he was always one of my favorite Jazz musicians, long before he achieved the international fame and recognition. His incredible sensitivity and power of expression are almost unparalleled, and his openness to other musical cultures and genres makes him a true total Artist. His accumulated contribution to European Jazz is simply colossal.
This is not the first album which finds Galliano interpreting Classical music, and his earlier albums with music by Johann Sebastian BachFind albums by this artist, Antonio VivaldiFind albums by this artist or Wolfgang Amadeus MozartFind albums by this artist are all warmly recommended, but this album is closest to my heart, for several reasons. Gershwin’s “Rhapsody in Blue” is my all-time favorite piece of music (as irresponsible as that kind of statement might sound), and Galliano’s interpretation of it is simply Godly. I have heard hundreds of recordings of RIB, but this is definitely one of the most profoundly moving ones, especially in view of the completely new environment and the ability to overcome the devilishly difficult score and underlying changes of mood / melody / tempo, etc., which Galliano conquers with his usual wit, intelligence and charm.
But perhaps more important is the statement, subtly hidden behind the vail, which places Gershwin with his “serious” Classical Music contemporaries, recognizing his position as a no less “serious” composer, which is more often than not denied from Gershwin, mostly recognized for his work as a songwriter, with his Classical compositions often ignored and neglected, and which deserves to be put straight.
Overall, this is a marvelous album, full of delightful music, brilliantly performed and cleverly put together, which puts a new light on the sublime music composed by Gershwin, and offers an hour of tete-a-tete between the listener and one of the greatest musicians out there. Another great production by the PentatoneFind albums on this label label and of course, this is something way beyond recommendation…
| | Updated: 04/10/2024Posted: 02/10/2024 | CD 1 Digipak Recommend To A Friend |
  | NURIT GALRON ~ AND THEN CAME UPON US
NMC (ISRAEL) 20938 (Barcode: 7294276209387) ~ ISRAEL ~ Progressive Rock
Recorded: 2009 Released: 2010
Almost 30 years after Israeli singer Nurit GalronFind albums by this artist recorded her brilliant album "Songs In The Middle Of The NightFind albums with this title", which included songs written to the wonderful poetry of the iconic Israeli poet Natan ZachFind albums by this artist, she returns with the same concept on this album. A brilliant set of new songs, composed by some veteran (Ilan WirtzbergFind albums by this artist) and some newer songwriters, exquisitely performed by Galron, accompanied by a sympathetic group of excellent musicians. Unfortunately the subtlety and intricate details of the poems in the Hebrew language is lost to all those listeners who lack the knowledge of our language, nevertheless the atmosphere and the quality of this great album is universal and many non-Hebrew speaking people around the globe will undoubtedly enjoy it. An instant classic!
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  | MICHAEL GARRICK ~ A LADY IN WAITING
JAZZ ACADEMY 01 ~ UK ~ Jazz
Recorded: 1993 Released: 1994
British pianist / composer Michael GarrickFind albums by this artist enjoyed a most fruitful and prolific career during the Golden Decade of British Jazz between mid-1960s and mid-1970s, releasing a series of groundbreaking and exquisite albums, which firmly established his position as one of the scene’s leaders. However, by the end of 1970s Garrick and many of his illustrious colleagues suffered the fate of the changing cultural climate, with record labels no longer willing to release highly prestigious but low selling albums containing quality music. For the next two decades Garrick was to record only sporadically and although he continued to compose and sometimes perform his music, most of it remains unrecorded. In order to find an outlet for his music, Garrick established in 1993 his own record label called Jazz AcademyFind albums on this label, which was primarily dedicated to record his works. Thanks to this wise decision, we can now all enjoy the fruits of his labor. This album is the first release on Garrick’s label, and it’s hardly surprising that he decided to make his initial recording for the new label in the piano trio format, the most intimate and revealing platform for Jazz pianists. The trio, with Dave GreenFind albums by this artist on bass and Alan JacksonFind albums by this artist on drums, both veteran Garrick’s cohorts performs beautifully, in perfect harmony and almost telepathic interplay, as expected. The choice of material is also very interesting. Although Garrick very rarely plays standards, having so much of his own wonderful music to chose from, this album does include six Garrick’s renditions (out of the 15 tunes included on the album) of music composed by others. In fact it is quite educational to compare these with some of the many existing versions of these tunes. Under Garrick’s fingertips these tunes really get a completely unique new life. The original material includes six movements from Garrick’s suite “The Royal Box”, which was also recorded in a Big Band version. Overall this is a perfect piano trio album, played by three equally brilliant musicians and one that can be played again and again with no fear whatsoever of getting bored by the music. Of course one would expect nothing less from this musical world-class Giant. A must!
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  | MICHAEL GARRICK ~ A NEW SERIOUS MUSIC
RHYTHM AND BLUES 076 (Barcode: 5060331752615) ~ UK ~ Jazz & Poetry
Recorded: 1967 - 1969 Released: 2021
This is an archival album by seminal British pianist / composer / bandleader Michael GarrickFind albums by this artist. The album presents two BBC sessions, the first captured on July 23, 1967 which includes five original compositions by Garrick, performed with trumpeter Henry LowtherFind albums by this artist, saxophonists Jim PhilipFind albums by this artist and Art ThemenFind albums by this artist, bassist Coleridge GoodeFind albums by this artist and drummer Trevor TomkinsFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Humphrey LittletonFind albums by this artist. The second session, captured on October 10, 1969 includes six original compositions by Garrick, performed by trumpeter Ian CarrFind albums by this artist, saxophonist Don RendellFind albums by this artist and Themen, Goode, Tomkins and vocalist Norma WinstoneFind albums by this artist and with poetry readings by poets John SmithFind albums by this artist and Jeremy RobsonFind albums by this artist. Each of the music tracks in preceded by a spoken introduction by Garrick, which results in the album having no less than twenty-two tracks.
During the period between these two sessions Garrick was living a “double life”, dividing his time between the Don Rendell / Ian Carr QuintetFind albums by this artist and his own ensembles, producing some of the most significant new British Jazz, of which he was one of the most important architects, especially so as a composer. His astonishing diversity, which includes “straightforward” (well never really straightforward) Jazz, Free Jazz, Jazz-Choral music, and the Jazz & Poetry explorations, like those portrayed by the second session included here, made him a key figure of the new British Jazz, crystalizing at the time.
The music, although captured over five decades ago, is still a full blow in the face to those unfamiliar with Garrick’s multi-layered musical universe. I have been incredibly fortunate to hear Garrick perform live during that period and the long conversations we had together, after the music was over, about music (and poetry) with the baby-faced, always smiling Garrick are forever implanted in my mind.
Music lovers interested in that period of Garrick’s activity should try and revisit all the fabulous recordings he made then, like “Poetry And Jazz In ConcertFind albums with this title”, “October WomanFind albums with this title”, “PromisesFind albums with this title”, “Black MarigoldsFind albums with this title”, “Jazz Praises At St Paul`sFind albums with this title”, “The Heart Is A LotusFind albums with this title”, which have been reissued by VocalionFind albums on this label or Garrick’s own Jazz AcademyFind albums on this label label. Any serious British Jazz collection is not complete with these titles missing.
Overall this is a milestone album, with previously never released material, which is worth its weight in gold. Although the sound quality of the second session included herein is somewhat distorted at times, this can be easily forgotten in view of the historical importance of the music. Warmly recommended!
| | Updated: 08/08/2021Posted: 08/08/2021 | CD 1 Recommend To A Friend |
  | GAWLAS / WISNIOWSKI / HERZYK ~ ABSTRACT TRIO
REQUIEM / OPUS 2021/68 ~ POLAND ~ Avant-Garde Jazz-Classical Fusion
Recorded: 2021 Released: 2021
This is the debut album by Polish trio comprising of synthesizer / electronic music sound creator / composer Krzysztof GawlasFind albums by this artist, Jazz flautist / saxophonist / composer Leszek HeFi WisniowskiFind albums by this artist and percussionist Wojciech HerzykFind albums by this artist. The album presents seven tracks, all being improvisations by the trio members and therefore uncredited as far as composing credits are concerned.
The music is all about searching and experimentation, which of course means that it has much in common with Avant-Garde Rock and Jazz Improvised Music, being perhaps a tad more restrained and “cultural”, but in general displaying the characteristics of Freedom and spur of the moment music making, common to all such genres.
The presence of Wisniowski naturally takes the music closer to the Jazz spectrum, whenever he becomes the focus of the music, whereas during his absence the music drifts more towards outer space, but the entire affair stays well within well-behaved so called “New Music”, which the Classical Academics like to call such experiments for the lack of a better term.
The same question as to the validity of such music in a recorded form applies here as much as it does in Jazz Improvised Music – it might be quite a powerful and emotional experience when performed live in front of an audience, but the likelihood of someone listening to this music in a home environment is highly questionable. Nevertheless, artistic freedom and aesthetic expression make the recording of such music perfectly legitimate and praiseworthy.
Overall, this is a very interesting and somewhat challenging aural experience, which although directed toward a narrow / limited audience, is definitely worth investigating by those fearless sound explorers, who are not avoiding challenges and exploring uncharted territories. I, for one, had a great time listening to this album!
| | Updated: 05/03/2022Posted: 05/03/2022 | CD 1 Digipak Recommend To A Friend |
  | PETER GEE ~ A VISION OF ANGELS
TOFF 8 ~ UK ~ Progressive Rock
Peter is of course the bass player from Pendragon and this is his 1st solo album from 1997 (with a little help from his band mates and others). Very lyrical and introvert, with beautiful gentle melodies and soft vocals. A real treasure if you like quiet and serious Prog music.
| | | CD 1 Recommend To A Friend |
  | GENTLE GIANT ~ ACQUIRING THE TASTE
REPERTOIRE 1072 (Barcode: 4009910107225) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 2005
2nd album by British Prog legends Gentle GiantFind albums by this artist, which follows the stunning eponymous debut album, and stretches the ideas even further, with everything between Hard Rock and Gregorian Chants, fused into an amazing amalgam unique to this band. Elegant and sophisticated, humorous and deep, this is an unmatched musical gem, which inspired generations of future musicians. No Prog collection should be without this album.
| | | CD 1 Remastered Essential Recommend To A Friend |
  | GENTLE GIANT ~ ACQUIRING THE TASTE
VERTIGO 842917 (Barcode: 042284291729) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 1990
2nd album. Following the stunning debut album, this one stretches the ideas even further, with everything between Hard Rock and Gregorian Chants fused into an amazing amalgam unique to this band. Elegant and sophisticated, humorous and deep, this is an unmatched musical gem. which inspired generations of Proggers. No Prog collection should be without this album.
| | | CD 1 Essential Recommend To A Friend |
  | GENTLE GIANT ~ ARTISTICALLY CRYME
GLASS HOUSE 104 ~ UK ~ Progressive Rock
The Glass House label releases all available live GG material, that was previously issued on various bootleg labels. The material is cleaned up and sounds quite decent. Of course every shread of GG material is worth its weight in gold.
This material was recorded in Sweden in 1976.
| | | CD 2 Recommend To A Friend |
  | GILGAMESH ~ ANOTHER FINE TUNE YOU`VE GOT ME INTO
ESOTERIC 2126 (Barcode: 5013929722620) ~ UK ~ Canterbury Scene
Recorded: 1978 Released: 2009
2nd album by the wonderful Canterbury scene iconic ensemble GilgameshFind albums by this artist, founded by keyboardist Alan GowenFind albums by this artist in 1972. Over the years the ensemble operated under a revolving door policy with lineup changes as frequent as gigging opportunities and the musicians changing places between groups like Hatfield And The NorthFind albums by this artist, National HealthFind albums by this artist, Soft HeapFind albums by this artist and other lesser known outfits. The list of ex-Gilgamesh members reads like a crème de la crème of the Canterbury Jazz / Rock scene. By 1975 the group managed to record their debut album for the VirginFind albums on this label´s esoteric imprint CarolineFind albums on this label, only to splinter again soon after. Three years later Gowen re-assembled a new lineup of Gilgamesh and recorded this album, which unfortunately was to be their last, with Gowen dying of leukemia in 1981 at the age of just 33. The players on this album are Gowen on keyboards, original Gilgamesh member guitarist Phil LeeFind albums by this artist, bassist Hugh HopperFind albums by this artist and veteran Jazz drummer Trevor TomkinsFind albums by this artist. The music, written almost entirely by Gowen, is typical Canterbury mix of Jazz and some Rock influences, with extended improvisations and brilliant performances from start to finish. Gowen´s brilliant compositions remain unmatched and unchallenged in their harmonic beauty and sophistication. This is classic Canterbury stuff and it retains its vitality and importance with no signs of getting outdated. A must to any Canterbury or British Jazz-Rock enthusiast!
| | | CD 1 Remastered Recommend To A Friend |
  | GLABULATOR ~ A DAY WITHOUT HOURS
NOT ON LABEL (Barcode: 5903111550004) ~ POLAND ~ Jazz
Recorded: 2012 Released: 2013
This is the debut album by the experimental Polish Jazz duo GlabulatorFind albums by this artist, founded in 2005 by saxophonist Tomasz GlazikFind albums by this artist (SyfonFind albums by this artist, Sing Sing PenelopeFind albums by this artist) and drummer Jacek BuhlFind albums by this artist (SyfonFind albums by this artist and many others), two of the most respected activists on the Avant-Garde scene in the town of Bydgoszcz and its legendary club "Mozg". Following a long period of inactivity since 2007 the duo combined forces again in 2012 and recorded this album in the studio located in the same club, which includes ten original compositions / improvisations credited to the duo.
The music is quite diverse, ranging from completely improvised pieces to almost danceable melodic exercises, which are nostalgic reminiscences of the Yass period. Glazik plays tenor saxophone, bass clarinet and synthesizers and creates a wide range of sounds and effects, creating often the effect of a whole ensemble. Buhl, who is one of my favorite drummers on the Polish scene, presents again his incredible musicality and virtuosic control of his array of percussive instruments. Together they create an ambience of adventure, which keeps the listens in full suspense throughout the entire album.
This music beautifully combines the concept of freedom with the elements of melody and rhythm, which are the basic building blocks of music, and therefore is able to be attractive to a relatively wide range of open-minded listeners, which is usually quite difficult to achieve in the Free / Improvised Music environment.
This is yet another document of the incredible vitality and versatility of the Polish Jazz scene, which seemingly knows no borders and simply explodes with both established and new talent. Listeners who have been following the careers of the duo members will find this album as another interesting step in their development. For others this is a wonderful opportunity to discover the magical world of Glabulator and take an enchanted voyage with them.
| | Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | GLAZ ~ AR GEST
MAGNETIC MUSIC 1010 ~ FRANCE ~ Progressive Rock
2nd album from 1996 by this French Celtic Prog group. Very good female vocals fronting strong instrumentalists. Glaz are one of the best representatives of this genre and very popular both with the Celtic and the Prog fans. Songs are in English, Gaelic and French. Similar to Mostly Autumn.
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  | MACK GOLDSBURY / MACIEJ FORTUNA ~ ACTIVE RUSH
FM 014 ~ USA ~ Jazz
Recorded: 2011 - 2013 Released: 2013
This album presents a collection of six live and one studio recordings by the American Jazz quartet led by saxophonist Mack GoldsburyFind albums by this artist and including guitarist Shaun MahoneyFind albums by this artist, bassist Erik UnsworthFind albums by this artist and drummer Ricky MalichiFind albums by this artist, which also features as a guest soloist the excellent Polish Jazz trumpeter Maciej FortunaFind albums by this artist. This quintet recorded and released a couple of albums earlier on. The album presents seven original compositions, five by Mahoney and one each by Goldsbury and Fortuna.
I have never managed to figure out why Fortuna plays with this quartet, which is an epitome of American mainstream, devoid of any ambition or interest. He is by far a much more talented and skillful player than any of his partners herein and the music he plays with his own ensembles is infinitely more interesting and far-reaching. However, since this is his choice, we should respect it and decide if we want to listen to it or not.
Of course American mainstream spiced up by a brilliant trumpeter can not be all that bad and many Jazz listeners can enjoy this music in full. These are decent tunes and the playing is professional and vigorous, so there is plenty to like if you are into that kind of Jazz. Personally I´d rather wait for the next "proper" recording by Fortuna.
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | ADAM GOLICKI ~ AD SHAVE
BCD 36 (Barcode: 5906881885369) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2015 Released: 2015
This is the debut album by young Polish Jazz drummer / composer Adam GolickiFind albums by this artist, recorded with a core trio, which also includes keyboardist Michal CiesielskiFind albums by this artist and bassist Piotr GierszewskiFind albums by this artist. This same trio released an album under the Confusion ProjectFind albums by this artist moniker a year ago. Eight guest musicians appear on selected tracks, among them saxophonist Maciej SikalaFind albums by this artist. The album presents six original compositions, all composed by Golicki (although the album´s packaging includes also a conflicting line claiming the compositions were co-composed by Golicki and Ciesielski).
The music is a nice collection of melodic tunes performed excellently by all the musicians involved in a Funky / Fusion mainstream style. This music swings and the musicians are all professionals, so nothing negative can be said about this album, except for the fact that it is derivative and introduces absolutely no innovation as far as music is concerned. On the other hand not every album innovates (in fact only very few do) so this album is at least as good as most other albums released in the same musical milieu and parts of it are even brilliant.
I had an entertaining time listening to this music, not trying to analyze it any more than need be and having a good time in the process. Perhaps not music for brainiacs, but this is a solid piece of music in every respect and very many people who like the lighter side of Jazz should have a great time listening to it. Hopefully Golicki will continue his musical path further and will grace us with more ambitious projects in the future. His potential as a composer certainly ignites high hopes.
| | | CD 1 Recommend To A Friend |
  | MARTA GOLUCH ~ APETYT NA SZCZEROSC
MUSIC CORNER 070 (Barcode: 5906489287695) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2024 Released: 2024
This is the debut album by Polish Jazz vocalist / lyricist Marta GoluchFind albums by this artist. It presents ten tracks, all featuring her original lyrics. She is accompanied by a classic piano trio, with pianist Karolina KrzyzanowskaFind albums by this artist, who composed nine of the songs, bassist Bartlomiej BrozdaFind albums by this artist and drummer Kacper SkolikFind albums by this artist. Guitarist Pawel RuszkowskiFind albums by this artist, who composed the remaining song, guests on four tracks and trumpeter Sergiej KriuczkowFind albums by this artist guests also on four tracks. The album offers a wonderful sound quality, which is not surprising considering that Ignacy GruszeckiFind albums by this artist was behind the console.
The album is kept in a classic Jazz Swing / cabaret mood, with a clear wink towards the musical scene of the period between the two wars. The songs are all based on solid melodies, the lyrics are intelligent and somewhat humorous, and the entire album swings and entertains splendidly for the entire duration.
Goluch has a worm, lovely voice and performs the songs exactly as required by the stylistic setting, which is an Art in itself. The trio plays splendidly and amicably, staying respectfully in the background, but supporting the vocals with panache and verve.
The quartet is presented under the moniker of Kabaret Mlodszych PanienFind albums by this artist (cabaret of younger women), which for Polish listeners has an obvious meaning, referring to a famous Kabaret Starszych PanowFind albums by this artist (cabaret of older men), a post WWII famous Polish cabaret, which entertained an entire generation. It is pretty obvious that the music on this album can be performed as a cabaret show, which I’d personally love to hear.
Overall, this is a splendid peace of entertainment, somewhat limited to Polish speaking audiences due to the language barrier, but can be universally enjoyed. Although soaked in nostalgia, it is far from simple imitation and offers original new material with a nostalgic tear in eye’s corner. Fabulously done!
| | Updated: 19/01/2025Posted: 19/01/2025 | CD 1 Digipak Recommend To A Friend |
  | GONG ~ ACID MOTHERHOOD
VOICEPRINT 311 ~ UK ~ Canterbury Scene
Long awaited new album from 2004 by completely new and re-vamped Gong line-up featuring no less then three guitar players and no wind instruments. Daevid Allen and Gilli Smyth (on 1 track only) lead a wild bunch of musicians to another uncharted waters, with completely new sound resembling nothing familiar. The music is more agressive and disonant, but always challenging and surprising, as proper for Gong. A new band, a new chapter and new excitement.
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  | GONG ~ ANGEL`S EGG (EXPANDED EDITION)
VIRGIN 866556 (Barcode: 724386655622) ~ UK ~ Canterbury Scene
Recorded: 1973 Released: 2004
2nd part of GongFind albums by this artist´s `Radio Gnome Invisible` trilogy. This album marks the transition from the `songs` of the 1st part to the more instrumental / improvised pieces present on the 3rd part. Considered by Gong fans to be a highlight and one of their best acheivements.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | GORCZYNSKI / PALMER / WIRACKI ~ A SOUL NOT ALL OF WOOD
MULTIKULTI MPO 003 (Barcode: 5903068683299) ~ POLAND ~ Jazz & Poetry
Recorded: 2019 Released: 2019
This is the second album by the trio comprising of Polish Jazz clarinetist / composer Michal GorczynskiFind albums by this artist, British (resident in Warsaw) actor / vocalist Sean PalmerFind albums by this artist and Polish pianist Tomasz WirackiFind albums by this artist, which apparently decided to call the trio William`s ThingsFind albums by this artist after the name of their debut album. Same as with the debut, this is also a kind of Jazz & Poetry project, this time based on the writings of the American poet / philosopher Henry David ThoreauFind albums by this artist. The album presents eleven compositions, all by Gorczynski, to texts by Thoreau, a pioneering environmentalist and ecologist.
In complete contrast to the debut album, the musical approach on this album is almost completely "conventional", with all the pieces being basically melodic songs, in most cases accompanied only by the piano and with minimal instrumental contributions by Gorczynski. Having said that, the music and the entire concept are excellent from start to finish and Gorczynski again proves to be a superb weaver of melodies and moods and an Artistic spirit of great importance on the local scene.
The minimalistic approach is also present in Wiracki´s playing, which is devout of any improvisation and offers harmonic chord accompaniment to the singing only. As a result the focus of this album lands almost entirely on Palmer´s shoulders, and he uses his theatric training and abilities to express the deeply emotional charge of some of these pieces, although most of the songs are contemplative and calm.
Overall this is a very powerful piece of music, even if most of it reserved and minimalist, exemplifying the "less is more" concept to the max. Even if the English texts somewhat limit the audience to English native speakers, which on the Polish scene is a bit problematic, as usual with Poetry & Jazz projects these limitations can be transcended by the sheer Artistic power of the music. The trio manages to create a distinct niche for its Artistic endeavors, which is highly commendable.
| | Updated: 05/11/2019Posted: 05/11/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DEXTER GORDON & SLIDE HAMPTON ~ A DAY IN COPENHAGEN
MPS 4029759154815 (Barcode: 4029759154815) ~ USA ~ Jazz
Recorded: 1969 Released: 2021
This is a reissue / remaster of an album released on the legendary MPSFind albums on this label Records, recorded during a session set up in Copenhagen by my Friend and Mentor Joachim BerendtFind albums by this artist, which captures a bunch of American Jazz expatriates staying in Europe in the 1960s, headed by saxophonist Dexter GordonFind albums by this artist and trombonist Slide HamptonFind albums by this artist. Also present are pianist Kenny DrewFind albums by this artist and drummer Art TaylorFind albums by this artist, Jamaican trumpeter Dizzy ReeceFind albums by this artist, also living in Europe and the only local guy, brilliant Danish bassist Niels-Henning Orsted PedersenFind albums by this artist. The album presents six tracks, three of which are original compositions by Hampton, who also arranged all the tunes, and the other three are standards. The album’s booklet includes the original liner notes by Berendt and new liner notes for the remastered edition.
The music is pretty straightforward mainstream Jazz, perfectly performed by these great musicians away from home. The sound quality of the original album was excellent and this new remaster adds to the clarity and separation, making it a delightful listening experience for the many Dexter Gordon fans, who is captured here at the peak of his European career. He spent fourteen years of his life in Europe and returned to the US only in 1976.
Overall, this is a great reminder of the American expatriate wave, which brought many Jazz musicians to Europe in the 1960s and 1970s, greatly contributing to the development of the local Jazz scene, although it was already developing a strong unique form of the genre at the time.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 25/03/2024Posted: 25/03/2024 | CD 1 Digipak Remastered Recommend To A Friend |
  | JOHN GREAVES ~ ACCIDENT
BLUEPRINT 234 ~ UK ~ Progressive Rock
Greaves first solo effort from 1981-1982, recorded in France with a group of musicians he`ll continue to work for years to come. The songs lyrics were written by Peter Blegvad of course, as their cooperation continues from the Henry Cow days. Considering the fact that this music was created in the 1980`s, it`s amazing how well it stands the test of time.
| | | CD 1 Recommend To A Friend |
  | GREENSLADE ~ AT THE BBC
REPERTOIRE 1468 (Barcode: 4009910146828) ~ UK ~ Progressive Rock
Recorded: 1973 - 1974 Released: 2024
This is an archival album by the British Progressive Rock quartet GreensladeFind albums by this artist, formed by two members of the iconic ColosseumFind albums by this artist, following the band’s demise in 1971: keyboards wizard / composer Dave GreensladeFind albums by this artist and bassist Tony ReevesFind albums by this artist. They were joined by second keyboardist / vocalist Dave LawsonFind albums by this artist and drummer Andrew McCullochFind albums by this artist. The band lasted for only three years and recorded four excellent studio albums. This 2CD album collects their live BBC concerts captured between early 1973 and late 1974, covering material released on the first three albums, presenting a total of twenty tracks.
Dave Greenslade contributed most of the music but some of it was co-composed with Lawson, who also contributed the lyrics. Reeves also contributed some tunes and co-composed others. The band had a very specific and unusual sound and ambience, as it was guitar-less (which was almost unthinkable for a Rock / Prog band), and a double keyboards front line, and a very strong Jazzy swing, which in retrospect might easily earn them an early Fusion connotation, which I personally always liked a lot.
Dave Greenslade played mostly the Hammond organ and Mellotron, while Lawson preferred synthesizers and clavinet, but they often exchanged the instruments, frequently creating a “wall of sound” effect. Reeves was a brilliant bassist, strongly Jazz influenced from his earlier career, and McCulloch was a brilliant, universal drummer, who could play anything with the same ease and elegance. In short they were a rare and dazzling collection of superb instrumentalists, which made Greenslade one of the most interesting British bands in the early 1970s.
Overall, this is an excellent document of the British Prog scene, especially in view of the fact that the group never released a live album (there were some semi-legal live albums released much later). The BBC sound quality is excellent as one might expect and the music flows briskly and interestingly for the entire duration. Although most Prog material recorded at the same time sound dated and smells a bit “musky” today, this music retained much of its initial originality over time. Definitely worth being re-visited!
| | Updated: 10/11/2024Posted: 07/10/2024 | CD 2 Slipcase Remastered Recommend To A Friend |
  | GRUPO UM ~ A FLOR DE PLASTICO INCINERADA
EDITIO PRINCEPS 18 (Barcode: 7898901556183) ~ BRAZIL ~ Jazz-Rock-World Fusion
Recorded: 1982 Released: 2010
This is the reissue of the third and final album by the legendary Brazilian ensemble Grupo UmFind albums by this artist, led by brothers Lelo NazarioFind albums by this artist (keyboards) and Zé Eduardo NazarioFind albums by this artist (drums). On this album the lineup also included saxophonist / flautist Teco CardosoFind albums by this artist, bassist Rodolfo StroeterFind albums by this artist and guests: clarinetist Felix WagnerFind albums by this artist and narrator Regina PortoFind albums by this artist. This remastered edition presents the original album and three bonus tracks: an excerpt, an alternate version and one previously unreleased track from the original recording session. The music is all original and was composed mostly by Lelo Nazario.
In the three years that separated the recording of this album and their groundbreaking debut "Marcha Sobre A CidadeFind albums with this title", Grupo Um progressed dramatically towards new forms of expression and much more complex melodic / harmonic structures, embracing Free Form improvisation and electronics. As a result this album is less accessible to the average Jazz listener and much more suitable for lovers of Avant-Garde and contemporary music. The transformation is truly remarkable and the new music emphasizes the desire to experiment and move beyond conventions.
A conceptual change is expressed also by the fact that one of the tracks is a solo performance on a plethora of percussive instruments, beautifully executed by Zé Eduardo Nazario and another one is a fascinating duo by Stroeter and Cardoso. The folkloristic Brazilian elements are much more subtle and mostly subdued and the music becomes much more universal and unconstrained geographically.
Only by the fourth track on the album the core quartet returns to the Jazz-Rock-World Fusion idiom, familiar from the earlier albums, but the music is much more spacey and full of irregularities and wonderful twists and turns, both melodically and rhythmically. In contrast to the age of the musicians involved, this music is deeply mature and encompasses an entire musical universe.
The fact that Grupo Um did not continue to record more albums is a great pity, but at least it contributed a trilogy of instrumental music, that changed the face of Brazilian and South American music forever, even if this remains mostly a deep secret to most music listeners in their own country and the world over. I can only recommend to the listeners to follow later recordings by the Nazario Brothers and other musicians who were involved in the Grupo Um saga, as they are all fascinating.
Of course the album remains completely untouched by time and sounds as good today as it did at the time of its recording. Essential stuff!
| | Updated: 12/04/2019Posted: 10/08/2016 | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | GRYPHON ~ ABOUT AS CURIOUS AS IT CAN BE
HUX 027 (Barcode: 682970000275) ~ UK ~ Progressive Rock
Recorded: 1974 - 1975 Released: 2002
GryphonFind albums by this artist were one of the most important UK Prog groups of all times and since their recorded output is relatively limited, every new addition is more then welcome. This album offers for the first time two BBC recording sessions. Fantastic sound quality and of course marvelous music! A gem!
| | | CD 1 Recommend To A Friend |
  | TAL GUR ~ AIR PORTRAIT
NOT ON LABEL (Barcode: 7290012058035) ~ ISRAEL ~ Jazz
Recorded: 2007 Released: 2007
1st album by Israeli saxophonist Tal GurFind albums by this artist with his quartet, which includes guitarist Ido BukelmanFind albums by this artist, bassist Ehud EttunFind albums by this artist and drummer Ariel ArmoniFind albums by this artist. Gur also composed all the music recorded on the album. The quartet performs excellently, considering the relatively tender age of the participants and the compositions are interesting and well developed. Buckelman is doing an excellent job by constructing layers of harmonics behind the leader, using electronic effects on his guitar, but avoiding any Fusion excursions. This is all straight-ahead contemporary Jazz, well executed and inspiring, although very much inside the established plateau and with no intentions to revolutionize anything. It is interesting to note that Gur plays the “straight” alto saxophone, an unusual version of the alto, which looks like the soprano. The instrument does have a unique sound, which adds to the album’s originality. Altogether an excellent debut and another promise for the future of Israeli Jazz, which is enjoying quite a renaissance since the turn of the Century. Definitely worth investigating!
| | | CD 1 Recommend To A Friend |
  | STEVE HACKETT ~ A MIDSUMMER NIGHT`S DREAM
CAMINO 22 ~ UK ~ Progressive Rock
This album from 1997 presents a suite composed by Steve for a production of the famous Shakespeare`s play. Performed on acoustic guitar and accompanied by the Royal Philharmonic Orchestra, this is a magnificent achievement and something to enjoy for years to come.
| | | CD 1 Recommend To A Friend |
  | PETER HAMMILL ~ A BLACK BOX (EXPANDED EDITION)
VIRGIN 370518 (Barcode: 094637051825) ~ UK ~ Progressive Rock
Recorded: 1979 - 1980 Released: 2006
9th album by Peter HammillFind albums by this artist and the last to be released on the CharismaFind albums on this label label (well not really, as it was first released on Hammill’s independent label and only later licensed back to his old label). It is also the first “real” solo album, as by the time it was recorded Van Der Graaf GeneratorFind albums by this artist were no more. The only link to his band is saxophonist David JacksonFind albums by this artist present on one song only. All the rest of the music is played solely by Hammill, which of course makes this a truly personal statement. The work on this album took quite a while and he included here songs he has been working on for quite a while, which were postponed due to the VDGG usual havoc. Now free of any other obligations, Hammill was able to concentrate on his solo work. The music and the texts are as usual deeply expressive and personal, culminating in the multi-part 19+ minutes suite, which was side B of the original LP. In many respects this albums marks the end of en era, for Hammill and music in general, with the golden 1970s behind and the dreary 1980s ahead. From now on Hammill will be releasing his albums on his own label, affirming his independence as an artist. For Hammill and VDGG fans this is a must.
| | | CD 1 Remastered Recommend To A Friend |
  | PETER HAMMILL ~ AND CLOSE AS THIS (EXPANDED EDITION)
VIRGIN 503278 (Barcode: 5099950327829) ~ UK ~ Progressive Rock
Recorded: 1986 Released: 2007
13th album by Peter HammillFind albums by this artist and another complete about-face in comparison to its predecessor SkinFind albums with this title. Here we have Hammill alone, armed only with his piano (and some help from his MIDI and sequencers), singing his heart out and performing a great set of new songs. The passing years and the experience gathered over time only emphasize his immense talent and although such solo efforts are usually quite difficult to pull through, he manages to do so brilliantly. The material seems to be less dramatic than usual, almost calm and lyrical and as always deeply intimate and personal. The beautiful lullaby “Sleep Now” crowns the entire album. It is still unmistakably Hammill, showing yet another of his many faces and unveiling another layer of his complex personality. This is classic Hammill, something none of his many fans should miss in their collection.
| | | CD 1 Remastered Recommend To A Friend |
  | LIONEL HAMPTON ~ ALIVE & JUMPING
MPS 4029759097228 (Barcode: 4029759097228) ~ USA ~ Jazz
Recorded: 1977 Released: 2014
This is a reissue of a little known album by legendary American vibraphonist / drummer / bandleader Lionel HamptonFind albums by this artist. Recorded live in an octet setting (and not the usual orchestral setting), which features an all star ensemble with organist Milt BucknerFind albums by this artist, trumpeter Cat AndersonFind albums by this artist, saxophonists Eddie ChambleeFind albums by this artist and Paul MoenFind albums by this artist, guitarist Billy MackelFind albums by this artist, bassist Barry SmithFind albums by this artist and drummer Frankie DunlopFind albums by this artist. Together they perform eight pieces, three of which are co-composed by Hampton and the rest are standards.
The highly energetic performance presents standard mainstream American Jazz, which by the time it was recorded was already antiquated but still enjoyed the support of many faithful followers, even in Europe. Of course the music is perfectly executed by first-class instrumentalists, but lacks any intellectual challenge and borders on entertainment.
Nevertheless it is still an important document of Hampton´s career and the last recording of Buckner´s great organ playing before his untimely death just a couple of months following this recording. As such it is good to have this album back in circulation.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 27/05/2018Posted: 08/10/2016 | CD 1 Slipcase Remastered Recommend To A Friend |
  | HERBIE HANCOCK / CHICK COREA ~ AN EVENING WITH HERBIE HANCOCK & CHICK COREA IN CONCERT
COLUMBIA 65551 (Barcode: 5099706555124) ~ USA ~ Jazz
Recorded: 1978
A true meeting of Titans! Two of America´s greatest piano players - Herbie HancockFind albums by this artist and Chick CoreaFind albums by this artist - meet in 1978, facing each other accross two grand pianos and playing in unison for two hours. The music is sublime, uplifting and brilliant all the way. The true success of this recording lies in the fact that the two geniuses complement each other rather than competing with each other, dismissing their egos and concentrating on the wonderful process of music creation. The material includes jazz standards as well as compositions by both of the participants. Absolutely essential!
| | | CD 2 Oversampling Remastered Essential Recommend To A Friend |
  | SHALOM HANOCH ~ A MAN WITHIN HIMSELF (EXPANDED EDITION)
NMC (ISRAEL) 20962 (Barcode: 7294276209622) ~ ISRAEL ~ Classic Rock
Recorded: 1977 Released: 2010
This is the 2nd album by the Godfather of Israeli Rock, Shalom HanochFind albums by this artist, and one of the best Israeli Rock albums ever recorded. Following years of cooperation with another Israeli legendary Pop / Rock figure, the singer Arik EinsteinFind albums by this artist, which resulted in a series of early Israeli classic Rock albums, Hanoch tried to establish a solo career in Britain, where his debut album "ShalomFind albums with this title" (sung in English) was released in 1971 and later moved to the US.
Upon his return to Israel in 1973, Hanoch continued his cooperation with other Israeli musicians, which led to the formation of TamouzFind albums by this artist, the most important Israeli Rock group of the 1970s. After Tamouz disbanded in 1976, Hanoch embarked on a solo career, which opened with the recording of this superb classic album. Surrounded by the elite of Israeli Rock and Jazz musicians, which included keyboardist Alona TurelFind albums by this artist, guitarist Haim KarioFind albums by this artist, bassist Ehud IngerFind albums by this artist and drummer Alon HillelFind albums by this artist, Hanoch recorded seven brilliant new songs, which were meticulously arranged and exquisitely performed by all participants.
All the tracks on this album clock at around 7 minutes each, which proves that the album was an ambitious attempt to create serious and intelligent music, full of Prog and Jazz references, with extended instrumental passages and artistic freedom guiding the entire creative process. In retrospect this album presents a milestone of Israeli Rock, which stands the test of time with ease.
The new expanded edition includes bonus tracks and a DVD documenting a live TV recording of the entire album and more. An absolute classic!
| | | CD+DVD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | BILLY HART ~ ALL OUR REASONS
ECM 2248 (Barcode: 602527866314) ~ USA ~ Jazz
Recorded: 2011 Released: 2012
This is the debut album on the legendary ECMFind albums on this label label by veteran American drummer / composer Billy HartFind albums by this artist, who is one of the greatest drummers in Jazz history, although he is rarely mentioned by critics. He was a part of many pivotal Jazz recordings over the years with such great musicians as Wes MontgomeryFind albums by this artist, Herbie HancockFind albums by this artist, Stan GetzFind albums by this artist and of course Miles DavisFind albums by this artist. Unfortunately his recordings as a leader are relatively rare. This is the second album by his recent quartet, which includes saxophonist Mark TurnerFind albums by this artist, pianist Ethan IversonFind albums by this artist and bassist Ben StreetFind albums by this artist. Hart, Iverson and Turner all contribute compositions on this album and the quartet performs them with elegance and flair, which is usually identified with European Jazz, which is probably the reason behind ECM´s decision to include this music in their catalogue. This is modern Jazz at its best, firmly based in the tradition and expanding it towards new territory. Beautiful stuff!
| | | CD 1 Slipcase Recommend To A Friend |
  | ALEKSI HEINOLA ~ ALEKSI HEINOLA QUARTET
JAZZAGGRESSION 734 ~ FINLAND ~ Jazz
Recorded: 2021 Released: 2023
This is the second album by young Finnish drummer / composer Aleksi HeinolaFind albums by this artist, recorded in a classic quartet setting with veteran pianist (and drummer) Jukkis UotilaFind albums by this artist, Hungarian saxophonist Gabor BollaFind albums by this artist and Swedish bassist Daniel FranckFind albums by this artist. The album presets no less than thirteen tracks, four of which are original compositions by Heinola, one is by Uotila and the rest are standards.
The music is all straightforward mainstream Jazz, Bebop and Hard Bop oriented. The five original compositions blend well with the rest of the material, so stylistically the album is coherent and for mainstream Jazz lovers, this is a great opportunity to hear some contemporary approach to the American tradition, somewhat Europeanized by the performances, but not changing the spirit of the original concept of American Jazz from the 1950 / 1960. Why would European musicians play that kind of music is another matter entirely, but whatever they do here is every bit as good as everything played across the pond at the time and often also today.
Overall, for mainstream Jazz lovers, this is an excellent listening experience, as both the music and the performances are nothing short of first class. The quartet members are all pros and the music flows smoothly and effortlessly, which is what mainstream Jazz is all about.
| | Updated: 28/03/2023Posted: 28/03/2023 | CD 1 Digipak Recommend To A Friend |
  | HELMET OF GNATS ~ A HELMET OF GNATS
NOT ON LABEL ~ USA ~ Progressive Rock
Recorded: 1996 Released: 1996
1st album by this excellent US Prog / Fusion band. The band was founded way back in 1982 by guitarist Chris Fox and keyboards player Matt Bocchino and over the years went through several personnel changes around the two core members. As many young bands they started by playing covers of 1970’s Prog / Fusion material by bands like Return To Forever, Bruford, Dixie Dregs, etc. but eventually started to include more self penned material, which developed into a full act. By the time this album was recorded they played all instrumental original material. The album is a great example of the Prog / Fusion genre, played with gusto and fire. The compositions are interesting and well developed, based firmly on the tradition of the genre, with enough originality to turn them into a superb listening experience. The only pity is that it took the band 8 years to come up with a follow up album, which fortunately was very much worth waiting for. Warmly recommended!
| | | CD 1 Recommend To A Friend |
  | JIMI HENDRIX ~ ARE YOU EXPERIENCED (EXPANDED EDITION)
SONY 763179 (Barcode: 886976317928) ~ USA ~ Classic Rock
Recorded: 1966 Released: 2010
1st album by the greatest guitar player that ever walked on the face of the earth, Jimi HendrixFind albums by this artist, which completely revolutionized the fate of Rock music as we know it. Endless writings on the subject already detailed the intricacies of this prophetic music, the unearthly talent of Hendrix and the significance of this album in music history, so I won´t bore the reader with my meager explorations on the subject. Suffice to say this was one of the first recordings that truly turned me on and made me realize that Rock can be a creative, meaningful and significant musical experience. I´ve never stopped to listen to this album in the last 43 years since its release and I have no intention to do so up to my last breath. In retrospect it´s interesting to note that this music would have probably never happened if not for the fact that Hendrix was snatched from the American mediocrity and brought over to England, where his genius was appreciated. The support and inspiration Hendrix received from his band members: Noel ReddingFind albums by this artist on bass and Mitch MitchellFind albums by this artist on drums, was a vital component of his breakthrough, as much as the management and support extended by the man, who discovered his genius, Chas ChandlerFind albums by this artist. The European intellectual and artistic Renaissance, which was at its peak in the mid-1960s, with its openness and warm embrace of bold and groundbreaking ideas, music included, allowed Hendrix to find his path and discover his genius, exploring it to the fullest. The result: one of the greatest debut albums ever recorded in music history and an instant classic. This new edition, newly remastered, adds several bonus tracks to the original album´s content as well as a specially filmed DVD, which explores the process of creating this album. Need I say more?
| | | CD+DVD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | JIMI HENDRIX ~ ARE YOU EXPERIENCED AND MORE
PURPLE HAZE 005 ~ USA ~ Classic Rock
The first Jimi Hendrix Experience album from 1967, called `Are You Experienced` was one of the milestones of Rock for generations to come. The revolutionary approach to playing and songwriting, the amazing technique and the inspirational fire were all to serve as a beacon to all Rock artists from that moment on. This album includes the original release and 24 additional tracks from the recording session (outtakes, alternate versions, etc.) which are the entire material the group recorded at that time. A monumental document!
| | | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | JIMI HENDRIX ~ AXIS OUTTAKES
PURPLE HAZE 002 ~ USA ~ Classic Rock
The tracks on this album represent all the surviving outtakes and alternate mixes from the recordings, which form the second Jimi Hendrix Experience album `Axis Bold As Love`. After the explosive debut, `Are You Experienced`, Axis offered a more melodic, lyrical counterpoint and demonstrated quite clearly that Jimi Hendrix was more musician than wild man. It is amazing to hear so much of never previously available studio material here, which gives a unique perspective of the creative process involved in creating this magnificent music. Breathtaking and an absolute must to any Hendrix fan!
| | | CD 2 Remastered Recommend To A Friend |
  | JIMI HENDRIX ~ AXIS: BOLD AS LOVE (EXPANDED EDITION)
SONY 762163 (Barcode: 886976216320) ~ USA ~ Classic Rock
Recorded: 1967 Released: 2010
2nd album by the greatest guitar player that ever walked on the face of the earth, Jimi HendrixFind albums by this artist, which continued to revolutionize the fate of Rock music as we know it. Following the release of the debut album "Are You ExperiencedFind albums with this title", Hendrix and his British partners: Noel ReddingFind albums by this artist on bass and Mitch MitchellFind albums by this artist on drums, explored the British Underground and Psychedelic scene, which was at its peak at the time, absorbing the influences and incorporating them into their own music. The resulting album, recorded and released just a few months after the debut album, was another stunning excursion. Much more relaxed and contemplative than the debut album, it was the ultimate Psychedelic trip, with Hendrix guitar magic venturing repeatedly into completely uncharted territory. It was of course a nod in the direction Hendrix was to follow in his next and ultimate masterpiece "Electric LadylandFind albums with this title", which took his ever-expanding musical vocabulary way beyond the Blues and Rock sources. This new edition, newly remastered, adds a specially filmed DVD, which explores the process of creating this album. Need I say more?
| | | CD+DVD 2 Digipak Remastered Essential Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ ALMOST AFTER
JAZZ FORUM 020 ~ POLAND ~ Jazz
Recorded: 1999 Released: 2000
This is the fourth album by Polish Jazz pianist / composer Krzysztof HerdzinFind albums by this artist recorded in a classic piano trio format with bassist Adam CegielskiFind albums by this artist and drummer Cezary KonradFind albums by this artist. It presents eight original compositions, all by Herdzin. At the time this album was recorded Herdzin was a regular member of the ensemble led by Polish Jazz veteran Zbigniew NamyslowskiFind albums by this artist and his reputation as a rising piano prodigy was already pretty much established, but this recording also presents his talent as a composer.
This is a classic piano trio album, in the tradition established decades earlier and polished to perfection by generation of legendary pianists and their respective rhythm sections. Therefore it´s extremely difficult to be original or groundbreaking in that specific niche, perhaps even more so than in any other Jazz endeavor. Herdzin doesn´t break any particular new ground here, but his passionate playing, accompanied by obvious virtuosity and brilliant technique, manages to create a most impressive piece of Jazz music and a remarkable debut effort. From the very early recorded projects Herdzin exposes a tendency for perfection, well reflected here. His control of timbre, tempo and tone are all excellent and the result sounds accordingly.
Of course even the best pianist is only as good as his rhythm section allows and in this case his partners stand with him shoulder to shoulder, complimenting his efforts with superb companionship and affinity. Overall the trio effort is accomplished here to the fullest, and again, since this is a debut effort, the result is above the level of expectations in such cases.
As a composer, Herdzin emerges here most dominantly as a weaver of great melodies, which fall nicely on the listener´s ears, but are in fact quite complicated and very well crafted. Most of his compositions on this album lack the typical Polish Jazz melancholy, which characterizes most of its output, but includes one heartbreaking ballad, which Herdzin uses skillfully to show his arpeggio skills. These pieces are mostly mid-tempo and transmit a happy, cheerful state of mind, which is a nice and refreshing change for once.
In retrospect this is still a very nice album, which can be enjoyed both by Jazz novices and refined connoisseurs, each of them on a different level. Herdzin´s numerous talents as composer / arranger and a formidably multi-talented / ferociously busy Artist were yet to come at that stage. The album was released as an add-on to the European Jazz magazine Jazz Forum and was never released commercially. A reissue should definitely be considered, bringing this music to a much wider audience. A splendid piece of work by all means!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | JON HISEMAN ~ A NIGHT IN THE SUN
BLACK SUN 15043 (Barcode: 013711504224) ~ UK ~ Jazz-Rock-World Fusion
Recorded: 1981 Released: 2012
This is a reissue / remaster of an obscure album by British drummer / composer / bandleader Jon HisemanFind albums by this artist, recorded in Brazil with a group of local musicians, led by trumpeter Marcio MontarroyosFind albums by this artist with guitarist Sergio DiasFind albums by this artist, keyboardist Lincoln OlivettiFind albums by this artist, bassist Jamil JoanesFind albums by this artist and several others. The album presents seven tracks, which are original compositions by Montarroyos and Dias (two each), Olivetti and Joanes (one each) and finally one by Barbara ThompsonFind albums by this artist (Jon’s wife).
The music is a wonderful amalgam of melodic themes, spiced with Brazilian rhythmic influences and arranged with a Brass-Rock, Funky and Groovy accents, led by Hiseman’s dynamic drumming and featuring great soloing by the local musicians. Although on the lighter side of the Jazz spectrum, the album is full of excellent music and a great trip down the memory lane, as well as another musical treasure in Hiseman’s recorded legacy.
The album was produced by Eckart RahnFind albums by this artist, who founded the legendary German label KuckuckFind albums on this label Records in the late 1960s, which released this album originally in 1981.
Overall, this is a most welcome reissue of a forgotten little gem, recorded by one of the most important figures on the British Jazz and Jaz-Rock scene, the late Jon Hiseman, whom I had the pleasure to know for many years. We miss you, my Friend!
| | Updated: 30/01/2024Posted: 30/01/2024 | CD 1 Remastered Recommend To A Friend |
  | JON HISEMAN ~ ABOUT TIME TOO!
VERABRA 2014 (Barcode: 4011687201426) ~ UK ~ Jazz-Rock Fusion
Recorded: 1985 Released: 1991
This must be one of the most unique albums ever released, as it consists entirely of drum solos by the legendary British drummer / composer / bandleader Jon HisemanFind albums by this artist, one of the pillars of modern British Jazz, Jazz-Rock Fusion and Progressive Rock. There is but a handful of British musicians who have managed to create such a gigantic musical legacy over time and Jon´s contribution to music is simply invaluable. The solos on this album were all recorded during live concerts played by the United Jazz + Rock EnsembleFind albums by this artist, an multinational collective of European Jazz musicians, of which Jon was a founding member, and concerts by the superb Barbara ThompsonFind albums by this artist´s ParaphernaliaFind albums by this artist ensemble (Barbara being of course Jon´s wife and life companion). The original LP edition of this album consisted of four tracks, two of which were full drum solos (lasting sixteen and eleven minutes respectively) and two part-solos included for their uniqueness. This CD version of the album was extended with one more full solo (also timing almost sixteen minutes).
An album of drum solos might seem excessive (to say the least) at first, but anybody who appreciates the Art of music and the virtuosity involved in playing it will surely be able to appreciate the contents of this album. It is not only about Hiseman´s technical skills, but first and foremost about his musicality and his ability to "play" the drums rather than bang of them simply marking the tempi. Each of these solos is completely unique and tells a different story, with different moods, emotion and explorations involved.
People who are experienced concert goers know that drum solos are usually just an opportunity to get the public excited with a seemingly dazzling display of drumming virtuosity, but in most cases have almost nothing to do with the actual music being played before and after the solo; in case of Hiseman´s solos there is as much music in them as when the full band is playing.
These solos tell many stories about using the drum as an instrument on many different levels. They show how a melody can be played using drums, what polyrhythmic drumming means, how important controlling the dynamics is and finally how Rock, Jazz and Fusion merge together in the hands and legs of one fantastic drummer.
In case you get completely bored and depressed by the bullshit you are exposed to on the Media on the day to day level, simply reach out and put this album in the player – I promise the world will instantly and inevitably turn into a better place.
Thank you Jon for simply being there all those years!
| | Updated: 06/02/2016Posted: 06/02/2016 | CD 1 Bonus Tracks Recommend To A Friend |
  | JAROMIR HONZAK ~ A QUESTION TO ALL YOUR ANSWERS
ANIMAL MUSIC 005 (Barcode: 8594155996551) ~ CZECH REPUBLIC ~ Jazz
Recorded: 2006 Released: 2007
This is the fourth album as a leader by Czech Jazz bassist / composer Jaromir HonzakFind albums by this artist and his first release on the excellent Czech label Animal MusicFind albums on this label. The album was recorded by a Czech / Polish quartet which also included Czech guitarist David DoruzkaFind albums by this artist and Polish pianist Michal TokajFind albums by this artist and drummer Lukasz ZytaFind albums by this artist, both of which played with him on this album´s predecessor "Present PastFind albums with this title". Clarinetist Tomas CisteckyFind albums by this artist, flautist Lucie CisteckaFind albums by this artist and pianist Vojtech ProchazkaFind albums by this artist appear as guests. The album presents eight original compositions, all by Honzak. Seven of the tracks were recorded at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual superb sound quality. The last track was recorded at the Czech Radio and features the a.m. guests.
Honzak, whom I have been watching closely since many years, proudly continues the Czech Jazz Bass tradition, established by internationally known bassists like George MrazFind albums by this artist (really Jiri MrazFind albums by this artist) and Miroslav VitousFind albums by this artist, but also less known outside of their homeland like Ludek HulanFind albums by this artist, Frantisek UhlirFind albums by this artist, Karel VejvodaFind albums by this artist, Petr KorinekFind albums by this artist and others. His beautifully round notes and chronometric pulsations are always a guarantee of a perfect rhythm section anchor in the numerous recording he took part in.
But on this album Honzak great forte are his wonderful compositions, which are beautifully woven, versatile and most importantly open enough to be stretched and explored by the quartet members, often towards unexpected directions. As a result this album is a superb ride into the unforeseen, with each track taking the listener on a new adventure. Not losing the sense of melody and coherence, the music has so much freedom and breathing space that the flexibility is endless.
Of course the leader gets fantastic support from the quartet members; Doruzka, here fourteen years younger than today, is already a bright star on the European scale, while Tokaj and Zyta, despite their relatively young age at the time were already seasoned veterans, capable of playing virtually anything. Together the quartet sounds like an organic unit and in retrospect I´d love to hear this experience repeated again.
Overall this is a brilliant album from start to finish, a perfect reflection of 21st Century European Jazz at its best. Fourteen years later it still sounds perfectly fresh and sparkling with ingenuity, like a gem it is. Absolutely not to be missed!
| | Updated: 14/11/2020Posted: 28/08/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | HUGH HOPPER / BAND ~ ALIVE
BLUEPRINT 150 (Barcode: 604388103225) ~ UK ~ Canterbury Scene
Recorded: 1985 - 1987
Soft MachineFind albums by this artist bassist Hugh HopperFind albums by this artist has been quite busy recording with many different musicians and groups besides the SM activities. These live recordings present the Canterbury legend leading a Big Band of Dutch musicians, with whom he toured in that period. This is similar to the late 70`s SM stuff, very jazzy (but not as free as SM) with some basic rock elements showing up beneeth the surface.
| | | CD 1 Recommend To A Friend |
  | HOT TUNA ~ AMERICA`S CHOICE
RCA 183502 ~ USA ~ Classic Rock
6th album from 1975. Back in trio format Hot Tuna play some mighty fine tunes with usual dexterity and finese. Both Kaukonen and Casady invested a lot of their creative energy into this group and the result sounds damn good today so many years later.
| | | CD 1 Remastered Recommend To A Friend |
  | ORJAN HULTEN / ADAM FORKELID ~ AVANT-GARDE MELODIQUE
OP 111 2402 (Barcode: 9008798615254) ~ SWEDEN ~ Jazz
Recorded: 2020 Released: 2024
This is a live album by a duo of Swedish Jazz musicians: saxophonist Orjan HultenFind albums by this artist and pianist Adam ForkelidFind albums by this artist, who were both members for several years of the quartet called Orjan Hulten OrionFind albums by this artist. The album presents nine tracks, all of which are original compositions, five by Hulten and four by Forkelid. The album offers excellent sound quality.
The music was recorded just before the outbreak of the Pandemic and was released only recently, after “maturing” like a good beverage. Despite the title, the music is perfectly melodic and mainstream oriented, so I suppose it was just a “tease”.
Both performers are experienced and talented musicians, so it is hardly surprising that their interplay is truly amazing, as appropriate for the “Art of the Duo” setting. They complement each other perfectly and the result is more than just the sum of the ingredients. Based on solid and coherent melodic basis, the music flows splendidly and offers a truly exciting musical experience, spiced with imaginative improvisations.
Overall, this is a splendid example of minimalist European Jazz at its best, which finds two kindred spirits exchanging musical ideas and associations with elegance and obvious companionship. Mainstream Jazz lovers should be delighted with this album, which delivers everything one might wish for in a Jazz album: great music, spirited improvisations and an obvious love of the act of playing music. Wholeheartedly recommended!
| | Updated: 23/08/2024Posted: 23/08/2024 | CD 1 Digipak Recommend To A Friend |
  | ICONOCLASTA ~ ADOLESCENCIA CRONICA
MUSEA 4356 (Barcode: 3426300043566) ~ MEXICO ~ Progressive Rock
Recorded: 1989 Released: 2000
4th album by the legendary Mexican Prog group IconoclastaFind albums by this artist. After some personell changes from the original line-up, the band developed a more experimental approach, with long, slowly developing pieces and some modern classical and jazzy elements. The trance-like rhythms create an atmosphere of tension and anticipation. Very interesting!
| | | CD 1 Recommend To A Friend |
  | ILUVATAR ~ A STORY TWO DAYS WIDE
KINESIS 1026 (Barcode: 781207102628) ~ USA ~ Progressive Rock
Recorded: 1999 Released: 1999
4th album by IluvatarFind albums by this artist. The most developed and mature album, with excellent compositions and great instrumental passages. A masterpiece of Neo-Prog style.
| | Updated: 21/09/2021Posted: | CD 1 Recommend To A Friend |
  | IMPROVISION QUARTET ~ ANONYM
POLSKIE RADIO 2442 (Barcode: 5905610870560) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2020 Released: 2023
This is the second album by Polish Jazz Improvision QuartetFind albums by this artist, comprising of clarinetist Szymon KlimaFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Przemyslaw JaroszFind albums by this artist. Whereas their debut album from 2017 “Free-Folk-JazzFind albums with this title” presented their interpretations of Polish Folklore, this time they offer interpretations of Polish music by anonymous composers from the Medieval period. The album presents seven tracks, with three of the tracks credited to Wania, one to Klima, one to Kowalewski, one co-credited to Klima and Wania and finally one left uncredited, referring to the title.
The music, although based on some melodic / composed themes, is mostly Freely improvised, leaving the challenge of identifying the original music to the listener, if need be. The performances are all, no surprisingly, phenomenal, and I personally have a great affinity to the clarinet playing by Klima, who is certainly one of the most underappreciated Jazz players on the Polish scene. Of course Wania is a magician whose piano parts keep the music wonderfully together, and the rhythm session drives it intelligently forward. This is “well organized” Free Jazz, which makes perfect sense for the entire duration, challenging the listener but staying coherent and brilliantly focused.
It took a while for this music to be released, as it was recorded in the midst of the pandemic, but it makes me very happy to see it finally out. This is the first Jazz album featuring Klima released on a Polish label, since his previous recordings were released by the wonderful Slovak HevhetiaFind albums on this label label, now sadly dormant. If anyone deserves more exposure, it is definitely him, Chapeau bas to Polskie RadioFind albums on this label label for releasing this superb piece of music.
Overall, this is a challenging but highly intelligent example of Polish Free Jazz, which deserves to be heard by all followers of the genre worldwide. Brilliant musicianship, musical depth and a true feast to the ears!
| | Updated: 08/12/2023Posted: 08/12/2023 | CD 1 Digipak Recommend To A Friend |
  | INCREDIBLE STRING BAND ~ ACROSS THE AIRWAVES
HUX 087 (Barcode: 682970000879) ~ UK ~ Folk-Rock
Recorded: 1969 - 1974 Released: 2007
Incredible String BandFind albums by this artist was one of the most bizarre phenomena on the UK Folk-Rock scene. Formed in 1966 by two folkies Mike HeronFind albums by this artist and Robin WilliamsonFind albums by this artist the band carried on until 1974 with ever changing lineups and kept releasing albums and building up a cult status. They were quite unique in their approach to music, expanding the basic folk roots (both UK and US) into Psychedelic and World Music areas as well as Brechtian cabaret. They always preferred experimentation and hippie attitude to music perfection. The band often included members with very limited musical abilities (girlfriends, roadies and dancers) with off-key singing and seemingly sloppy musical approach, but thanks to the extraordinary songwriting by Heron and Williamson it all worked out magically. One might put the ISB in the same camp with other weird Folk-Rock based ensembles like Third Ear BandFind albums by this artist, Tyrannosaurus RexFind albums by this artist or ComusFind albums by this artist. This album is of immense importance as it collects for the first time recordings of the ISB BBC sessions recorded between 1969 and 1974. As with all other matters, ISB approach to their BBC appearances was quite different from most bands. They used the sessions to perform new material, which was mostly not included on any of their albums, therefore making most of the music included here available for the first time. For all ISB fans this is quite a revelation of course and they’ll surely be delighted to put their hands on this album. For people not familiar with ISB output, this is a wonderful opportunity to try them out. Recommended.
| | | CD 2 Remastered Recommend To A Friend |
  | IQ ~ ARE YOU SITTING COMFORTABLY?
GEP 1013 ~ UK ~ Progressive Rock
7th album from 1994, with another set of great compositions and brilliant playing. This is a reissue of the original album from 1989 with a bonus live track added.
| | | CD 1 Recommend To A Friend |
  | IRAKERE ~ AFROCUBANISMO!
BEMBE 2012 ~ CUBA ~ Jazz
Irekere are the most famous Cuban Jazz ensemble, led by the dynamic pianist Chucho Valdes. This live recording captures the group at their best form performing an evening of Cuban music with many guest artists from their country. The neck-breaking rhythms and virtuoso solos are a trademark of their performances.
| | | CD 1 Recommend To A Friend |
  | IT`S A BEAUTIFUL DAY ~ AT CARNEGIE HALL
COLUMBIA 480970 (Barcode: 5099748097026) ~ USA ~ Progressive Rock
Recorded: 1972 Released: 1995
4th album by the short-lived legendary San Francisco band It`s A Beautiful DayFind albums by this artist. Recorded at the NYC most prestigious venue the band was at its peak at the time supporting their 3rd studio album ("Choice Quality Stuff / AnytimeFind albums with this title"). Leader and violin player David LaFlammeFind albums by this artist plays some amazing improvisations supported by a group of excellent musicians, including future Frank ZappaFind albums by this artist bassist Tom FowlerFind albums by this artist. The material includes only one track from the third album and a few of earlier hits (including the legendary “White Bird”). The rest of the material is new and this is the only album it was ever released on. The group made a formidable transition from their early Psychedelic days into a full-blown Prog band by the time this music was recorded, with strong jazzy and world music influences. Shortly after this recording the group started to disintegrate and the leader left to start a solo career. This is an excellent document of this fruitful era and one of the best live albums ever recorded. Essential item in any serious collection of 1970s music.
| | | CD 1 Essential Recommend To A Friend |
  | WOJCIECH JACHNA / JACEK BUHL ~ ATROPINA
REQUIEM 076 ~ POLAND ~ Jazz
Recorded: 2013 Released: 2014
This is the third album by Polish Jazz duo comprising of trumpeter Wojciech JachnaFind albums by this artist and drummer Jacek BuhlFind albums by this artist. Although they released in 2013 a digital-only album of archival Lo-Fi material, called "TapesFind albums with this title" (recorded between 2009 and 2011), which could be theoretically counted as their third release, it was a side-kick project and therefore not a part of the duo´s formal discography, in spite of it´s high quality musical content. The current album includes nine original compositions, all co-composed by the duo members.
Musically the duo continues the formula they developed earlier, which mixes ambient atmospheric themes with improvisation and Jazzy expressions, creating a fascinating mixture of sounds, which is absolutely their own. This music is quite beyond classification, and fortunately the local Polish scene nurtures such experimentation, which has a solid fan base there, certainly more opened towards unusual music than in other parts of the world.
Jachna is surely one of the most interesting trumpeters arriving on the scene in the last decade or so, with a completely individual sound and phrasing, which I personally find irresistible. It has an edge of suspense and griminess that most straight-forward trumpeters both eschew and find unaesthetic, whereas in reality simply sound marvelous. He also remains a minimalist, playing just the right little notes exactly when they are needed and absolutely nothing more, a quality rarely found among his peers.
Buhl is an ideal partner for Jachna, attentive and supportive, filling the space with a wealth of percussive sounds of all sorts but also often carrying the actual melody line. His subtle playing is a showcase of good taste and elegance, as well as incredible musicality and technique. Together they create music, which in spite of its unfussiness is full of expressiveness and emotion.
As this album clearly shows, the Jachna / Buhl duo managed to create a music microcosm for themselves, which is a considerable achievement for such relatively young musicians playing together for just a few years. I´m looking forward to their endeavor, which apparently is already underway. Well done again gents!
| | Updated: 01/06/2018Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | WOJCIECH JACHNA SQUAD ~ AD ASTRA
AUDIO CAVE 2025/004 (Barcode: 5908298549926) ~ POLAND ~ Jazz
Recorded: 2024 Released: 2025
This is the 3rd album by Polish Jazz ensemble Wojciech Jachna SquadFind albums by this artist led by trumpeter / composer Wojciech JachnaFind albums by this artist and including also keyboardist Jacek CichockiFind albums by this artist, guitarist Marek MalinowskiFind albums by this artist and drummer Rafal GorzyckiFind albums by this artist. The album presents six tracks, three original compositions by Jachna two by Gorzycki and one is an adaptation of a composition by Polish Classical composer Karol SzymanowskiFind albums by this artist.
This new version of the ensemble was reduced to a quartet, leaving out a bass player, and the “new” drummer is an old collaborator of Jachna, since the days of the fabulous Sing Sing PenelopeFind albums by this artist ensemble days, and his presence has a major influence on the sound and ambience of the music.
The music is almost entirely acoustic, with the exception of the electric guitar and synthesizers, which come up front momentarily, and strongly influenced by modern Classical music elements and Free Improvisation, which results in a much more demanding outcome than the two previous albums. As mentioned before, Gorzycki’s compositions and his dominant drumming give the music a somber, dense effect.
Jachna’s trumpet parts are as fabulous as always, and he never fails to grab the attention of the listener, but his role is someway less central and leading on this album, with much more space given to the other three members of the ensemble. The balance between the instruments is also somewhat shifted towards the heavy drumming, which might sound a bit “unearthly” at first. This album definitely needs several listening sessions in order to embrace its unique qualities.
It is very interesting to see the ensemble developing and changing the direction, especially when this leads towards a more ambitious and demanding results, but might also present a challenge to listeners, who are expecting something else, based on earlier exposure. For me personally this new direction is all for the good of course.
Overall, this is a very interesting, captivating effort by Jachna and his colleagues, going back to his more Avant-Garde days of the mid-2000s, updated of course by the experiences gained since. It might surprise some of the listeners, but please give it some tome and open-mindedness and everything will work splendidly. Well done!
| | Updated: 11/03/2025Posted: 10/03/2025 | CD 1 Digipak Recommend To A Friend |
  | KEEFE JACKSON / LIKELY SO ~ A ROUND GOAL
DELMARK 5009 (Barcode: 038153500924) ~ USA ~ Jazz
Recorded: 2013 Released: 2013
Chicago´s iconic experimental Jazz scene is one of the last frontiers of challenging and adventurous music happening in the US in the 21st Century. With dozens of active local musicians, festivals and venues the Improvised Music / Free Jazz / Avant-Garde are still thriving there and draw many other musicians from around the world, who are attracted to it like moths to light. It is therefore hardly surprising that the Polish Avant-Garde scene, which is the strongest and most versatile in Europe at the moment, also developed many different connections with the Chicago scene, with visiting musicians performing and recording in both countries and records being released, documenting such cooperation, in US and in Poland.
Chicago´s veteran record label, DelmarkFind albums on this label Records, which consistently records music made by the local scene, already documented such US / Polish projects several times in the past and this album is another example of such collaboration. It presents an all-reeds septet led by saxophonist / composer Keefe JacksonFind albums by this artist, called A Round GoalFind albums by this artist, which features as one of its members the Polish clarinetist Waclaw ZimpelFind albums by this artist and as a result the ensemble consists of three Americans, a Pole and three Swiss. The music, all composed by Jackson, was recorded live in Switzerland. Although Jackson knew the Swiss players earlier on, he never met Zimpel in person and knew his playing only from his albums, which was apparently impressive enough to get invited to join the ensemble.
The music, although free spirited and unrestricted stylistically, is quite structured most of the time, with clear melody lines and rhythmic patterns easily traceable along the way. Of course there is plenty of space and improvised interplay as well as extended solo spots, but this is very much an ensemble effort, rather that a collection of individual contributions. Of course the level of performances by all the musicians involved is nothing short of spectacular all the way through.
It is great to see the American Avant-Garde still being able to re-invent itself, albeit with considerable help from the Europeans, and take the music forward again. This music is intellectually challenging and aesthetically pleasing at the same time, which is already a major success. For connoisseurs of large all-reeds ensembles, this is an absolute must. Wholeheartedly recommended!
| | Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | JADIS ~ ACCROSS THE WATER
GEP 1009 ~ UK ~ Progressive Rock
2nd album from 1994 by this group. Very much in the same refined style of melodic Prog with great vocals and excellent playing by all members.
| | | CD 1 Recommend To A Friend |
  | JADIS ~ ALIVE OUTSIDE
JADIS 006 ~ UK ~ Progressive Rock
Live recording from 2001 showing this excellent band in full blow of its members creative powers. Extended treatment of studio tracks, lots of lengthy improvisations and a Pink Floyd tune for dessert. What else can one ask for? Just lay back and enjoy!
| | | CD 1 Recommend To A Friend |
  | JADIS ~ AS DAYLIGHT FADES
JADIS 003 ~ UK ~ Progressive Rock
A live recording from 1996-1997 by this excellent UK Neo-Prog group. The tunes come from earlier studio albums, but some new tunes are added as well, performed with energy and perfection, as always. Every album by this group is a pleasure to hear.
| | Updated: 21/09/2021Posted: | CD 1 Recommend To A Friend |
  | KEITH JARRETT ~ AFTER THE FALL
ECM 2590/91 (Barcode: 602567165064) ~ USA ~ Jazz
Recorded: 1998 Released: 2018
This is an archival live album by the iconic American pianist / composer / bandleader Keith JarrettFind albums by this artist, recorded with his regular trio, which included bassist Gary PeacockFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist. The 2CD album presents twelve tracks, all of which are standards.
This legendary trio, often referred to as the “standards trio”, recorded twenty-one albums between 1983 and 2009, the first three of which were studio albums and the rest were live recordings. This album, recorded in 1998, was only released twenty years later (2018) and is (so far) the last release by the trio on the ECMFind albums on this label label.
The recording follows a period of two years of Jarrett’s break in his musical activity (1996-1998), as a result of the CFS illness. He continues to perform, albeit rather sporadically, until 2016, and in 2018 suffered two major strokes, which put an end to his illustrious career.
The music is, as always, heartbreakingly beautiful, with Jarrett undoubtedly shining as one of Jazz greatest interpreters of standards and the trio as one of the best ever classic piano trios in the history of Jazz. One might wonder if we need twenty-one albums to get a proof of the trio abilities, that in addition to dozens of Jarrett’s solo piano, Classical Music and a myriad of other recordings, with the answer to this question remaining open. He certainly proved a milking cow for ECM since his legendary “The Köln Concert” album from 1975.
Overall, this is obviously a brilliant display of Jarret’s and the trio’s as a whole mighty gift of creating brilliant Jazz, and as such becomes an instant classic, and a must in every Jarret’s completist collection. The sound quality is a tad below the usual ECM “perfection”, which is perhaps why this material was hidden for two decades, but on the other hands this adds a bit to the authenticity. Lovers of Jazz piano trio should be in tears, when listening to this stuff, despite the fact that it adds little to Jarrett’s established status.
| | Updated: 26/05/2023Posted: 26/05/2023 | CD 1 Slipcase Recommend To A Friend |
  | KEITH JARRETT ~ ALWAYS LET ME GO – LIVE IN TOKYO
ECM 1800/01 (Barcode: 044001878626) ~ USA ~ Jazz
Recorded: 2001 Released: 2002
This live recording by the greatest piano trio in the world: pianist / composer Keith JarrettFind albums by this artist, bassist Gary PeacockFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist is often referred to as one of their most spectacular moments. Infinitely complex musically and overwhelming emotionally, this music is an endless well of pleasures for any sensitive listener, which could last for one´s lifetime and probably will do so forever. This concert finds the trio performing music composed by Jarrett (except for two compositions credited to the trio), two of which span well over half an hour each, an unprecedented scope for a piano trio performance. Everything here is simply perfection incarnate and divine inspiration, so whatever else I could say is honestly completely redundant. An absolute must!
| | | CD 2 Slipcase Recommend To A Friend |
  | KEITH JARRETT ~ AT THE BLUE NOTE – THE COMPLETE RECORDINGS
ECM 1575/80 (Barcode: 731452763822) ~ USA ~ Jazz
Recorded: 1994 Released: 1995
Keith JarrettFind albums by this artist on piano, Gary PeacockFind albums by this artist on bass and Jack DeJohnetteFind albums by this artist on drums / 3 nights / 6 Sets / 38 tunes / almost 8 hours / 6 CDs / 1 Box – these "statistics" say it all really. This is the best music (mostly timeless standards and some Jarrett originals) played by the best musicians (the above) in the best possible setting (piano trio), in short heaven on earth. Anybody saying this is excessive and self-indulging is simply nuts – there is no such thing as too much of great music. Listening to these performances is not only a sublime aesthetic experience but also a great opportunity to witness how the process of improvisation works, day after day, hour after hour, never repeating and always re-inventing the invented each time anew. The only question is: Can you afford it? If so, grab it, if not, starve and then grab it!
Visitors' Comments
Christopher Brice
I love the Jarrett Trio and I love marathon sessions of playing related CDs, so this was bound to be a special experience, but it is even better than I hoped. Having said that, for an even more thrilling version of Ellington´s "Things Ain´t What They Used To Be," listen to the encore on the Jarrett Trio´s "The Cure," recorded live at NY City Hall a few years earlier and not yet on Jazzis. (PS - not to be confused with the mock-Cockney song "Fings Ain´t Wot They Used To Be")
| | | CD 6 Box Set Recommend To A Friend |
  | JAZZ Q ~ AMULET
STUDIO BUDIKOV 038 (Barcode: 8594159980389) ~ CZECH REPUBLIC ~ Jazz-Funk Fusion
Recorded: 2020 Released: 2020
This is an album by Czech Fusion ensemble Jazz QFind albums by this artist founded in 1964 (yes you are reading correctly) and led by veteran keyboardist / composer Martin KratochvilFind albums by this artist and here including guitarist Zdenek FiserFind albums by this artist (another veteran ex ImpulsFind albums by this artist), bass guitarist Premysl FauknerFind albums by this artist (yet another veteran and member of early versions of Jazz Q) and drummer Filip JenicekFind albums by this artist (a representative of the young generation). The album presents thirteen original compositions, ten of which were composed by Kratochvil and one each by the other three members of the ensemble.
The music is a typical Jazz-Rock Fusion, based on the excellent compositions of the "forever young" Kratochvil, which offers splendidly weaved melodic themes, which serve as basis for extensive soloing by keyboards and guitar, supported amicably by the rhythm section, with occasional soli by bass and drums. There is not much innovation of course, but Fusion has been pretty stable in the last five decades, so the genre´s lovers prefer to stay on the safe side.
Kratochvil seems to be completely time defiant and his music sounds as fresh and full of his idiosyncratic tricky melodies as he was half a Century ago and it is a true joy to see (and hear) a veteran musician to be so stable and productive over the years.
Fusion and guitar freaks should love this album to bits and are encouraged to find a copy, since they don´t make music like this anymore these days, and it still makes you ass swing impatiently, which is the greatest thing any music can do, especially if played by musician in the eighth decade of his life. Hats off Maestro!
| | Updated: 22/01/2021Posted: 22/01/2021 | CD 1 Digipak Recommend To A Friend |
  | JAZZ WERKSTATT ORCHESTER ~ AUS TEUTSCHEN LANDEN
EDEL CONTENT 4029759080596 (Barcode: 4029759080596) ~ GERMANY ~ Free Jazz / Improvised Music
Recorded: 1972 Released: 2012
This is a reissue (first time on CD) of the excellent album by the East German Jazz Werkstatt OrchesterFind albums by this artist, an ensemble consisting of thirteen players, which included the best Jazz musicians active at the time, like trombonist Conrad BauerFind albums by this artist, saxophonist Ernst-Ludwig PetrowskyFind albums by this artist, keyboardist Ulrich GumpertFind albums by this artist, drummer Gunter SommerFind albums by this artist and others. The orchestra performed a five-part suite based on German Folk songs, written and arranged by Gumpert.
The album was originally released in 1977, five years after this music was recorded, to commemorate a series of concerts called "Jazz In Der Kammer" and to celebrate the 100th concert. The music included here was recorded during the 48th concert of that series.
The music is very unique, combining the Big Band tradition, the German Brass Band tradition and folklore and Free Jazz, which was the preferred modus operandi of the ensemble members. Together the resulting music is a phenomenal expression of cross-genre beautiful weirdness.
Following the opening statement, which consists of a different folk melody in each of the suite´s parts, the players perform expanded solos, which in turn evolve into spontaneous Free Jazz group improvisations, which are insanely intensive and technically dazzling. There are very few recordings of such kind in existence, which turns this album into a rara avis.
The fact that this music was recorded and released in East German is truly amazing and pretty incomprehensible. But despite the political oppression and censorship East Germany managed to produce some of the most amazing early European Jazz, of the Avant-Garde and Improvising Music variety. For connoisseurs of Free Jazz this is an absolute must!
Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems.
Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!
| | Updated: 12/04/2019Posted: 11/06/2016 | CD 1 Recommend To A Friend |
  | JAZZPOSPOLITA ~ ALMOST SPLENDID
AMPERSAND 20 (Barcode: 5906485781005) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2010 Released: 2010
This is the debut album by Polish group JazzpospolitaFind albums by this artist, which consists of guitarist Michal Przerwa-TetmajerFind albums by this artist, keyboardist Michal ZaleskiFind albums by this artist, bassist Stefan NowakowskiFind albums by this artist and drummer Wojciech OleksiakFind albums by this artist. The album presents nine original compositions (ten tracks with one tune repeated as a remix), all assumedly co-composed by all four band members.
As it sometimes happens, I listened to this album after being already familiar with the band´s later work, therefore I can only imagine what my reaction would have been if I listened to it at the time of its release a few years earlier. Speculations aside, it still is a pretty amazing piece of music and a stunning debut. Arriving on such a busy scene as the Polish Jazz and alternative Rock with a spectacular, fresh and innovative album, which is completely different from almost anything that is already there, is truly remarkable.
This album defines the musical "language", which the group follows since its inception, which is quite difficult to define verbally. It is a mixture of melodic Ambient Music with Jazz improvisations, Rock rhythmic patterns and alternative Rock sonorities, which sounds simply different from anything else. For people desperately in need of known references from the past, it is somewhat comparable to the music released on the legendary "Buddha Bar" series, with many of the Chill-out and Lounge elements present but with the World Music references replaced by Jazzier vibes.
Regardless of the similarities, which might serve as points of reference, this music is fresh, exciting and sophisticated, which by itself is already quite rare. Combined with delicate melodic themes and first-class execution this album is by all means a very important step on the local music scene, proving that excellent music can be accessible to a large population of listeners, without even a hint of compromise and selling out.
In the last few days I have listened to this album repeatedly and I´m pretty sure it´s there to stay on my short playlist for a while. Anybody not familiar with Jazzpospolita should definitely seek this little gem out ASAP and follow with their later albums. As far as I am concerned there is absolutely no "almost" involved herein; Splendid indeed!
| | Updated: 25/03/2017Posted: | CD 1 Digipak Recommend To A Friend |
  | JETHRO TULL ~ A (THE 40TH ANNIVERSARY A LA MODE EDITION)
CHRYSALIS 190295127497 (Barcode: 190295127497) ~ UK ~ Progressive Rock
Recorded: 1980 Released: 2021
This is a 40th Anniversary Edition reissue of the thirteenth album by the British Prog Masters Jethro TullFind albums by this artist and another chapter in the series of reissues of their seminal albums which are being remixed to new stereo and 5.1 surround sound versions by Steven WilsonFind albums by this artist, who is doing similar projects with classic Rock / Prog albums by other artists as well. It follows a similar treatment that Wilson applied to the reissues of all early Jethro Tull releases.
The reissue consists of three CDs and three DVDs. The first CD contains the new stereo mix of the original album (ten tracks) and six “associated recordings", all of which are previously unreleased. The second and third CDs present the entire live recording at the LA Sports Arena in November 1980, also with new stereo remix, which was previously unreleased. The first DVD contains the album and five of the "associate recordings" remixed in two High-Resolution formats (5.1 DTS, AC3 Dolby Digital Surround Sound and in High Resolution stereo format 96/24 LPCM). Also included are the original stereo mixes of the album in High Resolution stereo format 96/24 LPCM. The second DVD includes the LA Sports Arena concert in High-Resolution formats. The third DVD includes the “SlipstreamFind albums with this title” video with audio tracks in High-Resolution formats. If you are confused by all these technical terms, don´t be – it is all complete bullshit piece of hype! Basically you don´t even get the original stereo mix of the album in a CD form, but you get almost two hours of a live concert on CD, remixed versions of the album, and a bunch of bonus tracks, which honestly contribute very little, if anything at all.
The entire set is lavishly packaged in a digibook format, with great photos of the band, background material, the song lyrics and other goodies, which are all beyond reproach.
The group´s lineup on this album presents a dramatic change over. Ian AndersonFind albums by this artist as usual handles most of the vocals and plays the flute parts and acoustic guitar / mandolin and the lead guitar is magnificently handled by Martin BarreFind albums by this artist, but the keyboardists are gone and rhythm section is new and features bassist Dave PeggFind albums by this artist and drummer Mark CraneyFind albums by this artist. Keyboardist / violinist Eddie JobsonFind albums by this artist is listed as a special guest.
Musically the album leaves behind the Folk-Rock direction and British Folkloristic references and moves more into Rock mainstream, but of course it still firmly and consistently continues the Progressive Rock elements, which the band masterly develops regardless of the current stylistic aesthetic the specific albums deal with.
With the end of the 1970s decade Progressive Rock was steadily losing its steam and the artistic / aesthetic end of the genre was imminent, and yet Jethro Tull were going ahead as if they were living on a different planet, which in retrospect might have just been right. They were still at their artistic peak, which continued for years, without any signs of getting worn-out. Perhaps they were, after all, a class of their own.
For many Jethro Tull fans this albums marks perhaps the last days of the group´s long and flourishing career, but personally I believe everything the group created over the years was top notch and it was the listeners following fads and fashions who could not always follow the intricacies and complexity of the music Anderson whimsically weaved. A classic by any standard!
Side Note
As for the Steven WilsonFind albums by this artist contributions, I´m perplexed time after time why anybody being of sound mind would allow him to butcher the original material and then hype the results as spectacular. These original mixes are untouchable and anybody trying to change them is more or less re-painting Van Gogh, re-sculpturing Michelangelo or re-writing the Bible, all truly barbaric acts of disrespect.
Additionally I find his stereo mixes to be dry, artificial and deviant, badly damaging the original ambience of the recordings. Perhaps for people who are not familiar with the original sound this sounds fine, but for me it´s unbearable and sacrilegious.
In addition I find the surround sound completely redundant, hoping for years that it will go away as did quad and other industry inventions meant to earn some more money from the suckers following the trends. The whole high resolution hype is so ridiculous; in reality most people are deaf anyway and can´t tell one note from another even if it bites them in the ass and use ridiculously lo-fi equipment. In short Emperor´s new clothes, as usual, and no shame whatsoever.
| | Updated: 05/11/2023Posted: 01/10/2021 | 3CD+3DVD 6 Digibook Box Set Oversampling DVD-A Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ A NEW DAY YESTERDAY
CHRYSALIS 490712 (Barcode: 724349071292) ~ UK ~ Progressive Rock
Recorded: 1970 - 1993 Released: 2003
A collection of filmed material spanning 25 years of Jethro TullFind albums by this artist career (1969-1994), which was first released on Video marking the band`s 25th anniversary, now in re-vamped DVD format with some additional material. For JT fans this is of course a great treat, seeing their favorite band in various stages of their history. 90 minutes.
| | | DVD 1 Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ A PASSION PLAY (AN EXTENDED PERFORMANCE)
CHRYSALIS 825646305674 (Barcode: 825646305674) ~ UK ~ Progressive Rock
Recorded: 1972 Released: 2014
This is a reissue of the sixth album by the British Prog Masters Jethro TullFind albums by this artist and another chapter in the series of reissues of their seminal albums which are being remixed to new stereo and 5.1 surround sound versions by Steven WilsonFind albums by this artist, who is doing similar projects with classic Rock / Prog albums by other artists as well. It follows a similar treatment that Wilson applied to the reissues of all Jethro Tull albums starting with their third album "BenefitFind albums with this title".
The reissue consists of two CDs and two DVDs. The first CD contains the new stereo mix of the original album. The second CD contains a new stereo mix of the abandoned / "lost" Chateau d´Herouville sessions, recorded shortly before the group recorded the "A Passion PlayFind albums with this title" album, which have been partly reissued over the years on different albums, but appear here in their entirety for the first time. The first DVD contains some video material and the high definition transfers and new mixes of the original album. The second DVD contains the high definition transfers and new mixes of the Chateau d´Herouville sessions.
The entire set is lavishly packaged in a digibook format, with great photos of the band, background material, the song lyrics and other goodies, which are all beyond reproach.
"A Passion Play" has been the most controversial Jethro Tull album in the band´s history, recorded by a great lineup, which in addition to the leader / flautist / vocalist Ian AndersonFind albums by this artist includes also guitarist Martin BarreFind albums by this artist, keyboardist John EvanFind albums by this artist, bassist Jeffrey Hammond-HammondFind albums by this artist and drummer Barriemore BarlowFind albums by this artist. Slammed by the critics at the time of its release for being boring, over complex and self indulgent, it still sold well and the hordes of the band´s fans supported it without reservations. It aged well and is to this very day a minor masterpiece as are all early albums by the group. Of course we´re unable to hear this music without making allowances for the historic background, the nostalgia and the personal sympathies surrounding the band and its music. The Chateau d´Herouville sessions turn out to be quite excellent, in spite of the initial judgment made at the time they actually happened. They are as good as the album itself and we should be thankful for bringing them back to life.
Side Note
As for the Steven WilsonFind albums by this artist contributions, I´m perplexed time after time why anybody being of sound mind would allow him to butcher the original material and then hype the results as spectacular. These original mixes are untouchable and anybody trying to change them is more or less re-painting Van Gogh, re-sculpturing Michelangelo or re-writing the Bible, all truly barbaric acts of disrespect.
Additionally I find his stereo mixes to be dry, artificial and deviant, badly damaging the original ambience of the recordings. Perhaps for people who are not familiar with the original sound this sounds fine, but for me it´s unbearable and sacrilegious.
In addition I find the surround sound completely redundant, hoping for years that it will go away as did quad and other industry inventions meant to earn some more money from the suckers following the trends. The whole high resolution hype is so ridiculous; in reality most people are deaf anyway and can´t tell one note from another even if it bites them in the ass and use ridiculously lo-fi equipment. In short Emperor´s new clothes, as usual, and no shame whatsoever.
| | Updated: 25/05/2018Posted: | 2CD+2DVD 4 Digibook Box Set Oversampling DVD-A Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ A PASSION PLAY (EXPANDED EDITION)
CHRYSALIS 581569 ~ UK ~ Progressive Rock
Recorded: 1973
6th album by Jethro TullFind albums by this artist. Although not received as well as the previous one ("Thick As A BrickFind albums with this title"), this is a great concept album based on a A. A. Milne-like story and some modern poetry. Obviously the album was missunderstood at the time, as in retrospect it is a superb piece of music. The bonus video material includes the film presenting the story, which was screened during the group`s performances of this album.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ AQUALUNG (40TH ANNIVERSARY ADAPTED EDITION)
CHRYSALIS 825646487080 (Barcode: 825646487080) ~ UK ~ Progressive Rock
Recorded: 1970 - 1971 Released: 2016
This is a 40th Anniversary Edition (actually a 45th Anniversary Edition as it is almost identical to the "Deluxe Edition" of the album from 2011, in repackaged form) reissue of the fourth album by the British Prog Masters Jethro TullFind albums by this artist and another chapter in the series of reissues of their seminal albums which are being remixed to new stereo and 5.1 surround sound versions by Steven WilsonFind albums by this artist, who is doing similar projects with classic Rock / Prog albums by other artists as well. It follows a similar treatment that Wilson applied to the reissues of all (except the debut as of now) early Jethro Tull releases.
The reissue consists of two CDs and two DVDs. The first CD contains the new stereo mix of the original album (eleven tracks). The second CD contains the new stereo remix of "Associated 1970 And 1971 Recordings" (ten tracks) and a flat transfer of the "Life Is A Long Song" EP (five tracks) and a radio advert. The first DVD contains the album and seven of the "associated recordings" remixed in two High-Resolution formats (5.1 DTS, AC3 Dolby Digital Surround Sound and in High Resolution stereo format 96/24 LPCM). Also included are the ten "associated recordings" in High Resolution stereo format 96/24 LPCM. The second DVD includes the flat transfer of the original stereo master of the album in 96/24 LPCM stereo and the quad mix as 4.1 on AC3 Dolby Digital Surround, and finally the EP in 96/24 LPCM stereo. Also included is a "Life Is A Long Song" promotional video. If you are confused by all these technical terms, don´t be – it is all complete bullshit piece of hype! Basically you don´t even get the original stereo mix of the album in a CD form or any previously unreleased material, but you get remixed versions of the album, and a few bonus tracks, which honestly contribute very little, if anything at all.
The entire set is lavishly packaged in a digibook format, with great photos of the band, background material, the song lyrics and other goodies, which are all beyond reproach.
The group´s lineup on this album is similar to the one on its predecessor "BenefitFind albums with this title"; Ian AndersonFind albums by this artist as usual handles the vocals and plays the flute parts and acoustic guitar. The lead guitar is magnificently handled by Martin BarreFind albums by this artist, the keyboards by John EvanFind albums by this artist (now listed as a full member of the group), the bass by Jeffrey Hammond-HammondFind albums by this artist, who replaced Glenn CornickFind albums by this artist, and the drums by Clive BunkerFind albums by this artist. Anderson gets credit for all the music and lyrics, except "Aqualung" lyrics being credited to Jennie AndersonFind albums by this artist.
This album transformed the group and their leader from the status of underground heroes to the status of modern heralds and leaders of what was exploding and emerging as the Art Rock / Progressive Rock phenomenon. Combining incredible talents with complete disregard towards commercialism and slaughtering "holy cows" by the herd, Anderson and his crew of minstrels created a masterpiece, which has never been surpassed by any other Prog outfit and with very few selected albums achieving perhaps the same level of perfection and potency.
A "concept" album, as appropriate for the times, this is a musical journey, which when taken once changes the traveler forever. If it was up to me, this would have been a compulsory listening to any human being at least once during their lifetime (preferably at a young age) and perhaps this world would be a better place to live? Beyond essential!
Side Note
As for the Steven WilsonFind albums by this artist contributions, I´m perplexed time after time why anybody being of sound mind would allow him to butcher the original material and then hype the results as spectacular. These original mixes are untouchable and anybody trying to change them is more or less re-painting Van Gogh, re-sculpturing Michelangelo or re-writing the Bible, all truly barbaric acts of disrespect.
Additionally I find his stereo mixes to be dry, artificial and deviant, badly damaging the original ambience of the recordings. Perhaps for people who are not familiar with the original sound this sounds fine, but for me it´s unbearable and sacrilegious.
In addition I find the surround sound completely redundant, hoping for years that it will go away as did quad and other industry inventions meant to earn some more money from the suckers following the trends. The whole high resolution hype is so ridiculous; in reality most people are deaf anyway and can´t tell one note from another even if it bites them in the ass and use ridiculously lo-fi equipment. In short Emperor´s new clothes, as usual, and no shame whatsoever.
| | Updated: 17/06/2018Posted: 17/06/2018 | 2CD+2DVD 4 Digibook Box Set Oversampling DVD-A Remastered Bonus Tracks Essential Recommend To A Friend |
  | JETHRO TULL ~ AQUALUNG (EXPANDED EDITION)
CHRYSALIS 495401 (Barcode: 724349540125) ~ UK ~ Progressive Rock
Recorded: 1971 Released: 1998
Any serious approach towards this legendary and momentous album requires a scope far beyond what is possible and practical here and indeed much has been written about it, which any serious Prog enthusiast already must have come across during his wonderings. Therefore I´ll simply state that this was the 4th album by the illustrious Jethro TullFind albums by this artist, which transformed them and their leader / composer / flautist Ian AndersonFind albums by this artist from the status of underground heroes to the status of modern heralds and leaders of what was exploding and emerging as the Art Rock / Progressive Rock phenomenon. Combining incredible talents with complete disregard towards commercialism and slaughtering "holy cows" by the herd, Anderson and his crew of minstrels (guitarist Martin BarreFind albums by this artist, keyboardist John EvanFind albums by this artist, bassist Jeffrey Hammond-HammondFind albums by this artist and drummer Clive BunkerFind albums by this artist) created a masterpiece, which has never bees surpassed by any other Prog outfit and with very few selected albums achieving perhaps the same level of perfection and potency. A "concept" album, as appropriate for the times, this is a musical journey, which when taken once changes the traveler forever. If it was up to me, this would have been a compulsory listening to any human being at least once during their lifetime (preferably at a young age) and perhaps this world would be a better place to live? This edition offers a greatly improved remastered sound and some hyper-rare extra tracks, including BBC sessions. Beyond essential!
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | JETHRO TULL ~ AQUALUNG LIVE
RANDM 8100 (Barcode: 016861810023) ~ UK ~ Progressive Rock
Recorded: 2004 Released: 2005
This is a very special album in many respects. First, it is a live recording of a Classic Rock album - a part of a series initiated by the US XM Radio (a veteran Rock Radio station). Second, all the proceeds from this album are being donated by Mr. Ian AndersonFind albums by this artist to charities for the homeless - a gesture rarely common among hie peers. And of course let us not forget that 34 years later Jethro TullFind albums by this artist are still around and kicking - and kicking mightly - a remarkable affair. The music and the performances are every bit as great as one might expect - just 100 % Classic Prog delight!
Limited Edition
| | | CD 1 Recommend To A Friend |
  | JOYCE ~ ASTRONAUTA:SONGS OF ELIS
BLUE JACKEL 5029 ~ BRAZIL ~ Jazz
Brazilian singer JoyceFind albums by this artist is one of the greatest vocal talents as well as composers of that country. On this album, dedicated to the Diva of Brazilian music - Elis ReginaFind albums by this artist, she performs brilliantly, supported by some awsome American and Brazilian jazz players. Mostly Bossa Nova with excellent jazz oriented solos, this is a wonderful album, heartworming and crystal clear.
| | Updated: 24/09/2017Posted: | CD 1 Recommend To A Friend |
  | JUPU GROUP ~ AHMOO
SVART 081 (Barcode: 6430065585442) ~ FINLAND ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2018
This is a reissue of the only album by the short-lived Finnish Fusion / Progressive Rock Jupu GroupFind albums by this artist, which included violinist Juhani PoutanenFind albums by this artist, keyboardist Jukka LinkolaFind albums by this artist, guitarist Janne LouhivuoriFind albums by this artist, bassist Ilkka HanskiFind albums by this artist and drummer Upi SorvaliFind albums by this artist. On three tracks a string trio is added to the lineup. The album presents six original tracks, three by Poutanen and one each by Sorvali, Hanski and Linkola.
The music comprises of complex cross-genre explorations, amalgamating Rock, Jazz and Classical Music, with a strong Fusion feeling, with the violin at the centre, which of course was rather unusual. All the compositions are beautifully melodic, serving as ideal vehicles for the lengthy soloing by all group members. The three tracks with the string section have a more Classical Music atmosphere, but remain faithful to the Fusion spirit of the album.
The album is a wonderful example of Finnish instrumental music created at the time (mid-1970s), which was bursting with ideas and wonderful creativity. These young musicians proved that brilliant music can be created anywhere in the world and the music remains completely relevant today, losing absolutely nothing of its significance, artistic quality and intrinsic elegance.
It is great to have this gem available again, as it absolutely deserves to be heard today by the young generation of music lovers. Thanks to SvartFind albums on this label Records for keeping the memory alive. For European Fusion fans this album is an absolute music of course!
| | Updated: 15/07/2020Posted: 15/07/2020 | CD 1 Remastered Recommend To A Friend |
  | PAWEL KACZMARCZYK ~ AUDIOFEELING
ARMS 03 (Barcode: 5900238791020) ~ POLAND ~ Jazz
Recorded: 2006 Released: 2007
Brilliant debut album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 22 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. Three saxophonists: Radoslaw NowickiFind albums by this artist, Tomasz GrzegorskiFind albums by this artist and Grzech PiotrowskiFind albums by this artist join the trio on several tracks, turning it into a quartet and on one track a sextet, when they all play together. Of the ten tracks present here, eight were composed by Kaczmarczyk and the other two co-composed by Kaczmarczyk and Piotrowski.
The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and the quartets / sextet introduce an ensemble approach. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist.
Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!
| | Updated: 26/10/2016Posted: | CD 1 Digipak Gold Recommend To A Friend |
  | KADA AD LIBITUM ~ APPROXIMATIONES
PERIFERIC 152 ~ HUNGARY ~ Jazz-Rock Fusion
Recorded: 2005 Released: 2005
This is the 1st album by the excellent Hungarian quartet Kada Ad LibitumFind albums by this artist, formed by ex-KadaFind albums by this artist guitarist Laszlo ValikFind albums by this artist and saxophonist Daniel VacziFind albums by this artist, with bassist Matyas SzandaiFind albums by this artist and drummer Andras MohayFind albums by this artist. They continue the beautiful tradition of Kada, expanding the improvised aspect of their music quite extensively, up to a point where it becomes almost free. However, since the music still includes some Rock elements, both rhythmically and harmonically, it can be considered as part of broadly defined Jazz-Rock, albeit marginally. In any way the overall effect of their music is quite remarkable, presented in a form of a collage of 16 unnamed parts. The album’s artwork gives very little information about the music, apparently intentionally so. There are brief melody lines but most of the music is improvised, which of course demands highly skilled players of the caliber presented herein. The bass player is outstanding and his contribution in bonding this complex music together is invaluable, but all four musicians perform remarkably well. This is music, which remains interesting, regardless how many times one listens to it and I encourage everybody to give it a try. Brilliant stuff!
| | | CD 1 Recommend To A Friend |
  | GRZEGORZ KARNAS ~ AUDIO BEADS
BMC 199 (Barcode: 5998309301995) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2012
This is the fifth album by Polish Jazz vocalist Grzegorz KarnasFind albums by this artist and his first live recording. Recorded in Hungary and released on the excellent Hungarian BMCFind albums on this label label, the album captures Karnas accompanied by cellist Adam OlesFind albums by this artist, drummer Michal MiskiewiczFind albums by this artist and guest artist Hungarian cimbalom player Miklos LukacsFind albums by this artist. Together they perform just five extended pieces, one of which is a Joni MitchellFind albums by this artist song and the rest are originals co-credited to Karnas and Oles. The sound quality of this live recording is absolutely superb, which every single note being perfectly audible.
Karnas presents a unique approach to Jazz vocals, which amalgamates lyrics, vocalese, scat, wordless chanting and spontaneous improvisation. He is always full of surprises and completely unconventional. His vocal modus operandi is based on techniques developed earlier by American Jazz vocalist Bobby McFerrinFind albums by this artist and sounds similar to McFerrin´s early work, but of course is inventive enough to avoid being considered simply a replica of the original. Karnas is experienced and talented enough to keep his audiences mesmerized and his extended improvisations manage to sustain tension for prolonged periods of time, which of course is extremely difficult. As this live recording proves, he is a fascinating live performer and listening to him live is perhaps the best way to benefit from his many abilities.
The accompanying musicians are all splendid players and provide excellent support for the vocalist all the way through. The cellist uses his instrument mostly as if it was an upright bass, almost never playing arco. He displays fantastic musicality and virtuosic control of the cello, being the primary partner of the vocalist and complementing him superbly. The drummer plays delicately, often using his hands and brushes, with of course is suitable for this intimate music-making experience. The cimbalom player sounds remarkably like a pianist, which although works well in this situation, is a pity, as it loses the wonderful "original" sound of the instrument, which surely might have added another interesting dimension to this already multifaceted music.
Considering the fact that male vocalists are a rarity on the Polish Jazz scene (and in general), Karnas definitely deserves to be praised for filling this difficult gap. Constantly developing and expanding his vocabulary and technique he is definitely a talent to be watched and enjoyed. This album is certainly a splendid addition to his recorded legacy and a source of immense listening pleasure. Wholeheartedly recommended!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | CHRIS KASE ~ A SONG WE ONCE KNEW
SATCHMO JAZZ 00021 (Barcode: 8424295341549) ~ USA ~ Jazz
Recorded: 2000 Released: 2001
This is the third album by American (resident in Spain) Jazz trumpeter / composer Chris KaseFind albums by this artist, recorded in a quintet setting with British Jazz trumpeter Kenny WheelerFind albums by this artist, Spanish pianist Albert BoverFind albums by this artist, German bassists Johannes WeidenmuellerFind albums by this artist and Spanish drummer Marc MiraltaFind albums by this artist. The album presents eight tracks, six of which are original compositions by the leader and two are by Wheeler.
As far as I know this is the only recording by Kase with Wheeler and since it was released over twenty-two years ago it is not very easy to find. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection.
The quintet offers a highly unusual double trumpet front line, which is obviously heavens on earth for Jazz trumpet lovers. The music is all excellent modern Jazz, with great melodic themes and first-class performances, crowned by the unisono trumpet phrases and trumpet duels, in addition to the “normal” trumpet solos and superb rhythm section support.
Overall, this is an excellent modern Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.
| | Updated: 30/03/2023Posted: 30/03/2023 | CD 1 Recommend To A Friend |
  | KASPER TOM / ALEXANDER VON SCHLIPPENBACH / RUDI MAHALL ~ ABSTRACT WINDOW
WHYPLAYJAZZ 032 (Barcode: 4250459999325) ~ DENMARK ~ Free Jazz / Improvised Music
Recorded: 2016 Released: 2017
This is the debut album by the trio consisting of Heavyweight Champions of the European Improvised Music scene: Danish drummer Kasper Tom ChristiansenFind albums by this artist and German pianist Alexander von SchlippenbachFind albums by this artist and clarinetist Rudi MahallFind albums by this artist. They perform eleven relatively short improvised pieces credited to the three participating musicians.
The trio is a wonderful example of the continuity of the European Improvised Music tradition, bringing together musicians from three generations: Kasper Tom (born 1981), von Schlippenbach (born 1938) and Mahall (born 1966). The age and experience differences are of course completely irrelevant as far as the music is concerned. The album also crowns the fast developing career of Kasper Tom, who with his consistently excellent contributions as performer and composer pawed his way from anonymity the international repute in this extremely competitive field in a relatively short period of time.
The music also emphasizes the nature of European Improvised Music, against its parallel from across the pond. These relatively short pieces are concentrated expressions of Freedom, which is articulated by the unity of the trio and not by a race of musicians trying to blow each other off the stage.
The music is of course everything people familiar with these musicians in particular, and the European Improvised scene in general, might expect: brilliant musicianship, wonderful respect and attention towards each other, minimalism and elegance, all these of the highest caliber. Improvised Music does not get better than this.
The individual statements are also very interesting, being completely different from each other. Von Schlippenbach plays long beautiful arpeggios and harmonic chords, which constitute the basic layer upon the music is floating. Mahall carries the role of a story teller, spinning his short, dramatic tales consisting of long series of notes. Kasper Tom plays everything but a steady rhythm, but at the same time he still is the metronome of this music. His tribal approach turns the rhythmic patterns into a multicultural experience. Of course the performances present a series of wonderful solo, duo and trio improvisations, which spontaneously emerge in the process.
Overall this is an instant classic, an album which other Improvised Music recordings will be measured against, not in the sense of competition but in the sense of setting an example others should learn from. Absolutely essential to all Improvised Music connoisseurs!
| | Updated: 03/06/2017Posted: 03/06/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DAVE KERMAN / 5UU`S ~ ABANDONSHIP
CUNEIFORM 158 (Barcode: 045775015828) ~ USA ~ Progressive Rock
Recorded: 2000 - 2001 Released: 2002
6th album featuring again a completely revamped version of the group consisting mostly of young Israeli musicians and recorded in Israel, where Kerman resides now. Only the vocal parts were done by Thinking Plague singer Deborah Perry. Kerman proves again that he`s one of the most important figures in contemporary music and the music is as beautiful as ever.
| | | CD 1 Recommend To A Friend |
  | KHATSATURJAN ~ ARAMED FORCES OF SIMANTIPAK
MUSEA 4464 (Barcode: 3426300044648) ~ FINLAND ~ Progressive Rock
Recorded: 2004 - 2005 Released: 2006
2nd album by brilliant Finnish Symphonic Prog band KhatsaturjanFind albums by this artist and a masterpiece of the genre. Their 1st album (an EP called Aramsome SumsFind albums with this title, which was never officially released) pointed already in the direction, but this debut full album really hits the nail right on the head. As the band’s name suggests, they are deeply rooted in classical music (especially Russian classical music) and indeed started by playing modernized versions of classical pieces and only later opted to compose original material. The quartet consists of: Jaakko KoikkalainenFind albums by this artist – bass, keyboards, vocals & guitar, Atte KurriFind albums by this artist – guitars, keyboards & vocals, Ilkka PiispalaFind albums by this artist – drums, keyboards & vocals and Ilkka SaarikiviFind albums by this artist – keyboards, cello & vocals. They all have years of musical studies behind them, which is very apparent from the phenomenal performances heard herein. Considering that all four of them play keyboards and sing, the overall effect they are able to achieve is massive and truly symphonic and choral in scope. There are very few other Prog groups that ever (if at all) achieved the same level of compositional sophistication and orchestral execution, but if parallels must be drown, imagine NiceFind albums by this artist being accompanied by QueenFind albums by this artist vocals. This is an amazing piece of music, which should be cherished by every Prog fan on this planet and heard by all music lovers, but alas I’m afraid the reality is sadly different.
| | | CD 1 Recommend To A Friend |
  | KIDD, CAROL ~ ALL MY TOMORROWS
LINN 210 ~ UK ~ Jazz
Another great album by this fabulous singer with a selection of great jazz standards performed in her unique way. Accompanied by a flying jazz trio and string quartet, and with additional help from the brilliant guitarist Martin Taylor, this is vocal jazz at its best.
| | | CD 1 SACD Recommend To A Friend |
  | KIDD, CAROL ~ ALL MY TOMORROWS
LINN 068 ~ UK ~ Jazz
Another great album by this fabulous singer with a selection of great jazz standards performed in her unique way. Accompanied by a flying jazz trio and string quartet, and with additional help from the brilliant guitarist Martin Taylor, this is vocal jazz at its best. Especially remasterd for this 24 K gold edition.
| | | CD 1 Gold Recommend To A Friend |
  | KING CRIMSON ~ ABSENT LOVERS
DGM 9804 ~ UK ~ Progressive Rock
Live double album from 1984, which marks the end of the 1981-1984 reincarnation (the fourth) of KC (Fripp, Belew, Levin & Bruford), recorded in Montreal. Next time anybody would hear from KC again would be almost exactly 10 years later. The material comes mostly from the 3 albums this lineup recorded - Discipline, Beat & Three of a Perfect Pair. Great historical document.
| | | CD 2 Recommend To A Friend |
  | KINKS ~ ARTHUR (DELUXE EDITION)
SANCTUARY 273227 (Barcode: 602527322742) ~ UK ~ Classic Rock
Recorded: 1968 - 1969 Released: 2011
This is the 7th album by The KinksFind albums by this artist, the seminal British Pop / Rock band led by brothers Ray DaviesFind albums by this artist (who wrote all their wonderful material and was definitely one of the greatest composers in British Rock) and Dave DaviesFind albums by this artist (who played the lead guitar for the band). The first lineup, which lasted for five years, included also bassist Pete QuaifeFind albums by this artist and drummer Mick AvoryFind albums by this artist. Quaife´s replacement John DaltonFind albums by this artist is heard on this album for the first time. Similar to other great British Rock bands like The HolliesFind albums by this artist, The WhoFind albums by this artist and even The Rolling StonesFind albums by this artist, The Kinks were overshadowed by The BeatlesFind albums by this artist, that in retrospect is a great injustice, as they certainly were as good if not better than the Fab Four in every respect. This album continues the new phase for the group, which developed a completely unique approach to writing music, which now included elements of Psychedelia and other influences. The lyrics were full of social commentary and concentrated on British society, history and way of life, often being quite sarcastic and critical. Although not a concept album as such, it was conceived and recorded as a soundtrack for a TV movie, which eventually was never made. Always truthful to themselves and their fans, the Kinks wonderfully mixed raw energy and melodic sophistication, which lost nothing of its intrinsic power through the years. This new edition adds a whole CD worth of bonus materials, including non-album singles, alternate takes, outtakes, mono and stereo versions and BBC sessions. Absolutely brilliant stuff!
| | | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | KINKS ~ AT THE BBC
SANCTUARY 602527972183 (Barcode: 602527972183) ~ UK ~ Classic Rock
Recorded: 1964 - 1994 Released: 2012
This incredible Box Set compiles the BBC radio and TV recordings by one of the greatest British Pop / Rock groups The KinksFind albums by this artist, captured for posterity between 1964 and 1994; a thirty years period of superb songwriting and performing. The BBC vaults prove yet again to be a seemingly endless source of musical delights and perhaps the most important archive of British music history, which has absolutely no parallels. The sound quality of these recordings, as usual with the BBC recordings, is simply superb and often better than or at least as good as the studio recordings by the same artists done at the same period. Considering the fact that all these are live recordings, with no overdubs, re-recordings and other studio tricks, they are the true mirror of the performing skills of the artists involved, which is an invaluable historic testimony.
The Kinks, led by brothers Ray DaviesFind albums by this artist (the group´s principal composer) and Dave DaviesFind albums by this artist were of course an incredible band, which created a massive amount of fantastic music and overshadowed most other British acts by their talents, quality, versatility and artistic consistency. Ray´s outstanding composing gift puts him on a pedestal of the most creative British songwriters of the Pop / Rock era, equaled by only few others and vastly superior to many others, who are (in retrospect) more popular and successful. Both The Kinks and Ray Davies are vastly underrated by music critics and fans alike, mostly because their music was always more complex and sophisticated than that of their contemporaries.
These BBC recordings present a wonderful chronological sequence, which shows the group developing rapidly from young and energetic rebels to masters of their trade, with ever more stylish and complex artistic outlook. They wonderfully combined the British wry sense of humor, social awareness and other subject matter, which was often avoided by other Pop / Rock artists and were always faithful to their own musical ideas, avoiding fads and fashions and managing to stay aloft. This Box Set is an excellent opportunity to take another look at The Kinks and perhaps finally grant them the respect and admiration they so much deserve.
This is a Limited Edition item (including 5 CDs and a DVD), so it will be probably out of print by the time you read these words, but if you are a true Pop / Rock music lover, and you can lay your hands on a copy of this Box Set, don´t hesitate even for a heartbeat before grabbing it. It is bigger than life!
| | Updated: 26/01/2019Posted: | CD+DVD 6 Box Set Remastered Recommend To A Friend |
  | FRODE KJEKSTAD ~ A PIECE OF THE APPLE
LOSEN 178 (Barcode: 7090025831782) ~ NORWAY ~ Jazz-Soul Fusion
Recorded: 2014 Released: 2017
This is an album by Norwegian guitarist / composer Frode KjekstadFind albums by this artist, recorded in a quartet setting with American saxophonist Eric AlexanderFind albums by this artist, organist Mike LeDonneFind albums by this artist and drummer Joe FarnsworthFind albums by this artist. The album presents nine tracks, four of which are original compositions by Kjekstad and five are standards.
The music is a retro Soul / Blues / Jazz bordering on Smooth Jazz session, very well played but lacking challenge or innovation. Nevertheless it is a very enjoyable listen, especially due to Kjekstad´s excellent guitar work, which is definitely worth hearing. His style fits the musical environment of this album ideally and brings fond memories of some great Jazz guitar players from the 1950s and 1960s, like Barney KesselFind albums by this artist, Herb EllisFind albums by this artist and others. LeDonne´s organ work is also nothing short of pure bliss.
The instrumentation featuring three lead instruments (organ, saxophone and guitar) opens up the soloing opportunities and creates a wonderful nostalgic warm sound, which is great fun to listen to, especially to the elders of the tribe like yours truly.
Overall a very enjoyable and pleasurable album, which is accessible to a very wide Jazz and beyond audience, which presents superb instrumental work and successfully avoids the muzak trap, but remains open to people who listen to Jazz for fun!
| | Updated: 15/07/2017Posted: 15/07/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SZYMON KLEKOWICKI ~ A DAY IN THE BUS
AUDIO CAVE 2019/001 (Barcode: 5905669566698) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2019
This is the debut album by young Polish Jazz trombonist / flugelhornist Szymon KlekowickiFind albums by this artist, recorded in a sextet setting with saxophonist Jakub LepaFind albums by this artist and Marcin DabrowskiFind albums by this artist, pianist Adam JarzmikFind albums by this artist, bassist Tymon TrabczynskiFind albums by this artist and drummer Michal DziewinskiFind albums by this artist. The album presents seven original compositions, five by Klekowicki and two by Jarzmik.
The music is conventional melody based contemporary European Jazz, with solid compositions and arrangements, which create ideal opportunities for the members of the sextet to show their chops. The two compositions by Jarzmik are more rounded and mature, similarly to his excellent work presented on his two earlier album releases. Klekowicki´s music is somewhat Bebop oriented, but by no means outdated and full of great ideas. All the compositions are coherent and interesting, creating a wonderful musical flow that seems to be over way too soon, leaving the listener wishing for more.
The level of execution is of course nothing short of excellent all the way through and these "youngsters" sound like Jazz veterans, which never ceases to amaze. The saxophone unisono parts are a neat and effective arrangement trick, which produces a "big" sound of the entire sextet and wonderful harmonic "colorization". Klekowicki seems to be proficient both on trombone and flugelhorn, thus adding sonoric diversity to the entire album. Jarzmik is of course also a terrific piano player and his superb melodic phrases ale balsam on the ears. The rhythm section plays exactly what is expected of them, keeping strict time and not being obtrusive, which is what this music needs the most, being already dense enough, but they get an opportunity to shine as well.
Overall this is a first class debut effort, which gives Klekowicki a solid head start of his career. He joins the ranks of the young generation of European Jazz musicians, who proudly keep the idiom alive and kicking, making us, the elders, smile with hope that not all is lost. Albums like that one are heartwarming and obviously highly recommended. Already waiting for the next one!
| | Updated: 21/02/2019Posted: 21/02/2019 | CD 1 Digipak Recommend To A Friend |
  | JOANNA KNITTER ~ ARETHA
ALLEGRO 041 (Barcode: 5901157049414) ~ POLAND ~ Blues-Rock
Recorded: 2020 Released: 2020
This is an album by Polish vocalist Joanna KnitterFind albums by this artist and her band called Blues & Folk ConnectionFind albums by this artist, which comprises of keyboardist Artur JurekFind albums by this artist, guitarist Krzysztof PaulFind albums by this artist, bassist Adam ZuchowskiFind albums by this artist and drummer Piotr GoraFind albums by this artist. As the title suggests, this s a tribute album to the American Soul / Rhythm And Blues Diva, singer / songwriter Aretha FranklinFind albums by this artist. The album presents thirteen songs either written by or associated with Franklin’s repertoire.
Normally I’d have dismissed such enterprise without even giving it a listen; I mean Polish vocalist singing classic / untouchable songs, probably with a terrible Polish accent and accompanied by a bunch of anonymous musicians. But luckily for me I have heard several earlier recordings by Knitter and decided to give the album a chance, which turned out to be quite a pleasant surprise.
Of course there is nothing innovative or original as far as the music is concerned, but Knitter is an incredible vocalist, with a lovely husky / throaty voice, which she uses very effectively, her accent is not bad at all and her feel for the Blues / Soul is pretty astonishing, as if she was born Black at heart. And to top things up, the guys in the band turn out to be ass-kicking instrumentalist, who can play great guitar licks, soulful Hammond and piano accompaniment and the rhythm section pushes the music strongly forward. In short this is a great Blues / Soul album, which stands proudly shoulder to shoulder with anything recorded across the pond, and with the American music market’s head deeply stuck up the Hip Hop behind, this music sounds more American than anything made in the America these days.
In short, as usual, never dismiss an album before you hear it, as nice surprises can happen. Hats off to Knitter for making my ass dance in the chair when I listened to this album, which I hope will happen to everybody listening to it. I surely appreciate to courage to face this challenge – you did well Lady!
| | Updated: 08/05/2023Posted: 09/08/2021 | CD 1 Digipak Recommend To A Friend |
  | KENNETH DAHL KNUDSEN ~ ATLAS
NOT ON LABEL ~ DENMARK ~ Jazz-World Fusion
Recorded: 2021 Released: 2022
This is the sixth album by Danish Jazz bassist / composer / bandleader Kenneth Dahl KnudsenFind albums by this artist, recorded with an international sextet called AtlasFind albums by this artist, which also includes Ukrainian vocalist Ganna GrynivaFind albums by this artist, Turkish duduk / zurna player Ertan TekinFind albums by this artist, Israeli pianist Eyal LovettFind albums by this artist, Romanian violist Marius UngureanuFind albums by this artist and Syrian oud player Wassim MukdadFind albums by this artist. The album presents nine original compositions, all by the leader, named after nine cities / places around the world, which Knudsen visited and which inspired him, including my birth town Chorzow in Poland (how unexpected is that).
The music on this album has a very strong Jazz-World Fusion influence, which the wonderful instrumentation emphasizes, in addition to the heartfelt and sublimely musical compositions by the leader. The album is a wonderful carpet ride over Middle East, Easter Europe, North African Deserts and frozen Northern European planes. It works splendidly as a soundtrack to an imaginary documentary movie, where the listener can bring from his memory scenes he experienced while travelling or watching filmed travel tales.
For people familiar with the music off all these regions, like yours truly, the music has an even deeper impact, as well as admiration for the composer, who so carefully, delicately and elegantly incorporated to Folkloristic themes into his compositions. The performances by all the participants are excellent from start to finish and the music flows gently, but penetrates deeply into the listener’s soul. Although somewhat distanced form Knudsen’s familiar Jazz environment, there is plenty of improvisation herein, and his ability to amalgamate all those different climates and musical traditions into a coherent whole is truly remarkable.
Overall, this is a brilliant Jazz-World Fusion album, cleverly and masterfully put together by one of the most talented young European Jazz musicians, who truly embraced the internationality of music not only by travelling all around the world but also by deeply respecting the rich Human musical heritage, which is timeless and boundless. This album really deserves to be heard by every true music lover around the globe. Well done my Friend!
| | Updated: 16/07/2022Posted: 16/07/2022 | CD 1 Digipak Recommend To A Friend |
  | JACEK KOCHAN ~ AJEE
AUDIO CAVE 2018/007 (Barcode: 5905669566599) ~ POLAND ~ Avant-Garde Jazz-Rock Fusion
Recorded: 2018 Released: 2018
This is an album by veteran and prolific Polish Jazz drummer / composer / bandleader Jacek KochanFind albums by this artist, recorded in a core trio format with the incredible keyboardist Dominik WaniaFind albums by this artist, who plays synthesizers exclusively on this album, and saxophonist Bartlomiej PrucnalFind albums by this artist. Several guest artists appear, mostly on vocal parts. The album presents thirteen original compositions, nine by Kochan and four by Wania.
The music, as usual with Kochan´s albums, is completely original and unexpected. Characterized by odd meters, which are the drummer´s trademark, it is a form of Fusion, but completely different from the typical Fusion approach. There are elements of Groove, Hip-Hop, Rap and Funk, and the sound of the analog synthesizes (which produce also the bass parts) brings back fond retro memories of early Funk albums and the playing of the iconic George DukeFind albums by this artist.
The individual performances by the participating musicians are all first rate, as expected. Wania dominates the album with his synthesizer parts, which expose a new facet of his immense talent. He manages to create a dark, a tad reserved atmosphere, but his virtuosic playing and incredible sense of time are simply astounding. Prucnal adds a more melodic, soulful layer, which at times is very intensive and superbly crafted. Kochan manages to steer the music smoothly through the crazy rhythmic patters, with flair and elegance, which only Master drummers are capable of.
This album is quite removed from the Jazz mainstream and as such it will be probably sniffed at by the Jazz "critics", but Kochan is way beyond such trivialities and his constant search after new forms of expression is a virtue he does not have to apologize for. This album is full of wonderful music, lyricism and sophistication, which one rarely expects to pop up in the Fusion idiom.
Overall this is a superb piece of music, which takes time to get into and get used to, but offers layer over layer of excellent music and fantastic instrumental work by the participants. Hopefully Kochan will continue to explore and expand the horizons of music and I am already anxious to hear his next album, which hopefully will be here soon. Hats off Gentlemen!
| | Updated: 20/11/2018Posted: 30/07/2018 | CD 1 Digipak Recommend To A Friend |
  | EERO KOIVISTOINEN ~ ALTERED PICTURES
SVART 529 (Barcode: 6430077094710) ~ FINLAND ~ Jazz
This is a 3CD reissue of the two albums by iconic Finnish saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist recorded originally in the US in 1983 and 1991.
CD1 presents the album “Picture In Three ColorsFind albums with this title” recorded by a sextet, which includes Koivistoinen with American musicians: trumpeter Tom HarrellFind albums by this artist, pianist Jim McNeelyFind albums by this artist, guitarist John ScofieldFind albums by this artist, bassist Ron McClureFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist. The album presents six original compositions, all by the leader. The album was originally released on Koivistoinen’s new (at the time) self-owned record label ProFind albums on this label Records.
CD2 presents the album “Altered ThingsFind albums with this title” recorded by a septet, which includes Koivistoinen with American musicians: trumpeter Randy BreckerFind albums by this artist, trombonist Conrad HerwigFind albums by this artist, pianist David KikoskiFind albums by this artist, Scofield, McClure and DeJohnette. Norwegian keyboardist Bugge WesseltoftFind albums by this artist added synthesizer parts on three tracks during post production and mix, which was done at the Rainbow Studio in Oslo by Jan Erik KongshaugFind albums by this artist. The album presents ten original tracks, eight by the leader and one each by Finnish pianist / composer Seppo KantonenFind albums by this artist and McClure. The album was originally released on CD only on the Dutch TimelessFind albums on this label Records label, owned by Wim WigtFind albums by this artist, who produced the album.
CD3 presents eight bonus tracks, five from the first album and three from the second, which include both outtakes and alternate takes, all by the leader except one composition by McClure.
The music is all within the modern mainstream Jazz tradition, showcasing Koivistoinen’s brilliant composing / arranging skills and superb performances by some of the best American Jazz musicians active at the time.
Koivistoinen’s ties with American Jazz go back in time to the years spent at the Berklee College of Music in Boston, where he absorbed the knowledge he would brilliantly utilize during his future career. He always showed a deep respect towards the American Jazz tradition, but at the same time presented a highly individual voice, which went beyond the boundaries of that tradition and incorporated European musical values and his native Finnish influences, turning him into one of the most versatile and prominent European Jazz personalities, as the music included here brilliantly exemplifies.
It is of course great to see these two important albums expanded and made available again, thanks to the exemplary work done by SvartFind albums on this label Records, which treats the Finnish musical treasures with the respect they deserve, preserving the Cultural values, which are perhaps more important today than ever, in these dark days.
| | Updated: 22/02/2022Posted: 20/02/2022 | CD 3 Remastered Bonus Tracks Recommend To A Friend |
  | KRZYSZTOF KOMEDA ~ ASTIGMATIC (POLISH JAZZ VOL.05)
MUZA 905 ~ POLAND ~ Jazz
Recorded: 1965 Released: 2004
This music, encapsulated for eternity in a piece of plastic, is one of the great milestones of human Culture, an ultra-rare eruption of human genius. Recorded by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, this is definitely the most important piece of music recorded in Eastern Europe, which changed the face of Culture far beyond what most people realize. Universally accepted as a model and artistic / aesthetic climax by generations of Jazz musicians in Komeda´s native Poland and far beyond the country borders, this modern Jazz recording influenced innumerable minds and prompted endless artistic processes. The album includes just three pieces of music: the title track; "Kattorna", which was a theme in the soundtrack of a movie by the Danish director Henning CarlsenFind albums by this artist; and "Svantetic", a tune dedicated to the Swedish poet Svante ForsterFind albums by this artist, Komeda´s friend. The quintet included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, German bassist Gunter LenzFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. Playing in every possible grouping, from solo to a full quintet, these brilliant and inspired musicians manage to achieve a whole, which is so much more than a sum of its parts. The result goes way beyond soloing, improvising, interplaying and exchanging ideas; it is a sort of group creation, which builds upon the basic structures, which are the mesmerizing Komeda´s melodies and soaring infinitely towards a musical heaven. There is everything here: melody, harmony, freedom and structure, rhythm and space, all simultaneously represented without conflicting and fighting for supremacy. Such harmonious music-making is indeed very rare and therefore priceless. One might wonder how this wonderful music happened in Poland of all places. Well the reasons for this are numerous and complex, but of course genius knows no geographical limitations and catalyzed by the fertile intellectual background of the 1960s Poland, struggling with Socialist regime and longing for Freedom, Jazz became an escape route, which in this case found its true vocation. Of course the fact that Stanko and Namyslowski were (and thank God still are) exceptionally gifted musicians helped to materialize the potential of Komeda´s music. One might as well look into Komeda´s fascination (and adoration) of the music and life of John ColtraneFind albums by this artist, who served as a beacon and a model in the composer´s path to inner enlightenment. And yet Komeda did not succumb to Coltrane´s (or indeed the entire American Free Jazz movement) ideas blindly and unconditionally, as did many of his peers. He decided to incorporate the struggle for Freedom, which was a central scheme in Coltrane´s philosophy (both musical and personal) with his deep European cultural roots and heritage, building his very personal bridge between Cultures. This is why his music works so well, regardless if it´s a concert played in a Jazz club or a movie soundtrack. It is simply transcending stylistic or circumstantial limitations, as any higher level of Art is able to do. The fact that this music was created almost fifty years ago is a sad reminder of how little progress (if any) we managed to achieve since. In face of this fact we should cherish the great achievements of our Culture and keep them close to our hearts. This is definitely one of those great achievements, so let´s treat it accordingly. Absolutely essential!
| | | CD 1 Digipak Oversampling Remastered Essential Recommend To A Friend |
  | KRZYSZTOF KOMEDA ~ ASTIGMATIC (POLISH JAZZ VOL.05)
POWER BROS 00163 (Barcode: 5906295856030) ~ POLAND ~ Jazz
Recorded: 1965 Released: 1998
This music, encapsulated for eternity in a piece of plastic, is one of the great milestones of human Culture, an ultra-rare eruption of human genius. Recorded by a quintet led by Polish pianist / composer Krzysztof KomedaFind albums by this artist, the legendary Godfather of Polish Jazz, this is definitely the most important piece of music recorded in Eastern Europe, which changed the face of Culture far beyond what most people realize. Universally accepted as a model and artistic / aesthetic climax by generations of Jazz musicians in Komeda´s native Poland and far beyond the country borders, this modern Jazz recording influenced innumerable minds and prompted endless artistic processes. The album includes just three pieces of music: the title track; "Kattorna", which was a theme in the soundtrack of a movie by the Danish director Henning CarlsenFind albums by this artist; and "Svantetic", a tune dedicated to the Swedish poet Svante ForsterFind albums by this artist, Komeda´s friend. The quintet included trumpeter Tomasz StankoFind albums by this artist, saxophonist Zbigniew NamyslowskiFind albums by this artist, German bassist Gunter LenzFind albums by this artist and Swedish drummer Rune CarlssonFind albums by this artist. Playing in every possible grouping, from solo to a full quintet, these brilliant and inspired musicians manage to achieve a whole, which is so much more than a sum of its parts. The result goes way beyond soloing, improvising, interplaying and exchanging ideas; it is a sort of group creation, which builds upon the basic structures, which are the mesmerizing Komeda´s melodies and soaring infinitely towards a musical heaven. There is everything here: melody, harmony, freedom and structure, rhythm and space, all simultaneously represented without conflicting and fighting for supremacy. Such harmonious music-making is indeed very rare and therefore priceless. One might wonder how this wonderful music happened in Poland of all places. Well the reasons for this are numerous and complex, but of course genius knows no geographical limitations and catalyzed by the fertile intellectual background of the 1960s Poland, struggling with Socialist regime and longing for Freedom, Jazz became an escape route, which in this case found its true vocation. Of course the fact that Stanko and Namyslowski were (and thank God still are) exceptionally gifted musicians helped to materialize the potential of Komeda´s music. One might as well look into Komeda´s fascination (and adoration) of the music and life of John ColtraneFind albums by this artist, who served as a beacon and a model in the composer´s path to inner enlightenment. And yet Komeda did not succumb to Coltrane´s (or indeed the entire American Free Jazz movement) ideas blindly and unconditionally, as did many of his peers. He decided to incorporate the struggle for Freedom, which was a central scheme in Coltrane´s philosophy (both musical and personal) with his deep European cultural roots and heritage, building his very personal bridge between Cultures. This is why his music works so well, regardless if it´s a concert played in a Jazz club or a movie soundtrack. It is simply transcending stylistic or circumstantial limitations, as any higher level of Art is able to do. The fact that this music was created almost fifty years ago is a sad reminder of how little progress (if any) we managed to achieve since. In face of this fact we should cherish the great achievements of our Culture and keep them close to our hearts. This is definitely one of those great achievements, so let´s treat it accordingly. Absolutely essential!
Enhanced CD with CD-ROM contents!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | JAN ERIK KONGSHAUG ~ ALL THESE YEARS
HOT CLUB 2027 (Barcode: 7029660003278) ~ NORWAY ~ Jazz
Recorded: 2003 Released: 2003
This is the second album by Norwegian Jazz guitarist / composer Jan Erik KongshaugFind albums by this artist, recorded in a quartet setting with pianist Svein Olav HerstadFind albums by this artist, bassist Harald JohnsenFind albums by this artist and drummer Per Oddvar JohansenFind albums by this artist. Together they perform ten pieces, nine of which are original compositions by Kongshaug and one is by Herstad. This album was recorded five years after the recording of Kongshaug´s debut, exactly with the same lineup. The most important difference if the fact that is presents almost entirely original compositions by Kongshaug.
Jan Erik Kongshaug is primarily known as the legendary sound engineer and owner of the Rainbow Studio in Oslo. He gave me this album himself when I visited him in his studio and even autographed it, as you can see on the scan of the album´s cover. The music was of course recorded in Rainbow Studio and engineered by Kongshaug, with spectacular sonic result.
The music is notably less mainstream Jazz oriented than the music on the debut album, with the melodic and harmonic aesthetics closer to the contemporary European Jazz, especially its Nordic sub-genre. The tunes are mostly relaxed and progress relatively leisurely, like waves caressing a sandy beach. Living among the magnificent Norwegian fjords must influence the country´s inhabitants, which is then reflected in their music. Kongshaug uses both chords and single notes, producing a coherent and refined sound, which engulfs the listener like a warm blanket.
The three younger musicians earned a lot of respect on the local and international scene since the recording of the debut album with Kongshaug, and they amicably accompany the leader, soloing relatively rarely. This wonderful modesty and respect does not hide their great talents of course, which is obvious to anyone listening to this album.
Sadly Kongshaug´s extremely busy schedule allowed so far for just two albums and hopefully we will hear more of his music again one day!
| | Updated: 04/11/2016Posted: 04/11/2016 | CD 1 Digipak Recommend To A Friend |
  | KLAUS KONIG ORCHESTRA ~ AT THE END OF THE UNIVERSE
ENJA 6078 (Barcode: 063757607823) ~ GERMANY ~ Big Band Jazz
Recorded: 1990 Released: 1991
This is the third album by German composer / conductor Klaus KonigFind albums by this artist, recorded live at the Berlin JazzFest with a large Orchestra comprising of many top European and some American Jazz musicians, including British Jazz trumpeter Kenny WheelerFind albums by this artist, Russian (resident in Germany) pianist Simon NabatovFind albums by this artist, French clarinetist Louis SclavisFind albums by this artist, American saxophonist Jane Ira BloomFind albums by this artist and many more. The album presents eight tracks, all composed by Konig, which are parts of a suite, which as the title suggests, is dedicated to the British Sci-Fi writer Douglas AdamsFind albums by this artist.
Wheeler took part also in a recording of the fifth album by Konig, entitled “Time FragmentsFind albums with this title”. Since this is a large orchestral recording, Wheeler’s soloing is perhaps less prominent than on his small group recordings, but is especially important here, in view of Kenny’s love of large ensembles. Both albums seem to be available without much ado. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection.
The music is an absolutely fascinating European Orchestral Jazz, which offers some melodic themes but the performance is full of very open / Free Form improvisations, which altogether offers a challenging, but highly rewarding listening experience and a great example of the European approach to Big Band music, which is diametrically opposed to the American Tradition. Konig certainly manages to combine the basic elements of the Jazz tradition with contemporary / almost Avant-Garde facets of the genre and the result is simply astounding. His work as a composer is certainly highly unconventional and deserves to be followed, as his recording legacy certainly proves.
Overall, this is an excellent modern Big Band / Orchestral Jazz album, performed by first class musicians, which is absolutely worth digging for, not only for the great contributions by Kenny Wheeler, but no less importantly for the splendid music and superb performances by the entire team.
| | Updated: 04/04/2023Posted: 02/04/2023 | CD 1 Recommend To A Friend |
  | WOJCIECH KONIKIEWICZ ~ ANOTHER FORM OF COMMUNICATION
ARTING ~ POLAND ~ Jazz
Recorded: 1993 Released: 1993
This is a beautiful and sadly little known album by the Polish Jazz pianist / composer Wojciech KonikiewiczFind albums by this artist. The album presents six original compositions by Konikiewicz, performed on piano solo (the two opening tracks) and in a trio setting (the remaining four tracks, recorded live) with the wonderful late bassist Zbigniew WegehauptFind albums by this artist and drummer Cezary KonradFind albums by this artist, recorded at the Warsaw Music University. The album was released first as an exquisitely packaged promotional gift by the prestigious Paris based communication and design firm Arting, which is today a highly sought-after collector´s item, and which I was honored to receive from the Artist himself. Later on it was released commercially in Poland by Koch, but is of course completely gone from the market.
The album presents the gentle / lyrical side of Konikiewicz, who weaves beautifully melodic themes and improvises at length, slowly developing his ideas and exposing fragment after of his inner soul to the listener. The album completely lacks any attempts of flashy display of technique or self-centered showmanship, and is simply all about the music and its sound and feeling.
The trio tracks are a superb example of the classic piano trio format, with all three musicians listening to each other with obvious sympathy and respect. Personally I feel that these tracks are also some of the most beautiful pieces Wegehaupt ever recorded (and I know all of his work intimately), with fabulously crafted solos, full of finesse and emotion, being another added value of this project. He was definitely, in the words of Konikiewicz, a great poet of the bass.
In retrospect I can say that the fact that this music in unavailable to the Polish Jazz connoisseur is a crying shame. All those forgotten albums truly deserve a proper reissue, as they are beyond a shadow of a doubt, part of the Polish Jazz legacy, which deserves to be cherished and preserved. It today´s "one minute attention span" world, pieces of art like this one are simply islands of sanity.
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | MICHAEL KORNAS ~ AFTER DARKNESS / COMES LIGHT
SOLITON 1096 (Barcode: 5903684230969) ~ GERMANY ~ Jazz
Recorded: 2020 Released: 2021
This is the debut album by young German (resident in Poland) pianist / composer Michael KornasFind albums by this artist, recorded in a classic piano trio setting with Polish rhythm section comprising of bassist Kamila DrabekFind albums by this artist and drummer Bartlomiej DybelFind albums by this artist. The album presents seven original compositions, assumably by Kornas (no info on the artwork), lasting only slightly over half an hour, which is a bit short for a full album, especially a debut.
The music is pretty straightforward mainstream Jazz, based on rather simple melodic themes, which serve as basis for the trio’s performances. The music is mostly lethargic and develops sluggishly, which can be trying for the listener. Obviously these are early days for Kornas as a composer and his ideas need polishing and stylistic diversity, which hopefully will come with time.
The performances are fair, with Kornas concentrating on playing the chords rather than improvising extensively. The rhythm section supports the leader amicably, obviously being more experienced, trying not to disturb the flow of the music. Drabek takes a few bass soli, more than customary for a piano trio album, which are ornamenting the proceedings a bit.
Overall this album is more of a “teaser” than a full-blown offering, and should be probably treated as such. Perhaps recorded a bit to early the music might have been polished with more live performances, but obviously the pandemic prevented that. All the best in the future!
| | Updated: 18/04/2021Posted: 18/04/2021 | CD 1 Digipak Recommend To A Friend |
  | ANDRZEJ KORZYNSKI ~ AKADEMIA PANA KLEKSA (SOUNDTRACK)
GAD 051 (Barcode: 5901549197662) ~ POLAND ~ Soundtracks
Recorded: 1983 Released: 2016
This is an archival album presenting the soundtrack of the cult children movie "Akademia Pana Kleksa". Although a soundtrack LP was released at the time of the movie´s release (1984), this new edition presents the actual instrumental music used in the movie and a plethora of previously unreleased pieces or alternate takes of those pieces which were included on the soundtrack LP. The music was composed by the great Polish composer / arranger Andrzej KorzynskiFind albums by this artist, who composed many soundtracks of Polish movies, including the "W Pustyni I W PuszczyFind albums with this title" soundtrack released earlier by the GADFind albums on this label Records label. The album presents twenty five mostly short pieces, all beautifully performed by an orchestra and an instrumental ensemble conducted by Korzynski.
Although soundtracks usually don´t work well as stand alone music without the visual substance, especially instrumental soundtracks, the music by Korzynski easily overcomes any such difficulties and this soundtrack is a great example of instrumental music, which makes complete sense on its own and is a pleasurable listening experience. Diverse and fascinating this music is timeless and sounds as fresh today as it did at the time of its making. The listeners not familiar with the original movie this music was meant for can easily plot their own scenarios while listening to it.
This music definitely deserves to be remembered and preserved, and this release will hopefully bring it to many music lovers who did not have the opportunity to see the original movie. This music definitely deserves to be discovered and might surprise many connoisseurs of soundtracks, Prog and electronic / ambient music. Definitely worth investigation!
| | Updated: 29/01/2019Posted: 20/03/2017 | CD 1 Remastered Recommend To A Friend |
  | ANDRZEJ KOWALSKI ~ ABSTRAKT
NOT ON LABEL (Barcode: 5907653893612) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2019 Released: 2019
This is the debut album by young Polish Jazz guitarist / composer Andrzej KowalskiFind albums by this artist recorded in a quartet setting with saxophonist Robert WypasekFind albums by this artist, bassist Jan WierzbickiFind albums by this artist and drummer Adam WajdzikFind albums by this artist. The album presents nine original compositions, all by Kowalski. It was recorded at the excellent Monochrom Studio and offers a high sound quality.
The music is excellent modern mainstream Fusion, based on solid compositions which incorporate melodic themes and quite unusual rhythmic structures, creating a dynamically diverse atmosphere of tension. The compositions are way more complex than the average Fusion material and certainly more sophisticated and intelligently weaved.
These four young musicians share the responsibility for the music the quartet produces quite equally, which is rather unusual. Although the guitar and the saxophone deliver most of the soloing, as expected, the rhythm section is also constantly busy with laying out the complex pulsations and quirky tempi changes, all clearly audible for the entire duration of the music, as well as soloing impressively.
Overall this is a surprising and unusual debut album, which manages to step outside of the conventional Fusion frameset by adding more freedom, both harmonically and rhythmically, rejuvenating the somewhat stale genre and proving that it is still able to astonish the listener. The level of performances by these young musicians proves again that the Polish Jazz scene enjoys an incredible surge of juvenile blood transfusion into its veins, which keeps it alive and sparkling.
| | Updated: 29/10/2019Posted: 29/10/2019 | CD 1 Digipak Recommend To A Friend |
  | JOACHIM KUHN ~ ALLEGRO VIVACE
ACT 9750 (Barcode: 614427975027) ~ GERMANY ~ Jazz
Recorded: 2003 Released: 2005
This is a solo piano album by veteran German Jazz pianist / composer Joachim KuhnFind albums by this artist, one of the great pioneers of modern European Jazz and one of my favorite musicians since decades. On the album Kuhn plays his interpretations of Classical music by Francois CouperinFind albums by this artist, Johann Sebastian BachFind albums by this artist and Wolfgang Amadeus MozartFind albums by this artist, classic Jazz music by John ColtraneFind albums by this artist and Ornette ColemanFind albums by this artist and finally his original compositions, all with the same passion and unique approach to the instrument. The music was recorded during one studio session and offers a superb sound quality.
For many of Kuhn´s fans this album might come as a surprise, as it presents him in one of his calmest and most introvert moments of his career, gently stroking the keyboard, as if hesitating before making his next move, in complete contrast to the usual energetic and almost hyperactive self. As the result of this unique approach the listener is exposed to the contemplative side of Joachim Kuhn, which is a revelation.
Obviously Kuhn treats the Classical pieces with a dose of liberty and perspective, which turns out to be way more interesting than a note for note treatment, which would only prove his technical ability to play Classical scores, rather than his ability to understand and feel the music, turning it into his very own on the fly. There is certain amount of frivolity and humor involved of course, which is truly a great fun.
His treatment of the Jazz pieces are much closer to what Kuhn is know for, but of course his enormous sensitivity turns that music into a fountain of emotions sprinkling European Jazz aesthetics. Kuhn transforms the Jazz tunes into wonderful mini piano suites, which are superb examples of his ability to cross genres with ease and elegance.
Obviously the last part of the album, where Kuhn plays his own music, is the absolute pinnacle, as nothing is better than Kuhn playing Kuhn. Limited only by his own imagination Kuhn stretches out his wings and soars to the sky lifted by his pieces. His virtuosity and improvisational powers come to full bloom here and the concentration of energy and emotion are truly electrifying.
Overall this is a beautiful solo piano album, which all connoisseurs of this particular genre should try and get a copy of, and of course cherish. Although Kuhn is a very prolific artist, this is definitely one of his most intriguing recordings and as such is highly recommended.
| | Updated: 13/11/2016Posted: 13/11/2016 | CD 1 Digipak Recommend To A Friend |
  | ROLF KUHN ~ AFFAIRS
INTUITION 3211 (Barcode: 750447321120) ~ GERMANY ~ Jazz
Recorded: 1997 Released: 1997
Following the recent demise of the great German clarinetist / composer / bandleader and one of the Godfathers of the modern German Jazz, as well as a dear Friend, Rolf KuhnFind albums by this artist, I decided to dig into my shelves and write about some of his albums I did not review previously.
Kuhn recorded this album with a bunch of friends from the US and Germany, a list that proves his status as one of the most admired Jazz musicians on the international scene. The list includes saxophonists Ornette ColemanFind albums by this artist and Dave LiebmanFind albums by this artist, trumpeter Randy BreckerFind albums by this artist, guitarist Chuck LoebFind albums by this artist, fellow clarinetists Eddie DanielsFind albums by this artist and Buddy DeFrancoFind albums by this artist, trombonist Albert MangelsdorffFind albums by this artist, bassist Dieter IlgFind albums by this artist and drummer Wolfgang HaffnerFind albums by this artist. The music includes some standards and some original compositions by Kuhn and the participating musicians, altogether ten tracks of great performances, which showcase Kuhn’s versatility playing anything between Swing to Free.
These relaxed sessions are an ideal opportunity to allow the musicians to get the absolute best out of themselves, all supporting Kuhn as the main soloist, who is simply brilliant every step of the way.
Kuhn a sublime example of a total musician, with a career spanning decades and crossing styles from Swing to Avant-Garde, always with grace, intelligence and professionalism beyond reproach. For clarinet lovers, this album is an absolute revelation.
Overall, this an instant classic, full of brilliant music and heavenly performances, which is absolutely perfect from start to finish. Goodbye Friend!
| | Updated: 23/09/2022Posted: 23/09/2022 | CD 1 Recommend To A Friend |
  | ROLF KUHN TRIO ~ AS TIME GOES BY
BLUE FLAME 40292 (Barcode: 4002587402921) ~ GERMANY ~ Jazz
Recorded: 1989 Released: 1991
This is an album by legendary German Jazz clarinetist / composer / bandleader Rolf KuhnFind albums by this artist, recorded in the intimate trio setting with his younger brother, pianist Joachim KuhnFind albums by this artist and bassist Detlev BeierFind albums by this artist. The album presents seven tracks, two of which are original compositions by Rolf Kuhn, another two by Joachim Kuhn, one is co-composed by them and two are standards. The album was brilliantly recorded by Walter QuintusFind albums by this artist, at the legendary CMPFind albums on this label studio.
The music is an ideal amalgam of composed and improvised music, based on composed themes and then expanded by lengthy improvisations by all three musicians. It offers a relatively rare opportunity to hear the clarinet in the modern / Free Jazz environment, as well as get exposed to the brilliant work by Beier, who is definitely one of the finest German bass virtuosos, which is plainly evident herein.
All three musicians have plenty of opportunity to expose their masterly skills and the telepathic rapport between them is absolutely stunning. Rolf’s sweet tone and heart-melting melodicism are perfectly matched by his improvisational skills and the intrinsic freedom, which are unmatched. I feel lucky to have been able to experience so many hours of his brilliant performances in person over the years and listening to this album vividly brings back memories of his presence, which I often miss.
Joachim is, of course, as brilliant as always and his arpeggios and uncontainable fluidity fill the space behind his brother’s melodic statements, while Beier supplies, mind you all by himself, all the rhythmic support needed and more.
Overall, this is one of the most beloved albums by Ralf Kuhn in my collection (and I have all of them of course). Brilliantly melodic, and Free spirited at the same time, this is Jazz as its most naked, striking form, which is completely timeless and everlasting. Miss you, my Friend!
| | Updated: 02/08/2024Posted: 02/08/2024 | CD 1 Recommend To A Friend |
  | DAVE KULJU ~ ABSTRACT EXPRESSION
NOT ON LABEL (Barcode: 801495186527) ~ USA ~ Progressive Rock
Recorded: 2005 - 2007 Released: 2007
1st album by US guitarist Dave KuljuFind albums by this artist, who is a member of the Prog ensemble ElectrumFind albums by this artist. Recorded over a period of two years (with some music written even before the actual recording), it presents a portrait of a sensible artist, who shares with us his intellectual and emotional travels in search of his musical identity. Kulju plays almost all the instruments involved in the recording, using a few guest musicians to spice the wonderful musical dish here and there. The album’s title fits the musical contents perfectly – although mostly in the vein of instrumental Prog, it includes many different moods and influences, such as contemporary classical music and Fusion. The music is both intelligent and emotional, flowing smoothly from one theme to the next, merging perfectly the electric and acoustic instruments. The lead guitar is not trying to show off or dazzle, but simply plays the lead parts in perfect harmony with the other instruments. It’s quite evident that Kulju wished to present a total musical portrait of himself as a composer and player, rather than enter a pissing contest with others. The longest track on the album, called “Somnium”, (which lasts for over 15 minutes) is quite brilliant and my favorite tune, but all the music is truly excellent. Somehow the mood of the album reminds me of Scandinavian Prog, perhaps a bit of AnekdotenFind albums by this artist, but that’s just my association. This album will probably (and sadly) be heard by a very limited number of people, but if you’re up to an intellectual challenge please don’t miss it. The beautifully designed packaging will be a bonus. Kudos Dave!
| | | CD 1 Digipak Recommend To A Friend |
  | LABORATORIUM ~ ANTHOLOGY 1971-1988
METAL MIND 001 (Barcode: 5907785028173) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1971 - 1988 Released: 2006
This Box Set compiles all the albums released by the Polish Jazz-Rock Fusion ensemble LaboratoriumFind albums by this artist, which was without a shadow of a doubt one of the best and most important Fusion outfits in Eastern Europe before the fall of the Iron Curtain. Over the years the band managed to release ten albums, an unprecedented achievement at the time, of which seven were studio recordings, two were recorded live and the last one was a compilation of previously unreleased tracks. Two of the studio albums were released on the legendary Polish Jazz Series (Volumes 49 and 58). All the ten albums were remastered for this Box Set release and expanded with a plethora of bonus tracks, which include studio outtakes, radio and live performances and mini-sleeved. The booklet includes a detail history of the band and reflections about the albums by the band´s founder / leader keyboardist / composer Janusz GrzywaczFind albums by this artist.
As all ensembles Laboratorium changed lineups over the years, but enjoyed relatively steady personnel for extended periods of time, which undoubtedly added to their success. Most of their material, which is covered by their second to sixth albums (and the compilation album), was recorded by a steady lineup, which included in addition to the leader also saxophonist / vocalist Marek StryszowskiFind albums by this artist, guitarist Pawel ScieranskiFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist and drummer Mieczyslaw GorkaFind albums by this artist. On the later albums the lineup includes Grzywacz and Stryszowski (who are the only musicians appearing on all the ten albums) with guitarist Ryszard StylaFind albums by this artist, bassist Krzysztof OlesinskiFind albums by this artist, drummer Andrzej MrowiecFind albums by this artist and percussionist Jan PilchFind albums by this artist. The debut recording, which initially occupied only one side of an LP, features the legendary Polish violinist Zbigniew SeifertFind albums by this artist and is stylistically quite close to Free Jazz in contrast to the Fusion direction adopted later.
The band performed only original music, which of course was a courageous decision, and with a singular exception, all the music enclosed herein was composed by Laboratorium members, mostly by the leader but also by others or co-composed by the band. Over the years Grzywacz emerged as a first rate tune-weaver with an excellent ability to write great melodies and riffs, which make the music accessible, even when it becomes quite complex. The music remains intelligent and ambitious throughout, with a remarkable consistency of high-level quality. But the most important factor of Laboratorium was its ability to constantly evolve and change, which is quite evident to anybody listening to the music in the proper historic order. Grzywacz slowly moved from acoustic to electric piano and then to synthesizers, but never indulged in mindless pyrotechnics which so many of his colleague keyboardists fell victim to during that period of time. Laboratorium managed to avoid that terrible, obnoxious 1980s cheesy synthesizer sound, which is a success in itself.
Although most of the music performed by Laboratorium is instrumental, they used the human voice time and again in an instrumental capacity. These vocalese experiments are all quite interesting and present another layer of the band´s musical range. It seems that Polish Jazz is particularly fond of such experimentation since its early days and it´s definitely interesting to hear how Laboratorium handled them.
There are endless moments of musical joy inside this Box Set; virtuosic performances by the musicians, especially those by Krzysztof Scieranski, who stands easily shoulder to shoulder with such bass heroes as Jaco PastoriusFind albums by this artist, beautiful melodies, funky grooves, superb guitar and keyboards solos, in short Fusion heaven for all connoisseurs of the genre. I can´t imagine any Fusion fan anywhere on this planet not being melted away by the beauty of this music.
The Box Set is an individually numbered limited edition and if you can put your hands on a copy, don´t you dare to hesitate even for a moment – it´s worth its weight in gold!
| | Updated: 26/01/2019Posted: | CD 10 Mini-Sleeve Box Set Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | JOËLLE LÉANDRE / BARRE PHILLIPS ~ A L`IMPROVISTE
KADIMA COLLECTIVE 16 (Barcode: 634479752964) ~ FRANCE ~ Jazz
Recorded: 2007 Released: 2008
French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. Her partner for this recording is no other than another bass virtuoso – American born (but living in France since the early 1970s) Barre PhillipsFind albums by this artist, one of the most esteemed Free Jazz and Improvised Music players, with a career stretching back to the 1960s and cooperation with such great musicians like John SurmanFind albums by this artist, Derek BaileyFind albums by this artist, Paul BleyFind albums by this artist and many others. His ECM album with Dave HollandFind albums by this artist “Music From Two BassesFind albums with this title” was the first bass duo recording (1971), which brings us to this superb duet. Excellently recorded by the French Radio, the music is a completely improvised set, full of beautiful conversations and exchanges between the players, who display almost telepathic contact. Full of deep feeling and lyricism, but always inspired by the fire and passion for the music, the duo performs some incredible music, which although demanding, is most enjoyable. It is a great example of how Improvised Music can stay being Avant-Garde in nature, but become mature and technically flawless. Highly recommended to lovers of acoustic bass and challenging musical experiences.
| | Updated: 12/04/2019Posted: | CD-R 1 Mini-Sleeve Recommend To A Friend |
  | ARTHUR LEE ~ ARTHUR LEE
FRIDAY MUSIC 1095 (Barcode: 829421109525) ~ USA ~ Classic Rock
Recorded: 1981 Released: 2009
2nd album by singer / songwriter Arthur LeeFind albums by this artist, mostly known as the charismatic leader of the legendary US band LoveFind albums by this artist, which revolutionized the US Rock scene in the mid to late 1960s, recorded with members of the late 1970s incarnation of the band. In spite of Lee´s extraordinary talent as songwriter, his career following the breakdown of the original lineup of Love, as well as his personal life, was a troubled and tragic affair. The collection of songs on this album, mostly written by Lee, show his enormous potential and spark of genius, but sadly lack a focus and production effort, which would turn them into such gems as his early work. Nevertheless the material is surely worth listening to and the many fans of Love will find here plenty of interesting moments.
| | | CD 1 Remastered Recommend To A Friend |
  | PIOTR LEMANCZYK ~ AMHRAN
SOLITON 267 (Barcode: 5901571092676) ~ POLAND ~ Jazz
Recorded: 2013 Released: 2013
Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist is a household name on the local scene and over the years he gained a considerable reputation as one of the most talented, versatile, dependable and imaginative bass players around. His numerous recordings in the last decade present a musician of many faces, who feels completely comfortable playing Free Jazz, melodic lyrical mainstream Jazz and anything in between.
This album finds Lemanczyk in a trio setting, with US (British born) saxophonist Seamus BlakeFind albums by this artist and Polish drummer Jacek KochanFind albums by this artist, playing mostly music he composed. Of the eight compositions present on the album seven are by Lemanczyk and the remaining one is by Kochan. The music is free-spirited and open, not Free Jazz per se, as it is based on pre-composed themes, but it emphasizes the improvisations, focusing on them rather than on the melodic or even harmonic backbone. Naturally the saxophone stands in the centre of attention, but a careful listener will notice immediately that this is first and foremost a collective performance, which never falls back into a soloist / rhythm section situation, like most other saxophone trio recordings. Although Lemanczyk solos as well, his most significant contribution is simply playing along with his cohorts, demonstrating ears wide open and undivided attention and respect towards his partners. The drums often take a step back on this album, which leaves the dialog between the saxophone and bass as the centerpiece of this beautiful music.
I wonder if other listeners will share my view that this album is largely atypical as far as Polish Jazz is concerned. That omnipresent lyricism / intrinsic melancholy, that is the trademark of Polish Jazz, is almost completely gone herein. If I listened to this music blindfolded, I´d most probably deduce that this is an American album. It is difficult to pinpoint exactly why, but the way the saxophonist improvises and Lemanczyk / Kochan respond is a classic example of contemporary American Jazz characteristics.
Any way one looks at (or rather listens to) this music, one thing is apparent: this is masterly conceived and superbly executed stuff, which has so much to offer that even an experienced Jazz connoisseur will need to contemplate and absorb this music for a while in order to fully comprehend it. There is simply to much aesthetic beauty here to be taken in at one go. One can only hope this music will reach as many appreciative listeners as it truly deserves.
This album is an absolute must for all Polish Jazz fans and any serious Jazz buff anywhere on this planet should be able to enjoy this music to the fullest, even if it will take more than one listening session to get there. Wholeheartedly recommended!
| | | CD 1 Digipak Recommend To A Friend |
  | LENS ~ A WORD IN YOUR EYE
GEP 1031 ~ UK ~ Progressive Rock
The Lens were a group active in the late 70`s, which included Mike Holmes and Martin Orford - later to become the founding members of IQ. The original group never managed to make an album, so in 2001 Mike & Martin decided to make an album of the original material that the group performed while it lasted. A very fortunate decision, as the material is very strong and the playing excellent.
| | | CD 1 Recommend To A Friend |
  | JOONAS LEPPANEN / ALDER EGO ~ ALDER EGO
AMP 016 (Barcode: 662578831105) ~ FINLAND ~ Jazz
Recorded: 2017 Released: 2017
This is the debut album by the young Finnish Jazz quartet Alder EgoFind albums by this artist, led by drummer / composer Joonas LeppanenFind albums by this artist, which also includes saxophonist Jarno TikkaFind albums by this artist, trumpeter Tomi NikkuFind albums by this artist and bassist Teemu AkerblomFind albums by this artist. Accordionist Harri KuusijarviFind albums by this artist guest on a couple of tracks. The quartet presents seven original compositions, six of which were composed by Leppanen and one is a collectively improvised piece.
The quartet has an unusual sound due to the lack of any harmonic instruments (except for the accordion contributions) and therefore the music is based on the exchanges and unisono parts played by the brass, amicably supported by the rhythm section. Although melody based, the music allows for a lot of space and freedom, not as extreme as in Free Form, but certainly with a wide spectrum of improvised input. Overall the music is complex and diverse, but coherent and interesting throughout.
The individual statements by these musicians are quite impressive, and as usual emphasize the astounding level of musicianship achieved by young European Jazz musicians these days, not only in the Nordic countries by all over the continent. Leppanen is not only a gifted composer but also offers a unique drumming style. Akerblom keeps the music glues together by his splendid bass pulsations. Tikka and Nikku both sound like seasoned veterans who really know exactly what to play at each given moment. It is very encouraging to hear that the splendid Finnish Jazz legacy is continued by the new generation.
Overall this is an excellent debut effort, which offers wonderful contemporary European Jazz, which is not trivial or derivative, and which holds a lot of potential for the future achievements by these young lions. Wholeheartedly recommended!
| | Updated: 03/10/2017Posted: 03/10/2017 | CD 1 Digipak Recommend To A Friend |
  | YOSI LEVY ~ ACOUSTIC PROJECT
MAGDA 086 (Barcode: 7290013312143) ~ ISRAEL ~ Jazz-World Fusion
Recorded: 2013 Released: 2013
This is the second album by veteran Israeli guitarist / composer Yosi LevyFind albums by this artist, which presents his World Music trio, called Acoustic Project, which features another Israeli scene veteran flautist Ilan SalemFind albums by this artist and Indian tabla Master Bickram GhoshFind albums by this artist. The album presents nine tunes, four of which are originals by Levy, two are originals by Salem, two are Salem´s arrangements of an Israeli pop song and a traditional Yemenite song and the remaining one is credited to all the members of the trio.
The music is a unique amalgam of Jazz and World music elements, which originate from the Middle East and from India. Such specific combination of these diverse cultures and genres has been applied very rarely in the past and therefore manages to innovate in a niche, that literally explode in the last two decades, producing a great deal of interesting recordings.
As all great Jazz-World Fusion albums, this one is also a living proof of the fact that music has absolutely no boundaries, neither stylistic nor geographic or cultural. In the right hands every kind of music can be mixed combined and integrated with every other kind, with the result being more that the sum of its ingredients.
In addition to the inspiring musical ideas, this album is also an amazing display of instrumental virtuosity by the trio members. Levy´s acoustic guitar embodies the music, playing both the melodic and the rhythmic parts with great lyricism as well as with vigor and energy. Salem´s flute is simply amazing from start to finish and although he played a lot of great music over time, this is definitely some of his best playing ever. The flute, which is sadly a neglected instrument in Jazz and Improvised Music in general, is such a limitless source of sounds, literally speaking from the player´s innermost depth of the soul. Ghosh proves again that a seemingly limited instrument like the tabla is in fact completely unbounded in the hands of a Master.
Overall this is an amazing and fascinating album, which buffs of Jazz-World Fusion should find irresistible and flute lovers should find indispensible. Wholeheartedly recommended!
| | Updated: 16/02/2016Posted: 16/02/2016 | CD 1 Slipcase Recommend To A Friend |
  | ZBIGNIEW LEWANDOWSKI QUINTET ~ A NEW OPENING
PSJ WROCLAW 004 (Barcode: 5906492433102) ~ POLAND ~ Jazz
Recorded: 2023 Released: 2024
This is an album by veteran Polish Jazz drummer / composer Zbigniew LewandowskiFind albums by this artist, recorded in a quintet setting with saxophonist / flautist Tomasz PruchnickiFind albums by this artist, pianist Robert JarmuzekFind albums by this artist, bassist Jakub OlejnikFind albums by this artist and American guitarist Kenny CarrFind albums by this artist. The album presents eight tracks, all of which are original compositions, three by the leader and five by Pruchnicki. The album was recorded at the excellent Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, offering a wonderfully worm and clear sound quality.
The album marks a most welcome return of Lewandowski to recording duty, which has been interrupted by a three-decades long gap. Judging by the energy and quality of the new recording, Lewandowski lost none of his skill and talent over time.
The music is somewhere between mainstream and modern Jazz, based on excellent compositions with strong melodic themes and interesting rhythmic textures, flowing coherently for the entire duration. Carr’s guitar work adds a slight Fusiony touch here and there, but all in great taste and impeccable precision.
All the quintet members get ample opportunity to show their chops, and all stand up to the challenge without a hitch. Lewandowski adds a dense rhythmic layer, but without dominating the proceedings unnecessarily, which is excellently complemented by the bass lines, both on bass guitar and acoustic bass.
Overall, this is an excellent mainstream Jazz recording, with a gentle touch of Funk and Groove, which is a real pleasure to listen to and which managed to make me smile when listening, which happened pretty rarely these days. Accessible to a wide Jazz loving audience, this is a true little gem, a nice reminder of the good old days and a pleasant dose of good time!
| | Updated: 18/05/2024Posted: 18/05/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LEWIS, JOHN ~ AFTERNOON IN PARIS
DREYFUS 36507 ~ USA ~ Jazz
MJQ leader and musical director John Lewis needs no introduction to any Jazz lover, but this rare solo piano recording from 1979 is wonderful example of his powers both as a performer and a composer. Strongly influenced by vlassical music and with a deep understanding of the Jazz tradition, Lewis` interpretations of Jazz standards sound always different than those by his contemporaries. This is a real treat for a Jazz connoseur!
| | | CD 1 Recommend To A Friend |
  | LIGHT COORPORATION ~ ABOUT
RER LC03 ~ POLAND ~ Progressive Rock
Recorded: 2013 Released: 2013
This is the third (in three years) album by Polish Progressive Rock / Jazz-Rock Fusion ensemble Light CoorporationFind albums by this artist, founded and led by guitarist / composer Mariusz SobanskiFind albums by this artist. The ensemble is expanded to include twelve musicians, which more then doubles its size on their two earlier albums, and includes members from the earlier versions of the ensemble, like saxophonists Pawel RogozaFind albums by this artist, Michal PijewskiFind albums by this artist and Michal FetlerFind albums by this artist, violinist Robert BielakFind albums by this artist, keyboardist Marcin SzczesnyFind albums by this artist, bassist Tom StrukFind albums by this artist and drummer Milosz KrauzFind albums by this artist, as well as others who play here for the first time. They perform ten original compositions, all by Sobanski, who also arranged it. The album was again released on the prestigious British ReRFind albums on this label label, which stays faithful to its Artists.
Musically this album shows yet another step forward for the group, which keeps changing like a chameleon, and yet retains a specific sound and feel, which by now are certainly their own. There is a shift from the earlier Prog and Ambient tendencies towards more Jazzy influences, which of course are emphasized by the expanded brass section and the appropriate arrangements. There is more of typical Jazz improvisation here, although rhythmically the music is still very much Rock based. The music is dark and moody as on the earlier albums, but also Funky and swinging at the same time. It appears that the ensemble is able to re-invent itself anew on every album, which is truly impressive. One can only hope that this can be repeated in the future.
By now it is pretty obvious that Sobanski is a major force on the Polish music scene, which should not be ignored or dismissed haphazardly. He has proved not only his talents as player / composer / arranger but also as innovator and visionary, with a burning desire to create and develop further. His restlessness is a blessing and hopefully the harsh reality will not be able to block his creative powers. Having done a remarkable job third time in a row he truly deserves both recognition and support. This is the kind of music, which keeps my faith in aesthetics, intelligence and creativity in a world full of superficiality, banality and zero values.
As already stated in my reviews of the two earlier albums, the music of Light Coorporation fails every attempt of categorization, since it is so original and unconventional on one hand and so encompassing on the other. As a result there should be something for everybody herein, regardless if the listener comes from Prog, Jazz or even contemporary Classical fields. This is simply great music, and as such needs no particular encouragement to be listened to. Just grab a copy of the album and listen – satisfaction guaranteed!
| | Updated: 31/03/2018Posted: | CD 1 Recommend To A Friend |
  | LIGHT COORPORATION ~ ALIENS FROM PLANET EARTH
RER LC02 ~ POLAND ~ Progressive Rock
Recorded: 2012 Released: 2012
The recording of a second album is a pivotal moment for every ensemble; a process, which often foretells if that particular group of musicians has a lasting momentum and creative power to re-invent itself time after time and remain relevant and artistically significant in the long term. There are endless examples of one-time creative outbursts, which result in brilliant music, but only a miniscule proportion of these develop into a lasting source of inventiveness, which withstands the tides of time.
This, the second album by Polish ensemble Light CoorporationFind albums by this artist, is therefore a litmus paper of sorts, by which the future of this group can be predicted, bearing in mind of course that prophesy was given the fools. The group underwent some personnel changes since the release of their stunning debut album "Rare DialectFind albums with this title" a year earlier and comprises now of leader / founder guitarist / composer Mariusz SobanskiFind albums by this artist, saxophonist Pawel RogozaFind albums by this artist, violinist Robert BielakFind albums by this artist, bassist Krzysztof WaskiewiczFind albums by this artist and drummer Milosz KrauzFind albums by this artist. Of the eight compositions present on the album (there is also a "hidden" ninth track), two are credited to the leader and the remaining six are group compositions, indicating that most of the music is improvised.
The fact that the music was recorded live in an Art Gallery, capturing the wonderful ambience of the room, is yet another indication as to the highly improvised nature of the music herein. The music itself is quite different from what we can hear on the debut album, which points out that the group is not trying to find a formula, which can then be repeated, but keeps searching, which is probably the essence of all Art. Although the music consistently defies all efforts to be neatly categorized, or even described for that matter, it is quite clear that it moves more towards ambient improvised music, in which sounds become as important as notes in traditional music, even if the sounds are produced by traditional acoustic instruments, sometimes electronically amplified and modified with the use of delay and other effects. The overall effect is completely novel and deadly effective, creating sonic tension of incredible intensity and emotional potency.
In many respects this album moves away from the direct relations with the sources of this music, like RIO, Zeuhl and Jazz, which were still very much noticeable on the debut album, clearly trying to establish a self-determined (sound-wise) identity. At times, when most music is sadly being reduced to repetitious mechanical dribble, originality and creativity, which are the underlying principles of this music, is so much more important and worthy of admiration and support. Sobanski and his cohorts might as well be "aliens from planet earth", as their music is so far removed from the dreaded mainstream so-called music as planet earth from other galaxies. In fact this might even suggest that Poland is a favorite place of residence of many other musical "aliens", judging by the incredible music scene, which produces these days more original and highly innovative music than most other places on our planet.
As to the original question about the "second album trial", the answer is one big "passed with honors". Congratulations are in order, and of course a wholehearted recommendation to every intelligent and adventurous music lover (few of those are still remaining on this planet), to grab this immediately and put it on "repeat" at once. There will be no regrets!
| | | CD 1 Recommend To A Friend |
  | KASIA LISOWSKA ~ AURA
REQUIEM / LYDIAN 2023/36 ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2023 Released: 2023
This is the second album by Polish vocalist / pianist / songwriter Kasia LisowskaFind albums by this artist. The album was recorded with several accompanying musicians, playing on selected tracks, like bass guitarists Piotr ZaczekFind albums by this artist and Wojciech StaniszFind albums by this artist, drummer Przemyslaw KuczynskiFind albums by this artist, guitarist Jakub ChmielarskiFind albums by this artist and trumpeter Piotr KrzeminskiFind albums by this artist. The music was arranged and produced by pianist / sound engineer Lukasz KowalskiFind albums by this artist. The album presents eight songs, all by Lisowska (music & lyrics), and lasts slightly above half an hour, being rather an EP than a full album.
The music is pretty straightforward, very melodic and somewhat repetitious, in contemporary Pop stylistics but with minimal background accompaniment, only at times somewhat Jazzy, which makes it more listenable. Lisowska has a nice and well trained voice, and she is certainly capable of singing a much more ambitious material, than what is present on this album.
But to be fair, the album is well produced and all of the songs offer meaningful lyrics and nice melodies, which could be potential radio favorites, if there was still a radio to listen to. It is a typical singer / songwriter offer, which is easy to like, sounds slick and polished, but is certainly too good for contemporary Pop listener, who expects Hip Hop / Rap vulgarity, and these sentimental lyrical songs are boring to him.
Overall, this is a nice collection of melodic / sentimental songs, well performed and produced, somewhat out of sync with current Pop sensitivities, but certainly a pleasant listening experience. Nor exactly my cup of tea but I appreciate the honest effort and of course talent by everybody involved.
| | Updated: 01/04/2024Posted: 31/03/2024 | CD 1 Digipak Recommend To A Friend |
  | CHARLES LLOYD ~ ALL MY RELATIONS
ECM 1557 (Barcode: 731452734426) ~ USA ~ Jazz
Recorded: 1994 Released: 1995
Legendary US saxophonist / composer Charles LloydFind albums by this artist continues his quest, now in the fifth decade of his activity, building up a legendary status as one of the most talented and original Jazz Masters. His accumulative legacy as a recording artist is truly immense, ranging from Bebop to Free, but his unique voicing and extraordinary sensitivity, both as a player and a composer, set him aside from most. Lloyd resumed his recording activity in the late 1980s on the ECMFind albums on this label label, where he released a series of wonderful albums, this one being a prime example of his abilities. The quartet consists of Swedish pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and veteran US drummer Billy HartFind albums by this artist. Together they perform eight original compositions by Lloyd, all of which are truly moving. There is little need to encourage anybody to try this out, as people, who understand Jazz, already are more that convinced. Brilliant stuff!
| | Updated: 01/06/2018Posted: | CD 1 Recommend To A Friend |
  | CHARLES LLOYD / MARIA FARANTOURI ~ ATHENS CONCERT
ECM 2205/06 (Barcode: 602527678337) ~ USA ~ Jazz-World Fusion
Recorded: 2010 Released: 2011
A meeting of two musical Colossi: legendary US saxophonist / composer Charles LloydFind albums by this artist and no less legendary Greek singer Maria FarantouriFind albums by this artist, known worldwide not only a Greece´s first Lady of song but also as her country´s voice of conscience and political activism. Farantouri´s association with Greek national composer Mikis TheodorakisFind albums by this artist since the 1960s has placed her both in the centre of the country´s cultural life and its political struggle for liberty. Lloyd and Farantouri developed a close personal friendship over many years, which resulted in exposing him to Greek culture, history and of course music. Slowly they collected material they could perform together, which eventually let to this magical evening of music, captured live in the footsteps of the Acropolis. The participants include also the members of the Charles Lloyd quartet: pianist Jason MoranFind albums by this artist, bassist Reuben RogersFind albums by this artist and drummer Eric HarlandFind albums by this artist and two Greek musicians: Socratis SinopoulosFind albums by this artist on lyra and Takis FarazisFind albums by this artist on piano. Together these seven Artists create a universe of music so beautiful and aesthetically fulfilling that it leaves the listener completely awestruck and overwhelmed. Of course the marriage of Jazz with other forms of music like Folklore, World Music or Classical is quite common these days, but some of these attempts definitely work better than others. This one works wonderfully and presents not only a perfect amalgam of different musical traditions but also a perfect marriage of music and words, or in more global sense a cultural melting pot of rare magnitude. Thousands of years of human history, from ancient Greece to now, and thousands of miles linking Africa, Europe and America, all come together here, symbolizing the universality of the human culture, which knows no borders, no nations and no disparity. In the world completely obsessed with total decadence and complete lack of any values, cultural and moral, people who are able to make such artistic statement as this one should be cherished and applauded and I humbly join the ones who do just that. A strikingly beautiful piece of music!
| | | CD 2 Slipcase Recommend To A Friend |
  | LONDON JAZZ CHAMBER GROUP ~ ADAM`S RIB SUITE
ACROBAT 4259 (Barcode: 824046425920) ~ UK ~ Jazz-Classical Fusion
Recorded: 1970 Released: 2007
This is a reissue of the of the album by the London Jazz Chamber GroupFind albums by this artist, which combines a Jazz sextet: trumpeter Kenny WheelerFind albums by this artist, saxophonist / flautist Roy WilloxFind albums by this artist, pianist Ken MouleFind albums by this artist, guitarist Louis StewartFind albums by this artist, bassist Lennie BushFind albums by this artist and drummer Ronnie StevensonFind albums by this artist and a string quartet led by violist Patrick HallingFind albums by this artist. They perform together an eleven-part suite composed by Moule.
The music is a marvelous collection of melodic themes, brilliantly arranged for a Jazz sexted and a string quartet, which is Moule’s greatest achievement in his long and diverse musical career. These excellent players perform the music with panache and gusto, as expected, and the string arrangements are completely unique and innovative floating between Classical and stage music.
For some completely unknown reason this album is completely unknown and I have never seen it mentioned anywhere, despite the fact that is a National Treasure as far as British Jazz is concerned. So here it is in full splendor, including the original cover art – which will hopefully nor be banned by the FB automata – and which proves that nakedness is not always pornography, and can be Art.
Overall, this is great and very unusual Jazz album, which withstood the tides of time brilliantly and should have an honorable place in every serious British Jazz collection.
| | Updated: 07/02/2025Posted: 07/02/2025 | CD 1 Recommend To A Friend |
  | LOOSE TUBES ~ ARRIVING
LOST MARBLE 008 (Barcode: 873371000821) ~ UK ~ Big Band Jazz
Recorded: 1990 - 2014 Released: 2015
This is the seventh and last album by the British Jazz Big Band / Orchestra Loose TubesFind albums by this artist, a huge ensemble, with twenty-three musicians playing on this album. Although it did not have a leader as such, most of the music was written by keyboardist Django BatesFind albums by this artist. This album presents eleven live tracks, the first seven recorded live at the Ronnie Scott’s club in 1990 and the last four also at Ronnie Scott’s in 2014. Five of the tracks were composed by Bates, three by trumpeter Chris BatchelorFind albums by this artist, two by flautist Eddie ParkerFind albums by this artist and one by trombonist John HarborneFind albums by this artist.
Loose Tubes were formed in 1983, following a workshop put together by British Jazz composer / educator Graham CollierFind albums by this artist, where Bates, Batchelor, Parker and others met and decided to work together. In a short time, the Big Band became a sensation and won the title of the most interesting “new thing” on the British Jazz scene, which lasted for the rest of the 1980s. In 1985 they released their eponymous debut album. The ensemble disbanded in 1990 and reunited briefly for a few concerts in 2014.
The music of Lose Tubes presented an eclectic collection of styles, from vaudeville and early Jazz to Avant-Garde, brilliantly arranged and performed by these (then) young musicians. They ignored stylistic limitations and any kind of accepted norms, slaughtering holy cows by the herd. Hearing them live, which I had a great pleasure to experience several times, was an unforgettable orgy of great music and fun combined.
Overall, this is wonderful piece of British Jazz history, documenting a unique and spectacular ensemble, which Loose Tubes certainly were. They were always best live, as this album proves beyond any doubt, and although tough to find these days, all of their albums are worth their weight in gold!
| | Updated: 01/08/2023Posted: 01/08/2023 | CD 1 Digipak Recommend To A Friend |
  | LOPEZ & KADZIELA ~ AUGMENTATION
JAZZ ACTIVIST 05 (Barcode: 8428353600524) ~ SPAIN ~ Jazz
Recorded: 2016 Released: 2017
This is the debut album by the young European quartet co-led by Spanish (Galician) drummer Carlos LopezFind albums by this artist and Polish saxophonist Maciej KadzielaFind albums by this artist, with Spanish (well, Galician again) pianist Xan CamposFind albums by this artist and Swedish bassist Johannes VahtFind albums by this artist. The album presents eight original compositions, four composed by Lopez, three by Kadziela and one by Vaht.
The music is a wonderful example of young contemporary European Jazz, full of vigor and flare, based on melodic compositions but including an extensive degree of freedom, which enables novel improvisation and unexpected time signatures. The melodies are well structures and coherent harmonically, diverse stylistically and often include World Music influences, with some Iberian motifs clearly distinguishable.
The individual performances are all excellent, as expected form these well schooled and already quite experienced musicians. Fiery and inspired soloing and superb team work contribute to the overall result, which is a genuine pleasure to listen to.
Although most of these ensembles are created ad hoc in the burgeoning environment created at the Copenhagen´s Rhythmic Music Conservatory, where many excellent European musicians study, hopefully this quartet will come together to record and tour, as it is unquestionably too good to be a one time affair.
Definitely worth investigation and highly recommended for modern European Jazz connoisseurs!
| | Updated: 30/03/2018Posted: 30/03/2018 | CD 1 Digipak Recommend To A Friend |
  | TOMASZ LOSOWSKI ~ ACOUSTIC TRIO
SOLITON 420 (Barcode: 5901571094205) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015
Veteran Polish drummer Tomasz LosowskiFind albums by this artist is mostly acknowledged for his work in the Pop, Rock and Fusion fields, but this album is his first attempt to play straight Jazz. In order to do so he asked his old friend, the excellent bassist Piotr LemanczykFind albums by this artist and a young saxophonist Szymon LukowskiFind albums by this artist to join him and together they recorded eight original compositions, seven of which were composed by Lemanczyk and one by Lukowski.
The resulting acoustic trio delivers a set of excellent pieces, featuring the saxophone as the main soloing instrument, solidly supported by the rhythm section. Lemanczyk also plays several of his amazing bass solos, which are perfect as always, and the leader, avoiding any pyrotechnics and usually completely unnecessary drum eruptions, sticks to the basics and pushes the trio ahead rhythmically, always with taste and elegance.
Saxophone trios are often quite difficult and perilous undertakings, but in this case everything works as the proverbial "dream". The beautiful melodic themes, performed and improvised upon by the lyrical and clean sounding alto saxophone are a true pleasure to listen to. There is a lot of freedom, space and mutual respect among the trio members, which allows for personal expression as well as tight communication between the players.
Overall this is quite a surprisingly successful album, which manages to avoid all the traps of mainstream Jazz, being unpredictable, passionate and technically proficient. Definitely a piece of music well worth discovering and wholeheartedly recommended!
| | | CD 1 Digipak Recommend To A Friend |
  | LOST WORLD ~ AWAKENING OF THE ELEMENTS
MUSEA 4695 (Barcode: 3426300046956) ~ RUSSIA ~ Progressive Rock
Recorded: 2006 Released: 2006
2nd album by the Russian Prog trio Lost World. Formed in the early 1990s, the group consist of Vassily SolovievFind albums by this artist (flute & percussion), Andrii DidorenkoFind albums by this artist (guitars, bass & violins) and Alexander AkimovFind albums by this artist (keyboards & percussion). All the musicians are well schooled and highly skilled and playing a wide array of instruments between themselves enables them to create highly complex and dense sound vistas.
Although they released several informal albums over the years, the first formal album was released in 2003 (TrajectoriesFind albums with this title) and this is a most anticipated follow up. Didorenko composed all the music except one track, which is an adaptation of a Dmitri ShostakovichFind albums by this artist chamber piece.
The entire atmosphere of the album can be described as electric Chamber music, typical of Easter European Prog, which is deeply rooted in the classical tradition. This is fascinating stuff, which requires repetitive listening to be truly appreciated, but hold many intricate gems and wonderful musical ideas. Highly recommended!
| | Updated: 17/10/2022Posted: | CD 1 Recommend To A Friend |
  | AGNIESZKA MACIASZCZYK ~ A BRIEF INSIGHT INTO LIFE
SJ 082 (Barcode: 5905489721000) ~ POLAND ~ Jazz
Recorded: 2024 Released: 2024
This is the 2nd album by Polish Jazz vocalist / composer Agnieszka MaciaszczykFind albums by this artist, recorded with the same quartet which recorded her debut six years earlier: pianist Michal CiesielskiFind albums by this artist, bassist Michal BakFind albums by this artist, drummer Przemyslaw JaroszFind albums by this artist and saxophonist / flautist Szymon LukowskiFind albums by this artist. Marta BuschmannFind albums by this artist adds backing vocals. The album presents eight tracks, four of which were composed by Maciaszczyk and the other four co-composed with Ciesielski. She wrote also all the lyrics.
I have been very impressed by the debut album by Maciaszczyk, and this new outing preserves many of its good qualities, especially the extensive use of vocalese rather than singing lyrics. This approach to Jazz vocals is sadly seldom utilized by singers, which is a great pity, since the human voice is after all the mightiest instrument. This time, however, Maciaszczyk does also sing lyrics (in English – and you know what I think about that) on three tracks, and on these tracks the vocalese becomes mostly secondary, which is somewhat disappointing, at least for me. Also the music on these tracks is definitely less Jazz and more Pop oriented. An attempt to reach new audiences?
The instrumentalists are obviously more experienced than last time and more expressive, performing their duties as perfectly as one might expect from Polish Jazz players, which means that the performances are all excellent and their involvement and dedication to the project is as complete as one might wish for.
Overall, this is again quite an unusual vocal Jazz album, with wonderful extended vocalese parts and excellent instrumental accompaniment, which is a pleasure to listen to from start to finish. The only minor snag is the fact that is takes off exactly where the debut landed, without moving much forward in the meantime. I am not so sure if it will be possible to do that again in the future?
| | Updated: 10/02/2025Posted: 10/02/2025 | CD 1 Digipak Recommend To A Friend |
  | ARTUR MACKOWIAK / GRZEGORZ PLESZYNSKI ~ A SOUND OF THE WOODEN FISH
WET MUSIC ~ POLAND ~ Jazz
Recorded: 2014 Released: 2014
Polish Avant-Garde guitarist / composer Artur MackowiakFind albums by this artist and multimedia artists Grzegorz PleszynskiFind albums by this artist are associated with the Bydgoszcz based Nowa Sztuka Wet Music Foundation (Mackowiak is one of the founders). The Foundation also operates the Wet MusicFind albums on this label Records, which released several separate and collective recordings by these two artists earlier on. The music was recorded during one "live in the studio" session, with the participation of clarinetist Jerzy MazzollFind albums by this artist, who is featured only on the first part of the album, which comprises of three parts edited out of the entire session.
The music is a flow of electronic / ambient sounds, guitar phrases and chords, plastic tube trumpet blowing, human voice reverberations and other weird noises, with Mazzoll´s clarinet mixed in (sadly only in the first part), which normally wouldn´t make any sense whatsoever, but here somehow being able to overcome the chaos and anarchy and come together as a flow, which is best received subconsciously, simply by allowing oneself to get emerged in the music (sound?) without trying to analyze it.
The problem with this music, however, emerges in time as there is little if any development on the time scale and the repetition becomes trying in a long range. Therefore when Mazzoll is gone, the rest of the album offers more of the same (or rather less of the same), causing even a trained and patient listener like myself to wander what (or where) is the point in all this?
Avant-Garde has a tendency to create self-indulging works, which lose the audience at one point or another. It is extremely difficult to be outrageously innovative and communicative at the same time, and this album fills that purpose only in part. But it definitely has its moments and is worth investigating by the brave-hearted listeners.
That said, the will of the artists involved to pursue they own visions and dreams is extremely important and they deserve our respect for doing just that, taking the road less travelled.
| | Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | MAGNUM ~ ARCHIVE
RECEIVER 281 ~ UK ~ Progressive Rock
British Prog band Magnum is one of those strange stories in the music world. Although immensly popular in Europe, they never managed to make it across the Atlantic, which of course limits their popularity. Started in 1978 they released a long string of great albums and keep performing to this very day. This album is a selection of their best material from their early 1970s material. A great introduction to the band.
| | | CD 1 Recommend To A Friend |
  | MAINIERI, MIKE ~ AN AMERICAN DIARY
NYC 6015 ~ USA ~ Jazz
AMG Review: In addition to a few group originals, vibraphonist Mike Mainieri performs some unusual pieces with his quartet (Joe Lovano on tenor, soprano, and alto clarinet; bassist Eddie Gomez; and drummer Peter Erskine) on this CD, including two folk songs and selections by Leonard Bernstein ("Somewhere"), Frank Zappa ("King Kong"), Aaron Copland ("Piano Sonata"), Roger Sessions ("Piano Sonata No. 1"), and Samuel Barber ("Overture to the School for Scandal"). The pianoless quartet (which displays a lot of versatility by Joe Lovano) turns all of the music into creative jazz. The most interesting aspect to this thought-provoking disc is how difficult it is to tell which compositions are taken from classical music and which are new. There is a surprising unity to the potentially difficult material; the performances on the rather moody outing reward repeated listenings.
| | | CD 1 Recommend To A Friend |
  | ADAM MAKOWICZ ~ A HANDFUL OF STARS
CHIAROSCURO 209 (Barcode: 091454020928) ~ POLAND ~ Jazz
Recorded: 1981 Released: 1997
This is a little known and sort of a “lost” album by Polish pianist / composer Adam MakowiczFind albums by this artist, recorded in 1981 but released only sixteen years later in 1997, for reasons aptly explained in the album’s booklet. The album was produced by the legendary John HammondFind albums by this artist, who was also responsible for the first album Makowicz recorded in the US, and features Makowicz in a relatively rare piano trio setting, with two superb instrumentalists: Czech bassist (and another émigré) George MrazFind albums by this artist and American drummer Jack DeJohnetteFind albums by this artist. The album presents eleven tracks, which are a usual mixture of Makowicz originals (four) and Jazz standards. A twelfth (hidden) track is a spoken word track, on which Makowicz tell the story of his life and career.
The music is a brilliant display of Makowicz incredible technique and captures him shortly after his arrival in the US, when his playing was still influenced to some degree by his Polish tradition and Slavic lyricism, which almost completely disappeared in the years to come. As already mentioned, it is a rare trio setting as Makowicz definitely prefers solo piano outings.
The album is closely linked to the “From My WindowFind albums with this title” solo piano album, also recorded in 1981 the duo recording “Classic Jazz DuetsFind albums with this title” with Mraz, recorded in 1982, as well as “The Name Is MakowiczFind albums with this title” quintet recording from 1983, all of which present his work from that period.
It is no wonder that Makowicz managed to win the hearts of the American audiences and critic alike, since his treatment of the American Jazz tradition sounds completely familiar and orthodox, spiced of course with his virtuosic technique and genuine love of the music, and his original compositions are fully in the vein of American standards, many of which were composed by composers of Polish heritage, like Bronislaw KaperFind albums by this artist, Victor YoungFind albums by this artist or Henryk WarsFind albums by this artist, a fact American listeners had no clue about of course. Mraz and DeJohnette play splendidly, as expected, and the classic Jazz piano trio format proves to be unbeatable again.
Overall, this is a splendid opportunity to hear Makowicz in a trio setting and explore the early stages of his US career. The music stands the test of time splendidly and should be a delightful experience to every mainstream Jazz lover. For Polish Jazz collectors this is an absolute must, although it is not easy to find a copy these days.
| | Updated: 25/07/2023Posted: 25/07/2023 | CD 1 Recommend To A Friend |
  | MAREK MALINOWSKI ~ ALONE
REQUIEM 089 ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015
This is the debut album by Polish Jazz guitarist / composer Marek MalinowskiFind albums by this artist, recorded with his quartet which also includes trumpeter Michal MichotaFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Albert KarchFind albums by this artist. The album presents nine original compositions, seven of which were composed by Malinowski and one each by Michota and Urowski.
The unusual guitar / trumpet front line of the quartet is immediately apparent while listening to this album, as are the melodic and very lyrical, sometimes almost ambient compositions, which dominate it. The music is pretty standard Jazz mainstream, except for the very last two minutes of the last tune, which are like a wakeup call after a long period of floating between dream and reality; which in my case leads to a question why isn´t more of this album´s music of the same character as the very last verses.
Malinowski is a very skillful player, with a nice open, almost acoustic guitar sound, which suits the delicate melodic lines well. There is very little typical guitar flashiness and highly technical showoff, which makes his playing somewhat modest and subdued. However there is a lot of delicate beauty in his playing, which is revealed after patient listening. Michota displays a much flashier attitude, trying to impress with his staccato phrases, which still need some polishing. He is definitely a promising youngster but the trumpet scene in Polish Jazz is incredibly crowded in the last decade.
The rhythm section comprises of two already established players, who are usually associated with a much freer musical environments. Both musicians play excellently of course and their input is what makes this music work as a whole. Urowski emerges as one of the leading bass players in the last decade and his work is always a delight.
Overall this is a respectable debut effort, which shows a lot of future potential for the leader. The compositions are a bit restricted and after a while bring on a déjà vu impression, with a lethargic Scandinavian atmosphere calling the shots. It is definitely worth checking out.
| | Updated: 19/01/2018Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | ALBERT MANGELSDORFF ~ A JAZZ TUNE I HOPE
MPS 602517602359 (Barcode: 602517602359) ~ GERMANY ~ Jazz
Recorded: 1978 Released: 2008
This is a reissue / remaster of an album by German trombonist / composer / bandleader Albert MangelsdorffFind albums by this artist, recorded in a quartet setting with German pianist Wolfgang DaunerFind albums by this artist and American rhythm section: bassist Eddie GomezFind albums by this artist and drummer Elvin JonesFind albums by this artist. The album presents eight tracks, all original compositions, seven by Mangelsdorff and one by Jones. Three of the tracks are duos, one each with all the three members of the quartet. The album was produced by my Friend and Mentor Joachim BerendtFind albums by this artist and the booklet includes his original liner notes.
The music is stunningly brilliant and presents not only Mangelsdorff’s unique virtuosity, but also his sublime skills as a composer and his phenomenal ability to make contact with other musicians. In fact, he played with all these three musicians earlier on, but never together as a quartet. The three duos are beautiful examples of the “Art of the Duo” phenomenon, in which Mangelsdorff excelled throughout his career.
The album is one of several outstanding recordings Mangelsdorff made for MPS, all of which are milestones of European Jazz, and surely also are some of the most important examples of the role of trombone in Jazz, of which he was the greatest Master ever, and who revolutionized its role in modern Jazz, breaking all the limitations of the instrument.
Overall, this is a sublime example of the European Jazz achievements, which expanded the genre beyond its original boundaries and took it to new artistic levels, outgrowing the tradition beyond the imagination. A true gem deserving an honorable place in every serious Jazz record collection!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 10/03/2025Posted: 10/03/2025 | CD 1 Oversampling Remastered Recommend To A Friend |
  | ALBERT MANGELSDORFF ~ AND HIS FRIENDS
MPS 4029759119616 (Barcode: 4029759119616) ~ GERMANY ~ Free Jazz / Improvised Music
Recorded: 1967 - 1969 Released: 2017
This is a reissue of the MPSFind albums on this label album by legendary German Jazz trombonist / composer Albert MangelsdorffFind albums by this artist. It presents six improvised duos, each with another Jazz player, which are: Americans - trumpeter Don CherryFind albums by this artist, drummer Elvin JonesFind albums by this artist, saxophonist Lee KonitzFind albums by this artist, Hungarian born resident in US guitarist Attila ZollerFind albums by this artist and German born resident in US vibraphonist Karl BergerFind albums by this artist and finally German pianist Wolfgang DaunerFind albums by this artist. Four of the compositions are credited to the members of the duo performing them and two are credited to Mangelsdorff.
Mangelsdorff was one of the Father figures of the German and then European jazz for decades. Since the late 1940’s he and his older brother Emil MangelsdorffFind albums by this artist led numerous ensembles, always on the vanguard of the ever-changing Jazz scene. He was one of the greatest trombone players in the history and single-handedly changed the status of this instrument from a background / support role to the front line position, proving that when in hands of a virtuoso player the trombone can be as fascinating any other instrument.
By the end of the 1960’s Mangelsdorff gradually moved towards Free Jazz and concentrated on playing in intimate settings like the duo and later even on completely solo performances. His revolutionary solo trombone album “TrombirdsFind albums with this title” (recorded 1972) was the first solo trombone album. Albert Mangelsdorff died in 2005 at the age of 77, leaving a tremendous legacy of recorded music, as revolutionary and groundbreaking as one can only expect from a true Jazz Master.
This album, recorded between 1967 and 1969, presents the early Mangelsdorff duo recordings with some of the most important Jazz musicians of the period. Each and every one of these duo performances is completely different and yet they all create a cohesive musical vision of a genius. Not for a casual Jazz listener, but a delight for connoisseurs with a refined Jazz ear, this album also brought forth the "Art of the Duo" idiom, often used to describe European Jazz duo recordings of the highest class.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 02/04/2025Posted: 22/02/2018 | CD 1 Digipak Remastered Recommend To A Friend |
  | ALBERT MANGELSDORFF ~ AND HIS FRIENDS
MPS 0673752 (Barcode: 044006737522) ~ GERMANY ~ Jazz
Recorded: 1967 - 1969 Released: 2003
German trombonist Albert MangelsdorffFind albums by this artist was one of the Father figures of the German and then European jazz for decades. Since the late 1940’s he and his older brother Emil MangelsdorffFind albums by this artist led numerous ensembles, always on the vanguard of the ever-changing jazz scene.
He was one of the greatest trombone players in the history and single-handedly changed the status of this instrument from a background / support role to the front line position, proving that when in hands of a virtuoso player the trombone can be as fascinating any other instrument. By the end of the 1960’s Mangelsdorff gradually moved towards free jazz and concentrated on playing in intimate settings like the duo and later even on completely solo performances. His revolutionary solo trombone album “Trombirds” (recorded 1971) was the first solo trombone album. Albert Mangelsdorff died in 2005 at the age of 77, leaving a tremendous legacy of recorded music, as revolutionary and groundbreaking as one can only expect from a jazz Master.
This album, recorded between 1967 and 1969, presents the early Mangelsdorff duo recordings with some of the most important jazz musicians of the period: Don CherryFind albums by this artist (trumpet), Elvin JonesFind albums by this artist (drums), Karl BergerFind albums by this artist (vibraphone), Attila ZollerFind albums by this artist (guitar), Lee KonitzFind albums by this artist (alto sax) and Wolfgang DaunerFind albums by this artist (piano). Each and every one of these duo performances is completely different and yet they all create a cohesive musical vision of a genius. Not for a casual jazz listener, but a delight for connoisseurs with a refined jazz ear.
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 02/04/2025Posted: | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | MANFRED MANN`S EARTH BAND ~ ANGEL STATION
COHESION 011 ~ UK ~ Classic Rock
9th album from 1979. As the decade comes to the close, the direction is more rock oriented than ever, but still in very good taste.
| | Updated: 12/07/2019Posted: | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | MARILLION ~ AFRAID OF SUNLIGHT (EXPANDED EDITION)
EMI 498614 (Barcode: 724349861428) ~ UK ~ Progressive Rock
Recorded: 1995 Released: 1999
8th studio album by the legendary UK Prog group MarillionFind albums by this artist and as strong as the previous one. Again this is a concept album and the bands`s many fans consider it as a definitive high of their powers. Steve HogarthFind albums by this artist`s vocals are expressive and strong and the instrumental passages are performed with skill and imagination. A true Neo-Prog classic!
A whole CD of bonus materiall added.
| | Updated: 07/07/2023Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | TIBOR MARKUS / EQUINOX ~ ARE YOU FREE?
BMM 0208 (Barcode: 5998272705097) ~ HUNGARY ~ Jazz
Recorded: 2002 Released: 2002
This is the 3rd album by Hungarian Jazz pianist / composer Tibor MarkusFind albums by this artist and his ensemble EquinoxFind albums by this artist. On this album the core of the ensemble consists of saxophonist Zoltan ZanaFind albums by this artist, bassist Balazs HorvathFind albums by this artist and drummer Gyorgy JeszenszkyFind albums by this artist, and six guest musicians participate on most tracks, including two female singers. Markus is an incredible composer and his beautiful music, typical of Eastern European lyricism and full of musical ingenuity is a true treasure. This album presents a four-part Jazz suite, which is quite incredible. Of course the musicianship of the players and their respective virtuosity is also evident throughout. Stylistically the music is a unique kind of modern European Jazz, mostly very melodic with some tendencies towards freer passages. Altogether this is a great example of the superb music created in places, which are rarely associated with Jazz, but can be very surprising. Warmly recommended!
| | | CD 1 Slipcase Recommend To A Friend |
  | BRANFORD MARSALIS ~ A LOVE SUPREME
OKEH 888750690326 (Barcode: 888750690326) ~ USA ~ Jazz
Recorded: 2003 Released: 2015
This is a live recording by the American saxophonist / composer Branford MarsalisFind albums by this artist and his quartet, which also includes pianist Joey CalderazzoFind albums by this artist, bassist Eric RevisFind albums by this artist and drummer Jeff WattsFind albums by this artist. The quartet performs the material originally recorded by the John ColtraneFind albums by this artist quartet entitled "A Love SupremeFind albums with this title", which in time achieved legendary status and is universally accepted as one of the very finest and most influential Jazz albums ever recorded. The album includes both the audio and video recording of a concert, which took place in Amsterdam in 2003, twelve years before it was released. The video also includes interviews with many musicians, including Coltrane´s wife Alice ColtraneFind albums by this artist and other bonus footage.
Sometimes I am utterly speechless and the only thing to do is spread one´s arms and take a long look at the sky. Why on earth would anybody touch a sacred, universally admired piece of human Genius and mess with it is beyond me, especially a musician of the status of Branford Marsalis. What was he trying to do; to imitate, to improve, to re-think, to re-construct, to de-construct Coltrane´s music? Sadly none of the above is even remotely close to what is happening on this album, since actually nothing is happening. Four musicians play Coltrane´s music, without feeling, without passion, without respect…
This album is an act of profanity as far as Coltrane´s memory is concerned, and an insult to Jazz. In the forty years of Jazz creativity that passed between the time Coltrane recorded this immortal music and the time Marsalis has his way with it were brutally dumped into the waste bin of Culture, as this album not only does not offer anything innovative about Coltrane´s music but trivializes it by pretentiously copying it.
Perhaps this album is an epitome of American Jazz, which has been almost completely brain dead since Coltrane´s death and never managed to produce another Prophet of his magnitude. Many have tried, Marsalis among them, but none got even close. Some things are best left alone, and this album is a classic example of what happens when they are not.
If you love, cherish and admire "A Love Supreme", please do not listen to this album!
| | | CD+DVD 2 Recommend To A Friend |
  | MARSUPILAMI ~ ARENA
ESOTERIC 2007 (Barcode: 5013929710726) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2007
2nd and last album by British Prog / Jazz-Rock band MarsupilamiFind albums by this artist, one of the best kept secrets of the burgeoning local scene form the late 1960s / early 1970s. The band was a sextet, which played only original, highly complex music strongly Jazz influenced. All the musicians were excellent instrumentalists and the long instrumental passages are all very interesting. A female flute player, who also sang backing vocals, completed the bill, which adds another interesting layer to the music. Altogether it is pretty amazing that this group is almost completely unknown, even by the hard-core Prog fans, as this stunning album is as good as any of the albums released at the time by groups that turned into legends. After being lost for so many years, now the new generation of Prog fans is able to rediscover and enjoy this band, as it surely deserves a much wider recognition.
| | | CD 1 Remastered Recommend To A Friend |
  | MATERNA, PETER ~ AQUARIUS
JAZZLINE 11142 ~ GERMANY ~ Jazz
German saxophonist Peter Materna is a leading modern-jazz figure in his country and quite well known outside its borders. This recording with his quartet showcases his excellent improvisational qualities as well as his talent as a composer (he wrote the entire material). All members of the quartet are very accomplished musicians and especially worth mentioning is the lyrical piano of Martin Scholz.
| | | CD 1 Recommend To A Friend |
  | JOHN MAYALL ~ A SPECIAL LIFE
FORTY BELOW 006 (Barcode: 888295039918) ~ UK ~ Blues-Rock
Recorded: 2013 Released: 2014
This is an album by the Godfather of British Blues, vocalist / multi-instrumentalist / composer / bandleader John MayallFind albums by this artist, recorded with guitarist Rocky AthasFind albums by this artist, bassist Greg RzabFind albums by this artist and drummer Jay DavenportFind albums by this artist. The album presents eleven songs, four of which are Mayall originals, one is by Rzab and the rest are by Blues standards. This is the first album on the Forty BelowFind albums on this label Records label, which is Mayall’s current label, and the first album after almost a five years of recording break following the release of “ToughFind albums with this title” in 2009.
The music is everything Mayall’s fans expect from him, great songs, excellent vocals and superb instrumental performances. Mayall’s stability as an Artist is one of his great assets and he never recorded a bad album, despite his prolific recording career. He has been lucky to work with some of the best instrumentalists over the years, and his recorded legacy is a triumphant evidence that sticking to one’s Artistic truth is the shortest way to success and recognition.
Overall this is “another brick in the wall” of Mayall’s six-decades long career, which puts his love of the Blues idiom at the spotlight and made the life of his devoted followers more interesting over the years. Blues does not get any better that this… A Special Life indeed!
| | Updated: 04/08/2021Posted: 04/08/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOACHIM MENCEL ~ ARTISENA
FOR TUNE 0134 (Barcode: 5906395808458) ~ POLAND ~ Jazz-World Fusion
Recorded: 2015 Released: 2018
This is an album by Polish Jazz pianist / composer Joachim MencelFind albums by this artist, recorded in a quintet setting with violinist Weronika PluteckaFind albums by this artist, guitarist Szymon MikaFind albums by this artist, bassist Pawel WszolekFind albums by this artist and drummer Szymon MadejFind albums by this artist. It presents a cycle of eight original compositions, all by Mencel, based on Polish Folklore dances. Originally Mencel composed and arranged these compositions for a Jazz nonet, but over time as a result of his process of mastering the hurdy-gurdy, he changed the concept and recorded these compositions in a Jazz-World Fusion approach with the above quintet.
Polish Folklore seems to be and endless source of inspiration to Polish Jazz musicians and the numerous Jazz-World Fusion projects that appear on the Polish Jazz scene like mushrooms after the rain are ample proof of this phenomenon. One can reflect on the early days of Polish Jazz, during the Socialist regime, when Jazz was often presented as Folk music of the oppressed Afro-American community in order to get clearance from the Cultural censorship to organize Jazz events, and later on Jazz musicians had to include Polish Folklore in their compositions in order to be allowed to record an album (same methods applied also to Polish contemporary Classical Music and Rock). In retrospect perhaps these despicable political manipulations achieved an after effect, which is now coming to a most successful fruition out of good will this time.
The music on this album is very melodic and basically mainstream oriented, with the Folklore influences being rather subtle and present most vividly in the rhythmic layer of the compositions. Listeners familiar with Polish Folk dances like Polonaise, Oberek, Mazurka or Kujawiak will probably recognize the patterns, but to those less well-versed in the matter they will become simply a part of the music as a whole. Nevertheless the overall effect is very impressive and aesthetically pleasing. The Jazz facet of the music comes forward during the guitar and piano solo parts and the excellent work by the rhythm section, behind the front players.
The individual performances of the quintet members are all top notch, although Mika simply steals the show with his guitar magic. Mencel is an accomplished pianist but his soloing is rather reserved, which emphasizes the guitar parts even more. The violin and hurdy-gurdy stay mostly in the background and are merely an ambient coloring to the rest of the music.
Overall this is a very pleasant, highly melodic album, which flows gently from one tune to the next, with the Folklore impact being mostly secondary. Great guitar solos spice the proceedings and keep the music on a Jazzy path, to the delight of the many guitar enthusiasts. Definitely on the lighter side of the spectrum, this music is accessible to almost all music connoisseurs, who like cross-genre explorations without too many cerebral obstacles.
| | Updated: 08/05/2018Posted: 08/05/2018 | CD 1 Recommend To A Friend |
  | MIDDLETON-AHWAI / MORRISSEY-MULLEN BAND ~ ANOTHER SLEEPER / CAPE WRATH
VOCALLION 8493 (Barcode: 765387849320) ~ UK ~ Jazz-Rock Fusion
Recorded: 1979 Released: 2012
This is a wonderful reissue of two albums recorded in 1979 and originally released on the legendary HarvestFind albums on this label label, EMIFind albums on this label´s progressive imprint, which present the Funk side of the British Jazz-Rock scene at the time. Keyboardist Max MiddletonFind albums by this artist and guitarist Robert AhwaiFind albums by this artist, who are present on both these albums, were among the movers and shakers of the British Jazz-Funk in late 1970s and 1980s, proving that American-born Funk penetrated deep the seemingly cold British character and mixed with Jazz roots created some mighty fine music.
"Another SleeperFind albums with this title" is the only album by a group co-led by Middleton and Ahwai and it features eight original compositions, six by Middleton and two by Ahwai. The group also includes bassist Kuma HaradaFind albums by this artist, drummer Richard BaileyFind albums by this artist, percussionist Darryl Lee QueFind albums by this artist, a brass section and background vocalists. The music is mostly Jazzy and the Funk element is expressed by what the rhythm section players do in the background. Middleton, a superb keyboardist and improviser, plays some great licks here, which often sound like Chick CoreaFind albums by this artist´s work with Return To ForeverFind albums by this artist. In retrospect this albums sounds definitely as something deserving more attention that it ever achieved at the time of its release.
"Cape WrathFind albums with this title" is the second album by the group co-led by saxophonist Dick MorrisseyFind albums by this artist and guitarist Jim MullenFind albums by this artist, which was Britain´s most revered Jazz-Rock-Funk ensemble at the time. On this album the other members of the band are four musicians playing on "Another Sleeper": Middleton, Ahwai, Harada and Bailey and percussionist Tony CarrFind albums by this artist. They play eight pieces, five of which are original compositions, two each by Middleton and Mullen and one by Morrissey, two are Jazz standards and one is an arrangement of a Pop song. The level of the musicianship here is truly excellent and the album is great fun to listen to after all these years.
Beautifully remastered by Michael J. DuttonFind albums by this artist this reissue offers great glimpses of the past glory of the British Jazz-Rock-Funk, a rather less frequently re-visited chapter in the British Jazz history, but one that has quite a few surprises to offer, when an effort is made. Definitely worth investigating for listeners who enjoy the "lighter" side of Jazz, which at its best can be as good as the "serious" side of the music.
| | Updated: 16/02/2024Posted: | CD 2 Remastered Recommend To A Friend |
  | SZYMON MIKA ~ ATTEMPTS
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022
This is the third album as a leader and the debut solo album by Polish Jazz guitarist / composer / bandleader Szymon MikaFind albums by this artist. The album presents ten tracks, nine of which are original compositions by Mika and one is by Polish flautist / composer Kasia Gacek-DudaFind albums by this artist.
Mika established himself as one of the most talented young Polish Jazz musicians and during the last decade participated in recording a fabulous string of Jazz albums, both as a leader / co-leader and sideman. His superb guitar playing is more or less a fact that nobody can ignore by now and this album serves as a summary of sorts, concentrating on his compositional skills and his specific minimalist guitar sound, which is frugal, but wonderfully expressive.
Although intensely improvised, the music is somewhat distanced form the strict Jazz approach and flirts with other genres, mostly Classical and World Music oriented allusions. The resulting music flows gently from one tune to another, eschewing flashy displays of technique or virtuosity and rather concentrating on the essence of sharing a musical moment with the listener, offering a gently balanced mixture of melody and improvisation.
Overall, this is a mature, self-assured statement by a musician, who is full of talent and vision, pursuing the “less is more” approach very effectively. Guitar enthusiasts, not only and perhaps even primarily non-Jazz oriented, should find this album fascinating, as it manages to inspire and excite, and most importantly offer some highly original guitar techniques and musical visions, that sadly are pretty rare these days. A wonderful piece of serene, soothing, inspiring music, that is so badly needed in these difficult times!
| | Updated: 11/06/2022Posted: 11/06/2022 | CD 1 Digipak Recommend To A Friend |
  | MICHAL MILCZAREK TRIO ~ AMBIENT WORKS
NOT ON LABEL ~ POLAND ~ Electronic & Ambient
Recorded: 2015 Released: 2016
This is the second album by a Polish trio led by guitarist / composer Michal MilczarekFind albums by this artist, which also includes bassist Bartek LuczkiewiczFind albums by this artist and drummer Mateusz ModrzejewskiFind albums by this artist. The album presents eleven original compositions, which are co-credited as improvisations by all the trio members.
The music is exactly what the album´s title suggests, i.e. a series of improvised ambient pieces, mostly concerned with sounds rather than conventional melodic themes or tonal progressions. Although improvised, the music has little, if any, connection to Jazz and is firmly within the ambient idiom.
This kind of music makes it very difficult to recognize the individual contributions by the trio members, since those are limited by the restricted nature of the music. The guitar mostly plays long series of chords, over a painfully slow background created by the rhythm section, which soon blend into ambiguity, similarity and repetition, which at least in my case bordered on lack of interest. When the music is over, forty three minutes later, there is a feeling of confusion and depravation as to what just happened.
There are a few passages when the music is slightly more energized and has a Fusion tendency, but those are brief and rare, with little impact on the overall result.
Obviously fans of the ambient genre might find this music interesting or enjoyable, but as far as I am concerned it leaves me completely cold.
| | Updated: 23/12/2016Posted: 23/12/2016 | CD 1 Digipak Recommend To A Friend |
  | MIRIODOR ~ AVANTI!
CUNEIFORM 288 (Barcode: 045775028828) ~ CANADA ~ Progressive Rock
Recorded: 2009 Released: 2009
7th album by the brilliant Canadian ensemble MiriodorFind albums by this artist, one of the most consistently excellent contemporary music makes and proud representatives of the RIO movement, which manages to re-invent itself with every new release. The music is a mixture of Jazz, Rock, some contemporary Classical and other influences, all mixed up and stirred is a unique way, which leaved the listener completely stunned. Funny, dazzling and excellent as ever, this is some of the most invigorating and refreshing music recorded in the gloomy period of little musical achievement in the first decade of the 21st Century. It´s good to have this veteran band to bless us with some true music every now and then and hopefully they won´t stop any time soon. Wholeheartedly recommended!
| | | CD 1 Recommend To A Friend |
  | EMIL MISZK / THE SONIC SYNDICATE ~ ARTIFICIAL STUPIDITY
ALPAKA 013 (Barcode: 308175527811) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020
This is the second album by Polish Jazz trumpeter / composer / bandleader Emil MiszkFind albums by this artist and his octet called The Sonic SyndicateFind albums by this artist, which also includes saxophonists Piotr CheckiFind albums by this artist and Kuba WiecekFind albums by this artist, trombonist Pawel NiewiadomskiFind albums by this artist, pianist Szymon BurnosFind albums by this artist, guitarist Michal ZienkowskiFind albums by this artist, bassist Konrad ZolnierekFind albums by this artist and drummer Slawomir KoryznoFind albums by this artist, same lineup as on the debut. The album presents six original compositions, which strangely are not credited on the album´s artwork and are therefore assumed to be all by the leader. The total playing time of the album is just below thirty-five minutes, which is closer to an EP than a full album.
The brilliant debut album released a couple of years earlier created enormously high expectations from the sophomore release, which are almost impossible to be fulfilled. Considering the fact that the music on this album is significantly different from that on its predecessor, any attempt to compare the two is practically fruitless. Combined with loosing the element of surprise, the resulting effect is somewhat less exciting.
Nevertheless this is still brilliant music, beautifully performed by some of the best young generation Polish Jazz musicians. The compositions are complex and combine several melodic and rhythmic themes within each of the pieces. They are all carefully designed, ordered and planned, cerebral and refined, oriented towards the "big sound" the octet is able to create, at times offering up-to-date Big Band mannerisms.
There is no doubt that Miszk and his Sonic Syndicate offer some of the cleverest music on the Polish Jazz scene, which can eventually lead to some level of estrangement with the audience. This album, as already mentioned, has a short playing time, but is so intensive and demanding that perhaps any additional material might have been simply over the top. Miszk obviously gives up almost completely his role as an instrumentalist and is completely absorbed by his role of a composer and arranger.
Overall this is a dazzling piece of music, which concentrates on highly complex, sophisticated compositions, which are difficult to follow but highly rewarding to advanced Jazz listeners. The (almost) orchestral arrangements are devilishly tricky and must have been a real challenge to perform and record, which makes me wonder if this music is possible to be played live. In any case Miszk is surely an Artist to be watched closely, as he obviously is just worming up.
| | Updated: 21/07/2022Posted: 17/07/2020 | CD 1 Digipak Recommend To A Friend |
  | JONI MITCHELL ~ ARCHIVES – VOLUME 1 (THE EARLY YEARS 1963-1967)
RHINO 603497849963 (Barcode: 603497849963) ~ CANADA ~ Classic Rock
Recorded: 1963 - 1967 Released: 2020
This is an archival Box Set presenting early recordings by the iconic Canadian singer / songwriter Joni MitchellFind albums by this artist. It includes five CDs worth of material spanning the years 1963 to 1967. The recordings include home demos, live performances, radio and TV broadcast and other sources. Most of the songs are Mitchell originals and include no less than twenty-nine songs never previously released or re-recorded by her.
CD1 presents Mitchell singing traditional Folk material and songs written by other songwriters, accompanying herself on guitar. CD2 to CD5 present Mitchell singing mostly original material, with CD2 covering years 1965 to 1966 and CD3 to CD5 including music originating in 1967.
This wonderful time capsule enables listeners to take a time machine fifty-five years back in time and imagine they are sitting just a few meters away from Mitchell, who is singing her heart out. Already at those early moments of her career she was absolutely marvelous as a performer and a completely unique songwriter, who would change the face of music in the forthcoming decades.
Overall, this is a brilliant Box Set of enormous historical importance and an absolute must to all true Mitchell fans. The excellent sound quality of these recordings allows taking a fully enjoyable trip back in time, visiting the source of Mitchell’s illustrious career, with a hope that the next volumes of the archival series will bring many more hours of previously unheard material. This is beyond recommendation!
| | Updated: 02/10/2021Posted: 02/10/2021 | CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JONI MITCHELL ~ ARCHIVES – VOLUME 2 (THE REPRISE YEARS 1968-1971)
RHINO 603497844524 (Barcode: 603497844524) ~ CANADA ~ Classic Rock
Recorded: 1967 - 1970 Released: 2021
This is the second archival Box Set presenting recordings by the iconic Canadian singer / songwriter Joni MitchellFind albums by this artist. It includes five CDs worth of material spanning the years 1967 to 1970. The recordings include home demos, live performances, radio and TV broadcast and other sources. All of the songs (except three cases) are Mitchell originals and almost all (except three) were never previously released.
CD1 presents Mitchell singing her songs at her or her friend’s home either in late 1967 or early 1968. Also included are four outtakes from the recording session of the debut album “Song To A SeagullFind albums with this title” and a couple of songs recorded live during at a show.
CD2 presents twenty-three tracks recorded live at Le Hibou Coffee House, another studio outtake, three more home recordings and finally a BBC radio broadcast from September 1968.
CD3 presents twenty-two tracks recorded live at Carnegie Hall in February 1969
CD4 presents the two remaining tracks from the Carnegie Hall and outtakes from the “CloudsFind albums with this title” and “Ladies Of The CanyonFind albums with this title” and “BlueFind albums with this title” studio sessions, a TV appearance and more home demos.
CD5 presents twenty-three tracks from the BBC “In Concert” broadcast from October 1970 and three more “Blue” outtakes.
This wonderful time capsule enables listeners to take a time machine fifty-five years back in time and imagine they are sitting just a few meters away from Mitchell, who is singing her heart out. Already at those early moments of her career she was absolutely marvelous as a performer and a completely unique songwriter, who would change the face of music in the forthcoming decades.
Overall, this is a brilliant Box Set of enormous historical importance and an absolute must to all true Mitchell fans. The excellent sound quality of these recordings allows taking a fully enjoyable trip back in time, visiting the source of Mitchell’s illustrious career, with a hope that the next volumes of the archival series will bring many more hours of previously unheard material. This is beyond recommendation!
| | Updated: 24/01/2022Posted: 24/01/2022 | CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JONI MITCHELL ~ ARCHIVES – VOLUME 3 (THE ASYLUM YEARS 1972-1975)
RHINO 603497834303 (Barcode: 603497834303) ~ CANADA ~ Classic Rock
Recorded: 1972 - 1975 Released: 2023
This is the third archival Box Set presenting recordings by the iconic Canadian singer / songwriter Joni MitchellFind albums by this artist. It includes five CDs worth of material spanning the years 1972 to 1975. The recordings include home demos, live performances, radio and TV broadcast and other sources. All of the songs (except two cases) are Mitchell originals and almost all (except one) were never previously released.
CD1 presents two tracks form a Graham NashFind albums by this artist / David CrosbyFind albums by this artist session, four demos for the “For The RosesFind albums with this title” album and eighteen tracks recorded during a concert at Carnegie Hall in February 1972.
CD2 presents four more tracks from the Carnegie Hall concert, six tracks from the early “For The Roses” sessions in April 1972, two tracks from a concert at Royal Festival Hall, six tracks from the later “For The Roses” sessions in July-August 1972 and finally two tracks from a benefit concert.
CD3 presents six demos for the “Court And SparkFind albums with this title” album, one track from a Graham Nash session, one track from a Neil YoungFind albums by this artist session, six tracks from the “Court And Spark” sessions in September-October 1973 and finally six tracks from a concert at Dorothy Chandler Pavilion in March 1974.
CD4 presents sixteen more tracks from the Dorothy Chandler Pavilion concert.
CD5 presents two tracks from a concert at New Victoria Theatre in April 1974, one track from a concert at Wembley Stadium in September 1974, seven demos for the “The Hissing Of Summer LawnsFind albums with this title” album and finally seven tracks from the “The Hissing Of Summer Lawns” sessions in 1975.
This wonderful time capsule enables listeners to take a time machine some fifty years back in time and imagine they are sitting just a few meters away from Mitchell, who is singing her heart out. At those peak moments of her career she was absolutely marvelous as a performer and a completely unique songwriter, who would change the face of music in the forthcoming decades.
Overall, this is a brilliant Box Set of enormous historical importance and an absolute must to all true Mitchell fans. The excellent sound quality of these recordings allows taking a fully enjoyable trip back in time, visiting the source of Mitchell’s illustrious career, with a hope that the next volumes of the archival series will bring many more hours of previously unheard material. This is beyond recommendation!
| | Updated: 19/12/2023Posted: 19/12/2023 | CD 5 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JONI MITCHELL ~ ARCHIVES – VOLUME 4 (THE ASYLUM YEARS 1976-1980)
RHINO 603497823680 (Barcode: 603497823680) ~ CANADA ~ Classic Rock
Recorded: 1975 - 1979 Released: 2024
This is the 4th archival Box Set presenting recordings by the iconic Canadian singer / songwriter Joni MitchellFind albums by this artist. It includes six CDs worth of material spanning the years 1975 to 1979. The recordings include home and studio demos, live performances, alternate album tracks and other sources. All of the songs (except a few cases) are Mitchell originals and all were never previously released.
CD1 presents eighteen tracks form various live concerts in 1975 and the 1976 US tour and one home recording.
CD2 presents seventeen more tracks from the 1976 US tour.
CD3 presents nine demos for the “HejiraFind albums with this title” album, three live concert tracks and two tracks from the “Hejira” sessions.
CD4 presents two tracks from the “Don Juan`s Reckless DaughterFind albums with this title” album sessions, three tracks from the “MingusFind albums with this title” album sessions, eight live concert tracks from 1978 and four alternate tracks from “Mingus” sessions.
CD5 presents one track from “Mingus” sessions, two live concert tracks from 1979, two tracks from the 1979 tour rehearsals and nine live concert tracks from the 1979 US tour.
CD6 presents sixteen additional live concert tracks from the 1979 US tour.
This wonderful time capsule enables listeners to take a time machine some forty-five years back in time and imagine they are sitting in a studio console room just a few meters away from Mitchell, who is singing her heart out or attending her concerts. At those peak moments of her career she was absolutely marvelous as a performer and a completely unique songwriter, who would change the face of music in the forthcoming decades. Accompanied by the top Jazz players of the period, including Herbie HancockFind albums by this artist, Wayne ShorterFind albums by this artist, Charles MingusFind albums by this artist, Jaco PastoriusFind albums by this artist and others, she sounds simply marvelous.
Overall, this is a brilliant Box Set of enormous historical importance and an absolute must to all true Mitchell fans. The excellent sound quality of these recordings allows taking a fully enjoyable trip back in time, visiting the source of Mitchell’s illustrious career, with a hope that the next volumes of the archival series will bring many more hours of previously unheard material. This is beyond recommendation!
| | Updated: 16/11/2024Posted: 16/11/2024 | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JONI MITCHELL ~ AT NEWPORT
RHINO 603497832071 (Barcode: 603497832071) ~ CANADA ~ Classic Rock
Recorded: 2022 Released: 2023
This is a live album by the legendary Canadian singer / songwriter Joni MitchellFind albums by this artist, recorded in July 2022 at the Newport Folk Festival. The album presents twelve tracks, an intro and eleven songs, all bar one by Mitchell.
Old?, Sick?, Broken? Hell, Joni has still more in her than most contemporary Rock scene put together. Although she is remarkably supported by the vocals of Brandi CarlileFind albums by this artist and an impressive cast of instrumentalist, she is still able to carry a tune in the unique way that remains unmatched in its power of expression, artistry and remarkable aesthetics.
The entire concert is a wonderful tribute to one of the greatest American Rock artists of all time, and the crowd understands well the immense weight of the event, bursting into ovation, respectfully only when the music transforms into silence. What might have turned into a pitiful fiasco, turns out to be a victory of spirit over body in every sense.
It must have been a truly heroic effort, considering Joni’s health condition, to agree to this concert in the first place and then to carry it out the way it appears here for everybody to hear. The only song Joni did not write is the magnificent rendition of “Summertime”, which shows her affinity to Jazz, which she displayed so many times in her career.
Overall, this is a deeply moving album, full of sublime music and an almost supernatural presence of Joni. Should this be her last recorded moment (hopefully not), she definitely went out with a bang! I fell in love with her music well over fifty years ago and never stopped for a moment… Thank you Joni for all that musical bliss!
| | Updated: 19/12/2023Posted: 10/09/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MMO ENSEMBLE ~ ANY DAY NOW
ORA FONOGRAM 134 (Barcode: 7090015631347) ~ NORWAY ~ Jazz & Poetry
Recorded: 2018 Released: 2018
This is the second album by the Norwegian saxophonist / composer Martin Myhre OlsenFind albums by this artist and his MMO EnsembleFind albums by this artist, which is a platform he uses to realize his ambitious large scale projects. On this album the ensemble is expanded to a 12tet and includes besides Olsen also saxophonist Andre RolighetenFind albums by this artist, trombonist Oyvind BraekkeFind albums by this artist, trumpeter Erik Kimestad PedersenFind albums by this artist, vocalist Siril Malmedal HaugeFind albums by this artist, guitarist Karl BjoraFind albums by this artist, pianist Ayumi TanakaFind albums by this artist, violinists Hakon AaseFind albums by this artist and Adrian Loseth WaadeFind albums by this artist, cellist Kaja Fjellberg PettersenFind albums by this artist, bassist Christian Meaas SvendsenFind albums by this artist and drummer Simon Olderskog AlbertsenFind albums by this artist. The album presents a live recording of an eleven-part suite composed by Olsen, which is a Jazz & Poetry endeavor. The album´s title and the titles of the individual tracks derive from a poem by James BaldwinFind albums by this artist and poetry by Emily DickinsonFind albums by this artist and E. E. CummingsFind albums by this artist is used within the suite.
The music is mostly composed, based on strongly melodic motifs, but allows space for improvised passages. The large scale ensemble is capable of producing a rich orchestral sound but also fragments of intimate small scale moments and even individual solo statements. The fact that this highly complex music was recorded live as truly astounding.
Both the ensemble performances and the individual statements by all the musicians involved are extraordinary. The ensemble spirit, which in a large ensemble like this one is often quite problematic, works here like a charm and the resulting music flows coherently and flawlessly from one piece to the next.
But of course it is the musical concept and the compositional ability of Olsen that stands in the center of attention. Olsen talks about bringing the "Duke EllingtonFind albums by this artist Spirit" of Jazz composition into the 21st Century, and indeed his compositions are certainly inspired and influenced by Ellington´s works, but the transition into contemporary idioms is entirely his own creation. One might wish to fantasize how the Ellington Orchestra would sound today and listening to this album is of course one way to accomplish this fantasy. This album certainly continues the Ellington tradition of an orchestra based on virtuosi instrumentalists playing complex and intricate arrangements and featuring vocals. But of course one must not take these direct comparisons too far.
Overall this is a stunning piece of music, which offers a vast amount of ideas and emotions, which are simply impossible to comprehend by listening to the album just once. With each listening session a true music lover will discover new layers and experience new thrills. It certainly looks like Olson is cementing his position on the large orchestral Jazz scene and if this is his early period, the sky is the limit.
This album is a wonderful example of what European Jazz is able to accomplish using its own language. Although this music is not really representative of the Nordic Jazz idiom, the musical atmosphere of freedom, acceptance and open-mindedness among the young local musicians in Norway is pushing the music in the country to explore uncharted territory and make constant progress.
This is definitely an exquisite album, which deserves to be heard and studied by all true music connoisseurs around the world. Absolutely and wholeheartedly recommended, and hats off to these young Jazz lions!
| | Updated: 23/10/2020Posted: 11/10/2018 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MODULAR STRING TRIO ~ ANTS, BEES AND BUTTERFLIES
CLEAN FEED 377 (Barcode: 5609063003772) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2014 Released: 2016
This is the second album by Polish / Ukrainian Improvised Music ensemble Modular String TrioFind albums by this artist, recorded live at the legendary Warsaw Pardon To Tu club, the home base of the Polish Avant-Garde scene. Contrary to its name the ensemble is not a trio but a quartet, and includes a string trio: violinist Sergiy OkhrimchukFind albums by this artist, cellist Robert JedrzejewskiFind albums by this artist and bassist Jacek MazurkiewiczFind albums by this artist, but also the modular synthesizer / electronics manipulator Lukasz KacperczykFind albums by this artist. Together they perform eight improvised pieces, which are co-credited to the quartet members and are nameless, but cryptically sequentially numbered.
The music ranges between completely free and open improvisations and more structured, either rhythmically or melodically, pieces. For listeners unfamiliar with Improvised Music this is probably beyond bearable, but connoisseurs of the genre should find this music quite fascinating. It combines the Jazz and Classical Music elements unlike the music of other such ensembles, due to the specific string trio sound and interplay, and as such is pretty unique.
There is a distinct mutual understanding and a high level of musical conversation between the ensemble members, which results in a coherent and plausible musical progression, which the listener is able to follow. Mazurkiewicz is definitely the anchor of the music, supplying the basic pulsations, without which the music would have become way to abstract.
As usual the important question is if this music is communicative enough to contribute beyond the closed circle of the musicians involved in making it. The quandary as to the existence of a listener who would like to listen to this music more than once or even repeatedly remains open of course.
Personally I enjoyed listening to this music, but I hope these still young musicians will eventually find a middle way between total and unconditional freedom and some form or structure, to make their music closer to the listeners without compromising their artistic vision. Radicalism for the sake of radicalism is usually the problem rather than the solution.
| | Updated: 12/04/2019Posted: 12/10/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MONA LISA ~ AVANT QU`IL NE SOIT TROP TARD
MUSEA 4107 (Barcode: 3426300041074) ~ FRANCE ~ Progressive Rock
Recorded: 1977 - 1978 Released: 1995
4th and last album by the great French group Mona LisaFind albums by this artist, considered by many their best. Classic symphonic Prog with rich orchestration and dramatic vocals, which are their trademark. Bonus 3 live tracks from 1978.
| | | CD 1 Bonus Tracks Recommend To A Friend |
  | MOODY BLUES ~ A QUESTION OF BALANCE (EXPANDED EDITION)
THRESHOLD 9837706 (Barcode: 602498377062) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2006
6th album by the magnificent Moody BluesFind albums by this artist. After delivering 4 sublime and intensely complex concept albums the group decided to come up this time with a selection of songs, which could provide an easier basis for their live performances, as the elaborate songs on their previous albums were difficult to reproduce live on stage. This approach led to the creation of a much rockier album than anything else they recorded previously, but being what they were it was as good as anything else they ever did. The use of the Mellotron is less dominant this time and the guitar is more prominently featured. All together another timeless classic (yes I know I repeat myself, but what else can I say in this case…). The new edition adds never previously heard bonus tracks and a crystal clear remastered sound, including the SACD 5.1 mix. Essential!
| | Updated: 26/05/2019Posted: | CD 1 Digipak SACD Remastered Bonus Tracks Essential Recommend To A Friend |
  | VAN MORRISON ~ ACCENTUATE THE POSITIVE
EXILE 044003369580 (Barcode: 044003369580) ~ IRELAND ~ Pop & Rock
Recorded: 2023 Released: 2023
This is the 45th studio album by the legendary Northern Irish singer / songwriter Van MorrisonFind albums by this artist. The album presents nineteen tracks, all of which are Morrison’s take on Rock And Roll, Rhythm And Blues and Country songs, written by others, similar to his previous album dedicated to Skiffle. He is accompanied by a team of excellent instrumentalists, who played on his latest recordings, which includes organist Richard DunnFind albums by this artist, pianist Stuart McIlroyFind albums by this artist, guitarist Dave KearyFind albums by this artist, bassist Pete HurleyFind albums by this artist, drummer Colin GriffinFind albums by this artist and a few other players and background vocalists.
Despite his age (78 years young) Morrison is in great condition, full of vigor and creative powers and his vocal abilities are absolutely unblemished. This is the second time he returns to the music that fascinated him in his early days, and he does so with obvious love and affection. His arrangements and in some cases expansions of the original material are all tasteful and faithful to the original style, and as such work out splendidly.
It is very difficult to find today an Artists, who is able to maintain a career for six decades, without losing any of its momentum, quality or good taste and Morrison surely deserves our appreciation for keeping the flame burning. His ability to cross genres at will, always remaining relevant, is absolutely precious.
Overall, this is another great album by a great Artists, who manages to remain relevant and creative as the time passes by. Morrison pushes aside all fads and fashions and remains true only to himself, doing what he does best, i.e. singing his heart out. Regardless if you like early Rock at all, this music is both entertaining and valuable, in complete contrast to everything happening around. Well done, indeed!
| | Updated: 24/04/2024Posted: 24/04/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | VAN MORRISON ~ ASTRAL WEEKS (EXPANDED EDITION)
WARNER BROS. 081227952310 (Barcode: 081227952310) ~ IRELAND ~ Classic Rock
Recorded: 1968 Released: 2015
This is the remastered and expanded reissue of the iconic debut (see Side Note below) album by the celebrated Northern Irish singer / songwriter Van MorrisonFind albums by this artist. Recorded in a relaxed atmosphere and accompanied by a bunch of superb Jazz musicians: bassist Richard DavisFind albums by this artist, guitarist Jay BerlinerFind albums by this artist, percussionist / vibraphonist Warren Smith, Jr.Find albums by this artist, drummer Connie KeyFind albums by this artist and flautist / saxophonist John PayneFind albums by this artist, Morrison delivers his heartbreaking vocals full of poetic imaginary, becoming an instant superstar. Although the album did not chart and produced no singles, in time it became one of the most revered singer / songwriter albums of all times.
The album includes a couple of older songs Morrison wrote earlier on and recorded demos of (see Side Note again), but most of the material was fresh and of course absolutely brilliant. The albums producer Lewis MerensteinFind albums by this artist later added orchestral arrangements by Larry FallonFind albums by this artist, but did not hurt the intimate atmosphere of the studio dates. The approach, that utilizes brass and a Jazzy rhythm section, which is present here, will in time become Morrison´s trademark, and which will continue for decades. Morrison´s vocal performances are, as usual, completely unique and incomparable to any other vocalist active at the time or since.
Morrison stunned the music word with his unique combination of musical and poetic qualities, which happens only very rarely. Similarly to Bob Dylan, he always has a message and the massage was delivered on the wings of beautiful, moving and sophisticated musical chariot.
The remastered sound and the bonus tracks are a very good reason to make this album a part of everybody´s music collection, as usual better late than never. Do not hesitate!
Side Note: Following his departure from the celebrated ThemFind albums by this artist group, Morrison´s first musical outfit, in 1966 he moved to New York and signed with BangFind albums on this label Records, prompted by his manager and co-owner of the label. Morrison recorded eight song demos for the label, one of which called "Brown Eyed Girl" became a hit single. Consequently the label released all the songs as an LP album in 1967, in complete violation of the contract with Morrison and without his knowledge. The album, called "Blowin` Your Mind!Find albums with this title" is often counted as Morrison´s debut album, although he always completely disassociated himself from it. Here you have another pathetic story about the "Music Industry".
| | Updated: 09/02/2016Posted: 08/02/2016 | CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend |
  | DICK MORRISSEY ~ AT THE BBC 1967
RHYTHM AND BLUES 074 (Barcode: 5060331752608) ~ UK ~ Jazz
Recorded: 1967 Released: 2021
This is an archival album by seminal British saxophonist / composer / bandleader Dick MorrisseyFind albums by this artist. The album presents two BBC sessions captured in June and October 1967 performed by his quartet, with included pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and drummer Bill EydenFind albums by this artist. The two sessions produced twelve tracks, with three tunes repeated in both sessions, most being Jazz standards and just one original by South.
The music is all well within the mainstream Jazz idiom, but formidably performed by the quartet and presents Morrissey as a wonderfully talented player, considered at the time as second only to the legendary Tubby HayesFind albums by this artist. Morrissey fans should definitely put their hands on the VocalionFind albums on this label twofer reissue “Here And Now And Sounding Good / Storm Warning!Find albums with this title” of his 1965/66 studio albums, which offer similar music to what can be herd here. The sound quality of these recordings if excellent, which of course makes listening to the music a true pleasure.
Following his Bebop / Hard Bop period, by the end of the 1960s Morrissey switched to the Jazz-Rock Fusion idiom, first with the brilliant group IfFind albums by this artist, which lasted till 1975 and recorded eight albums and later with the Morrissey-Mullen BandFind albums by this artist, formed with guitarist Jim MullenFind albums by this artist, which lasted for fifteen years and recorded seven excellent albums.
Morrissey died from cancer in 2000 at the age of 60, as usual in such cases way too early, as his glorious recording legacy proves.
| | Updated: 10/08/2021Posted: 10/08/2021 | CD 1 Recommend To A Friend |
  | MUZYCZNA SPOLKA AKCYJNA 1111 ~ AUTOPORTRET X
GAD 049 (Barcode: 5901549197648) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1975 - 2005 Released: 2016
This is an archival album presenting material recorded by an excellent but sadly short-lived Polish Jazz-Rock Fusion band Muzyczna Spolka Akcyjna 1111Find albums by this artist, which consisted of guitarist Janusz KonefalFind albums by this artist, keyboardists Wojciech JaworskiFind albums by this artist or Zbigniew SzubaFind albums by this artist, bassists Maciej RodaFind albums by this artist or Mieczyslaw JureckiFind albums by this artist and drummer Leszek ChalimoniukFind albums by this artist. The material originates from two radio sessions recorded a couple of years apart (1975 and 1977), which produced seven tracks and a live performance at the Jazz Nad Odra Festival from 1977, which produced two tracks and finally a studio session recorded by a attempted comeback lineup of the band in 2005, which produced one track. Overall the album presents nine original compositions (one composition appears twice, in live and in studio version), eight of which were composed by Konefal and one by Szuba.
Both the music and the execution are truly excellent from start to finish and the album is a hidden gem of Polish Fusion, which finally is able to reach a wider audience. Although the live tracks were released on vinyl at the time, they are long lost and with the addition of the radio and studio recordings this album finally pays proper homage to this splendid group.
The music is very melodic and presents well written themes, which are ideal vehicles for the improvisations by the group members. The rhythm section supports the guitar and keyboards solos amicably and the music moves forward elegantly and intelligently, which is typical of European Fusion bands, which put sophistication and harmonic complexity ahead of flashy instrumental show-off.
This is another superb discovery bestowed upon the Polish music lovers by the splendid GADFind albums on this label Records label, which manages time after time to uncover hidden treasures, which are all more than worthy to be available to the wide public. Considering the superb quality of the music and the great sound quality, this album is an absolute gem!
| | Updated: 21/03/2017Posted: 20/03/2017 | CD 1 Remastered Recommend To A Friend |
  | NAK TRIO ~ AMBUSH
FOR TUNE 0122 (Barcode: 5906395808243) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2016 Released: 2017
This is the second album by Polish Jazz ensemble called NAK TrioFind albums by this artist, led by veteran drummer / composer Jacek KochanFind albums by this artist and also including pianist Dominik WaniaFind albums by this artist and bassist Michal KapczukFind albums by this artist. The trio is accompanied by a nine players strong string section, which includes violinist Mateusz SmoczynskiFind albums by this artist, who plays solos on a couple of tracks. The album presents eight original compositions, all by Kochan and all arranged by him except for one of the string arrangements done by Smoczynski.
The music is quite complex and although melody based, in features confusing rhythmic patterns and fragmented pieces of melodies, which don´t make it easy on the listener to find his way along the tunes. The string arrangements add another layer of complexity to the proceedings and the final result presents music which moves between modern Contemporary Classical elements and Jazz and require attentive listening and patience.
Wania, who plays electric piano on this album (Fender Rhodes and Wurlitzer), is the chief soloist and his playing is, as usual, very convincing and technically perfect. He handles the odd meters and tempi changes with ease and elegance. Kapczuk supplies the basic bottom lines all along with a few nice solos on the way. Kochan delivers the complex polyrhythmic drive with obvious talent and skill.
Overall this is a very ambitious undertaking, which might be a tad too much for the average Jazz listener. The electric piano combined with the Classical sound of the strings and the unfamiliar rhythmic patterns are an acquired taste. Wania´s piano playing and the violin solos are the highlights of this unusual album, which is definitely worth investigating by the more motivated listeners. The album also emphasizes the diversity and multifaceted involvedness of the Polish Jazz scene.
| | Updated: 11/04/2017Posted: 11/04/2017 | CD 1 Recommend To A Friend |
  | ZBIGNIEW NAMYSLOWSKI ~ AIR CONDITION
POLJAZZ / ANEX 317 (Barcode: 5907513047728) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1980 Released: 2009
One of the Godfathers of Polish Jazz, saxophonist Zbigniew NamyslowskiFind albums by this artist, remained firmly in the position of the leading Jazz figure in his country for several generations. Starting in the early 1960s as member of the legendary Krzysztof KomedaFind albums by this artist quintet and later leading his own groups, Namyslowski kept his ears open constantly to follow the developments on the ever changing worldwide Jazz scene and his groups always included young talented players, who became his disciples. The group Air ConditionFind albums by this artist included the immensely talented keyboardist Wladyslaw SendeckiFind albums by this artist, guitarist Dariusz KozakiewiczFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist and an extended percussion section, and played a kind of Jazz-Funk, which could move an elephant´s ass, not falling behind any of the US groups playing in the same vein. This album was intended for the US market, where it was released (along with several other Polish Jazz albums) by the Inner CityFind albums on this label label, admittedly without much commercial success. As usual, Americans were simply not ready to recognize any kind of Jazz happening outside of their home turf. In retrospect, this album is still a lot of fun and as Funky as they get. Sendecki´s keyboard wizardry is stunning, as always, and the leader plays plenty of nasty sax chops. Recommended!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | ZBIGNIEW NAMYSLOWSKI ~ ASSYMETRY
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2006 Released: 2006
This is a brilliant album by veteran Polish saxophonist / composer Zbigniew NamyslowskiFind albums by this artist, one of the Founding Fathers of modern Polish Jazz active on the scene since the late 1950s. First as a member of the legendary Krzysztof KomedaFind albums by this artist ensemble and later as a leader, Namyslowski was always a superb musician and an intriguing composer. His early work was often characterized by incorporating Polish folklore motifs into his compositions, which was highly unusual at the time in US or Western Europe, but relatively common behind the Iron Curtain. This amazing album, as the (slightly twisted) title suggests, is all about odd meters, you know all those 7/4, 5/4, 7/8 and other crazy rhythmic patterns that only highly skilled musicians are able to play correctly. As much as they are a nightmare to play, they are surely a wonder to listen to and enjoy and this albums offers nine lengthy tunes, one better that the other. Performed by a brilliant quintet: trombonist Jacek NamyslowskiFind albums by this artist (yes the next generation), pianist Slawomir JaskulkeFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummers Grzegorz GrzybFind albums by this artist and Pawel DobrowolskiFind albums by this artist (on two tracks only), the music is simply divine, clever and enjoyable, all at the same time, which of course id pretty rare. It certainly seems that Namyslowski is getting younger with age, a rare quality indeed. Brilliant!
| | | CD 1 Digipak Recommend To A Friend |
  | NAZARETH ~ AT THE BEEB
RECALL 272 ~ UK ~ Classic Rock
Nazareth are one of the finest and long-lived UK Hard-Rock groups. Over the years they recorded many BBC Radio broadcasts, which are collected here. Most of the material was never released on any other album, so for the many fans of the band this is a true gem.
| | | CD 2 Recommend To A Friend |
  | LELO NAZARIO ~ AFRICASIAMERICA
EDITIO PRINCEPS 10 (Barcode: 7898901556107) ~ BRAZIL ~ Jazz-Rock Fusion
Recorded: 2006 Released: 2006
5th album by Brazilian keyboards player Lelo NazarioFind albums by this artist, one of the pioneers of Brazilian jazz and fusion. As the album’s title suggests, Nazario combines rhythmic influences from a variety of ethnic sources into his jazz / fusion compositions, often creating polyrhythmic backgrounds for his beautiful compositions. The album follows the path set by Nazario’s previous album and although recorded eight years later, it is a natural follow up to the approach developed earlier. He is a superb instrumentalist and even more importantly an amazing composer, always full of surprises and able to create a wide range of emotions in his music. Surrounded and supported by the most talented players on the contemporary Brazilian jazz / fusion scene (Teco CardosoFind albums by this artist – flute and saxes, Felipe AvilaFind albums by this artist – guitar and others) Nazario manages to reach the highest levels of expression for his music. I particularly enjoyed his performances on the electric piano, which remind me fondly of Chick CoreaFind albums by this artist’s glory days with Return To ForeverFind albums by this artist. This is a great example of how great jazz / fusion music is created outside of the commonly accepted path set mostly by US players. Most warmly recommended and an assured eye (ear) opener!
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  | NEKTAR ~ A TAB IN THE OCEAN
ECLECTIC 1201 ~ UK ~ Progressive Rock
2nd album from 1972 by this excellent Prog band. Although British, Nektar never enjoyed much popularity in UK and their home and fan base was mainly in Germany, therefore many people consider them a German band, which of course is false. The material is considerd a classic by now of course. This edition includes both the original album and the later (1976) remixed version of the US release.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | NEOM ~ ARKANA TEMPORIS
SOLEIL ZEUHL 21 (Barcode: 3700173931527) ~ FRANCE ~ Progressive Rock
Recorded: 2008 Released: 2009
1st album by new French Zeuhl band NeomFind albums by this artist, heavily influenced by Magma, but with a unique voice and approach. The band consists of Carole Duchene SauvageFind albums by this artist on electric piano, Yannick Duchene SauvageFind albums by this artist on vocals, guitar and drums, who also composed all the music, and William PawelzikFind albums by this artist on bass. The music is a suite in five parts, each lasting between 12 and 15 minutes (only one being relatively short), very Jazzy and full of extended improvisations over a hypnotic repetitious background, typical of Zeuhl music. The instrumental abilities of the players are beyond reproach and the lead guitar parts are truly magnificent. The vocal chant is used mostly as part of the overall sound rather than fronting the music. This is a most impressive debut effort, which will delight all Zeuhl fans. Canterbury fans will also find this equally exciting, as in many parts this music is an extension of that subgenre as well. Definitely worth investigating and hopefully only a first step in a long career.
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  | NICE ~ ARS LONGA VITA BREVIS
ESSENTIAL 646 ~ UK ~ Progressive Rock
2nd album from 1968 this time as a trio, which was to be its format till the group disbanded. Emerson expands the classical influences by including music by composers like Sibelius and Bernstein, those of course in his wild and masterly improvised versions, adding extended compositions of his own. All together an excellent companion to the debut album.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | NICE ~ ARS LONGA VITA BREVIS (DELUXE EDITION)
CASTLE 0791 (Barcode: 5050159179121) ~ UK ~ Progressive Rock
Recorded: 1968 Released: 2003
2nd album by NiceFind albums by this artist, this time as a trio, which was to be its format till the group disbanded. Keith EmersonFind albums by this artist expands the classical influences by including music by composers like Sibelius and Bernstein, those of course in his wild and masterly improvised versions, adding extended compositions of his own. All together an excellent companion to the debut album. This edition adds fabulous previously unavailable material, both studio and live. A must!
| | | CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | NINJA EPISKOPAT ~ ALL THOUGHTS ARE BAD THOUGHTS
AUDIO CAVE 2023/012 (Barcode: 5908298549742) ~ POLAND ~ Electronic & Ambient
Recorded: 2023 Released: 2023
This is the debut (physical) album by Polish trio Ninja EpiskopatFind albums by this artist, which comprises of saxophonist Alex ClovFind albums by this artist (a.k.a. Alex Clov BaczkowskiFind albums by this artist), guitarist Mojzesz TworzydloFind albums by this artist and drummer Patrycja WybranczykFind albums by this artist. A couple of guest musicians appear on selected tracks. The album presents seven tracks, which are uncredited (assumed to be co-created by the trio members) and the total playing time is about thirty-five minutes, which makes it an EP rather than a full album, which is often considered a “standard” these sad days, and which often makes me think of selling wine in bottles half empty…
The music is a mixture of many influences, soaked in electronics, but including Rock, Trance, Rap and even Jazz improvisation, which creates atmospheric vistas somewhat of cinematic associations. It is ambitious and quite interesting, but somewhat uneven and lacking a clear statement, possibly intentionally. I enjoyed the music, but by the time it was over I had more questions than answers. The drumming parts are certainly the most impressive instrumental contributions herein.
Overall, this is an interesting, but probably prematurely released piece of music, which is intended for a much younger generation of listeners that your truly, but certainly offers enough excitement to watch out for their next outing. Kudos to Audio CaveFind albums on this label for giving it a chance to reach a wider audience and thinking out of the box.
| | Updated: 16/03/2025Posted: 03/03/2024 | CD 1 Digipak Recommend To A Friend |
  | NORTH, NIGEL ~ A VARIETIE OF LUTE LESSONS
LINN 097 ~ UK ~ Classical
Nigel North is of course the greatest lute player in the world and his performances are considered masterpieces of the musical art. The ancient instrument sounds alive and conteporary in his hands and the music sounds fresh, although it was composed mostly in the 16th century or even earlier. This record won all the possible awards in the music business.
| | | CD 1 HDCD Recommend To A Friend |
  | OLES BROTHERS ~ ALONE TOGETHER
AUDIO CAVE 2019/013 ~ POLAND ~ Jazz
Recorded: 2019 Released: 2019
I can hardly think of a more appropriate way to wrap up (well almost) the Polish Jazz releases for the year 2019 than by writing about this album by two of the most prominent Polish Jazz musicians: bassist / composer Marcin OlesFind albums by this artist and his twin brother, drummer / composer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist), who also happen to be my friends. The album consists in fact of two separate mini-albums (on two separate CDs), each presenting a solo album: "Lapidaria" by Marcin with six original solo bass compositions and "The Drum Tower" by Bartlomiej with a five-parts suite for solo drums composed by him. The album celebrates the twentieth anniversary of their activity on the European Jazz scene and was recorded at the MaQ Records Studio and engineered by Michal RosickiFind albums by this artist with spectacular sonic quality.
In the early days of their musical journey Marcin and Bartlomiej already released solo albums ("Ornette On BassFind albums with this title" and "FreeDrum SuiteFind albums with this title" respectively), which makes this album into a symbolic closing of a creative circle. In spite of the extremely difficult naked environment, their solo music is full of intrinsic melody even if not explicitly articulated. They are always able to tell a "story" with their music, which keeps the listener mesmerized for the duration.
Anybody listening attentively to these two mini-albums should be easily convinced that the Oles Brothers turned their skills and experience in time into an Art Form. Their essence outgrew the basic rhythm section role they so splendidly demonstrated on the many records they took part in during the last two decades, and eventually produced a couple of visionary musicians, who, whether separately or together, are always able to achieve the highest levels of spiritual and emotional expressionism.
The intimate music that this album offers is obviously less spectacular than most other albums released this year, but its depth easily defends its importance and significance. Minimalism is so much more difficult to be understood and appreciated, and yet alone or together Oles Brothers are iconic musicians and their statements, individually and collectively, remain the core of European Jazz aesthetics.
It makes me happy to hear a new album by the Oles Brothers after a period of relative inactivity, as it is able to fill my heart with joy and my mind with gratitude for their music and the inspiration it generates. Thank you, as always!
| | Updated: 28/02/2022Posted: 26/12/2019 | CD 2 Mini-Sleeve Recommend To A Friend |
  | OLES BROTHERS / THEO JORGENSMANN ~ ALCHEMIA
HATOLOGY 646 (Barcode: 752156064626) ~ POLAND ~ Jazz
Recorded: 2006 Released: 2007
This is the fourth album by Polish Improvised Music heroes, brothers Marcin OlesFind albums by this artist (bass) and Bartlomiej OlesFind albums by this artist (drums) collectively know as Oles BrothersFind albums by this artist, with the German clarinetist / composer Theo JorgensmannFind albums by this artist. The music was recorded live at the legendary Alchemia club in Krakow, which in the first decade of the new Millennium served as one of the epicenters of the Polish Avant-Garde scene, and includes five original compositions: two composed by Jorgensmann, one each by Marcin Oles and Bartlomiej Oles and one co-composed by them both.
This music was recorded just two months after the live recording that produced the "Live In Poznan 2006Find albums with this title" album and covers mostly the same material and yet these two dates are quite dramatically different. The Alchemia concert is a pinnacle of this trio´s cooperation at the time, summarizing a process of development from the first encounter to the close intimacy achieved herein. The relaxed and contemplative atmosphere of this session and the expanded versions of the compositions, which are present on this album, create a magic moment which was encapsulated for eternity. The special ambience of the club itself might be also responsible for the extraordinary amalgam achieved here by the trio.
This music is also much more "organized" than that presented on the earlier recordings, with a clear emphasis on the compositions and structures rather than the on improvised parts that dominate the earlier recordings. Of course there is plenty of improvisation and wonderful expanded solo sections, but the music, at all times, stays within clearly defined melodic and rhythmic patterns, even at the very climax and up-tempo frenzy. This wonderful balance between the freedom of improvisation and the structure, mostly imposed by the rhythm section, is absolutely stunning.
Of course the individual abilities of these extraordinary musicians are at full display throughout this album, as always. It´s worth to listen to this album several times, each time concentrating on just one of the participants in order to be able to fully absorb their individual contributions. But of course only the glorious threesome achieves the full synergy, and the proper way to listen is to try and absorb this synergy into our brains.
This is surely one of the finest examples of the European Avant-Garde scene at the time it was recorded and a true gem of an album, which has but a few equals. The fact that the prestigious Swiss Hat HutFind albums on this label label decided to include it in its roster is surely an acknowledgment of eminence, which in this case was fully earned. The hearsay has it that Hat Hut has another Oles Brothers session in their vaults that remains unreleased – now that is a crying´ shame!
| | Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Oversampling Recommend To A Friend |
  | FRANCESCA PALAMIDESSI ~ AMBER HAZE
HEVHETIA 0137 (Barcode: 8588005257954) ~ ITALY ~ Avant-Garde Jazz
Recorded: 2017 Released: 2017
This is the second album by Italian (resident in Belgium) vocalist Francesca PalamidessiFind albums by this artist, recorded with Belgian keyboardist Hendrik LasureFind albums by this artist and drummer Casper Van De VeldeFind albums by this artist. The album presents thirteen original compositions, all except one composed by Palamidessi, some of which feature lyrics (in English) also all except one written by her as well. Six of the tracks are described as being freely improvised.
The music floats somewhere between Avant-Garde Pop and Improvised Music, creating some of the most unique and bizarre soundscapes, which even the most experienced music listeners come across pretty rarely. Very minimalistic on one hand but deeply expressive on the other, this is a formidable example of uncompromised artistic chase for individualism and originality.
Although the vocalist uses texts, she treats her voice just like an instrument, singing also improvised melodic bits and vocalese. The accompaniment becomes merged with the vocal parts, creating a fluid tapestry which changes in intensity from whisper to shout. Although there is almost no melody in the conventional sense, the music has an intrinsic continuity and fluidness that lets the listener follow the sonic developments on a lucid path.
Overall this is a very unique piece of music, which requires open mindedness and several listening sessions to get into, but which exemplifies the everlasting urge of Artists to pursue their own visions, even when this results in staying well outside the mainstream. A wonderful, challenging experience, which I wholeheartedly recommend!
| | Updated: 12/04/2019Posted: 04/04/2018 | CD 1 Digipak Recommend To A Friend |
  | MIKE PARKER / TRIO THEORY ~ ALIVE OUT THERE
NOT ON LABEL ~ USA ~ Free Jazz / Improvised Music
Recorded: 2015 Released: 2016
This is the third album by American bassist / composer Mike ParkerFind albums by this artist, who spends much of his time in Eastern Europe playing and recording with Polish Jazz musicians, as documented on his previous album. This album, recorded live in Czech Republic and Serbia, documents a tour by Parker´s trio, which also includes Polish Jazz saxophonist Slawomir PezdaFind albums by this artist and American (resident in Poland) drummer Frank ParkerFind albums by this artist. Together they perform six compositions, four by Mike ParkerFind albums by this artist, one co-composed by him and Bartlomiej PrucnalFind albums by this artist and one composed by Bryson BarnesFind albums by this artist.
The music is mostly improvised, except for short melodic intros which immediately develop into a frantic Free Form extended blowing sessions. Pezda, who is definitely one of the most impressive young Lions among the Polish Jazz saxophone players, performs incredibly on this album; even more remarkably than on several earlier recordings he participated in. The intimate setting and the live atmosphere, as well as the excellent work of the rhythm section, allow him to soar and shine, which he does from start to finish.
But of course this is a trio effort and the overall result is successful thanks to the interplay and mutual respect these three players share among them. Saxophone trios are an extremely difficult environment to create impressive music, but this trio is definitely blessed with the ability to make it work. If course Parker´s music also adds to the success of this music.
Although seemingly aggressive and certainly very intensive, this music displays a lot of elegance and intrinsic beauty. The "beast" is definitely tamed and the improvisations and far out excursions are apparently well planed ahead. The wonderful tension between the intensity of this music and its underlying structure is one of the strongest assets.
This is definitely one of the strongest statements I have had the pleasure to listen to in the last months and it truly deserves to be discovered by as many Jazz lovers as possible.
A strange thought passed through my head; since this great album was created by two American practically living in Poland and a Pole, playing in Eastern Europe, perhaps the only way to save American Jazz before it disintegrates completely is to move it to Eastern Europe?
| | Updated: 30/05/2016Posted: 27/05/2016 | CD 1 Digipak Recommend To A Friend |
  | HERMETO PASCOAL ~ A MUSICA LIVRE DE HERMETO PASCOAL
UNIVERSAL 4988031427828 (Barcode: 4988031427828) ~ BRAZIL ~ Jazz-World Fusion
Recorded: 1973 Released: 2021
This is a reissue of the second album by the Brazilian Jazz multi-instrumentalist / composer / bandleader Hermeto PascoalFind albums by this artist. Recorded with several of the best Brazilian instrumentalist at the time and an orchestra. The album presents six tracks, three of which were composed by Pascoal and the remaining three by other Brazilian composers / songwriters.
The music is a magical amalgam of Pop, Brazilian Folklore and Jazz, beautifully arranged by Pascoal, creating often complex musical vistas and orchestral sound. The album is an excellent example of the depth of Brazilian music, and of course the Genius of Pascoal, which are way beyond the simplistic image of Samba and Bossa Nova, which most people associate with music originating in Brazil.
The players are of course all excellent, and the music flows fluently, featuring many short, but superb solos by the musicians involved. The music is brilliantly arranged and orchestrated by Pascoal and there is not a dull moment on this album, from start to finish.
Overall, this is an excellent example of Brazilian Jazz-World Fusion, which offers a diverse collection of musical trends, brilliantly arranged and performed by some of the best Brazilian musician, all under the watchful eye / ear of Hermeto Pascoal, who is one of the greatest musical Geniuses on this planet.
| | Updated: 14/05/2023Posted: 14/05/2023 | CD 1 Recommend To A Friend |
  | PATER / WOJTCZAK / UROWSKI / GORZYCKI ~ A-KINETON
OWOC 001 (Barcode: 5903292101378) ~ POLAND ~ Jazz
Recorded: 2011 Released: 2012
This wonderful album, recorded by the Polish quartet comprising of guitarist Kamil PaterFind albums by this artist, saxophonist Irek WojtczakFind albums by this artist, bassist Pawel UrowskiFind albums by this artist and drummer Rafal GorzyckiFind albums by this artist, with guest trumpeter Maurycy WojcinskiFind albums by this artist, is an excellent example of contemporary Jazz, played by young musicians who slowly establish a new school of Polish Jazz, continuing the splendid tradition of the country´s achievements in that area.
For people following the scene these names won´t be completely new, as they have been active in many different ensembles during the last decade, like Sing Sing PenelopeFind albums by this artist, Ecstasy ProjectFind albums by this artist, Contemporary Noise SextetFind albums by this artist and others. Pater, Urowski and Gorzycki, with saxophonist Aleksander KaminskiFind albums by this artist, recorded the splendid "Dziki JazzFind albums with this title" (Wild Jazz) album earlier on. Pater wrote five of the eight compositions on this album, with Urowski and Gorzycki contributing one composition each and one being a group composition.
The music is excellent modern Jazz, with some basic melodic content, but mostly improvised with a lot of both individual and collective freedom extended towards the participants. The performances are all inspired and highly professional, and overall the album is a great piece of music, which flows elegantly from one composition to another, constantly keeping the listener on the edge. By and large the atmosphere is somewhat similar to the music played by the groundbreaking Polish ensemble Sing Sing Penelope, which of course is not entirely surprising and should be seen as a compliment. Hopefully this quartet has a lot more to offer in the future, and I´m looking forward to hear their next album. Wholeheartedly recommended!
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  | ANNETTE PEACOCK ~ AN ACROBAT`S HEART
ECM 1733 (Barcode: 601215949629) ~ USA ~ Jazz-Classical Fusion
Recorded: 2000 Released: 2000
A beautiful and deeply moving album by veteran US singer / pianist / composer Annette PeacockFind albums by this artist, commissioned by the ECMFind albums on this label label and placing the composer in a new (for her) musical environment, which merges Jazz and contemporary Classical music. Peacock plays and sings her enigmatic and deeply lyrical songs accompanied by the Cikada String QuartetFind albums by this artist. The album consists of 15 short compositions / songs, which together create a lengthy suite. As someone who has been enchanted by Peacock´s music for decades, I cherish this new addition to her musical legacy after a long period of silence, which preceded this recording. Brilliant stuff!
| | | CD 1 Slipcase Recommend To A Friend |
  | PENDRAGON ~ ACOUSTICALLY CHALLENGED
METAL MIND 0085 ~ UK ~ Progressive Rock
Recorded live at the Polish Radio in 2001, this album presents Pendragon `naked` as an acoustic trio (no drums) playing and singing a great set of their songs. This performance really emphasizes their great feel for melody and poetry. Absolutely stunning sound quality, which does them a great service in this case. Heartwarming!
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  | PERIGEO ~ ABBIAMO TUTTI UN BLUES DA PIANGERE
RCA 167617 ~ ITALY ~ Jazz-Rock Fusion
2nd album from 1973. Another superb offering by this brilliant instrumental Italian quintet, playing jazz influenced music but well inside the Prog genre. Very good compositions and the performances are top notch all the way. For lovers of instrumental Prog this is heaven on earth!
| | | CD 1 Remastered Recommend To A Friend |
  | PICCHIO DAL POZZO ~ ABBIAMO TUTTI I SUOI PROBLEMI
RER PDP (Barcode: 752725022620) ~ ITALY ~ Progressive Rock
Recorded: 1980 Released: 2006
2nd album by the Italian RIO group considered a masterpiece of the genre. The music, although sounding improvised, was completely composed and includes elements of contemporary classical music, jazz phrasing and rock influences (Zappa and Canterbury among others). Of course at the time of its release the album was aeons ahead of time and sounds today as fresh and innovative as it did then and most probably will in the future as well. The group uses extensive brass arrangements in addition to the basic drums / bass / keyboards / guitar instrumentation, full of twists and turns, tempo changes, etc. It is truly superfluous to write more about this music, it simply deserves to be heard by every Prog and beyond music lover. An essential classic stuff!
| | | CD 1 Remastered Essential Recommend To A Friend |
  | ADAM PIERONCZYK ~ A-TRANE NIGHTS
FOR TUNE 0040 (Barcode: 5902768701395) ~ POLAND ~ Jazz
Recorded: 2008 Released: 2014
This is an "archival" album by the veteran Polish Jazz saxophonist / composer Adam PieronczykFind albums by this artist and his quartet, which also includes Australian (living in Germany) trombonist / didgeridoo player Adrian MearsFind albums by this artist, American bassist Anthony CoxFind albums by this artist and Polish drummer Krzysztof DziedzicFind albums by this artist. The music was recorded live at the Berlin A-Trane International Jazz Club (hence the title) in 2008, immediately following the studio recording of the same material, which was released a couple of years later as "El BuscadorFind albums with this title" on the German JazzwerkstattFind albums on this label label, on which Pieronczyk releases his albums in the last few years. The album presents eight original compositions, seven of which were composed by Pieronczyk and one which was co-composed by Pieronczyk and Mears, exactly the same as the studio album and in almost identical sequence.
Naturally these live versions are expanded and provide a much broader basis both for individual explorations and ensemble interplay. Three of the pieces have a duration of over fifteen minutes and two others of over ten minutes, which obviously emphasizes the relaxed atmosphere and creative frame of mind of the quartet members at the time.
The music is quite deceiving, as it does sound a bit simplistic at first, but careful listening reveals a depth much beyond the exterior layer of the melodic themes in each of the pieces. There is an intrinsic dimension of freedom in this music, which never actually crosses over to the Avant-Garde or even free form, but is sufficiently removed from straightforward mainstream to be both aesthetically elegant and intellectually intriguing. As I have already said on previous occasions, Pieronczyk seems to have developed a niche of his own within modern Jazz, which came to full fruition on his recent solo saxophone album "The Planet Of Eternal LifeFind albums with this title".
The sound of the quartet is another challenge; a pianoless saxophone and trombone / didgeridoo fronted ensemble is obviously significantly less "user friendly" than a traditional harmonically supported lineup. But whatever is lost from the absence of the piano is gained by the sonic space stretched between the brass instruments. The "air" or empty space plays a significant role in the overall effect the quartet members achieve collectively as a group.
Of course the individual performances are all quite splendid. Pieronczyk has a superbly mellow tone, which contrasts nicely with the somewhat rough trombone and didgeridoo sound. The soloists are supported admirably by the rhythm section, which of course is solid like a rock and flexible like a breeze.
Big kudos is due to For Tune for putting this music out and saving it from getting stale and lost in the tunnels of history, as it surely deserves to see the light of day and make the music lovers happy!
| | Updated: 12/04/2019Posted: | CD 2 Recommend To A Friend |
  | ADAM PIERONCZYK & MIROSLAV VITOUS ~ AD-LIB ORBITS
PAO 11320 (Barcode: 9006834113207) ~ POLAND ~ Jazz
Recorded: 2016 Released: 2017
This is the second album by the duo comprising of two veteran Jazz Masters: Polish saxophonist / composer Adam PieronczykFind albums by this artist and Czech bassist / composer Miroslav VitousFind albums by this artist. The album presents sixteen relatively short spontaneous improvisations, fourteen of which are credited to both musicians and one each is credited to Pieronczyk or Vitous, being solo pieces.
This album, being a second encounter, misses the element of surprise the duo managed to create first time around, but in every other respect it is a superb example of the "Art of the Duo" idiom, which in Jazz has a very long tradition.
Despite the fact that all the music is spontaneously improvised, it is remarkably accessible to a larger Jazz loving audience beyond the miniscule circle of enthusiasts of Free Jazz or Improvised Music. Of course the question if conventional Jazz fans will have the stamina and open-mindedness to relax and enjoy these musical explorations is always relevant.
The music is mostly low key and slow tempo, which makes it very meditative and demanding. Both players are of course beyond any need to show their chops and concentrate on the dialogue that develops between them. Listeners who like such musical environment will of course enjoy the music immensely, exploring the exchanges and dialogues developed in the process.
In short this is a successful follow up album to the duo´s debut recorded a year earlier, much in the same aural and conceptual vein. Listeners who enjoyed the debut should definitely grab this one as well; those who did not have the opportunity to listen to the debut album could start from this one and then get the debut. Either way works well!
| | Updated: 20/09/2017Posted: 20/09/2017 | CD 1 Digipak Recommend To A Friend |
  | DAVE PIKE SET ~ AT STUDIO 2
B.FREE 6227/28 ~ USA ~ Jazz-Rock Fusion
Recorded: 1971 Released: 2016
This is an archival album by American vibraphonists / composer Dave PikeFind albums by this artist and his quartet called Dave Pike SetFind albums by this artist, which also included German guitarist Volker KriegelFind albums by this artist, bassist Johann Anton RettenbacherFind albums by this artist and drummer Peter BaumeisterFind albums by this artist. The 2CD set presents a live concert recording at the German radio, which includes eleven tracks, ten of which are original compositions by the quartet members. The material includes mostly compositions included on the quartet´s albums "Noisy Silence-Gentle NoiseFind albums with this title", "Infra-RedFind albums with this title" and "AlbumFind albums with this title" and is beautifully recorded, as usual with the German radio recordings. The information about the composers of the individual tracks and other details is less than sketchy.
The music is a superb example of early European Fusion, which flourished at the time. Although an American, Pike lived in Germany for years and his attitude towards Jazz was always more European than traditionally American. The Dave Pike Set, which recorded for the legendary MPSFind albums on this label label, was without a doubt one of the most unique and forward thinking early Fusion ensembles. The extraordinary combination of talents within the quartet members resulted in a series of first rate albums recorded during the quartet´s short lived career.
The presence of Volker Kriegel was a major factor which turned these recordings into pure gold. He was the greatest European Fusion guitarist at the time and a sublime composer, and in retrospect every note he produced during his recording career is absolutely priceless.
Listening to this music almost half a Century after it was recorded clearly shows how ahead of its time it was at the time of its recording and how relevant and still sounds today. The fact that the only composition on this album, which does not originate within the quartet, is a Frank ZappaFind albums by this artist piece, which gets here a breathtaking almost nineteen minutes long interpretation, is of course hardly surprising as Zappa was similarly way ahead of his time (at any time). The polyrhythmic layers and melodic complexity is still stunning today and the individual performances by all the quartet members are nothing short of amazing. Kriegel´s work is of course simply phenomenal.
Overall this is a masterpiece and an absolute must have for all Fusion heads anywhere on this planet. For people who are not familiar with the Dave Pike Set output this is a wonderful entry point and any serious Fusion album collection would not be complete without this album in it. Beyond essential!
| | Updated: 30/06/2018Posted: 30/06/2018 | CD 2 Digipak Essential Recommend To A Friend |
  | PINK FLOYD ~ A SAUCERFUL OF SECRETS
EMI 829751 ~ UK ~ Progressive Rock
2nd album from 1968. This is a transitional album marking several dramatic chenges for the band. The influence of Syd Barrett on the music is much less significant then on the debut album, as he was loosing his grip on the group (and apparently reality as well) and contributed only 1 song here. This leads to a change of style with the music moving away from psychedelia and into the ambient / electronic genre, which was to dominate several of their following releases.
| | | CD 1 Remastered Recommend To A Friend |
  | PINK FREUD ~ ALCHEMIA
UNIVERSAL 602517578845 (Barcode: 602517578845) ~ POLAND ~ Jazz
Recorded: 2006 Released: 2007
This is the 6th album by Polish ensemble Pink FreudFind albums by this artist, which managed to gain considerable popularity on the local scene, both with Jazz and non-Jazz listeners and critics alike. Formed in 1998 by bassist / composer Wojtek MazolewskiFind albums by this artist, the group changed its lineup several times over the years but succeeded to maintain its popularity and gradually achieved a cult following and a large fan base. Musically the group offers a unique amalgam of genres and musical directions, originating with Jazz and improvisation, but also encompassing elements of Punk Rock, dub, jungle, drum and bass and electronic music. In many respects it is a direct continuation of the Yass movement, which flourished in Poland in the 1990s, and could be referred to as post-Yass. Since Yass was initially intended as an expression of rebellion against the established Jazz canons, which many young musicians felt to be stagnant, post-Yass took the rebellion a bit further out, emphasizing the cross-genre trend, groove and even dance elements, which resulted in the music being much more widely accessible. As opposed to the intellectual image that Jazz is usually associated with, this music is intelligent fun music, with some Jazz associations, and should be treated as such, no more and no less. This album, which was recorded live at the legendary Jazz club "Alchemia" in Krakow, finds Pink Freud in an expanded quintet lineup, with trumpeter Tomasz ZietekFind albums by this artist and drummer Kuba StaruszkiewiczFind albums by this artist supported by saxophonist Tomasz DudaFind albums by this artist (who recorded with the group earlier) and brilliant young keyboardist Marcin MaseckiFind albums by this artist. Five of the six expanded tracks (all over 10 minutes long) on this album are originals by the band members and the remaining one is their interpretation of a Joe ZawinulFind albums by this artist tune. In many respects this album is a "back to the roots" experience for the band, which returns to extensive Jazz improvisation, which although always present at the root of their music, was often subdued on their previous albums. The special atmosphere and ambience of the club and above all the presence of Masecki transform the band into a full-fledged Jazz combo and a great one at that. The trumpet / saxophone front line enables the players to stretch out, supported comfortably by a full rhythm section, with Masecki supplying some breathtaking solo spots as well. The emotional and more importantly musical level of the band heard here surpasses everything they managed to achieve earlier, and is truly exquisite. True to their basic approach, the band emphasizes personal expression and spontaneity rather that elaborate skills or scholarly musical background. For listeners, who can appreciate such approach to music, this is quite an experience. But this music is important enough to be heard by any music connoisseur and definitely should be re-visited for in-depth listening experience. Great stuff!
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  | PINSKI ZOO ~ AFTER IMAGE
SLAM 266 (Barcode: 5028386026624) ~ UK ~ Jazz-Rock Fusion
Recorded: 2002 - 2005 Released: 2006
This album presents a collection of live material recorded over a span of four years (2002 to 2005) by the seminal British ensemble Pinski ZooFind albums by this artist, led by saxophonist / composer Jan KopinskiFind albums by this artist. This quintet lineup of the ensemble also includes keyboardist Steve IliffeFind albums by this artist, bassists Karl BinghamFind albums by this artist and Stefan KopinskiFind albums by this artist (Jan´s son) and drummer Steve HarrisFind albums by this artist (who sadly departed in 2008). The double CD presents fifteen original compositions by the band members, with total playing time of almost two hours and twenty minutes.
These rough, uncensored and unedited live recordings are a perfect vehicle to present the thrilling live experience of Pinski Zoo on stage. Mixing Funk, Groove, Fusion, Electronics and Free into a completely unique amalgam, the band is certainly on fire at the time this music was recorded, well into the third decade of their activity. With the distinct double bass guitar lineup they are a force of Nature, driving the music hard using a polyrhythmic Funk groove as the basis with the keyboards supplying layers of electronic ambient and the sax floating on top of this complex structure, improvising with a passionate intensity.
The two bass guitars are of course the most dominating aspect of this music, in full contrast to what is typically expected to be the role of the bass as part of the rhythm section. Both bassists supply the groove of course, but they constantly improvise and interplay with each other with infernal intensity, producing a mesmerizing effect. Another unusual aspect of this music is the fact that the melodic content, which often is subtly hidden beneath the surface, can be expressed not by the typical instruments to do so (saxophone or keyboards), but in this case also by the bass guitars.
Of course Jan Kopinski is one of the most interesting and original British saxophone players and his work here is also absolutely brilliant. Iliffe and Harris are also an essential part of the overall effect the group produces on stage, which has very few competitors as far as the drive and vitality are concerned.
It takes a while to "get into" this music, but once there it is completely absorbing and fascinating. I have no idea why it took me ten years to put my hands on this beauty, but better late than never is definitely very much true in this case. Something else, definitely!
| | Updated: 29/01/2016Posted: 29/01/2016 | CD 2 Recommend To A Friend |
  | VERNERI POHJOLA ~ AURORA
TEXICALI 094 (Barcode: 6417698090949) ~ FINLAND ~ Jazz
Recorded: 2008 Released: 2009
This is the debut album as a leader by Finnish Jazz trumpeter / composer Verneri PohjolaFind albums by this artist conceived and recorded over an extended period of time by several lineups, which feature many top Finnish Jazz musicians, including Verneri´s father bassist Pekka PohjolaFind albums by this artist brother trombonist Ilmari PohjolaFind albums by this artist, as well as legendary flautist Juhani AaltonenFind albums by this artist and a string quartet. The album presents eight tracks, seven of which are original compositions by Verneri and one is an arrangement of "Concierto de Aranjuez" by Joaquin RodrigoFind albums by this artist (which trumpeters seem to favor). The album was released following Pekka´s death and is dedicated to him.
The music is quite diverse and offers a wide range of moods and stylistic references, and accordingly also challenges for the trumpet performances. It encompasses Classical Music influences as well as Jazz in all its forms from deeply melodic and typically Nordic climates to free form vistas. Although the music does not focus on a specific concept, it consistently shows a coherent compositional ability and aesthetics, which is rate for musicians that young.
The performances are, as expected, stellar in every way. Verneri´s trumpet soars high and confident throughout the proceedings and the accompanying musicians create an ideal environment to support the often complex ideas. There are so many details and individual touches on this album that it requires several listening sessions to discover them all, with each and every one of those being highly deserving.
Overall this is an excellent debut outing, which was (in retrospect) a good omen of things to come. Finnish Jazz managed to sustain and develop its superb level of accomplishments for the last half a century, always being one of my favorites and proudly representing the European Jazz capabilities at their best. Although not new, this album surely deserves the effort of finding a copy and plunge into its music, as it is definitely timeless.
| | Updated: 22/01/2021Posted: 22/01/2021 | CD 1 Digipak Recommend To A Friend |
  | YEHUDA POLIKER ~ ASHES AND DUST (20TH ANNIVERSARY EXPANDED EDITION)
NMC (ISRAEL) 450362 (Barcode: 7290011998516) ~ ISRAEL ~ Classic Rock
Recorded: 1988 Released: 2008
3rd album by Israeli singer / songwriter / guitarist Yehuda PolikerFind albums by this artist, one of Israel´s most important and unique artists, which in time achieved the status of one of the most important musical projects recorded in this country. Poliker, whose parents were Holocaust survivors from the Greek town of Thessaloniki, presents here a deeply moving, troubled and often shocking document about one of the most significant social / psychological phenomena common in the Israeli society – the Second Generation Holocaust Syndrome (SGHS). Many thousands of Israelis, children of Holocaust survivors parents who immigrated to Israel from Europe after WW II (myself included), grew up in the shadow of the Holocaust, often completely unaware of their parent´s traumas and psychological devastation. Every child of Holocaust survivor parents bears in his personality a deep scar, inherited from his parents, even if this syndrome is hidden for many years. By the 1980s the SGHS was becoming painfully apparent in Israeli society and many of its victims were in need of psychological treatment to overcome its destructive effects. Poliker´s songs, which have lyrics written by another Holocaust Survivors child, Yaakov GiladFind albums by this artist, take this issue head on and for the first time ever right in the open and their impact on Israeli society was enormous, way beyond the musical statement this albums makes. Although Poliker started out as a rocker, playing great guitar, writing songs and leading the group BenzinFind albums by this artist in the early 1980s, he slowly returned to his Greek musical roots, the music he heard in his parents´ house, and from the mid-1980s on he incorporated them in every musical statement he made. A master bouzouki player, he was soon notified beyond Israel, especially in Greece of course, and some of Greece most revered musicians collaborated with him on many projects, including George DalarasFind albums by this artist. Poliker recorded several albums, which included his interpretations of Greek songs, which were immensely successful. The "Ashes And DustFind albums with this title" project started in 1986, when Poliker´s parents participated in a radio program, which was broadcasted during the Holocaust Memorial Day, where they talked about their experiences in Nazi Concentration Camps. Poliker wrote several songs, which served as the musical background for that program, and later on led to the recording of this album. Following the release of the album, a Holocaust documentary entitled "Because Of That WarFind albums with this title" was filmed, which used Poliker´s music as a soundtrack. The music, brilliantly crafted, is a mixture of Rock, ethnic elements (Greek and Middle Eastern) and ambient / psychedelic effects, which takes some time to get used to, but is quite overwhelming. Even for listeners, who do not understand the Hebrew lyrics, the powerful statement of sadness, loss, and confusion is clearly audible. Poliker´s guitar and other instruments he plays are often subdued, but there are many passages when his brilliant performances can be savored. This expanded edition includes the original album as well as an additional CD, which includes the 1986 Holocaust Memorial Day broadcast and several vide clips filmed to accompany songs from the album. Beautifully packaged, this well researched and tastefully prepared package pays the homage this musical milestone truly deserves.
Side Note: Yehuda Poliker´s parents´ house in Kiriat Haim, a quiet and sleepy (at the time) suburb of Haifa, was only two minutes walk away from my parents´ house, one of several new housing apartment buildings constructed to house the wave of immigrants which arrived in Israel at a steady flow since the establishment of the State of Israel. Our family immigrated to Israel from Poland in 1967 and this was out new home. I was 16 at the time and already a music addict, up to date with every development of the burgeoning Hippy Heaven, so naturally I was immediately on the lookout for kindred souls nearby. It didn´t take me long to find out that a kid a few houses away is a music lover and a guitar player and soon enough Yehuda, a few other music buffs and myself were spending hours together listening to music (which I supplied, being the only one with the latest arrivals like "Disraeli Gears" by Cream or other guitar heaven LPs like those by Jimmy Hendrix), often skipping school in the process. Yehuda was always quiet and contemplative, but he could immediately duplicate any guitar lick by Clapton or Hendrix, much to our amazement and of course envy. He did swallow up everything I knew about music then, and I kept of course encouraging him wholeheartedly when he started to make his first professional musical steps. Sadly our paths separated when he moved to Tel Aviv in order to pursue his career as a professional musician and in retrospect I´m sorry we never kept in touch over the years, but I always followed his career closely and admired him for his perseverance, independence and musical integrity. I remember seeing the number tattooed on his father´s forearm, same as it appeared on my father´s forearm, but we never discussed the Holocaust – it was something the young generation did not talk about. When this album was released, twenty years after we first met, I understood how deeply Yehuda was influenced by his parents´ past, same as me and so many others.
| | | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | MARIA POMIANOWSKA / MINGJIE YU ~ AMBER & SILK PROJECT: SUKA MEETS ZHENG
SOLITON 1323 (Barcode: 5903684233236) ~ POLAND ~ World Music & Folklore
Recorded: 2022 Released: 2023
This is an album by two representatives of seemingly remote cultural worlds: Polish multi-instrumentalist / composer / educator / scholar and de facto the Wonder Women of the Polish World Music scene Maria PomianowskaFind albums by this artist and Chinese musician / composer / educator Mingjie YuFind albums by this artist. The album presents eleven tracks, which include traditional Polish and Chinese melodies as well as four original compositions by Pomianowska.
Pomianowska plays on the instrument known as Bilgoraj suka, a vertically played fiddle (or knee fiddle), close in sound to violin, which was part of the Polish musical tradition for centuries and almost forgotten in time, and now thanks to her dedication, brought back to “active duty” with great success.
Yu plays the guzheng (or zheng), a traditional Chinese plucked zither, which is again a part of Chinese musical tradition since centuries and still played extensively these days in China.
The music these two talented Women create together is stunningly beautiful and the minimalism of just two instruments makes the music even more powerful and penetrating. The differences between the two cultures separated by a distance of thousands of kilometers and millennia of history, blend together completely seamlessly, proving yet again that music is the true human universal language, free of the barriers set by languages and communicating directly heart-to-heart.
Overall, this is a highly stimulating and aesthetically uplifting musical experience, which goes beyond the meeting of two musical Cultures, but manages to create a new musical identity, which is completely universal. Although I am familiar with many recordings made by Maria Pomianowska, all of which are exemplary, this one strikes me particularly as one of her most far-reaching explorations. My deep thanks to you Dear Ladies, for creating a cross-Cultural bridge of exquisite beauty!
| | Updated: 11/06/2023Posted: 11/06/2023 | CD 1 Digipak Recommend To A Friend |
  | JEAN-LUC PONTY ~ AURORA
WOUNDED BIRD 8163 (Barcode: 664140816329) ~ FRANCE ~ Jazz-Rock Fusion
Recorded: 1975 Released: 2006
The extraordinary talents of the French violinist Jean-Luc PontyFind albums by this artist stretch over a magnificent career, which started in the 1960s and continues to this very day. His impact on the role of violin in modern music (jazz & fusion) is unparalleled and his compositional skills are equally impressive. The most important aspect of his contribution to music is his ability to mix his European lyricism with American rhythmic patterns, creating a unique amalgam of contemporary sound. Since the late 1960s Ponty was active on the US scene as member of Frank ZappaFind albums by this artist’s Mothers Of InventionFind albums by this artist and then John McLaughlinFind albums by this artist’s Mahavishnu OrchestraFind albums by this artist, where he contributed to the creation of the definitive Jazz-Rock Fusion foundations. While still a member of Mahavishnu Orchestra (1975) Ponty formed his own group and started recording a long series of brilliant albums for the AtlanticFind albums on this label label, of which this is the 2nd. With the help of brilliant musicians like Partice RushenFind albums by this artist on keyboards and Tom FowlerFind albums by this artist on bass (ex-Zappa) Ponty managed to give birth to a perfect Fusion album, which is as relevant today as it was on the day of its creation. He wrote all the music, which includes some of the most memorable melodies the genre was blessed with. The performances are also perfect in every respect and all in all this is one of Fusion’s cornerstones and an absolute must.
| | | CD 1 Essential Recommend To A Friend |
  | POPOL VUH ~ AFFENSTUNDE / DIE NACHT DER SEELE (TANTRIC SONGS)
HIGH TIDE 9108 ~ GERMANY ~ Progressive Rock
German group Popol Vuh were one of the most important and interesting outfits to emerge from the Krautrock scene. Their interest was mainly into the modern electronic music and later they also incorporated world music elements into their creative output. They were the first German group to use the mellotron and their leader Florian Fricke was one of the most prominenet composer in the field of electronic music. This album combines two of their LPs - the debut album from 1970 (Affenstunde) and their 1979 album (Tantric Songs) - providing an excellent example of their ability to change and develop.
| | | CD 1 Recommend To A Friend |
  | PAULINA PORSZKE ENSEMBLE ~ ADDAPTACJA
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2020 Released: 2020
This is the debut album by young Polish Jazz keyboardist / vocalist / composer Paulina PorszkeFind albums by this artist recorded with a seven piece ensemble with second keyboardist Jan JareckiFind albums by this artist, saxophonists Aleksander KaminskiFind albums by this artist and Michal Jan CiesielskiFind albums by this artist, cellist Weronika KulpaFind albums by this artist, bassist Filip ArasimowiczFind albums by this artist and drummer Maksymilian KreftFind albums by this artist. Except for the two saxophonists and the bassist, the rest of the players have no previous recording experience as far as I know. The album presents five original compositions, one in two parts, all composed by Porszke.
From the very onset of the music it becomes immediately apparent that this is a completely original and idiosyncratic piece of music, unlike almost everything that the Polish Jazz scene produced in 2020. Although obviously Jazz oriented, the music is all over the place (in the best meaning of the aphorism), touching on contemporary Classical Music, Free Improvisation, solid melodic themes and at times heartbreaking expressionism and even Romanticism. Such diversity might be a sign of a lack of focus and coherency, but in this case the opposite is true, since although the music is based on cross-genre pollination, it has unifying determination and above all Artistic / aesthetic depth, rarely achievable by such young musicians as Porszke.
The complex and challenging music is spectacularly executed by the ensemble. Although there are many inspiring individual statements herein, it is the ensemble performance that is the true forte of this recording. The individual soli are usually short and concise, obviously purposely so, as the leader / composer wishes to present a specific collective ensemble sound and ambience rather than feature the individual statements. Porszke´s use of wordless vocalese deserves a special mention, and is another refreshing facet of the music.
It is great to see that some of the representatives of the new generation of European Jazz realize that Jazz music is no longer a simplistic couple of chords theme, 4/4 rhythmic structure and "let´s go" approach. Jazz is becoming more and more Artistic, sophisticated, expressive, intellectual, emotional and above all personal, similar to what one can hear on this album. This music is obviously deeply personal and Porszke uses it as a vehicle to express her innermost experiences, exactly as other true Artists do regardless of what Art Form they utilize to express themselves.
It is almost "frightening" to think that if this is Porszke´s debut album, what she will come up with next. Personally I can´t wait to hear it, but on second thought just take your time young Lady…I keep my fingers crossed!
| | Updated: 07/01/2021Posted: 07/01/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MICHEL PORTAL ~ ANY WAY
LABEL BLEU 6544 (Barcode: 3149025057877) ~ FRANCE ~ Jazz-World Fusion
Recorded: 1991 - 1992 Released: 1993
This is an album by legendary French bass clarinetist / saxophonist / composer / bandleader Michel PortalFind albums by this artist, recorded with a large gathering of international Jazz musicians, which includes French violinist Didier LockwoodFind albums by this artist, bassist Jean-Francois Jenny-ClarkFind albums by this artist, percussionist Mino CineluFind albums by this artist and guitarist Nguyen LeFind albums by this artist, British trumpeter Kenny WheelerFind albums by this artist, American keyboardist Gil GoldsteinFind albums by this artist and bassist Victor BaileyFind albums by this artist, Indian percussionist Trilok GurtuFind albums by this artist, Swiss drummer Daniel HumairFind albums by this artist and others. The album presents six lengthy tracks, five of which are original compositions by Portal and one is by Cinelu.
The music is based on beautiful composed themes, on which the participants improvise with obvious skill and imagination. There are strong World Music influences and excellent group improvisations. The leader plays mostly the bass clarinet, and his fame as one of the greatest virtuosi of that instrument is of course fully justified. The solo by Wheeler on the last racks is alone worth having this album in one’s collection.
There is an atmosphere of mutual respect and great fun, and the musicians are obviously jamming and enjoying themselves, which is felt in the resulting music, mixing the Jazz elements with Funk and Ethnic drumming, which is very effective.
Overall, this is a very unusual album, which creates an amalgam of European Jazz and Ethnic / World percussive elements, and offers some extraordinary improvised parts by some of the best musicians on this planet. A true joy!
| | Updated: 04/02/2025Posted: 04/02/2025 | CD 1 Recommend To A Friend |
  | FRANCISZEK POSPIESZALSKI ~ ACCUMULATED THOUGHTS
NOT ON LABEL ~ POLAND ~ Jazz
Recorded: 2018 Released: 2019
This is the second album by young Polish Jazz bassist / composer Franciszek PospieszalskiFind albums by this artist, this time recorded in a classic piano trio Jazz setting with pianist Franciszek RaczkowskiFind albums by this artist and Hungarian drummer Peter SomosFind albums by this artist. The album presents eight tracks, seven of which are original compositions by Pospieszalski and one is by the legendary British trumpeter / composer Kenny WheelerFind albums by this artist. The music was recorded at the now legendary Monochrom Studio and engineered by Ignacy GruszeckiFind albums by this artist, with the expected exceptional sound quality.
In complete contrast to his debut album, which was an explosion of youthful exploration and discovery flirting mostly with Free Jazz and a myriad of other influences, this album is completely focused on melodic modern Jazz, coherent compositions and superb instrumental work by the trio.
Pospieszalski emerges here as a gifted composer, who is able to weave interesting and multilayered themes, as well as a superb bassist, with refined technique and remarkable feel for the music. His work as a trio member and as a soloist is absolutely spotless and inspired.
Raczkowski, who is a relative newcomer on the Polish scene, made an impressive progress as a player since his own debut album recorded three years earlier, and his splendid performances on acoustic and electric piano are a true delight from start to finish. His progress is heartwarming and definitely paves his way towards the incredibly crowded Polish Jazz pianist clique.
Somos is an excellent drummer, which is mostly evident from the fact that he is rather felt that heard. His elegant sense of rhythm and subtle use of his instrument are remarkable.
Overall this is a wonderful piano trio Jazz album, up to date and vibrant, full of excellent music and brilliant playing, definitely one of the most exciting of the kind that came to my attention in quite a while. Congratulations are in order for the chameleonic transformation Pospieszalski went through and for putting this trio together and I can´t wait to hear the next album by these young lions. A breathe of fresh air!
| | Updated: 15/04/2019Posted: 15/04/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | POZNAN PO ~ ALBERTO GINASTERA-ESTANCIA/OLLANTAY/PANAMBI
LARGO 5122 ~ GERMANY ~ Classical
These three genuine Argentinean dances mark the beginning of an imposing series of compositions in which Alberto Ginastera came to terms with the culture and traditions of his native country. The colourful and suggestive strength of the works on this disc, inspired by scenes from Argentinean country life and early Inca poetry, demonstrates why Ginastera ia such a great composer.
| | | CD 1 Recommend To A Friend |
  | ALAN PRICE ~ A ROCK `N` ROLL NIGHT AT THE ROYAL COURT THEATRE
EDSEL 680 (Barcode: 740155168025) ~ UK ~ Classic Rock
Recorded: 1980 Released: 2001
Ex-AnimalsFind albums by this artist front man, singer Alan PriceFind albums by this artist established a successful solo career, first with his Alan Price SetFind albums by this artist and later as a soloist. Always faithful to music quality and ambitious projects, he has been one of my favorite British artists over the years. This album is rather atypical for his usual output, as it is recorded live and presents him paying homage to his early days on the music scene in the late 1950s / early 1960s when Rock And Roll was King. Supported by an excellent band Price performs many Rock And Roll classics and a few lesser known songs in his very special way. Perhaps not for everybody, but I always have a great time listening to anything he did, including this one.
| | Updated: 01/06/2018Posted: | CD 1 Recommend To A Friend |
  | PRIME CRIME ~ ANIMAL RITES
LIPSTICK 89043 ~ USA ~ Jazz-Rock Fusion
Prime Time is an ensemble comprised of US, South & Central American and European musicians playing what is commonly known as salsa jazz, a fusion of jazz elements with those pulsating salsa and funk rhythms. You just can`t listen to this music and stand still - your feet move as if moving on their own. The playing is excellent all over, with spicey solos and driving percussion pushing ever faster.
| | | CD 1 Recommend To A Friend |
  | PROCOL HARUM ~ A SALTY DOG
REPERTOIRE 4668 ~ UK ~ Classic Rock
3rd album from 1969. Still almost the same sound and more great songs. Remastered with bonus tracks.
| | | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | PROCOL HARUM ~ A SALTY DOG (DELUXE EXPANDED EDITION)
ESOTERIC 2503 (Barcode: 5013929460348) ~ UK ~ Classic Rock
Recorded: 1969 Released: 2015
This is a reissue of the third studio album by the seminal British Classic Rock group Procol HarumFind albums by this artist, one of the last active representatives of the great music wave that started over five decades ago. This album´s lineup includes, for the last time, all five founding members: vocalist / pianist Gary BrookerFind albums by this artist, Hammond organist Matthew FisherFind albums by this artist (who also produced the album), guitarist Robin TrowerFind albums by this artist, bassist David KnightsFind albums by this artist and drummer B. J. WilsonFind albums by this artist. The album presents ten songs, six composed by Brooker or co-composed by him with others, and two each composed by Fisher or Trower, all with lyrics by poet Keith ReidFind albums by this artist. For the first time three of the songs feature orchestral arrangements. This remastered and expanded edition adds a CD with twelve bonus tracks; A & B sides of a single, a studio outtake, live tracks recorded in the US and five tracks from BBC sessions, those being the only five tracks that are previously unreleased.
The musical direction of this album is slightly more diverse than the two previous albums, adding some Pop / Rock oriented material, although the double keyboards dominating sound is still in place and the bombastic Blues based, Gothic and Psychedelic soundscapes are present again, making it clear that this is Procol Harum at its best. In retrospect this album shows that the group was in a constant state of searching, as all great Artists are. This album was to be the last of the trilogy of the epic first three albums by the group recorded in the 1960s which started with the formative "A Whiter Shade Of Pale".
The album still sounds great after all those years, and is a refreshing experience for people who have not listened to it for a while. It seems that most of Rock had to say was more or less already articulated by the end of the 1960s. To the many fans of the group this is of course a must have item in their collections. An evergreen by all means and en essential Classic Rock / early Prog milestone!
| | Updated: 09/04/2022Posted: 31/01/2019 | CD 2 Digipak Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | PROCOL HARUM ~ A SALTY DOG (EXPANDED EDITION)
WESTSIDE 534 (Barcode: 614475035346) ~ UK ~ Progressive Rock
Recorded: 1969 Released: 1999
This is the 3rd album by British Art-Rock / Prog Giants Procol HarumFind albums by this artist, the first fully developed group that played highly sophisticated music based on riffs and motives borrowed from Classical music with Rock instrumentation and Psychedelic lyrics. The album is an absolute masterpiece, one of the greatest pieces of Rock music ever recorded and a landmark achievement of British music at its zenith. Essential!
| | | CD 1 Bonus Tracks Essential Recommend To A Friend |
  | PROCOL HARUM ~ A WHITER SHADE OF PALE
REPERTOIRE 4666 ~ UK ~ Classic Rock
1st album from 1967. This seminal recording gave birth to the entire Prog scene and includes the title song, which is still considered today by many as the best song ever written. Heavy organ, guitar with a lot of echo and mystic vocals create a unique sound never again matched. Remastered with bonus tracks.
| | | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | PROJETO B ~ ANDARILHO
NOT ON LABEL (Barcode: 7898254975662) ~ BRAZIL ~ Jazz
Recorded: 2002 - 2004 Released: 2004
1st album by the Brazilian Jazz ensemble Projeto BFind albums by this artist, an instrumental septet playing some of the most interesting and imaginative music ever recorded. Deeply rooted in both modern Jazz and modern Classical music, the music combines the two perfectly. All the musicians are superb instrumentalists and the tricky arrangements and complex compositions are performed with grace and elegance, as if they required little effort to execute. The band’s guitarist Yvo UrsiniFind albums by this artist and saxophonist Leonardo Muniz CorrêaFind albums by this artist composed all the music (except one track, which is based on a Charles IvesFind albums by this artist composition). The overall effect is absolutely stunning and overwhelmingly captivating, proving that music has still so much to offer when handled by true Artists. A must!
| | | CD 1 Recommend To A Friend |
  | ANDRZEJ PRZYBIELSKI ~ ABSTRACT
NOT TWO 761 ~ POLAND ~ Jazz
Recorded: 2003 Released: 2005
This is the first album recorded by Polish Avant-Garde Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist with the fantastic rhythm section of Oles BrothersFind albums by this artist: bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist, and a unique document of the genius of Przybielski at work. The sessions, completely spontaneous and unplanned, capture on the spot improvisations by the trio, based of sketchy melodies and somewhat chaotic instruction given to the two "youngsters" by the legendary player seconds before the music starts.
The relaxed atmosphere of this sessions and apparent good mood of the leader (the tape keeps running when he makes his little jokes) results in some of the best moments of Przybielski´s playing ever, full of energy, Godly inspiration and great talent. Unfortunately with Przybielski´s untimely death in February 2011, all we have lest are his rather scarce recordings, which should be cherished for generations to come.
It´s interesting to compare this recording with the posthumously released "De ProfundisFind albums with this title", recorded by the same trio, some seven years apart. Some of the music on both recordings originated in the same themes, but is completely different of course. This music is an absolute treasure in every respect and one can only hope that more people will discover this music, now saved for posterity. Absolute must to all Avant-Garde Jazz connoisseurs!
| | Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | ANDRZEJ PRZYBIELSKI / CUSTOM TRIO ~ ANDRZEJ PRZYBIELSKI & CUSTOM TRIO
POLONIA 273 ~ POLAND ~ Jazz
Recorded: 2001 Released: 2001
This is the second album by legendary Polish Jazz trumpeter Andrzej PrzybielskiFind albums by this artist with the Custom TrioFind albums by this artist, which consists of saxophonist Janusz SmykFind albums by this artist, bassist Marcin OlesFind albums by this artist and drummer Bartlomiej OlesFind albums by this artist (collectively known as Oles BrothersFind albums by this artist – Poland´s most respected Free Jazz rhythm section). The music was recorded live at a coffee house in Bydgoszcz, a town where Przybielski lived and which is an important center of Polish Free Jazz / Improvised Music activity. They perform seven original compositions, all composed by Przybielski except one co-composed with Tymon TymanskiFind albums by this artist, another legendary Polish Jazz figure and the pioneer of Yass. Sadly the sound quality is truly sub-standard, almost certainly captured on a portable cassette recorder, which hampers the otherwise sublime musical experience.
The music is of course simply magnificent, presenting the essence of Free Jazz at its absolute apex, performed with flair and complete dedication. Przybielski is at top form and his solos soar straight to heaven. The young and relatively little known Smyk also plays like there is no tomorrow, standing firmly shoulder to shoulder with the Maestro. The fabulous rhythm section drives the entire vehicle forward ceaselessly with outstanding energy and drive. In retrospect there are very few other Polish Jazz recordings of this kind, which can be considered similar in quality and importance.
Just a decade after this recording was made Przybielski died, neglected, lonely and forsaken. His talent was never recognized and appreciated during his lifetime, his complex personality and behavioral abnormalities estranged him from society and of course the establishment. Like so many great Artists the recognition, albeit marginal, was absolutely too little, too late. Therefore this album is another important piece of the limited legacy Przybielski left us to remember him by and of course an essential piece of Polish Jazz history.
| | Updated: 02/01/2017Posted: | CD 1 Recommend To A Friend |
  | MACIEK PYSZ ~ A JOURNEY
DOT TIME 9044 (Barcode: 604043904426) ~ POLAND ~ Jazz-World Fusion
Recorded: 2014 Released: 2015
This is the second album by Polish (resident in London) guitarist / composer Maciek PyszFind albums by this artist, recorded in a quartet setting with celebrated Italian bandoneónist / pianist Daniele di BonavenuraFind albums by this artist, Russian bassist Yuri GoloubevFind albums by this artist and Israeli drummer Asaf SirkisFind albums by this artist (also resident in London). The album presents twelve compositions, ten of which are originals by Pysz, one is an original co-composed with Italian guitarist Gianluca CoronaFind albums by this artist and one is composed by Ralph TownerFind albums by this artist. The music was recorded at the wonderful Artesuono Studio in Italy and engineered by Stefano AmerioFind albums by this artist with spectacular sound quality.
Pysz continues the path already established on his debut album, which presents him as a superb composer and a virtuoso guitar player, which in spite of his young age (born 1982) propels him directly to the very top of contemporary Jazz-World Fusion musicians. The beauty and depth of the compositions presented on this album as well as their extraordinary execution are simply marvelous.
The music, although obviously deeply personal, is at the same time completely universal, crossing melodic and rhythmic boundaries with ease and amalgamating the absolute best of the diverse Musical cultures from all over the world. Pysz has an ability to weave exquisite melodies, which in spite their sweetness manage to avoid completely even the slightest suspicion of cliché and kitsch. This is a very rare gift and he uses it exceptionally well.
The three musicians that accompany Pysz on his journey are all top professionals: di Bonavenura provides the perfect harmonic and melodic counterpart to the guitar parts and his melancholy and delicate lyricism are simply ideally suited to this music, Goloubev is one of the most sophisticated bassists in Europe, his sound is absolutely unique and his emotional intelligence is incomparable, and finally Sirkis, who grew "under my wings" at the early stages of his career, turned into one of the Master drummers of our times, playing very subtly on this album, but his sole solo spot here is such a classic of the trade that it should be studied by all drummers.
There is no doubt that this is an amazing album, full of musical beauty, aesthetic pleasure and extraordinary musicianship, an album that has only a very few equals among the numerous other albums released on a world scale. Blessed by the talent and the friendship of his fellow musicians Pysz gives the world a brilliant gift of music, which should leave not a soul untouched. Essential listening for Body and Soul!
| | | CD 1 Digipak Recommend To A Friend |
  | QB ~ AL-HUDNA
FA MUSIC ~ ISRAEL ~ Electronic & Ambient
QB - Al-Hudna is a project by Yuval K.dar , an Israeli composer, producer, keyboardist and DJ, and Dganit Daddo, a multi-talented Israeli singer. It brings a vision of a different Middle East, one where Arabs and Jews will live in peace and harmony. Utilising charmed ethnic vocals from Dganit Daddo, the album wreathes rich textures, grooves & beats, to make a momentous, unique cultural document which is also an ethical statement. QB`s take on electronic music is unique in its sophisticated musicality, incorporating moments of rare,
fragile beauty into a solid electro aesthetic.
| | | CD 1 Recommend To A Friend |
  | QUEEN ~ A DAY AT THE RACES
EMI JAPAN 67345 ~ UK ~ Classic Rock
5th album from 1976. As the title suggests, this was in many ways a companion album to its masteful predecessor. As much as they struggled to acheive the same level of brilliance, they never managed to match it, but addmitedly they did manage to come damn close. It is a brilliant album in every respect and a timeless masterpiece.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ A NIGHT AT THE OPERA
EMI JAPAN 67344 ~ UK ~ Classic Rock
4th album from 1975. Considered not only Queen`s absolute classic masterpiece, but also as one of the best Rock albums ever. It includes the track `Bohemian Rhapsody`, which was to become their anthem, and a great collection of songs, all perfectly executed and crafted. Full of humor, satire and even sheer absurdities, the group broke all boundaries and conventions on this one.
Limited Edition
| | | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | QUIDAM ~ ALONE TOGETHER
ROCK SERWIS 068 (Barcode: 5907729906826) ~ POLAND ~ Progressive Rock
Recorded: 2007 Released: 2007
7th album by Polish Prog group QuidamFind albums by this artist and 3rd by the second version of the group with their new lead singer Bartek KossowiczFind albums by this artist. It is certain that this is truly the first “proper” album of this version of the band, as they have been searching for a direction for quite a while and although the two previous albums have been more that adequate, this one overshadows them completely. They did finally find their balance, coming back to the beautiful melodies and superb instrumental passages that made the group famous to start with. Bartek is an excellent vocalist and the new material suits his voice perfectly, as he’s much better with the lyrical side of music than the rockier one. The music and performances are brilliant and it’s so good to see them again at their peak, taking back the position at the very top of contemporary Prog, which sadly suffers from stagnation. I’d still prefer if the lyrics were in Polish, but I suppose a band of their caliber just has to go internationally with lyrics in English. At least the lyrics make sense as opposed to the usual blabbering one finds so often on Prog releases. Definitely a major piece of work and a full swing return to good old times – truly great album. A must to every Prog fan!
| | | CD 1 Slipcase Recommend To A Friend |
  | QUIDAM ~ ANGELS` DREAMS
MUSEA 4256 ~ POLAND ~ Progressive Rock
Recorded: 1998
2nd album by the superb Polish Prog band QuidamFind albums by this artist. The angelic voice of Emila DerkowskaFind albums by this artist in the lead and some great instrumental performances by all the players in the band create together one of the freshest and most uplifting performances in recent years. On this album the vocals are in English. A parallel album with Polish vocals was also released.
| | | CD 1 Recommend To A Friend |
  | PIOTR RACHON QUARTET ~ AMAZONIA
V 020 ~ POLAND ~ Jazz
Recorded: 2020 Released: 2021
This is the debut album by Polish Jazz pianist / composer Piotr RachonFind albums by this artist, recorded in a quartet setting with guitarist and electronics manipulator Vojto MonteurFind albums by this artist (of EABSFind albums by this artist fame), bassist Jakub OlejnikFind albums by this artist and drummer Pawel NienadowskiFind albums by this artist. The album presents six lengthy tracks, all about ten minutes in duration, all composed by the leader, one based on a classical piece and two based on traditional Mongolian melodies.
The music floats somewhere between modern Jazz and Fusion, depending how much guitar and electronics are involved at a given moment. The piano parts are definitely more Jazz associated, whereas the guitar has a distinct Fusion sound and feel. But the collective result is quite interesting and lively, although the entire album somewhat lacks a clear musical focus, perhaps searching for a direction, hopefully to be better nailed on the next recording.
Another problem (at least for me) is the strange muffled sound of the recording with a bizarre balance, which places the bass right up in the mix. Olejnik’s bass playing is absolutely fine on the album, but he is dominating the entire proceeding, simply being up front at all time. I suppose the mix is intentional and a matter of taste, but it is certainly disturbing for me.
But with all these minor glitches aside, this is still a very interesting piece of music, which can be enjoyable to a wide audience and certainly holds the attention of the listener for the entire duration. Both Rachon and Monteur play excellent solo parts and the rhythm section is up to par with the challenges, with Olejnik’s superb bass pulsations pushing the music steadily forward.
Overall, this is an interesting debut effort for the leader and the quartet as a whole, with interesting compositions, excellent performances and an unusual sound, which is certainly a matter of acquired taste. Well done!
| | Updated: 21/04/2024Posted: 19/04/2024 | CD 1 Digipak Recommend To A Friend |
  | FRANCISZEK RACZKOWSKI TRIO ~ APPRENTICE
FOR TUNE 0066 (Barcode: 5902768701722) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015
This is the debut album by Polish Jazz pianist / composer Franciszek RaczkowskiFind albums by this artist, recorded in a classic piano trio setting with bassist Pawel WszolekFind albums by this artist and drummer Piotr BudniakFind albums by this artist. It presents seven original compositions, all by Raczkowski.
As the title suggests, Raczkowski is still at the very early stage of his career and is searching for his personal language, both as a player and a composer. His music is floating somewhere between mainstream Jazz and more ambitious explorations of the melodic and harmonic spheres, quite diverse and obviously still uncertain as to the final outcome. As a result the album is somewhat uneven, with some of the pieces being very interesting and others significantly less so. Although the music sounds very melodic, there are but a few clear melodic themes to which the listener can cling to or follow. The rest sounds just as fragmented statements, hold together by the framework of a tune, but not really making sense musically.
The music is very well performed, although Raczkowski does not display a wide dynamic range in his performances, which is splendidly picked up by the rhythm section, which does a wonderful job here. Wszolek keeps the tunes together bravely, even when the music seems to disintegrate, and Budniak keeps it alive with his delicate but masterly strokes.
After repeated listening to this album I could not honestly make up my mind if it presents a pianist / composer of great hope, as some of the statements I read about it claim. The comparisons to Keith JarrettFind albums by this artist are pretty far fetched and might prove more damaging than constructive. I´ll have to wait patiently for the next album to see if Raczkowski is the "next" big thing on the Polish scene. In the meantime this album surely deserves to be listened to and as a debut it is altogether quite nice.
| | | CD 1 Recommend To A Friend |
  | RAIZ DE PEDRA ~ AO VIVO
GENS 008 ~ BRAZIL ~ Progressive Rock
Recorded: 1987 Released: 1999
2nd album, recorded live, by one of the most interesting South American groups - the instrumental quintet Raiz De PedraFind albums by this artist from Brazil. Although often referred to as a jazz group, they play a completely original type of music, with a lot of jazzy influences but very far from conventional jazz. In fact they are much closer to RIO groups, like Univers ZeroFind albums by this artist, than to any mainstream jazz. Fronted by the excellent reeds and flute player Márcio TubinoFind albums by this artist, they play their “far out” music with ease and elegance. The compositions are very unconventional, with offbeat rhythms and tempos. The guitar and keyboards (when not soloing) often support the saxophone by creating layers of electronic sounds and the rhythm section (strengthened by a guest percussionist) provides a polyrhythmic drive. In short this is one of those uncanny albums that make your ears stand up when you hear it for the first time and tempt you to return to it time after time to really get it all. Warmly recommended.
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  | RARE BIRD ~ AS YOUR MIND FLIES BY
ESOTERIC 2002 (Barcode: 5013929710221) ~ UK ~ Progressive Rock
Recorded: 1970 Released: 2007
2nd album by excellent British Prog band Rare BirdFind albums by this artist, one of the most unusual and original outfits on the burgeoning scene of the late 1960s / early 1970s. Fronted by two keyboards players Graham FieldsFind albums by this artist (organ) and David KaffinettiFind albums by this artist (electric piano) the group also included bassist / vocalist Steve GouldFind albums by this artist and drummer Mark AshtonFind albums by this artist. Purposely avoiding the sound of guitar, they created a wonderful balance between the two keyboards, exchanging licks and complimenting each other virtuously. Their material was also excellent, often with quirky rhythmic background but not eschewing beautiful ballads. With the second album the band faced the incredible challenge to repeat and perhaps improve the amazing achievement of their debut and they passed the test with flying colors. Completely disregarding any commercial influences, they moved even deeper into Prog and included on the album a lengthy song cycle called "Flight", which occupied the entire B side of the original LP. The music is absolutely stunning and consists of some of the most intriguing stuff recorded at the time. This is a true gem and an essential piece of music, which lost absolutely nothing of its initial impact.
| | | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | YONI RECHTER ~ ANOTHER STORY
HED ARZI 64289 (Barcode: 7293372428999) ~ ISRAEL ~ Progressive Rock
Recorded: 2001 - 2002 Released: 2002
Yoni Rechter is Israel’s most important songwriter and his albums are all milestones of the local music scene. Although his career as a composer stretches back to the 1970’s, he released only a handful of albums and therefore every time a new album by him is released his many admirers (myself included) are overjoyed. This album marks another giant step for Rechter, as it is his most serious and complex work to date. Rechter’s passion for jazz is evident since his early days, but here he adds to his jazz influences the other great love of his – classical music. The album includes a series of songs, which are presented as a cycle, divided into three chapters. Although not declared formally as a concept album, it can be seen as such. The opening and closing chapters are strongly jazz influenced and the central and longest second suite like chapter is strongly related to classical / choral music, where the composer uses a choir and a large instrumental ensemble for the first time, with long choral and instrumental passages. This chapter is much more complex and requires contemplation and repetitive listening in order to be fully appreciated. The entire album is beautifully recorded and produced and easily ranks among the best Israeli releases ever. All I can do is wholeheartedly recommend it, the rest is of course up to you.
| | | CD 1 Recommend To A Friend |
  | RENAISSANCE ~ A SONG FOR ALL SEASONS
WOUNDED BIRD 6049 ~ UK ~ Progressive Rock
9th album from 1978. Although received badly by the critics, this album is still quite good in every respect - wonderful compositions (including the great `Day of the Dreamer` and the album epic title song), Hasslam in superb form as usual and the musicians play their hearts out. Perhaps this was slightly more commercially oriented then the earlier material, but Renaissance were such professionals that they just could not produce a bad album.
| | | CD 1 Recommend To A Friend |
  | RENAISSANCE ~ ASHES ARE BURNING
REPERTOIRE 4575 ~ UK ~ Progressive Rock
4th album from 1973, with richly orchestral works and stunning vocals by Annie. On this album the band really defined their ultimate sound and style, which will continue for several years, producing one masterpiece after another. The acoustic piano sound, developed on the early albums as the main orchestration, is replaced here by the orchestra with strings and what have you. It`s an unmissable musical experience and an essential Prog masterpiece.
| | | CD 1 Essential Recommend To A Friend |
  | RENAISSANCE ~ AZURE D`OR
WOUNDED BIRD 6068 ~ UK ~ Progressive Rock
10th album from 1979. This one truly is the last great Renaissance album, so good in fact that it compares well even with their best material. The songs are shorter and more structured, lacking the long indtrumental passages of the earlier albums, but the level of songwriting is superb and Annie Haslam delivers some of her greatest performances. After this one they released just 2 weaker album in the early 80`s and disappeared for almost 12 years before re-uniting again.
| | | CD 1 Recommend To A Friend |
  | RGG ~ AURA
OKEH 888750176028 (Barcode: 888750176028) ~ POLAND ~ Jazz
Recorded: 2014 Released: 2015
It is the seventh album by the fabulous Polish Jazz piano trio RGGFind albums by this artist and their second release following the dramatic replacement of their piano player, when the young pianist Lukasz OjdanaFind albums by this artist joined the ranks of the founding members: bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. The album presents fourteen pieces, five of which were composed by Ojdana and three by Garbowski. The remaining six pieces are various Jazz, Pop and World Music compositions originating from external sources. The album was recorded again at the excellent Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with spectacular sonic results.
The music of RGG has been, since the very first recording, always in a state of continuous metamorphosis, perhaps more vital and noticeable than similar processes taking place in the works of other Polish Jazz ensembles. This album is no different and marks some giant steps towards creating a new Jazz aesthetic, which combines the tradition with modernism, freedom of expression and above all openness. The crucial factor is the decision to expand the scope of the music beyond the self composed material by the trio members, as well as present a larger number of relatively concise pieces, enabling a much wider scope of musical influences, stylistic variety and diversity.
Of course the trio´s ability to perform these pieces in such an exquisite way is their primary achievement. The level of mutual support, respect and common bonding present between these three musicians is almost unprecedented. Reinforced by their individual talents, good taste and aesthetic vision, the overall power of expression demonstrated by the trio is simply overwhelming. With the international release of this album RGG have a chance to demonstrate that they are not only the best Polish Jazz piano trio, but also that they have but a few competitors elsewhere.
The most astonishing effect of this music is the fact, that although large parts of it are quite difficult for an average listener, the trio manages to make the music sound inviting and even embracing. This of course means that music does not have to lower its aesthetic or intellectual level and be brutally whored in order to be accessible. This rare ability to remain uncompromisingly aloft musically and yet widely appreciated is precious.
There is no doubt that this album immediately deserves the "classic" status, being placed on the pedestal of Polish Jazz recorded achievements. That means that it will sound as good as it does now for decades to come, which just a few albums are able to do, challenged by the passing of time. My wholehearted thanks to you, Gentlemen.
Side Note: I am happy to have a tiny personal input in this album´s release. My enthusiastic reviews of the trio´s recorded output were part of the decision making process resulting in signing a contract with a major label and than I helped a bit to untangle some copyright complications, which postponed the release date for a while. All done for a good cause!
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  | HOWARD RILEY ~ ANGLE / THE DAY WILL COME
HUX 141 (Barcode: 682970001418) ~ UK ~ Jazz
Recorded: 1968 - 1970 Released: 2014
This is a reissue of the second and third albums by British Jazz pianist / composer Howard RileyFind albums by this artist, both recorded in a trio format with bassist Barry GuyFind albums by this artist and drummer Alan JacksonFind albums by this artist. Saxophonist / flautist Barbara ThompsonFind albums by this artist plays on one track of the debut album, which presents eight original compositions, all by Riley. The second album presents twelve original compositions, six each by Riley and Guy. These two albums were originally released in 1969 and 1970 respectively, by CBSFind albums on this label (the European branch of ColumbiaFind albums on this label). This reissue is in fact a reissue of the 1999 remastered editions of these two albums, which disappeared from the market immediately following their release.
Together with these two albums, CBS, initially under the Realm Jazz moniker and later just as CBS, released also several albums by other British Jazz musicians such as the first two albums by drummer / composer Tony OxleyFind albums by this artist, the first three albums by guitarist Ray RussellFind albums by this artist and debut albums by vibraphonist Frank RicottiFind albums by this artist and saxophonist Elton DeanFind albums by this artist, as well as albums by groups like Rock WorkshopFind albums by this artist, Soft MachineFind albums by this artist and others. All these are exceptional examples of completely non commercial / highly artistic music released by a Major record label, a phenomenon which reflected the spirit of that particular era and lasted for a very brief period of time, sadly never to be repeated again
By the time this music was recorded, i.e. by the late 1960s, British Jazz underwent a dramatic transformation, a quantum leap no less, from imitation to innovation. After copying the American Jazz tradition for decades, the post WWII generation rebelled and rapidly found its own methods of expression, embracing such diverse influences as contemporary European Classical music, World-Music and Rock and amalgamating them into a new identity, which would become first modern British Jazz and soon after copied all over Europe, including even the countries behind the Iron Curtain, modern European Jazz. In the aftermath of these remarkable events British Jazz scene was encompassing a diverse rage of stylistic alternatives, from Jazz-Rock and Jazz-World Fusions, via modern mainstream to a whole range of alternative / Avant-Garde experimentation including Free Jazz and Improvised Music.
It takes just a brief moment into the first album to realize that Riley belongs to the Avant-Garde oriented group of British musicians, who value freedom of expression and individuality more than convention and acceptance. Even on these two early albums he is already well advanced in his experimentation, keeping melody only as an entry point to his music, which is entirely based on the dialogue (or in this case trialogue) and collective improvisation, rather than on following the chord progressions of standards and keeping regular time signatures. Guy, who was just over twenty years old when this music was recorded, proves to be an ideal partner, a born adventurer and complete nonconformist. His bass playing on these two albums is an encyclopedic textbook of improvised music moves for fellow bassists, developed completely spontaneously and subconsciously. But it is Jackson, who is the biggest surprise on these albums, considering his almost entirely conventional background before these sessions as one of Britain´s most sought after modern mainstream drummers. His wonderful integration with Riley and Guy here is simply sensational and a superb proof of his open-mindedness and musicality.
In the years that followed these sessions Riley would record many more wonderful albums in many different settings, but these two albums would always symbolize his individuality and prophetic vision. The early signs of his exceptional abilities, which were about to push the boundaries of music and contribute to its development, influencing generations of players, are clearly evident herein, turning these albums into instant classics.
The most startling realization one is faced with, while listening to these two albums, is the fact that not only the music did not age or lost any of its relevance, but it still is right there on the forefront of the musical Art Form, exactly where it was almost fifty years ago. These iconic recordings have earned their position in the Pantheon of British Jazz right from the moment they were recorded, and their unavailability during most of the time that passed since was a crime against culture, somewhat repented by this current reissue.
| | Updated: 12/04/2019Posted: | CD 2 Remastered Essential Recommend To A Friend |
  | RITUAL ART ORCHESTRA ~ ATMOSPHERE
RG 103 ~ POLAND ~ Jazz-World Fusion
Recorded: 2015 - 2017 Released: 2018
This is the debut album by the Polish ensemble Ritual Art OrchestraFind albums by this artist (a.k.a. R-A-OFind albums by this artist), which already released an album under an earlier moniker (Ritual Duo). The current lineup of the ensemble consists of American violinist / composer Steve KindlerFind albums by this artist and Polish multi-instrumentalist / composer Boguslaw RaatzFind albums by this artist and percussionist Daniel MackiewiczFind albums by this artist. The album presents nine original compositions, five by Kindler and four by Raatz.
The music is an interesting amalgam of Ethnic / World Music elements, Electronic / Ambient influences and Jazzy improvisations. Although performed by just three musicians, it is heavily overdubbed and often reaches orchestral proportions. The Ethnic influences originate from many different Cultures, like Middle Eastern and Far Eastern, Balinese, African and others, which makes the music diverse and avoids the repetition and sameness that many projects of this kind suffer from.
All three members of the ensemble display their individual talents, which although are quite dissimilar, work very well together. Kindler uses a 9 string violin, which has a very unique sound. Raatz plays guitars and a plethora of ethnic instruments like oud and sitar, each contributing a unique layer to the overall sound tapestry. Mackiewicz adds the rhythmic layer, again using several different instruments, which also enriches the overall sound. The music is very well recorded and the album offers excellent sound quality.
Overall this is a musical journey around the world, which Jazz-World Fusion enthusiasts should find quite interesting and entertaining. It offers many improvised passages and subtle melodies, with a certain New Age flavor, which characterized recordings of this kind in the 1990s. It is definitely worth listening to by people who like this kind of music already, but also an opportunity for others to discover this idiom.
| | Updated: 26/06/2018Posted: 26/06/2018 | CD 1 Digipak Recommend To A Friend |
  | RIVERSIDE ~ ANNO DOMINI HIGH DEFINITION (SPECIAL EDITION)
INSIDEOUT 313 (Barcode: 5052205043806) ~ POLAND ~ Progressive Rock
Recorded: 2009 Released: 2009
5th album (and their 4th studio effort) by the brilliant Polish Prog band RiversideFind albums by this artist, which consist of lead singer / bassist Mariusz DudaFind albums by this artist, guitarist Piotr GrudzinskiFind albums by this artist, keyboardist Michal LapajFind albums by this artist and drummer Piotr KozieradzkiFind albums by this artist. The album marks several new bold steps the band is taking in the process of its continuous development: longer tracks (two are over 10 minutes), the use of brass arrangements and one track being a three-part mini-suite. The sound is a bit harsher and metallic, but only at some points, as the album displays overall a great diversity and keeps changing moods and tempi rapidly. It is truly heartwarming to see this band grow and change with each release, eschewing stagnation and not fearing experimentation. Although some fans of the band received this album coldly, I´m pretty sure that in the long run they will discover its hidden beauty. After all there are truly just a few contemporary Prog bands, which can be put in the same league as Riverside. This edition of the album is expanded with a DVD of a live concert in Amsterdam, filmed a year earlier, which is also superb. It´s no wonder that Riverside is considered by many as the best Prog group of the first decade of the 21st Century – anybody listening to this music will simply have to agree.
| | Updated: 16/05/2023Posted: | CD+DVD 2 Recommend To A Friend |
  | ROXA ~ ALEJA MARZEN
GAD 076 (Barcode: 5903068120015) ~ POLAND ~ Pop & Rock
Recorded: 1984 - 1986 Released: 2018
This is a reissue of the only album recorded by the Polish Pop group RoxaFind albums by this artist, originally released only on cassette. This remastered and expanded edition adds six bonus tracks, three previously unreleased.
Although the music is in many respects quite typical 1980s Pop, soaked in synthesizer sounds, the level of songwriting and playing of Roxa was much better that other groups of the period. Obviously influenced by PoliceFind albums by this artist, the group sadly functioned for a relatively short period of time and is primarily remembered for their one hit song "A Ona Tanczy", but their one-hit wonder status doesn´t do them justice, as many of their other songs were equally good.
Since many of the people who listened to this music as teenagers are Grandparents by now, this is a great trip down the memory lane. Nostalgia heaven ;)
| | Updated: 23/01/2022Posted: 09/08/2018 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | HAROLD RUBIN ~ A MONO MUSICAL SUITE FOR THREE MANIC MUSICIANS
NOT ON LABEL ~ ISRAEL ~ Jazz
Recorded: 2005 Released: 2008
Clarinetist / composer Harold RubinFind albums by this artist is one of the very few champions of improvised music in Israel. His work in the field of Free Jazz in the last two decades created an entire new universe of music. If not for the fact that he resides in Israel, he would surely be one of the world’s most revered musicians with many followers, but alas only very few (but fortunate) people know him and his music. I feel deeply honored and privileged to be his friend and his producer and I will never get tired of his wonderful music nor will I stop singing his praises. This album is a typical Rubin recording – if “typical” ever applies to him or his music – a four hour session with him and two young Israeli musicians: Maya DunietzFind albums by this artist (piano) and Yoni SilverFind albums by this artist (bass clarinet), for which Harold arrived armed with a set of basic “musical motives” and told the musicians to go “wild” and flow with him. The result is, as usual, stunning, with telepathic interplay and imaginative group improvisation presiding. Improvised music is never an easy listening experience, but one has to be deaf not to appreciate the beauty and depth of this music. With the clarinet and bass clarinet complimenting each other sonically and the piano creating layers of harmonic textures, cementing the musical unity, this is a unique musical experience, which must be listened to with attention and openness, sure to impress any sensitive listener. I only wish more people would listen and get hooked, as this is way to good to be anonymous. Brilliant!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | HAROLD RUBIN TRIO ~ AIR KISS SUITE
OUTNOW 034 (Barcode: 7132893701528) ~ ISRAEL ~ Free Jazz / Improvised Music
Recorded: 2018 Released: 2018
This is a live album by Israeli Jazz clarinetist / composer / bandleader Harold RubinFind albums by this artist and my dear Friend, whose albums I released for many years on my JazzisFind albums on this label Records label. This impromptu recording, captured in Harold’s living room in his Jaffa apartment, was one of his last recordings before his lamented death in 2020. The music was recorded by a trio, which includes also two young Israeli improvisers: pianist Illay SabagFind albums by this artist and bassist Asaf ShchoriFind albums by this artist. The album presents four tracks, all parts of the suite which gives the album its title. All three musicians are co-credited as composers.
The music is completely improvised, as appropriate for Rubin’s modus operandi in his late period, when he completely abandoned pre-conceived / composed music in favor of spur of the moment improvisation. And yet his music always included a “melodic” substance, which was embedded in his subconscious performing mechanisms. Despite his advanced age and poor health, his playing is absolutely vibrant and creative, with the two young musicians following his lead to the best of their abilities. Harold’s genius is still intact and this album proves that he was the greatest improviser of all time on the Israeli scene.
Writing about this music seems to me as futile as writing about emotions, since the message received by the listener is in this case so absolutely personal and indescribable as they come. I have listened to Harold’s music for decades, and still every time I hear it the experience is new and as exciting as it was at the first time. I can only hope this incredible feeling can be shared by others.
Overall, this is another document of Improvised Music at its absolute best, at its pure core so to speak, which should really grab all fans of this music deeply. Harold’s music remains, sadly almost completely unknown to the music lovers worldwide, in it probably will stay this way, but here is one more chance to get exposed to his Genius!
| | Updated: 19/04/2024Posted: 19/04/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TOMS RUDZINSKIS ~ ABYSS
NOT ON LABEL (Barcode: 198026345301) ~ LATVIA ~ Jazz
Recorded: 2019 - 2021 Released: 2023
This is an album by Latvian saxophonist / composer Toms RudzinskisFind albums by this artist, recorded in a sextet setting, which includes young European Jazz musicians, all resident in Berlin: Ukrainian guitarist Igor OsypovFind albums by this artist, Swedish keyboardist Povel WidestrandFind albums by this artist, German bass guitarist Tom BerkmannFind albums by this artist and drummer Fabian RoschFind albums by this artist and Danish vocalist Mette Nadja HansenFind albums by this artist. The album presents thirteen tracks, all composed by the leader.
The music is beautifully melodic modern Jazz, with a slight Fusiony sound due to the electric keyboards / guitar / bass sound, but does not cross over to the repetitious Fusion doodling, which really saves the day. The music is coherent and offers a captivating continuity, which offers the listener a pleasant and diverse sonic journey.
Rudzinskis is an excellent saxophone player and his soloing dominates the proceedings, but all the rest of the crew also offer splendid contributions. The vocalese by Hansen adds a nice sonic enhancement to the proceedings, but she also sings lyrics splendidly. I am aware of the earlier recordings by Osypov as a leader, and his work herein is way more mature and impressive, showing considerable progress.
Overall, this is a pleasant and interesting album, which should be enjoyed by Jazz and Fusion listeners alike, a nice document of the thriving young Berlin scene, which draws many European Jazz musicians to settle there, at least for a while. It is fresh and full of interesting musical ideas, and as such warmly recommended.
| | Updated: 17/08/2024Posted: 17/08/2024 | CD 1 Digipak Recommend To A Friend |
  | JOHN RUOCCO ~ AM I ASKING TOO MUCH?
PIROUET 3029 (Barcode: 4260041180291) ~ USA ~ Jazz
Recorded: 2006 Released: 2008
This is a beautiful and criminally obscure album by American (resident in Netherlands) clarinetists / composer John RuoccoFind albums by this artist recorded in a trio setting with British pianist John TaylorFind albums by this artist and Italian (resident in France) bassist Riccardo Del FraFind albums by this artist. The album presents six original compositions, all by Ruocco and offers excellent sound quality.
The music is beautifully melodic modern mainstream Jazz, masterly put together and although seemingly delicate and fragile, offers depth and sophistication, especially when the music moves into open form improvisation. The intimate trio setting and acoustic sound enables the listener to clearly hear all the nuances and intricacies crested by the players during their collective performances.
The trio lineup is ideal for the music at hand; both Taylor and Del Fran are exquisite performers, known for their ability to adapt to any musical environment and create telepathic conversations with the other players. Although most of the soloing is performed by Ruocco, the album offers plenty of opportunities to hear sublime piano soloing in addition to Taylor´s playing behind the clarinet, as usual in perfect harmony and with great taste. Del Fra is beautifully melodic and mellow, exactly with accordance to what the mood dictates, but his pulsations are perfectly timed and serve as the rhythmic timeline, especially important in this drumless environment.
Overall the album offers refined European Jazz aesthetics and an unpretentious, but powerful statement of "less is more", which holds the listener captive for the duration and leaves him lingering for more when the music is over.
Ruocco´s recorded legacy is relatively limited and this album is definitely a gem worth investigating. Taylor´s many connoisseurs, most of which are probably not aware of this album´s existence, should find this an essential piece in their collection. Wholeheartedly recommended!
| | Updated: 06/10/2020Posted: 06/10/2020 | CD 1 Digipak Recommend To A Friend |
  | KRZYSZTOF SADOWSKI ~ AND HIS HAMMOND ORGAN (POLISH JAZZ VOL.21)
MUZA 1021 ~ POLAND ~ Jazz
Recorded: 1970 Released: 2006
This is the first album on the legendary Polish Jazz series, which is dedicated to the Hammond organ, the godfather of the electronic keyboards and probably the most significant new instrument, which dominated Jazz and Progressive Rock in the late 1960s and early 1970s (although available since the 1930s). Keyboardist Krzysztof SadowskiFind albums by this artist belongs to the first post WWII generation of Polish Jazz musicians, debuting in the 1950s and active on the local scene for many years. He combined his love of Jazz and Rock, playing with the leading ensembles of both genres with equal dedication and success. This album presents his Hammond organ performances in two different environments: Side A of the original LP captures him accompanied just by drummer Andrzej DabrowskiFind albums by this artist and the duo moves through a Rocky set, which includes a BeatlesFind albums by this artist medley. Side B finds him accompanied by the Polish Radio Jazz Studio OrchestraFind albums by this artist, led by saxophonist / composer Jan Ptaszyn WroblewskiFind albums by this artist and featuring top Polish Jazz players, among them saxophonist Janusz MuniakFind albums by this artist, bassist Bronislaw SuchanekFind albums by this artist, drummer Janusz StefanskiFind albums by this artist and many others. This set is much closer to Jazz and features a beautiful version of Krzysztof KomedaFind albums by this artist´s ballad from "Rosemary´s Baby".
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | MICHEL SAJRAWY ~ ARABOP
NOT ON LABEL (Barcode: 885767469778) ~ ISRAEL ~ Jazz-Rock-World Fusion
Recorded: 2011 Released: 2012
This is the 3rd album by Israeli guitarist / composer Michel SajrawyFind albums by this artist, one of the most prominent and original representatives of the Jazz-Rock-World Fusion worldwide. During the four years that separate this album from its predecessor, Sajrawy further developed his unique style, both as a composer and a performer, amalgamating Jazz and Middle Eastern music in ways previously unimaginable. This album is noticeably more ethnically oriented than the previous two Fusion oriented albums, and his music is more complex by far. His stunning guitar sound merges the resonance of electric Fusion guitar and the characteristic scales of Middle Eastern instruments, like the oud, creating a completely new "instrument", which sounds like nothing else.
The ensemble accompanying Sajrawy on this album is also different from the classic Jazz quartet setting he used previously and includes more original ethnic instruments. It consists of saxophonists Amiram GranotFind albums by this artist and Maali KlarFind albums by this artist, oud player and vocalist Samir MakhoulFind albums by this artist, bassist Valeri LipetsFind albums by this artist, drummer Stas ZilbermanFind albums by this artist and darbuka player Wisam ArramFind albums by this artist. Sajrawy plays electric bass on some of the tracks. The album includes nine tracks, six of which were composed by Sajrawy and the other three are folk tunes arranged by him. Although Sajrawy´s amazing guitar performances are the focus of this recording, it is very much a group effort and the interplay between the musicians is truly excellent.
The overall atmosphere of this album is quite relaxed, with the music mostly flowing gently and gracefully, as if accompanying a caravan slowly crossing the desert, with the distant sounds coming over the sand dunes from a distant city. Sajrawy´s melodies are beautiful and provide a perfect vehicle for the musician´s improvisations. The cool, calm and collected mood is of course often misleading, as it increases the listener´s anticipation of the next musical development, keeping him on his toes for the entire duration of the album. And it is full of pleasant surprises indeed; with each new tune the listener discovers another vista of the Middle Eastern musical treasures.
So, for the third time in a row, Sajrawy hits the jackpot with his amazing music, unparalleled virtuosity and most importantly unshaken integrity, doing his thing and believing in his vision, for which he deserves to be respected and admired. This is an album, which will grow on the listener every time it´s listened to. Just close your eyes, open you heart and let the music fill you up. This music transcends the cultural, religious and political differences of our multifaceted region, concentrating on the beautiful and eternal love of true Art, which makes us all one. Chapeau Michel, my friend!
| | | CD 1 Recommend To A Friend |
  | SANTANA ~ ABRAXAS
COLUMBIA 489543 ~ USA ~ Jazz-Rock Fusion
2nd album from 1970. Continuing the style and direction set by the revolutionary debut album, this is another masterpiece of the genre. The group expands their approach and includes material by other rock icons, especially Peter Green`s Black Magic Women, which will become their anthem for years to come. The bonus tracks include material recorded during their 1st visit to the UK at the Royal Albert Hall.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SANTANA ~ AFRICA SPEAKS
CONCORD 888072090842 (Barcode: 888072090842) ~ USA ~ Jazz-World Fusion
Recorded: 2019 Released: 2019
It is almost exactly fifty years since I´ve heard SantanaFind albums by this artist live for the first time during the Woodstock Festival and it was definitely "love at first sound". Over the years I have kept a close ear down to the Santana ground, following the ups and downs the incredibly talented guitarist / composer / bandleader Carlos SantanaFind albums by this artist and his ever changing ensembles, which produced a vast body of recordings over time. Santana never lost his touch on the guitar and he is still one of the best guitar players around, which nobody can deny. Personally I always preferred the Jazz "days" when Santana explored exotic Jazz-Rock Fusion with some of the top Jazz musicians, like fellow guitarist John McLaughlinFind albums by this artist, but of course many of his later Latin / Pop explorations were also exemplary.
This album finds Carlos Santana coupled with Spanish vocalist / composer / poet BuikaFind albums by this artist (a.k.a. Concha BuikaFind albums by this artist), who sings the lead vocals (in Spanish) on all the tracks, which she wrote the lyrics to. Carlos Santana composed or co-composed the music to all the eleven tracks on the album. The instrumental sound follows the classic Santana pattern with scorching lead guitar, Hammond organ, bass, drums and percussion.
The music, as the album´s title suggests, explores the polyrhythmic African tradition, heavily mixed with Latin and some Jazz influences. It definitely takes time to get into. Santana´s guitar is harsh and rocky, in contrast to his usual fluid and mellow tone, often so harsh that listening to the music becomes very difficult. Buika, who is considered as a talented singer, shouts almost non-stop, in a manner that can hardly be considered as singing, which again adds to the difficulty I experienced while listening to the music, produced by the famous producer Rick RubinFind albums by this artist at his studio. It is definitely quite strange for a producer of such fame to create an almost unlistenable product – perhaps a product of the MP3 aesthetics. I had to take the volume down almost to a whisper while listening to the album to be able to listen to it in its entirety.
Overall this is a very disappointing album and a sad 50th anniversary (and 25th studio album anniversary), which still shows Carlos Santana as a great guitarist, but surrounded by a sonic cacophonic disaster.
| | Updated: 07/07/2019Posted: 07/07/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | HEIKKI SARMANTO SERIOUS MUSIC ENSEMBLE ~ A BOSTON DATE
PORTER 4002 (Barcode: 656605854625) ~ FINLAND ~ Jazz
Recorded: 1970 Released: 2008
This is one of those albums, which immediately invoke the recurring question: "How many recordings like this one remain hidden and unreleased all over the world?" The fact that it took 38 years for this gem to surface is criminally negligent, to put it mildly, with the only solace being the proverbial better late than never. Finnish pianist / composer Heikki SarmantoFind albums by this artist has been one of my favorite musicians for the last four decades, always awe-inspiring and never disappointing. His life-time achievements indisputably deserve a book-sized biography (unfortunately not written yet) and his role as Europe´s leading Jazz personality and a prominent creator of the emancipated European Jazz is sadly little known outside of a tiny circle of connoisseurs and researches. In fact the entire Finnish music scene often appears to be the one of world´s best hidden secrets, which is amazing in view of the miraculous contribution of Finnish musicians and composers to the Pantheon of the overall human musical culture. Apparently even the most devoted music fans and critics often suffer from chronic narrow-mindedness and Xenophobia, with Americans leading the camp, with pride and remarkable consistency, over the years.
Although recorded in 1970, this session does not reflect Sarmanto´s early musical steps. He was 31 years old at the time and already a seasoned musician, with extensive Classical Music education (a graduate of the Helsinki Sibelius Music Academy - the country´s most prestigious musical education institution) and extensive Jazz experience going back almost a decade earlier as member of several Jazz ensembles active on the country´s burgeoning scene. In 1964-65 Sarmanto took part in the recording of Finland´s first modern Jazz album, the legendary "The Modern Sound Of FinlandFind albums with this title" by saxophonist / flautist Esa PethmanFind albums by this artist, and his piano playing on that album already sounds refined and focused. In 1968 Sarmanto was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston, which gave him a chance to get some formal Jazz education (the Jazz department of the Sibelius Academy would be established only in the early 1980s, and of course Sarmanto would be appointed its first department head).
Sarmanto used his time in Boston not only to expand his formal Jazz horizons, but also to mingle and play as much as he could on the local Jazz scene, which was quite active at the time. The Berklee students and the local musicians often gigged together and soon enough ensembles were formed. Following a brief home visit in 1969, during which Sarmanto recorded his first album as a leader, a live sextet recording released as "Flowers In The WaterFind albums with this title" (on which Pethman is also featured), he returned to Boston to "wrap up" his Berklee affairs. During that period he formed the quintet, quite accidently, which is often the best way for things to happen, which is featured on this semi-professional recording. The quintet consists of Sarmanto on piano, another Finnish giant, saxophonist / flautist Juhani AaltonenFind albums by this artist, who followed Sarmanto to Berklee but lasted only one semester (without a grant the finances were just against all odds), Czech bassists George MrazFind albums by this artist, who also arrived in Boston on a Berklee grant (together with compatriot pianist Jan HammerFind albums by this artist), escaping the brutal Warsaw Pact forces invasion of their homeland, following the brief "Spring of Prague" in 1969, the first major crack in the Berlin Wall. The remaining two musicians were guitarist Lance GundersonFind albums by this artist and drummer Craig HerndonFind albums by this artist, both Bostonians at the time. The quintet was nicknamed, half-jokingly, The Serious Music EnsembleFind albums by this artist, a name which would stick to several Sarmanto´s groups in the future, featuring the core of this quintet.
The three Europeans and two Americans obviously had no difficulty in communicating musically, and it´s hardly surprising that they chose to play mostly Free Form, for several reasons. The air was still reverberating with the sounds of Albert AylerFind albums by this artist, Eric DolphyFind albums by this artist and John ColtraneFind albums by this artist, with the US Free Jazz scene at its peak by the end of the 1960s (unfortunately soon to be almost completely neglected, passing the torch to the Europeans). The limited, if any, rehearsal time the ensemble had before entering the studio, obviously left most of the content to be developed at the spur of the moment, making collective improvisation the only logical path to follow. And perhaps the youthful spirit of rebellion had also something to do with it, considering Berklee´s extreme conservatism, which is legendary even today. Aaltonen, the oldest and most experienced musician on board, already had extensive Free Jazz practice, after playing with Finnish pioneers of the genre, most notably with drummer Edward VesalaFind albums by this artist, and his contributions are the most consistent, with remarkable power of expression, intensity and technical brilliance rivaling the Masters of the genre.
The six pieces played during the session, all composed by Sarmanto, are performed in one continuous flow with no gaps between them. Typically, after a briefly stated theme, the musicians enter a series of exchanges, with one, two or even three players soloing simultaneously, with the rhythm section frequently changing the tempo. Most of the material is up-tempo, except for the beautiful ballad, which ends the set (dedicated to Margareth ChaloffFind albums by this artist, the legendary piano teacher), which is the gentlest and most structured piece on the album, featuring the exquisite bass work by Mraz and more typical of Sarmanto´s future output. In many respects the session is quite typical European Free Jazz, resembling many similar musical encounters happening in Europe at the time, especially in the UK, but also in Poland, Germany and the Netherlands. It is quite distinctly different from American Free Jazz, which demonstrates rawer and more spontaneous approach but lacks the European Classical Music background, which is deeply implanted in the minds of European musicians, evident even in the most extreme Improvised Music experiments. In many respects, this session is probably one of the most "European sounding" recordings ever captured at a US studio.
It is really interesting to compare this session with the material recorded by the almost identical quintet (exchange Mraz with Heikki´s brother bassist Pekka SarmantoFind albums by this artist) just a few months later and released as Sarmanto´s second (first studio) album "CounterbalanceFind albums with this title" (also reissued on PorterFind albums on this label Records). With Aaltonen playing exclusively flute and Sarmanto switching to Fender Rhodes, this seems to be a completely different group, even if still pretty much in the Free vain. The European influence simply becomes overwhelming, changing the music dramatically. Even if the sound quality of this recording is not up to modern digital standards (the recording was most probably not intended to be commercially released), the musical content and the immense historical importance of this session make it an indispensible document of the highest value.
Kudos to Luke MoslingFind albums by this artist, the brave owner of Porter Records, for releasing this treasure and making it available to us, the music lovers, and saving a lost gem from extinction. Sarmanto´s followers worldwide will be obviously delighted to hear this, as should be every connoisseur of good music, especially those who follow the emergence of the modern European Jazz. Brilliant stuff!
Visitors' Comments
Dr. Rafael Augusto Lara Palmeros
One of the most impressive, extraordinary and wonderful work from real modern European Jazz.¡¡Very essential!!. More of five stars.
| | Updated: 29/09/2017Posted: | CD 1 Recommend To A Friend |
  | RAFAL SARNECKI ~ A VIEW FROM THE TREETOP
ART EVOLUTION 01/2022 (Barcode: 5903819630022) ~ POLAND ~ Jazz
Recorded: 2021 Released: 2022
This is the fifth album by Polish Jazz guitarist / composer Rafal SarneckiFind albums by this artist, recorded in a quintet setting with saxophonist Lukasz PoprawskiFind albums by this artist, pianist Piotr WylezolFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents nine original compositions, all by the leader. The music was recorded at Studio Tokarnia and engineered by Jan SmoczynskiFind albums by this artist, with the usual excellent sonic quality.
I have been following Sarnecki’s musical path since his debut album from 2008, and he emerges as one of the most surprising and constantly developing artists on the Polish Jaz scene. His long stay in US obviously influenced his creative process, but luckily did not manage to destroy his European ancestry, and this album, his first since his return to Poland, is the best evidence of that.
The music is extremely eclectic, with each of the compositions on the album being completely different, which potentially might have been enormously hazardous and chaotic, but surprisingly Sarnecki managed to develop a sonic coherence, which makes listening to this music not only an intellectual challenge but also a highly rewarding experience. This collection of highly unique and even weird tunes, is in my opinion absolutely delightful and stunning.
Part of the success is undoubtedly due to the superb team of Polish Jazz musicians selected for this project, who are able to overcome the devilishly complex chord and rhythm changes without a hitch. Poprawski, who is relatively less recognized on the local scene, does a sublime job taking care of most of the soloing. Wylezol, one of my favorite Polish Jazz pianists, who also gets way less respect and recognition that he deserves, is also perfect for the job, as is the fabulous rhythm section. Most importantly, the leader plays rather sparingly, mostly participating in the ensemble sound rather than feature his guitar parts, which is way more typical of European Jazz that the American approach, which puts the soloing in the center of attention.
Overall, this is a brilliant, highly unique album, which offers some of the most fascinating music I happened to listen to lately, and is probably the most interesting Polish Jazz album of 2022, so far. It leaves the listener with a longing to hear more, which happens so rarely these days. Congratulations, my Friend, this is definitely your best work so far and I wish you to uphold this path in the future!
| | Updated: 26/10/2022Posted: 26/10/2022 | CD 1 Digipak Recommend To A Friend |
  | SAVOY BROWN ~ AIN`T DONE YET
QUATRO VALLEY 0129 (Barcode: 805859074123) ~ UK ~ Blues-Rock
Recorded: 2020 Released: 2020
The title says it all; the unstoppable Blues machine called Savoy BrownFind albums by this artist is rolling on in its sixth decade bravely led by vocalist / guitarist Kim SimmondsFind albums by this artist, currently in a trio lineup with bassist Pat DesalvoFind albums by this artist and drummer Garnet GrimmFind albums by this artist. The new album presents ten original songs, all by Simmonds.
Despite the limitations that the Blues format imposes on the music, the idiom is alive and kicking sounding healthier than most of it children within the Pop and Rock idioms, proving the "if it ain´t broke don´t fix it" advice. This music does not sound much different from what Savoy Brown and the entire Blues Revival generation played in the 1960, and yes it still manages to sound fresh and exciting, provides the listener is a Blues enthusiast of course.
Simmonds, perhaps not the most spectacular Blues Rock guitarist of the class of Peter GreenFind albums by this artist, Rory GallagherFind albums by this artist or Jimi HendrixFind albums by this artist, manages to produce the unmistakable "Blues guitar sound", which works for our generation like nothing else and he has one undeniable advantage – he is still alive and kicking.
For the numerous Savoy Brown fans and followers this album is as enjoyable and exciting as everything else the group produced over the years; they just can´t go wrong. Warmly recommended!
| | Updated: 30/09/2020Posted: 30/09/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SAXTON, BILL ~ ATYMONY
JAZZLINE 11136 ~ USA ~ Jazz
Saxton is one of the best young Afro-American sax players in NY and this album proves that to anybody who cares to listen. Enegretic but lyrical, expressive but ballanced. Nice mixture of original compositions and standards with excellent backing from his colleagues: Carlos McKinney - piano, Omar Avital - bass & Noel Parris - drums.
| | | CD 1 Recommend To A Friend |
  | SBB ~ ABSOLUTELY LIVE `98 (LIMITED EDITION)
METAL MIND 0332 (Barcode: 5907785026155) ~ POLAND ~ Progressive Rock
Recorded: 1998 Released: 2006
The legendary Polish Prog / Fusion group SBBFind albums by this artist needs little introduction to the avid Prog / Fusion fans the world over. Now in its fifth decade of activity, the group already established a unique position on the music scene, which can be rivaled only but a chosen few. Their prolific studio and live recordings include dozens of albums, each and every one of which is a meaningful musical experience of unrepeated intensity and depth and a display of dazzling virtuosity. This album documents the band´s live show made by the second lineup of the group – bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Miroslaw MuzykantFind albums by this artist. Great stuff!
Side Note: Limited Edition of 1,000 copies only.
| | | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | SBB ~ ANTHOLOGY 1974-2004
METAL MIND 001 (Barcode: 5907785025936) ~ POLAND ~ Progressive Rock
Recorded: 1974 - 2002 Released: 2004
This stupendous Box Set, released to celebrate the 30th anniversary of the legendary Polish Jazz-Rock / Fusion group SBBFind albums by this artist, is an attempt to present the entire recorded legacy of the band, as know at the time of the release. Later on two additional Box Sets and other releases unearthed more of their recordings, so this box is by far not a "complete recordings" collection.
The band was formed in 1971 in the southern Polish province of Upper Silesia and consisted of bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. They called themselves Silesian Blues BandFind albums by this artist and started to perform locally. By the end of that year Skrzek was approached by Poland´s leading Rock personality, Czeslaw NiemenFind albums by this artist, to join his new group formed in order to fulfill the international contract Niemen signed with CBSFind albums on this label Europe. Eventually Anthimos and Piotrowski also joined the band and the trio stayed with Niemen for about a year and a half, recording several albums with him, including the two albums released outside Poland: "Strange Is This WorldFind albums with this title" and "Ode To VenusFind albums with this title". By mid-1973 they left Niemen´s group, shorten their name to SBB and the rest is history.
From 1974 on SBB became the leading Polish Rock / Prog / Fusion band, recording a series of revolutionary albums and changing the face of music not only in their native country but in the entire Eastern European world living behind the Iron Curtain. SBB were also well known outside of Eastern Europe and in the span of the thirty years documented by this Box Set performed extensively in Western Europe and the USA as well. There is no doubt that their music influenced entire generation of Eastern European musicians, who had limited access to music made in the West and therefore SBB served for them as a musical role model for years.
This Box Set included twenty two CDs, which can be separated into several sub-groups. First there are the studio albums vs. the live recordings, which are the majority. Then there is the output by the original trio in the years 1974-1980 vs. the later recordings after the group was reactivated in 1991 and played with different drummers (Miroslaw MuzykantFind albums by this artist, Paul WerticoFind albums by this artist).
As far as the music is concerned, in retrospect one must admit that there was not that much change over the years, except perhaps for the fact that the group somewhat lost its steam in due process. Obviously the early recordings are the most groundbreaking, adventurous, inspired and therefore interesting. Both in the studio and live the early recordings are full of improvisation, which often borders with Avant-Garde Rock and exhibits strong Jazz / Fusion influences. The sessions with guest Jazz musicians like Tomasz StankoFind albums by this artist, Tomasz SzukalskiFind albums by this artist, Andrzej PrzybielskiFind albums by this artist and others are among the highlights in this Box Set. In time, and especially after the re-activation, the music turned more Rock oriented, and the added vocals did not help to make it more interesting. All the musicians involved are of course superb instrumentalists and there is plenty of great solos (guitar especially), but the magic is definitely lost.
There is also a problem of the same material being included repeatedly, although in different versions, but still basically the same. In contrast to Jazz, where each performance of the same tune can be completely different from every other, it does not happen here and a sizeable part of the music included here seems redundant to a degree. In retrospect perhaps it would have been wiser to split this box into two separate boxes, one with the early material, which is divine and another with the later stuff, which would be for the die hard fans only.
Overall this box includes some of the most important music made in Eastern Europe during the formative years of Rock history, and as such is invaluable. The size and contents of this limited edition Box Set might appear to be a bit megalomanic, but is lovingly excused by most.
| | Updated: 12/04/2019Posted: | CD 22 Mini-Sleeve Box Set Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | SCENARIO ~ A FEARFUL SYMMETRY
MUSEA 4392 ~ ITALY ~ Progressive Rock
Debut album by this powerful and talented Italian Prog-Metal band. At first the band sounds very familiar to Dream Theatre, but careful listening reveals subtle differences and of course the very Italian music approach, especially in the melody lines. Definitely a prime example of the style at its best. For DT fans this is a must have!
| | | CD 1 Recommend To A Friend |
  | SARI SCHORR ~ A FORCE OF NATURE
MANHATON 2044 (Barcode: 5038787204422) ~ USA ~ Blues-Rock
Recorded: 2015 - 2016 Released: 2016
This is the debut album by American Blues / Blues-Rock vocalist / songwriter Sari SchorrFind albums by this artist, recorded in Spain between 2015 and 2016 and produced by legendary record producer and Blues aficionado Mike VernonFind albums by this artist. She is accompanied by an excellent band, which includes British guitarist Innes SibunFind albums by this artist and Spanish musicians: keyboardist Julian MaesoFind albums by this artist, bassist Nani CondeFind albums by this artist and drummer Jose MenaFind albums by this artist. Several guest musicians also took part in the recording, including guitarists Walter TroutFind albums by this artist and Oli BrownFind albums by this artist. The album presents twelve tracks, most of which were written or co-written by Schorr.
Schorr is blessed with an incredibly expressive and powerful vocal abilities with almost no competitors on the contemporary scene. Combined with her excellent songwriting, she should dominate the Blues scene, but on the other hand she might simply be too good for her own good, as the recognition is somehow slow to come, at least as far as her enormous talent in concerned.
In many respects Schorr’s talent is parallel to that of Janis Joplin, upon her arrival on the scene. Supported by excellent musicians she is an unstoppable hurricane of Blues-Rock energy on stage, as this album proves beyond any doubt; a force of Nature indeed!
Overall, this is a brilliant debut album from start to finish, which is an absolute heaven on earth for Blues-Rock listeners, especially since the genre suffered from decades of absence of female vocalists of such class and talent. Go Lady!
| | Updated: 20/02/2024Posted: 20/02/2024 | CD 1 Digipak Recommend To A Friend |
  | SENOGUL ~ AURAL IMPRESSIONS CONCERT FOR INSTRUMENTAL ENSEMBLE
MARGEN 0109 (Barcode: 8437003757006) ~ SPAIN ~ Progressive Rock
Recorded: 2008 Released: 2009
2nd album by the excellent Spanish Prog band SenogulFind albums by this artist and a great follow up to their eponymous debut, although an almost about face stylistically. As the title suggests, the band produced this time a complete musical suite, rather than a collection of unrelated pieces. The music is only marginally Prog and is spiritually closer to Contemporary Classical and Ambient music. It is a serious and ambitious effort to expand the musical boundaries of Prog by using a wide variety of aural effects, ethnic influences, interesting instrumentation and atmospheric compositions. All the above, combined and used wisely, generate a beautiful musical landscape, upon which the listener can travel, using his imagination at will. Although more difficult to digest, this music presents a highly rewarding listening experience, which the more sophisticated listeners should enjoy in full. I raise my hat to the members of the group in recognition of their courage to take the less travelled path, discovering the unknown, rather that follow the beaten tracks, which usually end up in boredom. Wholeheartedly recommended and worth exploring!
| | | CD 1 Recommend To A Friend |
  | SHAKTI ~ A HANDFUL OF BEAUTY
COLUMBIA 494448 ~ UK ~ Jazz-World Fusion
2nd album from 1976. This time Shakti recorded their music in a studio, which of course created a different atmosphere. The group concentrates more on complex and delicate interplays rather then firey exchanges, compositions in place of extended improvisations. Neverthless it is another monster album of incredible beauty, full of sophistication and intellectual challenges. An unconditional must have for a true music lover.
| | | CD 1 Recommend To A Friend |
  | SHARIFI, JAMSHIED ~ A PRAYER FOR THE SOUL OF LAYLA
ALULA 1005 ~ USA ~ World Music & Folklore
A wonderful album, which combines middle-eastern mystic music with modern orchestration. Sharifi comes from Iran and his background is evident throughout the music. Very lyrical and moving experience.
| | | CD 1 Recommend To A Friend |
  | SHORT CROSS ~ ARISING
GEAR FAB 119 (Barcode: 645270011921) ~ USA ~ Classic Rock
Recorded: 1970 - 1972 Released: 1998
Only album by US (Virginia) band Short CrossFind albums by this artist which played a highly energetic and sophisticated Rock with lead guitar and heavy organ, beautifully produced and executed. A couple of tracks also feature brass arrangements, somewhat similar to Blood, Sweat & TearsFind albums by this artist and ChicagoFind albums by this artist and one has string arrangement. Excellent self-penned material, strong vocals and great instrumental work, especially the guitar. Although obscure, this album is as good as anything recorded at the time and deserves to be re-discovered. Wholeheartedly recommended!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SILBERMAN QUARTET ~ ASANISIMASA
AUDIO CAVE 2019/003 (Barcode: 5905669566728) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2018 Released: 2019
This is the fifth album released under the "Silberman" moniker, this time recorded by a quartet of Polish Jazz musicians: keyboardists Dorota ZaziabloFind albums by this artist (who played on the debut album) and Mateusz GawedaFind albums by this artist (who played on the third and fourth albums), bassist Jakub MielcarekFind albums by this artist (who also played on the previous two albums) and drummer Lukasz StworzewiczFind albums by this artist (a.k.a. SilbermanFind albums by this artist). Together they perform seven compositions, four by Stworzewicz, one credited to all four members of the quartet, one of unknown origin and finally one based on a Classical piece by the Tatar-Russian composer Sofia GubaidulinaFind albums by this artist, which makes me happy that she is finally being discovered by young musicians.
The music is a wild amalgam of stylistic influences, constantly moving between Avant-Garde Jazz, Improvised Music and mainstream Jazz. The double-keyboards lineup opens wide possibilities between the acoustic piano and the synthesizer sounds, which are fascinating and constantly changing. There are some very nice melodic themes scattered between the more open / improvised pieces, which helps to maintain a nice balance and coherent diversity.
Both keyboards players manage to produce a kaleidoscope of sound vistas, which is quite innovative and more importantly they support and complement each other successfully. Mielcarek does a splendid job, both as a rhythmic, Jazz oriented player and as an improviser, including some surprising bow work. Stworzewicz is of course one of the most original drummers on the Polish scene and his work on this album emphasizes his maturity and stylistic freshness.
The album not only offers some superb music and excellent execution, but also a musical and sound concept as a whole. The dark, often minimalist atmosphere and the atypical lineup, combined with the weird / atypical sound of the drums, offer to the listener a whole new experience, which happens relatively rarely. Although not specifically stated as such (except perhaps by the album´s artwork), this music definitely offers a musical parallel to the film noir, or perhaps an imaginary soundtrack to an imaginary movie created in that genre. The ambience of uncertainty, apprehension and ambivalence is certainly present within the music, although obviously echoes differently with each listener.
In retrospect this is certainly the most coherent and mature album recorded under the "Silberman" moniker so far, and a truly unique piece of music, which stands out even on the extremely competitive Polish Jazz scene. It should be listened to not only by Jazz listeners, but by all open-minded music connoisseurs, who are always searching for new thrills. Hats off to the Silberman phenomenon ;)
| | Updated: 12/04/2019Posted: 12/04/2019 | CD 1 Digipak Recommend To A Friend |
  | SILHOUETTE ~ ACROSS THE RUBICON
PROGRESS 049 (Barcode: 7320470163450) ~ NETHERLANDS ~ Progressive Rock
Recorded: 2011 - 2012 Released: 2012
This is the third album by the Dutch Prog band SilhouetteFind albums by this artist, which comprises of guitarist / vocalist Brian de GraeveFind albums by this artist, keyboardist / vocalist Erik LaanFind albums by this artist, bassist Gerrit Jan BloeminkFind albums by this artist and drummer / vocalist Jos UffingFind albums by this artist. Guest guitarist Aldo AdemaFind albums by this artist contributes a number of guitar solos. The album includes eight original songs, all co-composed and co-written by the band, three of which are over eleven minutes long. The album, although not a concept album as such, has a common lyrical subject matter, which deals, as the title suggests, with crossing points of no return.
The music is characterized by a typical Neo-Prog sound and harmonic approach, with layers of lush keyboard sounds, screaming guitars and a lot of echo and reverb, omnipresent on most contemporary Prog albums. The three vocalists share lead vocal duties equally well, with a recognizable foreign accent, making one wonder why they don´t stick to their mother tongue. Overall the album offers absolutely nothing innovative or particularly challenging, but it is wonderfully melodic and pleasantly lyrical, which will make many Prog fans happy. The instrumental performances are all quite fine, but the overbearing keyboards leave little space for the other instruments to be heard properly at times.
All in all this is definitely not a bad album, and quite a pleasant listening experience. The melodic contents is certainly commendable and the execution quite spotless. Perhaps the lack of ambitious drive towards more experimental material is exactly what makes this band tick and hordes of Neo-Prog fans will probably find this to be exactly what makes them happy. The bliss of conformity…
For fans looking for another tasty and familiar piece of Neo-Prog delight, look no further; yer musical snobs just keep looking!
| | Updated: 21/09/2021Posted: | CD 1 Digipak Recommend To A Friend |
  | JUDEE SILL ~ ABRACADABRA: THE ASYLUM YEARS
RHINO 081227953423 (Barcode: 081227953423) ~ USA ~ Classic Rock
Recorded: 1971 - 1973 Released: 2006
This is a reissue / remaster of the first two albums by the enigmatic American singer / songwriter Judee SillFind albums by this artist: the eponymous “Judee SillFind albums with this title” from 1971 and “Heart FoodFind albums with this title” from 1973. The original albums are expanded by bonus tracks, which are alternate takes and live recordings.
Sill appeared on the American Rock scene briefly and released just these two albums, and being almost completely forgotten she died from a drug overdose in 1979. At the early 1970s she was revered by many of her fellow Rock stars, like David CrosbyFind albums by this artist and Graham NashFind albums by this artist, who took part in the recording of the debut album. Following a lack of commercial success Sill was dropped by the AsylumFind albums on this label label and her third album was never completed.
In retrospect she was a remarkable songwriter and an interesting singer, deserving wider recognition than she ever achieved, like many other great talents of that period. This reissue is a great reminder of her brief but extraordinary career.
Overall, this is a wonderful opportunity to re-examine the legacy Sill left us, which beautifully reflects the feverish activity of the early 1970s, when some of the greatest music ever written was conceived and realized. Although five decades old, this music lost absolutely nothing of its beauty, depth and aesthetic values, which deserve to be remembered. A great opportunity to discover a forgotten jewel!
| | Updated: 16/08/2022Posted: 16/08/2022 | CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | JAN SIMONS ~ ANSWER
SILENCE 0002 (Barcode: 6418770600230) ~ FINLAND ~ Jazz
Recorded: 1999 Released: 1999
This is the debut album by Finnish Jazz bassist / composer Jan SimonsFind albums by this artist, recorded with a sextet which surprisingly includes the great British trumpeter Kenny WheelerFind albums by this artist alongside young (at the time) Finnish players: saxophonist Manuel DunkelFind albums by this artist, guitarist Niklas WinterFind albums by this artist, pianist Samuli MikkonenFind albums by this artist and already well known drummer Markku OunaskariFind albums by this artist. The album presents eleven original compositions, six by Simons, two by Winter and three co-composed by all the five Finnish musicians participating on the album.
The music is beautifully melodic, typically full of Finnish lyricism and Nordic climates, but which also allows for openness and freedom during the many excellent solo parts. The level of the compositions is impressively mature and coherent and the entire album is a true European Jazz gem. As expected, Wheeler plays splendidly alongside these much younger musicians, but their performances are by all means equally expressive and impressive. As a result the album presents an ensemble effort with Wheeler accepting the role of an equal participant, rather than a star guest, which perfectly fits his good natured character and his respect towards fellow musicians, which he displayed throughout his entire career.
For people not familiar with Finnish Jazz (sadly not many Jazz fans are even aware of the fact that Jazz exists in Finland), this is a wonderful opportunity to get exposed to one of the most interesting and advanced European Jazz scenes out there. After following the Finnish Jazz closely since the 1960s, I have developed a deep and profound love and respect towards Finnish Jazz and was able to write quite a lot on the subject as well as count many Finnish Jazz musicians as personal friends since many years.
Thanks to a splendid level of Jazz education and a lively local scene, as well as the geographic proximity to other Scandinavian Jazz centers, Finnish Jazz was able to produce over the years many first-rate European Jazz musicians and a fabulous legacy of hundreds of Jazz albums, which include some of the most impressive European Jazz recordings ever made.
Overall this is of course a rare opportunity to hear Wheeler play with young and relatively unknown musicians, which for his many connoisseurs and collectors of his albums is an absolute must. But at the same time the album is a great introduction to modern Finnish Jazz at its best, which hopefully will prompt some listeners to discover that fascinating scene. Wholeheartedly recommended!
| | Updated: 28/03/2019Posted: 28/03/2019 | CD 1 Recommend To A Friend |
  | SINFONYE ~ AURORA
CELESTIAL HARMONIES 13128 (Barcode: 013711312829) ~ UK ~ Classical
Recorded: 1997 Released: 1999
This is the 2nd volume of the complete works by XII Century composer Hildegard von BingenFind albums by this artist, recorded by the British vocal octet SinfonyeFind albums by this artist, formed in 1986 and directed by Stevie WishartFind albums by this artist. The album presents fifteen tracks, with are songs with lyrics in Latin, performed mostly a cappella, with subtle accompaniment by Wishart on hurdy-gurdy. Some of the songs are performed solo by one of the octet’s vocalists and others are performed by the entire ensemble. The album was recorded in the Toddington Church in Gloucestershire, England.
The mystical figure of Hildegard von Bingen (Hildegard of Bingen), a XII Century German Benedictine abbess, philosopher, poet, composer, visionary, mystic and medic, was undoubtedly one of the most impressive European women of the Middle Ages, and her contribution to music was truly momentous. I often return to her music, with I treat with an attitude completely unrelated to its religious significance, simply in search of the heavenly harmony it offers, as solace in moments of desolation.
The performances are absolutely sublime, carefully arranged and balanced, recorded in the perfect natural echo-chamber of the Church, exactly as this music was meant to be originally performed. The effect is striking and penetrates deeply inside the listener’s heart / soul / mind… In retrospect perhaps we have learned nothing in the (almost) Millennium, that separates us from the age in which this music was created, as it has so much more to say than almost everything we can hear around us today. The human voice is, after all, the ultimate instrument.
| | Updated: 05/10/2024Posted: 05/10/2024 | CD 1 Recommend To A Friend |
  | SINGERS UNLIMITED ~ A CAPELLA
MPS 042281567124 (Barcode: 042281567124) ~ USA ~ Jazz
Recorded: 1971 Released: 1984
This is a reissue of the 2nd album by American vocal quartet The Singers UnlimitedFind albums by this artist, led by vocalist / composer / arranger Gene PuerlingFind albums by this artist, which included also Don SheltonFind albums by this artist, Len DresslarFind albums by this artist and Bonnie HermanFind albums by this artist. They perform a cappella (i.e. without any instrumental accompaniment) ten carefully selected Pop songs and Jazz standards, brilliantly arranged by Puerling. They would release two sequels to this album, their 6th and 12th albums called “A Capella IIFind albums with this title” and “A Capella IIIFind albums with this title” respectively.
Although not a strictly a Jazz album per se, it demonstrates the exquisite vocal harmonies used also by Jazz singers and the Jazzy "nature" of Puerling´s arrangements, which influenced generations of American singers of all genres, including The Beach BoysFind albums by this artist. He was an absolute maverick of the vocal quartet and a great pioneer of that idiom.
These a cappella performances are breathtaking and timeless. Such perfection and harmony, although tried by many, has been rarely achieved by other vocal quartets and this album is an absolute classic of the genre.
It is great to hear this timeless classic and anybody who loves the angelic harmony of the human voice must have a copy of this album in their collection!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 13/02/2025Posted: 13/02/2025 | CD 1 Recommend To A Friend |
  | SINGERS UNLIMITED ~ A CAPELLA II
MPS 042282186027 (Barcode: 042282186027) ~ USA ~ Jazz
Recorded: 1974 Released: 1984
This is a reissue of the 6th album by American vocal quartet The Singers UnlimitedFind albums by this artist, led by vocalist / composer / arranger Gene PuerlingFind albums by this artist, which included also Don SheltonFind albums by this artist, Len DresslarFind albums by this artist and Bonnie HermanFind albums by this artist. They perform a cappella (i.e. without any instrumental accompaniment) twelve carefully selected Pop songs, brilliantly arranged by Puerling, many of which became Jazz standards. It is a sequel to their 2nd album called simply “A CapellaFind albums with this title”.
Although not a strictly a Jazz album per se, it demonstrates the exquisite vocal harmonies used also by Jazz singers and the Jazzy "nature" of Puerling´s arrangements, which influenced generations of American singers of all genres, including The Beach BoysFind albums by this artist. He was an absolute maverick of the vocal quartet and a great pioneer of that idiom.
These a cappella performances are breathtaking and timeless. Such perfection and harmony, although tried by many, has been rarely achieved by other vocal quartets and this album is an absolute classic of the genre.
It is great to have this timeless classic back in circulation and anybody who loves the angelic harmony of the human voice must have a copy of this album in their collection!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 21/01/2025Posted: 21/01/2025 | CD 1 Recommend To A Friend |
  | SINGERS UNLIMITED ~ A CAPELLA III
MPS 042282188229 (Barcode: 042282188229) ~ USA ~ Jazz
Recorded: 1979 Released: 1984
This is a reissue of the 12th album by American vocal quartet The Singers UnlimitedFind albums by this artist, led by vocalist / composer / arranger Gene PuerlingFind albums by this artist, which included also Don SheltonFind albums by this artist, Len DresslarFind albums by this artist and Bonnie HermanFind albums by this artist. They perform a cappella (i.e. without any instrumental accompaniment) twelve carefully selected Pop songs and Jazz standards, brilliantly arranged by Puerling. It is a sequel to their 2nd and 6th albums called “A CapellaFind albums with this title” and “A Capella IIFind albums with this title”.
Although not a strictly a Jazz album per se, it demonstrates the exquisite vocal harmonies used also by Jazz singers and the Jazzy "nature" of Puerling´s arrangements, which influenced generations of American singers of all genres, including The Beach BoysFind albums by this artist. He was an absolute maverick of the vocal quartet and a great pioneer of that idiom.
These a cappella performances are breathtaking and timeless. Such perfection and harmony, although tried by many, has been rarely achieved by other vocal quartets and this album is an absolute classic of the genre.
It is great to hear this timeless classic and anybody who loves the angelic harmony of the human voice must have a copy of this album in their collection!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 07/02/2025Posted: 07/02/2025 | CD 1 Recommend To A Friend |
  | SINGERS UNLIMITED ~ A SPECIAL BLEND
MPS 042284141222 (Barcode: 042284141222) ~ USA ~ Jazz
Recorded: 1975 Released: 1984
This is a reissue of the 8th album by American vocal quartet The Singers UnlimitedFind albums by this artist, led by vocalist / composer / arranger Gene PuerlingFind albums by this artist, which included also Don SheltonFind albums by this artist, Len DresslarFind albums by this artist and Bonnie HermanFind albums by this artist. They perform nine carefully selected Pop songs and Jazz standards, brilliantly arranged by Puerling, and they are accompanied by some great American Jazz instrumentalists: pianist Clare FisherFind albums by this artist, flautist / clarinetist Don Shelton, bassist Jim HughartFind albums by this artist, drummers John GuerinFind albums by this artist or Harvey MasonFind albums by this artist, guitarists Dennis BudimirFind albums by this artist or John MorrellFind albums by this artist, trumpeter Chuck FindleyFind albums by this artist, saxophonists Gary FosterFind albums by this artist, Peter ChristliebFind albums by this artist and Bill PerkinsFind albums by this artist and vibraphonist Victor FeldmanFind albums by this artist.
Although not a strictly a Jazz album per se, it demonstrates the exquisite vocal harmonies used also by Jazz singers and the Jazzy "nature" of Puerling´s arrangements, which influenced generations of American singers of all genres.He was an absolute maverick of the vocal quartet and a great pioneer of that idiom.
These vocal performances are breathtaking and timeless. Such perfection and harmony, although tried by many, has been rarely achieved by other vocal quartets and this album is an absolute classic of the genre.
It is great to hear this timeless classic and anybody who loves the angelic harmony of the human voice must have a copy of this album in their collection!
Side Note
The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| | Updated: 10/02/2025Posted: 10/02/2025 | CD 1 Recommend To A Friend |
  | SKEREBOTTE FATTA ~ APPAZ
FOR TUNE 0152 (Barcode: 5906395808670) ~ POLAND ~ Free Jazz / Improvised Music
Recorded: 2020 Released: 2021
This is the second album by Polish Free Jazz duo Skerebotte FattaFind albums by this artist, which comprises of saxophonist Jan MalkowskiFind albums by this artist (a.k.a. Jan SkerebotteFind albums by this artist) and drummer Dominik MokrzewskiFind albums by this artist. The album presents seven original compositions credited to the duo members. As the album’s title and the track titles (when read in reverse) suggest, the album is a tribute to icons of creative music, as diverse as Frank ZappaFind albums by this artist, Albert AylerFind albums by this artist or Han BenninkFind albums by this artist.
Both Malkowski and Mokrzewski already participated in several Polish Free Jazz / Improvised Music recordings, including the RdzaFind albums by this artist ensemble and the Infant Joy QuintetFind albums by this artist, the latter also released on the For TuneFind albums on this label label.
The rather unusual saxophone – drums duo obviously immediately prompts for comparisons to similar recordings on the world scale, but honestly it’s hardly relevant to compare these relatively young musicians with world-class veterans like Max RoachFind albums by this artist / Anthony BraxtonFind albums by this artist or John ColtraneFind albums by this artist / Rashied AliFind albums by this artist. It’s better to keep things in proportion.
The duo members display an obvious rapport and excellent partnership, while building their performances, usually driving them to an explosive crescendo. Both also display excellent technique and evident understanding of the Improvised Music idiom. As a result, the music they create offers honest effort and inventive excitement, which are perhaps more appropriate for a live performance than a studio recording, but that is just a mere observation.
The problem with Improvised Music is always its long-term musical value, which faces the obvious conflict between spontaneous / momentary creation and its lasting significance. In plain words, will a potential listener return to listen to this music ever again? In times when listeners are constantly bombarded with an endless flow of new releases and the opportunity to discover older recordings made available, the chances of Improvised Music recordings become ever slimmer, unless they are truly unique and everlasting. As wonderful as the Polish Jazz scene has become in the last two decades, Improvised Music is unfortunately not one of its fortes.
Overall, this is an ambitious and generally successful Free Jazz / Improvised Music duo recording, with a lot of passion and technique involved. For lovers of the genre, it is certainly a worthy excursion into the Polish flavor of the idiom.
| | Updated: 25/09/2021Posted: 25/09/2021 | CD 1 Recommend To A Friend |
  | ALAN SKIDMORE ~ A SUPREME LOVE
CONFRONT 33 (Barcode: 5060446128084) ~ UK ~ Jazz
Recorded: 1961 - 2019 Released: 2023
This is a colossal career-spanning archival 6CD Box Set by British Jazz saxophonist / composer / bandleader Alan SkidmoreFind albums by this artist, which presents recordings between 1961 and 2019, documenting almost six decades of music making by one of British Jazz most prominent figures. Although most of the music was played by ensembles led by Skidmore, it also includes his work with Alexis KornerFind albums by this artist´s Blues IncorporatedFind albums by this artist, S.O.S.Find albums by this artist and S.O.H.Find albums by this artist trios, UbizoFind albums by this artist, Mask OrchestraFind albums by this artist and even Weather ReportFind albums by this artist. Most of the music was composed by Skidmore, but, as the title suggests, a significant portion of it was composed by John ColtraneFind albums by this artist, with Skidmore admitting to being his devoted disciple. A vast majority of the 46 tracks included in this Box Set are previously unissued.
Over the years Skidmore played with the absolute crème de la crème of the modern British Jazz musicians, including John SurmanFind albums by this artist, Mike OsborneFind albums by this artist, Tony OxleyFind albums by this artist, Kenny WheelerFind albums by this artist, Ron MathewsonFind albums by this artist, John TaylorFind albums by this artist, Dave HollandFind albums by this artist, Chris LaurenceFind albums by this artist and many others, as well as many pioneering European and American Jazz musicians.
The music is presented chronologically and beautifully illustrates the gradual metamorphosis of Skidmore from Blues and mainstream Jazz player towards more adventurous areas towards the exploration of Free and Avant-Garde Jazz, which occurred by the end of the 1960s. The last two CDs are dedicated to the exploration of the music of John Coltrane, including a live performance at the legendary Café OTO from 2019 on CD6.
The music is of course brilliant from start to finish, and the release of this Box Set is a truly festive occasion to hear so much music previously hidden from the public ear, all of which is essential to every true British Jazz fan around the globe. The level of the performances is stellar of course, with Skidmore displaying his amazing technique and passion, which obviously are old news for any British Jazz follower, but appear herein in their full might and splendor. Thank God for the depth of Skidmore’s private archives, which made this Box Set possible, and perhaps those might be reexamined in order to find more of such treasures? Of course thanks to Mark WastellFind albums by this artist, the owner of ConfrontFind albums on this label Recordings, for making this dream come true.
Overall, this is an absolutely essential piece of British Jazz history, with hours upon hours of brilliant music, which sees the light of day for the first time. It presents the development of the British / European Jazz scene from the perspective of just one of its many heroes, but considering the incredible gathering of musicians who play on these tracks, it becomes way more than just a story of one man, as important as he might be thanks to his own achievements, constituting in fact a reflection of an Era.
| | Updated: 01/10/2024Posted: 21/06/2023 | CD 6 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JOZEF SKRZEK ~ AKUSTYCZNIE II
VIATOR 002 (Barcode: 5901549197440) ~ POLAND ~ Progressive Rock
Recorded: 2003 Released: 2015
This is an archival release by Polish bassist / keyboardist / composer Jozef SkrzekFind albums by this artist, the founder and leader of the legendary Polish Progressive Rock and Jazz-Rock Fusion band SBBFind albums by this artist. It is the second album on his ViatorFind albums on this label label, and it presents a solo concert by Skrzek captured live at a club in Czech Republic. The music includes six original compositions by Skrzek, spanning his entire career, which are well known to Skrzek / SBB fans. Skrzek sings and plays piano and Minimoog.
The recording captures very well the atmosphere of the club and Skrzek at his best, playing his heart out. The recording quality is rather questionable, but considering the intensity of the performance this can be easily forgiven. Skrzek´s fans will find this highly interesting and entertaining of course.
On the other hand, however, Skrzek and SBB released way to many live recordings so far, which feature quite similar material, which means that one more such album basically adds nothing new to what Skrzek / SBB have to offer, simply further saturating the market.
| | Updated: 03/03/2016Posted: 03/03/2016 | CD 1 Recommend To A Friend |
  | JOZEF SKRZEK / TOMASZ SZUKALSKI ~ AMBITUS EXTENDED
METAL MIND 0540 (Barcode: 5907785030459) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1981 Released: 2008
This is a reissue of the album recorded by the duo that brought together two legendary musicians: founder and leader of SBBFind albums by this artist, bassist / keyboardist Jozef SkrzekFind albums by this artist and one of the Giants of Polish Jazz, saxophonist Tomasz SzukalskiFind albums by this artist, who came to fame as member of ensembles led by Tomasz StankoFind albums by this artist and Zbigniew NamyslowskiFind albums by this artist. Skrzek and Szukalski played together on and off since the mid 1970s but in the tense pre-Martial Law period (1980-1981) the duo recorded this album and several other projects together and performed live quite often. This remastered edition of the album was expanded by six previously unreleased live tracks, recorded shortly before the recording of the original album material.
The music was co-composed by Skrzek and Szukalski and mostly improvised on pre-conceived melodic motifs, and features extensive soloing by Szukalski and wonderful keyboards work by Skrzek. Stylistically it moves between Blues, Fusion, Progressive Rock and Jazz, always beautifully harmonic and deeply moving. Szukalski was the absolute Master of melodic improvisation, like his idol Ben WebsterFind albums by this artist, and had no equals on the Polish scene at that time (or even to this very day). His untimely death was a great loss for Polish / European Jazz.
In spite of its minimalistic scope and approach, the album is full of absolutely thrilling musical ideas and virtuosic performances, and remains to this very day a milestone achievement of Polish Jazz / Fusion / Blues-Rock history. This reissue brings back to life a piece of Polish music history and is of course a must have for Polish music fans / collectors.
| | Updated: 07/05/2018Posted: 07/05/2018 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | SLY & THE FAMILY STONE ~ A WHOLE NEW THING (LIMITED DELUXE EDITION)
EPIC 90277 (Barcode: 827969027721) ~ USA ~ Classic Rock
Recorded: 1967 Released: 2007
1st album by one of the most important and influential US bands from the late 1960s and early 1970s. Sly & The Family StoneFind albums by this artist were pioneers on all fronts, musical, social and political. They were the first fully integrated group with Black and White, Men and Women musicians playing side by side. They were the first group to develop Funk as a fully-fledged musical genre. They were one of the first Pop / Rock acts to use a brass section as an integral part of the group. Later on they would also spearhead the political protest (in which many rock musicians participated) against segregation and the Vietnam War. The group had an immense influence on the US music scene, far beyond the Rock circles and earned many admirers and supporters among such distinguished musical figures as Miles DavisFind albums by this artist. Their legendary Woodstock appearance was one of the highlights of the festival. In short, they were one of the cornerstones of the US musical scene.
This debut album firmly belongs to the Flower Power movement of the San Francisco scene, mixing elements of soul, funk, psychedelic influences and jazz. The different ethnic backgrounds of the members created an amalgam of styles that was truly unique and groundbreaking. The music was eclectic and sophisticated way beyond what was happening on the music scene at the time, using jazzy brass arrangements and vocal harmonies in a way never previously attempted. This beautiful new edition includes splendid liner notes and ultra-rare bonus tracks. A beautiful trip down the memory lane!
| | | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | JAROSLAW SMIETANA ~ A TRIBUTE TO ZBIGNIEW SEIFERT
JSR 0011 (Barcode: 5901119902399) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2009 Released: 2009
This is a stunning tribute album to the Polish violin virtuoso / composer Zbigniew SeifertFind albums by this artist by the great Polish guitarist Jaroslaw SmietanaFind albums by this artist and his band: pianist Piotr WylezolFind albums by this artist, bassist Zbigniew WegehauptFind albums by this artist, drummer Adam CzerwinskiFind albums by this artist and percussionist Slawomir BernyFind albums by this artist. Keyboardist Janusz GrzywaczFind albums by this artist guests on two tracks. Smietana invited nine leading Jazz violinists to play along with this fabulous band, performing Seifert´s wonderful compositions. They are: Jerry GoodmanFind albums by this artist (ex-Mahavishnu OrchestraFind albums by this artist, USA), Mateusz SmoczynskiFind albums by this artist (Poland), Didier LockwoodFind albums by this artist (France), Krzesimir DebskiFind albums by this artist (Poland), Christian HowesFind albums by this artist (USA), Mark FeldmanFind albums by this artist (USA), Maciej StrzelczykFind albums by this artist (Poland), Adam BaldychFind albums by this artist (Poland) and Pierre BlanchardFind albums by this artist (France). These nine virtuosi play like there´s no tomorrow and the resulting music is simply a breathtaking trip into Seifert´s world. This is such a conglomerate of talent, that anything said beyond this would be simply superfluous. Simply grab this ASAP, as you are about to take trip of your life – violin heaven indeed!
| | | CD 1 Digipak Recommend To A Friend |
  | SMITH, TOMMY ~ AZURE
LINN 059 ~ UK ~ Jazz
This quartet recording with the legendary UK trumpet player Kenny Wheeler and the outstanding rhythm section of Danielsson / Christensen (Garbarek / Jarrett) puts Tommy Smith in the true Giant`s league where he belongs. This is modern jazz at its best and the crystal clear sound and ambience of this album, similar to the ECM sound, does him a great service.
1 last copy in stock!
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  | MATEUSZ SMOCZYNSKI ~ ADAM`S APPLE
WARNER MUSIC POLAND 5021732288127 (Barcode: 5021732288127) ~ POLAND ~ Jazz-Classical Fusion
Recorded: 2021 - 2022 Released: 2024
This is an album by Polish Jazz violinist / composer Mateusz SmoczynskiFind albums by this artist, recorded with the Chopin University Chamber OrchestraFind albums by this artist conducted by Rafal JaniakFind albums by this artist. The album presents two extended pieces for violin and orchestra: the five-part concerto for violin and orchestra composed by Smoczynski in 2018, entitled "Adam’s Apple”, and the four-part concerto for violin, rhythm section and Symphony Orchestra composed by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist in 1974. The rhythm section comprises of pianist Dominik WaniaFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist.
In the album’s liner notes Smoczynski credits the influence of Seifert on his musical development from his early age and the more recent influence of the American composer John AdamsFind albums by this artist, and explains how the album’s title refers both to the Biblical story and the composer’s name.
The music is every bit as brilliant as one might expect, in every sense. Placing both these violin concerti side by side, presents a wonderful opportunity to observe the development of the Jazz-Classical Fusion genre over the forty-four years’ time gap, as well as stylistic differences and approaches between the two composers. Considering the fact that this is the first time the Seifert’s concerto is released on record, this album is already a sensational occasion for celebration.
Not less important is the opportunity to have such ambitious music recorded and released, which sadly is rather uncommon in the world ruled by commerciality and questionable aesthetics. As such, this album is an absolute gem, offering a wonderful opportunity to hear such a delightful music and at the same time playing tribute to the memory of Seifert, who was undoubtedly one of Polish Jazz most prominent figures.
The performances by Smoczynski, the Orchestra and the rhythm section are stellar in every sense, which is hardly surprising, considering the fact that these are some of Polish Jazz top Artists. Listeners familiar with the local scene are of course aware that Smoczynski is a member of the fabulous Atom String QuartetFind albums by this artist, Kurkiewicz and Miskiewicz are members of the Marcin WasilewskiFind albums by this artist Trio and Wania is one of the most revered Polish Jazz pianists. One can hardly wish for a better team.
Overall, this is a superb example of the highly artistic level of the Polish Jazz scene, which often sees local musicians undertaking very ambitious projects, like the music on this album, with full support of the local recording industry and fellow musicians from across the genres. For Jazz-Classical Fusion lovers, this is as high as the genre soars. Not to be missed!
| | Updated: 28/12/2024Posted: 28/12/2024 | CD 1 SACD Recommend To A Friend |
  | SVANTE SODERQVIST ~ ARRIVAL
PROPHONE 221 (Barcode: 822359002265) ~ SWEDEN ~ Jazz
Recorded: 2019 Released: 2020
This is the debut album as a leader by Swedish bassist / cellist / vocalist / composer Svante SoderqvistFind albums by this artist recorded in a trio setting with pianist Adam ForkelidFind albums by this artist and drummer Calle RasmussonFind albums by this artist. Polish Jazz violinist Adam BaldychFind albums by this artist guests on two tracks and vocalist Maria WinterFind albums by this artist on one. The album presents ten pieces, nine of which are original compositions by Soderqvist and one is an interpretation of a song by Stevie WanderFind albums by this artist.
The music is all strictly melodic mainstream Jazz, definitely on the lighter side of the spectrum, but the compositions are all solid and coherent and offer an opportunity for the leader to show his chops as a bassist and cellist. His vocalese singing of the melody lines is however a bit simplistic, but overall fits the mood of the proceedings.
Forkelid plays excellent piano lines and confirms his status as formidable pianist known from his other recordings. Rasmusson drives the music forward with precision and respectful distance.
The two tracks featuring Baldych are the highlights of the album and both are closer to the Jazz spirit then almost all the other pieces which combine Folklore / Pop / Classical Music influences. Baldych delivers fiery solos, as expected.
Overall this is a very mellow, pleasant album offering melodic content executed splendidly by the participants, which should satisfy a wide audience of listeners, who are enjoying the more entertaining facet of Jazz. Combined with the excellent sound quality this album is definitely great fun to listen to.
| | Updated: 02/11/2020Posted: 02/11/2020 | CD 1 Digipak Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE & WELL: RECORDED IN PARIS (EXPANDED EDITION)
ESOTERIC 2234 (Barcode: 5013929733428) ~ UK ~ Canterbury Scene
Recorded: 1977 Released: 2010
By 1974 the legendary Soft MachineFind albums by this artist switched record labels from CBSFind albums on this label / ColumbiaFind albums on this label (after releasing five magnificent albums on that label) to EMIFind albums on this label´s progressive HarvestFind albums on this label label, on which they would release the band´s last four albums before their epic story would finally come to an end (for the time being).
But the label switch was in fact only an exterior manifestation of the deep changes that the group was experiencing at the time. In retrospect, the four Harvest albums mark a completely new phase in the band´s musical direction, leaving behind the Free Jazz / Improvised Music extremes in favor of more structured and composed music, with strong melodic elements and almost mainstream Jazz-Rock sound. The most significant factor, which brought about the change, was Elton DeanFind albums by this artist´s replacement by oboe, saxophone and piano player Karl JenkinsFind albums by this artist, who also became the most prolific composer of the band´s new material. The second factor was the decision to include a permanent guitarist into the band´s ranks, which was to change the sound significantly from Jazz to Jazz-Rock.
This, the group´s 1st formal live album, was the third of the Harvest albums, with the Soft Machine lineup comprising of Jenkins, violinist Rick SandersFind albums by this artist, guitarist John EtheridgeFind albums by this artist (who replaced Allan HoldsworthFind albums by this artist), bassist Steve CookFind albums by this artist and drummer John MarshallFind albums by this artist. It was recorded live at the Parisian "Theatre Le Palace, Monmartre". The music includes material from the two previous Harvest albums, as well as previously unrecorded tunes. There is plenty of improvisation by the players, but it´s much more settled and well organized.
Overall, in retrospect this is still a very solid album by a great band and an absolute must to all Soft Machine fans. This expanded edition includes a whole second CD of previously unreleased material recorded at the same concert dates.
| | Updated: 06/07/2024Posted: | CD 2 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | SOFT MACHINE ~ ALIVE IN PARIS 1970
VOICEPRINT 045 (Barcode: 604388704200) ~ UK ~ Canterbury Scene
Recorded: 1970 Released: 2008
Although the early period of the legendary Canterbury band Soft MachineFind albums by this artist is relatively well documented on record, especially in the last decade when many live recordings of the band have been unearthed, cleaned up and released, video material was so far almost completely nonexistent. Therefore if there is a Holy Grail of Canterbury scene, and of course of Soft Machine, this is it! This footage, filmed by French TV at the Theatre de la Musique is not only a stellar visual experience but also a great sonic document due to the theatre´s superb acoustic. The band is at their most creative peak of course and what´s more the quintet lineup here, including Lyn DobsonFind albums by this artist on saxes and flute, existed for a mere few months and is almost undocumented on record. Elton DeanFind albums by this artist, Mike RatledgeFind albums by this artist, Hugh HopperFind albums by this artist and Robert WyattFind albums by this artist are the band´s backbone and of course everybody plays their hearts out in glorious harmony and high-spirited atmosphere. I don´t need to emphasize how great and groundbreaking this music is (as I have done repeatedly so many times already), so let´s just say that this is an essential piece of music history, which deserves a place in any serious music collection.
| | | DVD 1 Essential Recommend To A Friend |
  | SOFT WORKS ~ ABRACADABRA IN OSAKA
MOONJUNE 112 (Barcode: 692287911225) ~ UK ~ Jazz-Rock Fusion
Recorded: 2003 Released: 2021
This is an archival album documenting a live concert by the short-lived British quartet Soft WorksFind albums by this artist, comprising of ex-Soft MachineFind albums by this artist members: saxophonist Elton DeanFind albums by this artist (who also plays Fender Rhodes here), guitarist Allan HoldsworthFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer John MarshallFind albums by this artist. The music was captured during the group’s tour in Japan in 2003. The 2CD album presents eleven tracks, some of which were originally composed for the group’s only studio album “AbracadabraFind albums with this title”, and others which belong to the classic Soft Machine repertoire.
With tracks running on average over the ten-minutes mark, the music is everything the listener familiar with Soft Machine stuff might expect, i.e. long instrumental jams, featuring extensive improvisations by Dean and Holdsworth, superbly supported by the rhythm section. As a result, the music constantly swings like a pendulum between Jazz (Dean) and Fusion (Holdsworth), with the rhythm section swinging on its own right.
Probably the most impressive are the solo parts played by Holdsworth, who obviously feels unconstrained by any time limit obligations and psychological pressures, and simply pours his heart out, producing some of the best guitar oriented Fusion moments ever. I always thought that Holdsworth was one of the tragic figures on the guitar arena in many respects. He was simply too talented for his own good, never actually managing to create the music he really wanted to, from the earliest days of his career and to the very end of his life. His studio recordings are all very far from what he really had to say and as a member of group efforts he simply never found a team that could march his stratospheric imagination, which always soared to the stars. This album probably captures some of his best playing ever, like what I remember when he used to play in dinky pubs around London, completely relaxed sitting a couple of feet away from his audience.
Although there is a lot of open space in this music, with pretty wild improvisation around, the music stays well organized for the duration, and eschews the Free Jazz idiom, which might have disrupted the connection with the audience. Complex and challenging – yes, but never chaotic, would be the best description of these proceedings.
Overall this is a wonderful document of this particular chapter in the long Soft Machine family tree history, which is of course fascinating and absolutely worthy of exploring. Thanks to Leonardo PavkovicFind albums by this artist, the one-man musical army who made it all possible at the time as a tour organizer and now as the owner of the MoonJuneFind albums on this label label, which released this music on record. Pavkovic tells the story behind the music in the album’s booklet, but the story of his collected activities can fill a huge volume, hopefully to be properly written. Proud to be your Friend, Amigo!
| | Updated: 25/04/2021Posted: 25/04/2021 | CD 2 Mini-Sleeve Recommend To A Friend |
  | SOLSTICE COIL ~ A PRESCRIPTION FOR PAPER CUTS
NOT ON LABEL ~ ISRAEL ~ Progressive Rock
1st album (recorded 2005) by the Israeli Prog ensemble, which is surely the most important release on the local scene in many years, if not ever. This is the first Israel Prog album that can be honestly classified as being 100 % Prog. The five young musicians, who are the members of SC, are all accomplished players and the lead singer (singing in English) shows great vocal range and sensitivity. The compositions are complex and well developed, ranging in style from classic Sympho-influenced to Metal Prog. Definitely a superb debut, which hopefully will represent the Israeli Prog worldwide with honors.
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  | SOM NOSSO DE CADA DIA ~ A PROCURA DA ESSÊNCIA: AU VIVO 1975-1976
EDITIO PRINCEPS 04 (Barcode: 7898901556046) ~ BRAZIL ~ Jazz-Rock Fusion
Recorded: 1975 - 1976 Released: 2004
These live recordings are the only available document of the legendary Brazilian 1970s Prog / Fusion band Som Nosso De Cada DiaFind albums by this artist. Following the release of their debut album SnegsFind albums by this artist in 1974, the band embarked upon intensive touring and performances, but the lack of commercial success, lack of interest from record labels, etc. (the usual hardships of 1970s Prog artists) led to internal frictions and four years after the band was formed it disbanded and disappeared from the scene. The band recorded their 2nd legendary album AmazôniaFind albums by this artist in 1975, which was picked by CBSFind albums on this label Brazil, but released only two years as Som NossoFind albums with this title with intensive overdubs and remix, completely changing the original masterpiece into a commercial funk album. These live recordings present the group in its full glory playing their great material, including the full original version of the “Amazônia” suite. Most of the tracks are extensive instrumental improvisations, mostly over 10 minutes long and one over 17 minutes long, which show the virtuosity of the players. The double keyboards line and exceptional spacey lead guitar offer endless peaks of energy floating somewhere between early Pink FloydFind albums by this artist and Weather ReportFind albums by this artist. This is fantastic music and in spite of the technical flaws of the recording every fan of good music should be grateful this is available for us to enjoy. Most warmly recommended!
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  | JOLANTA SOSNOWSKA & FRIENDS ~ ANTONIO CALDARA: VIOLIN SONATAS
FOR TUNE 0159 (Barcode: 5906395808748) ~ POLAND ~ Classical
Recorded: 2020 Released: 2022
I write about Classical Music relatively rarely, mainly since I don’t feel sufficiently qualified in the intricacies of the vast legacy of music created over the Centuries. However, in special cases, where the music in question or the performers are close to my heart, I allow myself to express my humble impressions, trying carefully no to commit terrible blunders.
This album is the second recording by Polish violinist Jolanta SosnowskaFind albums by this artist, resident in Vienna since 2005, and third overall Classical Music release on the Polish For TuneFind albums on this label label, one of the true patrons of music on the Polish scene, with a remarkable catalogue of 160 titles, assembled over time, which include also numerous Jazz, Avant-Garde and World Music titles.
Sosnowska, who obviously likes to dig into the vast library of musical manuscripts at the Austrian National Museum in Vienna, found many forgotten pieces of music, which deserve a contemporary performance and recording. These eight violin sonata by the Italian Baroque composer Antonio CaldaraFind albums by this artist are among her finest findings, and the album presents their World Premiere recording. The music was performed by Sosnowska with cellist Philipp ComploiFind albums by this artist and harpsicord player Erich TraxlerFind albums by this artist and beautifully recorded in a Viennese church. The music was performed by authentic instruments originating from the time this music was composed.
The beautiful booklet includes a short essay by musicologist Herbert SeifertFind albums by this artist, who explains the problems with crediting Classical music pieces to their creators and the polemics around these pieces. A short note by Sosnowska about the music is also included, all appearing in Polish, English and German languages.
The music is an orgy of Baroque finesse, which in this case is also superbly melodic. Caldera was a wonderful songweaver, which as a composer of many operas was surely very useful, but these sonatas are also full of wonderful melodies. The minimalist trio setting is ideal for this music, allowing every little nuance to be heard perfectly clearly and vividly. The performances are superbly vivacious and Sosnowska’s violin parts are absolutely stunning.
Overall, this is a beautiful piece of music, much like a true Bomboniere of Baroque fantasy, bringing immediate associations of other Baroque wonders of architecture, painting and poetry, and which manages to balance perfectly between kitsch and elated beauty, which never ceases to astound. Wholeheartedly recommended, even for people, who would never think to listen to a Classical Music album, or perhaps even especially for those people!
| | Updated: 24/11/2022Posted: 24/11/2022 | CD 1 Digipak Recommend To A Friend |
  | TASSOS SPILIOTOPOULOS ~ ARCHIPELAGOS
F-IRE 32 (Barcode: 5060092193221) ~ GREECE ~ Jazz-Rock Fusion
Recorded: 2009 Released: 2010
This is the second album by Greek (resident in London at the time) guitarist / composer Tassos SpiliotopoulosFind albums by this artist, recorded in a trio format with his customary cohorts at the time: Israeli bassist Yaron StaviFind albums by this artist and drummer Asaf SirkisFind albums by this artist, both also resident in London. Two guest musicians appear, each on one track only: guitarist John ParricelliFind albums by this artist and legendary (sadly no longer with us) trumpeter Kenny WheelerFind albums by this artist, who plays a brilliant solo like only he could. The album presents eight original tracks, all composed and arranged by Spiliotopoulos.
Spiliotopoulos is certainly one of the most original voices among contemporary guitarists, playing and composing in a completely unique style which is incomparable with any other guitar player that I have heard and immediately recognizable. Considering the fact that there are countless guitar players out there, his individuality is already a great asset. Combined with his virtuosic abilities, it makes Spiliotopoulos a phenomenon worth following.
The music is a sort of Jazz-Rock Fusion, mostly sonically, as the actual melodies are way more delicate and complex than the average Fusion production, full of beautiful melancholy and intrinsic Mediterranean peace of mind. Spiliotopoulos, Stavi and Sirkis fir together ideally, as documented also on other recordings they are all featured on, and it shows. The interplay and camaraderie present here are simply marvelous.
Overall this is a beautiful album recorded by three Master musicians, which proves that Jazz-Rock Fusion has still something to offer when taken seriously. Wholeheartedly recommended, and if you can find a copy grab it ASAP.
| | Updated: 11/03/2016Posted: 11/03/2016 | CD 1 Recommend To A Friend |
  | SPIROGYRA ~ A CANTERBURY TALE
CASTLE 1258 ~ UK ~ Folk-Rock
Recorded: 1971 - 1973 Released: 5050
Although originating from Canterbury, SpirogyraFind albums by this artist is not considered as part of the Canterbury Scene gang. They were a folk / rock or rather an acid / folk group, influenced as much by the British folk music as by the Psychedelic movement of the late 1960’s. Fronted by Martin CockerhamFind albums by this artist, who also wrote all of their material, and including the wonderful singer Barbara GaskinFind albums by this artist, they recorded only three albums: St. RadigundsFind albums with this title (1971), Old Boot WineFind albums with this title (1972) and Bells, Boots And ShamblesFind albums with this title (1973), all included here with additional, previously unreleased material. In retrospect it is quite clear that Spirogyra were one of the most accomplished representatives of the genre, sadly little known in comparison to other similar outfits like Steeleye SpanFind albums by this artist, Fairport ConventionFind albums by this artist or The Incredible String BandFind albums by this artist (to which they were the closest in style). The quality of the material, as well as the truly excellent instrumental work (by additional band members changing from album to album) is amply documented here for us to enjoy. The albums stand the test of time with ease, being as moving and exciting today as they were when originally recorded. For fans of the genre this is an absolute must!
| | | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | SPRING HEEL JACK ~ AMASSED
THIRSTY EAR 57123 (Barcode: 700435712324) ~ UK ~ Free Jazz / Improvised Music
Recorded: 2002 Released: 2002
This is an album by British electronic music duo Spring Heel JackFind albums by this artist, consisting of John CoxonFind albums by this artist and Ashley WalesFind albums by this artist. Following the release of three Drum & Bass albums in the 1990s, the duo switched their musical direction and with the turn of the Millennium released a series of recordings made with international group of Free Jazz / Avant-Garde musicians, like those appearing on this album: British saxophonist Evan ParkerFind albums by this artist, trombonist Paul RutherfordFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist and bassists John EdwardsFind albums by this artist and George TrebarFind albums by this artist, American pianist Matthew ShippFind albums by this artist, Dutch drummer Han BenninkFind albums by this artist and others. The album presents eight original compositions co-composed by the participating musicians.
The music is as experimental and weird as one might expect from the above lineup, which of course is something some of us love dearly ;) Long improvisations and intimate conversations between these wonderful musicians are always worth listening to and honestly the electronic music elements by the duo are not really significant here, more like background and general ornamentation.
The music is very serene and held back, offering a multitude of wonderful soli, in particular those by Evans and Wheeler, which are nothing short of spectacular. The musicians form duos, trios, quartets and a constantly changing lineup, which offers not one dull moment for the duration. The overall atmosphere of freedom and lack of boundaries contributes greatly to the creative powers of the participants and the result is really surprising.
For British Free Jazz / Improvised Music enthusiasts this album, which they are most probably nor aware of its existence, is a treasure chest of great discoveries and something definitely worth checking out, well deserving a place in their record collections. Apparently this album is still available, so grab a copy as long as those last.
Overall this is a little known gem, which is definitely a great surprise!
| | Updated: 14/10/2020Posted: 14/10/2020 | CD 1 Recommend To A Friend |
  | STACK ~ ABOVE ALL
GEAR FAB 111 (Barcode: 645270011129) ~ USA ~ Classic Rock
Recorded: 1968 Released: 1998
Only album by superb US band StackFind albums by this artist, which is considered to be one of the greatest unknown gems of American Rock made legendary by its rarity before being issued on CD. A mixture of Psychedelic and heavy Rock, the preferred weapons of choice of the era, this music lost nothing of its freshness and beauty over the time. Although obscure, this album is as good as anything recorded at the time and deserves to be re-discovered. Wholeheartedly recommended!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | KRYSTYNA STANKO ~ AQUARIUS: THE ORCHESTRAL SESSIONS
STM 006 (Barcode: 602577499500) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2019
This is the 9th album by Polish Jazz vocalist Krystyna StankoFind albums by this artist, recorded with her more or less regular musical companions: vibraphonist Dominik BukowskiFind albums by this artist, guitarist Marcin WadolowskiFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Cezary KonradFind albums by this artist. Violin virtuoso Mateusz SmoczynskiFind albums by this artist guests on a couple of tracks. Additionally the Sinfonia VivaFind albums by this artist Orchestra, conducted by Krzysztof HerdzinFind albums by this artist, who also wrote the orchestral arrangements, provides the orchestral accompaniment. The album presents ten songs, three of which were written by Antonio Carlos JobimFind albums by this artist, two by Chick CoreaFind albums by this artist, four are Jazz standards and one is a Polish cabaret song.
Musically this album is a direct continuation of Stanko´s previous album "Novos AnosFind albums with this title", which was characterized by a distinct Bossa Nova flavor, which is also present here. The same idea of presenting well known songs in a very personal interpretation applies also here. The superb instrumental work by the excellent musicians who accompany the vocalist, are enhanced here with the addition of the orchestral arrangement, wonderfully and cleverly put together by Herdzin.
Altogether the instrumental work on this album is every bit as impressive as the vocal parts. Bukowski uses the vibraphone and the marimba like a snake charmer, adopting his solos to every tune. Wadolowski plays quiet acoustic guitar parts but also excellent electric solos and consistently proves that he is one of the top guitar players on the local scene. Lemanczyk, as usual, keeps everything under control with his caressing bass lines, which fill all the spaces. Konrad is steady like the Rock of Gibraltar, and his delicate, but firm drum parts, which are the heartbeat of the music.
Herdzin´s arrangements deserve praise not only for their sophistication, but more importantly for their incorporation within the overall framework of the sound, staying respectfully in the background and ornamenting the sonic whole rather that dominating it.
Stanko, as usual, balances between singing lyrics and vocalese, in order to keep the things interesting. Her sensuous and dreamy voice is charming as always, and she is not trying to sound like anybody else simply being herself, a quality I always admired in her career. Her understanding of the fact that there is nothing wrong with singing standards, as long as the result is both musically solid and uncompromising, is a key ingredient of her musical mission.
Overall this is a beautiful album full of superb music and outstanding performances, which can be enjoyed by a wide spectrum of Jazz listeners, from complete beginners to experienced connoisseurs, with each one being able to find something that touches them.
Thank you again, my Baltic Siren, for sharing your musical heart with me and everybody else who will listen to this music and enjoy it. You are the one and only, as always!
| | Updated: 23/03/2024Posted: 02/04/2019 | CD 1 Digipak Recommend To A Friend |
  | TOMASZ STANKO ~ A FAREWELL TO MARIA (SOUNDTRACK)
GOWI 12 ~ POLAND ~ Jazz
Recorded: 1993 Released: 1994
This is an album by legendary Polish Jazz trumpeter Tomasz StankoFind albums by this artist, which presents the music used as a soundtrack of an obscure Polish TV movie "A Farewell To MariaFind albums with this title", directed by Filip ZylberFind albums by this artist. The music is performed by a large cast of top Polish Jazz musicians, like saxophonist Tomasz SzukalskiFind albums by this artist, keyboardist Janusz SkowronFind albums by this artist, bassists Andrzej CudzichFind albums by this artist and Adam CegielskiFind albums by this artist, drummer Cezary KonradFind albums by this artist and others, as well as a string quartet. The album comprises of thirteen relatively short tracks, which appear within the film.
The music is a wonderful example of the strength of Stanko the composer and is based around the leitmotif, which is, as always, a heartwrenching ballad that Stanko masterly created. But the album also includes several additional melodic and improvised pieces, which create a diverse and fascinating musical experience. In contrast to many soundtrack albums, this one works perfectly well by itself, detached from the cinematic layer.
The performances are all top notch, again as expected, and in many respects this album firmly belongs to the mainstream of Stanko´s recorded heritage. It´s a great pity that this album so little known by Stanko´s fans and the fact that it is impossible to find a copy of this album is a crying shame. Grab it if you can find it!
| | Updated: 18/07/2017Posted: 18/07/2017 | CD 1 Recommend To A Friend |
  | TOMASZ STANKO ~ A I J
POLONIA 103 ~ POLAND ~ Jazz
Recorded: 1982 Released: 1997
This magnificent album by Polish trumpeter / composer Tomasz StankoFind albums by this artist includes the rest of the music recorded at the same session, which produced the superb "Music 81Find albums with this title" album. As with all great and prophetic Jazz Masters, Stanko´s music was evolving constantly and by the time this session was recorded in 1982, he was ready to leave behind the Avant-Garde / Free Jazz / experimental music, which dominated his first period (late 1960s to late 1970s) and gradually move forward towards new things, which would include mostly Jazz-Rock Fusion and Jazz-Electronic experiments, which of course were all as advanced and adventurous as anything else he made earlier.
That second period, which lasted roughly the whole decade of the 1980s, is well documented by the albums released during that time, each and every one of them indisputably a masterpiece in retrospect. This interim session between Stanko´s first and second period is especially interesting, as in many respects it both summarizes the first period and clearly leads the way towards the next. The music is surprisingly "straight-forward" (if such description is at all possible in connection with Stanko´s music) and conventional. Performed by a classic quartet with pianist Slawomir KulpowiczFind albums by this artist, bassist Vitold RekFind albums by this artist and the fabulous drummer Czeslaw BartkowskiFind albums by this artist, it moves stylistically somewhere between John ColtraneFind albums by this artist´s early 1960´s quartet and Miles DavisFind albums by this artist second quintet, mixing clear melody lines with complex improvisations. The performances are absolutely stellar, with Stanko´s trumpet shredding the air, beautiful and extremely sensitive piano work a la McCoy TynerFind albums by this artist, strong and steady bass and virtuosic drumming, which not only drives the music forward but also adds endless flamboyant ornamentations.
Of course in retrospect we know now that Stanko was to return to a similar format a decade and so later with his superb quartet, but at the time this music was completely unprecedented on the Polish scene. There are very few Jazz albums worldwide, which come close to the perfection and vision of the music herein, therefore this is definitely an absolute must for any serious Jazz connoisseur, Polish Jazz collector and anybody with a pair of open ears. Beyond essential!
| | Updated: 12/04/2019Posted: | CD 1 Slipcase Essential Recommend To A Friend |
  | WOJCIECH STARONIEWICZ ~ A`FREAK-AN PROJECT
ALLEGRO 021 (Barcode: 5901157049216) ~ POLAND ~ Jazz-World Fusion
Recorded: 2010 Released: 2011
This is a very interesting concept album by veteran Polish Jazz saxophonist / composer Wojciech StaroniewiczFind albums by this artist, dedicated to African music. Staroniewicz assembled an unusual lineup, fronted by a four-saxophone brass section: himself on tenor, Przemek DyakowskiFind albums by this artist on tenor, Dariusz HerbaszFind albums by this artist on baritone and Irek WojtczakFind albums by this artist on tenor and soprano saxophones. There are no keyboards, as appropriate for African music, which are replaced by typical African instruments like marimba and kalimba, with some vibraphone, all played by Dominik BukowskiFind albums by this artist. The rhythm section comprises of bassist Janusz MackiewiczFind albums by this artist and drummer Adam CzerwinskiFind albums by this artist and two percussionists complete the lineup: Larry Okey UgwuFind albums by this artist and Slawomir BernyFind albums by this artist. The album includes seven original compositions, all by the leader, and was recorded "live" in the studio.
Rather than copying obvious African elements, Staroniewicz creates a set of compositions, which are African more in spirit than in form, a task which is most commendable and of course much more difficult. The brass arrangements sound similar to African Brass Bands, mostly those from Southern part of the continent, but what is most impressive, is that Staroniewicz presents Africa as a whole, with music influences originating from all the four corners of the Black Continent – North with its Middle-Eastern flavor, West with its typical rhythm signatures, East with its enchanting expressive melodies and South with its highly energetic, danceable spirit. The decision not to include keyboards, especially electronic ones, adds significantly to the authenticity and genuineness of the overall result.
Although obviously a team effort, especially in light of the live recording circumstances, there are plenty of great solos by all the players involved. These are all experienced and talented musicians, mostly leaders of their own ensembles and the common strength of their conglomerated effort is quite impressive. One should note that although this is obviously a Jazz-World Fusion album, the ethnic elements are not dominating the basic Jazz feel and order of things here, which happens so often in this genre. After all these are European musicians, who grew up on European aesthetics and heritage, and for them pretending to be native Africans would be ridiculous. Therefore this subtle and intelligent approach is much more effective.
In addition to the great musical content the album is also beautifully packaged and the graphic design of the digipak enclosure is simply wonderful and highly original, which proves how much thought and love went into making this album.
Highly recommended to Jazz-World Fusion enthusiasts, who should enjoy this music wholeheartedly and repeatedly, discovering the many layers it has to offer. Nice stuff!
| | | CD 1 Digipak Recommend To A Friend |
  | WOJCIECH STARONIEWICZ ~ A`FREAK-KOMEDA PROJECT
ALLEGRO 029 (Barcode: 5901157049292) ~ POLAND ~ Jazz-World Fusion
Recorded: 2015 Released: 2015
This is the second album by veteran Polish Jazz saxophonist / composer Wojciech StaroniewiczFind albums by this artist and his A`Freak-aN ProjectFind albums by this artist ensemble, which consists of a four saxophones front line: Staroniewicz on tenor, Przemek DyakowskiFind albums by this artist on tenor, Dariusz HerbaszFind albums by this artist on baritone and Marcin JanekFind albums by this artist on soprano. The extended rhythm section includes vibraphonist Dominik BukowskiFind albums by this artist, bassist Janusz MackiewiczFind albums by this artist, drummer Roman SlefarskiFind albums by this artist and percussionist Larry Okey UgwuFind albums by this artist. As the title suggests, the album is dedicated to the music of Krzysztof KomedaFind albums by this artist and four of the six tracks presented here were composed by Komeda, and the remaining two are original composition by Staroniewicz, who also arranged all the music.
The African influences on this album, similarly to its predecessor, are relatively subtle and are wisely intertwined with the Jazz content, being felt primarily on the rhythmic plane and the overall atmosphere of the music. As a result this music is still very much mainstream Jazz, and not overtly a Jazz-World Fusion, although African spirit is present during the entire proceedings.
The arrangements of Komeda´s tunes work all very nicely, which on one hand proves that Komeda´s music is completely universal, and on the other that Staroniewicz and his colleagues do a great job here, lovingly and respectfully treating the creations of the great composer. The two originals by Staroniewicz ale also first rate tunes, fitting the overall atmosphere of the album.
The four saxophones section plays both superb ensemble arrangements and inspired individual solos, which are a true delight. Bukowski is also excellent, as usual, as is the solid rhythm section, which simply does a perfect job here. The level of instrumental work on this album is highly professional and full of joy and elegance.
Altogether this is a superb mainstream Jazz album, which features great music, intelligent arrangements and perfect execution. The almost impossible task of saying something innovative in relation to Komeda´s music was successfully achieved here as well. Therefore hopefully as many Jazz fans as possible will decide to check out this beautiful little gem and share its gift of music.
Once again I´d like to say that the graphic design of this album, which continues its predecessor´s idea, is among the most elegant and eye-catching album designs on the Polish Jazz market.
| | | CD 1 Digipak Recommend To A Friend |
  | WOJCIECH STARONIEWICZ ~ ALTERNATIONS
ALLEGRO 017 (Barcode: 5901157049179) ~ POLAND ~ Jazz
Recorded: 2007 Released: 2008
This is an excellent album by Polish saxophonist / composer Wojciech StaroniewiczFind albums by this artist, recorded with his quartet, which includes pianist Slawomir JaskulkeFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Hubert ZemlerFind albums by this artist. Polish piano superstar Leszek MozdzerFind albums by this artist sits in on three tracks, replacing the regular pianist. Staroniewicz composed all the nine tracks present here, which again proves his abilities as a composer, as they versatile and vary in mood and melodic direction, including some subtle World Music influences. The music is performed perfectly with the leader soloing extensively, and his solos are always a pleasure to listen to. On the three tracks Mozdzer guests on, he also gets plenty of space to show his chops. The rhythm section gives the soloist excellent support and the overall sound of the quartet is very solid. Staroniewicz has a wonderful tone on tenor and soprano saxophone and an unusually melodic approach, which does not diminish his improvisational qualities, which are truly impressive. Overall this album is a lot of fun to listen to and a great proof that solid, melodic Jazz can be also of high quality and interest. This album is most warmly recommended to Jazz fans who love quality modern mainstream Jazz.
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  | STEELEYE SPAN ~ ALL THINGS ARE QUITE SILENT: COMPLETE RECORDINGS 1970-71
CHERRY TREE 022 (Barcode: 5013929692206) ~ UK ~ Folk-Rock
Recorded: 1970 - 1971 Released: 2019
This Box Set collects the reissues of the first three magnificent albums by the seminal British Folk-Rock group Steeleye SpanFind albums by this artist: "Hark! The Village WaitFind albums with this title" (1970), "Please To See The KingFind albums with this title" (1971) and "Ten Man Mop Or Mr. Reservoir Butler Rides AgainFind albums with this title" (1971). The group was formed by the Godfather of the British Folk-Rock movement bassist / songwriter Ashley HutchingsFind albums by this artist following his departure from Fairport ConventionFind albums by this artist. The first lineup of the group, which recorded the first album in this collection, included also vocalist Maddy PriorFind albums by this artist, vocalist / multi-instrumentalist Tim HartFind albums by this artist, vocalist Gay WoodsFind albums by this artist and her husband multi-instrumentalist Terry WoodsFind albums by this artist. Following the departure of Gay and Terry, guitarist Martin CarthyFind albums by this artist and violinist Peter KnightFind albums by this artist joined the group and took part in the recording of the remaining two albums in this collection.
Steeleye Span was the absolute epitome of British Folk-Rock, performing mostly traditional British music with very few exceptions. The superb arrangements, which are based on wonderful vocal harmonies and exceptional instrumental work, made the group truly invincible in their idiom, and these sublime recordings are absolutely timeless and sound wonderfully contemporary to this very day.
Under Hutchings leadership the group showed deep respect towards the incredibly rich sources of traditional British music and brought it up to date with flair and elegance. Their approach was mimicked by many of their contemporaries and basically all Folk-Rock groups since can be referenced to these recordings. Prior´s exquisite vocals are an absolute treasure of this idiom and she remains invincible in her reign, with a long list of solo albums in addition to her work with Steeleye Span and other artists.
Only the third album in this collection is expanded by four studio bonus tracks. All three albums were reissued individually in 2005 / 2006 by CastleFind albums on this label Records and the second and third albums were expanded with the inclusion of wonderful BBC sessions, sadly not present here.
Overall this is an absolute essential material for all British Folk-Rock connoisseurs, since within the boundaries of that genre things don´t ever get better than what this Box Set offers.
| | Updated: 14/07/2022Posted: 14/09/2019 | CD 3 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | STEPPENWOLF ~ AT YOUR BIRTHDAY PARTY / 7
BGO 336 (Barcode: 5017261203366) ~ USA ~ Classic Rock
Recorded: 1969 - 1970 Released: 1996
3rd and 7th albums by US Rockers extraordinaire SteppenwolfFind albums by this artist, led by charismatic lead singer John KayFind albums by this artist, who also penned most of their material, presented here as a twofer. "At Your Birthday PartyFind albums with this title" was released following the two monster predecessors, which shaped the US Rock in many respects, and were truly impossible to follow. No wander the album was received coldly by critics, who considered it a much weaker release at the time, but in retrospect it is quite an excellent album in every respect. Rather that follow the pattern established by the two earlier albums, the band intentionally took a step back from the bluesy influences and expanded their repertoire to include Rock ballads, which worked out quite well. Considering the fact that the band was producing two albums yearly in the first phase of their existence, the entire output is truly amazing and definitely underappreciated. "7Find albums with this title" was the one before the last album recorded by the original incarnation of the band and is one of their strongest efforts, with excellent songwriting and perfect execution. It was their swan song in many respects, as the band would fall apart soon after, with just one more release up their sleeves. Although the band reformed later and in fact exists to this very day, the first glorious years and the first 8 albums are absolute Rock classics, sadly mostly forgotten and underappreciated. So here is a chance to re-examine their output and take another view at this great band, don´t miss it!
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  | MIKE STERN ~ ALL OVER THE PLACE
HEADS UP 33186 ~ USA ~ Jazz-Rock Fusion
Recorded: 2011 - 2012 Released: 2012
Some musicians simply can´t go wrong, and guitarist / composer Mike SternFind albums by this artist is certainly one of them. Decades of superb performances, composing and recording albums produced an incredible volume of music, which is always first rate and stays fresh, vibrant and eternally uplifting. This, his 17th album as a leader, is another of those wonderful albums that are simply perfect in what they are. It includes eleven new Stern original compositions, performed by an incredible all star band and guest artists, which reads like the who´s who of American Jazz and Fusion.
In time Stern managed to work out a formula, which works perfectly. His compositions combine great melodies with catchy licks and funky groove, but maintain incredibly high aesthetic standard and intelligent arrangements. The level of musicianship and stellar performances make the entire package irresistible. Stern´s Fusion is always an amalgam of the good old Blues roots with modern electric Funk and of course deep respect for the Jazz tradition.
The list of the performers on this album is really very long, so here are just a few of the better known names: trumpeter Randy BreckerFind albums by this artist, saxophonists Kenny GarrettFind albums by this artist and Bob MalachFind albums by this artist, keyboardist Jim BeardFind albums by this artist, bassists Anthony JacksonFind albums by this artist, Will LeeFind albums by this artist and Dave HollandFind albums by this artist, drummers Dave WecklFind albums by this artist and Al FosterFind albums by this artist and many others. His wife, guitarist Leni SternFind albums by this artist, also makes a rare guest appearance.
Fusion enthusiasts and Stern fans alike need absolutely no encouragement to grab this gem immediately. If anybody on this planet is still unfamiliar with his music, perhaps now is the time to remedy the situation. This album smokes!
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  | JOHN STEVENS ~ AT THE PLOUGH `79
FMR 215 (Barcode: 649849982766) ~ UK ~ Jazz
Recorded: 1979 Released: 2007
British drummer John StevensFind albums by this artist was one of the great heroes of the local scene and a great pioneer of the European Free Jazz / Improvised Music. Together with such distinguished British improvisers as Kenny WheelerFind albums by this artist, Evan ParkerFind albums by this artist, Paul RutherfordFind albums by this artist, Trevor WattsFind albums by this artist, Derek BaileyFind albums by this artist and Barry GuyFind albums by this artist, Stevens laid the foundations of the modern British Jazz revolution in the mid 1960s, when he started his Spontaneous Music EnsembleFind albums by this artist (SME), which he led for many years. SME recorded extensively through the 1970s, when the Improvised Music movement was at its peak. Later on he also recorded with many other European improvising musicians from the continent and continued to record for small independent labels. Stevens died in 1994 (at the age of 54) and left an immense legacy of recorded music, as well as a crucial contribution to the development of the Jazz Art Form. This live recording at the legendary London pub “The Plough”, which served as the meeting place of the Improvised Music scene in the 1970s, captures the John Stevens Trio with saxophone giant Mike OsborneFind albums by this artist and superb young (at the time) bassist Paul RogersFind albums by this artist. The set was recorded on a portable tape machine, which means that the sound quality is limited, but it does not affect the intensity and the brilliance of the music. The trio performs three Osborne originals and three interpretations of Jazz standards, which of course get quite a work-over. All three musicians are simply brilliant and the fans of this music should be grateful it was preserved for posterity, especially in view of the rather limited availability of live material by Osborne. Great to have this lost treasure rediscovered and available for all of us to enjoy. A gem!
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  | SASHA STRUNIN ~ AUTOPORTRETY
SOLITON 943 (Barcode: 9788364175602) ~ POLAND ~ Jazz & Poetry
Recorded: 2019 Released: 2019
There is no doubt that Jazz and Poetry were meant for each other. Both are, after all, the enfants terribles of their respective Art Forms, music and literature. Both embody the impossible balance between intellectual and emotional, both led the Avant-Garde movements in their respective fields and their amalgamation into the Jazz & Poetry idiom was simply inevitable. Therefore it is hardly surprising that Jazz & Poetry played a pivotal role during the 1960s Renaissance of the post WWII Culture in Poland and continues to be a vital ingredient of the local milieu ever since.
The music and the poetry present on this album are a wonderful example of the vivacity of the contemporary Jazz & Poetry idiom in Poland and in many respects one of the most ambitious attempts of its kind to date. The poetry of Miron BiałoszewskiFind albums by this artist, one of Poland´s twentieth Century most important literary figures, is not only expressive and profound but also difficult, complex and often controversial. His unconventional usage of language structures, word games and other idiosyncratic characteristics of his Avant-Garde approach to poetry make his poems extremely awkward to combine with music, requiring an acrobatic ability both from the composer and the vocalist.
Gary GuthmanFind albums by this artist, an American composer / arranger / trumpeter and a Jazz veteran living in Warsaw, deserves the highest praise for coalescing Białoszewski´s words with his music, presenting a coherent, harmonious musical flow which compliments the poetry wonderfully. What is even more astonishing is that the music is beautifully melodic and swinging, in contrast to the Avant-Garde spirit of the poetry itself. Perhaps it is a reflection of Białoszewski´s passion of music, which is inherently embedded in his poetry, despite its external enmity.
Sasha StruninFind albums by this artist is of course the absolute Diva of this project, singing the thorny, complicated texts with elegance, flair and incredible passion. Her depth of expression and the power of phrasing are truly hair-raising, blood-curdling and spine-chilling. Her total and unconditional dedication to this project is a beacon other Artist should follow. A relative newcomer to the Polish Jazz idiom, Sasha is today surely one of its greatest treasures.
Love you my friends, as always!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 05/07/2019Posted: 05/07/2019 | CD 1 Digibook Recommend To A Friend |
  | STRYCHARSKI / TARWID ~ APOGEUM
AUDIO CAVE 2024/005 (Barcode: 5908298549858) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2022 Released: 2024
This is the debut album by the Polish Jazz / Improvising Music duo comprising of flautist / electronics manipulator / composer Dominik StrycharskiFind albums by this artist and keyboardist / composer Grzegorz TarwidFind albums by this artist. The album presents seven tracks, all (assumably) co-credited to both musicians.
The music is completely improvised, almost entirely devoid of any melodic continuity, which to an inexperienced listener might sound as a collection of randomly produced sounds. Even listeners from the inside circles of the Polish Improvised Music might find this music trying. Although both of the duo members tackled improvising music earlier on, on this album they both take things to the extreme scale of the Avant-Garde mayhem, which of course is perfectly fine with me, albeit I much prefer their more conventional outings.
Although I have been listening to Improvised Music for more than six decades, I always face the same dilemma: even if the music manages to create some interest at the first time I listen to it, I find myself never ever returning to listen to it again. As a result, I prefer to listen to IM live than on record, knowing that this is an unrepeatable experience.
Of course I respect musicians, who do what they do with conviction and dedication, and both these Artists are extremely talented individuals, with an impressive recorded legacy already, despite their relative young age. I simply favor their past recordings, some of which are truly exceptional, to this particular cooperation.
Overall, this is a highly demanding, Avant-Garde Improvised Music experiment, which probably will find some enthusiastic followers, but which I found somewhat estranged to on one hand, and experiencing the famous déjà vu feeling on the other hand. In my experience being innovative in Avant-Garde is way more difficult than on conventional ground, as absurd as this may sound. Kudos for trying and not looking back!
| | Updated: 12/07/2024Posted: 12/07/2024 | CD 1 Digipak Recommend To A Friend |
  | DOMINIK STRYCHARSKI CORE ~ ALERT
AUDIO CAVE 2025/002 (Barcode: 5908298549940) ~ POLAND ~ Avant-Garde Jazz
Recorded: 2022 Released: 2025
This is an album by Polish Jazz flautist / composer / bandleader Dominik StrycharskiFind albums by this artist and his CoreFind albums by this artist quintet, which also includes pianist Barbara DrazkovFind albums by this artist (a.k.a. Barbara DrazkowskaFind albums by this artist), trumpeter Wojciech JachnaFind albums by this artist, bassist Zbigniew KozeraFind albums by this artist and drummer Pawel SzpuraFind albums by this artist. Strycharski and Jachna employ electronics and Drazkowska plays a prepared piano. The album presents five tracks, all original compositions by the leader.
The music is a brilliant amalgam of composed, but highly unusual, modernist music and controlled Improvised interludes, which combine acoustic and electronic sounds, odd pulsations, Avant-Garde contemporary approach and a plethora of other wonderful weirdness, which immediately bring fond memories of Zappaesque complete disregard of conventions, in short everything one might desire in order to hear some exciting, unusual, challenging music, brilliantly performed by these highly talented musicians.
As expected, Jachna is the direct link to Jazz within this marvelous madness, and his trumpet soli are like bright stars on a night sky, showing the way to lost mariners. The rhythm section plays some inhumanly difficult rhythmic patterns, the piano is in charge of the almost melodic layers and Strycharski uses his flute / recorder skills sparingly, concentrating on electronic effects, but the little bits here and there are like cherries on top of the cake.
The music as a whole completely eschews categorization, and as a result a proper description, so it should be of course heard and not read about, so my humble efforts are a mere attempt to encourage as many people as possible not to miss this album. Mind you, it might take some patience, open-mindedness and a true love of unconventional music to enjoy it in full, but I have faith in my readers to possess these qualities, ergo fully equipped for the voyage.
I admit of being sometimes quite critical about Strycharski’s recordings, which simply means I don’t judge the books by their covers but listen carefully. This time I can’t utter anything but deep appreciation and admiration for his efforts as composer and leader, which are amicably and splendidly supported by his cohorts, producing a true work of musical Art.
Overall, this is a brilliant piece of modern music, completely cross-genre in nature and masterly designed and executed by the entire quintet. This is Avant-Garde, which breaks barriers and rules, without being rude and careless, which is demanding, but pleasing, and which expands our musical horizons! My deepest thanks to all of you!
| | Updated: 14/03/2025Posted: 11/03/2025 | CD 1 Digipak Recommend To A Friend |
  | STRYJO ~ A VISTA SOCIAL CLUB
NOT ON LABEL (Barcode: 5904730933025) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016
This is the debut album by Polish Jazz trio StryjoFind albums by this artist, which consists of pianist Nikola KolodziejczykFind albums by this artist, bassist Maciej SzczycinskiFind albums by this artist and drummer Michal BryndalFind albums by this artist. Apparently the trio exists already for ten years, but only now releases its music in recorded form. The double CD includes seventeen original compositions, implicitly co-credited to all three members of the trio, as all the music is declared as spontaneously composed while being played. The recording dates and locations are not specified but this is a studio recording and the sound quality is excellent.
The music is very melodic and well within the Jazz mainstream idiom, and therefore the fact that it is all spontaneously composed is very hard to believe, at least as far as pre-arranged themes and motifs are concerned, but of course I have no reason to disbelieve whatever the musicians claim to be true. The level of spontaneity and unexpectedness one would expect in case of such music is also almost completely absent herein, and the music sounds extremely well tamed and agreeable.
The performances are all top-notch: Kolodziejczyk gently strokes the keyboard and streams one sweet melody after another, Szczycinski plays along admirably, with clear and amicable bass lines, and adds a few admirable mini-solos to the proceedings, and Bryndal adds groove and zest to the whole enterprise. The overall result is pleasing and enjoyable, easy on the ear and generally satisfying, but…
The real question here is what is the purpose of this music? The melodies, as nice as they are, are not really very memorable and as far as piano trios, the Polish Jazz scene is blessed by a plentitude of those, most of them more stimulating, ambitious and artistically inclined. I am not denying the above mentioned virtues of this album, but a double CD? Oh well...that´s entertainment! I invite everybody to judge by themselves.
| | Updated: 03/10/2016Posted: 03/10/2016 | CD 2 Digipak Recommend To A Friend |
  | SUDHALTER, DICK ~ AFTER AWHILE
CHALLENGE 70014 ~ USA ~ Jazz
American trumpeter Dick Sudhalter is considered to be the one of best traditional jazz players around, keeping the `trad` movement alive and kicking. Here in a great recording with the top British `trad` players, the music swings and burns all the way through. Sudhalter is also a scholar and discographer, and his writings about `trad` jazz are top notch.
| | | CD 1 Recommend To A Friend |
  | SUN SHIP ~ AQUARIUM LIVE NO.5
POLJAZZ / ANEX 303 (Barcode: 5907513047582) ~ POLAND ~ Jazz
Recorded: 1978 Released: 2009
Excellent live recording in the legendary Warsaw Jazz club "Aquarium" by the Polish Jazz quartet Sun ShipFind albums by this artist, formed by keyboardist Wladyslaw SendeckiFind albums by this artist following his departure from the great Fusion band Extra BallFind albums by this artist, which he also co-founded some years earlier. Sendecki, as well as his three companions: saxophonist Zbigniew JaremkoFind albums by this artist, bassist Witold SzczurekFind albums by this artist and drummer Marek StachFind albums by this artist are all representatives of the second generation of the Polish Jazz scene, well educated and experienced musicians, who grew up in the shadow of their mentors like Krzysztof KomedaFind albums by this artist, Tomasz StankoFind albums by this artist, Zbigniew NamyslowskiFind albums by this artist and others, carrying the great tradition of Polish Jazz further into the future. Somewhat tired of playing Fusion, which was the predominant style of the early 1970s, Sun Ship returns to modern Jazz based on solid melodic compositions and improvisational skill of the band members. The use of synthesizers in addition to the acoustic piano is the only "leftover" from the Fusion days, and most of the music is acoustic. Sendecki´s keyboard wizardry is plainly obvious and his fluid technique and great sense of melody are truly exquisite. Brilliant stuff!
| | | CD 1 Digipak Remastered Recommend To A Friend |
  | JOHN SURMAN ~ A BIOGRAPHY OF THE REV. ABSALOM DAWE
ECM 1528 (Barcode: 731452374929) ~ UK ~ Jazz
Recorded: 1994 Released: 1995
This is one more of the legendary solo projects by British saxophonist / composer John SurmanFind albums by this artist, created by recording multiple layers of sound produced by alto and bass clarinets, soprano and baritone saxophones and keyboards, beautifully combined together creating heavenly music, which is like no other. Jazz, Classical, Ethnic & World and some other music varieties, which can only exist in Surman´s head before they are recorded, are present here for all of us to enjoy. Surman is a wizard of melody and sound, a Pied Piper, who strolls in front of a crowd of his followers enchanted by his unearthly inventions. There is little that needs to be added here, apart from recommending this music wholeheartedly – if this does not move you, you have a heart of stone!
Visitors' Comments
Christopher Brice
*THE* essential Surman, IMHO!
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  | JOHN SURMAN ~ ADVENTURE PLAYGROUND
ECM 1463 (Barcode: 731451198120) ~ UK ~ Jazz
Recorded: 1991 Released: 1992
This is a masterful quartet recording by British saxophonist / composer John SurmanFind albums by this artist, accompanied by two American masters: pianist Paul BleyFind albums by this artist and bassist Gary PeacockFind albums by this artist and British drummer extraordinaire Tony OxleyFind albums by this artist. Surman gives a lot of credit to his partners on this album as compositions by all three of them are included herein with one composition coming from outside of the quartet, which is by Carla BleyFind albums by this artist. Surman contributes four of his original composition here. This is one of the most Jazz oriented and certainly Free Jazz oriented albums Surman recorded in the later part of his illustrious career and one of my personal all time favorites. Somehow the best of all the participants is encapsulated on this album; the virtuosity, the imagination, the interplay and the telepathic conversations are overwhelming. Oxley´s rare appearance is especially important and his completely unique approach to rhythm and percussive sounds is brilliantly documented here, particularly in view of the incredible sound quality of this recording, as usual with the ECMFind albums on this label catalogue. This is a masterpiece in every respect, and although most things done by Surman are quite outstanding, this one is particularly brilliant. Anybody with a pair of ears, which have been fairly recently cleaned, should find this irresistible. See also the "In The Evenings Out ThereFind albums with this title" album recorded by the same quartet!
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  | CHRISTIAN MEAAS SVENDSEN ~ AVIN
NAKAMA 010 (Barcode: 7090040250186) ~ NORWAY ~ Avant-Garge Pop
Recorded: 2016 Released: 2017
This is a solo project by Norwegian bassist / composer Christian Meaas SvendsenFind albums by this artist, which adds singer and songwriter to the list of his qualifications. The album presents seven songs (six with lyrics in Norwegian and one instrumental), all by Svendsen, arranged for an octet, which comprises of his musical friends, including members of his NakamaFind albums by this artist ensemble, which is his usual musical environment.
Don´t be fooled by the "conventional" description above, as there is, as expected, nothing conventional about this album. The arrangements, which involve strings and brass (but no drums) are absolutely stunning intricate pieces of "friendly" Avant-Garde, which transport the concept of "songs" into a completely new dimension. Svendsen sings / hums / recites and manipulates his voice in many innovative ways, again transforming the concept of "singing" into previously unexplored territory. He plays acoustic guitar on this album and leaves the bass part to another musician.
To be perfectly honest, any attempt to describe this music verbally is futile and the only way to get exposed to this music is of course by listening to it. In the world where almost everything created in music is derivative and follows patterns, such individuality and total lack of conventionality as present on this album are truly miraculous.
Although this music eschews any precise musical classification, open-headed listeners, who like amalgamations and exciting cross-genre explorations, will find this music irresistible. Jazz, Classical, Pop and everything in between, this music really manages to convince that not everything is lost in human creativity. Hats off!
| | Updated: 12/04/2019Posted: 19/05/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TOMAS SYKORA TRIO & AID KID ~ ALCHEMY
ANIMAL MUSIC 114 (Barcode: 8594211850216) ~ CZECH REPUBLIC ~ Jazz-Ambient Fusion
Recorded: 2023 Released: 2023
This is an album by the Czech Jazz pianist / composer Tomas SykoraFind albums by this artist and his trio with bassist Tomas LiskaFind albums by this artist and drummer Roman VichaFind albums by this artist, augmented by the electronics artist Aid KidFind albums by this artist (a.k.a. Ondra MikulaFind albums by this artist). The album presents nine tracks, all original compositions by Sykora.
The music is a highly exciting and innovative piece of contemporary Jazz, fused with electronics, which results in a fresh, up to date sound and feel, sometimes close to contemporary electronic Pop music, but still very much within the Jazz territory, with extensive improvisations by the leader and vigorous support by the slick rhythm section.
Sykora plays both acoustic piano and synthesizers, but the listener is surrounded by an electric perception, as a result of the electronic layers, electric bass and synthesizer parts. Yet the result manages to retain a solid melodic background and continuity, which keeps the music within a clearly harmonic environment, not crossing over to the Pop, Dance, Techno and Trance idioms.
Some Jazz purist my find this music too far removed from the Jazz tradition, but let’s keep in mind that Sykora has already proven his Jazz background beyond any doubt and this experimentation is nothing else but an attempt to discover new areas of interest, without compromising quality or aesthetic values.
Overall, this is an interesting and innovative attempt to amalgamate Jazz and electronic music, based on a set of highly melodic compositions, excellently executed by the participating musicians. Perhaps not universally appealing to the broad Jazz audiences, but highly interesting to the younger listeners, who are exposed to electronic sounds on a daily basis and should find this music familiar enough to explore it further. Definitely worth investigating!
| | Updated: 19/08/2023Posted: 19/08/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | CRAIG TABORN ~ AVENGING ANGEL
ECM 2207 (Barcode: 602527636375) ~ USA ~ Jazz
Recorded: 2010 Released: 2011
US pianist / composer Craig TabornFind albums by this artist has been one of the most notable young piano players on the Jazz scene since the mid 1990s, recording with many first class Jazz artists and ensembles. Many of these recordings have been released on the prestigious ECMFind albums on this label label, but this is his debut album as a leader on that label, and appropriately it is a solo piano recording – an ECM trademark. The album contains 13 pieces, all composed by Taborn, which are beautifully performed by him. The music is restrained and minimalistic, balancing nicely between melody and ambience, which is often dark and gloomy. Taborn has definitely reached a level of maturity and developed a personal and unique voicing, which earn him an honorable place on contemporary Jazz scene. Not an easy listening experience, but ultimately deeply rewarding and wholeheartedly recommended!
| | | CD 1 Slipcase Recommend To A Friend |
  | GRZEGORZ TARWID ~ AY
KOLD 0005 ~ POLAND ~ Avant-Garde Jazz
Recorded: 2020 Released: 2021
This is the second album as a leader by Polish Jazz pianist / composer Grzegorz TarwidFind albums by this artist, and same as a debut it is a solo piano recording, although on some tracks electronic effects are used. The album is a home recording and presents ten original compositions, all by Tarwid.
Since several years Tarwid established himself as one of the most interesting new arrivals on the Polish Jazz scene and appears on more than a dozen albums as co-leader or participant, always contributing significantly and highly originally. The time Tarwid studied in Copenhagen and got exposed to a wide range of young European Jazz musicians obviously influenced his development as well.
His music is often very difficult to categorize precisely and shifts between Jazz and Avant-Garde with ease and elegance, being always fascinating and intellectually challenging, which of course sets him aside from most of his contemporaries. At times his music touches upon contemporary Classical Music, but again, the labeling is in fact completely redundant.
Some of the compositions have subtle, often romantic melodic content, which of course is hardly surprising with Polish composers, which even when disguised in modernism, is clearly recognized to a trained ear, like in the ominously titled “A National Worm”.
Overall, this is a wonderfully intelligent, challenging album, which marks Tarwid as one of the upcoming Polish / European Jazz musicians to keep an eye on in the future, although his recorded legacy is already very impressive.
| | Updated: 27/03/2022Posted: 27/03/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TATVAMASI ~ AMOR FATI
OBUH 33 ~ POLAND ~ Jazz-Rock-World Fusion
Recorded: 2016 Released: 2017
This is the fourth album by Polish ensemble TatvamasiFind albums by this artist, which undoubtedly is one of the most fascinating and totally unpredictable ensembles on the local scene. The core quartet of the ensemble, led by guitarist / composer Grzegorz LesiakFind albums by this artist, which also includes saxophonist Tomasz PiatekFind albums by this artist, bassist Lukasz DownarFind albums by this artist and drummer Krzysztof RedasFind albums by this artist, is expanded by a string trio: violinists Anna WitkowskaFind albums by this artist and Michal OstrowskiFind albums by this artist and cellist Malgorzata PietronFind albums by this artist. Legendary musician / producer and ObuhFind albums on this label label owner Wojcek CzernFind albums by this artist is also featured on electronics. The album presents six original compositions, all composed by Lesiak.
The music is, as usual, quite beyond classification. The addition of the strings and electronics expends the usual ingredients, such as Jazz and Rock, to include also contemporary Classical, Folklore and Ambient elements. This time the Free Improvisation parts are much more dominant and the music is more Avant-Garde oriented in comparison to their earlier recordings, with the distinct Rocky guitar element almost completely gone.
As already stated, the music of Tatvamasi is completely unpredictable and every track brigs entirely different sounds and emotions. Such diversity has of course its advantages and is very interesting intellectually, but on the other hand lacks certain focus and coherency and is very difficult for "conventional" listeners. In some respects this lack of stability and jumpiness is somehow reminiscent of Frank ZappaFind albums by this artist´s approach, which of course is commendable, but might create a barrier between the music and the audiences.
For a studio recording, the sound quality of the album is somewhat muddy and does not allow the small, delicate details of the music to be easily audible; perhaps purposely recorded / mixed this way, but the result is (for me) somewhat problematic.
Overall this is a very interesting album, living up to the ensemble´s already established reputation, although personally for me it is not their best work to date and I enjoyed more their earlier recordings. Still this is definitely more ambitious than the vast majority of albums recorded on the Polish scene and anywhere else for that matter. I am sure they will return triumphantly again!
| | Updated: 12/04/2019Posted: 09/01/2018 | CD 1 Digipak Recommend To A Friend |
  | JOHN TAYLOR ~ ANGEL OF THE PRESENCE
CAM JAZZ 7778 (Barcode: 8024709777829) ~ UK ~ Jazz
Recorded: 2004 Released: 2005
This is the debut album by the last trio led by British Jazz pianist / composer John TaylorFind albums by this artist with Swedish bassist Palle DanielssonFind albums by this artist and British drummer Martin FranceFind albums by this artist. The album presents eight pieces, four composed by Taylor and two each by Kenny WheelerFind albums by this artist and Steve SwallowFind albums by this artist. The music was recorded "live in the studio" at the fabulous Bauer Studios in Ludwigsburg and offers a sublime sound quality.
The trio recorded four albums between 2004 and 2006, which are all breathtakingly beautiful and constitute a pinnacle of Taylor´s recording career in the last period of his life ending with his premature death in 2015.
The music is a classic example of Jazz piano trio mastery, which has but a few equals in the Century long history of Jazz music. Just a few other great trios managed to find a perfect balance between the piano and the rhythm section, like the one offered here. With each and every note perfectly audible and perfectly uttered, the music becomes a flux of emotional and intellectual stimulation of the highest possible level. Taylor´s playing was always a fountain of lyricism, and with age his touch of the keyboard become somewhat more sparing as if each note meant everything there was to say at a given moment.
Of course the trio became a perfect vehicle as a result of common respect and telepathic understanding between all three members, becoming way more than just the sum of its ingredients. Danielsson and France become natural extensions of Taylor´s musical personality, and the unison proves to be unbeatable.
The choice of material reflects Taylor´s lifelong friendships with Wheeler and Swallow and their common creative legacy well documented on their recordings together, which of course are highly recommended.
Overall this is one of the finest Jazz piano trio recordings, not only in Taylor´s discography, but in Jazz history in general, which means it truly is an indispensable ingredient of any serious music collection. Absolutely essential!
| | Updated: 05/09/2020Posted: 05/09/2020 | CD 1 Essential Recommend To A Friend |
  | JOHN TAYLOR / JOHN SURMAN ~ AMBLESIDE DAYS
AH UM 013 (Barcode: 5017771100223) ~ UK ~ Jazz
Recorded: 1992 Released: 1992
This is an insanely beautiful album by the duo of British Jazz Giants: pianist / composer John TaylorFind albums by this artist and saxophonist / clarinetist John SurmanFind albums by this artist. The album presents eight original compositions, all by Taylor. As if the presence of Taylor and Surman was not enough to make this album perfect, the music was recorded at the legendary Rainbow Studio in Oslo with the brilliant Jan Erik KongshaugFind albums by this artist at the helm, which results in a sublime sound quality and clarity.
The music is everything one might expect from these two Masters; Taylor has been one of the greatest songweavers of British Jazz and the compositions present here are surely among his best ever. The intimate duos with Surman, who by playing the soprano and baritone saxophones and alto and bass clarinets is able to create a plethora of diverse moods and ambiences, which turn these pieces into fully developed musical vistas, which express a whole world of music despite the fact of being "just" duets.
The telepathic conversations between Taylor and Surman are mind blowing and serve as a classic example of the "Art Of The Duo" idiom, which is one of the most challenging as much as rewarding Jazz environments.
The album is sadly criminally obscure among the British Jazz fans and collectors. It was released on the short lived Ah UmFind albums on this label label founded by musician / producer Nick PurnellFind albums by this artist, which in the early 1990s released sixteen superb albums, all of which are treasures of the British Jazz legacy. Although quite difficult to find today, they are all worth pursuing and highly recommended.
For Taylor and Surman connoisseurs this is of course an absolute must have, but all true Jazz lovers should find this an absolute masterpiece and an essential part of any serious European Jazz collection.
Side Note
British composer / arranger Nick PurnellFind albums by this artist founded the short-lived Ah UmFind albums on this label label in 1989, which existed until 1993 and released a total of sixteen albums with some of the top British Jazz musicians of that period and a few American guests, which remain as of the finest recordings of that period. For some inexplicable reason all these albums are almost completely obsolete today, despite their excellent musical value, which is a shame, as they all deserve an honorable place in any decent British Jazz collection.
| | Updated: 11/02/2025Posted: 30/03/2019 | CD 1 Recommend To A Friend |
  | JOHN TCHICAI ~ AFRODISIACA
PROMISING MUSIC 44107 (Barcode: 602517689350) ~ DENMARK ~ Jazz
Recorded: 1969 Released: 2008
Danish (of Congolese origin) saxophonist / composer John TchicaiFind albums by this artist was one of the very few European musicians involved with the development of Free Jazz in the US in the early 1960s, where he played with Don CherryFind albums by this artist, Archie SheppFind albums by this artist and John ColtraneFind albums by this artist. Upon his return to Denmark in the late 1960s, Tchicai became one of the leaders of European Free Jazz movement, as well as a visionary precursor of Jazz-World Fusion, dedicating much of his work to incorporating African Music into Jazz. This momentous recording documents one of the first major Jazz-World Fusion works, recorded by a Jazz orchestra with 26 players, mostly Danish musicians, with the Dutch saxophone colossus Willem BreukerFind albums by this artist as a guest. The title track is a 22 minutes long Jazz suite, performed by the orchestra and composed by trumpeter Hugh SteinmetzFind albums by this artist, with the soloist improvising individually and collectively on top. It is an amazing piece of music and a daring excursion into uncharted musical territory, which sounds as awesome and impressive today as it did at the tome of its recording, perhaps even more so in retrospect, considering how little experimenting is done these days. The rest of the album includes music composed by Tchicai and performed by smaller ensembles, emphasizing the concept of collective improvisation. The entire album was conceived and eventually brought to life by the legendary producer Joachim BerendtFind albums by this artist, who prophetically recognized the importance of Tchicai’s work and struggled ceaselessly to make this immensely complex project to come to fruition. The music remains a timeless manifest to the most creative period in Jazz, when the unexpected was truly expected. Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure. Brilliant!
| | | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | TEMPANO ~ ATABAL-YEMAL
ROCK SYMPHONY 033 ~ VENEZUELA ~ Progressive Rock
Debut album (recorded 1979) by the most important Prog band from Venezuela. Like most other South American Prog bands of that period, they play a highly melodic Symphonic Prog, modeled after the Italian bands like PFM and Banco, with plenty of keyboards and melancholy. Relatively sparse vocals (in Spanish) with plenty of long instrumental passages make this a most pleasurable listen. The quality of the album of truly amazing, especially as a debut, and to this day this is considered as one of the best Prog albums from South America. This edition is a reissue of the debut album (unfortunately done from a vinyl copy, as the original masters were lost – surface cracks included) with additional bonus material recorded especially for the reissue in 1998. Tempano released several albums through the 1980’s and 1990’s, but those were fairly commercial and not considered Prog. With the reissue of this album, they returned to their Prog origins and released since new excellent Prog albums. A Prog classic!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | TEN JINN ~ ALONE
MUSEA 4566 (Barcode: 3426300045669) ~ USA ~ Progressive Rock
Recorded: 2003 Released: 2003
2nd album. American Prog band Ten Jinn seem to be more popular in Europe then they are at home and for the second time they release their album on a Swedish label (and distributed by a French one). The music is quite different to what was present on the debut album. The group now sound much closer to Prog Metal and there is much more song oriented material rather then complex Progressive stuff. They are still very good at what they do of course.
| | | CD 1 Recommend To A Friend |
  | TEN JINN ~ AS ON A DARKLING PLAIN
RECORD HEAVEN 18 ~ USA ~ Progressive Rock
1st album from 1999 by this great American Neo-Progressive band, very much in the Gentle Giant vein, with intricate compositions and quirky melodies. A true masterpiece and a must in every Prog collection.
| | Updated: 21/09/2021Posted: | CD 1 Recommend To A Friend |
  | TEN YEARS AFTER ~ A STING IN THE TALE (DELUXE EDITION)
DEKO 1052 (Barcode: 691026178271) ~ UK ~ Blues-Rock
Recorded: 2016 Released: 2021
This is a reissue of the 2017 album by the iconic British Blues-Rock group Ten Years AfterFind albums by this artist. Following the death of the original guitarist / leader Alvin LeeFind albums by this artist in 2013 and the departure of the founding member / bassist Leo LyonsFind albums by this artist the current lineup of the group includes founding members: keyboardist Chick ChurchillFind albums by this artist and drummer Ric LeeFind albums by this artist with veteran bassist Colin HodgkinsonFind albums by this artist and vocalist / guitarist Marcus BonfantiFind albums by this artist. The album presents twelve songs, all co-credited to all four members of the group and this new reissue offers three live versions of the songs on this album and a live version of a song from the “A Space In TimeFind albums with this title” album.
Although reunions of iconic bands more often than not result in grotesque efforts to take the time back, on some rare occasions they are able to preserve the quality of the original bands to a large extent, this being one of them. Both the material and the performances are genuine Blues-Rock, gutsy, energetic end definitely worthy of attention. Of course nobody can revive the virtuosic guitar playing of Alvin Lee, but to be honest nobody has to. This music is full of great energy and the current instrumentalists can deliver what is needed, and the vocals are surely way better than those of the founder.
Overall and against all odds, this album is an excellent effort, which should please all true Classic Rock, Blues-Rock enthusiasts and is definitely worth investigating, proving that the saying “they don’t make music like that anymore” is not an absolute truth. Personally I immensely enjoyed this album from start to finish. Highly recommended!
| | Updated: 14/11/2021Posted: 14/11/2021 | CD 1 Digipak Recommend To A Friend |
  | EJE THELIN QUINTET ~ AT THE GERMAN JAZZ FESTIVAL 1964
DRAGON 374 (Barcode: 7391953003747) ~ SWEDEN ~ Jazz
Recorded: 1964 Released: 2002
This is a reissue / remaster of a live album by Swedish trombonist / composer / bandleader Eje ThelinFind albums by this artist, recorded with his quintet, which also included saxophonist Ulf AnderssonFind albums by this artist, Belgian pianist / flautist Joel VandroogenbroekFind albums by this artist, Polish (resident in Sweden) bassist Roman DylagFind albums by this artist and drummer Rune CarlssonFind albums by this artist. The album presents seven tracks, two of which are originals by Thelin, one is by Vandroogenbroek, another one is by Swedish pianist / composer Lars SjostenFind albums by this artist and three are standards. The last track is a previously unreleased bonus. The sound quality of this 1964 recording is absolutely stunning (well the German radio sound engineers were as good as their British peers). The album’s booklet reprints the original liner notes of the German edition, written by my Friend and Mentor Joachim BerendtFind albums by this artist, whom I miss every day.
Thelin was one of the great pioneers of European Jazz, and although he was strongly influenced by the American Jazz tradition, later on in his career he embraced modern European aesthetics. Dylag was a Polish Jazz pioneer and played on many early Polish Jazz recordings, including those by Krzysztof KomedaFind albums by this artist, where Thelin and Carlsson also played. After he emigrated to Sweden, he was the “Polish connection” for many Polish Jazz musicians, who kick started their careers in Scandinavia.
The music is mostly Bebop oriented, but the European finesse and elegance turns the album into an instant classic, which shows that by the mid-1960s the Europeans were catching up with what arose across the pond, soon to leave the Americans behind deep in the dust ;)
Overall, this is a classic early European Jazz recording, which shows how well the local musicians learned from what was happening across the pond, ready to go their separate ways soon after. Brilliant reminder of the mid-1960, when I was growing up listening to this kind of stuff.
| | Updated: 28/01/2025Posted: 28/01/2025 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | THIEVES` KITCHEN ~ ARGOT
TK 2 (Barcode: 5060011150014) ~ UK ~ Progressive Rock
Recorded: 2001 Released: 2001
2nd album by Thieves` KitchenFind albums by this artist with new and much improved line-up. This is TK at their fully grown and polished form, playing even better then on the debut album. More good tunes and vibrant performances create a very enjoyable album of up-to-date Prog music, which is a pleasure to listen to. Quite jazzy at times, but nothing to worry about for Prog purists.
| | | CD 1 Recommend To A Friend |
  | THIRD EAR BAND ~ ALCHEMY / ELEMENTS
GOTT DISCS 010 ~ UK ~ Progressive Rock
1st & 2nd albums from 1969 & 1970 by this UK band. Although part of the Prog genre, they were certainly a class in themselves. Using only accoustic instruments (violin, viola, oboe, cello, hand percussion, etc.) and combining ethnic motiffs from the Middle and Far East, they sounded nothing like your average Prog group. The music is instrumental, mostly improvisational in nature and quite dark. The 1st album consists of 8 shorter pieces but the 2nd includes only 4 long raga-like extended soundscapes. They reached only very limited audiences with their visionary music at the time and the albums sold poorly, but they were asked to write and perform the soundtrack to Roman Polanski`s film version of Macbeth (their 3rd album). In retrospect this sounds today every bit as good as it did then, which should be a good enough reason to re-discover them.
| | | CD 2 Remastered Recommend To A Friend |
  | TIBURTINA ENSEMBLE / DAVID DORUZKA TRIO ~ APOKALIPSIS
ANIMAL MUSIC 041 (Barcode: 8594155997053) ~ CZECH REPUBLIC ~ Jazz-Classical Fusion
Recorded: 2013 Released: 2013
This is an album by Czech female vocal septet called Tiburtina EnsembleFind albums by this artist, directed by Barbora SojkovaFind albums by this artist, and Czech Jazz guitarist David DoruzkaFind albums by this artist and his trio with saxophonist / bass clarinetist Marcel BartaFind albums by this artist and drummer Martin NovakFind albums by this artist. The album presents eighteen tracks recorded at the Zvikov Castle, which combine medieval music, mostly from the early fourteenth Century Las Huelgas Codex from Spain, based on Biblical texts (mostly the Book of Revelation or Apocalypse of St. John – hence the title) and contemporary improvisations by the trio led by Doruzka.
The audacious attempt to bridge the almost Millennium long chasm, not only musical but also cultural and even spiritual, seems at first completely unimaginable, but this album proves that music is indeed timeless and the musicians are able to create an amalgam, which ignores the a.m. disparities.
The original medieval vocal music is performed almost "untouched", in all its glory and divinity. The individual voices of the ensemble members as well as the choir parts are absolutely stunning, which is hardly surprising considering the Tiburtina Ensemble´s well earned reputation.
However, the improvised parts by Doruzka and his cohorts are even more shocking, since their contemporary form and sound differs as totally as humanly possible from the medieval music, and yet are able to create a mystical bond between the two. Symbolically, like in the Book of Revelation, where the Good eventually triumphs over Evil, here the great stylistic division manages to be conquered by human ingenuity and love of music.
Obviously this is no ordinary music, and it demands from the listener a complete submission to the overall sonic experience. Cultural background and knowledge of music history can be helpful, but is not necessary in order to absorb this wonderful and very potent offering, absolutely worth of every bit of effort needed to fully enjoy it.
This is one of the most profound musical projects that try to bring medieval music into contemporary musical environment that I ever encountered, and as such it deserves a special praise, in addition to the wonderful sound recording and highly aesthetic packaging, all of which speak volumes of the Czech Culture and love of music and tradition. Kudus to all the people involved in this project and of course a warmest recommendation to all true music connoisseurs to get a copy ASAP. Hats off!
| | Updated: 16/10/2020Posted: 16/10/2020 | CD 1 Digipak Recommend To A Friend |
  | KEITH TIPPETT & MATTHEW BOURNE ~ AEOLIAN
DISCUS 120 (Barcode: 5051078989624) ~ UK ~ Free Jazz / Improvised Music
Recorded: 2019 Released: 2021
This is a wonderful 2CD album, which documents the cooperation between the iconic British Jazz pianist / composer / improviser Keith TippettFind albums by this artist (born 1947) and pianist / composer Matthew BourneFind albums by this artist (born 1977), a representative of the new generation of British Jazz. Although separated by a generation gap, the two improvisers felt wonderfully comfortable playing piano duets, which they did during the last three years (2017 – 2019) of Tippett’s activity, cut short by his untimely death in 2020.
The first CD presents eight studio recordings by the duo recorded in July 2019, as well as a solo piece by Tippett, which he composed. The second CD presents a live recording by the duo, also from 2019, which sadly was also the last live appearance by Tippett, which comprises of just two lengthy pieces combined into a one continuous stream of music. All the duo performances (studio and live) are credited to both players.
Of course piano duets are hardly surprising as far as Tippett is concerned and his epic recordings with Stan TraceyFind albums by this artist in the 1970s and Howard RileyFind albums by this artist in the 1990s are absolutely classic examples of the “Art of the Duo” in the piano duet idiom.
Although completely improvised, this music has a superb feeling of melody, even if only created subconsciously by the listener’s mind, and the gentle and serene interplays are sublime examples of “less is more”, which let the music flow naturally and coherently, both in the case of the studio recordings and perhaps even more so during the concert performance. The mutual respect and telepathic communication these two musicians share is nothing short of astounding.
Our great thanks go to Martin ArcherFind albums by this artist, the owner of DiscusFind albums on this label Records, for bringing this superb music out in the open for all of us to enjoy and savor. It would have been unthinkable to let it stay in the vaults, especially in view of the fact that this is Tippett’s final statement.
Overall, this is a momentous release, not only as far as British Jazz is concerned, but as a brilliant document of Improvised music, which makes perfect sense, can be listened to repeatedly and is extremely aesthetically pleasing, something that happens very rarely within this genre. Essential listening!
| | Updated: 10/12/2021Posted: 10/12/2021 | CD 2 Mini-Sleeve Recommend To A Friend |
  | TIR NA NOG ~ A TEAR AND A SMILE / STRONG IN THE SUN
BGO 653 (Barcode: 5017261206534) ~ IRELAND ~ Folk-Rock
Recorded: 1972 - 1973 Released: 2004
2nd and 3rd album by Irish Folk-Rock duo Tir Na NogFind albums by this artist, one of the finest representatives of the genre, although little known and often neglected by fans and critics alike. Sonny CondellFind albums by this artist and Leo O´KellyFind albums by this artist had between them everything needed to create great music – they were both good songwriters, each played several instruments and their vocal harmonies were second to none. Following the release of their eponymous debut album in 1971, which was basically recorded by the duo without help from any additional musicians, they changed the approach slightly for their next two albums, using great studio players to expand the sound and even added some string arrangements to create a full-fledged Prog / Folk sound and feel. Some of the players involved include legendary bassist Brian OdgersFind albums by this artist and Procol HarumFind albums by this artist keyboardist Matthew FisherFind albums by this artist. Both these albums stand the test of time splendidly, remaining as minor masterpieces of the genre. Sadly with the change of the musical and social climate in Britain by the mid-1970s the group fell victim to the music market realities and disbanded, never to record again. This reissue brings back to life an essential piece of the Folk-Rock puzzle, which remained hidden for decades. A must to all Folk-Rock enthusiasts!
| | | CD 1 Slipcase Recommend To A Friend |
  | DANIEL TOLEDO ~ ATRIUM
FOR TUNE 0121 (Barcode: 5906395808175) ~ ECUADOR ~ Jazz
Recorded: 2016 Released: 2017
In times where separatism, nationalism and xenophobia seem to be taking over the world we live in, it often seems to me that Art in general and our beloved Jazz Music in particular is more often that not the last frontier where values like tolerance, cooperation and unison are still flourishing with truly amazing results. Take this album as an example: Polish pianist Piotr OrzechowskiFind albums by this artist (born 1990), Ecuadorian bassist Daniel ToledoFind albums by this artist (born 1991) and Swedish drummer Paul SvanbergFind albums by this artist (born 1984) get together to form a classic Jazz piano trio, which is a very intimate musical partnership requiring total cooperation, in order to achieve its goal of creating music together. The fact that these musicians come from different and distant countries and cultural backgrounds not only does not stand in the way of them becoming one body and mind when playing this music, but actually reinforces their ability to create music on a higher Artistic and Intellectual planes.
This is the second album by Daniel Toledo, again recorded in the piano trio setting, which consistently continues the path and the direction set by the debut. The focus is again split between two layers: the compositions, all originals by Toledo, and the performance, which strives towards finesse, elegance and flair. Toledo, the composer, emerges as a masterful weaver of beautiful melodies, stretched over a complex rhythmic framework, which are versatile, both harmonically and rhythmically and constitute a mature and solid body of first-rate music. Toledo, the bassist, proves his ability to lead the trio safely over the troubled waters of this challenging music, emerging victorious again.
Of course the fact that both his partners are dreamy musicians of the highest rank has a tremendous influence on the end result. Orzechowski, one of the absolute top pianists of the new generation of Polish Jazz, who feels equally confident playing Classical Music and Jazz, keeps amazing with his inventive touches of the keyboard, floating on the complex harmonic structures with seemingly effortless panache. Svanberg nails it all down with his assertive, but wonderfully sensitive drumming, playing forcefully but not overpoweringly, creating a rhythmic layer which is stylistically atypical for a Jazz recording.
Nothing short of brilliant, this album proves that melodic modern Jazz can still be rewarding and fascinating, when executed sincerely and passionately. Listen and learn!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 19/09/2018Posted: 10/04/2017 | CD 1 Recommend To A Friend |
  | JUKKA TOLONEN ~ A PASSENGER TO PARAMARIBO
LOVE 231 ~ FINLAND ~ Progressive Rock
5th album from 1977 by this great Finnish guitarist. This one is a Jazz-Rock-Fusion effort, with many fabulous Finnish musicians. Great guitar solos and improvisations by all the group`s members.
| | | CD 1 Recommend To A Friend |
  | COLIN TOWNS ~ ANOTHER THINK COMING
PROVOCATEUR 1028 (Barcode: 5038491102823) ~ UK ~ Jazz
Recorded: 2001 Released: 2001
British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist and his Mask OrchestraFind albums by this artist ensemble are one of the best examples of modern Jazz, which is still groundbreaking and innovative. Towns’ composition and arrangements are always not only skillful and sophisticated, but also completely innovative and even surprising (take it form an old skeptic who has heard it all before). Using the big band in ways previously unexplored is a rare talent indeed and deserves both respect and admiration. This album presents a series of Towns’ original instrumental compositions and two arrangements, one of a classical piece by Claude DebussyFind albums by this artist and the other a John LennonFind albums by this artist / Paul McCartneyFind albums by this artist tune. Partly commissioned by the NDR Big BandFind albums by this artist, with which Towns cooperates on a regular basis, here they are performed by his own band. Varying in style from early New Orleans Jazz, via Psychedelic and up to contemporary World-Jazz Fusion, the album presents an invigorating vista of modern Jazz at its best, full of great melodic content, imagination, daring and masterly performed Art. The players, including legendary veterans such as Alan SkidmoreFind albums by this artist and Peter KingFind albums by this artist (saxophone) and Henry LowtherFind albums by this artist and Derek WatkinsFind albums by this artist (trumpet), playing along young British Jazz lions, do everything expected of them and beyond, delivering perfectly coherent and beautifully executed music, which fills the listener’s heart and soul with instant gratification. The enhanced CD also includes a short film with music composed by Towns and performed by the band. Any big band and modern Jazz fan should definitely check out this superb album, and frankly anything else Towns delivers, as talent of his caliber is rare and deserves all the attention it can achieve. Grab it!
| | | CD 1 Digipak HDCD Recommend To A Friend |
  | STAN TRACEY / MIKE OSBORNE ~ ALONE & TOGETHER
CADILLAC 014/015 (Barcode: 5020675971424) ~ UK ~ Free Jazz / Improvised Music
Recorded: 1974 Released: 2015
This is an expanded 2CD reissue of the solo piano album by iconic British Jazz pianist / composer Stan TraceyFind albums by this artist, recorded live at the Wigmore Hall on June 18, 1974 and originally released as “AloneFind albums with this title” later that year on the CadillacFind albums on this label label. This reissue adds another CD of previously unreleased music recorded at the same concert, which was a duo of Tracey with saxophonist / composer Mike OsborneFind albums by this artist. Each of the CDs includes just one continuous improvised music piece, lasting 42 and 45 minutes respectively.
The Osborne / Tracey duo released an album “OriginalFind albums with this title” on the Cadillac label in 1973 and another album “TandemFind albums with this title” on the OgunFind albums on this label label in 1977, and the duo recording herein expands significantly their common recorded legacy.
The music is of course nothing short of stunning, a prime example of the dramatic change of the British Jazz scene during the preceding decade, from Jazz based on the American tradition, including anything between Swing and Bebop, into a full-blown unique genre, which created a new Jazz language, embracing the tradition but expanding it with European music influences and embracing new forms like Free Jazz and Improvised Music.
The two CDs in this set differ significantly on many levels and yet have also a wide common ground. Both musicians travelled a long road on their musical paths, and although Osborne was a much more radical and complex musician and personality, they both obviously made many giant steps, before this music was recorded.
Solo piano is by definition the most “naked” format and as such the most difficult one altogether, but Tracey managed to record several solo piano album and each of those was a triumphant achievement on many levels – Artistic, aesthetic, technical and intellectual as one. This solo recording is one of them – a brilliant piece not only of music, but an example of how Tracey’s mind worked, constructing the flow of themes and free improvisations glues together as if pre-conceived, which of course it was not so in reality. His brilliant technique is in a way secondary here, as a solo performance is always first and foremost an emotional affair and this music simply explodes with emotions.
In complete contrast to the solo performance, a duo is all about combining forces, exchanging ideas, supporting each other, pulling and pushing, leading and following, which is beautifully documented here. The sublime balance between Tracey’s “sanity” and Osborne’s “insanity” is the key to understand what is going on here, and the resulting music is a fascinating example of the “Art of the Duo” idiom. As much as Osborne is pushing the music toward Free Jazz, Tracey is “holding him back” so to speak with his melodic accompaniment, only allowing himself to fully explode during the crescendos of emotions the music leads to.
Overall, this is an iconic release, a sublime document of the most productive period of the British Jazz explosion, a point of reference and a milestone of everything that happened on the British Jazz scene at the time. Considering how short Osborne’s career lasted and how limited his recorded legacy is, this is album is nothing short of a Holy Grail, with the Trace’s album remastered as a cherry on top. Absolutely essential piece of British Jazz legacy and a must in any serious record collection. In memory of John JackFind albums by this artist (died 2017), the owner of the Cadillac label, for all his contributions to British Jazz, of which releasing this music is just a tiny part.
| | Updated: 30/01/2023Posted: 30/01/2023 | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | TRIUMVIRAT ~ A LA CARTE (EXPANDED EDITION)
HARVEST 535171 (Barcode: 724353517120) ~ GERMANY ~ Progressive Rock
Recorded: 1978 Released: 2002
6th album by TriumviratFind albums by this artist. There was only one member of the original band left by the time this album was recorded - the leader Jurgen FritzFind albums by this artist, and he decided to change the direction and produce a rock (even pop) album, with lavish orchestral arrangements and more accessable tunes. Although harshly criticised by the Prog fans, in retrospect this is still an interesting piece of musical history.
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ROBIN TROWER ~ AT THE BBC 1973-1975
CHRYSALIS 5099907071324 (Barcode: 5099907071324) ~ UK ~ Blues-Rock
Recorded: 1973 - 1975 Released: 2011
This is a collection of BBC radio recordings by the British guitarist / composer Robin TrowerFind albums by this artist and his power trio which also included vocalist / bassist James DewarFind albums by this artist and drummers Reg IsidoreFind albums by this artist or Bill LordanFind albums by this artist. The album presents five radio sessions and a concert, which cover the material included on the first three albums by Trower and the trio: "Twice Removed From YesterdayFind albums with this title", "Bridge Of SighsFind albums with this title" and "For Earth BelowFind albums with this title", altogether thirty tracks on two CDs. All the tracks were composed by Trower or co-composed by him and Dewar, and two were co-composed by him and vocalist Frankie MillerFind albums by this artist (see below).
After recording five albums with Procol HarumFind albums by this artist, of which he was a founding member, Trower left the group to join forces with Scottish vocalist Frankie Miller, ex-Stone The CrowsFind albums by this artist bassist James Dewar and ex-Jethro TullFind albums by this artist drummer Clive BunkerFind albums by this artist to form the short lived band JudeFind albums by this artist. After Jude broke up Trower decided to form a guitar power trio, which became his modus operandi for many years to come.
Trower´s guitar playing was often compared to that of Jimi HendrixFind albums by this artist, especially his early trio output heard on this album, but although some stylistic similarities can be clearly heard, Trower always had his very unique idiosyncrasies that set him apart from all other guitarist of the period. They do however share their deep love for the Blues, which profoundly influenced their approach to the instrument.
The music included here is a classic example of British guitar power trio idiom, which started with CreamFind albums by this artist, Jimi Hendrix ExperienceFind albums by this artist and Rory GallagherFind albums by this artist´s TasteFind albums by this artist in the late 1960s, and which Trower proudly and very ably continued in the 1970s.
There is no need to emphasize the historic importance of this material, and although the sound quality is a bit muddy at times, the depth and ingenuity of the music is simply stunning. This is an absolute must to the many Trower fans and guitar aficionados the world over!
| | Updated: 20/10/2023Posted: 25/05/2019 | CD 2 Recommend To A Friend |
  | OLA TRZASKA ~ ALL AROUND
SJ 009 (Barcode: 5912596066085) ~ POLAND ~ Smooth Jazz
Recorded: 2013 Released: 2014
This is the debut album by Polish vocalist / flautist / songwriter Ola TrzaskaFind albums by this artist, recorded by a sextet which also includes trumpeter Lukasz KorybalskiFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist, keyboardist Marcin PiekosFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian KuchczynskiFind albums by this artist. The album presents eight songs, all original by Trzaska (music and lyrics), six of which feature English and two Polish lyrics.
The music is a nice mixture of Pop / Soul / Funk & Groove, based on Trzaska´s melodic themes jazzed up by the arrangements and instrumental work, especially that of the brass section. Not a Jazz album per se, but close enough for comfort to turn the ear of a Jazz fan as well as those who have almost nothing to do with it.
Usually I completely condemn Polish singers singing in English, but in this case the result is acceptable, thanks to Trzaska´s phrasing and a skillful mix which keeps the vocals usually in unisono with instrumental backing, which mute the language "imperfections".
Trzaska has a limited vocal range and wisely utilizes her voice safely within her comfort zone, which of course becomes somewhat inadequate in the long range, making all the songs to sound a bit alike. But her singing is expressive and full of emotion, which overall saves the day. Combined with the truly inspired instrumental work by the players, the album is a fun to listen to. Swies deserves a special mention since his bass notes drive the entire album with an incredible funky groove. Tomaszczyk also plays a few beautiful trombone solos on the album, which are little gems.
This is definitely an impressive debut, presenting Trzaska as a gifted songwriter, vocalist and arranger, who will surely take part in the development of the Polish music scene in the years to come.
| | | CD 1 Digipak Recommend To A Friend |
  | OLA TRZASKA ~ AMULET
SJ 016 (Barcode: 5912596066184) ~ POLAND ~ Jazz-Pop Fusion
Recorded: 2015 - 2016 Released: 2016
This is the second album by Polish vocalist / flautist / songwriter Ola TrzaskaFind albums by this artist, recorded with a formidable team of musicians, very similar to the lineup of her debut album, which includes trombonist / co-producer Michal TomaszczykFind albums by this artist, keyboardist Nikola KolodziejczykFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian KuchczynskiFind albums by this artist. Several other musicians participate on selected tracks. The album presents twelve compositions, eight of which are original compositions by Trzaska and one is co-composed with Tomaszczyk. One short piece is composed by Kolodziejczyk and two are of Brazilian origin. Trzaska also wrote most of the lyrics, of which three are in Polish and the rest are in English.
Musically the album continues the same musical approach as Trzaska´s debut, with nice Jazzy arrangements and excellent playing by al the participants, but very limited vocal parts and unremarkable compositions, making very limited progress from the debut, which is a pity. Trzaska continues to sing in English, which does her no good at all, and the professionalism of her colleagues is not able to conceal her limitations. For the second time the bass parts by Swies and the trombone parts by Tomaszczyk are truly wonderful, but that is about all there is to this album.
| | Updated: 16/04/2017Posted: 16/04/2017 | CD 1 Recommend To A Friend |
  | TSABROPOULOS / ANDERSEN / MARSHALL ~ ACHIRANA
ECM 1728 (Barcode: 602448279248) ~ GREECE ~ Jazz
Recorded: 1999 Released: 2022
This is a reissue of a wonderful album by a trio consisting of Greek Jazz pianist / composer Vassilis TsabropoulosFind albums by this artist, Norwegian Jazz bassist / composer Arild AndersenFind albums by this artist and British Jazz drummer John MarshallFind albums by this artist. The album presents nine tracks, five composed by Tsabropoulos, two composed by Andersen and two co-composed by all three musicians. The album was recorded at the legendary Rainbow Studio in Oslo and engineered by my Friend Jan Erik KongshaugFind albums by this artist, with the usual sublime sound quality.
The music is all beautifully melodic and lyrical, brilliantly performed by these Giant musicians. This is the 1st album recorded by this trio, followed by the no less beautiful “The TriangleFind albums with this title”, originally released in 2004. Tsabropoulos, who emerged as a Classical pianist, turns out to be a most sensitive Jazz musician, with wonderful improvisational qualities. Andersen, one of my favorite bass magicians on this planet, displays his usual qualities, which are simply breathtaking. Marshall, the veteran of British / European Jazz scene since the 1960s, was at the time still one of the best drummers around, here sticking mostly to the “less is more” approach.
Overall, this is an absolutely “classic” Jazz piano trio album, which deserves an honorary place on the shelf of the “best ever” recordings in that niche. Lovers of the Artistry of Bill EvansFind albums by this artist should be especially interested, as Tsabropoulos has often a very similar touch and style to the American Giant. Criminally overlooked and absolutely essential Piano trio album, which should not be missed by anybody, who calls himself a Jazz lover!
| | Updated: 05/08/2024Posted: 05/08/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ARTUR TUZNIK ~ ARTUR TUZNIK TRIO
MULTIKULTI MPJ 019 (Barcode: 5907796319857) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2016
This is a debut album as a leader by young Polish (resident in Copenhagen) pianist / composer Artur TuznikFind albums by this artist, recorded in a classic piano trio format which also includes two Danish musicians: bassist Nils Bo DavidsenFind albums by this artist and drummer Jakob HoyerFind albums by this artist. The album presents nine tracks, all of which are original composition by Tuznik. The album was recorded at the excellent RecPublica Studios and offers excellent sound quality.
The music presents a remarkably mature set of compositions, which although based on melodic themes, are beautifully open and unrestrained. It is pretty amazing to find such young musicians playing in such challenging musical environment and of course this album immediately sets an example to a whole generation of young pianists, which clearly points towards what can be achieved and what should be played, even at the very early stages of a Jazz career. For Polish music connoisseurs and aficionados the challenge here is to discover the hidden clues of the influence of Frederic ChopinFind albums by this artist on this music.
Tuznik is an outstanding piano player, a fact that becomes clear after just a few notes. His self-confidence and imagination take over the music and lead it securely towards an open-minded expressionism, full of lyricism and emotion regardless of the free form and uneven rhythmic patterns. Of course every piano trio is only as good as its members and Tuznik definitely found ideal partners herein, who are willing to share his openness and exploration based modus operandi, improvising together without giving up their individuality. This trio is definitely way beyond the concept of a piano and a rhythm section – it is a fully organic ensemble which creates music symbiotically.
I suppose such music making is only possible in Europe, where the minds of the young Jazz musicians have not been mercilessly blunted by overexposure to American mainstream, which completely smothers individuality and progress. Such wonderful creativity and forward-thinking as present on this album is an antidote to everything the American Jazz tradition is trying desperately to cling to.
This is definitely one of the most impressive Polish Jazz recordings of 2016 and a stunning debut effort in every respect. One can only wish that more young musicians will follow the path set by this album, which will make true music lovers exceedingly happy. It is a rare combination of talent, vision and the courage to stand behind ones choices and decisions, which again points out the maturity of the musicians involved.
Polish Jazz is not only alive and kicking, but slowly starts to spread all over Europe and get incorporated into the new fabric of young European Jazz, which bridges Warsaw, Berlin, Copenhagen, Oslo and other European cities where young European music students are brewing the Jazz we will enjoy in the years to come. Hats off!
| | Updated: 10/10/2016Posted: 10/10/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TYRANNOSAURUS REX ~ A BEARD OF STARS (DELUXE EDITION)
A&M 600753473290 (Barcode: 600753473290) ~ UK ~ Classic Rock
Recorded: 1969 Released: 2014
This is the fourth and last album by the British duo Tyrannosaurus RexFind albums by this artist, founded by singer / guitarist / songwriter Marc BolanFind albums by this artist after his previous band called John`s ChildrenFind albums by this artist collapsed. The duo, which included Bolan and percussionist Steve Peregrin TookFind albums by this artist, recorded the three earlier albums, and Took was later replaced by Mickey FinnFind albums by this artist, who appears on this album. This edition of the album includes a plethora of bonus tracks, including radio broadcasts, home recorded demos and alternate takes of the album tracks and more than triples the playing time of the original album.
The music of Tyrannosaurus Rex was a strange amalgam of Folk, Psychedelia, Avant-Garde and Rock, completely outlandish and different from almost anything else on the British scene at the time. Bolan, who had one of the prettiest faces among his musical peers, which resulted eventually in his idol status among the young ladies of the time, was also blessed with probably the most appalling voice, which could wake dead listeners and sounded off tune at all times. And yet, as the saying goes, that peculiar voice was so ugly it became beautiful.
On this album the music is slightly more accessible that the earlier material, with extensive usage of electric guitar, which also sounds quite weird by the way, and more Rocky rhythms, resulting in more listeners getting interested in the group´s music, which would later turn into a raging success, after Bolan changed the name of the group to T. RexFind albums by this artist and released several highly successful albums in the early 1970s, which pioneered Glam Rock and even Punk to some extent.
The Tyrannosaurus Rex recordings are a wonderful example of the times they were recorded in, when Major record labels recorded completely non-commercial material and supported the artists all the way. The freedom of artistic expression was never in better shape and sadly disappeared soon after when the corporate management methods started to call the shots.
In retrospect this was a musical experiment more than anything else. Regardless of the actual musical value of this music, its historical importance signifies open-mindedness, experimentation and courage to express your ideas, all the qualities that contemporary music lacks so badly.
| | Updated: 12/04/2019Posted: | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | TYRANNOSAURUS REX ~ A BEARD OF STARS (EXPANDED EDITION)
A&M 9822512 ~ UK ~ Progressive Rock
Recorded: 1969 Released: 2004
This is the fourth and last album by Tyrannosaurus RexFind albums by this artist. It marks a certain change in the stylistic approach, being closer to rock and using electric instruments. Mickey FinnFind albums by this artist replaced the original percussion player on this album and additional instruments were used to create a richer sound, but the link to the acoustic material and the mystical / Avant-Garde approach is still very strong of course. Some of the songs are somewhat more accessible, but the overall effect remains unique all-Mark BolanFind albums by this artist craziness. Following the release of this album Bolan took a sharp turn, when he renamed his band to T. RexFind albums by this artist and became a most successful artist in the early 1970’s, being one of the pioneers of Glam Rock. However, his Tyrannosaurus Rex years are still a beautiful musical experiment in retrospect and the reissue of this album is most welcome. The expanded edition more than doubles the contents of the original album and is definitely worth investigating.
| | Updated: 12/04/2019Posted: | CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | HIROMI UEHARA ~ ALIVE
TELARC 35307 (Barcode: 888072353077) ~ JAPAN ~ Jazz
Recorded: 2014 Released: 2014
This is the ninth album by the extraordinary Japanese female pianist / composer Hiromi UeharaFind albums by this artist, and the third recording with her current trio (called The Trio ProjectFind albums by this artist) with the legendary veteran American bassist Anthony JacksonFind albums by this artist and the outstanding British drummer Simon PhillipsFind albums by this artist. The album comprises of nine original compositions, all by Hiromi.
Seeing Hiromi on stage, which I was fortunate to experience once again just a few weeks ago (with drummer Steve SmithFind albums by this artist replacing the otherwise busy Simon Phillips), clearly reaffirms the impression that Hiromi is in a class of her own, blessed by powers like a force of Nature. The moment she steps on the stage the fragile and modest women turns into a Diva with an irresistible personality and overwhelming performing skills, simply stunning her audiences for the entire duration of the concert. She is a complete pianist, able to play in every style and in every genre with the same ease and elegance, regardless if she plays a Classical piece or a Jazz improvisation or a Rocky riff.
The Trio Project finds Hiromi supported by two Masters of their trade, which turn it into a mean and lean music machine, which is unstoppable. With this trio Hiromi consistently moves away from the traditional Jazz environment and creates her own niche, which is somewhere in between Fusion, Prog and Vaudeville. Jackson lays a wonderful background sound upon which Hiromi´s improvisations ride securely and confidently. Phillips is right behind her, supporting her every move and emphasizing the rhythmical structures, forcefully but non-aggressively.
As a composer Hiromi manages to come up every time with a set of superbly melodic pieces, which manage to sound different from everything she did earlier and yet somehow are consistently familiar, even catchy, from the first time one listens to them. She surely is one of the best song-weavers on the contemporary scene, proving time after time that nice little tunes can be anything but trivial or simplistic. Such a collection of talents in several areas, like composition, performance and showmanship is very rare indeed.
With nine albums (and four DVDs) in just a decade Hiromi emerged as one of the most prolific, impressive and talented new arrivals on the world´s music scene, and she absolutely deserves every bit of the admiration and following she enjoys all over the world.
| | | CD 1 Recommend To A Friend |
  | HIROMI UEHARA ~ ANOTHER MIND
TELARC 83558 (Barcode: 089408355820) ~ JAPAN ~ Jazz
Recorded: 2003 Released: 2003
1st album by Japanese pianist Hiromi UeharaFind albums by this artist, who stormed the jazz world with her dazzling technique. Born 1979 (which means she was only 24 when this album was recorded), she received a full scholarship at the Berklee School of Music in Boston, where she met and amazed many famous jazz musicians and eventually accepetd the legendary pianist Ahmed JamalFind albums by this artist as her mentor (Jamal co-produced this album). She wrote all the music and she performs it mostly in a trio setting with an almost demonic energy and amazing stamina. She plays with a speed of a Ferrari and elegance of a Lamborghini, absolutely breathtaking. This is a kind of album you need to follow with an hour of silence just to get your breath back. The famous TelarcFind albums on this label sound quality does not disappoint as well. If you are still thinking about ordering this CD - you are really slow ;)
| | | CD 1 Digipak Audiophile Recommend To A Friend |
  | MICHAL URBANIAK ~ ATMA
UBX 1022 (Barcode: 884502405217) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 1974 Released: 2014
This is a reissue of the second US album by Polish Jazz violinist / composer Michal UrbaniakFind albums by this artist, released originally on the ColumbiaFind albums on this label label in 1974. It was recorded by the same group of Polish musicians, who played with Urbaniak since several years: his wife at the time, vocalist Urszula DudziakFind albums by this artist, keyboardist Wojciech KarolakFind albums by this artist, bassist Pawel JarzebskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. American percussionist Ray MantillaFind albums by this artist also took part in the recording. The album presents ten tracks, all composed by Urbaniak, including the three parts suite that gave the album its title.
The music continues the development that Urbaniak presented on his recordings since the early 1970s, creating a unique Fusion of Jazz and Ethnic elements, mostly sourced from Polish Folklore. The distinctive instrumentation and the use of the idiosyncratic explosive vocals by Dudziak resulted in one of the most advanced Fusion albums of all times, which remains completely original and groundbreaking to this very day.
Although Urbaniak authored all the music there is no doubt that Dudziak added a crucial element to the final result. Her vocal pyrotechnics are absolutely stunning and without those the music would have never reached the expressive power it offers. Her solo vocals / electronics track reveals her imaginative abilities, which were fully exposed on her solo album "Newborn LightFind albums with this title" recorded in 1972 and later also released in US on Columbia.
There is no doubt that this music was light years ahead of its time, and being deeply based in European Jazz experimentation, which at the time of its release was almost completely misunderstood in the US, resulted in commercial failure on the US market, despite its superb musical achievement. In retrospect this album was undoubtedly the absolute peak of Urbaniak´s career, especially as a composer and pioneer of innovative music exploration. All three of the Urbaniak´s Columbia albums ("FusionFind albums with this title", "AtmaFind albums with this title" and "Fusion IIIFind albums with this title") can be combined as one of the most artistically successful album triptychs in Jazz / Fusion history.
This is an absolute must to all Fusion fans the world over, now more than ever, as the genre proved to run out of steam decades ago and absolutely nothing comes even close to the quality and the electrifying powers of the music included here. Grab it as long as you can get hold of a copy! Beyond essential!
| | Updated: 08/09/2019Posted: 08/09/2019 | CD 1 Digipak Remastered Essential Recommend To A Friend |
  | URIAH HEEP ~ ABOMINOG
ESSENTIAL 571 ~ UK ~ Classic Rock
Another great album by this band. If you are a fan, you`ll want this one as well. Remastered and with bonus tracks.
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  | VAN DER GRAAF GENERATOR ~ A GROUNDING IN NUMBERS
ESOTERIC 1001 (Barcode: 5013929710184) ~ UK ~ Progressive Rock
Recorded: 2010 Released: 2011
This is a new (2010) studio album by the legendary Van Der Graaf GeneratorFind albums by this artist – who really needs to add anything more here? The trio: Peter HammillFind albums by this artist (vocals, piano, guitar), Hugh BantonFind albums by this artist (keyboards and bass) and Guy EvansFind albums by this artist (drums) have done it all already and we all know exactly what they are capable of, so the only question remains: did they do it right again this time? As far as I can tell, they sure did. Some critics whine about this being a new Hammill solo album and not enough of a group effort; hey this is the usual nonsense critics whine about. If you like VDGG, you’ll love this album, I assure you, all the rest is irrelevant. We are all getting old, but we can still kick ass…
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  | VAN`T HOF, JASPER ~ AT THE CONCERTGEBOUW-SOLO
CHALLENGE 70010 ~ NETHERLANDS ~ Jazz
Recorded: 1993
Veteran Dutch pianist and composer Jasper van`t HofFind albums by this artist is one of the most famous European jazz personalities. This album is a live recording of his solo piano concert from 1993, where he plays mostly his original compositions and a couple of standards. Solo piano albums can be demanding, but for people who enjoy the beauty of the instrument, this is a real treat.
| | Updated: 05/02/2016Posted: | CD 1 Recommend To A Friend |
  | VARIOUS ARTISTS ~ A DIFFERENT TUNE 1, 2 & 3
HED ARZI 15756 (Barcode: 7293372575624) ~ ISRAEL ~ Progressive Rock
Recorded: 1975 - 1990 Released: 2000
This superb Box Set collects together the three volumes of the Israeli Prog compilation called "A Different TuneFind albums with this title", released separately over a period of two decades. These compilations contain some of the best and most daring music recorded in Israel over the years, which are examples of the incredible vitality of the local scene. Some of the material appears on albums released by the artists included here, but the compilations also include material never previously released commercially or released only as radio singles, etc. The scope is enormous and truly enlightening, especially for people less acquainted with Israeli Prog and Art Rock and therefore especially attractive as a comprehensive introduction to the scene. I recommend this Box Set wholeheartedly as it contains "pure musical gold" from start to finish and should appeal to any Prog fan around the world. For those familiar with the scene let me just throw in some names of the artists appearing here: No NamesFind albums by this artist, Fourteen OctavesFind albums by this artist, Shlomo GronichFind albums by this artist, Matti CaspiFind albums by this artist, Tuned ToneFind albums by this artist, Yoni RechterFind albums by this artist, Shem Tov LevyFind albums by this artist, Gidi GovFind albums by this artist and many, many more!
| | Updated: 26/01/2019Posted: | CD 3 Mini-Sleeve Box Set Recommend To A Friend |
  | VARIOUS ARTISTS ~ AND DID THOSE FEET…
JAZZ IN BRITAIN 52 ~ UK ~ Jazz
Recorded: 1971 - 1980 Released: 2023
This archival 2CD album accompanies the book by Duncan HeiningFind albums by this artist of the same title, published by the inexorable Jazz In BritainFind albums on this label label / publishing house, which continues, to the delight of all British Jazz lovers, to bring to light previously unreleased or long forgotten gems from the depths of private archives. The book, subtitled “Six British Jazz Composers”, presents biographies of six pivotal British Jazz figures and the album brings music illustrating their vast achievements. All the music was previously unreleased and all originates from BBC broadcasts.
CD1 presents recordings by Michael GarrickFind albums by this artist from 1972, Michael GibbsFind albums by this artist from 1971 and Barry GuyFind albums by this artist from 1971.
CD2 presents recordings by John MayerFind albums by this artist from 1972, Keith TippettFind albums by this artist from 1971 and Mike WestbrookFind albums by this artist from 1980.
The collective lineup of the musicians performing herein is a magnificent compendium of the who’s who of the British Jazz scene at its most dramatic development period. All the music, except that by Westbrook, originates from the early 1970s, and Westbrook’s activity at that time was also absolutely essential, which means that the editors of this album did not have access to any of his early 1970s material, which would have fitted perfectly.
The lineups include an intimate trio, two septets and three large ensembles, and stylistically it moves between delicate lyrical compositions, via orchestral works, Jazz-World Fusion experiments and Free Jazz / Avant-Garde explorations, all this happening at the same time slot, which portrays the British Jazz scene perfectly. I vividly remember the abundance of talent and feverish activity at the time, which meant that selecting an event to go to was often an impossible choice.
This album also emphasizes the importance and incredible support by the BBC to the development of music (Jazz but also Rock) at the time. None of this music herein would be available to us today if not for those regular broadcasts and the sublime recording quality of those guys in white coats…
Overall, this is a tremendous piece of British Jazz history, absolutely essential to all the fans, and of course a perfect companion to the book, which is also wholeheartedly recommended! British Jazz forever!
| | Updated: 19/12/2023Posted: 19/12/2023 | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | VEHEMENCE QUARTET ~ ANOMALIA
FOR TUNE 0078 (Barcode: 5902768701791) ~ POLAND ~ Jazz
Recorded: 2015 Released: 2015
This is the debut album by a Polish Jazz ensemble called Vehemence QuartetFind albums by this artist, which recently managed to draw a lot of attention on the local scene by winning a couple of prestigious competitions. The ensemble comprises of young and highly talented musicians, who have been active in the last few years and recorded assorted albums over time: saxophonists Wojciech LichtanskiFind albums by this artist and Mateusz SliwaFind albums by this artist, bassist Alan WykpiszFind albums by this artist and drummer Szymon MadejFind albums by this artist. I had the privilege of hearing the group live just a few weeks ago. The album presents six compositions, five of which are originals (three by Lichtanski and two by Sliwa) and the remaining one is a Wayne ShorterFind albums by this artist standard.
The unusual double-saxophone front line of the quartet creates immediately an unusual sound effect, which turns out to be working in their favor. The wonderful harmonies achieved by the alto and tenor saxophones are a true revelation. In reality the quartet works shifting between a double saxophone trio and a quartet, which offers a much wider range of possibilities. Both the individual performances and the collective interplays work like a dream, being evidently highly professional and inspired.
The original compositions are all first-rate modern Jazz pieces, which combine the Polish Jazz "streak" of melancholy and lyricism with well developed rhythmic layers, resulting in a most enjoyable and at the same intellectually challenging feast for the ears. Even the interpretation of the standard is original and innovative, which happens rather rarely these days.
Vehemence Quartet is a "classic" example of the young Polish Jazz scene, which boasts with talent and creativity, combining the modern Jazz tradition with contemporary developments, freedom of expression and the drive to push the music forward into terra incognita, a drive that is rarely present these days anywhere else beyond the borders of Poland.
Overall this is a very strong debut effort, worth of respect and admiration, and heartwarming considering the future possibilities it holds. Wholeheartedly recommended!
| | | CD 1 Recommend To A Friend |
  | VIENNA ART ORCHESTRA ~ A NOTION IN PERPETUAL MOTION
HATOLOGY 679 (Barcode: 752156067924) ~ AUSTRIA ~ Jazz
Recorded: 1985 Released: 2010
The Austrian modern Big Band / ensemble Vienna Art OrchestraFind albums by this artist is probably the most ambitious gathering of European Jazz musicians ever attempted and one of the most (probably the most) successful effort of this kind. Led by composer / arranger / bandleader Mathias RüeggFind albums by this artist, who writes most of the music performed by the orchestra, is a Master of his craft and the amount of music done by him in the last three decades amounts to a gigantic body of work unparalleled by any other of his contemporaries. The orchestra members are all top Austrian Jazz players, as well as many guest musicians from other European countries. This live recording captures one of the most interesting periods of the band, which included the incredible vocals by Lauren NewtonFind albums by this artist, in addition to numerous superb musicians, such as saxophonists Harry SokalFind albums by this artist, Roman SchwallerFind albums by this artist, trumpeter Herbert JoosFind albums by this artist and many others. The music is absolutely breathtaking and brilliant from start to finish; every moment catches the listener completely unprepared and leaves him absolutely stunned when the album is over. This is an utmost case in point of the European way to do things, which places all American Big Bands miles in the rear. An absolute must to any serious Jazz listener and an everlasting example of musical ingenuity. Essential!
| | | CD 1 Mini-Sleeve Oversampling Remastered Essential Recommend To A Friend |
  | VIENNA ART ORCHESTRA ~ ALL THAT STRAUSS
TCB 20052 (Barcode: 725095200523) ~ AUSTRIA ~ Jazz
Recorded: 2000 Released: 2000
This is the first album recorded in the 21st Century!
Recorded live on January 1st 2000 by the wonderful Vienna Art OrchestraFind albums by this artist under the leadership of Mathias RüeggFind albums by this artist, this album presents the music of the Strauss Family, spectacularly arranged for the Jazz environment by Rüegg and superbly executed by the orchestra, which of course was the best of its kind at the time. Among the orchestra members on this album were such great musicians like saxophonist Harry SokalFind albums by this artist or Russian French horn player Arkady ShilkloperFind albums by this artist A few guest musicians also participate, like French clarinetist Michel PortalFind albums by this artist and Austrian saxophonist Wolfgang PuschnigFind albums by this artist.
The music of the Strauss Family epitomizes the Viennese Culture much more than the music of the "serious" Classical composers that lived in the city. The citizens of Vienna always preferred a good dance ball and the waltz was the favorite of the 19th Century dances, and rightly so. Rüegg treats the music by Strauss Family members with respect, but also with a typical tongue in cheek attitude, which turns this album into a true delight. But fun aside, the album presents many spectacular solos by the orchestra members and guests and the ensemble work of the orchestra is breathtaking. Vienna Art Orchestra was always a superb example of the differences between European Big Bands / Jazz Orchestras and their American counterparts and this album is just one of the chapters in such study.
European Jazz does not get much more European than what can be heard here. Everything that European Jazz is made of is represented herein: the references to the Classical Music tradition, the sophistication and finesse, the intellectual aspect of Jazz, in short everything that makes it what it is. As such this is a must in any serous collection of European Orchestral Jazz.
What a pity that Vienna Art Orchestra had to be dissolved by 2010 for financial reasons. Governments are wasting enormous sums of money on totally stupid and often damaging endeavors and the European Union or the Austrian Government could not afford to support one of Europe´s most important cultural symbols. Shame!
| | Updated: 13/08/2016Posted: 13/08/2016 | CD 1 Recommend To A Friend |
  | VIOLENT SILENCE ~ A BROKEN TRUCE
PROGRESS 055 (Barcode: 7320470172254) ~ SWEDEN ~ Progressive Rock
Recorded: 2012 Released: 2013
This is the third album by Swedish Progressive Rock group Violent SilenceFind albums by this artist, formed and led by drummer / keyboardist / songwriter Johan HedmanFind albums by this artist, with vocalist Martin AhiquistFind albums by this artist, keyboardists Hannes LjunghallFind albums by this artist and Bjorn WestenFind albums by this artist and bassist Anders LindskogFind albums by this artist. The album comprises of just four epic tracks, all lasting over ten minutes, three of which were co-composed by Hedman, Ljunghall and Westen and one by Hedman and Ljunghall, with all lyrics written by Hedman.
Stylistically the music is "frozen in time" in the early 1970s Symphonic Prog, with immediate reminiscences of early YesFind albums by this artist and their contemporaries. The melodic suites are well structured and interestingly developed, but introduce no innovation to the music that was first defined forty years earlier, for good and for bad. The high-pitched vocals are clean and in tune, but in the long range can be somewhat unnerving. There is a bit of Celtic and perhaps also Scandinavian Folk influence, which makes this music better than most similar efforts.
The instrumental work is spotless, obviously dominated by the keyboards, which play many interesting riffs and fine solos. The rhythm section is doing a perfect job, keeping the music streaming forward and the background elegantly rich, with some superb bass passages.
Overall this is a very good Symphonic Prog album, which should delight the die-hard fans of the genre, who simply want more of the same. People who moved on to greener pastures will find this a bit archaic, but nobody can deny the obvious class these guys represent.
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  | RICK WAKEMAN ~ ASPIRANT SUNSET
PRESIDENT 18 ~ UK ~ Progressive Rock
2nd part of Wakeman`s `Sun` trilogy from 1990 dedicated to serene melodies inspired by nature. Very close to New Age music, but Wakeman`s virtuosity as a player is still very strongly evident. For his many fans this a a nice glance at the other side of the rock star and his connection to Nature.
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  | RICK WAKEMAN ~ ASPIRANT SUNSHADOWS
PRESIDENT 19 ~ UK ~ Progressive Rock
3rd part of Wakeman`s `Sun` trilogy from 1991 dedicated to serene melodies inspired by nature. Very close to New Age music, but Wakeman`s virtuosity as a player is still very strongly evident. For his many fans this a a nice glance at the other side of the rock star and his connection to Nature.
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  | MARCIN WASILEWSKI TRIO / JOE LOVANO ~ ARCTIC RIFF
ECM 2678 (Barcode: 602508359835) ~ POLAND ~ Jazz
Recorded: 2019 Released: 2020
This is the fifth album by Polish Jazz trio led by pianist / composer Marcin WasilewskiFind albums by this artist, which also includes bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. It is only the second time in the trio´s recording career, which stretches back some twenty-five years, when it is expanded to a quartet with the addition of a saxophonist, this time the American Joe LovanoFind albums by this artist. The album presents eleven tracks, four composed by Wasilewski, one by Lovano and two versions of a Carla BleyFind albums by this artist tune. The remaining four tracks are collective improvisations, credited to all four participants.
The music moves between the composed and improvised realms, and remains very intimate, at times minimalist, with Wasilewski sticking to his wonderful lyricism, whenever allowed to do so. The rhythm section is as perfect and complying as humanly possible, with brilliant, albeit usually very short, bass mini-solos by Kurkiewicz and supportive and yet subtle drumming by Miskiewicz. In short everything seems to be perfect as long as the trio is left alone.
However, the unholy alliance with Lovano comes immediately into the picture from the first notes he utters. There is an obvious clash of Cultures, aesthetics and sensibilities here, which is sadly unbreachable. There are very few American Jazz musicians that are able to connect to the European Jazz sensitivities, especially those of Eastern Europe, and Lovano is certainly not one of them. He is a veteran player with vast experience, impressive recording legacy and obvious skills, but he never managed to cross the boundaries of the American Jazz tradition and his playing is completely predictable. As a result he is basically holding the trio back rather than playing along or ideally pushing them forward. Even, or perhaps especially, in the improvised pieces he really has very little inspirational input to offer.
Overall, the album certainly has its moments, the trio is absolutely superb and the original music by Wasilewski is as brilliant as usual, but for me the quartet does not work out that well, and the result is crippled. I am looking forward to the next trio album or hearing them play live, which is always heavenly experience.
And yes I have read dozens of "reviews" hailing this album as a Holy Grail…oh well I am pretty much used to be in the opposition and I still trust my ears.
| | Updated: 30/10/2020Posted: 30/10/2020 | CD 1 Slipcase Recommend To A Friend |
  | TREVOR WATTS / STEPHEN GREW ~ ALL THERE IS
DISCUS 061 (Barcode: 5051078955025) ~ UK ~ Free Jazz / Improvised Music
Recorded: 2017 Released: 2017
This is an album by the duo comprising of legendary British saxophonist / composer Trevor WattsFind albums by this artist and pianist / improviser Stephen GrewFind albums by this artist, which presents seven completely improvised, and therefore un-credited pieces, beautifully recorded in a church.
The duo format has been one of the earliest musical milieus spearheading the European Free Jazz / Improvised Music / Avant-Garde idioms. It seems that the bilateral inspiration and contact produce often more satisfactory results than those of solo recordings, of which this album is an excellent example. Although playing solo is something both of the musicians present here like doing, the combined forces and the bouncing of ideas between them seems to enhance their respective contributions.
In many respects Watts and Grew are complete opposites. Watts always was a romantic at heart and beneath the nonchalant exterior there was always a dreamy melancholic full of lyricism and spirituality. Grew on the other hand is quirky, sharp like a razor, quick to deliver a machine-gun like series of notes and neck-breaking arpeggios, supported by a left hand wall of sound effect. Somehow the meeting between these two opposites works wonderfully and shows the affinity they obviously share towards each other.
This is music of a moment – here now, gone in a blink. Improvised music tends to be like that and it is up to the listener to make the intellectual / emotional effort to follow the rapid development and the barrage of ideas, delivered simultaneously from two sources; definitely not an easy task. However, as in all difficult music, the moment one is able to lose oneself in the music, crossing the cultural / intellectual barriers, it all becomes crystal clear, embracing and comforting.
As I have often stated, Improvised Music rarely manages to make the transition between its performance and the recorded document, without losing its meaning, power and validity in the process. Often the loftiest performances become so detached from the ambience of the room they were recorded in, the people present in the room (musicians and audience in case of a live recording) and even the odors in that room, that the recorded document simply means nothing any more. Happily this is not the case here and the music captured herein remains meaningful, touching and most importantly alive, despite the fact that it is captured in a series of ones and zeroes.
I have been lucky to enjoy the music created by Watts for the last five decades, still vividly remembering the early days of British Avant-Garde in smelly, dinky clubs / pubs around London in the late 1960s, where this music was born. We were few then and we are still a tiny minority, but in this crazy world we live in, it is good to have some stability, and Trevor has always been steady as a rock as far as delivering challenging, wonderful and inspiring music, for which I thank him from the bottom of my heart.
| | Updated: 02/01/2021Posted: 12/11/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | TREVOR WATTS & VERYAN WESTON ~ AT AD LIBITUM
FOR TUNE 0057 (Barcode: 5902768701593) ~ UK ~ Jazz
Recorded: 2013 Released: 2015
This is a live recording by the British duo comprising of saxophonist Trevor WattsFind albums by this artist and pianist Veryan WestonFind albums by this artist, captured during the 2013 edition of Warsaw´s Ad Libitum festival. The album presents five pieces of improvised music, credited to both members of the duo, one of which lasts for over twenty minutes.
Watts can be considered as one of the Godfathers of the Free Jazz / Improvised Music scene in Britain and his pivotal and groundbreaking recordings with the Spontaneous Music EnsembleFind albums by this artist, AmalgamFind albums by this artist, London Jazz Composers` OrchestraFind albums by this artist, Moire MusicFind albums by this artist and other ensembles constitute a most significant part of the modern British Jazz legacy. Weston, who is perhaps less prominent outside a closed circle of "insiders", has also an impressive legacy and his activities over the years are worth being discovered. Their performances as a duo are always a thrill and sound youthful and contemporary, as if time stood completely still for them.
The music herein is a perfect example of what Improvised Music is all about; the intimate duo format allows both musicians to exchange musical ideas on the fly, probing and responding almost instantly, which often sounds as if the duo was in fact one mind occupying two persons. Playing together for quite a while allows these two Masters to approach their music without any inhibitions or barriers, simply communicating on a telepathic level, and the resulting music sounds perfectly coherent and natural.
I have followed Watts every step since the 1960s, attending numerous gigs he played all over Europe and of course listening to all the albums he released over time. There are very few Jazz artists that can match his consistent excellence and his everlasting drive to move forward with his musical ideas. This duo suits his characteristics perfectly and Weston proves a worthy and inspiring partner. Together they create heavenly music!
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  | BRAM WEIJTERS – CHAD MCCULLOUGH QUARTET ~ ABSTRACT QUANTITIES
WERF 126 (Barcode: 5413905111262) ~ BELGIUM ~ Jazz
Recorded: 2014 Released: 2015
This is the third album by the international quartet co-led by Belgian pianist / composer Bram WeijtersFind albums by this artist and US trumpeter / composer Chad McCulloughFind albums by this artist and including bassist Piet VerbistFind albums by this artist and drummer John BishopFind albums by this artist. The album presents eleven original compositions, eight of which were composed by Weijters and three by McCullough. Two of these tunes are piano-trumpet duets.
The music is modern Jazz, well within the mainstream boundaries, but presents ambitious compositions and excellent performances, well above the "usual" mainstream outings. Beautifully melancholic tunes, obviously of European origin, dominate the proceedings, allowing McCullough to play some heartbreakingly lyrical solos. The rhythm section supports the soloists sympathetically and with obvious empathy and intelligence. Verbist plays some great bass lines and Bishop stays respectfully in the background, gently steering the quartet´s pulse.
During the album´s duration the listener is exposed to different formats, from full quartet, via piano trio passages and intimate duets, which emphasizes the diversity and openness of this music and the quartet as an ensemble. Weijters plays mostly the acoustic piano, but also uses electric keyboards most effectively. Overall the level of the performances is first class and the entire album is an exquisite listening experience from start to end.
This album is a typical example of contemporary mainstream Jazz, which can be interesting and even moving, in contrast to most other recordings in that idiom. Avoiding clichés and banality these musicians shoe us hoe it should be done! Hats off Gentlemen!
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  | ADAM WENDT ACOUSTIC SET ~ ACOUSTIC TRAVEL
SOLITON 367 (Barcode: 5901571093673) ~ POLAND ~ Jazz-World Fusion
Recorded: 2013 Released: 2014
This is the sixth album as a leader by veteran Polish Jazz saxophonist / composer Adam WendtFind albums by this artist, recorded in an acoustic setting with his trio which features accordionist Pawel ZaganczykFind albums by this artist and bassist Jaroslaw StokowskiFind albums by this artist. Three guest musicians are heard on a few tracks: vocalist Laura Cubi VillenaFind albums by this artist, saxophonist Tomasz WendtFind albums by this artist and euphonium player Grzegorz NagorskiFind albums by this artist. The album presents twelve tracks, ten of which are originals by Wendt (two of which are repeated in vocal and instrumental versions) and two come from the Jazz-World repertoire, composed one each by Richard GallianoFind albums by this artist and Astor PiazzollaFind albums by this artist. Villena wrote the lyrics for the three songs she performs on the album.
The music is a Jazz-World Fusion / Smooth Jazz effort, presenting a set of nice melodic compositions by the leader, all of which have a South American feel about them, mostly associated with the Tango. Wendt has a beautiful saxophone tone but his improvisations are limited within the melodic "safe" zone. It´s great to hear the accordion, which is such beautiful and yet so neglected instrument in the Jazz idiom. The bass plays clean and precise backing notes and keeps the trio well together.
Overall this is a pleasant album, which offers no innovation or exploration whatsoever, staying well within the mainstream formula at all times but on the other hand it is very well executed and is very accessible for listeners who are well outside of the strict Jazz milieu.
| | Updated: 14/03/2016Posted: 14/03/2016 | CD 1 Digipak Recommend To A Friend |
  | LESLIE WEST ~ AS PHAT AS IT GETS
MYSTIC 54342 ~ USA ~ Classic Rock
West`s 1999 return after many years of silence. The legendary Mountain guitarist returns as if nothing ever changed with his playing powers fully intact. The support cast includes many rock greats and the material covers a wide range of styles, but is all dominated by West`s heavy guitar riffs. If you like your Rock And Roll heavy, this one`s for you.
| | Updated: 01/06/2018Posted: | CD 1 Recommend To A Friend |
  | KATE WESTBROOK / MIKE WESTBROOK ~ ART WOLF
ALTRISUONI 186 (Barcode: 7619993001869) ~ UK ~ Jazz & Poetry
Recorded: 2004 Released: 2005
This is an album by the British Jazz Royal couple of vocalist / lyricist Kate WestbrookFind albums by this artist and her husband / pianist / composer Mike WestbrookFind albums by this artist, recorded with saxophonists Peter WhymanFind albums by this artist and Chris BiscoeFind albums by this artist. Drummer Jon HisemanFind albums by this artist guests on two tracks. The album was recorded by Hiseman at his London Temple Music Studios. The album presents twelve songs, all composed by Mike Westbrook with lyrics by Kate Westbrook.
The album is a tribute to the relatively little known Swiss 18th Century painter Caspar WolfFind albums by this artist, and each of the songs relates to a specific painting by Wolf, hence the title.
Musically the album is a continuation of the long tradition of Jazz albums created by the Westbrook couple, full of incredible music and brilliant lyrics, which are one of the British Jazz recorded legacy highlights. Kate’s intense perception of European Culture and Art is a unique phenomenon, which deserves to be admired in its all manifestations.
The intimate lineup of vocals / piano and two saxophones emphasizes Mike Westbrook’s genius as a composer, and the delivery lacks absolutely nothing to create a full-fledged Jazz performance, including fierce soloing. The two saxophonist perform genius orchestral parts playing unisono or accompanying each other, with a breathtaking efficiency and genius.
Overall, this is another masterpiece by the Westbrooks, who seem to be completely immune to time and its tides, ignoring fads and fashions and simply doing their own unique thing. Their legacy is a treasure chest of European culture, which is timeless and universal, always ahead of their time and contemporary. An absolute Godsend and a must to any serious music lover!
| | Updated: 10/08/2022Posted: 10/08/2022 | CD 1 Digipak Recommend To A Friend |
  | MIKE WESTBROOK ~ A BIGGER SHOW
ASC 162-163 (Barcode: 654469439163) ~ UK ~ Jazz
Recorded: 2015 Released: 2016
This is an incredible album that celebrates eight decades of life and six decades of musical activity by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, one of the most iconic figures of British / European Jazz and in retrospect an unstoppable innovator, who is always ahead of the time of his contemporaries. The album is a live recording of a show, which features the music of Mike Westbrook and lyrics by his wife Kate WestbrookFind albums by this artist, performed by an orchestra consisting of twenty one musicians and called The "Uncommon OrchestraFind albums by this artist". The 2CD album presents eight original compositions, four on each CD, one of which is over half an hour in duration. The music was recorded, mixed and edited by the recently departed Jon HisemanFind albums by this artist, who closely cooperated with Westbrook for many years of his life.
Westbrook´s big ensemble music is always an amazing amalgam of marching Brass Bands, Circus Music, Funeral Bands, Cabaret and Vaudeville, modem day Opera and Jazz Big Bands. This has not changed much over time, as a concept, but his music travelled far and wide stylistically over the years, always being exceptionally creative and completely unique. The music on this album is no different, and presents a highly complex musical story, which keeps enfolding in front of the listener like an Opera plot.
The Orchestra, which is basically a large brass section supported by a double rhythm section (two guitars, two basses and two drums) performs superbly and the orchestra members play bloodcurdling solos along the way. Kate Westbrook, Martine WaltierFind albums by this artist and Billie BottleFind albums by this artist perform the vocal parts, which are, as usual, theatrical and full of drama. A few legendary veterans can be found among the orchestra members, like saxophonist Alan WakemanFind albums by this artist and trumpeter Dave HoldsworthFind albums by this artist, both soloing splendidly.
Overall this is another Mike Westbrook masterpiece, which proudly takes its place with his earlier works in the rich tapestry of his musical achievements. His many followers will hopefully add this jewel to the Mike Westbrook collection, as it wholly deserves to be heard and admired. There are but a few contemporary musical figures, which have behind them six decades of pioneering work and a splendid legacy of uncompromising musical treasures. Wholeheartedly recommended!
| | Updated: 02/02/2023Posted: 25/06/2018 | CD 2 Digipak Recommend To A Friend |
  | JOHN WETTON ~ AKUSTIKA-LIVE IN AMERIKA
BLUEPRINT 226 ~ UK ~ Progressive Rock
A daring and commendable recording by `naked` John WettonFind albums by this artist performing completely solo and acoustic befor a huge crowd of fans. Years of experience and total professionalism are evident here - he stands up to the challenge brillianly and with no blemish. Amazing!
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  | KENNY WHEELER ~ A LONG TIME AGO
ECM 1691 (Barcode: 731454719025) ~ UK ~ Jazz
Recorded: 1997 - 1998 Released: 1999
This is the 8th and so far the last ECMFind albums on this label album by the great British trumpeter / composer Kenny WheelerFind albums by this artist. Subtitled "Music for Brass Ensemble and Soloists", this outstanding album presents a set of Wheeler´s magnificent compositions, including two suites, performed by a Brass octet and three soloists – himself on trumpet, pianist John TaylorFind albums by this artist and guitarist John ParricelliFind albums by this artist. With no rhythm section, the music sounds quite different than one might have expected from a large ensemble, but in Wheeler´s hands it all works like magic, which of course is hardly surprising. Multi-layered melody lines and intricate arrangements don´t stay in the way of the listener to enjoy every note of this music, which is most warmly recommended for most people with a taste for adventure and a sense of aesthetics. Not to be missed!
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  | KENNY WHEELER ~ ANGEL SONG
ECM 1607 (Barcode: 731453309821) ~ UK ~ Jazz
Recorded: 1996 Released: 1997
This is a painfully beautiful album by British trumpeter / composer Kenny WheelerFind albums by this artist, one the most creative and artistically perfect Jazz musicians on this planet. Here in a drum-less quartet with veteran US saxophonist Lee KonitzFind albums by this artist, guitarist Bill FrisellFind albums by this artist and British genius bass player Dave HollandFind albums by this artist. The album presents nine new original compositions by Wheeler, all quite lyrical and exquisitely melodic, as always. It is very interesting to hear Konitz and Frisell play here in a serene and somewhat subdued way, contrary to their usual expressive and more energetic approach. Holland is truly amazing, taking the rhythmic duties all upon him and still managing to add some melody lines as well. This is angelic music indeed, in every respect, a perfect piece of music from start to finish and a must to any serious Jazz connoisseur. Wholeheartedly recommended!
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  | KENNY WHEELER ~ AROUND 6
ECM 1156 (Barcode: 731452912428) ~ UK ~ Jazz
Recorded: 1979 Released: 1990
This is the third album on the ECMFind albums on this label label by the great British (born in Canada) trumpeter / composer Kenny WheelerFind albums by this artist, one of the Godfathers of modern British and European Jazz. Recorded in a sextet setting, the album combines the forces of several superb European musicians: British saxophonist Evan ParkerFind albums by this artist, Swedish trombonist Eje ThelinFind albums by this artist, US (resident in Europe) vibraphonist Tom van der GeldFind albums by this artist, French bassist Jean-Francois Jenny-ClarkFind albums by this artist and Finnish drummer Edward VesalaFind albums by this artist. The sextet performs six original compositions by Wheeler, two of which are expanded pieces over ten minutes long and one is a solo trumpet piece.
In many respects this album is quite different from all other recordings Wheeler made for ECM, mostly due to the presence of Parker, who belongs to the radical Free Jazz circle, which almost never (except for the very early days) manages to get any exposure on the label. Wheeler, however, seems to have absolutely no problem with Parker being a part of the lineup and switches elegantly between the melodic / lyrical compositions or passages within a composition, into the wild free realms Parker resides in. There are very few recordings, which manage to create such a wonderful cross-genre symbiosis like this one, and therefore this album is in retrospect one of the most interesting ECM recordings.
All the players here have been major figures on the European Jazz scene since many years and participated in countless recording sessions from the mid 1960s all throughout the 1970s and Wheeler´s capability to bring them together as part of this project is truly admirable. The level of performance is absolutely dazzling and combined with the level of freedom the musicians are granted by the leader they are able to express themselves to the max, which is clearly evident to the listener.
This music lost absolutely nothing of its power and beauty over time, on the contrary listening to this album only makes one wonder why such ambitious and groundbreaking music is rarely being recorded today. This is an absolute gem and every record collection will be greatly enriched by having this album as one of its items. Grab it if you can find it!
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  | WHITE NOISE ~ AN ELECTRIC STORM
ISLAND 984319 (Barcode: 602498431979) ~ UK ~ Progressive Rock
Recorded: 1968 - 1969 Released: 2007
1st album by UK experimental group White NoiseFind albums by this artist, which where pioneers of electronic music. The group consisted of Delia DerbyshireFind albums by this artist and Brian HodgsonFind albums by this artist, who worked at the BBC Radiophonic Workshop (famous for the many scores it produced for BBC productions like “Doctor Who”) and US-born David VorhausFind albums by this artist, who studied in London in the later 1960s and shared a common interest in electronic music with the two. IslandFind albums on this label’s owner Chris BlackwellFind albums by this artist heard some early recordings by the group and offered to release an album with their music, supporting them with a modest budget. The group constructed a special studio to record their music (as the existing facilities at the time we inadequate for electronic music) and eventually produced their opus, which was released on Island in 1969. The initial reaction to the album was very limited (it sold only a few hundred copies) but in time the album achieved a legendary status it deserves. The groundbreaking approach to music and the bold ideas were of course aeons ahead of their time, but the music still sounds quite fascinating today. David Vorhaus later kept the White Noise name alive by releasing several albums under the moniker. The album was out of print for extended periods of time and the remastered edition with extensive liner notes by reissue specialist Mark PowellFind albums by this artist is most welcome. A classic.
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  | LENNY WHITE ~ ATTITUDE
WOUNDED BIRD 0232 (Barcode: 664140023222) ~ USA ~ Jazz-Rock Fusion
Recorded: 1983 Released: 2005
6th album by one of the most versatile US drummers, who played in such different settings as Miles Davis (late 1960s), Return To Forever (mid 1970s) and a myriad of projects spanning everything between mainstream jazz, fusion and funk in later years. His early solo projects were all oriented towards Fusion, but he continuously moved from Fusion towards Funk / Soul, incorporating more vocals and commercial arrangements. Of course this does not mean that his music was bad, as it never was and a player of caliber had always something to offer. This album, although characterized by a commercial sound, presents some high quality Funk music with truly excellent rhythmic approach. The presence of the legendary bass player Marcus Miller turns this into a classic Funk that generation of players studied later on. Definitely on the lighter side of things, but still a damn good listen.
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  | WHO ~ A QUICK ONE (EXPANDED EDITION)
POLYDOR 731458980025 (Barcode: 731458980025) ~ UK ~ Classic Rock
Recorded: 1966 Released: 1995
This is a reissue / remaster / remix / expanded edition of the 2nd album by the legendary British Rock group The WhoFind albums by this artist. It was released in UK in December 1966, with the US release, renamed to “Happy JackFind albums with this title”, following only in May 1967 and including the single of the same name, which replaced one off the original tracks. The original album presented ten tracks. This edition adds ten bonus tracks, four of which were live tracks released on the “Ready Steady Who!Find albums with this title” EP, three are B-sides of singles and the last three are previously unreleased.
Contrary to most albums by the group, where guitarist Pete TownshendFind albums by this artist wrote all or most of the material, here all four group members contributed their songs, with vocalist Roger DaltreyFind albums by this artist contributing one song, and bassist John EntwistleFind albums by this artist and drummer Keith MoonFind albums by this artist each contributing two songs, in addition to the four songs by Townshend and one cover. The last song on the original album “A Quick One, While He`s Away”, which lasts for the unprecedented, at the time, over nine minutes, is a precursor of the Rock Opera idiom the group embraced starting with their 4th album “TommyFind albums with this title”.
The almost sixty years of retrospect proves how brilliant the group was, both as performers and songwriters, with every song on this epic album being an absolute treasure of Classic Rock genius. The Who were probably the most prophetic early Rock groups, blessed by what is now called “thinking out of the box” attitude. They easily and spontaneously slaughtered all holly cows, and were completely universal, including the time scale. This music kicks ass as strongly today, as it did at the time.
Overall, this is a masterpiece of the early Classic Rock, which lost nothing of its power and relevance over time and puts contemporary Rock in deep shame. It is of course a must in every decent Classic Rock collection!
| | Updated: 03/11/2023Posted: 03/11/2023 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | WHO ~ AT KILBURN 1977
IMAGE 739183 (Barcode: 886973918395) ~ UK ~ Classic Rock
Recorded: 1969 - 1977 Released: 2008
Looking for a piece of Classic Rock history? Look no further! This spectacular DVD set delivers everything one might hope for in that department. Professionally filmed at a special concert and intended to be included as a part of the WhoFind albums by this artist documentary "The Kids Are AlrightFind albums with this title", this footage was eventually abandoned and laid in the vault for 30 years, to be seen in its entirety for the first time now, after becoming the Holy Grail for fans after years of anticipation. With remastered sound and restored video quality, the DVD sound and looks as it was recorded yesterday, truly amazing. The band goes through a set of favorites, spanning their entire career, with dexterity, power and absolutely total dedication, as they always did. Slightly rusty as a result of not playing together for over a year, Roger DaltreyFind albums by this artist delivers the vocals as if his life depended on it, Pete TownshendFind albums by this artist is all over the stage in manic frenzy, John EntwistleFind albums by this artist lurks in the shadows delivering those unbelievable virtuosi bass lines and Keith MoonFind albums by this artist beats the hell out of his enormous drum set in a way only he could, earning him the legendary status of one of Rock´s most talented drummers. Sadly enough this was to be one of his last live performances before his tragic and untimely death. If all of this is not enough, the 2nd DVD includes a 1969 never-before-seen concert by the Who at London´s Coliseum, another Holy Grail for the band´s fans, where "Tommy" was played as the main part of the performance. Spectacular stuff! Yes, sure, I´m not objective, after all this music was the soundtrack of my youth, but hey I can still enjoy this music 30-40 years later, and it kicks ass. Essential piece of Rock history! Dolby Digital 5.1 Surround Sound and DTS, 138 minutes.
Side Note: I´ve watched closely the discussions about this release on several music forums on the Net and some of the stuff people said there really pisses me off, big time. Moon looks fat, he misses beats, Daltrey looks old… for Pete´s sake, what bullshit. These were Master musicians and total professionals. On stage they gave everything they had, absolutely total dedication, so total in fact that many of them paid for it with their lives! Looking at these people on stage only proves that most of the current bands look like a bunch of amateurish wankers in comparison.
| | | DVD 2 Slipcase Remastered Essential Recommend To A Friend |
  | BRIAN WILSON ~ AT MY PIANO
DECCA 602438500383 (Barcode: 602438500383) ~ USA ~ Classic Rock
Recorded: 2021 Released: 2021
This is a solo piano album by American Pop / Rock songwriter Brian WilsonFind albums by this artist, which presents new interpretations of fifteen of his most famous songs composed over the years.
People familiar with Wilson’s brilliant songwriting will of course recognize these tunes immediately, while these new, very delicate and often subdued interpretations presents a somewhat nostalgic look at his impressive career, emphasizing his wonderful sense of melody.
The album offers a simple, room quality sound rather that a fancy concert hall ambience, which adds to the charm and intimacy of the whole affair. Obviously each listener will hear in parallel to these solo piano pieces his own memories as they were recorded by The Beach BoysFind albums by this artist, creating an individual mixture of reality and subconscious music memories.
Although it might seem a tad vain to play a tribute to himself, Wilson certainly deserves some slack and our respect and admiration for his contribution to music over the years, which had only a very few equals.
Overall, this is a wonderful trip down the memory lane, which inspires splendid memories of superb musical peaks Wilson deserves a credit for, in view of his unique talent as a songweaver of the highest order. Absolutely delightful!
| | Updated: 18/02/2022Posted: 18/02/2022 | CD 1 Digipak Recommend To A Friend |
  | JOHNNY WINTER ~ AND
COLUMBIA 472769 (Barcode: 5099747276927) ~ USA ~ Blues-Rock
Recorded: 1970 Released: 2001
3rd album, which was recorded by a new band Johnny WinterFind albums by this artist formed with ex-McCoysFind albums by this artist members, including the guitarist / singer / songwriter Rick DerringerFind albums by this artist, who was to be Winter’s associate for many years. The new quartet had a rockier sound, based on guitar and vocal duets. Still strongly rooted in the blues legacy, this is one of the strongest examples of early Southern Rock (see Allman Brothers BandFind albums by this artist). Derringer contributes some notable songs, which are rockier than the traditional Winter material and the bland of tunes works perfectly. Winter’s guitar pyrotechnics are of course the highlight time after time, but the entire album is just a superb trip down the memory lane, when everything just sounded right. Edgar WinterFind albums by this artist, Johnny’s brother and future band member helped with the excellent production. Just listen to the track “Nothing Left”, where Winter plays in similar fashion to Jimmy HendrixFind albums by this artist, in order to appreciate his guitar playing skills. As excellent as this album is, it was to be overshadowed by the bands live performances of some of these songs captured on the next album.
| | Updated: 18/01/2016Posted: | CD 1 Remastered Recommend To A Friend |
  | JOHNNY WINTER ~ AND / AND LIVE
BGO 610 (Barcode: 5017261206107) ~ USA ~ Blues-Rock
Recorded: 1970 - 1971 Released: 2004
3rd album, which was recorded by a new band AndFind albums by this artist Johnny WinterFind albums by this artist formed with ex-McCoysFind albums by this artist members, including the guitarist / singer / songwriter Rick DerringerFind albums by this artist, who was to be Winter’s associate for many years. The new quartet had a rockier sound, based on guitar and vocal duets. Still strongly rooted in the blues legacy, this is one of the strongest examples of early Southern Rock (see Allman Brothers BandFind albums by this artist). Derringer contributes some notable songs, which are rockier than the traditional Winter material and the bland of tunes works perfectly. Winter’s guitar pyrotechnics are of course the highlight time after time, but the entire album is just a superb trip down the memory lane, when everything just sounded right. Edgar WinterFind albums by this artist, Johnny’s brother and future band member helped with the excellent production. Just listen to the track “Nothing Left”, where Winter plays in similar fashion to Jimmy HendrixFind albums by this artist, in order to appreciate his guitar playing skills. As excellent as this album is, it was to be overshadowed by the bands live performances of some of these songs captured on the next album.
4th album and a natural follow up to its predecessor, the studio album with Winter’s group And. Recorded during two concerts (Fillmore East in NY and Pirate’s World in Florida) this is one of rock’s greatest live albums with levels of energy and superb performances rarely captured on record. Winter and Derringer exchange guitar licks and vocals and the rhythm section drives the show like there’s no tomorrow. Just listen to their version of "Jumpin’ Jack Flash", which makes the Rolling StonesFind albums by this artist sound like kindergarten kids, to understand the level of musicianship involved. Some other Rock And Roll classics get a similar treatment and of course a fair share of great blues numbers are included. This electrifying concert is a classic example of what rock sounded like at its peak and sounds every bit as good today as it did then. I hope the entire concerts get a release sometime in the future, but in the meantime this is not to be missed. Essentail stuff!
| | Updated: 01/06/2018Posted: | CD 2 Slipcase Essential Recommend To A Friend |
  | JOHNNY WINTER ~ AND LIVE
COLUMBIA 469028 (Barcode: 5099746902827) ~ USA ~ Blues-Rock
Recorded: 1971 Released: 1997
4th album and a natural follow up to its predecessor, the studio album with Winter’s group And. Recorded during two concerts (Fillmore East in NY and Pirate’s World in Florida) this is one of rock’s greatest live albums with levels of energy and superb performances rarely captured on record. Winter and Derringer exchange guitar licks and vocals and the rhythm section drives the show like there’s no tomorrow. Just listen to their version of Jumpin’ Jack Flash, which makes the Stones sound like kindergarten kids, to understand the level of musicianship involved. Some other Rock And Roll classics get a similar treatment and of course a fair share of great blues numbers are included. This electrifying concert is a classic example of what rock sounded like at its peak and sounds every bit as good today as it did then. I hope the entire concerts get a release sometime in the future, but in the meantime this is not to be missed. Warmly recommended!
| | Updated: 01/06/2018Posted: | CD 1 Remastered Recommend To A Friend |
  | JOHNNY WINTER ~ AND LIVE AT THE FILLMORE EAST 10/3/70
COLLECTORS` CHOICE LIVE 6000 (Barcode: 617742600025) ~ USA ~ Blues-Rock
Recorded: 1970 Released: 2010
This album presents a previously unreleased live material by the legendary Blues-Rock genius guitarist Johnny WinterFind albums by this artist with his group, which featured Rick DerringerFind albums by this artist. Recorded shortly after the release of Winter´s third ColumbiaFind albums on this label album "AndFind albums with this title", this live concert includes a couple of numbers from the new album with the rest being drown from his two previous albums for the label. Although there is little new to be discovered here, the sheer virtuosity and raw energy displayed by Winter´s guitar playing and vocal delivery make it a good enough reason to listen to this music time after time and I´m sure that if anything else from that period will be discovered in the future, it will be sensational as well. Winter´s fans need no encouragement to grab this beauty instantly and those heretics still unfamiliar with his gospel should definitely jump on the wagon this time. They surely don´t make that kind of music these days, so get going! Brilliant stuff!
| | | CD 1 Digipak Recommend To A Friend |
  | WISHBONE ASH ~ ARGUS
MCA 112816 ~ UK ~ Classic Rock
3rd album from 1972 by this excellent UK group, considered by many as their finest hour and presenting the quintessential sound and vision of the band. Fronted by two lead guitarists and supported by a fine rhythm section, they created some of the best melodic rock ever made, with long improvisations by the guitarists exchanging licks and tricks. Never a dull moment and a true classic!
| | | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | WISHBONE ASH ~ ARGUS (DELUXE EDITION)
ISLAND 9849624 (Barcode: 602498496244) ~ UK ~ Classic Rock
Recorded: 1972 Released: 2007
3rd album by the one of the most prominent members of the UK Classic Rock scene Wishbone AshFind albums by this artist and considered their best effort. Fronted by two lead guitarists Andy PowellFind albums by this artist and Ted TurnerFind albums by this artist, with Martin TurnerFind albums by this artist (no relation to Ted) on bass and Steve UptonFind albums by this artist on drums, the group managed to create a unique sound and come up with some of the most memorable riffs and melodies of the 1970s. The instrumental work and especially the lead guitar duets remain to this very day as a prime example of Rock at its best, which sounds today as fresh as it was at the time of the recording. This new edition, which marks the 35th Anniversary of the album’s release, not only restores the sound of the original recording to its full glory but also adds some superb live performances, like the content of the promotional EP “Live In Memphis” (an ultra-rare collector’s item) and an entire second CD which includes the band’s BBC recordings made following the release of the album. All together this is a great trip down the memory lane with over two hours of some of the best music one can get. Recommended to all fans of the band and Classic Rock fans wherever they might be.
| | | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | LESZEK HEFI WISNIOWSKI / EWA LIPSKA ~ AWARIA SWIATA
REQUIEM / LYDIAN 2021/23 (Barcode: 198002738196) ~ POLAND ~ Jazz & Poetry
Recorded: 2021 Released: 2021
This is an album by the Polish Jazz flautist / saxophonist / composer Leszek HeFi WisniowskiFind albums by this artist, who plays on a plethora of flutes, saxophones and other “virtual” instruments, and Polish poetess Ewa LipskaFind albums by this artist, who recites her poems originating from two collections of her works. The album presents nineteen short tracks, four of which are instrumental intros and the rest include recitations of the poems accompanied by Wisniowski’s improvisations.
The album is an obvious Jazz & Poetry project, but it’s minimalism and the fact that the poetry is recited rather than sung, makes it a completely unique and deeply moving piece of aesthetic wonder. This album makes me extremely happy not only because Lipska’s poetry is one of my favorite contemporary manifestation of Polish Poetry, but even more so because she remains relatively little known in her own country, despite the fact that her poetry has been translated into many languages and published outside of Poland. Sadly, this kind of “Cultural anomaly” repeats itself way to often in Poland. As if this was not enough, Wisniewski is also highly underappreciated on the Polish Jazz scene, so this album is a double vindication of sorts.
Wisniowski’s improvisations fit the poetry like a glove, subdued and lethargic they emphasize the “dark” nature of the poetry, often bordering on tragic or even macabre, with the music and words intertwined with each other in a perfect way, which is truly magical.
I am full of admiration for Wisniowski and Lipska for their courage and vision to instigate this project and execute it with such deep devotion and artistry. Obviously poetry and music are some of the most directly stimulating phenomena and while combined, their power of expression becomes an emotional tsunami.
Overall, this is a stunning piece of Art, a Cultural capsule, which should inspire deep emotions and reflections in those, who are still open to such input. I hope this album gets the exposure it deserves, but lately life makes us all even more pessimistic than our age requires, so the outcome is as fragile as our lives. Nevertheless, I remain deeply grateful to the creators of this treasure, raising my virtual hat in a gesture of gratitude…
| | Updated: 03/03/2022Posted: 03/03/2022 | CD 1 Digipak Recommend To A Friend |
  | WOBBLER ~ AFTERGLOW
KARISMA 209 (Barcode: 7090008312093) ~ NORWAY ~ Progressive Rock
Recorded: 2007 - 2008 Released: 2021
This is a reissue of the second album by Norwegian Prog group WobblerFind albums by this artist. Same as the debut, it was recorded by a quartet lineup, which included guitarist Morten Andreas EriksenFind albums by this artist, keyboardist Lars Fredrik FroislieFind albums by this artist, bassist Kristian Karl HultgrenFind albums by this artist and drummer Martin Nordrum KneppenFind albums by this artist, and four guest musicians. The album presents five original compositions, including two lasting well over ten minutes, all written by the group members. The material was written in 1999, before the debut album was recorded, and was not used on the debut album. The group returned to it, giving it a “second chance”, which is quite different from the early demo versions of this material.
Wobbler, like many other Norwegian Prog groups, explore the original sound Prog, which developed in the early 1970s, and often sound remarkably similar to Prog forefathers, completely skipping the dreaded Neo-Prog doodling. The music on this album shows more Classical / Early Music / Medieval Music references than the debut, as well as some hints of Heavy Metal, but it is a classic Symphonic Prog at its best, which nobody can deny ;)
The music is remarkably melodic, with the intrinsic Nordic melancholy well incorporated, but more energetic and harder sounding elements are also present, creating a fascinating continuity and remarkable coherence, which make this album a delightful sonic experience. For experienced Prog listeners, especially those well versed in the original Prog period, this album certainly rises fond memories and a worm familiarity.
Prog, or rather the core of Symphonic Prog, to which this music belongs, it an intrinsically limited genre, and as such operates mostly within pre-destined limits, which allow little flexibility. Wobbles certainly manage to stretch the limits of the genre to the max, and their superb melodic and harmonic capabilities are certainly outstanding.
Overall, this album and its predecessor and successor (“HinterlandFind albums with this title” and “Rites At DawnFind albums with this title”), all recently reissued, are a superb Prog triumvirate, which can be warmly recommended to all lovers of the genre. They proudly represent the Norwegian Prog scene, which is certainly alive and kicking, in parallel to other Scandinavian Prog scenes. Great to have this available again!
| | Updated: 30/03/2022Posted: 30/03/2022 | CD 1 Recommend To A Friend |
  | PHIL WOODS / EUROPEAN RHYTHM MACHINE ~ ALIVE AND WELL IN PARIS
EMI 724353965426 (Barcode: 724353965426) ~ USA ~ Jazz
Recorded: 1968 Released: 2002
This is a reissue / remaster of the debut album by the great American saxophonist / composer / bandleader Phil WoodsFind albums by this artist, recorded with his European rhythm section under the moniker European Rhythm MachineFind albums by this artist, which includes Swiss pianist George GruntzFind albums by this artist, French bassist Henri TexierFind albums by this artist and Swiss drummer Daniel HumairFind albums by this artist. The album presents five tracks, two of which are originals by Woods and three are standards.
Woods was one of the first American musicians, who discovered Europe as a source of brilliant Jazz musicians, and he toured and recorded in Europe extensively in the late 1960s and early 1970s, after he moved to Paris, where he stayed between 1968 and 1972.
Although the music is pretty straightforward mainstream Jazz / Bebop, Woods’s incredible fluency and beautiful tone, and the superb performances by the rhythm section, make this an example of what swinging is all about, leaving everything that happened on the other side of the pond far behind.
Gruntz, Texier and Humair are all leaders of the European scene, which was just exploding at the time this album was recorded, and stayed as pillars of the Jazz activity for many years, recording hundreds of brilliant albums in the process.
Overall, this is one of the best possible marriages between American and European Bebop ever as are all the albums recorded by this quartet, and all of them lost absolutely nothing of its vitality and pure genius over time. A timeless classic!
| | Updated: 05/07/2024Posted: 05/07/2024 | CD 1 Digipak Remastered Recommend To A Friend |
  | WORLD CITIZEN BAND ~ ANTARES
NOT ON LABEL ~ DENMARK ~ Jazz-World Fusion
Recorded: 2022 Released: 2023
This is the 2nd album by the international Jazz quintet, comprising of Israeli saxophonist Uri GurvichFind albums by this artist, Argentinean guitarist Ramiro OlacireguiFind albums by this artist, Spanish pianist Marcos MerinoFind albums by this artist, Danish bassist Kenneth Dahl KnudsenFind albums by this artist and Costa Rican drummer Rodolfo ZunigaFind albums by this artist, all of which are resident around European Jazz centers like Berlin or Copenhagen. The album presents eleven tracks, all original compositions, two each except three by Olaciregui.
The music is straightforward mainstream Jazz with strong World Music influences, which is not surprising considering the diverse musical backgrounds of the band members. The compositions are all solid, but not exceptional, and the music is pleasantly melodic, with a “something for everyone” attitude. Of course the musicians are all very gifted and experienced, which is immediately apparent, but the music lacks a unique focus, perhaps due to the “democratic” principle of including compositions by all participants. The solid and always perfect bass lines by my Friend Knudsen hold the music together, which at times is a bit too busy due to the over-dynamic and high in the mix drumming.
Overall, this is a pleasant mainstream Jazz album, with World / Latin influences, which offers some excellent performances by these talented musicians, but does not surprise of innovate.
| | Updated: 05/02/2024Posted: 05/02/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | RADEK WOSKO / ATLANTIC QUARTET ~ ATLANTIC
MULTICULTI MPJ 018 (Barcode: 5907796319819) ~ POLAND ~ Jazz-Rock Fusion
Recorded: 2015 Released: 2016
This is the debut album by Polish Jazz drummer / composer Radek WoskoFind albums by this artist and his new Atlantic QuartetFind albums by this artist, which also includes Israeli guitarists Gilad HekselmanFind albums by this artist, Danish pianist Soren GemmerFind albums by this artist and Polish bassist Mariusz PrasniewskiFind albums by this artist. Together they perform eight pieces, seven of which are original compositions by Wosko and one is by the late Polish violinist Zbigniew SeifertFind albums by this artist.
It seems that Wosko finally found the perfect formula for his music, which is presented here by this quartet, i.e. a melodic Jazz-Rock Fusion, which does full justice to his compositions. Coupled with beautiful execution by all the quartet members, this album guarantees a pleasurable listening experience, without lowering the musical standards.
The album is dominated by the enchanting sound of Hekselman´s guitar, with virtuosic phrasing and crystal clear sound bringing on immediately fond memories of early Pat MethenyFind albums by this artist, but definitely presenting a unique and personal approach. Gemmer offers a wonderfully sensitive accompaniment, but sadly does not play too much solo. The rhythm section moves the music forward amicably, playing exactly what is needed in such environment.
Although Wosko states in the liner notes that this music represents the meeting of European and American influences, as symbolized by it´s title, personally I find it to be almost completely dominated by contemporary American Jazz approach, with very little of the European aesthetics left, which of course does not diminish its quality.
Overall this is a wonderfully crafted Jazz-Rock Fusion album, perfectly executed by the musicians on board and accessible to a very wide range of music lovers, which hopefully will result in at least some commercial success.
| | Updated: 21/02/2017Posted: 21/02/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | WRONG OBJECT ~ AFTER THE EXHIBITION
MOONJUNE 055 (Barcode: 692287905521) ~ BELGIUM ~ Progressive Rock
Recorded: 2013 Released: 2013
This is a "live in the studio" album by the Belgian ensemble The Wrong ObjectFind albums by this artist, a sextet founded by guitarist / composer Michel DelvilleFind albums by this artist, which also includes saxophonists Marti MeliaFind albums by this artist and Francois LourtieFind albums by this artist, keyboardist Antoine GuenetFind albums by this artist, bassist Pierre MottetFind albums by this artist and drummer Laurent DelchambreFind albums by this artist. Two guest musicians also take part in the recording: vibraphonist Benoit MoerlenFind albums by this artist (on six tracks) and vocalist Susan ClynesFind albums by this artist (on one track). The album presents eleven tracks, all originals composed by the ensemble members.
The music of Wrong Object is a fascinating amalgam of RIO, Jazz-Rock Fusion, Free Jazz explorations and a Zappaesque mayhem, which somehow makes a perfect sense to the listener. It is diverse and ranges from a melodic ballad, like the only vocal piece on this album, to multilayered improvised pieces with energetic and expressive soloing. The pieces are often quite complex, changing tempi, using odd meters and so on, but eventually the music is completely coherent and above all interesting at all times.
The heavy / rough Rock guitar sound and the more Jazzy brass sound balance each other quite perfectly. The melodic content is very dominant, even though the ensemble tries not to emphasize it openly. The level of individual performances is excellent, as is the interplay between the ensemble members.
Wrong Object is one of the few contemporary ensembles associated with the Prog scene, which manages to consistently produce interesting and intelligent music album after album, contrary to the boring and repetitive music played by most of the Prog scene protagonists. This album finds them expanding their milieu and trying new directions, as every ambitious group should, and their success to evolve and develop is quite remarkable. They proudly continue the European individualism, like their fellow countryman Universe ZeroFind albums by this artist, being among those who justify the connection between Progressive music the Prog idiom.
Overall this is a great album, which lasts for many listening sessions and always allows the listener to discover new intricacies with every encounter. Unrestrained by conventions and narrow-mindedness these musicians are able to take you places you have not visited earlier. Highly recommended!
| | | CD 1 Mini-Sleeve Recommend To A Friend |
  | YAROSH ORGAN TRIO ~ ALTERAKCJE
AKADEMIA MUZYCZNA WROCLAW 015 (Barcode: 5902738950006) ~ POLAND ~ Jazz
Recorded: 2018 Released: 2018
In time Jazz evolved so dramatically, that the common perception of the idiom is by far not relevant any more. The Polish Jazz scene contributed in the last two decades a phenomenal input into the worldwide Jazz scene, rejuvenating the genre and taking it places that were not considered possible until recently. The most important characteristic of the Polish Jazz scene is its complete disregard of convention and conceptual limitations of any kind, which more often than anywhere else on this planet makes Polish Jazz albums innovative and original.
Veteran Polish Jazz drummer / composer Przemyslaw JaroszFind albums by this artist founded the Yarosh Organ TrioFind albums by this artist with organist Kajetan GalasFind albums by this artist and saxophonist Tomasz PruchnickiFind albums by this artist, which released its excellent debut album a couple of years ago. They are now back with their sophomore release, joined by the vocalist Katarzyna MirowskaFind albums by this artist. It presents six original compositions, five by the leader and one by the saxophonist.
Everything about this album shouts originality; from the completely unusual instrumental lineup, the stylistic "coolness" and the individual performances which add up to a musical experience, that makes the listener focus on the music. Beautifully spiced with the new element of vocals and vocalese, which fits the music like a silk glove, the overall effect is truly impressive.
The music is much more complex and open this time, in comparison to the debut, with a lot of breathing space and "almost free" passages, which of course makes this album more adventurous, without however sacrificing its melodic qualities. As such it should be of interest not only to the mainstream Jazz fans, but also to the more audacious listeners, who like facing challenges. This new attitude can be felt in all three layers (or four in fact); the saxophone improvisations are at times almost avant-gardist, the organ produces a plethora of "strange noises" not usually associated with the most melodic of all instruments, the drums play way more polyrhythmically and dynamics and on top the wonderful vocal ornamentations just make it all perfect.
Jazz is, after all, the Art of the unexpected, and this album is more often unexpected than not, which of course is what makes it work so well. All I can wish for is that it does get to as many listeners as possible, as this is definitely way too good to fall under the radar. Well done Lady and Gentlemen!
Side Note
The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| | Updated: 22/11/2018Posted: 22/11/2018 | CD 1 Digipak Recommend To A Friend |
  | DANIEL ZAMIR ~ AMEN
TAV 8 (Barcode: 7290010781539) ~ ISRAEL ~ Jazz
Recorded: 2006 Released: 2006
This is the 4th album by brilliant Israeli saxophonist / composer Daniel ZamirFind albums by this artist, one of most renowned Israeli Jazz musicians born in the country, who also managed to establish an international career. Zamir was born to a secular family, but during his stay in the US re-discovered Jewish religion and became an orthodox Jew. Zamir lived in the US since 2000 and returned to Israel in 2006, where he now lives, writes music, performs and records. During his stay in US he was "discovered" by John ZornFind albums by this artist and eventually recorded four (so far) albums for Zorn´s TzadikFind albums on this label label. This is his first album recorded and released in Israel. His music is a wonderful mixture of Klezmer, Jewish music, Eastern European and of course Jazz, which is completely unique. His technical fluency and unlimited expressionist powers place his among the world´s saxophone virtuosi. He now plays the soprano saxophone exclusively and his sound is often reminiscent of John ColtraneFind albums by this artist´s. This album includes music composed entirely written by him and he´s accompanied by some of the best Israeli Jazz players: Omri MorFind albums by this artist – piano, Omer AvitalFind albums by this artist – bass and Daniel FriedmanFind albums by this artist – drums. Israeli trumpeter Avishai CohenFind albums by this artist guests on several tracks. The album is a beautiful listening experience to every sensitive music lover, with everybody being able to discover the many different facets of this great music. Wholeheartedly recommended!
| | | CD 1 Digipak Recommend To A Friend |
  | FRANK ZAPPA ~ A TOKEN OF HIS EXTREME (SOUNDTRACK)
ZAPPA 20015 (Barcode: 824302001523) ~ USA ~ Jazz-Rock Fusion
Recorded: 1974 Released: 2013
This is the 97th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2013. The album was recorded live and filmed on August 27, 1974 and remastered in 2009. It is the soundtrack of the concert film, released on DVD earlier in 2013.
The lineup of the musicians that recorded the album includes Zappa on guitar and vocals, percussionist Ruth UnderwoodFind albums by this artist, saxophonist Napoleon Murphy BrockFind albums by this artist, keyboardist George DukeFind albums by this artist, bassist Tom FowlerFind albums by this artist and drummer Chester ThompsonFind albums by this artist, i.e. the core of the group that recorded the Roxy concerts earlier on. It presents thirteen original compositions, all by Zappa, most of which were also recorded during the Roxy concerts.
Despite the fact that the music recorded at the Roxy appears on several albums, each and every track on these albums is completely unique, either being a different version or different mix or overdub. Considering that this lineup of Zappa’s group was one of the greatest, as was the material, every last note of these recordings is worth its weight in gold.
The music is one of the most Jazz oriented Zappa projects, which this team manages to perform brilliantly. As usual with Jazz oriented music, the instrumental improvisations are very diverse on each version of the same tune played during the different shows, and they are always delightfully brilliant.
Overall, although this music is now almost fifty years old, it sounds as fresh as it did when first heard and lost absolutely nothing of its power and everlasting beauty. This album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since.
| | Updated: 11/06/2022Posted: 11/06/2022 | CD 1 Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ ABSOLUTELY FREE
ZAPPA 3835 (Barcode: 824302383520) ~ USA ~ Avant-Garde Rock
Recorded: 1966 Released: 2012
This is a reissue / remaster of the 2nd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist and his group The Mothers Of InventionFind albums by this artist, originally released in 1967. The album presents fifteen original songs, all by Zappa, two of which are bonus tracks not present on the original album and taken from a single also released at the time.
For this album The Mothers were expanded to an octet and included, in addition to Zappa who played guitar and sung, vocalist Ray CollinsFind albums by this artist, guitarist Jim FielderFind albums by this artist (uncredited as he left the band before the album was released), keyboardist Don PrestonFind albums by this artist, woodwinds player Bunk GardnerFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummers Jimmy Carl BlackFind albums by this artist and Billy MundiFind albums by this artist. Ten other musicians took part in the recording adding string and brass section arrangements and other contributions.
In order to fully understand the significance of this album, one would have to take a time travel trip back fifty-five years and compare the Pop / Rock albums that were released in 1967, for example “Sgt. Pepper`s Lonely Hearts Club BandFind albums with this title” by The BeatlesFind albums by this artist, “Between The ButtonsFind albums with this title” by The Rolling StonesFind albums by this artist or “Smiley SmileFind albums with this title” by the Beach BoysFind albums by this artist, and see that already on his sophomore album Zappa was light-years ahead of the time, writing a brilliant pastiche about the music business and American politics, which was not only hilarious but more importantly shockingly perceptive, whereas his contemporaries (with a few exceptions) were still writing love songs.
Zappa shows on this album that he is able to write Pop songs in any style he wants, with results as god or better than anybody else at the time. His guitar playing and the elaborate arrangements he wrote for the songs are equal to none and he appears as the first “total musician” on the Pop / Rock scene, a status he was able to hold till the day he died. From day one his extravagant personality and brilliant intelligence marked him as an outsider, a fate shared by most geniuses.
Zappa, who followed the Jazz scene closely, was of course aware of the Free Jazz scene reaching its peak at this time, and he prophetically tried to move the conceptual musical freedom also into Rock, to which the title of this album obviously hints.
Overall, although over fifty-five years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever.
Side Note
Frank Zappa created a vast recorded legacy during his lifetime, which is continuously being expanded using music recorded and stored in his extensive vault. The albums officially released and approved by Zappa are numbered sequentially in the "Official Release" series, from #001 to the last release so far #126. The albums between #001 to #062 were released during Zappa's lifetime and all the others were released posthumously. There are countless unofficial / bootleg releases on the market as well.
Zappa's catalogue was remastered for CD release twice: in 1995 for the RykodiscFind albums on this label releases and again in 2012 for the ZappaFind albums on this label Records / UniversalFind albums on this label releases. The Zappa / Universal program includes 60 releases, which cover the entire catalog released during his lifetime (62 releases, except #013 "200 Motels" and the three Box Sets #043, #046 and #049 called "The Old Masters vol.I / II / III"), and 6 posthumous releases (#064, #065, #067, #068, #093 and #094), which were also included.
| | Updated: 22/09/2022Posted: 25/03/2022 | CD 1 Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ AHEAD OF THEIR TIME
ZAPPA 3887 (Barcode: 824302388723) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1968 Released: 2012
This is a reissue / remaster of the 61st album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, originally released in 1993 (the one before last album released before his untimely demise). The music was recorded live in concert at the Royal Festival Hall, London, on 28 October 1968 by Zappa and the Mothers Of InventionFind albums by this artist. The album presents twenty tracks, all composed by Zappa, divided into two parts, each consisting of ten tracks: part one, entitled “Progress?” features also fourteen members of the BBC Symphony OrchestraFind albums by this artist and part two is performed by Zappa and the Mothers.
The lineup of the Mothers includes, in addition to Zappa on guitar and vocals, saxophonists Ian UnderwoodFind albums by this artist, Bunk GardnerFind albums by this artist and Jim SherwoodFind albums by this artist, keyboardist Don PrestonFind albums by this artist, bassist Roy EstradaFind albums by this artist and drummers Art TrippFind albums by this artist and Jimmy Carl BlackFind albums by this artist.
The album’s title of course precisely describes Zappa’s musical vision, which was light-years ahead of all his contemporaries. The Avant-Garde piece of music / humor presented in the first part of this album is completely innovative and far beyond anything happening at the time musically, not only on the Rock scene, but in American music in general.
The second part of the concert is a “usual” Mothers performance, which of course is also absolutely brilliant, even though restricted to Rock / Jazz instrumentation. Although not one of the most popular or revered Zappa’s albums, it is, surely in retrospect, still a masterpiece of Avant-Garde music / comedy / satire / social parody and musical genius all mixed together.
Overall, although this music is now almost fifty-five years old, it sounds as fresh as it did when first heard and lost absolutely nothing of its power and everlasting beauty. This album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since.
Side Note
Frank Zappa created a vast recorded legacy during his lifetime, which is continuously being expanded using music recorded and stored in his extensive vault. The albums officially released and approved by Zappa are numbered sequentially in the "Official Release" series, from #001 to the last release so far #126. The albums between #001 to #062 were released during Zappa's lifetime and all the others were released posthumously. There are countless unofficial / bootleg releases on the market as well.
Zappa's catalogue was remastered for CD release twice: in 1995 for the RykodiscFind albums on this label releases and again in 2012 for the ZappaFind albums on this label Records / UniversalFind albums on this label releases. The Zappa / Universal program includes 60 releases, which cover the entire catalog released during his lifetime (62 releases, except #013 "200 Motels" and the three Box Sets #043, #046 and #049 called "The Old Masters vol.I / II / III"), and 6 posthumous releases (#064, #065, #067, #068, #093 and #094), which were also included.
| | Updated: 22/09/2022Posted: 19/01/2022 | CD 1 Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ ANYWAY THE WIND BLOWS
ESSENTIAL / FOO-EEE 960 (Barcode: 5017615516029) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1979 Released: 1991
This is a bootleg album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released officially by Zappa in 1991 as part of the "Beat The Boots!Find albums with this title" Box Set, which included eight bootlegs. The LPs in this Box Set (edition of 600 copies) were not available individually, but the CD versions were made available individually on the Rhino / Foo-eeeFind albums on this label label as catalog numbers 70537 to 70544. In the UK these CDs were released on the Essential / Foo-eeeFind albums on this label label as catalog numbers 956 to 963. This is the fifth album of the set released on two separate CDs.
The album presents twenty tracks (nine and eleven respectively on the two CDs), which were recorded at Nouvel Hippodrome in Paris on February 24, 1979. The lineup of group includes Zappa on guitar and vocals, Arthur BarrowFind albums by this artist, Vinnie ColaiutaFind albums by this artist, Peter WolfFind albums by this artist, Tommy MarsFind albums by this artist, Warren CuccurulloFind albums by this artist, Denny WalleyFind albums by this artist and Ike WillisFind albums by this artist. The music is a typical selection of Zappa’s advanced Jazz-Rock Fusion and political / social satire.
The sound quality is quite reasonable in view of the illegal circumstances surrounding the recording process, often done on inferior equipment. It is of course an invaluable historic document of Zappa’s Genius. It is also valuable not only for its musical content, but also as an authentic document of the Music Industry bootlegging phenomenon and the attempts to fight it. Zappa pioneered (as he did in many areas) the idea of releasing the bootlegs on his own label, following the “if you can’t beat them, use them” formula, which later on became known as “The Official Bootleg” phenomenon still popular today.
| | Updated: 31/03/2023Posted: 31/03/2023 | CD 2 Recommend To A Friend |
  | FRANK ZAPPA ~ APOSTROPHE (`)
ZAPPA 3851 (Barcode: 824302385128) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1969 - 1974 Released: 2012
This is a reissue / remaster of the 18th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released originally in 1974. The music was recorded in the studio, mostly in 1973 during the sessions that produced the “Over-Nite SensationFind albums with this title” album and in early 1974, but some back material is taken from the 1969 “The Hot Rats SessionsFind albums with this title”. The album presents nine tracks, all composed by Zappa, except the instrumental title track, where Jack BruceFind albums by this artist and Jim GordonFind albums by this artist are co-credited and another track, where George DukeFind albums by this artist is co-credited. This was Zappa’s most commercially successful album in the US.
The lineup, in addition to Zappa on guitar, bass and vocals, includes violinists Jean-Luc PontyFind albums by this artist and Don Sugarcane HarrisFind albums by this artist, keyboardist George Duke, percussionist Ruth UnderwoodFind albums by this artist, saxophonists Ian UnderwoodFind albums by this artist and Napoleon Murphy BrockFind albums by this artist, trumpeter Sal MarquezFind albums by this artist, trombonist Bruce FowlerFind albums by this artist, bassists Jack Bruce, Alex DmochowskiFind albums by this artist and Tom FowlerFind albums by this artist and drummers Jim Gordon, John GuerinFind albums by this artist, Aynsley DunbarFind albums by this artist and Ralph HumphreyFind albums by this artist.
The album presents an eclectic amalgam of Jazz-Rock Fusion and Rock and Pop songs, with sarcastic / satirical lyrics dealing with subject matter about many social issues. It is somehow absurd that Zappa’s music became so popular at the time, despite the fact that his bitter criticism of the American society and politics became more and more intense in time, and was never really shared by wide circles of American audiences. One can assume that his lyrics were simply too clever for most people to be understood.
Overall, although this music is now almost fifty years old, it sounds as fresh as it did when first heard and lost absolutely nothing of its power and everlasting beauty. This album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since.
Side Note
Frank Zappa created a vast recorded legacy during his lifetime, which is continuously being expanded using music recorded and stored in his extensive vault. The albums officially released and approved by Zappa are numbered sequentially in the "Official Release" series, from #001 to the last release so far #126. The albums between #001 to #062 were released during Zappa's lifetime and all the others were released posthumously. There are countless unofficial / bootleg releases on the market as well.
Zappa's catalogue was remastered for CD release twice: in 1995 for the RykodiscFind albums on this label releases and again in 2012 for the ZappaFind albums on this label Records / UniversalFind albums on this label releases. The Zappa / Universal program includes 60 releases, which cover the entire catalog released during his lifetime (62 releases, except #013 "200 Motels" and the three Box Sets #043, #046 and #049 called "The Old Masters vol.I / II / III"), and 6 posthumous releases (#064, #065, #067, #068, #093 and #094), which were also included.
| | Updated: 08/12/2024Posted: 25/02/2022 | CD 1 Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ APOSTROPHE (`) (50TH ANNIVERSARY EDITION)
ZAPPA 20046 (Barcode: 602465639902) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1969 - 1974 Released: 2024
This is the 129th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2024. As the title suggests, it compiles all the material connected with the iconic “Apostrophe (`)Find albums with this title” album, originally released in 1974, as well as concert recordings from that period. The 5CD Box Set offers a total of sixty-six tracks, with over five hours of music. The bonus BD disc offers the original album in various alternate audio formats.
The music of the original album was recorded in the studio, mostly in 1973 during the sessions that produced the “Over-Nite SensationFind albums with this title” album and in early 1974, but some back material is taken from the 1969 “The Hot Rats SessionsFind albums with this title”. The original album presents nine tracks, all composed by Zappa, except the instrumental title track, where Jack Bruce and Jim Gordon are co-credited and another track, where George Duke is co-credited. This was Zappa’s most commercially successful album in the US.
The lineup, in addition to Zappa on guitar, bass and vocals, includes violinists Jean-Luc PontyFind albums by this artist and Don Sugarcane HarrisFind albums by this artist, keyboardist George DukeFind albums by this artist, percussionist Ruth UnderwoodFind albums by this artist, saxophonists Ian UnderwoodFind albums by this artist and Napoleon Murphy BrockFind albums by this artist, trumpeter Sal MarquezFind albums by this artist, trombonist Bruce FowlerFind albums by this artist, bassists Jack BruceFind albums by this artist, Alex DmochowskiFind albums by this artist and Tom FowlerFind albums by this artist and drummers Jim GordonFind albums by this artist, John GuerinFind albums by this artist, Aynsley DunbarFind albums by this artist and Ralph HumphreyFind albums by this artist, as well as various backup vocalists.
CD1 presents the newly remastered original album (9 tracks) and album session bonus tracks (9 tracks), seven of which were previously released on “The Crux Of The BiscuitFind albums with this title” album in 2016.
CD2 presents first part of the Colorado Springs, Colorado concert captured on March 21, 1974 (12 tracks).
CD3 presents the rest of the Colorado Springs, Colorado concert (10 tracks).
CD4 presents a live version of “Inca Roads” captured on March 18, 1974 (1 track) and the first part of the Dayton, Ohio concert captured on November 20, 1974 (11 tracks).
CD5 presents the rest of the Dayton, Ohio concert (9 tracks) and various bonus ditties (5 tracks).
The album presents an eclectic amalgam of Jazz-Rock Fusion and Rock and Pop songs, with sarcastic / satirical lyrics dealing with subject matter about many social issues. It is somehow absurd that Zappa’s music became so popular at the time, despite the fact that his bitter criticism of the American society and politics became more and more intense in time, and was never really shared by wide circles of American audiences. One can assume that his lyrics were simply too clever for most people to be understood.
Overall, although this music is now almost fifty years old, it sounds as fresh as it did when first heard and lost absolutely nothing of its power and everlasting beauty. This album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since.
| | Updated: 08/12/2024Posted: 08/12/2024 | 5CD+BD 6 Mini-Sleeve Box Set Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | FRANK ZAPPA ~ AS AN AM
ESSENTIAL / FOO-EEE 956 (Barcode: 5017615515626) ~ USA ~ Avant-Garde Jazz-Rock Fusion
Recorded: 1981 - 1982 Released: 1991
This is a bootleg album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released officially by Zappa in 1991 as part of the "Beat The Boots!Find albums with this title" Box Set, which included eight bootlegs. The LPs in this Box Set (edition of 600 copies) were not available individually, but the CD versions were made available individually on the Rhino / Foo-eeeFind albums on this label label as catalog numbers 70537 to 70544. In the UK these CDs were released on the Essential / Foo-eeeFind albums on this label label as catalog numbers 956 to 963. This is the first album of the set.
The music was recorded at two concerts: Sporthalle in Cologne, Germany on May 21, 1982 (tracks 2-3) and Palladium in NYC on October 31, 1981 (tracks 4-6). The first track is a fragment of a radio interview on which Zappa talks about bootlegs. The lineup includes Zappa on guitar and vocals, guitarists Ray WhiteFind albums by this artist and Steve VaiFind albums by this artist, keyboardists Tommy MarsFind albums by this artist and Bobby MartinFind albums by this artist, percussionist Ed MannFind albums by this artist, bassist Scott ThunesFind albums by this artist and drummer Chad WackermanFind albums by this artist.
The sound quality is quite reasonable in view of the illegal circumstances surrounding the recording process, often done on inferior equipment. It is of course an invaluable historic document of Zappa’s Genius. It is also valuable not only for its musical content, but also as an authentic document of the Music Industry bootlegging phenomenon and the attempts to fight it. Zappa pioneered (as he did in many areas) the idea of releasing the bootlegs on his own label, following the “if you can’t beat them, use them” formula, which later on became known as “The Official Bootleg” phenomenon still popular today.
| | Updated: 13/03/2023Posted: 16/02/2023 | CD 1 Recommend To A Friend |
  | AGA ZARYAN ~ A BOOK OF LUMINOUS THINGS
BLUE NOTE 5099908449825 (Barcode: 5099908449825) ~ POLAND ~ Jazz & Poetry
Recorded: 2011 Released: 2011
This is the 6th album by Polish Jazz vocalist Aga ZaryanFind albums by this artist and her second release on the legendary Blue NoteFind albums on this label label (she is the first Polish Jazz artist to release albums on that label, and so far the only one, which is altogether disheartening, considering the level of musical artistry readily available in Poland). Any reference to this album as yet another vocal Jazz release would be completely off the track. This is much more than just one more vocal Jazz album; it is an artistic statement, which encompasses different Art disciplines – in this case music and poetry – amalgamating them into an aesthetic whole, which becomes more than the sum of its parts. This kind of (music & poetry) format, which has an established tradition on the Polish cultural scene, continues the superb Jazz & Poetry movement, which has its roots more that half a century ago in the Beat generation.
Zaryan created this concept work around the works of Polish Nobel laureate, poet Czeslaw MiloszFind albums by this artist, and three poetesses, which Milosz admired. Of the twelve songs presented on this recording, six are based on poems by Milosz and the other six are by the three poetesses, each with two poems. To complicate things a bit further, all the texts are in English, although most were written originally in Polish. Milosz, who lived in the US since 1960, firmly believed that he should write poetry only in his Mother tongue (i.e. Polish), and only later translated his own poems into English. He also translated the poems by the Polish poetess Anna SwirszczynskaFind albums by this artist. The other two poetesses: British-born American Denise LevertovFind albums by this artist and American Jane HirshfieldFind albums by this artist wrote their poems in English of course.
As to the music, the list of credits is no less impressive. The basic tracks were recorded in a quartet format with musicians, who cooperated with Zaryan on earlier recordings: pianist / composer Michal TokajFind albums by this artist, who also composed almost all the music, guitarist Larry KoonseFind albums by this artist, bassist Darek OleszkiewiczFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist. The basic tracks were then ornamented by rich orchestral arrangements, written by Tokaj and performed by the Polish Radio String Orchestra, which was directed by another Polish Jazz celebrity, pianist / composer Krzysztof HerdzinFind albums by this artist. If all this is not confusing enough, the basic tracks were recorded in the US and the orchestra in Poland.
But what really counts is of course the final result, and in this case in spite of the intellectual complexity looming in the background and the musical intricacy involved, the overall result is a delicate, almost reserved and unpretentious little gem of an album. There is nothing flashy and overbearing here, just an intimate dialogue between Zaryan, her cohorts and the listener. Yes, it takes some effort to plunge deep beneath the surface and yes it takes a few listening sessions to discover some of those wonderful details veiled behind the sounds. I´d be surprised if Zaryan would´ve wanted it any other way; after all subtlety and modesty were always her distinctive gifts. Her vocal performances here, mystical and sensuous, reveal her struggle with the lyrical content, which is often devilishly convoluted. Yet everything sounds seemingly effortless and natural, as if no sweat was spilled in the process. These are true star qualities, in the best possible meaning of the idiom and in complete contrast to what are commonly conceived as star qualities these days. Although the album does not break and new musical ground, it certainly manages to create a unique atmosphere and climate, proving once more that intelligent, meaningful and non-trivial music combined with an obvious love and conviction leading the Artist are the essential ingredients needed to create true Art.
Zaryan´s Polish listeners will probably impatiently await the Polish language version of this album, which should be available very soon, but it is this version which might bring some listeners in Europe and the US closer to the treasures of the Polish Cultural Heritage, which unfortunately remains mostly completely unknown beyond its own ghetto. Thank you Aga for your vision and conviction: chapeau! kudos! and respect!
| | Updated: 01/01/2016Posted: | CD 1 Digipak Recommend To A Friend |
  | RATKO ZJACA ~ ARCHTOP AVENUE – SOLO GUITAR
IN+OUT 77153 (Barcode: 798747715324) ~ CROATIA ~ Jazz
Recorded: 2022 Released: 2023
This is a solo guitar album by Croatian (resident in Netherlands) Jazz guitarist / composer Ratko ZjacaFind albums by this artist. The album presents twelve tracks, three of which are original compositions by Zjaca and the remaining nine are Jazz standards. Each of the tracks was recorded using a different archtop guitar, each built by a different luthier, and the album is obviously as much a tribute to the Art of archtop luthiery, as to the music itself.
The naked solo instrumental albums are always a tremendous challenge to any musician, and the courage needed to attempt such projects is often as bold as the talent and performance skills needed to realize them. Zjaca, who is one of the most prolific and busy European Jazz musicians, certainly has all the ingredients needed to undertake a solo guitar recording, backed by his extensive experience, but no less importantly his love of Jazz and the guitar. All of this is immediately apparent when the music start to play…
The selection of tunes is certainly another evidence of the fact that this album is a true labor of love. There are no easy pieces here, and the highly individual and non-trivial treatment they receive here is a reflection of Zjaca’s passion. The music often moves away from the familiar melody line and the improvisations float freely, but the music stays coherent and an attentive listener is always able to follow the Artist’s intentions, smiling gently when the music finally returns to the familiar phrases.
It will take several repeated listening sessions to discover all the layers of this album, as it is rich in ideas and clever arrangements; a delightful musical experience for sure, for anybody who truly loves Jazz, improvisation and the sweet sound of guitar in the hands of a Master musician.
Overall, this is a deeply rewarding listening experience, for all Jazz lovers and certainly for guitar connoisseurs, who will find here a whole world of music, that never stops to amaze. Once you are through with digesting the tunes, you are welcome to compare the intricate sound subtleties between the twelve instruments Zjaca utilizes here. Enjoy the trip!
| | Updated: 23/10/2023Posted: 23/10/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | PHILIP ZOUBEK ~ AIR
WHYPLAYJAZZ 024 (Barcode: 4050486942987) ~ AUSTRIA ~ Avant-Garde Jazz
Recorded: 2014 Released: 2015
This is a solo piano album by the Austrian pianist / composer Philip ZoubekFind albums by this artist, performed on prepared piano, i.e. a piano that produces sounds which are not normally heard when a piano is played, achieved by putting different stuff inside the instrument on the strings and hammers. The album presents eight original compositions, all by Zoubek.
Zoubek manages to create a plethora of wonderfully weird sounds, which are then weaved into tapestries of sound, gently flowing in the time / space continuum, like chimes in a gentle breeze. Although completely devoid of melodic or harmonic structure, this music, or collection of sounds, is a manifestation of the Artist´s vision at the particular moment of creation.
These Avant-Garde sound vistas are beautifully non-offensive and non-aggressive, which works in favor of the relationship between the aesthetic content and the potential listener. When faced by such gentle and civil manifestation of sound, an open minded listener is much more open to spare his attention to this offering than to a barrage of angry notes, which brings on a defensive mechanism and closure.
This album is probably way too strange for most music connoisseurs, but honestly it deserves to be heard as it could be able to communicate with a much wider audience that one might expect. I personally had great fun listening to it, although I might understand how this might be rejected by others.
Since air is the medium, in which sound travels before it reaches our ears, it becomes in fact an integral part of the sound phenomenon, and as such deserves to serve as this album´s title.
This is another bold release by the wonderful WhyPlayJazzFind albums on this label label, which emerges as one of the most significant sources of excellent New Music in the last few years, and which deserves to be watched closely by fearless music lovers.
| | Updated: 12/04/2019Posted: 14/06/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
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