Record Reviews
648 Reviews Found. Use search to find more reviews or follow the links in the review text.
  | ABRAHAMS, MICK / BAND ~ LIVE IN MADRID INDIGO 2065 ~ UK ~ Blues
Original Jethro Tull guitarist Mick Abrahams left to form Blodwyn Pig and then the Mick Abrahams Band in 1973. This live recording from 1974 captures the group playing what they know and like the best - electric blues. Mick`s virtuosity is in the forefront at all times and his 16+ minutes version of Cat Squirrel is an easy contest to Mr. Clapton. Surely one of the best ever UK blues guitarists gets the exposure he deserves.
| | CD 1 Remastered Recommend To A Friend |
  | ABRAXAS ~ LIVE – IN MEMORIAM KUZNIA 01 (Barcode: 5907729991525) ~ POLAND ~ Progressive Rock Recorded: 2000 Released: 2000
This is the 4th and last album by the marvelous Polish Prog band AbraxasFind albums by this artist, which was definitely the greatest pioneer of the Prog renaissance in the 1990s in their country. Formed and led by the superb vocalist and charismatic leader Adam LassaFind albums by this artist, the band on this album also included guitarist Szymon BrzezinskiFind albums by this artist, keyboardist Marcin BlaszczykFind albums by this artist, bassist Rafal RatajczakFind albums by this artist, drummer Mikolaj MatyskaFind albums by this artist and second (acoustic) guitarist Lukasz SwiechFind albums by this artist. A couple of female backing singers also participate. The concert captured herein was recorded in memory of the Polish radio broadcaster Tomasz BeksinskiFind albums by this artist, perhaps the most significant radio personality in Poland at the time, who promoted exceptional music, including of course the music of Abraxas. His suicide (on Christmas Eve 1999) was a great blow to the many fans, who bestowed his radio programs a cult following. The highly emotional atmosphere of this special concert obviously influenced the musicians tremendously and the performance captured here is absolutely electrifying. The music of Abraxas is highly imaginative and although well set in the Prog tradition, it is completely original. It manages to avoid the triviality and repetitiousness of most Neo-Prog and in retrospect remains one of Poland´s greatest achievement in Rock in general and Prog in particular. Even for people not familiar with the Polish language, this is one hell of a Prog album, almost 80 minutes of unadulterated straight in the gut superb Prog. The recording quality of this live music is one of the best I´ve ever encountered and the gold plated CD reproduces the music wonderfully. An absolute must for any serious Prog fan, anywhere on this planet.
| Updated: 21/09/2021Posted: | CD 1 Digipak Gold Recommend To A Friend |
  | ACOUSTIC ACROBATS ~ LIVE LUNA 277 (Barcode: 5900672922776) ~ POLAND ~ Jazz-World Fusion Recorded: 2011 Released: 2012
This is the debut album by the excellent Polish Jazz-World Fusion ensemble Acoustic AcrobatsFind albums by this artist, which comprises of clarinetist Piotr SkupniewiczFind albums by this artist, accordionists Jacek HolubowskiFind albums by this artist and Boguslaw ZiebaFind albums by this artist, bassist Jacek FedkowiczFind albums by this artist and drummer Adam LesniakFind albums by this artist. The album, recorded live, includes ten original tracks composed by the ensemble members: seven by Holubowski, one each by Zieba and Skupniewicz and the remaining one co-composed by Zieba and Skupniewicz. There is also a bonus track with one of the composition given a studio overhaul with surprising results. The band lists their manager, lighting and transport man occasional vocalist Damian RekasFind albums by this artist as a sixth member, so I´ll comply as well.
The unusual instrumental lineup of the ensemble sets them almost immediately apart from most other Jazz-World Fusion groups. They produce quite an innovative overall sound, with the two accordions collaborating wonderfully, complimented by the great rhythm section, with the clarinet wailing on top. Although the Jazz component is often quite subtle, it is nevertheless the driving force pushing the ensemble at all times and allowing for the extended improvised sections.
The World Music influences are quite varied and include Balkan, Jewish, Klezmer, Latin American and African spices, all used with moderation and good taste. The music is after all original, with distinctive melodies and climates, with the World Music additions ornamenting it rather than dictating the final result. The individual instrumental abilities of these musicians are beyond reproach and often border on virtuosity. The level of interplay and mutual respect is also commendable.
Experience tells that this kind of music sounds the best when heard live and therefore the unconventional decision of releasing a live album as a debut is definitely the correct one. The fact that it also is the least expensive way to record an album is secondary in this case.
Overall this is a first rate album, which is pure fun to listen to, without being simplistic or vulgar. In fact this music is quite complex musically and hides many wonderful moments, which will be revealed by repeated listening.
This is definitely a band worth following, going to hear them play in concerts if possible and now also waiting for their next album. Kudos!
| | CD 1 Digipak Recommend To A Friend |
  | JAN AKKERMAN ~ LIVE WOUNDED BIRD 9241 (Barcode: 664140924123) ~ NETHERLANDS ~ Jazz-Rock Fusion Recorded: 1978 Released: 2009
6th album by Dutch guitarist / composer Jan AkkermanFind albums by this artist, recorded live at the Montreux Jazz Festival shortly after the release of the eponymous predecessor. Backed by an excellent band, which includes the Dutch keyboardist Jasper van`t HofFind albums by this artist, drummer Bruno CastelucciFind albums by this artist, percussionist Neppie NoyaFind albums by this artist and others, Akkerman delivers a blistering set of Jazz-Rock Fusion displaying his amazing technique and energy. Three of the six tunes played are composed by Akkerman and the others are contributions by his band members. Akkerman was at the peak of his powers at the time and this overall excellent album is a great reminder of that period. Definitely a must for all his loyal fans, but of interest also to all Fusion buffs. Recommended!
| | CD 1 Recommend To A Friend |
  | CHAVA ALBERSTEIN ~ LIKE A WILDFLOWER (30TH ANNIVERSARY EXPANDED EDITION) NMC (ISRAEL) 80591 (Barcode: 7290010932726) ~ ISRAEL ~ Classic Rock Recorded: 1975 - 1976 Released: 2006
Chava (Eve in Hebrew) Alberstein is one of Israel’s most important musical figures in the last 40 years. Born in Poland and immigrated to Israel in the 1950’s. She comes from a musical family (her brother is a gifted jazz player) and her multi-cultural background, great talent and intelligence all come together forming an exemplary musical personality. Alberstein is not only a great singer, but also an accomplished composer, and many of her songs belong to the canon of Israeli musical heritage. She is also active in the preservation of the Yiddish language and Eastern European Jewish cultural heritage (see her exceptional recordings with the US ensemble The Klezmatics). Alberstein recorded numerous albums over the years but this particular one is often considered as one of her most profound and exceptional works and includes many of her best songs. Recorded in the traumatic and gloomy period following the Yom Kippur war, the album was an attempt to find a positive and optimistic outlook on Israeli life and the hope for a better feature and peace. All the songs on this album were written and composed by the best Israeli poets and songwriters and arranged mostly by Matti Caspi. Alberstein performs them with grace and deep feeling, which turn this album into a true Israeli classic. This beautiful new edition includes an entire second CD of bonus live material, never previously available on record, including a video clip from Israeli TV. Highly recommended!
| | CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | ALLMAN BROTHERS BAND ~ LIVE AT THE ATLANTA INTERNATIONAL POP FESTIVAL EPIC 510100 (Barcode: 5099751010029) ~ USA ~ Classic Rock
Recorded just a few months (July 1970) before the legendary Fillmore gig, this is the Allman Brothers BandFind albums by this artist at the peak of their powers, playing their hearts out. Amazingly these two sets remained unreleased for such a long time, as in retrospect they rival the legendary Fillmore recordings both in sound and material quality. As a bonus, the almost half hour long Mountain Jam features a third guitarist - one Johnny WinterFind albums by this artist - which turnes this piece into an anthem of 1970`s guitar rock at its best. Absolutely essential not only for Allmans` fans, but in memoriam of the great times that are gone forever!
| Updated: 18/01/2016Posted: | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | ALLMAN BROTHERS BAND ~ LIVE FROM A&R STUDIOS ALLMAN BROTHERS BAND 821229111625 (Barcode: 821229111625) ~ USA ~ Blues-Rock Recorded: 1971 Released: 2016
This is an archival live album by the iconic American Rock group The Allman Brothers BandFind albums by this artist, recorded for a radio broadcast on August 26, 1971 at the A&R Studios in NY. The Allmans were in top form, following the explosive success of their seminal / iconic live album “At Fillmore EastFind albums with this title” recorded half a year earlier, and of course completely oblivious of the forthcoming tragedy which was about to strike with the death of Duane AllmanFind albums by this artist just two months later. It presents the first lineup of the group, which included the six founding members: guitarist Duane Allman, vocalist / keyboardist Gregg AllmanFind albums by this artist, guitarist Dickey BettsFind albums by this artist, bassist Berry OakleyFind albums by this artist, drummer / percussionist Jai Johanny JohansonFind albums by this artist (a.k.a. JaimoeFind albums by this artist) and drummer Butch TrucksFind albums by this artist.
The album presents the entire set of that recording session, nine tracks of superb playing by the band, with two extended tracks running eleven and nineteen minutes respectively. The music was carefully restored form the original tapes and the sound quality is as perfect, as the forty-five years old tapes were able to capture it at the time, which is definitely good enough to enjoy the music without any hitch.
During the performance the band pay tribute to their friend, saxophonist King CurtisFind albums by this artist, who was tragically murdered just a few days earlier. They included a medley of two songs in his memory, which is the longest track on this album and which includes what can be considered as the most monumental guitar solo by Duane Allman. As far as Blues-Rock is concerned, this is simply a brilliant live album. And no, I never get enough of this band…
Overall, this is a dazzling document of an exceptional band, and the times, when Rock was King and Gods were smiling at the gifted musicians, who produced timeless anthems, such as this. Rock improvisation, which is the name of the game here, never sounded better and is still light-years ahead of anything played today.
| Updated: 26/03/2023Posted: 26/03/2023 | CD 1 Remastered Recommend To A Friend |
  | GREGG ALLMAN ~ LAID BACK (DELUXE EDITION) MERCURY 602577427510 (Barcode: 602577427510) ~ USA ~ Classic Rock Recorded: 1973 Released: 2019
This is an expanded reissue / remaster of the 1st solo album by the American keyboardist / vocalist / songwriter / bandleader Gregg AllmanFind albums by this artist, recorded while he was still a member of the Allman Brothers BandFind albums by this artist. None of the members of the ABB play on the album and it was by a large group of studio musicians, all first rate players. The original album presented eight tracks, three of which were Allman originals. This 2CD Deluxe edition presents the remastered original album and adds eight early mixes on CD1 and eighteen demos, outtakes and alternate versions on CD2.
The album is an absolute marvel from start to finish, with beautiful, moistly romantic songs, brilliantly performed and sung, with lush instrumental arrangements. Full of Blues, Soul and even quite a few swinging Jazzy moments, it is a timeless joy and one of the best American Rock albums produced in the early 1970s. It is, however, quite different from what most ABB expected it to be, and was received mostly with mix feelings at the time. Listening to it today truly depicts Gregg’s full talent as a songwriter and performer, which stands the test of time without a hitch.
The bonus tracks on the Deluxe edition reflect the process of the album’s production step by step, until it reached its final polished / perfect form, and are of course priceless to true music lovers and a great historic document.
Overall, this is a timeless piece of music, which presents the softer side of the Southern Rock image, which Allman Brother Band presented during their epic live concerts. Gregg was undoubtedly one of the best American Rock vocalists and a sublime keyboardist, all of which is fully documented on this expanded version of the album, which is an absolute must in any decent Rock record collection. Not to be missed!
| Updated: 25/06/2024Posted: 25/06/2024 | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | GREGG ALLMAN ~ LOW COUNTRY BLUES ROUNDER 8595 (Barcode: 011661859524) ~ USA ~ Blues-Rock Recorded: 2011 Released: 2011
Following en extended period of silence, which lasted for a decade and a half, legendary singer / organist Gregg AllmanFind albums by this artist released this, his 6th solo studio album, which is full of fantastic new arrangements of classic Blues (and some Rhythm And Blues) songs. Age and experience are evident here, as Allman really takes a very relaxed and laidback approach to this material, avoiding any attempts to imitate the Allman Brothers BandFind albums by this artist powerful sound and energetic approach in favor of this new and elegant attitude. His voice still in excellent form and amicable support from some exquisite players the overall result is simply heart melting.
Every Blues lover will find these interpretations very interesting, as they combine a respectful treatment of the original tunes with innovative ideas. Produced by T Bone BurnettFind albums by this artist, who is considered as one of the top contemporary music producers, the album has a unique sound, which moves between small combo and a larger brass ensemble. A long list of great musicians participate, among them Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist) on piano. Most warmly recommended!
| Updated: 02/01/2024Posted: | CD 1 Recommend To A Friend |
  | AMAZING BLONDEL ~ LIVE IN TOKYO TALKING ELEPHANT 144 (Barcode: 5028479014422) ~ UK ~ Classic Rock Recorded: 1977 Released: 2009
9th and last album by the wonderful British Folk-Rock / Prog group Amazing BlondelFind albums by this artist, one of the most unique and sophisticated bands to appear on the scene in the 1970s. After recording four wonderful albums for the IslandFind albums on this label label, the band switched to the DJMFind albums on this label label, where they recorded four additional albums before disbanding. With the departure of John GaldwinFind albums by this artist, the duo of Terry WincottFind albums by this artist and Edward BairdFind albums by this artist continued to carry the band´s tradition, utilizing well-known Rock musicians as guest artists and modifying the sound to a more contemporary rockier song format. This album has nothing to do with Japan, as it was recorded in Europe, although the group was quite popular in Japan at the time. This album represents in a way a comeback to the acoustic version of the band, with just Wincott and Baird up front, accompanied by an orchestra at times, doing what they do best. In many respects it is the best effort of the later period of the band and a perfect parting gift. Worth investigation!
| | CD 1 Recommend To A Friend |
  | AMON DUUL II ~ LIVE IN LONDON MYSTIC 128 ~ GERMANY ~ Progressive Rock
A live recording from 1972 by the original lineup of this great group, when it was at the peak of its popularity after a series of superb album releases. This set includes lengthy improvisations and is an important document of how the group sounded on stage.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | AMON DUUL II ~ LIVE IN TOKYO MYSTIC 108 ~ GERMANY ~ Progressive Rock
A superb live recording of the band from 1996 celebrating their 30`s anniversary as a unit. The singer Renate Knaup is still in great shape (perhaps even better then ever) and the players just ride with the wind. Some old and some new songs present a band still at its peak after so many years.
| | CD 1 Recommend To A Friend |
  | AN ON BAST / MACIEJ FORTUNA ~ LIVE FM 010 (Barcode: 888174021560) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013
This is the second album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes ten tracks which were composed and conceived by the duo, all recorded live on two different occasions. The last track is a tribute to the memory of the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist, who died in February 2011.
This album continues the direction set up by the duo´s debut album, which combines electronic / synthesized ambient vistas with trumpet solos stating the melodic elements of the music. Although not completely innovative, this music differs from most similar projects since it involves a virtuosic player like Fortuna, who is capable of lengthy and complex improvisations, keeping a clear tone and superb fluency at all times. Although this music is not very easy to listen to, requiring maximal attention blended with fruitful imagination, it speaks to a wider population of listeners than the very limited Jazz audience. Ambient / electronic music gained quite a following in the last decades and therefore there is a good chance this music might be appealing to them as well.
Of course the trumpet parts played by Fortuna are the focus of this music, as the melodic sounds he produces are what the human ear is used to, much more so than the ambient sounds in the background. And yet an experienced listener quickly discovers the symbiotic relationship between these two layers, which enables the existence of one only in the presence of the other. The combined sound is dense, engaging and aesthetically pleasing, even at its darkest moments.
The fact that Fortuna is engaged in this project in parallel to his numerous other, mostly Jazz oriented activities proves his diversity as an artist and his open-mindedness, which is often quite limited among other players. Overall this is a project that deserves to be heard and praised for bridging the cross-genre gaps and exploring uncharted territory.
This is definitely worth investigating, especially for the more adventurous listeners, who are willing to take certain risks in order to gain new experiences.
| | CD 1 Mini-Sleeve Recommend To A Friend |
  | AN ON BAST / MACIEJ FORTUNA ~ LIVE (LIMITED EDITION) FM 008 (Barcode: 888174021560) ~ POLAND ~ Jazz Recorded: 2012 Released: 2013
This is the second album by the Polish duo, which consists of ambient / electronic music artists An On BastFind albums by this artist (a.k.a. Anna SudaFind albums by this artist) and Jazz trumpeter / composer Maciej FortunaFind albums by this artist. The album includes ten tracks which were composed and conceived by the duo, all recorded live on two different occasions. The last track is a tribute to the memory of the great Polish Jazz trumpeter / composer Andrzej PrzybielskiFind albums by this artist, who died in February 2011.
This album continues the direction set up by the duo´s debut album, which combines electronic / synthesized ambient vistas with trumpet solos stating the melodic elements of the music. Although not completely innovative, this music differs from most similar projects since it involves a virtuosic player like Fortuna, who is capable of lengthy and complex improvisations, keeping a clear tone and superb fluency at all times. Although this music is not very easy to listen to, requiring maximal attention blended with fruitful imagination, it speaks to a wider population of listeners than the very limited Jazz audience. Ambient / electronic music gained quite a following in the last decades and therefore there is a good chance this music might be appealing to them as well.
Of course the trumpet parts played by Fortuna are the focus of this music, as the melodic sounds he produces are what the human ear is used to, much more so than the ambient sounds in the background. And yet an experienced listener quickly discovers the symbiotic relationship between these two layers, which enables the existence of one only in the presence of the other. The combined sound is dense, engaging and aesthetically pleasing, even at its darkest moments.
The fact that Fortuna is engaged in this project in parallel to his numerous other, mostly Jazz oriented activities proves his diversity as an artist and his open-mindedness, which is often quite limited among other players. Overall this is a project that deserves to be heard and praised for bridging the cross-genre gaps and exploring uncharted territory.
This is definitely worth investigating, especially for the more adventurous listeners, who are willing to take certain risks in order to gain new experiences.
| | CD 1 Digipak Recommend To A Friend |
  | ARENA ~ LIVE & LIFE VERGLAS 027 ~ UK ~ Progressive Rock
This Limited Edition Box Set includes the 2CD live recording of the complete `Contagion` project, recorded during the 2003 tour following the release of their last album (This is the `Live` part). The companion DVD contaings a 40 minutes documentary following the band and crew on tour, backed with both on and off stage footage (This is the `Life` part). For Arena fans this is an absolute must!
| Updated: 26/01/2019Posted: | 2CD+DVD 3 Box Set Recommend To A Friend |
  | ATMOSPHERA ~ LADY OF SHALOTT MIO 020-021 ~ ISRAEL ~ Progressive Rock
Atmosphera were a short lived Israeli group who never managed to record and release a proper album and this long anticipated release presents for the first time their entire recorded output. The two long studio tracks were recorded in 1977 and the rest of the material consists of different recordings by the band members during a period of several years. The group included two Zingale members and stylisticly is very close to Yes around the `Fragile` period. The album also includes rare video in VCD format.
| | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | ATOLL ~ L`ARAIGNEE-MAL MUSEA 4012 ~ FRANCE ~ Progressive Rock
2nd album from 1975 by this band, which along with Ange were the most famous and celebrated French Prog outfits in the 70`s. Brilliant musicianship and quirky fire exchanges between the instruments resemble the Mahavishnu Orchestra. Pure delight!
| | CD 1 Recommend To A Friend |
  | BRIAN AUGER ~ LANGUAGE OF THE HEART GHOSTOWN (Barcode: 885767215412) ~ UK ~ Jazz-Pop Fusion Recorded: 2012 Released: 2012
This is an album by British (resident in California) keyboardist / composer / bandleader Brian AugerFind albums by this artist produced and recorded with the American duo TeaFind albums by this artist (guitarist Franck BalloffetFind albums by this artist and percussionist / keyboardist Phil BunchFind albums by this artist). Several other musicians also participate on the album. The album presents seven original compositions, all co-credited to Auger and Tea.
Auger, as anybody reading my reviews already knows, has been my absolutely favorite Hammond organ player since I first heard him in London exactly fifty years ago and still is today. Nobody, and I mean nobody, managed to come even close to his exquisite feel and the ability to achieve a perfect cross-genre (before cross-genre was invented) mixture of Pop / Jazz / Soul / Groove, which he perfected while playing with his TrinityFind albums by this artist and Julie DriscollFind albums by this artist and later with the Oblivion ExpressFind albums by this artist.
Listening to this album is like taking the time machine trip five decades back and listening to Auger swirl around the Hammond, with precisely the same feel and sound I remember hearing in London clubs and later on the early albums. The compositions are all also perfectly in the same mold, which simply could not make me (and many of Auger´s faithful followers) more happy.
All the musicians taking part in the recording do a great job and except for the vocals, which I could do without (but which are definitely of secondary importance), the music comes together perfectly. Although I usually say that nobody does music like that anymore, obviously Auger is the notable exception to the rule.
Overall this is just an absolutely perfect Brian Auger album, which finds him doing what he does best – playing his Hammond like nobody else can do. In contrast to other "revival" efforts by many musicians who go back to the 1960s, which are mostly sad and pitiful, Auger manages simply to be himself here, carefree and obviously happy, which clearly projects through the music, which again is as timeless as it always was.
Thank you Brian for the gift of music over the years!
| Updated: 26/07/2019Posted: 26/07/2019 | CD-R 1 Recommend To A Friend |
  | BRIAN AUGER / TRINITY ~ LIVE AT ROCKPALAST REPERTOIRE 1474 (Barcode: 4009910147429) ~ UK ~ Jazz-Rock Fusion Recorded: 2011 Released: 2024
This is a live recording by legendary British Jazz / Fusion keyboards wizard Brian AugerFind albums by this artist, captured on October 20, 2011 in Bonn, Germany. It presents an attempt to relive the brief phenomenal success achieved in the late 1960s by Brian Auger and his TrinityFind albums by this artist with the singer Julie DriscollFind albums by this artist, which produced four quintessential early Fusion / Psychedelia British albums: “OpenFind albums with this title”, “Definitely What!Find albums with this title”, “StreetnoiseFind albums with this title” and “BefourFind albums with this title”. The lineup appearing here includes Auger on keyboards, bassist Les KingFind albums by this artist, Auger’s son Karma AugerFind albums by this artist on drums and his daughter Savannah GraceFind albums by this artist on vocals. The album presents thirteen tracks, most of which are contemporary redemptions of tracks from the a.m. albums. The accompanying DVD offset the video version of the same material.
I must admit that I had a lot of reservations about this project before I had the opportunity to listen to the music, for the obvious reasons. These four albums are an absolute “Holy Grail” of British recorded music, and any attempt to touch them in any form or shape sounds like blasphemy. But, with all due respect, it is Brian Auger’s music after all, so if anybody could be trying to revitalize it, it should be him.
I am relieved and happy to say that these new versions worked out pretty well after all; they are politely different from the originals and they respect the essence of the original music. Auger’s performances are absolutely sensational and his keyboards work lost nothing of its sensational virtuosity and inventiveness. The rhythm section keeps time, a bit less Jazzy and creatively than the original team, but times they are a-changin’. The greatest fear were of course the vocals, as nobody on earth comes close to the vocal abilities of Julie Driscoll, but Savannah skillfully manages to circumvent the challenge by avoiding copying Julie’s vocal groundbreaking innovations, and simply sticking to the tunes, which she does skillfully and without a hitch. She even manages to mimic some of Julie’s idiosyncrasies, which made me smile.
Overall, this is a respectful tribute to some of the greatest music recorded in UK in the late 1960s, brilliantly played by the Godfather of the original project, and for me the greatest organ player of all time. The fact that I managed to enjoy the music wholeheartedly means that is respectful to the origin and offers a first class aesthetic value. Thank you Brian for all the fantastic music you created over time, which made so many music-loving people so happy!
| Updated: 24/08/2024Posted: 24/08/2024 | CD+DVD 2 Slipcase Remastered Recommend To A Friend |
  | ASAF AVIDAN / MOJOS ~ LUCKY MAN TELMAVAR 003-2 (Barcode: 7290013013118) ~ ISRAEL ~ Classic Rock Recorded: 2009 Released: 2009
2nd album by Israeli singer / songwriter Asaf AvidanFind albums by this artist and his band The MojosFind albums by this artist, recently snatched and singed by SonyFind albums on this label where this album will be released internationally in a few months from now. It was pretty obvious that one of the Majors will sign Avidan, as he obviously is now one of the most original singers in the entire world – a bold statement, but true nevertheless. His debut album left critics and audiences around the world stunned and sold a staggering number of copies, even though it wasn´t quite "easy" music at all. But Avidan´s incredible and completely unique voice and his unusual approach to vocal expression simply make him stand out like a beacon of light in the deep of the night. As good as the debut album was this one surpasses it magnificently, mainly due to the strength of the new material – all penned and composed by Avidan – which is much more mature, developed and diverse than the material on the debut album. Add to this the intelligent and perfectly executed musical arrangements, which involve both acoustic and electric instruments, and you get a monster album, which should satisfy any true music lover regardless of his usual music preferences. There is a bit of everything here: Blues, Rock, shades of Alternative and even shades of Prog, all beautifully amalgamated together, creating an enchanting listening experience. But words are not adequate to truly describe this music, simply get a copy and enjoy! Satisfaction guaranteed! Note: This album was released under two different titles – "Poor BoyFind albums with this title" and "Lucky ManFind albums with this title", with different packaging, but the musical content is identical! Slightly confusing, but a lot of fun!
| | CD 1 Recommend To A Friend |
  | ALBERT AYLER ~ LIVE IN GREENWICH VILLAGE: THE COMPLETE IMPULSE! RECORDINGS IMPULSE! 273 (Barcode: 011105027328) ~ USA ~ Jazz Recorded: 1965 - 1967 Released: 1998
One of the greatest pioneers of the Free Jazz in the 1960’s, Albert AylerFind albums by this artist is universally recognized for his contributions but remains the most controversial of the period’s figures. There are quite a few reasons for this controversy: his relatively limited output (due to his tragic death in 1970 he recorded just for about 9 years between 1962 and 1970), his background (Ayler arrived at the Free Jazz scene from Rhythm And Blues unlike Ornette ColemanFind albums by this artist or John ColtraneFind albums by this artist who had years of Bebop behind them) and his radical approach to improvisation based less on personal virtuosity and more on expressiveness and attack. In addition Ayler based his improvisations on many world music influences (one of the first US musicians to do so), rather than on the blues and jazz standards. Ayler started his career in Scandinavia, where he lived in the early 1960’s and where he first recorded (similar to many other US jazz musicians, who found the US scene to be unappreciative of their innovations as opposite to the Europeans who were much more open-minded – this being true to this very day). Upon his return to NY, Ayler recorded a series of visionary and now legendary albums for the no less legendary NY based “underground” ESPFind albums on this label label, which was the first American label to provide its artists a total artistic freedom and control of their output. Later on Ayler signed with Impulse!Find albums on this label, where he recorded until his untimely (and mysterious) death. This exquisite album collects all the live recordings Ayler made for Impulse! between 1965 and 1967 in various venues in the NY Greenwich Village. It captures him (and his group) at the absolute peak of his improvisational ability. Strongly influenced by Coltrane’s late period output (one of the pieces here is dedicated to Coltrane and was recorded just after Coltrane’s death) the music presents turmoil of emotions and brilliant group improvisations. Ayler’s group includes his brother Don AylerFind albums by this artist on trumpet, Michael SampsonFind albums by this artist on violin, Henry GrimesFind albums by this artist on bass, Beaver HarrisFind albums by this artist on drums and many other prominent NY Free Jazz players. This is an essential piece of the Free Jazz history and a great portrait of an Artist at his best moment. Brilliant!
| Updated: 08/05/2023Posted: | CD 2 Digipak Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | ONUR AYMERGEN QUINTET ~ LUNAR LOSEN 265 (Barcode: 7090025832659) ~ TURKEY ~ Jazz Recorded: 2021 Released: 2023
This is an album by Turkish Jazz guitarist / composer Onur AymergenFind albums by this artist, recorded in a quintet setting with pianist Can CankayaFind albums by this artist, trumpeter Tolga BilginFind albums by this artist, bassist Apostolos SiderisFind albums by this artist and drummer Turgut Alp BekogluFind albums by this artist. The album presents eight original compositions, all by the leader.
The music is wonderful modern European Jazz, which splendidly documents the incredibly high level of Turkish Jazz, which for some strange reason is one of the country’s best kept secrets, as it is relatively rarely heard outside of the country’s borders. The music is all based on melodic themes, all solid and elegantly weaved, but offers a lot of open space for improvisation and on one track even touches upon Free. Personally I’d prefer the music to reflect more Turkish folkloristic elements than it does, but that is of course the choice of the musicians and especially the leader.
Aymergen is a very skilled guitar player, who eschews Fusiony doodling and plays wonderful phrases while improvising, excellently supported by the quintet members, all of which are also excellent musicians, easily comparable to their European colleagues. Cankaya plays some superb piano lines throughout, Bilgin keep relatively to the background, Sideris adds elegant and constructive bass pulsations and Bekoglu ornaments the music with very imaginative percussive work.
Overall, this is quite a revelation to Jazz lovers not familiar with Turkish Jazz scene and a heaven on earth for guitar lovers, who can discover some highly unusual approach to the instrument, influenced by the Middle Eastern tradition of plucked string instruments like the saz and oud. Kudos to my Norwegian friend Odd GjelsnesFind albums by this artist, who manages to carry on with his wonderful LosenFind albums on this label Records label, continuously releasing a lot of exciting Jazz music from all over the world.
| Updated: 05/04/2023Posted: 05/04/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | BABYSZKA / LEMANCZYK / GOLICKI ~ LUTOSIA NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2020 Released: 2023
This is the debut album by the Polish Jazz trio consisting of pianist Maja BabyszkaFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Adam GolickiFind albums by this artist. The album presents eight tracks, six of which are original compositions by Lemanczyk, one is an arrangement of a Classical piece by Polish composer Witold LutoslawskiFind albums by this artist and one is a John ColtraneFind albums by this artist composition.
The music is brilliant modern European Jazz, sparkling with freshness and inventiveness, which never ceases to amaze. The trio offers a unique atmosphere of tranquility, even on the up-tempo pieces, and intimate interplay between the trio members.
Lemanczyk, who is undoubtedly one of the finest European Jazz bass virtuosi, dominates the album with his steadfast lead and amazing technique, both on the acoustic bass and the bass guitar, which seems to be his preferred arme de choix lately. Since most of the music features his excellent lyrical compositions, he is the obvious trailblazer here, which of course does not weaken the contributions by the other members of the trio.
Babyszka, despite her tender age and novice status, appears as an excellent player, with tons of potential, which means she is surely going to take us all by surprise, assuming her studies in the US will not extinguish her talent. Golicki, an already established name on the Polish Jazz scene, also performs spotlessly and passionately, as appropriate for the occasion.
The album recorded three years ago during an unexpected short studio session, offers not only great music, but also a beautiful sound quality, which allows the listener to enjoy every nuance of the delightful music.
Overall, although almost a spur of the moment session, this is one of the nicest and most inspiring Polish Classic Jazz piano trio recordings in the last few years, which is an absolute delight from start to finish. I have no idea if this trio has any plans to repeat this experience, but one can always hope. This is Polish / European Jazz at its absolute best, making this little gem an essential listening!
| Updated: 17/11/2023Posted: 17/11/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | BAD COMPANY ~ LIVE 1977 & 1979 RHINO 081227952334 (Barcode: 081227952334) ~ UK ~ Classic Rock Recorded: 1977 - 1979 Released: 2016
This is an archival live album by the seminal British Rock supergroup Bad CompanyFind albums by this artist. Formed in 1973 by two former members of the legendary FreeFind albums by this artist, vocalist Paul RodgersFind albums by this artist and drummer Simon KirkeFind albums by this artist, who were joined by ex-Mott The HoopleFind albums by this artist guitarist Mick RalphsFind albums by this artist and ex-King CrimsonFind albums by this artist bassist Boz BurrellFind albums by this artist. The original lineup of the band managed to last for a whole decade, during which they recorded six studio albums, but not even one live album, which was highly unusual at the time. This album tries, albeit almost forty years later, to remedy the situation and presents two live shows by the band at its peak form, with the two recordings separated by almost two years, each presenting mostly songs from the albums released at the time, i.e. the first show with songs from "Burnin` SkyFind albums with this title", their fourth album released in 1977 and the second show with songs from "Desolation AngelsFind albums with this title", their fifth album released in 1979.
Bad Company was a formidable live act, as these recordings show, which explains the enormous popularity they enjoyed at the time. They are also a living proof that the basic Rock formula of vocals, lead and bass guitars and drums are completely enough to create vital and extraordinary music, without electronics and other artificial trickery. Rogers, as usual, is simply beyond comparison to any other vocalist at the time and in truth to this very day. The band did not change their musical formula for the entire duration of their existence, which was based on great tunes, often soaked with Blues sensitivity, performed with great skill and total involvement, but eschewing unnecessary pyrotechnics.
In many respects this album is a frozen memory of Rock´s last great moments, as the music was about to turn sour soon after with mindless Pop taking over and Rock disappearing as the musical pulse of the generations. Bad Company managed to survive Punk and New Wave, but they did run out of steam soon after and their sixth album, the last featuring the original lineup, was released when the band practically did not exist any more.
This album pays tribute to the three instrumentalists in the band, who prove their great skills on these live recordings. Ralphs is obviously a superb guitarist, who was able to play great solos and support the flow of the music by supplying incredible riffs. Kirke is a great drummer, probably one of the very few top Blues-Rock drummers, who always exhibited brilliant sensitivity and technique. Burrell, who is sadly no longer with us, was a dazzling bassist and his work always provides the cement which kept the music together.
Since nobody plays great Rock today as Bad Company did at the time, perhaps this album could serve as a source of inspiration to some young musicians to learn how it´s done…In the meantime we have this to remember what Rock was all about once.
| Updated: 20/01/2017Posted: 20/01/2017 | CD 2 Digipak Remastered Recommend To A Friend |
  | GINGER BAKER ~ LIVE IN LONDON 2009 FLOATING WORLD 6091 (Barcode: 805772609129) ~ UK ~ Jazz-World Fusion Recorded: 2009 Released: 2011
This is a CD / DVD album by iconic British Rock / Jazz drummer Ginger BakerFind albums by this artist, recorded live at London’s Jazz Café on November 4th, 2009 with an excellent team, which features American guitarist Chris GossFind albums by this artist, Ghanaian percussionist Abass DodooFind albums by this artist, British saxophonist Pete KingFind albums by this artist and Swedish bassist Jonas HellborgFind albums by this artist. The album presents seven tracks, which are a mixture of Jazz standards, original compositions and African Folk songs. The DVD offers the video document of the gig.
The music offers a somewhat semi-formal 70th birthday celebration party, a gig which certainly wasn’t intended for release on an album, but the sound quality is pretty good and the music is everything one would expect from such an informal gathering of great musicians, and is a rare document of the late period of Baker’s career, which ended with his demise in 2019.
Overall, although not spectacular, this is a worthy addition to Baker’s recorded legacy, which was as extensive as one might have hoped for, certainly from the last years of his life, especially when accompanied of a video document. Definitely worth checking out.
| Updated: 09/03/2024Posted: 09/03/2024 | CD+DVD 2 Recommend To A Friend |
  | GINGER BAKER / AFRICAN FRIENDS ~ LIVE IN BERLIN GERMANY 1978 VOICEPRINT / TMQ 057 (Barcode: 604388738328) ~ UK ~ Jazz-World Fusion Recorded: 1978 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker playing with his old friend Fela Anikulapo KutiFind albums by this artist and his ensemble Africa 70Find albums by this artist during the Berlin Jazzfest. In many respects this recording is a culmination of Baker´s long association with African music and his Jazz-World Fusion, before his return to more conventional Jazz music. Definitely worth investigating, especially in view of the fact that the sound quality on this album is quite excellent.
| | CD 1 Recommend To A Friend |
  | GINGER BAKER / AIR FORCE ~ LIVE IN THE STADTHALLE OFFENBACH GERMANY 1970 VOICEPRINT / TMQ 055 (Barcode: 604388738120) ~ UK ~ Jazz-World Fusion Recorded: 1970 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s revolutionary Jazz-World Fusion ensemble Air ForceFind albums by this artist, which he founded following the demise of CreamFind albums by this artist. Air Force recorded only two albums during its short life-span, and any additional material by the band is invaluable. Baker assembled a formidable group of top British Jazz players of the period, augmented by African vocalists and drummers. The fact that this album features the talents of the legendary saxophonist / organist Graham BondFind albums by this artist is alone worth the price, but other great players are also present: organist / guitarist Ken CraddockFind albums by this artist, saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist, bassist Colin GibsonFind albums by this artist and others. The material is similar to the material present on the two Air Force albums, but several surprises are heard here for the first time, like the group´s version of Cream´s "Sunshine Of Your Love". Most of the pieces include extended improvised parts, with the saxophonist taking solos in tandem. Definitely worth investigating, provided you´re not squeamish about sound quality.
| | CD 1 Recommend To A Friend |
  | GINGER BAKER / ENERGY ~ LIVE IN MILAN ITALY 1980 VOICEPRINT / TMQ 058 (Barcode: 604388738427) ~ UK ~ Blues-Rock Recorded: 1980 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s ensemble EnergyFind albums by this artist, which he founded in 1979, marking his return to Rock for a while. Energy recorded only one live album during its short life-span (it was released over a decade later), and any additional material by the band is invaluable. Baker assembled a formidable group featuring the talents of guitarists John MizarolliFind albums by this artist and Whitey DavisFind albums by this artist, keyboardist David LennoxFind albums by this artist and bassist Henry ThomasFind albums by this artist. The material is mostly Blues-Rock based, with Mizarolli playing some incredible solos. Definitely worth investigating, provided you´re not squeamish about sound quality.
| | CD 2 Recommend To A Friend |
  | GINGER BAKER / SALT ~ LIVE IN MUNICH GERMANY 1972 VOICEPRINT / TMQ 056 (Barcode: 604388738229) ~ UK ~ Jazz-World Fusion Recorded: 1972 Released: 2010
This live recording is one of several releases based on the private archives of legendary drummer Ginger BakerFind albums by this artist, which finally see the light of day. Although not intended for a formal release and suffering from "bootleg" sound quality problems, the musical importance of this material is so significant, that it overshadows any technicalities and is essentially a Godsend. This album brings a live recording of Baker´s ensemble SaltFind albums by this artist, which he founded following the demise of Air ForceFind albums by this artist. Salt never recorded any albums during its short life-span, and therefore this material by the band is invaluable. In Salt Baker assembled a group of British Jazz players, which played in the last Air Force lineup, augmented by African vocalists and drummers, taking an even more radical step towards World-Jazz Fusion. Some great players are present: saxophonist / flautist Steve GregoryFind albums by this artist, saxophonist Bud BeadleFind albums by this artist and others. But the great surprise of this recording is the participation of the legendary Jazz drummer Art BlakeyFind albums by this artist, who "battles" with Baker in a series of drum exchanges. Definitely worth investigating, especially in view of the fact that the sound quality on this album is quite excellent, as it originates from a TV recording made of the concert.
| | CD 2 Recommend To A Friend |
  | STEPANKA BALCAROVA ~ LIFE AND HAPPINESS OF JULIAN TUWIM ANIMAL MUSIC 065 (Barcode: 8594155991709) ~ CZECH REPUBLIC ~ Jazz & Poetry Recorded: 2017 Released: 2017
This is the debut album as a leader by Czech trumpeter / composer Stepanka BalcarovaFind albums by this artist, recorded with a septet comprising of Czech and Polish Jazz musicians: vocalist Malgorzata HutekFind albums by this artist, saxophonist Marcel BartaFind albums by this artist, flautist Robert FischmannFind albums by this artist, pianist Nikola KolodziejczykFind albums by this artist, bassist Jaromir HonzakFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. As the title suggests, the album presents nine poems by Polish / Jewish poet Julian TuwimFind albums by this artist, which were made into songs with original music composed by Balcarova.
The album is a typical Jazz & Poetry project, which apparently is a specialty of the Eastern European region (Poland especially), and which keeps the wondrous and much neglected elsewhere idiom alive and kicking. Of course tackling Tuwim´s poems, who after all was the most important 20th Century Polish poet, is an extremely risky undertaking, especially in view of the fact that his poems were already made into songs countless times before by some of the best composers out there. Balcarova decided to compose music to Tuwim´s early poetry, published (with one exception) between 1918 and 1923, which are more rarely used as sources of songs, and therefore she brings forward to the public eye a lesser known facet of his poetry.
I am happy to say that Balcarova managed to create a consistent song cycle, with her music being very appropriate to the poetic contents. The music is full of melancholy, perhaps even a bit too somber at times, since these poems are considered as optimistic and vital in comparison to Tuwim´s later work, which was full of cynicism and resentment. Nevertheless the music, as already mentioned, is more than appropriate in this context and its melodic qualities, which incorporate strong Eastern European folkloristic motifs, is definitely impressive. The polyrhythmic compositions are the most successful and interesting musically, but they are a minority.
The instrumental work is also very solid from start to finish, with excellent solo parts by the players and supportive rhythm section. Kolodziejczyk is definitely the key player, who keeps the harmonic structures in place and accompanies the vocals amicably, adding some splendid solo parts on the fly.
The vocals suffer from some problems: they are way too theatrical and loud; there is way too much vibrato and almost no reference between the actual lyrics (poems) and the way they are expressed. Hutek sings forcefully even in the most intimate moments, which at its extreme manifestations is pretty annoying. I´d rather have these texts whispered rather than sung the way they are. But to be fair these texts are extremely difficult and combined with the music, which also is often challenging, Hutek does the best she can to make it work and overall, with a bit of acquired taste, does fine.
But this album is all about the music, first and foremost, and as such it is a splendid piece of work, that deserves to be heard and enjoyed. Beautifully packaged and with a booklet that includes the original poems in Polish and Czech and English translations, this is a piece of Culture that true connoisseurs of the Jazz & Poetry idiom would absolutely love to have in their collections. Wholeheartedly recommended!
| Updated: 04/03/2018Posted: 04/03/2018 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ADAM BALDYCH ~ LEGEND ANAKLASIS 020 (Barcode: 5907795211855) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2021 Released: 2022
This is an album by Polish Jazz violinist / composer Adam BaldychFind albums by this artist, recorded in a quintet setting with saxophonist Marek KonarskiFind albums by this artist, pianist Lukasz OjdanaFind albums by this artist, bassist Michal BaranskiFind albums by this artist and drummer Dawid FortunaFind albums by this artist, and Polish Classical violinist Agata SzymczewskaFind albums by this artist. The album presents compositions inspired by the music of Polish Classical violinist / composer Henryk WieniawskiFind albums by this artist, nine of which are original compositions by Baldych and one is variation on a composition by Wieniawski. The album was released by the prestigious Polish AnaklasisFind albums on this label label as part of its “Revisions” series.
I have followed Baldych’s career closely since his arrival on the scene over a decade ago and even had the pleasure of writing the liner notes for one of his early albums, always believing in his extraordinary talent and proudly watching his amazing achievements over time. His participation in this prestigious series is therefore not surprising at all.
The meeting of Jazz and Classical violins is not a completely novel idea of course, but in the past this happened mostly on the lighter side of the music spectrum (see kitsch), whereas here we witness a true connubiality of the two with no concessions whatsoever to the aesthetic meritum of the entire concept. Baldych’s compositions are sublimely melodic, absolutely soaked in the Polish lyricism and melancholy, not far in spirit from the music of this album’s patron. Therefore, the “inspired by” relationship is perhaps the most vivid of all the albums in this series. Even when the music ventures into a more Avant-Garde territory, it still firmly relates to the subject matter, not losing any of its melodicism of even lyricism.
The members of the quintet stand up to the challenge with flying colors, providing a full-fledged harmonious base for the two violinist to play solos and duets at lengths. Ojdana, a brilliant Jazz pianist by any standard, is absolutely instrumental to the success of the whole project, showing wonderful restraint and profound understanding of his supportive role, but soloing with class and exceptional fluidity. Konarski adds his saxophone parts also extremely carefully and delicately, sounding somehow like another violin, as outlandish as this might sound. The highly proficient rhythm section is also completely enlisted to the cause, providing the ever so delicate Jazzy heartbeat to the proceedings.
Almost anything said about the two violinist might sound completely superfluous, as they are both already established as Masters of their Art. It is very comforting that the initial fears and reservations proved to be completely baseless and everything worked out magnificently well. One can only hope that this duet will meet again soon, and judging by Baldych’s love of the duet idiom, my hopes are high.
Overall, this is an absolutely marvelous album, one of the most natural amalgamations of Jazz and Classical Music I have encountered over the years. Everything here breathes music, elegance, dedication, good taste and impeccable performances. What a coincident that I should write these words on Valentine’s Day, as this album is so Romantic it simply melts one’s heart away. Thank you my Friends for another sublime gift of Music!
| Updated: 14/02/2023Posted: 14/02/2023 | CD 1 Digipak Recommend To A Friend |
  | KRZYSZTOF BARANOWSKI ~ LIVE AT RADIO KATOWICE PRK 0140 ~ POLAND ~ Jazz Recorded: 2020 Released: 2020
This is the debut album by Polish Jazz guitarist / bassist Krzysztof BaranowskiFind albums by this artist recorded live in a classic piano trio format with pianist Mateusz KaszubaFind albums by this artist and drummer Patryk DoboszFind albums by this artist. The album presents eight pieces, six of which are original compositions by Baranowski and two are standards.
Although Baranowski´s primary instrument is the guitar, the trio won a prize at one of the Polish Jazz festivals and led to recording of this album, which finds him playing the bass on his debut recording, rather than guitar.
The music is all well within modern mainstream Jazz boundaries, based on solid and highly lyrical melodies, typical of Polish Jazz. Baranowski certainly has a lot to offer as a composer and his compositions are well rounded and beautifully crafted. A few shades and touches of Frederic ChopinFind albums by this artist´s toolbox made me smile.
The performance is less spectacular, but certainly up to the excellent standard expected from the young Polish Jazz musicians, I have not heard Kaszuba on any recordings nor have I listened to him live, so my knowledge about him is very limited, but he certainly is an able player, obviously in the early days of his career, showing promising potential and already a remarkable skill. Dobosz on the other hand is already a highly experienced performer, with a bunch of recordings under his arm, which is immediately evident. Baranowski, although a novice as far as recording is concerned, shows an excellent feel and skill in his role as a bassist, which of course immediately raises the interest in his guitar playing.
Overall this is an impressive debut album, which again stresses the fact that young Polish Jazz players pop up on the scene like mushrooms after the rain, with a continuous stream of talent and creativity, which of course is a wonderful blessing.
| Updated: 07/09/2020Posted: 07/09/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | COUNT BASIE / ORCHESTRA / NEW YORK VOICES ~ LIVE AT MCG BLUE JACKEL 1002 ~ USA ~ Jazz
After Basie`s death, his Orchestra continues to perform and record, keeping the spirit of `swing` alive, in memory of the Master. This is a brilliant live recording of the Orchestra, with the vocal quartet `New York Voices` featured on several tracks. The sound quality is superb and the music flows and swings like there`s no tomorrow. A gem! 1 last copy in stock!
| | CD 1 Recommend To A Friend |
  | BASTARDA / ALEKSIC / PODRUMAC ~ LILITH ABI AUDIO CAVE 2023/014 (Barcode: 5908298549759) ~ POLAND ~ Jazz-World Fusion Recorded: 2023 Released: 2023
This is the 9th album by Polish trio BastardaFind albums by this artist, which comprises of clarinetists Pawel SzamburskiFind albums by this artist, cellist Tomasz PokrzywinskiFind albums by this artist and contrabass clarinetist Michal GorczynskiFind albums by this artist, this time recorded with two female Serbian musicians: violinist Katarina AleksicFind albums by this artist and vocalist Branislava PodrumacFind albums by this artist. The album presents nine tracks, all of which are arrangements of traditional lullabies, each originating from a different global location.
As usual with Bastarda projects, the music is exquisitely put together, with great care and aesthetic values at the epicenter, and brilliantly performed by the trio members and their guests. The theme of the mythological female figure of Lilith, a night she-demon, marks the common denominator of the lullabies, which originally were intended to protect the children from evil during their sleep. The serenity and tranquility of lullabies are of course their common characteristic, regardless of geographical location, as is plainly evident herein.
Bastarda, yet again, prove their extraordinary chameleonic ability to find an ideal application of their instrumental approach to the central theme of the project, and although they are not the composers, the music becomes entirely theirs, ideally suiting their idiosyncratic approach, the individual instrumental contributions and above all the resulting outcome, which is entirely fascinating.
The two guests are seamlessly integrated with the trio and add even more depth and beauty to the project as a whole. The violin parts and above all the vocals spice the atmosphere with worldly scents and Folkloristic nuances, all with balance and good taste not to disturb the delicate atmosphere of the entire project.
The music is of course complex, multilayered and sophisticated, blending influences form many Cultures, creating an incredible musical / ethnic tapestry of great beauty and depth. It might require several listening sessions to appreciate and comprehend all the elements, but ultimately offers a deeply rewarding listening experience.
Overall, this is another Masterpiece by Bastarda and their guests, which is an absolute must for connoisseurs of profound music, which combines a multitude of elements and demands an ability to amalgamate many threads in parallel, in order to create a magnificent fabric of sounds and emotions. It seems that Bastarda are simply unstoppable in their commendable task to keep their listeners astounded time and time again. Thank you my Friends!
| Updated: 15/05/2024Posted: 29/02/2024 | CD 1 Digipak Recommend To A Friend |
  | CONRAD BAUER ~ LIVE IM VOLKERSCHLACHTDENKMAL EDEL CONTENT 4029759080565 (Barcode: 4029759080565) ~ GERMANY ~ Jazz Recorded: 1988 Released: 2012
This is a reissue (first time on CD) of the astounding album by the Avant-Garde East German trombonist / composer Conrad BauerFind albums by this artist, which was recorded live at the Monument to the Battle of the Nations in Leipzig and which presents Bauer playing solo trombone and performing four original compositions he wrote. The unique sonic environment of the location, which includes a natural delay and echo, create an almost supernatural effect, similar to the famous solo recordings made inside the Taj Mahal by flautist Paul HornFind albums by this artist and trumpeter Tomasz StankoFind albums by this artist.
Bauer, an absolute virtuoso of the trombone, utilizes the magic environment to create a series of incredible sonic sculptures, which sound like absolutely nothing else in this world. His ability to create such a variety of different sounds from the seemingly limited instrument is simply miraculous and it transforms the trombone in his hands into full fledged improvising instrument by no means inferior to the other brass instruments.
Bauer, who was one of the pioneering East German improvisers, recorded with many diverse ensembles, from Jazz-Rock (FezFind albums by this artist) to Improvised Music (SynopsisFind albums by this artist) and others. Following the unification of Germany Bauer continues to be a prominent member of the German Improvised Music scene.
In the historic perspective this recording was made a year and a half and released less than a year before the Berlin Wall was finally dismantled, marking the end of the DDR. This means that this was one of the last Jazz albums released in the DDR. In retrospect one just can´t stop wondering how such daring and unconventional music was recorded and released by the most oppressive East European State.
This is an absolute essential listening to all trombone players, trombone lovers and of course open-minded listeners who like to take risks in order to make new discoveries. Brilliant stuff!
Side Note: As all the East European countries under the Socialist regime, East Germany, or DDR as it was known at the time, had only one state owned and controlled Music Company, which released most of its productions on the AmigaFind albums on this label label. Among the many Amiga releases the legendary "orange J" series was dedicated to Jazz recordings, many of which were licenses from the West, but others were original productions, mostly of Jazz made in DDR. Some of these releases, like the one described above, were absolute gems.
Following the unification of Germany, the Amiga albums disappeared from the face of the earth and only in 2012 a German label reissued 15 Amiga Jazz albums on CD. They are all worth checking out!
| Updated: 12/04/2019Posted: 14/05/2016 | CD 1 Recommend To A Friend |
  | BEARD, JIM ~ LOST AT THE CARNIVAL LIPSTICK 89027 ~ USA ~ Jazz-Rock Fusion
Keyboards player and composer Jim Beard is well known in US Fusion circles. He played with Bill Evans (who performs here), Michael Brecker and many others, and this is his debut album as a leader. He also composed all the material on this album. The music is typical energetic Fusion with great solos (especially the guitar, which is played by Jon Herington) and memorable melodies.
| | CD 1 Recommend To A Friend |
  | BEAT FREAKS ~ LEON GATEWAY (Barcode: 5707471047200) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2016 Released: 2016
This is the debut album by Polish ensemble The Beat FreaksFind albums by this artist, which consists of guitarist Michal StarkiewiczFind albums by this artist, saxophonist Tomasz LicakFind albums by this artist, bassist Pawel GrzesiukFind albums by this artist and drummer Radek WoskoFind albums by this artist. The album includes nine original compositions, all co-composed by all the ensemble members.
The music floats between straightforward modern Jazz and Fusion, and somehow lacks the ability to present a cohesive musical concept. A few less constrained moments show the guitar and saxophone conversing and improvising, but the ensemble soon returns to a steady rhythm and typical vamping on the theme, which frankly is not very interesting. There are hardly any remarkable melodies which the listener can follow and all the tunes sound a bit similar to each other.
The performances are all pretty professional, but not remarkable. These musicians can all play very well, but on this album their collective effort simply does not add up. Except for the one track on which Licak plays the bass clarinet, which is a nice melancholic ballad, all the rest of the tracks simply do not register in the long term memory. The guitar is definitely too aggressive and too loud in the balance, which does not help at all. It is hard to guess if the musicians involved wanted this album to come out the way it did, but basically it sounds like Polish Yass or American Punk Jazz from the 1980s and 1990s, music that might have been relevant at the time but definitely lost its charm over time.
Of course this is just my personal opinion and others might like this music very much. Definitely not my cup of tea!
| Updated: 02/11/2016Posted: 02/11/2016 | CD 1 Digipak Recommend To A Friend |
  | BEATLES ~ LIVE AT THE BBC – THE COLLECTION CAPITOL 602537584475 (Barcode: 602537584475) ~ UK ~ Pop & Rock Recorded: 1963 - 1966 Released: 2013
This Box Set includes some of the numerous recordings the BeatlesFind albums by this artist made for the BBC during their early days, mostly recorded in 1963 and 1964. The material includes songs as well as studio chatter (speech tracks) and interviews. The latest material, which comprises of four individual interviews, was taped in late 1965 and early 1966.
Most of the material included here was never previously released in any form and is of course invaluable to the hordes of Beatle-maniacs, who fifty years later seem to be as zealous to hear and own every piece Beatle-related material, as they were in real time.
In retrospect this material is a fabulous trip down the nostalgia lane, which should make even the most hardened cynics smile here and there. More importantly, however, it shows the Beatles "naked", as they really were without walls of production trickery, studio gadgetry and the omnipresent influence of George MartinFind albums by this artist, who made the Beatles albums into what they eventually became – gems of Pop history.
Live the Beatles were actually pretty embarrassing, which becomes apparent immediately when the music starts. Their instrumental skills are nonexistent; the guitar solos are awkward and primitive, and so on. The only thing that actually works on these recordings are of course the vocal parts and vocal harmonies, which are not bad, but than again myriads of other vocalists at the time were at least as good, many being infinitely better. And even those show false notes here and there, are off key and in wrong tempi; in short anything but perfection.
The material is not that great either; most of it consists of covers of rock classics by contemporary artists and the few self-penned hits are pretty nice, but not extraordinary. In short if anybody wanted a piece of solid evidence to prove that the Beatles were just a pretty "average" group, at least in the early days, needs to look no further.
On the other hand this is a monumental piece of Pop history and another peek at the seemingly endless source of musical material owned by the BBC. God bless the Queen and the BBC for being there and having enough storage capacity to keep it all for posterity.
| Updated: 26/01/2019Posted: | CD 4 Mini-Sleeve Slipcase Box Set Remastered Recommend To A Friend |
  | BECK, BOGERT & APPICE ~ LIVE IN JAPAN 1973 / LIVE IN LONDON 1974 RHINO 603497833252 (Barcode: 603497833252) ~ UK ~ Classic Rock Recorded: 1973 - 1974 Released: 2023
This Box Set presents two live concerts by the British / American Rock supergroup / power trio Beck, Bogert & AppiceFind albums by this artist, comprising of British guitarist Jeff BeckFind albums by this artist and American rhythm section comprising of bassist Tim BogertFind albums by this artist and drummer Carmine AppiceFind albums by this artist, both members of the legendary groups Vanilla FudgeFind albums by this artist and CactusFind albums by this artist. The Box Set includes two 2CD sets, the first with the previously Japan only release of a live recording in Japan in 1973, and the second with the previously unreleased live concert at the Rainbow Theatre in London in 1974. The Box set is lavishly packaged and includes a hardcover book, tour book and a poster. The sound quality is absolutely sensational.
The short-lived trio recorded only one eponymous studio album and disbanded before the second album was completed. The material recorded for the second album remains unreleased. The trio was a classic example of the Rock supergroup phenomenon, which started with CreamFind albums by this artist and dominated the scene in the early 1970s. All three musicians where absolute masters of their trade and superb virtuosi, who continued to develop the Rock Improvisation idiom started by Cream. They co-wrote most of their original material, but included also new interpretations of songs originating from the outside of the group.
Despite their immense talents as instrumentalists, they lacked a lead singer of the scale of their instrumental powers and a composer, who would provide them with material, which would reflect their class, like Jack BruceFind albums by this artist, who filled both these functions in Cream. Nevertheless, they still remain as one of the most magnificent examples of Rock’s power trios and the material here is absolutely worth being revisited.
Overall, this is an essential piece of the Classic Rock puzzle, a sublime document of the Rock Improvisation idiom and obviously a great tribute to the legacy of these sublime musicians, two of which are sadly no longer with us. An absolutely essential part of any serious Classic Rock collection!
| Updated: 11/11/2023Posted: 11/11/2023 | CD 4 Digibook Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JEFF BECK ~ LOUD HAILER ATCO 081227944452 (Barcode: 081227944452) ~ UK ~ Classic Rock Recorded: 2016 Released: 2016
It is truly amazing to see the vitality and chameleonic ability to adapt displayed by some of the veteran Rockers, who are now in their seventh or even eighth decade. British guitarist / composer / bandleader Jeff BeckFind albums by this artist is definitely one the most impressive examples of the Artists, for whom the passing of time is simply completely meaningless. This latest, as of the time of writing, album by Beck and his new crew, which is decades younger than himself, is a wonderful example not of "surviving" in the music idiom, but of keeping a place in the lead.
Beck combines forces with two young female musicians, vocalist Rosie BonesFind albums by this artist and guitarist Carmen VandenbergFind albums by this artist, who lead together their own group called Bones. They are supported by bassist Giovanni PallottiFind albums by this artist and drummer Davide SollazziFind albums by this artist. Beck, Bones and Vandenberg wrote together nine of the eleven pieces on the album, Beck wrote one additional piece and co-wrote the remaining one with producer Filippo CimattiFind albums by this artist, who is also the producer of Bones.
The music is almost a complete about face to Beck´s extensive flirt with Jazz-Rock Fusion he pursued for several years and comes back to contemporary Rock, at its best. It uses a plethora of Rock sub-genres, including Heavy and Industrial, but sounds incredibly fresh and inventive, unlike most of contemporary Rock music. The vocals are impressive and quite diverse, emphasizing different approach in every song. The lyrics are surprisingly meaningful and often pretty bold, touching on political and social issues, which again is pretty rare in today´s Rock music. The rhythm section does a wonderful work supporting the other musicians amicably and intelligently.
But it is Beck´s guitar playing which is the focus of this album, even if it wasn´t completely intended. He is simply extraordinary on each and every of the tunes on this album, playing a stunning variety of sounds and styles, with each of his whining guitar solos being absolute gems. In many respects Beck reinvents Rock guitar playing here, creating an amalgam of Blues, Classic Rock and Fusion guitar techniques and sound, completely unique and absolutely spectacular.
The album is overall wonderfully played, produced and recorded, and kudos is due to everybody involved. The album failed, sadly, to make a major impact on the music scene, which is sort of expected, as quality these days is reverse proportional to appreciation and success. Well, we the faithful, salute you Maestro!
| Updated: 14/10/2016Posted: 14/10/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ALBERT BEGER ~ LISTENING EARSAY 033 ~ ISRAEL ~ Jazz
5th album (recorded 2004) by Israeli saxophonist Albert Beger, one of the country’s most prominent musician and a Master player / composer of international statue. This recording presents Beger in a quintet setting, where in addition to his regular trio (with Meyer and Fershtman) two excellent musicians come on board: saxophonist Yoni Silver and guitarist Yiftach Kadan. This expanded format enables Beger to present more complex compositions and the interplay between the musicians is broader with multi-layered voicing and rich harmonic textures. The music is as excellent as all Berger’s material so far and it can be summarized beautifully by the Steve Lacy (to whom the album is dedicated) quote: “We don’t determine music, the music determines us: we only follow it to the end of our life: then it goes on without us”. I am sure Beger’s music will go on forever as well.
| | CD 1 Recommend To A Friend |
  | ADRIAN BELEW ~ LONE RHINO / TWANG BAR KING GOTT DISCS 012 ~ USA ~ Classic Rock
1st and 2nd albums from 1982 & 1983 by one of the most underrated and overlooked guitarists of recent times. Although a member of legendary groups such as the Frank Zappa band and King Crimson, Belew somehow always remains overshadowed by other band members and therefore his solo albums are a great opportunity to inject some pure Belew genius. A brilliant player, with distinct and unique sound and style, Belew delivers some superb music on those 2 albums, with enough interest and variety to keep the listener messmerized. His compositional skills are not to be taken lightly as well - ergo this is really hot stuff and something that gives a pleasure to return to every time.
| | CD 1 Remastered Recommend To A Friend |
  | EWA BEM ~ LOVES THE BEATLES (POLISH JAZZ VOL.84 DELUXE) MUZA 1084 (Barcode: 5907783420849) ~ POLAND ~ Jazz Recorded: 1984 Released: 2005
This is quite an unusual album on which Polish Jazz singer Ewa BemFind albums by this artist undertakes the difficult task of interpreting twelve songs by the BeatlesFind albums by this artist, a concept which usually very quickly turns into a disaster. However, this time the result is quite surprising, with the original songs being arranged often very faraway from their original form, rhythm and atmosphere, which is actually quite interesting and certainly shows a lot of potential. Bem’s vocal qualities are beyond reproach and she is supported by an excellent team of the best Polish players, like saxophonist Tomasz SzukalskiFind albums by this artist, trumpeter Henryk MajewskiFind albums by this artist and many others, which contributes significantly to the overall result. In retrospect the use of synthesizers, which is the dreaded trademark of the 1980s, sounds pretty dated today, but that unfortunately can’t be helped. It is certainly interesting to revisit this album to get a fresh perspective as to what can be done with Pop material in the Jazz sphere. Worth investigating!
| | CD 1 Digipak Remastered Recommend To A Friend |
  | PHILIPPE BESOMBES ~ LIBRA MIO 008 ~ FRANCE ~ Progressive Rock
Besombes was one of the most important French Avant-Garde artists in the 1970`s and this - his first album (recorded 1973) - is a great example of his work. The music was composed as a soundtrack to an experimental film of the same title and it is a strange mixture of electronic music with Pop, Psychedelia, early Prog and early Fusion. What may sound to an untrained ear as confusion and chaos, is in fact a highly sophisticated and well designed piece of modern music, although surely not for everybody`s taste.
| Updated: 12/04/2019Posted: | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | BIG BAND MALOPOLSKI ~ LIVE AT MLYN JAZZ FESTIVAL II HEVHETIA 0176 (Barcode: 8588005258210) ~ POLAND ~ Jazz Recorded: 2016 Released: 2018
During the recent HevhetiaFind albums on this label Showcase in Kosice I had the opportunity to talk at length to Ryszard KrawczukFind albums by this artist, the leader / conductor of the Big Band MalopolskiFind albums by this artist, one of the very few active Polish Jazz Big Bands. As usual the conversation revolved around the logistic / financial aspects of keeping a Big Band together these days – a complicated and frustrating task by any standard, and more often than not completely underappreciated. But with all hardships set aside, the Big Band Malopolski is a smooth and mean, well oiled music machine, which can easily look straight in the eye of any other European Jazz Big Band.
The lineup of the Big Band, based partly on the students of the Academy of Music in Krakow, includes some of the best young and upcoming Polish Jazz players, like saxophonists Wojciech LichtanskiFind albums by this artist and Slawomir PezdaFind albums by this artist, trombonist Bartosz PernalFind albums by this artist and many others, who play along older and seasoned musicians. Guest artists are often invited to play and record with the Big Band. The current lineup includes also the vocalist / rapper / beat box performer Andy NinvalleFind albums by this artist, who spices up the Big Band´s performances with incredibly energetic and up to date glimmer.
This, the Band´s second album, presents the current repertoire, which is a mixture of compositions by Polish Jazz veterans, like Michal UrbaniakFind albums by this artist, Jan Ptaszyn WroblewskiFind albums by this artist and Marek BalataFind albums by this artist, American Jazz standard and a composition by the Italian saxophonist / composer Rosario GuilianiFind albums by this artist, all together six wonderful pieces of mainstream Jazz, superbly arranged and ideally suited to the Big Band environment. Polish Jazz vocalist Lora SzafranFind albums by this artist guests on one of the tracks. The performances are perfectly executed, with plenty of space for some excellent soloing and the above mentioned tasty beat box ornamentations, which were enthusiastically received by the audience during the concert I was happy to attend.
Overall this is an excellent Jazz Big Band album, which should satisfy connoisseurs all over the world, especially in view of the fact that Big Band albums are a rarity these days, especially those that are able to keep this Art Form up to date. Warmly recommended!
| Updated: 14/09/2019Posted: 14/09/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | BIG BROTHER AND THE HOLDING COMPANY ~ LIVE AT THE CAROUSEL BALLROOM 1968 COLUMBIA 886979640924 (Barcode: 886979640924) ~ USA ~ Classic Rock Recorded: 1968 Released: 2012
This album brings to life an archival recording by Big Brother And The Holding CompanyFind albums by this artist from June 1968, still fronted by Janis JoplinFind albums by this artist who was to leave the group a few months later. The band performed constantly at San Francisco´s main venues: Winterland, Avalon Ballroom and Carousel Ballroom (soon to be Fillmore West). A live recording from Winterland, recorded in April 1968 has been already released by ColumbiaFind albums on this label in 1998 as "Live At The Winterland `68Find albums with this title". This new release adds to the overall picture and historic perspective, presenting a band at the peak of its powers with Joplin simply blowing any other contemporary US singer out of the water. In spite of the rather poor recording quality (which has been a source of endless bitching by a horde of wannabe critics) the music, the artistry, the genius, the tension, the incredible voice of Janis and some unbelievable guitar work by Sam AndrewFind albums by this artist and James GurleyFind albums by this artist makes this release worth its weight in gold for any Janis fan and a true music lover. With their superb "Cheap ThrillsFind albums with this title" album, which was completed just a month earlier (also partly recorded live), but still unreleased at the time of this recording, this album is a preview of things to come and includes most of the material included on "Cheap Thrills". Three track from this album appeared previously on the 1972 "In ConcertFind albums with this title" album, but with a completely different mix. So here we go, a trip lasting over 70 minutes, taking us back to the glorious days, when music was music, and nothing else mattered. Ye brave ones, come aboard!
| | CD 1 Mini-Sleeve Recommend To A Friend |
  | BLACK BONZO ~ LADY OF THE LIGHT ROCK SYMPHONY 121 (Barcode: 7898217281212) ~ SWEDEN ~ Progressive Rock Recorded: 2004 Released: 2004
1st album by Swedish Prog band Black BonzoFind albums by this artist and certainly one of the most remarkable Symphonic Prog albums in the last decade. From the very first moment you start listening to the album you are immediately transported in time some 30+ years back to the hay days of Classic Rock and melodic Symphonic Prog. Although the band has been often compared to Uriah HeepFind albums by this artist (at their best), based on the heavy keyboards and guitar riffs, it goes way beyond being a modern version of that band. The melodies are much better constructed and interesting and the clever use of the mellotron brings many other associations, mostly early King CrimsonFind albums by this artist. But regardless of what nostalgic reminiscences the album brings about, it is a most remarkable debut effort and quite a stunning listening experience, especially for old geezers like myself, who can proudly nod their heads and confirm that Prog is certainly alive and kicking. Do yourself a favor and get a copy of this, turn the volume up and enjoy life!
| | CD 1 Recommend To A Friend |
  | BLIND FAITH ~ LIVE IN LOS ANGELES LONDON CALLING 5056 (Barcode: 5053792505616) ~ UK ~ Classic Rock Recorded: 1969 Released: 2020
The British supergroup Blind FaithFind albums by this artist existed briefly for just a few months in 1969, but remains an icon of Classic Rock to this very day. Guitarist Eric ClaptonFind albums by this artist and drummer Ginger BakerFind albums by this artist (ex-CreamFind albums by this artist), vocalist / keyboardist Steve WinwoodFind albums by this artist (ex-TrafficFind albums by this artist) and bassist Rick GrechFind albums by this artist (ex-FamilyFind albums by this artist) recorded just one legendary album and then went on a short European tour followed by an American tour, and then disbanded.
This album is a new release of one of several bootlegs recorded during the a.m. tours, and is a bootleg of the bootlegs, as the cover work simply copes two earlier bootleg covers. The title is even more misleading, since Blind Faith never actually performed in Los Angeles, and this album presents the material recorded during their Oakland performance and other material, which of course was previously released.
But bootlegging apart, the music is of course fantastic, and even the sound quality is acceptable, considering the circumstances. Clapton’s lengthy guitar solos are a reminder of the Cream days, Winwood’s heartwrenching vocals and excellent keyboards playing are just right on, Baker is an unstoppable drumming machine and Grech, although low in the mix, is supporting amicably. In short there is everything a hardcore guitar freaks and Classic Rock addicts really love.
Overall, although there is nothing new here, if you don’t have an earlier copy of this bootleg, it is an essential piece of music history. Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 04/04/2021Posted: 04/04/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | BLIND FAITH ~ LONDON HYDE PARK 1969 SANCTUARY 0090 (Barcode: 5050749500908) ~ UK ~ Classic Rock Recorded: 1969 Released: 2005
Captured live in front of 100,000 (or more) people gathered in London’s Hyde Park, here is the world’s first “super group”, Blind FaithFind albums by this artist, playing their debut gig on June 7th, 1969. Surely a momentous occasion and a premiere piece of Rock’s history, this footage is seen here for the first time in its entirety. The group existed for just a very brief period of time and left as its legacy just one eponymous album, but its historical importance stretches way beyond that. Blind Faith was a proof that greatly talented musicians can work together, in spite of their different backgrounds and experiences, creating momentous music. The “super group” phenomenon would become ever so popular in the 1970s, but the pioneering effort that was Blind Faith would forever stay in our collective memory as one of Rock’s giant steps. The collective talents of guitarist Eric ClaptonFind albums by this artist, vocalist / keyboardist Steve WinwoodFind albums by this artist, bassist Rick GrechFind albums by this artist and drummer Ginger BakerFind albums by this artist represented the formative years and experiences of British Rock in the 1960s. They played in some of the most important bands of the 1960s: Spencer Davis GroupFind albums by this artist, Graham Bond OrganizationFind albums by this artist, CreamFind albums by this artist, TrafficFind albums by this artist and FamilyFind albums by this artist – all icons and remarkable Rock achievers. The music they created together in Blind Faith is (especially in retrospect) quite surprising and different that anything done before. Anticlimactic and relaxed, it allowed them to take a much-deserved break from the emotional (and physical) extremities they all experienced with their former groups. The change is most evident and personalized by Clapton, who left behind the high-volume, heavy, fuzz saturated guitar style he used with Cream and dramatically changed it into a subdued, relaxed and laid-back guitar playing, which was to be his new “thing”, as evident on his recordings from that moment on. He was still one of the best players around, but simply not trying to prove it any more. Winwood’s vocals, dramatic and soulful as always, were of course the group’s trademark and here he reached maturity (in spite of his young age) for the first time. Baker’s drumming is inventive, as always, but again the relaxed atmosphere allows for his incredibly melodic playing to he really heard. Grech is solid and supportive all the way, with his elegance and sensibility at their best. But of course not everything is perfect here – the gig was played in the midst of the recordings for the album and the material is obviously still being in the “working” phase, with charming imperfection and numerous glitches. Nevertheless it does work charmingly and listening to this stuff almost 40 years later still gives me the shivers. What a teat! Dolby Digital Stereo Sound, 73 minutes.
| | DVD 1 Recommend To A Friend |
  | BLODWYN PIG ~ LIVE AT THE LAFAYETTE INDIGO 2067 ~ UK ~ Blues
Blodwyn Pig were formed by Jethro Tull original guitarist Mick Abrahams after he left the group following the recording of their debut album. Mick wanted to stick with the blues and his new group was to be his vehicle just for that. Blodwyn Pig recorded two superb albums in the early 1970`s and then Mick kept the group alive up to this very date with various line-ups. This live recording from 1993 shows perfectly how great Mick`s guitar playing still is 20 years later. Former Jethro Tull drummer Clive Barker also plays here.
| | CD 1 Remastered Recommend To A Friend |
  | BLOOD, SWEAT & TEARS ~ LIVE & IMPROVISED COLUMBIA 472212 ~ USA ~ Brass Rock
Blood, Sweat & Tears never recorded a live album while at their prime, so the release of these 1975 recordings from the group`s reunion concerts is really a most welcome addition to their heritage. By that time the only `original` members were David Clayton-Thomas (vocals) and Bobby Colomby (drums), but this lineup is very strong, featuring excellent jazz oriented musicians in the brass section and 3 outstanding guitar players: Steve Kahn, George Wadenius & Mike Stern. The arrangements are more fusion oriented then the early group`s output and these are absolutely delightful moments captured for eternity - what a thrill!
| Updated: 18/04/2020Posted: | CD 2 Recommend To A Friend |
  | MIKE BLOOMFIELD ~ LIVE AT THE OLD WALDORF COLUMBIA 491575 (Barcode: 5099749157521) ~ USA ~ Blues Recorded: 1976 - 1977 Released: 1998
Mike BloomfieldFind albums by this artist was America`s best ever white blues player and his recorded legacy never really expressed fully his extraordinary qualities as a player. This album recorded live is as close to the naked truth as it gets - Mike doing just what he knows best - playing blues straight from his heart. Brilliant stuff!
| | CD 1 Remastered Recommend To A Friend |
  | BLUES PROJECT ~ LAZARUS / THE BLUES PROJECT ACADIA 8072 (Barcode: 805772807228) ~ USA ~ Blues-Rock Recorded: 1971 - 1972 Released: 2004
5th and 6th albums by US group Blues ProjectFind albums by this artist, which fell apart soon after recording their three original albums, with keyboardist Al KooperFind albums by this artist and guitarist Steve KatzFind albums by this artist leaving to form the legendary Blood, Sweat & TearsFind albums by this artist and bassist Andy KulbergFind albums by this artist and drummer Roy BlumenfeldFind albums by this artist creating SeatrainFind albums by this artist. Blues Project founder, guitarist Danny KalbFind albums by this artist, resurrected the band in 1971, first as a trio and later on as a quintet, with original band members Blumenfeld (who left Seatrain in the meantime) and singer Tommy FlandersFind albums by this artist. This band recorded two albums, the first of which was recorded in the UK and the second in the US, produced by the legendary Gabriel MeklerFind albums by this artist (who produced SteppenwolfFind albums by this artist among others) and who also guests on the album on keyboards. These two albums are quite different from the recordings by the original band, but still present fairly strong efforts by talented musicians, with occasional excursions into the Blues format, but mostly featuring original material written by the band. Considering the fact that these two albums have been out of circulation for ages, it´s great to see them available again.
| | CD 1 Recommend To A Friend |
  | BLUES PROJECT ~ LIVE AT THE CAFÉ AU GO GO (EXPANDED EDITION) ACADIA 8070 (Barcode: 805772807020) ~ USA ~ Blues-Rock Recorded: 1965 - 1966 Released: 2004
1st album by US group Blues ProjectFind albums by this artist, formed in 1965 by blues fanatic Danny KalbFind albums by this artist and four other Jewish NY youngsters (well who else would play the Blues if not Jewish kids), including the legendary keyboardist Al KooperFind albums by this artist, freshly out of the first electric Bob DylanFind albums by this artist band. The Blues Project became the resident band at the NY club Café Au Go Go, drawing large crowds and swiftly becoming one of the most popular NY bands, with the Blues revival flourishing in the background and Blues-Rock being born. Therefore it´s hardly surprising that the band would record their debut album live at the club, which has become their place of residence, although starting off with a live album was hardly an acceptable norm. They were however always strongest live, as their future albums would prove. Although firmly based in the Blues tradition, the band played a strange amalgam of tunes, which included early Psychedelic adventures, Rock, Jazz and Rhythm And Blues, creating a unique sound and breaking new musical ground on the way. Kalb played some nifty guitar licks, Kooper was always brilliant on organ and electric piano and the other band members contributed their share, which all together sounded quite brilliant. The album includes 2 sessions, the first with the band´s lead singer Tommy FlandersFind albums by this artist, who left the band soon after, and the second without him. This new reissue includes all the tracks recorded during both these sessions, presenting the full document of the band at the time. In retrospect this is all not only great music, but a great trip down the memory lane – no one plays such honest music today. Wholeheartedly recommended!
| Updated: 08/05/2023Posted: | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | OLGA BOCZAR MUSIC ESSENCE ~ LITTLE INSPIRATIONS NOT ON LABEL 001 (Barcode: 5905279086005) ~ POLAND ~ Pop & Rock Recorded: 2013 - 2014 Released: 2014
This is the debut album as a leader by Polish vocalist / flautist / songwriter Olga BoczarFind albums by this artist, recorded with her ensemble called Music EssenceFind albums by this artist, with core members: keyboardist Jan SmoczynskiFind albums by this artist, guitarist Andrzej GondekFind albums by this artist, bassist Wojciech PulcynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. In addition several other musicians also participate on selected tracks, including bassist Krzysztof PacanFind albums by this artist, saxophonist Radek NowickiFind albums by this artist, trumpeter Dominik GawronskiFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist and several background vocalists; altogether quite a formidable team. The album presents ten original songs all composed by Boczar and with lyrics mostly written by her as well. Only two of the songs feature lyrics in Polish and eight have English lyrics. The music was recorded in three different studios, including the Studio Tokarnia where Smoczynski also served as the sound engineer recording the rhythms section tracks.
In spite of the fact that the album features some very prominent Polish Jazz musicians, it is by no means a Jazz album. Except for a few piano solos, the album presents a singer / songwriter Pop / Rock effort with slight Jazzy accents mostly present in some of the arrangements. There is of course nothing wrong with that, but promoting and marketing this album under a Jazz moniker is a conceptual mistake.
The music is a collection of mostly low key melancholic melodies, which all sound a bit similar and leave no lasting impression. Everything is "nice" and "smooth", but there is no excitement, zest or attempt hit the listener between his eyes. Boczar´s voice and delivery don´t help much either, as she has a limited range and sings in the same narrow spectrum using repeatedly the same mannerisms, regardless of the text she is singing. Except for a few vocalese attempts, the rest is rather unexciting. And on top of this all these there is the problem with lyrics in English, which sound pretty inappropriate. In contrast, plainly audible, the two songs sung in Polish sound infinitely better.
The instrumental work is all quite all right, but again lacks any spark. The arrangements are all rather trivial, and the potential of such mighty team of musicians seems completely wasted. Except for the already mentioned piano solos, there is no attempt to put some excitement into this music. Overall this is all professionally done, but sadly completely uninspired.
This album has a potential on the Polish Pop market, if promoted properly. It might even win a Fryderyk award next year, as anything can happen there, but hopefully not in the Jazz category.
And before an outcry of angry responses accusing me of ruining young people´s careers erupts again, let me emphasize that this is just my private, subjective opinion, which has absolutely no bearing on anybody´s fate.
| | CD 1 Digipak Recommend To A Friend |
  | JOE BONAMASSA ~ LIVE FROM THE ROYAL ALBERT HALL PROVOGUE 7274 (Barcode: 8712725727422) ~ USA ~ Blues-Rock Recorded: 2009 Released: 2009
Considering the fact that nothing significant is happening in Blues in the last few decades since it went electric and combined forces with Rock, it´s always great to hear somebody make a worthwhile contribution. US guitarist / singer / composer Joe BonamassaFind albums by this artist has been steadily building up a reputation as a major figure on the Blues-Rock scene and this live concert, recorded at the legendary London Royal Albert Hall, which hosted the greatest names in Rock music over the years, is ample proof of his outstanding achievements. Supported by an excellent band, which includes a three-piece horn section and with help / guest appearances by stars / veterans like Eric ClaptonFind albums by this artist on guitar and Paul JonesFind albums by this artist on harmonica, this music kicks ass from start to finish. Bonamassa, who wrote at least half of the material included, is a gifted songwriter and his soul is definitely full of the Blues feeling. If you still like the Blues and don´t mind a Rocky kick behind it, you won´t stop drooling while this album plays on!
| | CD 2 Recommend To A Friend |
  | GRAHAM BOND ~ LIVE AT THE BBC AND OTHER STORIES REPERTOIRE 1279 (Barcode: 4009910127926) ~ UK ~ Jazz-Rock Fusion Recorded: 1962 - 1972 Released: 2015
This is a Box Set of archival material by British saxophonist / organist / composer / bandleader Graham BondFind albums by this artist, one of the most idiosyncratic and pioneering figures of the British Jazz, Jazz-Rock and Prog scenes. The material collected here consists mostly of recordings made by the BBC, but includes also some ultra-rare home recordings, demos and other ditties, covering the period between 1962 and 1972, which more or less presents Bond´s entire career before his tragic death in 1974, aged just 36 at the time.
Regardless of what various music history sources have to say, Bond is singlehandedly responsible for the creation of the Jazz-Rock idiom around 1963, when he formed the Graham Bond QuartetFind albums by this artist, which featured guitarist John McLaughlinFind albums by this artist, bassist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist (which were all destined to become superstars in the years to follow). The quartet amalgamated Bond´s experience with the Jazz world, gained while he was a member of the Don RendellFind albums by this artist Quintet, with the exploding Rhythm And Blues phenomenon, creating the earliest manifestation of Jazz-Rock known to man. One session of the Don Rendell Quintet with Bond as its member is included here and it also features as a guest musician saxophonist Dick Heckstall-SmithFind albums by this artist, who would become another of Bond´s close associates when he formed the seminal Graham Bond OrganizationFind albums by this artist in 1965, which was later joined by the celebrated drummer Jon HisemanFind albums by this artist. Following the Organization´s breakup Bond formed the Graham Bond InitiationFind albums by this artist and later on collaborated with the poet / lyricist Pete BrownFind albums by this artist, who wrote also the booklet that accompanies this Box Set. Their recordings together are the last (chronologically) tracks in this collection.
The music included in this collection is of varied quality and sometimes of pretty Lo-Fi sound quality, even after it was carefully restored and remastered, but it is of enormous historic importance, as it documents not only Bond´s career but in fact the entire British Jazz scene, which was experiencing at that time a tremendous upheaval and explosion of new talents and ideological modifications of the very fabric of Jazz, which was parting from the American dominance and creating a new variety of the idiom, which would crystallize as European Jazz, spawning Jazz-Rock in the process.
Bond´s performances on the Hammond Organ are all superbly executed and it makes perfect sense that they influenced an entire generation of British musicians, who invented Progressive Rock next, such a Jon LordFind albums by this artist of Deep PurpleFind albums by this artist, Dave GreensladeFind albums by this artist of ColosseumFind albums by this artist, Brian AugerFind albums by this artist and of course many others. In general the music portrays the atmosphere of the British scene at the time, where genres and classifications were pretty arbitrary and where the Jazz / Rock / Prog idioms were influencing and embracing each other with ease and natural affinity.
Kudos to the German RepertoireFind albums on this label label, which is one of the most important sources of reissues, for the meticulous work done on this set and for bringing this material back to life. This set continues the work done by Repertoire on the previous Graham Bond Box Set called "Wade In The Water – Classics, Origins and OdditiesFind albums with this title", which covers the recordings by Graham Bond Organization. Together these two Box Sets pay tribute to one of the greatest heroes of the British Jazz / Jazz-Rock pioneering figures, who is sadly often forgotten and is rarely given the credit he deserves for his revolutionary creativity.
| Updated: 08/05/2023Posted: 01/04/2016 | CD 4 Box Set Remastered Recommend To A Friend |
  | GRAHAM BOND ~ LOVE IS THE LAW ESOTERIC 2239 (Barcode: 5013929733923) ~ UK ~ Progressive Rock Recorded: 1968 Released: 2011
Following the demise of the Graham Bond OrganizationFind albums by this artist, British saxophonist / keyboardist / vocalist / composer Graham BondFind albums by this artist left the UK for a brief residency in US, where he recorded two little known solo albums, of which this was the first. Bond was probably the most influential figure on the British music scene in the mid-1960s, when he led a group consisting of the finest musicians in the land, which practically invented Jazz-Rock Fusion. Sadly his troubled personal life, which included mental instability and heavy drug abuse, prevented him from achieving the success he so richly deserved and eventually led to his tragic death. But his recorded legacy is with us forever and everything he recorded is worthy of attention. Bond played all the instruments on this album, except for the drums which were played by Hal BlaineFind albums by this artist, and composed all the music / wrote all the lyrics. The material is amazing, as always, with heavy Jazz influence, but also Rhythm And Blues and Soul references. Bond plays some extraordinary organ parts and his vocals are also excellent, probably the best vocal parts he ever recorded. Considering the fact that this material was not available on the market for over 40 years makes this reissue a momentous occasion. A must to the numerous Bond fans, wherever they might be.
| Updated: 08/05/2023Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | JAROSLAW BOTHUR ~ LILLA CHEZQUIZ JAZZ FORUM 050 ~ POLAND ~ Jazz Recorded: 2009 - 2010 Released: 2010
This is the debut album by Polish Jazz saxophonist / composer Jaroslaw BothurFind albums by this artist, recorded with his quartet, which also includes pianist Kuba PluzekFind albums by this artist, bassist Max MuchaFind albums by this artist and drummer Grzegorz MaslowskiFind albums by this artist. The album presents six original compositions by the leader and one composition by the American pianist / composer Phil MarkovitzFind albums by this artist.
I somehow missed this album at the time it was released, but now, having listened to it, I am again completely blown out of my socks by the audacity of these criminally young musicians to produce such a brilliant debut album, a phenomenon happening on the Polish Jazz scene repeatedly and mercilessly. Nobody in the world, who knows anything about Jazz, would have believed these players are in their twenties and still students in a music academy (at the time this music was recorded).
From the first note it´s pretty obvious that this album is something "different", which already is significant, as many Jazz albums have a tendency to sound alike. Both the way the music is performed and the actual compositions as strikingly unique, with a very specific chord changes and tonality. Bothur has a wonderful sound in his tenor saxophone and the quartet sounds overall superbly European, somewhat between Scandinavian spacing and Polish melancholy, even on the fast tempo numbers. Pluzek plays some tasty solos and accompanies intelligently and gracefully. I´d love to hear him leading a piano trio. The rhythm section is there all the time behind the soloists, steady as a rock and flexible like molten lava.
The original music (and also the choice of the Markovitz piece, which is relatively little known) proves that the leader has a highly developed pair of ears and excellent taste as far as writing new music is concerned. As already mentioned, the chord changes he uses are intrinsically unlike most others found in other Jazz compositions, which is pretty cool.
Overall a superb debut and another set of names to be added to the "watch" list for the future. Well done gentlemen!
| | CD 1 Digipak Recommend To A Friend |
  | ARTHUR BROWN ~ LEGBOOT GONZO 418 (Barcode: 5060230868752) ~ UK ~ Classic Rock Recorded: 2002 Released: 2017
This is a reissue of a live acoustic album by the British vocalist / songwriter Arthur BrownFind albums by this artist, recorded during his performances as a supporting act for Robert PlantFind albums by this artist in 2002. He is accompanied by guitarist Chris BryantFind albums by this artist and multi-instrumentalist (violin, dulcimer, guitar, bass pedals) Nick PynnFind albums by this artist. The album presents nine tracks, mostly his original songs and some covers.
The album was released originally to be sold during gigs and has several very limited editions, some actually including hand-made covers. All of those were of course sold out and are now collectors’ items. This edition is simply an attempt to keep this unique document alive, and thank God for this. The album’s title is of course a pun on the “official bootleg” phenomenon, i.e. “Legal Bootleg”.
Brown (aged 82 at the time of writing) is to me one of the greatest unsung heroes of the British Rock scene, and despite his minor period of modest success, he remains relatively little known and seldom heralded, despite his absolutely supernatural talents as a singer of incredible vocal range and technique and sublime songwriter. His collected recorded legacy stands out as one of the mightiest since the late 1960s and his uncompromising genius is sadly often too much to swallow for music listeners and critics alike. His most recent recordings were made just a couple of years ago, when he was 80 years old, which is absolutely astounding, and I hope to hear more from him yet, God willing.
Overall, this absolutely stunning and almost completely undiscovered album, is an absolute jewel, perfectly recorded and documenting rare acoustic performances by Brown, which are unparalleled. Not easy to find, but a must to every Brown fan and obviously wholeheartedly recommended!
| Updated: 02/07/2024Posted: 02/07/2024 | CD 1 Recommend To A Friend |
  | ARTHUR BROWN ~ LONG LONG ROAD MAGNETIC EYE 088 (Barcode: 884388732223) ~ UK ~ Classic Rock Recorded: 2021 Released: 2022
If there are unsung heroes in Rock, the British vocalist / songwriter / bandleader Arthur BrownFind albums by this artist is perhaps the most notable of them. At the remarkable age of eighty (he was born in 1942), he still makes music more exciting than all the musicians, half or quarter his age, seem to be able to come up with these days. Totally unjustly mostly considered as a “one hit wonder” as a result of the success of his magnificent song “Fire”, back in 1968, his frenzy activity since and his remarkable recorded output puts most of the competition in deep shame, with dozens of albums as a solo artist, leader of bands (see Kingdom ComeFind albums by this artist in the early 1970s) and collaborative recordings, all simply brilliant, regardless or perhaps as expected, simply too good to be commercially successful. Brown managed to ignore the passing of time more extraordinarily than most and his writing talent and vocal ability remain completely untouched, with sublime operatic vocal range and superb power of expression. I am sort of proud of myself for staying faithful to his charm over the years and following his releases closely, even if I was one of the very few music critics doing this.
This album was created together with multi-instrumentalist Rik PattenFind albums by this artist, with whom Brown collaborated almost a decade earlier on the “The Magic HatFind albums with this title” album, who plays all the instruments on this album (a plethora of them), leaving the vocal duties to Brown. All the eight songs (one in two parts) were co-written by the two and they offer a superb mixture of the entire Rock idiom sub-genres, including Blues, Psychedelia, Rock Ballads and the usual Jazzy touch, which seems to be Brown’s alter ego and perhaps is one of the reasons I love his music so much.
Overall, this is a superb Rock album, fresh and kicking, with a lot of added values rarely found anywhere else, a Jazzy feel and those magnificent screamy vocals, it just does not get any better as far as Rock is concerned. Great to see Brown alive and active and, as usual, waiting for his next album. I just can’t recommend that one enough I suppose…Do yourself a favor and grab a copy!
| Updated: 07/01/2023Posted: 07/01/2023 | CD 1 Digipak Recommend To A Friend |
  | DAVID BROZA ~ LA MUJER QUE YO QUIERO (25TH ANNIVERSARY EXPANDED EDITION) NMC (ISRAEL) 20928 (Barcode: 7290011998882) ~ ISRAEL ~ Progressive Rock Recorded: 1982 - 1983 Released: 2009
3rd album by Israeli singer / songwriter / guitarist David BrozaFind albums by this artist, one of the country’s most prominent and active musicians since the 1970s, which brought Broza unprecedented success and fame on the Israeli music scene. Broza, born in Haifa, grew up in Spain and England and returned to Israel for his military service. His Spanish cultural roots and his Flamenco acoustic guitar style are a most significant factor in his approach to music, but those surfaced for the first time on this magnificent album, since his earlier recordings were mostly Rock oriented. During the late 1970s and early 1980s Broza participated in many projects, including the splendid Sixteenth LambFind albums by this artist, cooperating closely with poet / lyricist Jonathan GeffenFind albums by this artist. The story behind this album is quite interesting: Following Broza’s experiences during the war in Lebanon, he suffered a severe nervous breakdown and dropped out from the music scene. His wife persuaded him to pick up his guitar and start working again, asking him to create Hebrew versions of the Spanish love songs, which he sang to her during their courtship. Broza enlisted the help of his friend Geffen, who transcribed (translated would be inaccurate, as Geffen had no knowledge of Spanish and created the lyrics based on Broza’s impressions of them) the song’s lyrics in to Hebrew. The resulting album turned out to be one of the most impressive music projects ever recorded in Israel, with exquisite arrangements, beautiful instrumentation and superb vocal delivery. The original songs were written by some of Spain’s best composers / lyricist, including Joan Manuel SerratFind albums by this artist, Paco IbanezFind albums by this artist, Frederico Garcia LorcaFind albums by this artist and others. Broza truly understands and loves this music and his talent comes to full fruition, presenting him as he truly is – an outstanding performer. One original song by Broza was also included on the album. Soon after its release, the album turned out to be a hysteric bestseller, which is quite surprising, as its high quality (both musical and lyrical) is definitely far from being populist in any sense. As a result of the album’s success Broza toured the country for about a year, performing the songs from the album as well as many of his earlier songs. The final concert of the tour, recorded live, is enclosed in this beautiful Box Set on two bonus CDs with almost three hours of music. This album is perfect in every respect and this spectacular, beautifully packaged Box Set is a proper homage to the achievements of Israeli music. Essential stuff!
| Updated: 26/01/2019Posted: | CD 3 Digipak Box Set Remastered Bonus Tracks Recommend To A Friend |
  | JACK BRUCE ~ LIVE `75 POLYDOR 065607 (Barcode: 004406560724) ~ UK ~ Progressive Rock Recorded: 1975 Released: 2003
Previously unreleased live recording of the Jack Bruce Band, which is the only documentation of this period. The band is in superb form after years of performong and features the brilliant legendary US pianist and composer Carla Blay. The virtuosity and skills of the musicians are fully exposed here on the long (sometimes very!) versions of Bruce`s favorites, including `Sunshine Of Your Love`. What a delight!
| | CD 2 Remastered Recommend To A Friend |
  | JACK BRUCE ~ LIVE AT ROCKPALAST 1980, 1983 AND 1990 MIG 90862 (Barcode: 885513908629) ~ UK ~ Jazz-Rock Fusion Recorded: 1980 - 1990 Released: 2019
This Box Set presents a collection of live concert recordings by iconic British bassist / vocalist / songwriter Jack BruceFind albums by this artist, captured by the German TV program Rockpalast. The 5CD / 2DVD collection presents forty-three tracks, recorded on three different occasions, as described below. With a few exceptions all the songs were written by Bruce with lyrics by the poet Peter BrownFind albums by this artist.
CD1 & CD2 were recorded / filmed on October 19th, 1980 and the lineup includes Bruce, guitarist Clem ClempsonFind albums by this artist, American keyboardist / guitarist David SanciousFind albums by this artist and drummer Billy CobhamFind albums by this artist.
CD3 was recorded / filmed on October 16th, 1990 and is a solo performance by Bruce playing piano and singing.
CD4 & CD5 were recorded / filmed on November 1st, 1983 and the lineup includes Bruce, Sancious and drummer Bruce GaryFind albums by this artist.
DVD1 includes the video material of CD1 to CD3 and DVD2 includes the video material of CD4 and CD5.
The music includes most of the songs Bruce recorded during his career and up to that time, including several going back to the CreamFind albums by this artist days. Although there are a few surprises here, each and every appearance by Bruce was completely unique, as his fans and followers are of course aware of. His incredible bass virtuosity is fully covered here, as are his vocal performances, and every minute of Bruce on stage is pure delight.
Overall, this is an incredible piece of archive material by one of the greatest Rock / Jazz-Rock Fusion musicians of all time. Although the sound quality is a bit iffy at times, this monumental collection of Bruce’s live material is an absolute must to his followers. His unique power of expression remains unchallenged and his premature departure robbed us of his talent and personally a Friend for almost fifty years…
| Updated: 04/03/2024Posted: 04/03/2024 | 5CD+2DVD 7 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | JACK BRUCE ~ LIVE AT THE CANTERBURY FAYRE (DVD) CLASSIC ROCK 1036 ~ UK ~ Progressive Rock
Jack Bruce is still one of the best players and musicians around and far from being a forgotten rock icon. This live recording from 2002 proves that he can still play a mighty bass and lead a great ensemble of fierce musicians. Material covers Jack`s favorites from all times (Cream as well as solo albums). Dolby Digital 5.1 Surround Sound, 90 minutes.
| | DVD 1 Recommend To A Friend |
  | BILL BRUFORD / EARTHWORKS ~ LIVE AT THE SHAUBURG BREMEN 1987 MOOSICUS 1215 (Barcode: 885513121523) ~ UK ~ Jazz Recorded: 1987 Released: 2022
This is an archival live album by the British Jazz drummer / composer / bandleader Bill BrufordFind albums by this artist and the first edition of his sensational quartet called EarthworksFind albums by this artist, which also included saxophonist Iain BallamyFind albums by this artist, pianist Django BatesFind albums by this artist and bassist Mick HuttonFind albums by this artist. The album was recorded by Radio Bremen in November 25, 1987, and offers ten tracks, all original compositions by the quartet members.
Bruford founded Earthworks in 1986 after spending almost twenty years as member of cutting edge Progressive Rock bands like YesFind albums by this artist (of which he was a founding member), King CrimsonFind albums by this artist, GenesisFind albums by this artist, U.K.Find albums by this artist and his own band called simply BrufordFind albums by this artist, returning to his Jazz roots. Earthworks comprised of the crème de la crème of the young British Jazz scene at the time and took the local as well as international scene by storm.
This live recording finds the quartet in absolute top form, over a year after their debut album was recorded and following extensive touring, which allowed them to develop the material and their unique musical approach. In contrast to expectations and speculations, Earthworks was a bona-fide Jazz quartet, which did not follow the Fusion path, which would have been more natural as a continuation of Bruford’s musical path up to that moment. Bellamy and Bates arrived from the sensational Loose TubesFind albums by this artist Big Band, which was one of British Jazz most surprising ensembles during the 1980, and Hutton was already a highly sought after young Jazz bassist on the local scene. Together they were simply unstoppable and the level of their performances was absolutely sensational. They were able to create a complex fury of sound, which was completely unprecedented on the British Jazz scene, and Bruford’s drumming behind Earthworks in as absolute peak of his career.
Overall, this album is a “missing link” in the Earthworks discography, from the period between the debut and the second album “Dig?Find albums with this title”, and of course an essential part in the Bruford discography, which none of his many fans will want to miss.
| Updated: 17/06/2023Posted: 17/06/2023 | CD 1 Remastered Recommend To A Friend |
  | MARTIN BRUNNER BAND ~ LEVELS OF LIFE ANIMAL MUSIC 080 (Barcode: 8594155999538) ~ CZECH REPUBLIC ~ Jazz-Rock Fusion Recorded: 2019 Released: 2019
This is the fifth album by the Czech Jazz pianist / composer Martin BrunnerFind albums by this artist and his first recording with the quartet called Martin Brunner BandFind albums by this artist, which also includes guitarist Tomas FuchsFind albums by this artist, Slovak bassist Rastislav UhrikFind albums by this artist and drummer Roman VichaFind albums by this artist. The album presents nine original compositions by Brunner, but on the album’s artwork the composer gives credit to the other members of the band for shaping the final arrangements of these compositions. The music was excellently recorded at the SONO Records studio and engineered by Milan CimfeFind albums by this artist.
Brunner is a member of the composers’ collective The Prague SixFind albums by this artist (see Concept Art OrchestraFind albums by this artist) and collaborated with many other musicians on the local scene in various genres. He is considered as one of the leading young composers in the Czech Republic. His previous four albums as a leader were recorded with a piano trio (or in one case piano trio and string quartet) and are all excellent.
This album finds Brunner in a completely new musical environment, playing contemporary Fusion (for a lack of better definition), which offers a set of wonderful compositions performed with a Rocky attitude. But the music is quite different from what most listeners consider as Fusion these days, since it is way more ambitious and sophisticated than the usual contemporary Fusion doodling. Brunner plays a lot of acoustic piano (which is already unusual for a Fusion album) and an analog synthesizer and the guitarist uses a plethora of different sounds, eschewing unnecessary boring long solos. The rhythm section is also superb, playing excellent polyrhythms and odd times with ease and elegance. The bass adds a wonderful basis for the entire sound, and although soloes sparingly, his playing is absolutely virtuosic.
Overall this music is simply ravishing from start to finish, fondly reminiscent of the early days of Fusion, when the music was truly innovative and challenging, setting new rules of what was possible within the symbiosis of Jazz and Rock. Brunner’s compositions are full of unexpected turns and twists, which keeps the listener in check for the duration.
For all appreciative Fusion lovers, especially those of the older generation, who remember the idiom at its prime and the younger, who wish to learn how it can be done at its best, this album is an absolute must. Hats off!
| Updated: 27/02/2021Posted: 27/02/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | FRANCESCO BRUNO ~ LE PAROLE ALTRE: IL LUNGO VIAGGIO DI TIZIANO TERZANI VIDEO EIKON ~ ITALY ~ Jazz-World Fusion Recorded: 2009 Released: 2010
This is the eighth album by the Italian Jazz guitarist / composer Francesco BrunoFind albums by this artist and his ensemble, which also includes saxophonist / flautist Javier GirottoFind albums by this artist (on two tracks only), pianist Pierpaolo PrincipatoFind albums by this artist, bassist Enzo PietropaoliFind albums by this artist, drummer Tommaso CarliniFind albums by this artist and percussionist Iginio De LucaFind albums by this artist. The vocalist Irina DanciFind albums by this artist adds some voiced ornamentation on four tracks. The album is a multi-media package, which includes an audio CD, a DVD and a book, and which pays homage to the life and work of the legendary Italian journalist and writer Tiziano TerzaniFind albums by this artist, best known for his work about the Far East, where he lived for many years and wrote about extensively. The DVD documents a spectacle, which presents Terzani´s work narrated by his wife Angela Terzani StaudeFind albums by this artist and accompanied by the Francesco Bruno ensemble playing live.
The entire project, which combines music, photography, video and literary work is a beautiful example of dedication and love of Culture necessary to make such an endeavor come true. Sadly such projects are quite rare in our reality these days.
The audio CD presents eight original compositions, all by Francesco Bruno, which are beautifully melodic and intelligently crafted. The ensemble setting and the fact that Bruno uses also the guitar synthesizer enrich the overall sound scope, sounding quite orchestral at times. The compositions are strongly influenced by World Music, which is emphasized by the percussionist, who uses an array of exotic instruments from all over the world. All the ensemble members perform excellently, creating a vibrant, rich palette of sounds, which is aesthetically pleasing and emotionally engaging. Bruno´s guitar playing is simply spectacular throughout.
Although this music was created to serve as part of the entire multi-media project, the audio CD has a complete life of its own and is perfectly suitable to be listened to separately and is a wonderful listening experience at that, sparkling with the joy of life and good spirited music.
Overall this is a piece of wonderful work, which should make all those who were involved in its creation proud. In our cold, cynical world the fact that some people still care about Culture is a heart-worming assurance that life is worth living. All I can say is "thanks for sharing"!
| | BOOK+CD+DVD 2 Recommend To A Friend |
  | GARY BURTON ~ LIKE MINDS CONCORD 013431480327 (Barcode: 013431480327) ~ USA ~ Jazz Recorded: 1997 Released: 1998
This is an album by iconic American vibraphonist / composer / bandleader Gary BurtonFind albums by this artist, recorded in a quintet setting with a dreamy lineup, which includes pianist / composer Chick CoreaFind albums by this artist, guitarist Pat MethenyFind albums by this artist, British bassist Dave HollandFind albums by this artist and drummer Roy HaynesFind albums by this artist. The album presents ten tracks, nine of which are original compositions (four by Metheny, three by Corea and two by Burton) and one is a standard.
Apart for the fact that this is the first album on which Corea and Metheny play together, everything else about it is completely ordinary: the music is all within melodic mainstream Jazz, no challenge whatsoever, all perfectly executed of course by these brilliant musicians, but a classic example of music going nowhere really.
Of course many Jazz listeners can enjoy this album immensely, but in retrospect it left no lasting impression. Burton, Corea and Metheny play exactly like they always do on their own albums and the quintet does not reach an ensemble sound. The rhythm section is as perfect as possible, but again they just play completely ordinarily. As much as I love and respect the individual musicians playing here, this album just ain’t cutting it. And yes – it won the Grammy in 1999…
Overall, this is a typical American Jazz album of the late 1990s, which offers smooth, likeable music, which shows exactly what is wrong with American Jazz – it is just frozen in time for decades. Great for cocktail parties…
| Updated: 03/03/2022Posted: 03/03/2022 | CD 1 Recommend To A Friend |
  | GARY BURTON ~ LOFTY FAKE ANAGRAM / A GENUINE TONG FUNERAL BGO 723 (Barcode: 5017261207234) ~ USA ~ Jazz Recorded: 1967 Released: 2006
Vibraphonist / composer Gary BurtonFind albums by this artist is one of greatest American Jazz musicians, with a long and outstanding career and a massive body of work. He is also one of relatively few American Jazz artists, who can be considered as true originals, embracing the Jazz tradition but at the same time constantly expanding the horizons of the music and exploring the terra incognita of the genre. This album takes us back to the early days of Burton’s musical path, when he was leading probably the most forward-thinking Jazz quartet of the day. Together with guitarist extraordinaire Larry CoryellFind albums by this artist, bassist Steve SwallowFind albums by this artist and drummer Bob MosesFind albums by this artist, the quartet ventured into some of the earliest examples of Jazz-Rock Fusion, years ahead of their contemporaries. The two original LPs, although both recorded in 1967, are quite different from each other. On Lofty Fake AnagramFind albums with this title the quartet explores mostly a series of original tunes by Burton and Swallow, with finesse and elegance, but also with fire and passion. On A Genuine Tong FuneralFind albums with this title Burton combines forces with another great and unorthodox American Jazz representative, pianist / composer Carla BleyFind albums by this artist. The music is her first full-scale Jazz composition for a band, which she calls a “Dark Opera Without Words”. The “without word” part was to bee soon remedied on her next spectacular project, the first true modern Jazz opera Escalator Over The HillFind albums with this title, which included a libretto by Paul HainesFind albums by this artist. For the recording of this music the quartet was expanded to a small orchestra with Carla Bley on piano, Steve LacyFind albums by this artist and the brilliant Argentinean player Gato BarbieriFind albums by this artist on saxophone, Michael MantlerFind albums by this artist (Carla’s close partner) on trumpet, Jimmy KnepperFind albums by this artist on trombone and Howard JohnsonFind albums by this artist on tuba. The music is of course completely unique and unprecedented, with Bley’s masterly usage of orchestration to create moods and sonic vistas, all of it years ahead of its time. Together these two recordings provide a glimpse at the period when American Jazz was still bubbling with creativity and excitement. Brilliant and essential stuff!
| | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | CAPTAIN BEEFHEART / MAGIC BAND ~ LIVE LONDON `74 VIRGIN 368577 (Barcode: 094636857725) ~ USA ~ Classic Rock Recorded: 1974 Released: 2006
Although Vliet and his Magic Band left us a sizeable legacy of recorded material, they never released a live album, which is quite strange in many ways. This album was recorded during the European tour, which followed Vliet’s signing with Virgin and the release of the Unconditionally Guaranteed album. As his band fell apart shortly after the recording of the album, Vliet had to put together a new version of the band just before the tour started and rehearse with them both the new material from the album they were promoting, as well as some old favorites – an almost impossible task considering the complexity of the material and the lack of time. Nevertheless, as we can hear here, the results were brilliant, as always, with everything he ever attempted. The concert captured here presents Vliet and the band at top form and the music flows beautifully from start to finish. Earlier version of this recording appeared on CD in semi-bootleg versions, but never in full and never as brilliantly sounding as this one. A must! (Just for the sake of historic perspective, the band who used to open the shows for Captain Beefheart and the Magic Band on this tour were no other than Henry Cow, who also signed with Virgin at that time)
| | CD 1 Remastered Recommend To A Friend |
  | CARAVAN ~ LIVE 1990 CODE 90 2 ~ UK ~ Canterbury Scene
A memorable recording of this legendary band reunited for the first time for a TV program in 1990 dedicated to the Canterbury Prog scene. Great sound quality and the group proves to be in formidable form enjoying every minute of it.
| | CD 1 Recommend To A Friend |
  | CARAVAN ~ LIVE AT THE FAIRFIELD HALLS, 1974 DECCA 882902 ~ UK ~ Canterbury Scene
Newly (2002) discovered live recordings from 1974 of this legendary band, which are of course a source of great joy to all the fans. This incredible music was gathering dust in the vaults of a `Major` record company and at last the music lovers can enjoy them. Great sound and the band is in top form all the way!
| | CD 1 Recommend To A Friend |
  | CAST ~ LAGUNA DE VOLCANES ROCK REVELATION 001 ~ MEXICO ~ Progressive Rock
Mexican Prog band Cast takes a look at their past with revamped recordings of their earlier material spanning between 1994 and 2000. The new versions are much extended and mature, sparkling with excellent musicianship and innovative ideas. Also all the songs are now in their native Spanish, rather then in English as originally recorded. A superb summary and a great addition to their overall output.
| | CD 2 Recommend To A Friend |
  | CAST ~ LEGACY MUSEA 4339 (Barcode: 3426300043399) ~ MEXICO ~ Progressive Rock Recorded: 2000 Released: 2000
Cast are the best Mexican Prog band and this album is another great release which justifies their international fame. Excellent musicianship and great vocals create a true Prog feel, reminding the great founders (Genesis) but being firmly in the present with modern sound and use of studio technology. Cast are very prolific and hopefully their output will continue on the same level.
| | CD 1 Recommend To A Friend |
  | ED CHERRY / AREK SKOLIK PROJECT+ ~ LIVE AT METRUM JAZZ CLUB BLUES&JAZZ 004 (Barcode: 5902205589197) ~ POLAND ~ Jazz Recorded: 2023 Released: 2024
This is a live album by a Jazz quartet co-led by American guitarist Ed CherryFind albums by this artist and Polish drummer Arek SkolikFind albums by this artist, with Polish trumpeter Pawel PalcowskiFind albums by this artist and bassist Maciej KitajewskiFind albums by this artist. The album presents five tracks, all standards.
One of the oldest tricks in the Jazz book is for veteran Jazz players to play with young and gifted upcoming players, which is exactly what happens with Skolik, who has a gift to surround himself by some of the best young Polish Jazz players, which is the case here.
Palcowski appears on a dozen or so albums recorded in the last decade, including a couple of ones as a leader. I have been following his career starting with his school days in the Katowice Music Academy, and he certainly is one of the top Polish mainstream / Bebop Jazz trumpeters today.
Kitajewski, who is even more in demand, since there are never enough great bassists around, also took part in more than a dozen album recordings, including one as a leader. He is a versatile player stylistically, and his projects go often beyond mainstream Jazz, and he is certainly one of the young Polish Jazz musicians worth following.
Cherry (born 1954) and Skolik (born 1970) are both veterans with an impressive record behind them, and they always deliver what their followers want to hear – a swinging mainstream Jazz, which never loses its charm to those who love it.
Overall, this is a nice, well played and well behaved mainstream Jazz album, which delivers to Bebop fans all over the world their portion of exactly what the doctor prescribed. And yes, this is every bit as good as anything played beyond the pond!
| Updated: 12/04/2024Posted: 12/04/2024 | CD 1 Digipak Recommend To A Friend |
  | CHICAGO ~ LIVE AT 55 MERCURY 602465741728 (Barcode: 602465741728) ~ USA ~ Brass Rock Recorded: 2024 Released: 2024
This is a live album by the seminal American Brass Rock band ChicagoFind albums by this artist, recorded in November 2024, celebrating the 55th Anniversary of the release of the legendary debut album by the band in 1969. The 2CD album presents thirty-one tracks, which span the band’s output created over the years, including all the memorable material.
Only three founding members of the group: keyboardist Robert LammFind albums by this artist, trumpeter Lee LoughnaneFind albums by this artist and trombonist James PankowFind albums by this artist are still part of the current band’s lineup, which includes newer members as well as a huge cast of guest musicians, including guitarists Steve VaiFind albums by this artist, Robert RandolphFind albums by this artist, Chris DaughtryFind albums by this artist and others. Although some of the new arrangements and the guest appearances sound often a bit schmaltzy, parts of the magic are still there and the music is of course timeless.
Chicago defined the Brass Rock idiom completely and perfectly and no other ensemble managed to create as much creative music over the years. They were also superb instrumentalists, composers and arrangers, which set them apart from other Brass Rock manifestations. Of course Blood, Sweat & TearsFind albums by this artist were also awesome, but they were completely different stylistically and conceptually, although definitely Brass Rock related as well.
Overall, this is a retrospective snapshot of the essential Brass Rock ensemble, somewhat spoiled by contemporary American kitsch, but with over two hours of Godly music, this is definitely worth listening to, and shedding a tear in memory of the great times.
| Updated: 06/01/2025Posted: 06/01/2025 | CD 2 Mini-Sleeve Recommend To A Friend |
  | SIMON CHMEL ~ LIGHT ON THE SURFACE UNIT 5095 (Barcode: 7640222860957) ~ GERMANY ~ Jazz Recorded: 2022 Released: 2023
This is the debut album by the German, Berlin based drummer / composer Simon ChmelFind albums by this artist and his quartet, which also includes trumpeter Max DillerFind albums by this artist, guitarist Enrico OlivantiFind albums by this artist and bassist Johannes FrickeFind albums by this artist. The album presents eight tracks, all original compositions, five by Chmel, two by Diller and one by Olivanti.
The music is based on solid melodic themes, which are skillfully performed by these young musicians. Most of the soloing in naturally done by the trumpeter, who has a nice, clear and steady tone, which suits perfectly the quiet, almost romantic material. The guitar supplies the harmonic support and secondary soloing, avoiding the dreaded Fusiony sound and sticking to the Jazz environment, which is commendable. The rhythm section fills the backing with Fricke’s round bass lines and the leader steady time keeping, all exactly on the “as needed” basis, without unnecessary pyrotechnics.
The true forte of this album are the compositions, both by the leader and the band members, which are all well-constructed and coherent, and as such are able to keep the listener interested in listening to the music. The fact that all the music is rather low-key and low-tempo is quite hazardous, as listeners are easily bored these days, but personally I truly enjoyed this reflective atmosphere.
Overall, this is an excellent debut effort, which offers truly beautiful music in a rather melancholic atmosphere, which is very well performed by the quartet members. Hopefully they will be able to deliver all that and more in their future projects, exploring all the potential, this album promises. Well done!
| Updated: 02/09/2024Posted: 02/09/2024 | CD 1 Digipak Recommend To A Friend |
  | EUGEN CICERO ~ LULLABIES IN+OUT 77154 (Barcode: 798747715423) ~ ROMANIA ~ Jazz-Classical Fusion Recorded: 1995 Released: 2023
This is an archival album of previously unreleased material by Romanian pianist / composer Eugen CiceroFind albums by this artist, recorded in a classic Jazz piano trio format with Romanian (resident in Germany) bass guitarist Decebal BadilaFind albums by this artist and German drummer Ringo HirthFind albums by this artist. The album presents twelve tracks, one of which is an original composition by Cicero, one is a Jazz standard and the rest are his interpretations of Classical or traditional material.
Cicero escaped Romania in 1962 via Berlin, settling first in Germany and later in Switzerland. He had a long career playing Jazz / Swing interpretations of Classical Music pieces and recorded dozens of very successful albums in that idiom. Although he operated in the same idiom like Jacques LoussierFind albums by this artist, Claude BollingFind albums by this artist and others, his brilliant technique and intelligent cross-manipulation of the genres, as well as a superb Swing, made him very unique and he managed to avoid the kitsch many of such artists often dived deeply into.
Overall, this is a lovely cross-genre outing, which is witty and elegant, and a pure joy to listen to, and definitely a must for all Jazz-Classical Fusion lovers. It is delightful to have this gem back in circulation. Wholeheartedly recommended!
| Updated: 16/02/2025Posted: 16/02/2025 | CD 1 Digipak Recommend To A Friend |
  | STANLEY CLARKE ~ LIVE AT THE GREEK EPIC 5099747660221 (Barcode: 5099747660221) ~ USA ~ Jazz-Rap Fusion Recorded: 1993 Released: 1994
This is a live album by American bassist / composer / bandleader Stanley ClarkeFind albums by this artist, recorded in a quintet setting with guitarist Larry CarltonFind albums by this artist, drummer Billy CobhamFind albums by this artist, saxophonist / flautist Jerome Najee RasheedFind albums by this artist (a.k.a. NajeeFind albums by this artist) and keyboardist Deron JohnsonFind albums by this artist. The album presents seven tracks, one each composed by Clarke, Cobham, Carlton and Najee and three standards.
The music is a mixture of Jazz-Rock Fusion and Smooth Jazz, with plenty of space for all these professional musicians to show their chops. Although well played, it is completely expected, predictable and unoriginal, which sadly is often representative of American Jazz in general.
Despite my deep respect and admiration for Clarke, Cobham and Carlton, who produced some truly innovative music in the 1970s, which expanded the Fusion idiom and produced some classic recordings at the time, records like this one are simply disrespectful to their legendary status. But by the 1990s corporate music industry and commercialism already ruled the American music scene completely, so anything could happen.
Overall, this is a completely uneventful recording by great musicians, who should have known better… There are some brilliant moments herein, of course, but those only emphasize the general sad state of affairs.
| Updated: 15/08/2024Posted: 15/08/2024 | CD 1 Recommend To A Friend |
  | AVISHAI COHEN ~ LYLA TAV 8 (Barcode: 7290105160003) ~ ISRAEL ~ Jazz
Israels`s most prominent Jazz musician Avishai CohenFind albums by this artist is a legend in the US Jazz circles and his bass work with Chick CoreaFind albums by this artist awarded him worldwide recognition as well. Cohen`s solo albums are meant to showcase not only his amazing technique as a bass (both acoustic and electric) player, but also as composer, arranger and bandleader. This 2003 album does the work on all fronts - the music, the performances, the amalgam of jazz and native Israeli traditional elements all come together to form a wonderful amalgam of rhythms and sounds of rare quality. An absolute must to every modern jazz fan!
| | CD 1 Digipak Recommend To A Friend |
  | COLOSSEUM ~ LIVE ESSENTIAL 641 ~ UK ~ Progressive Rock
4th and last album from 1972 by the original band. Originally a double album, now on 1 CD. Colosseum were always considered best when playing live and this album ranks among the best live performances ever captured on record. The tunes are widely stretched, giving all the players ample opportunity to fly and shine. Farlowe gives a performance of his life and the music flows and soars straight to your heart!
| | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE (2CD EXPANDED EDITION) ESOTERIC 2545 ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2016
This is a reissue of the seminal live album by the legendary British Jazz-Rock Fusion / Blues-Rock Fusion group ColosseumFind albums by this artist, founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, who shared earlier common ground as members of John MayallFind albums by this artist´s BluesbreakersFind albums by this artist and Graham Bond OrganizationFind albums by this artist. The final incarnation of the band´s first era, of which this was the last recording, included also vocalist Chris FarloweFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, keyboardist Dave GreensladeFind albums by this artist and bassist Mark ClarkeFind albums by this artist. The original release of this album was a 2LP set and this 2CD edition more than doubles the original album´s playing time, including additional material that was recorded at the same concerts from which the original album was put together.
This reissue is the answer to the question: "How do you take the best possible album and make it better?" The new remaster and the additional material simply turn this iconic album into what is probably the most important recording made at the historic crossroads that produced, after a period of about half a decade of crystallization and construction, two of the tremendous British contributions to music in the 1960s: Blues-Rock Fusion and Jazz-Rock Fusion (the other being Progressive Rock, which also has a few moments on this album).
The complexity and the ingenuity of the music on this album are mind-bugling and in fact it was never matched by any other album of that period. The musicians struggled with the difficulties of playing this music live and compensated for any technical imperfections by the fire and enthusiasm of the performance. In fact the group´s reunion after twenty three years produced other live versions of the same material ("Live Cologne 1994Find albums with this title"), which are technically more perfect than the recordings herein, a fact that can be easily explained by the musical experience acquired during that period of time.
In retrospect this album simply refuses to fade away and still shines like a beacon of musical vitality, sophistication and stylistic crosspollination, which puts most of contemporary music in a miserable and pitiable light. Brainwashed and undereducated listeners of today can´t tell great music from organic waste…
I wonder if we can expect a future 4CD version of this album? After all this has already been reissued three times, so why not again? Still absolutely essential, perhaps even more so than before!
| Updated: 17/01/2017Posted: 17/01/2017 | CD 2 Remastered Bonus Tracks Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE `71 REPERTOIRE 1396 (Barcode: 4009910139622) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock band ColosseumFind albums by this artist, recorded live in February and March of 1971 during their UK tour, which yielded their legendary “LiveFind albums with this title” album, which to this day is considered as one of the most important live concert recordings of all time, which sadly proved to be the last album by the early version of the band. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes mostly original material, which appeared over time on the studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
The first CD of this 2CD release offers a complete show recorded on February 12, 1971, which as far as I know was previously unissued and is alone worth the price of the album. The show is more relaxed and open to improvisation then the material recorded in March and partly included on the a.m. live album.
The second CD however, is more problematic, since as far as I can see it is identical to the second CD included on the EsotericFind albums on this label reissue “Live (2CD Expanded Edition)Find albums with this title” from 2016, with a confusing, slightly different running order. Why on earth would RepertoireFind albums on this label do this is beyond me.
But as mentioned earlier, every instance of Colosseum material, especially as excellently recorded as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely essential stuff!
| Updated: 18/02/2021Posted: 18/02/2021 | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT MONTREUX 1969 REPERTOIRE 1460 (Barcode: 4009910146026) ~ UK ~ Jazz-Rock Fusion Recorded: 1969 Released: 2023
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Montreux on April 25, 1969 during the European Broadcasting Union international awards festival Rose d’Or. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they played this concert they were in the midst of recording their second album "Valentine SuiteFind albums with this title", which was released in November 1969. The live set presents four compositions, including the three-part "Valentine Suite", expanded according to the circumstance, including material from the debut album and the yet unreleased second album. The fifth track was recorded a couple month later, during their appearance at the Monteux Jazz Festival on June 22, 1969. All the performances were also captured on video by the Swiss TV, and are present here on the DVD included in the package.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the over five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of several live archival albums by Colosseum recently released by the German Repertoire Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| Updated: 03/08/2023Posted: 03/08/2023 | CD+DVD 2 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT MONTREUX INTERNATIONAL JAZZ FESTIVAL REPERTOIRE 1389 (Barcode: 4009910138922) ~ UK ~ Jazz-Rock Fusion Recorded: 1969 Released: 2020
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Montreux on June 21, 1969 during the annual International Jazz Festival, one of the most prestigious gigs in Europe at the time. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they played this concert they have already recorded the second album "Valentine SuiteFind albums with this title", which was released in November 1969. The live set presents six compositions, expanded according to the circumstance, including material from the debut album and the yes unreleased second album.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of the five live archival albums by Colosseum recently released by the German RepertoireFind albums on this label Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| Updated: 07/10/2020Posted: 07/10/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT ROCKPALAST 2003 REPERTOIRE 1449 (Barcode: 4009910144923) ~ UK ~ Jazz-Rock Fusion Recorded: 2003 Released: 2022
This is an archival live 2CD + DVD album by the iconic British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded / filmed by German WDR TV on September 27, 2003 at the Viersen Jazz Festival, which was part of their 2003 tour in Germany. The material was intended for the legendary “Rockpalast” TV show. The reunited (in 1994) band just recorded their new (at the time) album “Tomorrow`s BluesFind albums with this title” and were in absolute top form. The ailing saxophonist Dick Heckstall-SmithFind albums by this artist, who would sadly depart just a few months later, was replaced by the fabulous Barbara ThompsonFind albums by this artist, the wife and life companion of the band’s leader, drummer Jon HisemanFind albums by this artist, and the rest of the superb team included keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist extraordinaire Chris FarloweFind albums by this artist. The album includes several tracks from the new album and a mixture of their classic repertoire, going back right to their debut album. The DVD offers all the audio tracks present on the two CDs and in additional twenty minutes long interview with Hiseman.
The sound and vision quality of the material is absolutely superb and now even enhanced by a careful restoring process, with a stunning result, probably the best among all the many live Colosseum recordings.
The music is of course absolutely Godly from start to finish and Colosseum followers can easily compare this material with their legendary “LiveFind albums with this title” album from 1971, to see that although over thirty years passed by, the band lost absolutely nothing of their fire and power, and managed to polish their show to absolute perfection. The level of the improvisation during the extensive keyboards, guitar, saxophone and drums solos is genial and Farlowe’s vocals are still unbeatable.
With Dick, Barbara and Jon now gone, listening to this album is a deep, almost spiritual experience of longing for friendships lost, and time mercilessly passing for all of us. Great to see the legacy of the greatest band ever still living and new archival material still being released.
Overall, this is an absolutely essential piece of the recorded legacy by this iconic band, which combined Blues, Rock, Jazz and everything in-between better than almost anybody out there, for generations to come. Glittering musical gold!
| Updated: 26/04/2023Posted: 26/04/2023 | 2CD+DVD 3 Slipcase Remastered Essential Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT RUISROCK FESTIVAL, TURKU, FINLAND 1970 REPERTOIRE 1391 (Barcode: 4009910139127) ~ UK ~ Jazz-Funk Fusion Recorded: 1970 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist, recorded live in August of 1970 during their Scandinavian tour and presents an early recording of the second lineup of the group. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes original material and one piece each by Jack BruceFind albums by this artist and Graham BondFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality.
This specific concert bursts with energy and enthusiasm, and Hiseman’s lengthy drums solo is an absolute classic. Clempson falls in within the Colosseum modus operandi perfectly from day one and his soloing is sublime as always. With four of the five tracks clicking well over ten minutes in duration, this is a true orgy of improvisation, albeit perfectly well organized. The sound quality of this recording if somewhat iffy, but the remastered material is definitely listenable, compared with the bootleg versions of this album that have been around for ages.
As usual, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| Updated: 19/06/2021Posted: 19/06/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT THE BOSTON TEA PARTY REPERTOIRE 1390 (Barcode: 4009910139028) ~ UK ~ Jazz-Rock Fusion Recorded: 1969 Released: 2020
This is an archival release presenting a live recording by the seminal British group ColosseumFind albums by this artist, recorded in Boston on August 13, 1969 during the group´s first US tour. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, who were joined by bassist Tony ReevesFind albums by this artist and keyboardist Dave GreensladeFind albums by this artist and initially by guitarist Jim RocheFind albums by this artist, who was soon replaced by James LitherlandFind albums by this artist. The quintet recorded the band´s debut album "Those Who Are About To Die Salute YouFind albums with this title" in the late 1968 / early 1969, which was released in March of 1969. By the time they embarked on the US tour they have already recorded the second album "Valentine SuiteFind albums with this title", which was released in November 1969. Therefore it is hardly surprising that they played exclusively (well almost, see below) material from the second, already recorded but not yet released album. The live set presents only three compositions, expanded according to the circumstance, including the entire three-part suite that gave the album its title.
For Colosseum specialists, the version of the suite performed here live is different from the version eventually released on the UK version of the album, with the third part of the suite being "Beware Of The Ides Of Mach" (released on the debut album) to by replaced by "The Grass Is Always Greener" on the studio album.
The music is of course absolutely glorious and epitomizes the early British Jazz-Rock Fusion and to some extent also Progressive Rock. All five musicians are superb instrumentalists and the album showcases plenty of hair-raising solos, as expected form Colosseum, which was undoubtedly one of the most spectacular live acts at the time.
Despite the five decades that passed since this music was recorded, it is still absolutely fresh and infinitely more interesting that anything else being recorded these days. Pure genius at work!
This album is one of the five live archival albums by Colosseum recently released by the German RepertoireFind albums on this label Records label, some of which already circulated as bootlegs earlier on, but these carefully remastered and beautifully packaged albums are simply irresistible.
| Updated: 07/10/2020Posted: 09/09/2020 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE AT THE PIPER CLUB, ROME, ITALY 1971 REPERTOIRE 1394 (Barcode: 4009910139424) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2020
This is an archival album by the seminal British Jazz-Rock Fusion / Progressive Rock band ColosseumFind albums by this artist, recorded live in Summer of 1971 and presenting one of the last known recordings of the final lineup of the band, which disbanded just a few months later in October of 1991. Founded in 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist the final lineup included also the charismatic vocalist Chris FarloweFind albums by this artist, superb keyboardist Dave GreensladeFind albums by this artist, one of the best British Blues guitarists Clem ClempsonFind albums by this artist and bassist Mark ClarkeFind albums by this artist.
The music includes two original pieces and one piece each by Jack BruceFind albums by this artist and Michael GibbsFind albums by this artist, which appeared over time on the group’s studio albums, all of which was tested and polished during the band’s many live appearances, reaching a level of perfection, which combined with the highly developed improvisation abilities by the band members (Hiseman, Heckstall-Smith and Greenslade had a Jazz background), produced live performances of unparalleled quality. The two original tunes (one co-written by Clempson and Hiseman and the other by Hiseman) get over-extended versions on this album, timing well over twenty minutes each, which present the incredible instrumental abilities by the band members, including Hiseman’s unique drumming technique.
The sound quality of this recording if truly iffy, and even the remastered version is not easily listenable, albeit somewhat better than the bootleg versions of this album that have been around for ages. Obviously the source material for this material is simply sub-standard.
And yet, every instance of Colosseum material, especially as excellently performed as the music included here, is worth its weight in gold. It is truly amazing that this music, almost exactly fifty years young, sounds still so exciting today. Absolutely brilliant stuff!
| Updated: 08/07/2021Posted: 08/07/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE IN GERMANY REPERTOIRE 1404 (Barcode: 4009910140321) ~ UK ~ Jazz-Rock Fusion Recorded: 1969 - 1971 Released: 2021
This is an archival album, which collects live recordings by the seminal British Jazz-Rock Fusion / Progressive Rock group ColosseumFind albums by this artist. The 2CD / DVD album covers recordings of live concerts in Germany and Austria, captured between 1969 and 1971. Colosseum was formed in 1968 from the ashes of the Graham Bond OrganizationFind albums by this artist by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist (both members of GBO). The first lineup included also keyboardist Dave GreensladeFind albums by this artist, guitarist / vocalist James LitherlandFind albums by this artist and bassist Tony ReevesFind albums by this artist. Litherland was replaced by Clem ClempsonFind albums by this artist and Reeves was replaced briefly by Louis CennamoFind albums by this artist and later by Mark ClarkeFind albums by this artist and Chris FarloweFind albums by this artist was added as lead vocalist, turning Colosseum into a sextet. Hiseman’s wife, saxophonist / flautist Barbara ThompsonFind albums by this artist guests on one track. The sound quality is fabulous, and the remastering, packaging and enclosed highly informative booklet are top notch.
Colosseum were one of the most imaginative and intelligent early Fusion / Prog bands ever and managed to create a highly unique sound and musical aesthetics. A perfectly balanced amalgam of Jazz, Rock and Blues, which they created, remains largely unmatched to this very day. Their success can be mostly credited to the perfect blend of their musical personalities and immense collection of diverse talents, as well as the leadership of Hiseman, who was one of the most important British musicians of his generation. I was lucky to know Jon and watching him and the band perform was always a revelation.
CD1 of the album covers the material recorded in 1969 and 1970 by the German TV show “Beat-Club” (the first four tracks) and the 1969 concert in Vienna (the next four tracks). CD2 covers the 1971 concert in Frankfurt (four long tracks). The “Beat Club” material is also included in video version on the enclosed DVD.
This album offers an incredible wealth of music, hair-raising instrumental performances and a sublime glimpse at the period when music was at its absolute creative peak. There are but a few groups that managed to achieve the same level of intensity and inventiveness ever since.
For Colosseum fans this album is absolutely essential of course, but the interest goes way beyond just that. British Jazz and Fusion enthusiasts will be also thrilled; as should any music loving person on this planet be as well. This music is beyond recommendation, a true Holy Grail!
| Updated: 25/11/2021Posted: 25/11/2021 | 2CD+DVD 3 Slipcase Remastered Recommend To A Friend |
  | COLOSSEUM ~ LIVE05 REPERTOIRE 1382 (Barcode: 4009910138229) ~ UK ~ Jazz-Rock Fusion Recorded: 2005 Released: 2024
This is a reissue of a 2CD live album by the seminal British Jazz-Rock Fusion group ColosseumFind albums by this artist, recorded in 2005. Colosseum, founded in spring of 1968 by drummer Jon HisemanFind albums by this artist and saxophonist Dick Heckstall-SmithFind albums by this artist, went through several personnel changes before disbanding in 1971, after recording several iconic albums. They reunited in 1994 and continued performing and recording albums with a lineup, which included the two founding members and keyboardist Dave GreensladeFind albums by this artist, guitarist Clem ClempsonFind albums by this artist, bassist Mark ClarkeFind albums by this artist and vocalist Chris FarloweFind albums by this artist. Following the death of Heckstall-Smith in 2004, Hiseman’s wife saxophonist / flautist Barbara ThompsonFind albums by this artist joined the band, and this new lineup recorded this live album.
This album was initially released privately on Temple MusicFind albums on this label in 2007 and then on RuffFind albums on this label Records in Germany in 2010, both editions now long gone from the market. This RepertoireFind albums on this label Records reissue, newly packaged and with a booklet designed by Ana GraceyFind albums by this artist (Barbara’s and Jon’s daughter), celebrates Hiseman’s 80th Birthday Anniversary.
The music is a wonderful example of the band’s live act, which includes music spanning their entire career. Although some of that music appears on other live albums, due to the highly improvised nature of the band’s performances, each and every version of these tunes is completely unique. It also reflects the phenomenal agility of Barbara, who joined the group only a few months earlier (although she did play some gigs with the band before formally joining), and blended perfectly into the act, obviously adding her personal fabric to the tunes.
Each and every live album by Colosseum depicts the incredible talents of all the band members, with the spotlight on their abilities as improvisers, since the band’s material was always heavily influenced by Jazz and the live performances were ideal platforms to “go wild” and play lengthy instrumental solos and vocal extravaganzas.
Overall, this is as brilliant as every other Colosseum album, studio and live alike, and if anybody missed the original release of this album, this is an opportunity to repent and correct mistake. Absolutely not to be missed!
| Updated: 26/08/2024Posted: 26/08/2024 | CD 2 Slipcase Recommend To A Friend |
  | CONFUSION PROJECT ~ LAST DAYMUSIC 03 (Barcode: 198002160188) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2020 Released: 2021
This is the fourth album by Polish Jazz trio called Confusion ProjectFind albums by this artist, led by pianist / composer Michal CiesielskiFind albums by this artist with electric bassist Piotr GierszewskiFind albums by this artist and drummer Adam GolickiFind albums by this artist. The album presents seven original compositions, six by the leader and one co-composed with Golicki.
The music, although still deeply melodic, presents a significant stylistic change in comparison to the earlier recordings, moving from Fusion oriented ambience into more Classical oriented one, even if only hinted rather than specifically emphasized. The compositions are longer and more extensively developed and the atmosphere is definitely more reflective, sometimes even somewhat somber, perhaps reflecting the times we live in.
The album is a wonderful example of an alternative approach to the classic Jazz piano trio, with the rhythm section radically different, but definitely not less significant, than in the traditional approach. Gierszewski plays some amazing bass lines and solos frequently, which manages to contribute both to the melodic layer and the rhythmic layer of the music and Golicki keeps a tight ship without being intrusive or dominating, displaying a wonderful respect towards the music. Ciesielski has plenty of opportunities to show his piano chops, but stays mostly in a romantic, meditative mood and concentrates on the delivery.
Overall, this is an excellent and interesting album and a significant step in the trio’s process of development and maturity, which I had a pleasure to follow over the years. For traditional Jazz piano trio fans this might be quite an eye (ear) opener and for listeners, who like a slight touch of Fusion in their Jazz dish, this is definitely something worth checking out. Of course we all hope this is not the “last” outing together by these talented musicians.
| Updated: 19/11/2021Posted: 16/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | NICOLA CONTE / SPIRITUAL GALAXY ~ LET YOUR LIGHT SHINE ON MPS 4029759127475 (Barcode: 4029759127475) ~ ITALY ~ Jazz-World Fusion Recorded: 2018 Released: 2018
This is an album by Italian Jazz guitarist / composer / arranger / producer Nicola ConteFind albums by this artist, recorded with a large international group of musicians, appearing here under the Spiritual GalaxyFind albums by this artist moniker. The album presents twelve tracks, eleven of which are original compositions by Conte and one is a traditional song.
The resulting music is a nice amalgam of Groove, Acid Jazz and Jazz World Fusion, with African and Latin elements, combined with Jazz improvisations by the brass players. The music flows briskly and is as much listenable as danceable, which means a lot of fun.
All the compositions are solid and the arrangements are elegant, which give the music a classy, polished feel. This is a classic example of how Jazz can be combined with less complex elements, without losing any of its aesthetic values.
All the vocalists and instrumentalists are highly professional and the production is elegant and well balanced, which makes this music a wonderful aural experience, despite being obviously on the lighter and less challenging plane, but still of the highest standard.
Overall, this is a very smooth piece of music, which elegantly combines the Jazz elements with World Music and Groove, and makes it very hard for the listener to sand still and not shake the booty. Ideal music for a relaxed drive, or a great classy party, one that usually is only seen in the movies. I admit my vices and declare I had a blast with this music, especially in these gloomy, dark times that surround us.
| Updated: 21/09/2024Posted: 21/09/2024 | CD 1 Digipak Recommend To A Friend |
  | CHICK COREA / GARY BURTON ~ LYRIC SUITE FOR SEXTET ECM 1260 (Barcode: 042281527425) ~ USA ~ Jazz-Classical Fusion Recorded: 1982 Released: 1993
Following a series of duet recordings for the ECMFind albums on this label label, pianist / composer Chick CoreaFind albums by this artist and vibraphonist / composer Gary BurtonFind albums by this artist cooperated once again on this project, which adds a string quartet to their wonderful duo, creating a sextet, albeit not a "classic" Jazz sextet one might expect. The music is a suite especially composed by Corea, which combines Jazz and contemporary Classical music, a trend Corea followed many times later on in his career. Both the music and the performances are brilliant, as usual with these two Master musicians, and every Corea / Burton follower will not miss this for the world. A must!
| | CD 1 Recommend To A Friend |
  | CHICK COREA / AKOUSTIC BAND ~ LIVE CONCORD 888072172258 (Barcode: 888072172258) ~ USA ~ Jazz Recorded: 2018 Released: 2018
This is a 2CD live album by pianist / composer Chick CoreaFind albums by this artist and his Acoustic BandFind albums by this artist trio with bassist John PatitucciFind albums by this artist and drummer Dave WecklFind albums by this artist. Vocalist Gayle MoranFind albums by this artist, Corea’s wife, is featured on one track. The album presents twelve compositions (one repeated twice), six of which are Corea originals and the other six are standards. Recorded in January of 2018, almost exactly four years ago (as of the time of writing), this was one of the last Corea’s albums recorded before his passing in 2021.
Among Corea’s enormous recording legacy, my favorites have always been his classic piano trios, regardless of the stylistic setting, starting with his early Avant-Garde trios, via Trio Music, Trilogy or Akoustic Band, those trios were always spectacular. I always felt that Corea felt the best in a piano trio setting and his most creative performances continuously emerged in that environment.
Corea and the Akoustic Band recorded three albums in the early 1990s and played some concerts in 2004 / 2005, which were filmed and released on video, and this final “reunion” of sorts came as a big surprise and joy of course, as hearing this sublime trio is always an exhilarating experience.
The choice of material is hardly surprising, combining both some of his favorite original compositions and standards that he loved to play. The unity, telepathic conversation, mutual admiration and respect between the trio members is obviously immediately apparent, from the onset of the music to the very last second.
Overall, this album immediately joins the ranks of the top classic piano trio Jazz recordings of all times, presenting an everlasting example of artistry, excellence and aesthetics rarely achieved, but forever admired. No serious Jazz records collection should exist without this album being a part of it, and hopefully the album stays in print long enough for everybody to grab a copy. It was already reprinted once, so please keep it this way. An absolute must!
| Updated: 07/01/2022Posted: 07/01/2022 | CD 2 Digipak Recommend To A Friend |
  | CHICK COREA / ORIGIN ~ LIVE AT THE BLUE NOTE STRETCH 9018 (Barcode: 013431901822) ~ USA ~ Jazz Recorded: 1998 Released: 1998
Chick CoreaFind albums by this artist’s acoustic sextet OriginFind albums by this artist was formed in late 1997 by expanding his acoustic trio (Avishai CohenFind albums by this artist – bass and Adam CruzFind albums by this artist – drums) with the addition of trombonist Steve DavisFind albums by this artist and two reeds players Bob SheppardFind albums by this artist and Steve WilsonFind albums by this artist. After a brief period of rehearsals and one club performance the band was booked to play for six nights (two sets each night) at the NY Blue Note club, which was to be the band’s official premiere. All the music played at Blue Note was recorded, initially mainly for the sake of documentation, but upon listening to the results Corea decided to release this album, which presents just a taste of what happened there. A much more comprehensive recording project, capturing three entire nights (6 sets) was released as a 6 CDs set under the title “The Complete 1998 Live At The Blue Note RecordingsFind albums with this title”. Origin proved to be indeed an “origin”, a new beginning for Chick, who hasn’t led an acoustic sextet for over 20 years. It served as a perfect vehicle to develop and present a set of new compositions, which show an older and seasoned Jazz Master at work. The music is complex, somewhat dark, serious and multi-layered, requiring attentive listening. In many respects it often resembles some contemporary Classical Music influences. The players have plenty of space to develop both individual and collective extended improvisations, which of course are quite brilliant. Corea is not featured as the main soloist and steps back to become just one of the band’s members. All the music presented on this album, except for one standard, was composed by Corea, who re-examines his life’s achievements here, moving skillfully between his various musical activities, as diverse as Latin music and Free Jazz. All together this is a splendid example of modern Jazz at it’s best, with great music and excellent playing all the way. Corea’s fans don’t need any encouragement here and others should definitely investigate.
| | CD 1 Recommend To A Friend |
  | LARRY CORYELL ~ LAST SWING WITH IRELAND ANGEL AIR 641 (Barcode: 5055011700413) ~ USA ~ Jazz Recorded: 2016 Released: 2021
This is the last studio recording by the iconic American guitarist / composer Larry CoryellFind albums by this artist, captured just a few months before his untimely passing. The music was recorded in Ireland in an intimate trio setting with local bassist Dave RedmondFind albums by this artist and drummer Kevin BradyFind albums by this artist. The album presents six tracks, four of which are standards and two are originals co-composed by the trio members.
Coryell plays with incredible vigor and passion and his virtuosity is unblemished, which means that this album is a delightful farewell with his sublime and unique talent.
Coryell did not receive the due respect for his revolutionary role as a Godfather of American Jazz-Rock Fusion, starting with his absolutely amazing work with Gary BurtonFind albums by this artist in the 1960s and later his own groups, like The Eleventh HouseFind albums by this artist and duets / trios with other great guitarists, like Philip CatherineFind albums by this artist, Paco De LuciaFind albums by this artist, John McLaughlinFind albums by this artist and others. His extraordinary recording legacy includes over fifty albums as a leader and close to double that number as a sideman. In retrospect he remains as one of the greatest Guitar heroes of all time.
I have been fortunate to meet Larry Coryell many times, as well as his first wife Julie CoryellFind albums by this artist, who wrote one of the first books about Fusion and was a great photographer.
Overall, this is a delightful classic Jazz guitar album, which should delight every true guitar lover, even though it is not particularly innovative. It is, however, simply delightful!
| Updated: 02/11/2021Posted: 02/11/2021 | CD 1 Digipak Recommend To A Friend |
  | LARRY CORYELL ~ LIVE AT THE SUGAR CLUB DUBLIN 2016 ANGEL AIR 648 (Barcode: 5055011700482) ~ USA ~ Jazz Recorded: 2016 Released: 2022
This is a live recording by the legendary American Jazz guitarist / composer / bandleader Larry CoryellFind albums by this artist, captured in a trio setting with Irish bassist Dave RedmondFind albums by this artist and drummer Kevin BradyFind albums by this artist. The music was recorded at Dublin’s Sugar Club in May 2016, just a few months prior to Coryell’s death in early 2017. The 2CD album presents seventeen tracks, five of which are spoken intros. Most of the music includes Jazz standards, but several original compositions by Coryell are also present. During the last two years of his life Coryell visited Ireland several times to perform and also recorded there his last studio album “Last Swing With IrelandFind albums with this title”.
The intimate trio setting and the relaxed club atmosphere allow the listener to enjoy a wonderful display of Coryell’s incredible guitar Artistry, which is second to none. The music is strictly Jazz oriented, and although Coryell became mostly known for his work within the Jazz-Rock Fusion genre, of which he was one of its great precursors, during the last years of his career he returned to more traditional Jazz.
Overall, this is a great Jazz guitar album, full of superb performances by a Giant guitarist, who contributed to the development of the genre during six decades of intensive activity, which resulted in a massive recorded legacy. Although not innovative or groundbreaking, like his earlier recordings, this is a proper document of his great talent, which deserves to be heard, not only by guitar enthusiasts, but by all Jazz lovers.
| Updated: 24/04/2023Posted: 24/04/2023 | CD 2 Digipak Recommend To A Friend |
  | CREAM ~ LIVE CREAM POLYDOR 531816 (Barcode: 731453181625) ~ UK ~ Classic Rock Recorded: 1967 - 1968 Released: 1997
5th album (recorded 1968), released after CreamFind albums by this artist disbanded. It includes material recorded at San Francisco`s Winterland and Fillmore East and presents the group at its full glory, stretching out and jamming with ferrosity and fire rarely present in music. The sound is superb, which is quite understandable as these recording were made by the best sound engineer in the US - Tom DowdFind albums by this artist (he also recorded Disraeli Gears). The album also includes a previously unreleased studio outtake from the Disreali GearsFind albums with this title sessions. A classic live recording and a must!
| | CD 1 Remastered Essential Recommend To A Friend |
  | CREAM ~ LIVE CREAM VOLUME II POLYDOR 531817 ~ UK ~ Classic Rock
6th album (recorded 1968), released after the group disbanded. It includes tracks recorded at Oakland`s Coliseum Arena and San Francisco`s Winterland, captured and engineered by Tom Dowd, which means the sound is first class. What else can be said about this stuff except that every second of Cream ever captured on tape is worth having and this album is no exception. Just lay back and enjoy - music of the Gods!
| | CD 1 Remastered Essential Recommend To A Friend |
  | CREAM ~ LIVE IN SWEDEN AND THE USA LONDON CALLING BOX 4 (Barcode: 5053792300433) ~ UK ~ Blues-Rock Recorded: 1967 - 1968 Released: 2021
This is an archival Box Set collecting three live shows by the iconic British supergroup CreamFind albums by this artist, recorded in Detroit in October 1967 on CD1 & CD2, in Stockholm in November 1967 on CD3 and finally in San Diego in October 1968 on CD4. The material is taken from radio broadcasts and offers iffy sound quality. The material on the last CD was also released on the “Goodbye Tour Live 1968Find albums with this title” Box Set, in much better sound quality.
Guitarist Eric ClaptonFind albums by this artist, bassist / vocalist Jack BruceFind albums by this artist and drummer Ginger BakerFind albums by this artist managed to revolutionize Rock music during the short time they stayed together, pioneering everything that defines Rock by crystalizing its ingredients: riffs, Blues changes, power trio setting, extended soloing and most of all incredible inventiveness and stamina. Most of the original material in Cream’s repertoire was composed by Bruce, featuring lyrics by the poet Pete BrownFind albums by this artist, but they also played their interpretations of Blues standards.
The music included in this Box Set is a wonderful opportunity to study the modus operandi Cream developed over time, and the time spans of just one year exhibits dramatic alteration in their stylistic approach and depth. The extended Rock improvisations that Cream pioneered, were a significant ingredient of their music, and went way beyond just long guitar solos played by other Rock guitarist, often bordering on early Jazz-Rock Fusion.
Listening to the bass playing reveals the genius of Bruce, who was definitely the greatest virtuoso of the bass guitar in all times. Baker, who learned to play drums from the great British Jazz drummer Phil SeamenFind albums by this artist, was also one of the most unique Rock drummers of all times and his drum soli are absolutely unique to this very day. This album is a great tribute to these two Giants, both sadly no longer with us.
Overall, the music this album presents, despite of being five and a half decades old, is still some of the finest Rock achievements in the entire history of the genre. There is no need to recommend this album to veteran Rock fans, but there a billions of people who never even heard one note of this, which explains why this world looks like it does :) My suggestion to the Jazz lovers among my readers would be to give it a listen and discover not only how it swings, but also where the sources of the Jazz-Rock Fusion Nile originate from. Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 01/02/2022Posted: 01/02/2022 | CD 4 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | CROSBY & NASH ~ LIVE MCA 008811205225 (Barcode: 008811205225) ~ USA ~ Classic Rock Recorded: 1975 - 1976 Released: 2000
This is the fourth album (and first live release) by the celebrated team of singer / songwriter friends, American David CrosbyFind albums by this artist and British Graham NashFind albums by this artist. It followed the previous two studio releases ("Wind On The WaterFind albums with this title" and "Whistling Down The WireFind albums with this title") presenting material recorded live during the concerts the duo performed promoting these albums and consisting mostly of songs originally included on them, featuring the same team of musicians that recorded them: guitarist Danny KortchmarFind albums by this artist, keyboardist Craig DoergeFind albums by this artist, bassist Tim DrummondFind albums by this artist, drummer Russell KunkelFind albums by this artist and multi-instrumentalist David LindleyFind albums by this artist. Crosby and Nash are in charge of the vocals, Crosby plays guitars and Nash plays guitars and piano. The album presents eleven songs written by Crosby and Nash (five songs each and one by Crosby / Doerge). This is the remastered edition of the album, first time on CD, with a much improved sound clarity, and two bonus tracks.
The songs are all exquisite, as expected from this talented team, and very much in the same "spirit" and overall these three albums could be in fact considered as one continuous reflection of the duo´s output at that time (1975-1976), which was certainly the most productive in the Crosby & Nash legacy. The duo and the band accompanying the two singers became a true and very tight band, definitely one of the best out there at the time.
As usual the stylistic, personal and cultural differences between Crosby and Nash create a unique amalgam, which combined with their fabulous vocal harmonies results in some of the best Classic Rock music ever recorded. They are simply one of the most perfect partnerships in Rock history. This album emphasizes the incredible rapport between the Artists and the audiences, and their unique ability on stage, which allows them to change and adapt the songs to the atmosphere of each an every venue and the mood of the specific concert. As such it is an electrifying document of Classic Rock performed live, with is almost completely gone these days.
Overall in historic perspective this is a milestone album in every possible meaning of the phrase, which lost absolutely nothing over time in any aspect; it is still beautiful, relevant, and meaningful as a piece of an aesthetics that is long gone. Of all the Crosby, Stills, Nash & Young many sub-groups, Crosby & Nash have been the most consistently excellent outfit. I can´t imagine any decent Classic Rock collection not including this album.
| Updated: 29/06/2018Posted: 29/06/2018 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | DAVID CROSBY ~ LIGHTHOUSE VERVE 602557238686 (Barcode: 602557238686) ~ USA ~ Pop & Rock Recorded: 2016 Released: 2016
A couple of years ago (in 2014) legendary singer / songwriter David CrosbyFind albums by this artist of the ByrdsFind albums by this artist and Crosby, Stills & NashFind albums by this artist fame, released his fourth studio album ("CrozFind albums with this title") after twenty one years of silence, and forty three years after the release of his debut album, which means that his average output is one album every eleven years give or take a year. And now, against all odds and just two years later, he´s back with another album, his fifth studio effort, with nine great new songs!
Although released under Crosby´s name, the album is actually a duo effort, with Crosby co-writing most of the songs and performing them with Michael LeagueFind albums by this artist, bassist, guitarist and the leader of the instrumental group Snarky PuppyFind albums by this artist. Most of the songs feature just Crosby singing and playing acoustic guitar and League accompanying him on various guitars and bass and singing backing vocals.
Crosby´s voice, which I had the immense pleasure to listen to live last year (2015), is remarkably steady and clear, although his range is obviously limited by age and he does not use his dramatic falsetto any more. Nevertheless he is still a formidable performer and the intimate setting of this album suits him ideally.
The songs are all very good, both musically and lyrically. Although the times when songs had to have a great melody and intelligent lyrics are long forgotten, Crosby still adheres to this golden formula, which is a blessing. His natural melancholy and deep lyricism are still intact and the songs reflect these qualities, as they always did over the years.
Considering the fact that the generation of great musicians, to which Crosby belongs, is being depleted on a daily basis, the fact that Crosby is still with us, in spite of his serious heath problems over the years, is a true miracle. For us, mere followers of his musical journeys, this album is like winning a lottery, which makes getting older just a bit easier for a while.
Keep on, David! God Bless!
| Updated: 18/01/2019Posted: 02/01/2017 | CD 1 Recommend To A Friend |
  | DAVID CROSBY ~ LIVE AT THE CAPITOL THEATRE BMG 4050538640298 (Barcode: 4050538640298) ~ USA ~ Classic Rock Recorded: 2018 Released: 2022
This is a live album by the iconic American singer / songwriter / guitarist David CrosbyFind albums by this artist, recorded with a trio called The Lighthouse BandFind albums by this artist, which comprises of vocalist / guitarist Becca StevensFind albums by this artist, vocalist / keyboardist Michelle WillisFind albums by this artist and vocalist / guitarist / bassist Michael LeagueFind albums by this artist. The album offers a CD and DVD, both presenting the same sixteen tracks: several Crosby’s classics and the rest new songs co-written by Crosby and the trio members and only one track originating from outside the quartet, a Joni MitchellFind albums by this artist classic. The sound quality, which is especially important in this mostly acoustic and delicate music, is absolutely stunning.
The album was recorded in December 2018, following the release of two superb Crosby albums: “LighthouseFind albums with this title” and “Here If You ListenFind albums with this title”, which were recorded with the same band, and naturally offers several songs, which appear on these two studio albums.
The music and the performances are absolutely stellar, based first and foremost on the divine vocal harmonies the four vocalists are able to create together, and of course also on Crosby’s unparalleled songwriting. Crosby, who was nearing eighty at the time, seems to be in high spirits and his voice is still steady and strong, and most importantly absolutely clear, with a sense of harmony which led his musical career at all times.
Crosby is a true icon of American Rock, and his combined recorded legacy is certainly one of the most impressive among all his peers. Open-minded and searching, his music is a soundtrack of my generation and I love his contribution deeply and wholeheartedly.
Overall, this is an instant classic album, which encapsulates American Rock at its best. Based on vocal harmonies, which originate in Folk music, and embracing Psychedelia and Rock, this is pure musical ambrosia, which Crosby managed to carry on for his entire life. God bless and please stay with us for many years, singing and playing guitar, as Classic Rock without you, David, would be simply mostly meaningless.
| Updated: 18/01/2023Posted: 18/01/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DAVID CROSBY ~ LIVE AT THE MATRIX, DECEMBER 1970 KEYHOLE 9024 (Barcode: 5291012902429) ~ USA ~ Classic Rock Recorded: 1970 Released: 2014
This is an archival album by the iconic American singer / songwriter David CrosbyFind albums by this artist recorded at the legendary Matrix club in San Francisco shortly before Crosby released his debut solo album. Recorded in a tight quartet setting with three members of the Grateful DeadFind albums by this artist: guitarist Jerry GarciaFind albums by this artist, bassist Phil LeshFind albums by this artist and drummer Mickey HartFind albums by this artist, the album presents eight songs, some of which are Blues standards and other are his originals which appear on the above mentioned debut album. Crosby sings the lead vocals and plays guitar. The recording quality is acceptable, but far from being up to par with formal album releases.
The music is a Psychedelic, blues soaked Rock, typical of the time and the place, which reflects the talents of the four musicians involved and the extensive jamming and long guitar improvisations, which were more characteristic of the Grateful Dead than of Crosby´s more concise and beautifully lyrical songs.
Nevertheless the album presents the brilliant songwriting Crosby so wonderfully weaves and his heartfelt vocal delivery, in a raw environment devoid of studio trickery, i.e. WYHIWYG (What you hear is what you get).
As all recordings of this kind, this album is of primary interest to either the devoted fans of Crosby and his music or connoisseurs of the West Cost Psychedelia of the time. In spite of the far from perfect sound and the somewhat incidental set list, there is still a lot of great music here, which is definitely worth being discovered. Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 15/05/2019Posted: 10/07/2018 | CD 1 Recommend To A Friend |
  | CROSBY, STILLS & NASH ~ LIVE IN L.A. IMMORTAL 8712177052240 (Barcode: 8712177052240) ~ USA ~ Classic Rock Recorded: 1982 Released: 2007
This is a little known, although seemingly perfectly legal live album by the iconic Classic Rock group Crosby, Stills & NashFind albums by this artist recorded during their 1982 tour which promoted their third studio album "Daylight AgainFind albums with this title". They were accompanied by a great band which included guitarist Michael StergisFind albums by this artist, keyboardists Michael FinniganFind albums by this artist and James Newton HowardFind albums by this artist, bassist George PerryFind albums by this artist, drummer Joe VitaleFind albums by this artist and percussionist Efrain ToroFind albums by this artist. The shows were taped and filmed for a TV special on the Thanksgiving Day weekend in November 1982 at the New Universal Amphitheatre in Los Angeles, CA and later released as a home video also entitled "Daylight Again". This 2CD album originates from the audio recordings and presents twenty one songs. Some of the songs included here were also included on the Crosby, Stills & Nash first formal live album "AlliesFind albums with this title" released in 1983.
The trio and the band are in superb form and go through the material included on their three albums as well as material recorded by the Crosby & Nash duo and their solo albums. The superb vocal harmonies and excellent instrumental work turn this album into a classic display of the combined talents of these superbly gifted musicians that sounds as good decades later as it did at the time of its recording. Some of the songs included here don´t exist in live versions on any other recording by the group.
In retrospect it is a wonderful document of the Crosby, Stills & Nash musical ingenuity, which has almost no equals in quality and class among their musical cohorts over the decades. With superb sound quality, top notch material and brilliant performances this album is a breeze of fresh air among contemporary clatter which is considered music by some people. Wholeheartedly recommended!
| Updated: 19/01/2019Posted: 19/01/2019 | CD 2 Digipak Recommend To A Friend |
  | CROSBY, STILLS & NASH ~ LIVE IT UP ATLANTIC 075678210723 (Barcode: 075678210723) ~ USA ~ Classic Rock Recorded: 1989 - 1990 Released: 1990
This is the fourth studio album by the iconic Classic Rock trio Crosby, Stills & NashFind albums by this artist. This album started as a Crosby & NashFind albums by this artist project, which than evolved into a trio album with Stephen StillsFind albums by this artist. Assisted by a plethora of guest musicians, like keyboardist Craig DoergeFind albums by this artist, bassist Bob GlaubFind albums by this artist, drummer Joe VitaleFind albums by this artist, saxophonist Branford MarsalisFind albums by this artist and others, the trio managed to produce ten splendid new songs, mostly co-written by the trio members, members of the band and other musicians / friends.
Although poorly received both by the critics and the fans at the time, the music is characterized by the usual amazing vocal harmonies, great melodies and superb instrumental work, which is as good as anything they recorded earlier. The 1980s production techniques, synthesized sounds and other atrocities of the time are definitely present, hindering the intrinsic beauty of the music, but to be fair they can be discarded and ignored, certainly in a retrospective glimpse. Perhaps the trio members could have stuck to the acoustic approach and Classic Rock aesthetics, but if they did, they would have been accused of being outdated. You can´t win with the critics.
In historical perspective this album sadly remains overshadowed by the early work of the trio and the fact that it was released at the time when Classic Rock was being pushed out by other (then) contemporary musical trends, which in time led to the annihilation of Rock Music at large. For the true fans and connoisseurs of the trio´s recorded works, this album is an absolute must of course.
| Updated: 14/02/2019Posted: 14/02/2019 | CD 1 Recommend To A Friend |
  | CROSBY, STILLS, NASH & YOUNG ~ LIVE AT FILLMORE EAST, 1969 RHINO 603497839612 (Barcode: 603497839612) ~ USA ~ Classic Rock Recorded: 1969 Released: 2024
This is an archival live album by the iconic Rock band Crosby, Stills, Nash & YoungFind albums by this artist, considered as one of the most important and pivotal Rock groups of all time. The group combined four young (at the time) Rock stars: the hippie dreamer David CrosbyFind albums by this artist, the folksy / bluesy Stephen StillsFind albums by this artist, the elegant, intellectual and romantic Brit Graham NashFind albums by this artist and the tough rocker Neil YoungFind albums by this artist, all four blessed with extraordinary voices and sublime songwriting talents. This unique combination of musical personalities already tested and perfected within the Crosby, Stills & NashFind albums by this artist framework was simply matchless by any contemporary Rock group at the time.
This album, recorded on September 20, 1969, before the debut album by the band was released, finds them in the light of the instant fame and glory, due to their stellar Woodstock Festival appearance a month earlier. The previously unreleased material presents seventeen tracks, which follows their show pattern of acoustic set (eleven tracks) and electric set (six tracks), where the quartet is assisted by bassist Greg ReevesFind albums by this artist and drummer Dallas TaylorFind albums by this artist.
The obvious comparison between this recording and the Woodstock performance shows how much progress these musicians made in just one month, perfecting the vocal harmonies and getting the show together. Playing the Woodstock and these Fillmore versions opposite each other is a schoolbook exercise, for the very patient music enthusiasts, and a great fun.
Although this album does not offer anything previously unheard, it is as perfect as any fan of CSN&Y could ask for, with impeccable performances and absolutely stunning sound quality and clarity. As such, it expands the historical document of the era (late 1969), when music making was at the epicenter of the cultural platform and before everything turned sour.
Overall, this is an incredible find, which for people who had been lucky to experience this music in real time is absolutely priceless. If there is Godly Rock music, this is it, no questions asked. Beyond essential!
| Updated: 19/11/2024Posted: 19/11/2024 | CD 1 Mini-Sleeve Remastered Essential Recommend To A Friend |
  | CROSBY, STILLS, NASH & YOUNG ~ LOOKING FORWARD REPRISE 093624743620 (Barcode: 093624743620) ~ USA ~ Classic Rock Recorded: 1997 - 1999 Released: 1999
This is the third (and so far the last) studio album by the iconic Classic Rock group Crosby, Stills, Nash & YoungFind albums by this artist. The album was initially planned as the next Crosby, Stills & NashFind albums by this artist album, but at a later stage Young joined the trio and contributed his playing and material to turn this into a bona fide quartet album. The four singers / songwriters are supported by keyboardist Michael FinniganFind albums by this artist, bassist Donald DunnFind albums by this artist, drummer Joe VitaleFind albums by this artist, percussionist Joe LalaFind albums by this artist and several other guests. The album presents twelve songs, recorded over a period of almost three years between 1997 and 1999, all bar one written or co-written by the group members, with David CrosbyFind albums by this artist contributing two songs, Stephen StillsFind albums by this artist three songs, Graham NashFind albums by this artist two songs and Neil YoungFind albums by this artist four songs. The last song was written by guitarist Denny SarokinFind albums by this artist, who also plays on the album.
Personal conflicts, ego wars and genuine problems prevented Crosby, Stills, Nash & Young from fulfilling their tremendous potential and the fact that they managed to record only three studio albums is a travesty. "Looking Forward" sadly did not become prophetic as far as the quartet was concerned, although they did play several tours as a quartet in the years that followed.
If any other group wrote and recorded these twelve songs they would have been considered as excellent, but sadly in comparison to their glorious past these songs, which also suffered from the uneven production, sound somewhat pale and underachieved, which gave both the critics and even the faithful fans plenty of opportunity to bitch bitterly, although it performed better in the charts than its predecessor "American DreamFind albums with this title".
To be fair, in retrospect the album is not that bad at all, surely not in comparison to what passes as music these days. Crosby, Stills, Nash & Young did not loose their ability to compose superb melodies, write meaningful lyrics and sing sublime vocal harmonies, which can all be found on this album. The album sounds quite nice and surprisingly stands the test of time relatively well, especially so the David Crosby and Graham Nash songs, which are up to par with their usual classics.
Overall this is perhaps not the greatest recording by these iconic musicians, but definitely an album worth to be remembered and re-visited periodically, making sure it is not forgotten.
| Updated: 02/02/2019Posted: 02/02/2019 | CD 1 HDCD Recommend To A Friend |
  | CRYSTAL METHOD ~ LEGION OF BOOM (DVD-A) DTS 01116 ~ USA ~ Classic Rock
3rd album from 2004 by US finest lounge / dance / rock music outfit in the last few years. Ken Jordan and Scott Kirkland have established themselves among the finest music producers, mixing the electronica genre with strong rock influences. The result is quite interesting and whoever says all music made today has no contents should try and listen to this one. The Surround Sound turns the music even more into a space-age sonic experience.
| | CD 1 DVD-A Remastered Bonus Tracks Recommend To A Friend |
  | CUBY AND THE BLIZZARDS ~ LIVE `68 UNIVERSAL 042283465923 (Barcode: 042283465923) ~ NETHERLANDS ~ Blues-Rock Recorded: 1968 Released: 2004
The Dutch Blues-Rock scene in the late 1960s / early 1970s was definitely the strongest on the Continent and second only to the British scene at the time. The band Cuby And The BlizzardsFind albums by this artist was the undeniable king of the scene. Led by vocalist / harmonica player Harry MuskeeFind albums by this artist, a.k.a. Cuby, the band changed its lineup many times over the years, but always featured exceptional players, especially lead guitarists. This is their 5th album and their first live recording and features the British Blues legend, vocalist Alexis CornerFind albums by this artist, on two tracks. An absolute must to all Blues-Rock fans and a great document of European music history!
| | CD 1 Remastered Recommend To A Friend |
  | FRANCO D`ANDREA ~ LIVE IN PERUGIA PENTAFLOWERS 041 ~ ITALY ~ Jazz Recorded: 1994 Released: 1995
This is a live solo piano album by Italian pianist / composer Franco D`AndreaFind albums by this artist. The album presents six tracks, two of which are medleys of two tunes, so altogether there are eight original tunes by D`Andrea.
D`Andrea is one of Italy’s most famous Jazz musicians and his extensive career spans almost seven decades (he is 82 years old at the time of writing). He played with many American and European Jazz musicians over the years and his recordings span about two hundred albums. He played with Gato BarbieriFind albums by this artist when the Argentine saxophonist resided in Italy, and took part in the recording of the legendary soundtrack of “Last Tango In ParisFind albums with this title” (1972). He was also a member of the Italian Progressive Rock band PerigeoFind albums by this artist during the 1970s with saxophonist Claudio FasoliFind albums by this artist and bassist Giovanni TommasoFind albums by this artist, both of whom later also had successful careers in Jazz music.
This album presents him as a mature Jazz virtuoso, with a highly personal style and modern approach, which has few equals on the European scene. The music flows brilliantly from one tune to another, with a hyper-energetic tension and intensity, leaving the listens practically breathless.
Overall, this is a spectacular display of the great talent and virtuosic technical ability by one of the most fascinating European pianists of all time and one of my personal favorites. I have not heard this album since it was initially released almost thirty years ago, and it reminds to be strikingly original, and as such wholeheartedly recommended, although probably not easy to find these days.
| Updated: 26/07/2023Posted: 26/07/2023 | CD 1 Recommend To A Friend |
  | D`RIVERA, PAQUITO ~ LA HABANA-RIO CONEXION MESSIDOR 15820 ~ CUBA ~ Jazz
A beautiful, intimate album by the Cuban Master, in which he searches for the common Afro-Cuban roots of his country`s music and the Brazilian music. Paquito plays clarinet a lot on this album, an instrument he rarely uses on his other recordings, with elloquence and tenderness. With just a small ensamble of friends accompanying him, this is a marvelous opportunity to enjoy some quiet moments.
| | CD 1 Recommend To A Friend |
  | D`RIVERA, PAQUITO ~ LIVE AT MCG BLUE JACKEL 1003 ~ CUBA ~ Jazz
Cuban master musician Paquito D`Rivera was one of the first to leave his homeland and settle in the USA, where he became one of the most active and well respected jazz figures. This live recording catches him in top form playing and leading the `United Nation Orchestra`, a Big Band he`s leading since its founder Dizzy Gillespie died. Great sound and exceptional playing all the way!
| | CD 1 HDCD Recommend To A Friend |
  | ANDRZEJ DABROWSKI / ALL STARS ~ LIVE FOR TUNE 0154 (Barcode: 5906395808700) ~ POLAND ~ Jazz Recorded: 2018 - 2021 Released: 2022
This is a live album by veteran / iconic Polish Jazz vocalist / drummer Andrzej DabrowskiFind albums by this artist, recorded during a concert celebrating his 80th Birthday. He is accompanied by a formidable sexted comprising of top Polish Jazz musicians: trumpeter Robert MajewskiFind albums by this artist, saxophonist Henryk MiskiewiczFind albums by this artist, trombonist Michal TomaszczykFind albums by this artist, pianist Andrzej JagodzinskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Marcin JahrFind albums by this artist. Dabrowski sings nine songs, seven of which are American standards and two are Polish ones, written by Jan Ptaszyn WroblewskiFind albums by this artist and Agnieszka OsieckaFind albums by this artist. A bonus track, the symbolic “My Way” (sung in Polish), recorded at the Polish Radio three years later with different musicians, is added to complete the set.
Dabrowski has been a part of the Polish Jazz scene since its inception and this album is a loving tribute to his lifetime contribution to the Polish Jazz scene and its achievements. Considering the age of the protagonist of this recording, any attempt to say anything about his performances are completely irrelevant, and would simply miss the point by a mile. The musicians gathered here all pay tribute to their colleague, with obvious respect and adoration, and that is all that matters.
Overall, the For TuneFind albums on this label label should be congratulated for releasing this loving tribute, which is a wonderful document of the Polish Jazz scene history. The respect paid to Culture is always highly appreciated.
Side Note:
This For Tune release initiates the new graphic layout of the label’s releases, which combines the decade-long tradition of consistent elegance and class. The move to digipak from the traditional jewel case is a sign of commitment to the collectors, many of which own the entire output of this excellent label, now numbering 155 releases – a true treasure of Polish Jazz.
| Updated: 09/06/2022Posted: 09/06/2022 | CD 1 Digipak Recommend To A Friend |
  | DADDO ~ LIVE FA MUSIC 007 (Barcode: 7290006333643) ~ ISRAEL ~ World Music & Folklore Recorded: 2007 Released: 2007
2nd album by Israeli singer Daddo, who keeps alive the Ladino language and the Jewish Sephardic culture. Fronting a great band, Daddo and her angelic voice bring out the best of those wonderful songs.
| | CD 1 Recommend To A Friend |
  | MILES DAVIS ~ LIVE IN EUROPE 1967: THE BOOTLEG SERIES VOL.1 COLUMBIA 886979405325 (Barcode: 886979405325) ~ USA ~ Jazz Recorded: 1967 Released: 2011
The Miles DavisFind albums by this artist second quintet is often considered the ultimate Jazz ensemble of all times. With saxophonist Wayne ShorterFind albums by this artist, pianist Herbie HancockFind albums by this artist, bassist Ron CarterFind albums by this artist and drummer Tony WilliamsFind albums by this artist as his partners, trumpeter / composer Davis was pushing music light-years ahead during the three and a half years this quintet existed (1965-1968). The studio albums recorded by the quintet (see "The Complete Columbia Studio Recordings Of The Miles Davis Quintet 1965-68Find albums with this title") are absolute masterpieces, which are totally timeless and unparalleled in their depth and perfection.
However, it was on stage that this ensemble really created its best work. Sadly, the recorded legacy of live performances by this quintet is not very extensive and therefore this release, which brings us 3 CDs and a DVD of previously unreleased live material by this quintet, is worth its weight in gold to every Davis connoisseur. Recorded (and filmed) during the quintet´s European tour in October / November 1967, this music and the film were all captured within a period of eleven days, which means that we get a clearly focused picture of what they were doing at the time.
After playing together for almost three years, the quintet was at the absolute peek of their creative powers, completely focused and intimately linked together by telepathic musical understanding. Listening to these live performance confirms all this, but also much more. It ultimately shows how creative these players were, even when performing a fixed set of compositions evening after evening. Davis, firmly in the lead, gives the cues to move from one composition to another or a change of tempo, but allows the individual musicians complete freedom. It is this freedom, which is the most striking and significant element omnipresent here, almost shocking in its power. Large portions of this music could be easily taken from a Free Jazz concert, even though the basic concept is still anchored in mainstream.
Collective improvisations often have all five members of the quintet playing at different tempi, scales and themes at the same time, somehow miraculously making a perfect sense. Personally I´ve always found the young Tony Williams to be the most striking personality in this ensemble, with his perception of rhythm more radically different and innovative than the other quintet members. A careful listener will be able to hear Williams play four different rhythms simultaneously, each played by one of his limbs. This barrage of sound is the most striking drumming imaginable, and an almost mystical experience.
It would be ridiculous to recommend this release, at it goes without saying that all modern Jazz listeners should find it absolutely essential and an obligatory part of their collections. Since the subtitle suggests that this is just the first in a series of previously unreleased Miles Davis recordings, all I can say is Halleluiah!
| Updated: 20/05/2018Posted: | 3CD+DVD 4 Digipak Remastered Essential Recommend To A Friend |
  | MILES DAVIS ~ LIVE IN EUROPE 1969: THE BOOTLEG SERIES VOL.2 COLUMBIA 887254185321 (Barcode: 887254185321) ~ USA ~ Jazz Recorded: 1969 Released: 2013
Although it never reached the acclaimed status of the first and second legendary Miles DavisFind albums by this artist quintets, this was in fact the third quintet, with saxophonists Wayne ShorterFind albums by this artist being the only link to the previous group and pianist Chick CoreaFind albums by this artist, British bassist Dave HollandFind albums by this artist and drummer Jack DeJohnetteFind albums by this artist being the "new boys on the block". Unfortunately, in contrasts to its importance as the interim vehicle, which served Miles during the period of his most radical transformation, this quintet never recorded in the studio, leaving behind only live recordings, most of which were never previously released and appear officially here for the first time.
After all this was the group that Miles toured with in 1969, after completing the seminal "In A Silent WayFind albums with this title" album and while he was recording the world-shattering "Bitches BrewFind albums with this title" tour de force. Shorter, Corea and Holland played on the former album and Shorter, Corea, Holland and DeJohnette played on the latter, so the links are obvious. The material herein presents two live appearances separated by a period of mere four months (July 1969 – November 1969), but musically the gap is enormous, with the earlier recording still anchored in the "In A Silent Way" mood, while the later are all "Bitches Brew" and beyond.
Miles cognoscenti will find here music, which is the closest to Free Jazz he ever played. Miles was never really part of the Free Jazz movement, going in different direction, which was his very own. But this quintet and Corea especially, were at the heart of the Free scene at the time. Corea used Holland and DeJohnette on his sublime "The Complete `Is` SessionsFind albums with this title" album, which was recorded at that exact time, and he and Holland will later form the A.R.C.Find albums by this artist trio and CircleFind albums by this artist quartet, both seminal Free Jazz ensembles. Miles gives Corea and the rest of the quintet space to stretch out, playing his parts splendidly as ever, even though it´s not exactly his "natural habitat", thus portraying him quite differently from the "iron fist" dominant leader status he was usually considered to be.
The music is sublime from start to end, completely untouched by time and filling a large gap in the recorded history of Miles Davis and his music, at its most pivotal period. The fact that we had to wait so long for this stuff to be released is beyond criminal, but as usual "better late than never" is the only solace. There are some slight sound imperfections, but considering this music was recorded live almost 45 years ago, this is completely meaningless. The DVD is sensational as well, both the audio and video contents, and constitutes a highly important document of the Miles Davis saga.
Of course this is an absolute must in any serious Miles Davis collection and hats off to ColumbiaFind albums on this label for keeping this legacy alive, even if the do it for the money. Brilliant stuff!
| Updated: 20/05/2018Posted: | 3CD+DVD 4 Digipak Remastered Essential Recommend To A Friend |
  | DECO ENSEMBLE ~ LIQUIDO RECART 0032 (Barcode: 5908285287312) ~ UK ~ Jazz-World Fusion Recorded: 2017 - 2018 Released: 2019
This is the second album by the London based international quintet Deco EnsembleFind albums by this artist, dedicated to interpretation of the Argentinean Nuevo Tango. The quintet comprises of Polish accordionist Bartosz GlowackiFind albums by this artist, Spanish violinist Lucia VeintimillaFind albums by this artist, Spanish-French pianist Ricardo GosalboFind albums by this artist, Spanish bassist Elena MarigomezFind albums by this artist and British guitarist Rob LuftFind albums by this artist. The album presents twelve compositions, four of which are by Astor PiazzollaFind albums by this artist, including the three part devil´s cycle, two compositions each are by contemporary Argentinean Nuevo Tango composers Ramiro GalloFind albums by this artist and Emiliano GrecoFind albums by this artist and three original compositions are by the ensemble´s member Ricardo Gosalbo. The title track was composed by the Argentinean Jazz / Tango pianist / composer Diego SchissiFind albums by this artist.
The music is, as expected, absolutely wonderful and even breathtaking at times, both due to the excellent selection of material and the level of the original compositions, and of course by the masterful execution by these virtuosi players. The guitar is the obvious Jazz element of the quintet and Luft´s parts are absolute gems, whereas the rest of the ensemble members show obvious Classical Music mannerisms. Personally I find the music to be a tad too cerebral at times, and miss the Tango fire and mischievous attitude, but this elegant European treatment of the Tango elements has without a doubt a very specific charm.
Overall this is a superb Tango album, a bit "tamed" perhaps but gloriously musical and elegant, which should keep all the hardcore connoisseurs of the genre perfectly happy. For people new to the Tango, especially those coming from Classical Music, this is a wonderful introduction to the idiom.
| Updated: 14/08/2019Posted: 14/08/2019 | CD 1 Digipak Recommend To A Friend |
  | LACO DECZI / CELLULA NEW YORK ~ LIVE IN VSENORY LOTOS 8594002280567 (Barcode: 8594002280567) ~ SLOVAKIA ~ Jazz Recorded: 1995 Released: 1996
This is a live album by Slovak trumpeter / composer / bandleader Laco DecziFind albums by this artist, recorded with his US quintet Cellula New YorkFind albums by this artist, which comprised of saxophonist Fred ScerboFind albums by this artist, keyboardist Bryan P. KlarmanFind albums by this artist, bassist Gene HeiterFind albums by this artist and drummer Dean KoschFind albums by this artist. The album was recorded during the quintet’s European tour, captured at the Vsenory resort near Prague. The album presents ten tracks, all original compositions by Deczi.
After being one of the Godfathers of the Czechoslovak Jazz scene since the 1960s, Deczi escaped to the West in 1985, settling in the US. After the Socialist regime was over, he returned regularity to perform in the Czech Republic and Slovakia, always warmly embraced by his old and new fans.
The album presents Deczi and his quintet at full power, playing with vigor and obviously having a lot of fun at it. His trumpet playing is absolutely sensational and I personally love his incredible tone and feel, which has very few competitors worldwide. The music is much Funkier than the recordings made before his departure to the US, which was mostly within the Jazz tradition, and as such sounds much more contemporary. All the quintet members are excellent musicians and the live show flows briskly and sparks with energy.
Overall, this is a great memory capsule of Deczi’s great talent, and although the sound quality of this live recording is not ideal, the music is superb for the entire duration. For Jazz trumpet lovers this is heaven on earth.
| Updated: 17/02/2025Posted: 17/02/2025 | CD 1 Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN BIRMINGHAM 1973 HNE 025 (Barcode: 5013929912526) ~ UK ~ Classic Rock Recorded: 1993 Released: 2013
This is a remaster / reissue of a live album by the legendary British Rock group Deep PurpleFind albums by this artist, recorded during the last tour by the second and last reunion of the Mk II lineup, promoting “The Battle Rages On…Find albums with this title” album from 1993. Released originally in 2006 as the second part of the 4CD Box Set “Live In Europe 1993Find albums with this title”, this 20th Anniversary Edition was remastered. The Mk II lineup of the group that included vocalist Ian GillanFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist are heard here playing together for the final time.
The group is in top form on these recordings, as expected, despite the internal tensions, which led Blackmore to leave the group following the last concert of the tour. The material includes some tracks from their last album and, as usual, a selection of their crowd pleasing favorites, which are completely timeless Classic Rock pieces.
Overall, this is a brilliant document of the last reunion of the MK lineup and the history of one of the greatest Classic Rock groups of all time and British Rock unparalleled Masters. Although Deep Purple released a plethora of live albums, they are one of the very few acts, which produced such variety and diversity in their performances, that each and every one of their live albums is completely unique and worth listening to. As such this is another classic!
| Updated: 27/12/2022Posted: 27/12/2022 | CD 2 Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN CALIFORNIA 74 EMI 446779 (Barcode: 094634467797) ~ UK ~ Classic Rock
2nd installment of the “Deep Purple DVD Archive Collection”, presenting the band headlining the famous California Jam Festival. By the time this footage was filmed the band already reached stardom status, seen here as they arrive for the gig on their private jet. This version of Deep purple (Lord, Blackmore, Paice, Coverdale & Hughes) delivered fiery hard rock with vengeance, with very few contenders to their abilities, and this performance proves that beyond any doubt. Blackmore’s ill famous bad temper is displayed here in flagrante delicto as he smashes his guitar into one of the TV cameras. The entire show is a non-stop high-voltage affair as known only in the hay days of Rock. The commentary (see the 1st installment) is also available here. For fans of DP this is a must of course. Dolby Digital 5.0 Surround Sound and DTS, 119 minutes.
| | DVD 1 Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN CONCERT 72/73 EMI 317729 (Barcode: 094633177291) ~ UK ~ Classic Rock Recorded: 1972 - 1973 Released: 2005
1st installent of the (so called) “Deep Purple DVD Archive Collection" series, which EMIFind albums on this label and the band intend to release, and it includes two concerts by Deep PurpleFind albums by this artist: one from 1972 (Copenhagen) and the other from 1973 (New York).
The first concert is filmed in black and white, which has a nice nostalgic effect to it. The sound is cleaned up and upgraded and the visual material pretty decent, so overall this is not too bad, surely better than most similar archival material.
The music of Deep Purple Mk II (Ian GillanFind albums by this artist, Jon LordFind albums by this artist, Ritchie BlackmoreFind albums by this artist, Roger GloverFind albums by this artist & Ian PaiceFind albums by this artist) was heading into heavy rock and although there is quite a bit of instrumental improvisation there (by Lord and Blackmore), the on-stage theatrics look pretty ridiculous in retrospect. They were a hell of a show for sure and they all could play incredibly well, as opposed to many of their contemporaries.
The interesting thing about the DVD is that there is an option to watch it with a “commentary” switched on, which means that you hear a commentator’s voice on top of the soundtrack. The commentary is quite well written, very informative and often even witty / funny – typical British humor mind you. This brings up considerably the educational value of the DVD.
Dolby Digital 5.0 Surround Sound and DTS, 127 minutes.
| Updated: 06/02/2024Posted: | DVD 1 Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN HONG KONG 2001 EAR MUSIC 4029759140214 (Barcode: 4029759140214) ~ UK ~ Classic Rock Recorded: 2001 Released: 2022
This is a reissue / remaster of one of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by a three-piece brass section and another three-piece background vocals section. The material includes a couple of songs from the 1996 album “PurpendicularFind albums with this title” and of course the classic songs by the band from their entire repertoire. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 8,177/10,104 :)
| Updated: 06/11/2022Posted: 06/11/2022 | CD 2 Digipak Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN LONDON 2002 EAR MUSIC 4029759169659 (Barcode: 4029759169659) ~ UK ~ Classic Rock Recorded: 2002 Released: 2021
This is an archival album presenting a live concert recording by the iconic British Rock group Deep PurpleFind albums by this artist, captured at the Hammersmith Apollo, London on February 22, 2002. It features the Mk VII lineup of the group with four veteran members going back together since the forming of the Mk II lineup in 1969: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist and the latest addition (since 1996) to the group, American guitarist Steve MorseFind albums by this artist. It is one of the last concerts featuring Lord, who was replaced due to illness by keyboardist Don AireyFind albums by this artist, and the temporary replacement soon after became permanent, followed by Lord’s amicable departure from the group, forming the Mk VIII lineup of the group, which exists till now. The 2CD album presents sixteen songs.
The brilliantly recorded live performance presents Deep Purple as an unstoppable, perfectly oiled Rock machine, performing songs from the entire recording legacy of the group, going back as far as the first album recorded (then) thirty-four years earlier. Everything works like clockwork and if Rock is to be remembered in the distant future by this album alone, full justice would be done to the genre.
As usual, the concert environment allows the musicians to take many liberties, usually not allowed during studio recordings, including long instrumental passages. Gillan introduces all the songs and tells occasional jokes, as usual in his case, holding the audience in the palms of his hands, and both his vocal ability and charisma are undeniable.
Deep Purple have released about fifty or so live albums, so there is plenty to choose from, but a few of those are absolute classics, like “Made In JapanFind albums with this title” for example, and this album is very close to those classics, and as such absolutely essential to the many Deep Purple fans all over the world.
The album is a numbered limited edition and my copy is 198/10,000 ;)
| Updated: 13/04/2022Posted: 13/09/2021 | CD 2 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN NEWCASTLE 2001 EAR MUSIC 4029759139010 (Barcode: 4029759139010) ~ UK ~ Classic Rock Recorded: 2001 Released: 2019
This is a reissue / remaster of one of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year. The Newcastle here is of course the Australian town not the British one.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by a three-piece brass section and another three-piece background vocals section. The material includes several songs from the 1996 album “PurpendicularFind albums with this title” and of course the classic songs by the band from their entire repertoire. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 17,141/20,000 ;)
| Updated: 13/04/2022Posted: 13/04/2022 | CD 2 Digipak Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN ROME 2013 EAR MUSIC 4029759144311 (Barcode: 4029759144311) ~ UK ~ Classic Rock Recorded: 2013 Released: 2019
This is an archival album presenting a live concert recording by the iconic British Rock group Deep PurpleFind albums by this artist, captured at the Ippodromo Delle Capannelle, Rome on July 22, 2013. It features the Mk VIII lineup of the group: vocalist Ian GillanFind albums by this artist, American guitarist Steve MorseFind albums by this artist, keyboardist Don AireyFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. The 2CD album, which is one of the “Soundboard Series” releases, presents twenty-two songs.
The brilliantly recorded live performance presents Deep Purple as an unstoppable, perfectly oiled Rock machine, performing songs from the entire recording legacy of the group, going back as far as the early albums recorded (at the time of the recording) forty years earlier. Everything works like clockwork and if Rock is to be remembered in the distant future by this album alone, full justice would be done to the genre. As usual, the concert environment allows the musicians to take many liberties, usually not allowed during studio recordings, including long instrumental passages.
Deep Purple have released about fifty or so live albums, so there is plenty to choose from, but a few of those are absolute classics, like “Made In JapanFind albums with this title” for example, and this album is very close to those classics, and as such absolutely essential to the many Deep Purple fans all over the world.
The album is a numbered limited edition and my copy is 4,817/20,000 ;)
| Updated: 19/01/2022Posted: 19/01/2022 | CD 2 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN STUTTGART 1993 HNE 024 (Barcode: 5013929912427) ~ UK ~ Classic Rock Recorded: 1993 Released: 2013
This is a remaster / reissue of a live album by the legendary British Rock group Deep PurpleFind albums by this artist, recorded during the last tour by the second and last reunion of the Mk II lineup, promoting “The Battle Rages On…Find albums with this title” album from 1993. Released originally in 2006 as the first part of the 4CD Box Set “Live In Europe 1993Find albums with this title”, this 20th Anniversary Edition was remastered. The Mk II lineup of the group that included vocalist Ian GillanFind albums by this artist, guitarist Ritchie BlackmoreFind albums by this artist, keyboardist Jon LordFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist are heard here playing together for the final time.
The group is in top form on these recordings, as expected, despite the internal tensions, which led Blackmore to leave the group following the last concert of the tour. The material includes some tracks from their last album and, as usual, a selection of their crowd pleasing favorites, which are completely timeless Classic Rock pieces.
Overall, this is a brilliant document of the last reunion of the MK lineup and the history of one of the greatest Classic Rock groups of all time and British Rock unparalleled Masters. Although Deep Purple released a plethora of live albums, they are one of the very few acts, which produced such variety and diversity in their performances, that each and every one of their live albums is completely unique and worth listening to. As such this is another classic!
| Updated: 29/09/2022Posted: 29/09/2022 | CD 2 Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN TOKYO 2001 EAR MUSIC 4029759173151 (Barcode: 4029759173151) ~ UK ~ Classic Rock Recorded: 2001 Released: 2022
This is a reissue / remaster of two (combined into one, as the two consecutive night concerts were almost identical) of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by the Shin Nihon Philharmonic Select OrchestraFind albums by this artist, conducted by Paul MannFind albums by this artist. Vocalist Ronnie James DioFind albums by this artist guests on five tracks. The material includes a rare performance of the “Concerto For Group And OrchestraFind albums with this title”, some songs originating from outside of the band’s albums and of course some classic songs by the band from their entire repertoire, arranged for orchestral accompaniment, which makes this album particularly unique and special. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 6,319/10,000 :)
| Updated: 08/11/2022Posted: 08/11/2022 | CD 2 Remastered Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN VERONA EAR MUSIC 4029759130147 (Barcode: 4029759130147) ~ UK ~ Classic Rock Recorded: 2011 Released: 2014
This is a live album by the iconic British Rock group Deep PurpleFind albums by this artist. It features the Mk VIII lineup of the group: vocalist Ian GillanFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist, keyboardist Don AireyFind albums by this artist and drummer Ian PaiceFind albums by this artist. The album was recorded on July 18, 2011 at the legendary Arena di Verona Roman amphitheater, with the group accompanied by a full scale symphonic orchestra, the Neue Philharmonie FrankfurtFind albums by this artist, conducted by Stephen Bentley KleinFind albums by this artist. The 2CD album presents twenty-one tracks, spanning the entire repertoire of the group.
The music is of course familiar to all the fans of the group, but the amazing performances included herein are simply beyond expectation, proving that Deep Purple are still the best live Rock group out there, which has its roots decades ago and an uninterrupted span of making excellent music without compromise, ignoring the world changing around and the true values of music in general and Rock in particular disintegrating. The orchestral accompaniments are of course new and quite unusual, and although Deep Purple recorded with orchestras before, the integration between the orchestra and the group on this album is absolutely unprecedented and fully complementing.
Depp Purple impersonate the Classic Rock definition better that any other existing Rock act today, not only due to their persistence and stamina, but for their ability to keep the music timeless and able to preserve the aesthetic values of creativity, ignoring fads and fashions. Despite the fact that their lineup changed over time and they lost the spiritual leadership of Jon Lord, the managed to overcome the hardships and kept their faith in what they do.
Overall, this album is an amazing display of Classic Rock at its best, superbly recorded and performed by incredibly talented musicians, who know exactly what they are doing. There is no one false note, one disturbance in the continuity and flow of the music, simply perfection itself. Regardless of what some people may think, these dinosaurs still rule the earth!
| Updated: 08/01/2024Posted: 08/01/2024 | CD 2 Digipak Recommend To A Friend |
  | DEEP PURPLE ~ LIVE IN WOLLONGONG 2001 EAR MUSIC 4029759140252 (Barcode: 4029759140252) ~ UK ~ Classic Rock Recorded: 2001 Released: 2021
This is a reissue / remaster of one of the six 2CD live albums by the legendary British Rock group Deep PurpleFind albums by this artist, which were originally released in 2001 as the Box Set entitled “The Soundboard SeriesFind albums with this title”, which documented the group’s Australian / Japanese tour of the same year.
The album features the Mk VII lineup of the group: vocalist Ian GillanFind albums by this artist, keyboardist Jon LordFind albums by this artist, guitarist Steve MorseFind albums by this artist, bassist Roger GloverFind albums by this artist and drummer Ian PaiceFind albums by this artist. They are supported by a three-piece brass section and another three-piece background vocals section. The material includes a couple of songs from the 1996 album “PurpendicularFind albums with this title” and of course the classic songs by the band from their entire repertoire. These live recordings were amongst the last done with Jon Lord, before he retired from the group in 2002.
As usual, Deep Purple perform spotlessly, full of vigor, dedication and masterful ability, completely ignoring the passing of time. They sound perfectly synchronized and in flawless balance, with Gillan’s vocals in faultless condition. Morse’s guitar playing revitalized the group’s sound considerably and the show is just as a brilliant Classic Rock experience as imaginably possible.
Overall, this is a great live album, full of the everlasting Deep Purple energy and Classic Rock experience encapsulated for posterity. Although some of the material is repeated on almost every live Deep Purple album, each and every one of them is completely unique and for the band’s many fans indispensable.
The album is a numbered limited edition and my copy is 332/10,000 :)
| Updated: 21/05/2022Posted: 21/05/2022 | CD 2 Digipak Remastered Recommend To A Friend |
  | ELI DEGIBRI ~ LIVE AT LOUIS 649 ANZIC 3001 (Barcode: 896434001115) ~ ISRAEL ~ Jazz Recorded: 2007 Released: 2008
3rd album by Israeli (resident in US) saxophonist / composer Eli DegibriFind albums by this artist, one of several young Israeli Jazz players, who established themselves as part of the new vibrant generation of top international players. Degibri is a member of the Al FosterFind albums by this artist quartet / trio and for 3 years was a member of the Herbie HancockFind albums by this artist sextet, credentials that would make any aspiring Jazz musician proud. In parallel he also leads his own ensembles, which perform predominantly his own compositions. This album presents Degibri in an unusual trio setting with Hammond player Gary VersaceFind albums by this artist and drummer Obed CalvaireFind albums by this artist, playing live in a tiny NY Jazz club. The material is all, except for a couple of standards, composed by Degibri, and the trio is obviously having a great time performing. The soaring Hammond (one of my favorite instruments) and soulful saxophone create a somewhat "retro" atmosphere for this entire gig, which is truly delightful and reminiscent of the good old days, when music was played straight from the heart. The great thing about this album is that it can be enjoyed on many levels; it is great fun to listen to, but it also presents plenty of sophistication and insightful moments for a Jazz connoisseur, who listens below the surface and beyond the obvious. I can assure anybody that this album is absolutely worth your attention; Hammond lovers (which have a hard time these days to find new recordings) should jump on this like flies on honey!
| | CD 1 Digipak Recommend To A Friend |
  | VERED DEKEL ~ LIVE AT SHABLUL JAZZ NOT ON LABEL ~ ISRAEL ~ Jazz Recorded: 2007 Released: 2007
3rd album by Israeli vocalist / pianist / composer Vered DekelFind albums by this artist, who returned to Israel after spending many years in New York, where she studied, performed and recorded her first two albums. Vered is surely one of Israel’s most gifted female Jazz vocalists, with an unorthodox approach to music and a very unique singing technique. Although deeply rooted in the Jazz tradition, she incorporates twists and turns typical of other genres, especially Rhythm And Blues and even some World Music influences. A great sense of humor (and some cynicism) is evident in her lyrics (in English), but that does not affect the generally happy and spirited atmosphere of this live recording, which was captured at the Tel-Aviv Jazz Club “Shablul”. Guitarist Yair LaronFind albums by this artist, bassist Gil ZoharFind albums by this artist and drummer Nir BrenerFind albums by this artist accompany her here and a couple of young singers supply backing vocals and harmonies to make things even livelier. Vered composed all but one of the tunes, one of which was co-composed by her NY singing partner Miles GriffithFind albums by this artist (with whom she recorded her wonderful first album Expanded InterpretationsFind albums with this title). This is great stuff for people who like vocal Jazz and another great document of the Israeli Jazz scene.
| Updated: 08/05/2023Posted: | CD 1 Recommend To A Friend |
  | DELANEY & BONNIE & FRIENDS ~ LIVE IN DENMARK 1969 ROX VOX 2165 (Barcode: 5292317216525) ~ USA ~ Classic Rock Recorded: 1969 Released: 2020
This is an archival live album by American singer / songwriter couple Delaney BramlettFind albums by this artist and Bonnie BramlettFind albums by this artist, known as Delaney & BonnieFind albums by this artist and later on as Delaney & Bonnie & FriendsFind albums by this artist. This album was recorded during the band´s European tour in 1969, capturing two concerts at the Copenhagen Falconer Theater on 10 and 12 of December 1969, immediately following the three shows that were recorded on 1, 2 and 7 of December 1969 during the UK leg of that tour and released in 1970 as the "On Tour With Eric ClaptonFind albums with this title" LP. The music was recorded by a dream team of top American and British musicians, which included Delaney Bramlett on guitar and vocals. Bonnie Bramlett on vocals, Rita CoolidgeFind albums by this artist on vocals, Eric ClaptonFind albums by this artist on lead guitar and vocals, Dave MasonFind albums by this artist on guitar, George HarrisonFind albums by this artist on guitar, bassist Carl RadleFind albums by this artist, keyboardist Bobby WhitlockFind albums by this artist, saxophonist Bobby KeysFind albums by this artist, trumpeter Jim PriceFind albums by this artist, drummer Jim GordonFind albums by this artist and percussionist Tex JohnsonFind albums by this artist. The album presents original songs, which were penned by the Bramletts, as well as classic Rock And Roll numbers. The set list of the two shows is almost identical.
The "On Tour With Eric Clapton" album brought Delaney & Bonnie to the center of attention of many listeners, who missed their two earlier albums entirely, most probably due to the fact that if featured Clapton, who was already a superstar. But the music of Delaney & Bonnie was of course stylistically very different to what earlier Clapton recordings offered and presented an unprecedented mixture of Rhythm And Blues, Soul, Blues and Gospel with Rock and Pop, creating an entire new musical universe. This album turned out to be a huge commercial success, but in retrospect failed to establish Delaney & Bonnie as major artists and their career disintegrated after their divorce in 1973, after they managed to record three more excellent albums.
This album, although less carefully recorded, offers the same fire and genuine
Rock spirit as "On Tour With Eric Clapton" and is an invaluable addition to the rather limited recorded legacy by Delaney & Bonnie & Friends and the rest of the musicians present herein, and as such is a Classic Rock gem. Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 08/05/2023Posted: 07/01/2021 | CD 2 Digipak Remastered Recommend To A Friend |
  | DELANEY & BONNIE & FRIENDS ~ LIVIN` ON THE OPEN ROAD AIR CUTS 8064 (Barcode: 5292317806412) ~ USA ~ Classic Rock Recorded: 1971 Released: 2017
This is an album by American singer / songwriter couple Delaney BramlettFind albums by this artist and Bonnie BramlettFind albums by this artist, known as Delaney & BonnieFind albums by this artist and later as Delaney & Bonnie & FriendsFind albums by this artist. It presents a live performance at the A&R Studios in NY, captured for broadcast on FM radio. They are accompanied by a set of wonderful musicians, which includes guitarist Duane AllmanFind albums by this artist, his brother keyboardist Gregg AllmanFind albums by this artist, saxophonist King CurtisFind albums by this artist and many others. Duane Allman and King Curtis would be both dead a few weeks / months (respectively) after this recording was made, which sadly is among their last recordings. The concert presents an acoustic and an electric set and culminates with an epic eighteen minutes long jam.
The music reflects the true spirit of Delaney & Bonnie and includes mostly Blues / Country / Rhythm And Blues material, which was their natural habitat. The intimacy, informality and obvious camaraderie of the session offer a close look at their modus operandi, which mixes heartfelt vocals with great instrumental work, which is deadly effective.
The short acoustic set offers some superb slide guitar work by Duane Allman and the electric set presents a full Rhythm And Blues band with a Funky brass section and great saxophone work by King Curtis. Considering the fact that the collected recording legacy of Delaney & Bonnie is as concise as their short-lived career, every addition to their discography is a true feast.
Although the Delaney & Bonnie legacy is often neglected and forgotten, it is definitely unforgettable and worth coming back too. It is essentially one of the best and most honest American Rock ever created. Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 08/05/2023Posted: 15/05/2019 | CD 1 Remastered Recommend To A Friend |
  | SANDY DENNY ~ LIKE AN OLD FASHIONED WALTZ ISLAND 315 (Barcode: 602498280232) ~ UK ~ Folk-Rock Recorded: 1973 Released: 2005
3rd album and a beautifully melancholic collection of songs with gentle arrangements. This ulbum unveils a new aspect of Sandy DennyFind albums by this artist`s amazing talent with a slightly jazzy approach to some of the tunes, probably influenced by the presense of some great jazz musicians taking part in the recording, like Alan SkidmoreFind albums by this artist and Danny ThompsonFind albums by this artist. The album stands the test of time with flying colors and remains a true gem of the British Folk-Rock movement.
| | CD 1 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | SANDY DENNY ~ LIKE AN OLD FASHIONED WALTZ (DELUXE EDITION) ISLAND 602537002887 (Barcode: 602537002887) ~ UK ~ Folk-Rock Recorded: 1973 Released: 2012
This is the third solo album by the British singer / songwriter Sandy DennyFind albums by this artist, the undeniable Queen of the British Folk-Rock movement, which flourished from the late 1960s to the mid 1970s. Danny fronted the best Folk-Rock groups of the day, such as StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist and later concentrated on her splendid solo career, recording four excellent solo albums for IslandFind albums on this label Records. Her life and career was abruptly cut short by her tragic and untimely death at the age of 31.
This album is quite different from Denny´s previous work, less Folk-Rock oriented and with some gentle Jazz touches, an influence she absorbed from her father. Most of the material is original, but a few Jazz standards are also included. The overall atmosphere of the album is deeply melancholic and very introvert, nostalgic and somewhat dark, beautifully performed by her and a superb band, which includes many British Folk-Rock heroes, like guitarists Richard ThompsonFind albums by this artist and her husband Trevor LucasFind albums by this artist, keyboardist John BundrickFind albums by this artist, drummer Dave MattacksFind albums by this artist and others. Several notable British Jazz players also take part, like saxophonist Alan SkidmoreFind albums by this artist and bassist Danny ThompsonFind albums by this artist. Denny´s angelic voice and her unique vocal style are simply stellar. Several of the songs feature beautiful orchestral arrangements.
This new 2CD edition adds a plethora of bonus material, which includes outtakes, demos, alternate versions and previously unreleased live material, which is all worth its weight in gold. It’s a proper tribute to Denny´s remarkable talents and wonderful output she left us to enjoy forever. It is an absolute must to every Folk-Rock fan anywhere on this planet!
| Updated: 26/08/2020Posted: | CD 2 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | SANDY DENNY ~ LIVE AT THE BBC ISLAND 984992 (Barcode: 602498499283) ~ UK ~ Folk-Rock Recorded: 1966 - 1973 Released: 2007
This lavishly and lovingly produced Box Set collects all existing (audio & video) BBC recordings by Folk-Rock heroin Sandy DennyFind albums by this artist, who was not only one of the most distinctive voices of the Golden Age but also a superb songwriter. This collection spans from 1966 to 1973 and covers her solo career, which was before and after her being a member of StrawbsFind albums by this artist, Fairport ConventionFind albums by this artist and FotheringayFind albums by this artist. Most of the material included here presents Sandy as “naked” as a singer can appear – just her hair-raising vocals and acoustic guitar or piano (only a few tracks include other backing musicians), which of course is for the best as she never really needed anything more. Her angelic and deeply penetrating voice and her theatrical ability to express the lyrics are so powerful that the experience is almost unparalleled. Most of the songs are her own (music & lyrics) and just a few are her arrangements of traditional folk material. The DVD includes the only footage in existence of Sandy performing. The set also includes beautiful photographs and excerpts of Sandy’s diaries. Sandy’s tragically premature death in 1978 put an end to her exquisite input to the world of music and she is sadly missed. I don’t think anything more needs to be said here – this is absolutely brilliant stuff, beyond essential for anybody who truly loves music and a must in any decent music collection.
| Updated: 26/01/2019Posted: | 3CD+DVD 4 Box Set Essential Recommend To A Friend |
  | DEREK AND THE DOMINOS ~ LAYLA AND OTHER ASSORTED LOVE SONGS (DELUXE EDITION) POLYDOR 600753314296 (Barcode: 600753314296) ~ UK ~ Classic Rock Recorded: 1970 - 1971 Released: 2011
I guess there´s not much left to say about this iconic album, considering the oceans of words already spilled on the subject. Post CreamFind albums by this artist / Blind FaithFind albums by this artist guitarist / vocalist Eric ClaptonFind albums by this artist moved over the pond and embraced American music: Blues (which was always his primary love), Country and Rock And Roll. Playing with American musicians Clapton seemingly changed his approach from the highly improvisational, endless and incredibly loud solos he used to play with Cream, to concise, almost simplistic brief solo moments, lots of vocals and lots of melody. For some it was a "new" Clapton, but for people with keen hearing Clapton was still playing the Blues, same as he did in the YardbirdsFind albums by this artist years ago and same as he did with Cream, slightly disguised / Americanized but basically honest and consistent with his past. And then of course the presence of Duane AllmanFind albums by this artist, the legendary guitar hero of the Allman Brothers BandFind albums by this artist and Southern Rock in general, which turns this album into what it truly is – a conversation between two Giants, which in Rock happens only once in a blue moon. So what do we have here: nice but not sensational music, mostly Blues based, superb guitar playing, great support from a great rhythm section and a lot of Magic, which turns this into one of the greatest Rock albums of all times. Of course it could have never been repeated and even if Duane did not meet his Maker soon after, this kind of miracle happens only once, so let´s be happy with what we have. The additional CD includes some great previously unreleased material, some live / some studio, including the sessions for the second, never finished album and other goodies. Did I say essential? Hell YES!
| Updated: 01/06/2018Posted: | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | DFA ~ LAVORI IN CORSO MELLOW 392 ~ ITALY ~ Progressive Rock
1st abum from 1997 by this brilliant Italian Prog outfit, which together with Finisterre are the two best things to happen to Italian Prog in the 90s. Less symphonic and more jazz influenced then other Italian groups, DFA members are great instrumentalists and talented composers. Much of the music is improvised and swings gracefully, in a Fusionesque way.
| | CD 1 Recommend To A Friend |
  | DJAM KARET ~ LIVE AT NEARFEST 2001 NEARFEST 0002 (Barcode: 829155000228) ~ USA ~ Progressive Rock Recorded: 2001 Released: 2004
The Nearfest Prog Festival is often the place where bands get the first major exposure to the wide (at least in the US) audience. In spite of the fact that Djam KaretFind albums by this artist have been recording albums since 1985 they remained relatively unknown for many years (which of course is a shame). Hopefully the crowd present at this concert finally discovered the band and would extend the fan base. They surely loved the band playing, as the standing ovation at the end of the music attests. The music includes a selection of tunes from several Djam Karet albums, but as usual in their case every performance is completely unique. Recommended!
| | CD 1 Recommend To A Friend |
  | DJAM KARET ~ LIVE AT ORION CUNEIFORM 119 ~ USA ~ Progressive Rock
7th album from 1998 captures DK at the peak of their form with some electrifying live performances that make your hair stand on your neck. This is a perfect summation of their work and an excellent introduction to the band`s abilities.
| | CD 1 Recommend To A Friend |
  | OTTO DONNER / FREE FOR ALL ~ LIVE AT FIVE CORNERS TUM BOX 001 (Barcode: 6430015280243) ~ FINLAND ~ Jazz Recorded: 2000 - 2002 Released: 2011
This fabulous Box Set collects a series of live recordings by the Godfather of modern Finnish Jazz trumpeter / composer / arranger / conductor / bandleader and music activist Otto DonnerFind albums by this artist and a gathering of Finnish Jazz musicians of diverse ages and stylistic affiliations, called Free For AllFind albums by this artist, which took residence under Donner´s wings at the Jazz Club JUMO located in the Five Corners area of Helsinki, presenting a series of concerts during the first half of 2002, which were recorded and although initially not intended for release, proved to be way to valuable to be left forgotten, and were eventually released in this Box Set about a decade later.
The lineup of the ensemble performing at each of the sessions included in this Box Set changed slightly and the recordings were organized into six CDs according to different unifying thematic concepts, rather than by session. The music includes new arrangements of compositions by Donner and other Finnish Jazz composers or members of the band as well as familiar Jazz standards. The sixth CD includes music and a film about improvisation, which documents Donner and the band, recorded and filmed in 2000.
The musicians performing the music alongside Donner are: saxophonists Rasmus KorsstromFind albums by this artist and Pepa PaivinenFind albums by this artist, trombonists Jari HongistoFind albums by this artist and Markku VeijonsuoFind albums by this artist, pianists Kari IkonenFind albums by this artist, Seppo KantonenFind albums by this artist and Eero OjanenFind albums by this artist, guitarist Jukka OrmaFind albums by this artist, bassists Ville HuolmanFind albums by this artist and Tuure KoskiFind albums by this artist, drummer Tom NekljudovFind albums by this artist and finally vocalist Johanna IivanainenFind albums by this artist.
The music is absolutely stunning, even though performed rather informally and not meant to be saved for posterity. The musicians are all highly professional and the atmosphere of camaraderie and obvious mutual respect is a predominant factor which makes this music sound as great as it does. Stylistically the music spans a wide range from modern mainstream to well organized free explorations, Jazz-Rock Fusion and Orchestral Jazz, and the six hours of playing time are over in an instant. Donner´s immense talent, experience and leadership managed to produce a wonderful document of the strength and diversity of the Finnish Jazz scene at the time, which now is a part of the cultural heritage.
The Box Set is beautifully packaged, using the paintings by Paul OsipowFind albums by this artist and including a highly informative booklet with detailed information about the music and the circumstances of its recording, a true example of a publishing labor of love and an example of how things should be done – hats off!
For Finnish Jazz fans and followers this is an absolute must of course!
| Updated: 03/09/2020Posted: 03/09/2020 | CD+DVD 6 Mini-Sleeve Box Set Recommend To A Friend |
  | DOORS ~ LIVE AT LONDON FOG 1966 RHINO 081227942151 (Barcode: 081227942151) ~ USA ~ Pop & Rock Recorded: 1966 Released: 2019
This is an archival release presenting the earliest known live recording by the legendary American Rock group The DoorsFind albums by this artist comprising of vocalist Jim MorrisonFind albums by this artist, organist Ray ManzarekFind albums by this artist, guitarist Robby KriegerFind albums by this artist and drummer John DensmoreFind albums by this artist captured at the LA London Fog night club in May of 1966, before the release of their debut album. The album presents seven songs, only two of which are originals and the rest are Blues standards. Sadly this release does not include the entire collection of songs that were captured on tape during this concert.
This edition is the stripped down to the basics version of the lavish, but completely redundant (and hellishly expensive) 50 Anniversary Deluxe Edition, released in 2016, and offers identical musical contents. The attempts by the record labels to squeeze out the last penny out of the old material are really sickening. This version is finally worth its price.
The music is mostly Blues based and proves that The Doors always were, for the entire relatively brief period of their existence, a Blues band in one form or another. All the elements that made the band one of the most important and artistically most ambitious American Rock band are already present in this virgin recording and in fact it encapsulates their entire id: the magnetic and charismatic vocals by Morrison, which were the focus of their act, the Jazz oriented organ layer by Manzarek which offered a tinge of Psychedelia, the Bluesy guitar parts by Krieger and the solid, rather basic but always right on the money drumming by Densmore.
Although this album offers nothing new as far at The Doors contribution to American Rock is concerned, it is a nice piece of history and definitely a worthwhile addition to the group´s discography for completists. The sound quality, although primitive, is authentic and as such has its charm. I´ve had a good time listening to the music, but I am probably the least objective person on earth as far as the music of that period and everything about it is concerned.
| Updated: 27/09/2019Posted: 27/09/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DOORS ~ LIVE AT THE ISLE OF WIGHT FESTIVAL 1970 EAGLE 5051300209124 (Barcode: 5051300209124) ~ USA ~ Classic Rock Recorded: 1970 Released: 2017
This is an archival album by the iconic American Rock group The DoorsFind albums by this artist, which presents the group´s performance at the Isle Of Wight Festival 1970 (August 26th to 31st) on August 30th as a combo CD/DVD set. The CD and DVD contain identical set list of seven tracks, the last of which is a four song medley, and the DVD offers also a bonus interview video piece called "This Is The End". The audio and video material was meticulously remastered. Slightly less than a year after the Woodstock Festival (August 15th to 18th 1969) the Isle Of Wight had a monstrous, estimated as over 600,000 strong attendance and was the biggest gathering of Rock enthusiasts, freaks and dreamers of the period, with an impressive list of performing artists. As far as The Doors are concerned, this is the last video footage of the group performing live. Less than a year after this concert Jim MorrisonFind albums by this artist would be dead and the brief career of one of the most important Rock groups ever would be tragically over.
The Doors´ concert at the Isle Of Wight was definitely not their most impressive, moving or spectacular live performance. The group was already suffering from many problems linked to Morrison´s legal, drug related and mental problems and their career was rapidly deteriorating. Nevertheless everything The Doors played was still among the best Rock music ever made on this planet, and they were always completely different from any other Rock group that ever walked the earth. Morrison was a poet, a dreamer and an extrovert extremist, while keyboardist Ray ManzarekFind albums by this artist, guitarist Robby KriegerFind albums by this artist and drummer John DensmoreFind albums by this artist collectively were one of the most solid and virtually unlimitedly talented instrumental trios in Rock history. As a result every one of the many live recordings by the Doors is completely unique and worth being heard, as is this one. The video material shows Morrison almost completely motionless and paralyzed in comparison to his earlier on stage theatrics, which to people who saw him live (in person or on film) is truly tragic. But in spite of the obvious somber atmosphere, the music is still very much biting and kicking, as always, and the fire is still there.
Overall this album is primarily interesting for the video footage, since musically it offers quite a "standard" Doors set, close to a "best of" selection. The extended instrumental performances on "Light My Fire" are always a great showcase of Manzarek´s and Krieger´s chops, and being basically improvised differ significantly from one performance to another.
For the many Doors followers this is as essential as any other live recorded performance by the group and an important piece of the puzzle of their musical legacy. For casual listeners this is perhaps somewhat less impressive than their other live offerings, which are numerous.
| Updated: 01/07/2018Posted: 01/07/2018 | DVD+CD 2 Digipak Remastered Recommend To A Friend |
  | DOORS ~ LIVE AT THE MATRIX `67 RHINO 081227988487 (Barcode: 081227988487) ~ USA ~ Classic Rock Recorded: 1967 Released: 2008
This is finally the formal release of the legendary Matrix tapes capturing the DoorsFind albums by this artist live at the very early days of their career. Just a few months after their first album was released and before "Light My Fire" fired up the charts, they were just one more band playing the California coastal cities. But of course they were definitely not just "one more band" as these, far from perfect tapes, prove instantly. The Doors were the best American Rock band ever, and although they were still perfecting their act then and experimenting with it (something they never stopped to do) the visionary qualities are already there if you listen well enough. Including material from their first album, a few new songs from the second album (still not recorded at the time), and a lot of Blues, which all Doors members loved, to fill the blanks, this show is a time capsule preserving everything the Summer Of Love (although it was only early spring) was all about – intellectual freedom, total devotion to one´s art and complete disregard of authority, establishment and commerciality. i.e. the American Way Of Life. Jim MorrisonFind albums by this artist is the actor and the poet, with music serving as the catalyst for his introvert sufferings, Ray ManzarekFind albums by this artist, with his miserable thin-sounding organ, manages to make magic with the keys on his keyboard, Robby KriegerFind albums by this artist plays the Blues, always, regardless what the tune is and John DensmoreFind albums by this artist keeps the whole lame wheelbarrow moving forward – towards Nirvana. This is, as said earlier, a time capsule, which proves that at that time even a seemingly uneventful gig at a dinky San Francisco club by a struggling young band was infinitely better that anything played in the 21st Century. Go figure?
| | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | DOORS ~ LIVE AT THE MATRIX, 1967 RHINO 603497835911 (Barcode: 603497835911) ~ USA ~ Classic Rock Recorded: 1967 Released: 2023
This is an archival album by the legendary American Rock group The DoorsFind albums by this artist, which presents the entire material recorded during the group’s five-night residence in March 1967 at the San Francisco Marina District nightclub, called The Matrix. The 3CD album presents thirty-seven live tracks, all remastered from the original master tapes recorded at the time by the club’s co-owner Peter AbramFind albums by this artist. The material was recorded just a few weeks following the band’s debut album release and a few weeks before their iconic “Light My Fire” single changed American Rock forever. These poorly attended live performances were more “paid rehearsals” than gigs, as far as the group members were concerned, and present the group at the embryonic stage, before fame and glory engulfed and eventually destroyed them.
Part of this material was released on the 2CD album “Live At The Matrix `67Find albums with this title” in 2008, which suffered from poor sound quality and bad editing, and definitely was not taken from the original master tapes, but rather from bootleg releases. This new release offers eight previously unreleased tracks and fourteen tracks taken for the first time from the original master tapes, all new to this release.
These recordings prove that The Doors were a unique combination of superbly talented individuals. Jim MorrisonFind albums by this artist was a prophet, a poet and a charismatic frontman, Ray ManzarekFind albums by this artist was a sublime keyboardist, who could make his primitive organ sound lie a Symphony Orchestra, and who was a Jazz player deep inside, Robby KriegerFind albums by this artist was a superb Blues guitarist with a completely unique sound and John DensmoreFind albums by this artist was a versatile and highly sensitive drummer, who hold this completely unsubordinated band together. Bloody geniuses all of them.
Overall, this is a superb historic document and an essential piece of The Doors puzzle, which proves they were great from day one and didn’t really change much over time, since they could never surpass themselves. Thy always were the ultimate American Rock band in all time, existed briefly for just four years, recorded six Godly albums and disappeared – a career perfectly suitable to what they stood for and lived for – like a comet crossing the sky.
| Updated: 18/11/2023Posted: 18/11/2023 | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | DOORS NOT SHUT ~ LUTY AUDIO CAVE 2018/013 (Barcode: 5905669566674) ~ POLAND ~ Avant-Garde Jazz Recorded: 2016 Released: 2018
This is the debut album by the sextet Doors Not ShutFind albums by this artist, which comprises of five veteran Polish Jazz musicians: clarinetist Waclaw ZimpelFind albums by this artist, pianist Krzysztof DysFind albums by this artist, bassists Andrzej SwiesFind albums by this artist and Ksawery WojcinskiFind albums by this artist and drummer Krzysztof SzmandaFind albums by this artist. They are joined by Australian percussionist Philip SouthFind albums by this artist. The album presents ten original compositions by the sextet members, mostly co-composed by several of the musicians.
The concept of the sextet is pretty loosely conceived, since only Szmanda and South play on all the ten tracks, Swies plays on nine tracks, Dys plays on just three tracks and finally Zimpel and Wojcinski play on five tracks. As a result the entire sextet does not play together on any of the tracks.
The music is an interesting amalgam of Ambient Music and Free Jazz, with strong World Music influences, especially on the rhythmic plane. The overall sound and approach are quite minimalist and the music mostly flows slowly, rarely displaying any strictly melodic contents. The bass pulsations (either electric or acoustic) and the ethnic / polyrhythmic drumming are the constant elements of the music, with the piano and clarinet being the only melodic anchors.
The entire concept definitely works well, displaying a lot of originality and fascination with rhythm, being quite unique in that area. The drummers get most of the exposure, followed by the bassists, with Dys and Zimpel adding spice and color to the proceedings, but not dominating the concept. The three quartet tracks with Dys are closest to Jazz, while the five tracks with Zimpel are Ambient Improvised Music which listeners familiar with other recordings by Zimpel should find quite recognizable. The remaining two tracks featuring only drums and percussion (with some vocal and spoken word ornamentation) are perhaps the roots of the music.
Overall this is a bold and highly innovative concept album, which offers originality and excellent musicianship, as well as intellectual challenge, which is often missing from less ambitious Jazz oriented recordings. This album is recommended for the more adventurous and open-minded listeners, who are ready to embrace new concepts. Although Zimpel plays only on half of the tracks, this album presents some of this most moving work, which is an absolute must to his followers. Highly recommended!
| Updated: 29/12/2018Posted: 29/12/2018 | CD 1 Digipak Recommend To A Friend |
  | KIT DOWNES ~ LIGHT FROM OLD STARS BASHO 42 (Barcode: 832929004223) ~ UK ~ Jazz Recorded: 2013 Released: 2013
This is the 3rd album as a leader by British Jazz keyboardist / composer Kit DownesFind albums by this artist, recorded in a quintet setting with saxophonist James AllsoppFind albums by this artist, cellist Lucy RailtonFind albums by this artist, bassist Calum GourlayFind albums by this artist and drummer James MaddrenFind albums by this artist, the same rhythm section that played on his previous album “Quiet TigerFind albums with this title”, and which also featured Allsopp and a cellist on most of its tracks. The album presents nine tracks, all original compositions by Downes.
The album shows the rapid progression Downes made during his early period, which brought him to the center of attention first on the local Jazz scene and soon after on the International scene, following him joining the ECMFind albums on this label roster with the release of his debut album for the label in 2018, called “ObsidianFind albums with this title”. Downes plays both piano and organ and already on this early album he plays organ on three tracks.
The music, although based on strictly composed themes, tends at times towards Free Jazz and Improvised Music, which is not really Downes’ true forte, as he is a formidable weaver of melodic, often highly sentimental themes, which are truly mesmerizing. There are plenty of examples of such compositions herein, and they are all as surprising as always, which makes listening to this album a thrill.
There is no doubt that Downes is one of the most important representatives of the third generation of the British Jazz musicians, and with his unique talent he has a lot of creative work ahead of him and his early recording period is definitely worth being discovered, if one missed it at the time,
Overall, this is an important release in the discography of Downes, which by now is quite impressive and extensive. The splendid team add quite a spark to the music, which sounds as fresh and unexpectedly quirky as it did at the time of its release.
| Updated: 21/03/2025Posted: 21/03/2025 | CD 1 Digipak Recommend To A Friend |
  | DR. JOHN ~ LIVE IN EUROPE 1995 SALVO 035 (Barcode: 698458063526) ~ USA ~ Jazz-Pop Fusion Recorded: 1995 Released: 2014
This is a live album by iconic American singer / keyboardist / songwriter / bandleader Dr. JohnFind albums by this artist (a.k.a. Mac RebennackFind albums by this artist), recorded at the Montreux Jazz Festival with his regular band consisting of guitarist Bobby BroomFind albums by this artist, bassist David BarardFind albums by this artist, drummer Herman Ernest IIIFind albums by this artist, percussionist Smiley RicksFind albums by this artist and a brass section comprising of trumpeter Charlie MillerFind albums by this artist, saxophonist Alvin Red TylerFind albums by this artist and baritone saxophonist Ronnie CuberFind albums by this artist. The CD album presents eleven tracks, and the accompanying DVD includes the CD contents and two additional tracks.
The music includes a selection of Dr. John originals and Jazz / Pop standards, with Jazz oriented arrangements. The beautiful throaty voice, keyboards playing and general attitude of Dr. John are absolutely perfect for these Funky songs, and the live performances are full of energy and vigor. Listening to this album is one great thrill from start to finish, and the piano parts are simply delicious. Dr. John is one of the best live performers out there.
Overall, this is a little hidden gem of American music, which deserves to be remembered and a lot can be learned from it about how to combine cross-genre musical sources to create a perfect amalgam, which is simply everlasting. Blues, Soul and vocal Jazz enthusiasts should love this album to bits!
| Updated: 22/10/2023Posted: 22/10/2023 | CD+DVD 2 Digipak Recommend To A Friend |
  | LESZEK DRANICKI ~ LESZEK DRANICKI (SWINGING TRICITY VOL.5) NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 1986 - 1989 Released: 2013
This is the fifth installment in the excellent archival series documenting Polish Jazz created in the country´s Tricity on the Baltic Sea, one of the important centers where Polish Jazz thrives and over the years produced numerous first-rate musicians and superb bands. The series presents material, which in most cases never previously appeared in any form and therefore is of immense historic importance.
This chapter presents the vocalist / guitarist Leszek DranickiFind albums by this artist, who was a member of the Jazz-Rock Fusion ensemble BasztaFind albums by this artist, which is also documented in this series, and later played in several other groups (including the legendary KrzakFind albums by this artist) and recorded as a leader. This album is an expanded reissue of his debut solo album "With A Little Help…Find albums with this title", originally released by Polskie NagraniaFind albums on this label / MuzaFind albums on this label, with six bonus tracks recorded later at radio sessions.
The music consists all of Jazz, Blues and Pop standards, which Dranicki sings (in English) and plays guitar on. Although some of the arrangements are pretty nice, the overall effect is far from spectacular. As usual the attempt to sing in English simply falls apart and spoils the pleasure of the instrumental work, which is better by far. Dranicki is a good guitar player with a Bluesy feel and splendid technical efficiency. The two bonus tracks recorded with bassist Andrzej CudzichFind albums by this artist and drummer Eryk KulmFind albums by this artist are the most impressive and the last two solo tracks are the weakest.
The problem with this album is that is completely lacks any originality and shows how some of the musicians behind the Iron Curtain wanted to copy what was happening elsewhere, rather than create some new facets in their musical explorations. Of course this material is still worthy, especially as part of an archival series.
This is another great piece of Polish Jazz history, which should definitely be told and preserved as part of the country´s Cultural Heritage. Kudos to Marcin JacobsonFind albums by this artist for creating this series and keeping it going!
| | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | JULIE DRISCOLL / BRIAN AUGER / TRINITY ~ LIVE ON AIR 1967-68 LONDON CALLING 5031 (Barcode: 5053792503117) ~ UK ~ Jazz-Pop Fusion Recorded: 1967 - 1968 Released: 2019
This is an archival release of TV and live club performances by the legendary British vocalist Julie DriscollFind albums by this artist and keyboardist / composer Brian AugerFind albums by this artist and his TrinityFind albums by this artist, which were at the peak of their commercial success when these recordings were made. The Trinity lineup changed several times in this period and included guitarists Gary BoyleFind albums by this artist and Vic BriggsFind albums by this artist, bassists Roger SuttonFind albums by this artist, Rick LairdFind albums by this artist and Dave AmbroseFind albums by this artist and drummers Clive ThackerFind albums by this artist, Micky WallerFind albums by this artist and Clem CattiniFind albums by this artist. The album presents twelve tracks recorded in UK and France, which include several versions of the same songs, overall seven songs from the repertoire of Driscoll and Auger albums released at the time. The quality of these historic recording varies but overall is good enough to be listened to and enjoyed in full.
Auger is of course one of the forefathers of Jazz-Rock Fusion and his Hammond performances are second to none to this very day. Deeply rooted in Jazz, Auger managed to create a wonderful amalgam of Jazz / Groove / Soul / Rock, which proved be as popular at the time as the most commercial recordings. He is still active today, five decades later.
Driscoll was one of the most idiosyncratic British Pop stars of all times and her performances in the late 1960s stand proudly side by side by the most important female Rock vocalist of the era. She later married the British Avant-Garde pianist / composer Keith Tippett and changed her vocal style into innovative Avant-Garde vocal Jazz explorations. She is also still active today, five decades later. One of the tracks on this album offers a recording of Driscoll supported by a large orchestra, which is absolutely unique in her discography.
Considering the fact that the recorded legacy of Driscoll, Auger and the Trinity is relatively limited, every scrap of recorded music featuring their unique talents is invaluable. Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 27/07/2019Posted: 27/07/2019 | CD 1 Digipak Remastered Recommend To A Friend |
  | KRZYSZTOF DUDA ~ LIVE GAD 084 (Barcode: 5903068120145) ~ POLAND ~ Electronic & Ambient Recorded: 1984 - 1985 Released: 2018
This is the second archival album by Polish electronic music pioneer / composer Krzysztof DudaFind albums by this artist. It presents two live recordings made in the mid-1980s of extended musical suites performed live by the composer inside two churches, using an extensive array of synthesizers, the first lasting over thirty minutes and the second over forty minutes.
Duda, who is a church organist, composed the music initially to be performed using a church organ, but gradually ported it first into a hybrid organ-synthesizers version and finally into a full synthesizers only version, which is captured herein.
The music is an interesting crossover between liturgical church music and ambient / electronic explorations, powerful and soaring, full of beautiful melodic themes and lengthy improvised parts. Although performed by synthesizers, the overall sound is very close to church organ music, but less bombastic and dominating than music performed using the church organ.
This music is completely timeless and lost absolutely nothing of its impressive scope and emotional power over time. For synthesizer connoisseurs this is a potent and enlightening experience, which is also quite unique in its attempt to connect secular and spiritual musical explorations, which are combined cleverly within Duda´s music.
Highly recommended to listeners who are interested in exploring uncharted musical territory!
| Updated: 06/02/2019Posted: 06/02/2019 | CD 1 Remastered Recommend To A Friend |
  | BARTOSZ DWORAK ~ LIVE AT RADIO KATOWICE PRK 0130 ~ POLAND ~ Jazz Recorded: 2014 Released: 2014
This is the debut album by young Polish Jazz violinist Bartosz DworakFind albums by this artist recorded live with his quartet which also includes pianist Piotr MatusikFind albums by this artist, bassist Jakub DworakFind albums by this artist and drummer Szymon MadejFind albums by this artist. They perform six compositions, two of which are original compositions by Bartosz Dworak, one is by Piotr Matusik, two are by Polish Jazz composers Slawomir KulpowiczFind albums by this artist and Zbigniew SeifertFind albums by this artist and the remaining one is by Joey CalderazzoFind albums by this artist.
Bartosz Dworak is the winner of the 1st International Zbigniew Seifert Jazz Violin Competition, which took place in Poland in 2014 and is considered as one of the top young Polish Jazz violinists who continue the glorious legacy of Jazz violin in Poland established by such luminaries as Michal UrbaniakFind albums by this artist, Zbigniew Seifert, Krzesimir DebskiFind albums by this artist, Adam BaldychFind albums by this artist and others.
From the very first notes of this record it is pretty obvious that Dworak is a Polish violinist, as he has the same unmistakable "Polish sound" that characterizes his predecessors and other contemporary Jazz violinist in the country. In his case this specific sound, which floats somewhere between Slavic folksy fiddle and virtuosic lyricism is clearly identifiable. And of course there is the individualism and the virtuosity, which are obviously in their early stages but already clearly noticeable.
From the strength of the two original compositions it is immediately apparent that Dworak should concentrate on playing his own material. His interpretations of the compositions by other musicians are less impressive, except that of his band mate Piotr Matusik. The entire quartet plays smoothly and dynamically, with the rhythm section supporting the two soloists with taste and elegance. Matusik is one hell of a player and steals a significant part of the show in his favor, deserving every bit of it. I´m waiting anxiously to hear his first solo album.
Considering that this is a debut recording one can simply envy these young musicians their talents and obvious musicality. Hopefully Dworak will develop his skills as a composer and engage in more ambitious / challenging adventures when his career takes off, which will inevitably happen. In the meantime this is definitely a most impressive calling card.
| | CD 1 Mini-Sleeve Recommend To A Friend |
  | PRZEMEK DYAKOWSKI ~ LUDMILA ALLEGRO 047 (Barcode: 5901157049476) ~ POLAND ~ Jazz Recorded: 2022 Released: 2023
This is an album by veteran Polish Jazz saxophonist / composer / bandleader Przemek DyakowskiFind albums by this artist, recorded in a sextet setting with saxophonist Wojciech StaroniewiczFind albums by this artist, organist Artur JurekFind albums by this artist, vibraphonist Dominik BukowskiFind albums by this artist, bassist Janusz MackiewiczFind albums by this artist and drummer Maksymilian KreftFind albums by this artist, and featuring the vocalist Joanna KnitterFind albums by this artist. The album is a tribute to the Polish vocalist Ludmila JakubczakFind albums by this artist, who died tragically in 1961, being just twenty-two years old, and presents Jazzed up interpretations of songs from her repertoire.
The music is all within the mainstream Jazz / Swing idiom, perfectly executed by this excellent and highly experienced team. Knitter also delivers her usual soulful and warm vocals, which are always great fun to hear without being a tad pretentious.
The main purpose of this album is to bring back some first class songs created by best Polish composers and lyricist at the time, which lost nothing of their charm and quality over time, emphasizing the old saying that “they don’t write songs like this anymore”, which is sadly more and more truthful as the time flows by.
Overall, this is a nice, pleasant and somewhat educationally nostalgic album by a first class group of Polish Jazz musicians, which is a great fun to experience and reminiscence about the good old days. Warmly recommended to listeners who like their Jazz to Swing ;)
| Updated: 10/08/2023Posted: 10/08/2023 | CD 1 Digipak Recommend To A Friend |
  | EGGROLL ~ LIVE PROGRESSIVE ACT NOT ON LABEL ~ ISRAEL ~ Progressive Rock Recorded: 2005
This is the 1st Israeli Prog DVD. Filmed in late 2003, it documents performances by the Prog band EggrollFind albums by this artist, which started a few years back as a “cover” band, playing music by GenesisFind albums by this artist, King CrimsonFind albums by this artist, Jethro TullFind albums by this artist and others. Their highly professional performances gradually earned the band a solid following and admiration and the band’s many performances around the country served as a catalyst for the local Prog scene, which is flourishing in the last few years. The music includes three lengthy covers (“This As A Brick”, “Starless” and Supper’s Ready”), which reflect the band’s ability as performers, and some original material that the band’s members wrote, as well as a short documentary about the band. This is an important document of the Israeli Prog scene and hopefully more material like this will become available soon. 59 minutes.
| | DVD 1 Recommend To A Friend |
  | ELMA ~ LICENTIA POETICA HEVHETIA 0232 (Barcode: 8588005259286) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2020 Released: 2022
This is the long awaited third album by Polish Jazz vocalist ElmaFind albums by this artist (a.k.a. Elma KaisFind albums by this artist) recorded live with American guitarist Knox ChandlerFind albums by this artist, Australian (resident in Berlin) bassist Daigo NakaiFind albums by this artist and German drummer Klaus KugelFind albums by this artist. The album presents thirteen original pieces, all co-composed by the four musicians.
The music is spontaneously improvised, although obviously somewhat pre-conceived, and as such could be classified as Improvised Music or Free Jazz, but honestly it makes no sense to apply any definitions to it, as it is as free-spirited as humanly possible. Although Elma’s vocal parts are obviously in the center of the listener’s attention, the music is collaborative and involves all four musicians at the same level of creativity.
Elma continues her wordless vocalese / “voice as instrument” approach, which she demonstrated on her two earlier albums, but takes it further out into the truly virtuosic sphere, which sets her in a separate universe from almost all Jazz vocalists active today, continuing the vocal Jazz revolution started in the 1970s by European vocal pioneering female vocalists like Urszula DudziakFind albums by this artist, Lauren NewtonFind albums by this artist, Jeanne LeeFind albums by this artist, Mirka KrivankovaFind albums by this artist and several others. On contemporary Polish Jazz scene, she seems to be almost completely solitary, except for the work of Anna GadtFind albums by this artist.
There is no doubt that this album is completely unique, as far as vocal Jazz is concerned, and Elma’s talent shines ever so brightly, fulfilling gracefully all the great hopes she stirred with her earlier albums. The music she creates with her colleagues hits the listener straight between his eyes, shocks and uplifts on a truly spiritual level, which happens only very rarely with new music that arrives on my desk. Considering the fact that Elma practically reinvents the approach to vocal improvisation, throwing away all pre-conceptions and limitations, she is able to cross into uncharted territory. We often tend to think that “everything was already done” in music (or otherwise), but that is a defeatist approach and life proves that there a possibility for progress.
Overall, this is a shockingly beautiful, uplifting musical experience, which happens extremely rarely. As pompous as this might sound, this is probably the most perfect Polish Jazz vocal album of all times, a creation of unprecedented courage, inventiveness and free-spirited exploration. Yes, yes I see all the sceptics shrugging…
| Updated: 21/05/2022Posted: 21/05/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | EMERSON, LAKE & PALMER ~ LIVE AT THE ISLE OF WIGHT FESTIVAL 1970 SANCTUARY 085 (Barcode: 5050749208521) ~ UK ~ Progressive Rock
The IOW Festival was ELP’s only second gig, which again proves that some groups can be an instant success. Their debut album was to be released only three months after this performance was recorded, but obviously they had their act together already and enough material for at least two albums. The set includes a 35+ minutes long rendition of “Pictures At The Exhibition” and the other tracks come from the debut ELP album and Emerson’s Nice heritage. The performance is truly electrifying, with the 19 years old Palmer brilliant technique and wonderful sense of rhythm in full bloom. Emerson switches between classical and jazz with ease and elegance and everybody seems to have great fun. I must be a sucker for the early days of all the big Prog bands (rather that the later days) and this is for me definitely the best live ELP recording ever, as it is void of any pomposity and artificial grandeur which would haunt the group in later days. The sound quality is surprisingly good and this is definitely an ELP album to have. As bonus, a 15 minutes interview with the band is added, which gives a lot of insight about their early days.
| | CD 1 Recommend To A Friend |
  | EMERSON, LAKE & PALMER ~ LIVE AT THE ROYAL ALBERT HALL SANCTUARY 0351 (Barcode: 5050749503510) ~ UK ~ Progressive Rock Recorded: 1992 Released: 2007
The Emerson, Lake & PalmerFind albums by this artist reunions have been quite a regular event since the group broke up originally in 1979 (or perhaps they never did?), meeting with various degrees of success. The first reunion (in 1991) resulted in recording of the Black MoonFind albums with this title album and a tour. They were all in top form, as can be witnessed by this concert at London’s famous Royal Albert Hall. The concert includes just a couple of tracks from the a.m. new album and most of the material is a selection of their previous material, which is what the crowd was really looking for. Slightly rearranged, classic ELP (and a bit of NiceFind albums by this artist) material sounds as good as ever and any ELP fan will surely find this DVD a pleasure to watch. Keith EmersonFind albums by this artist (as usual) performs some of his stage theatrics, which are always fun to watch and Karl PalmerFind albums by this artist’s virtuoso drumming is a revelation. This is classic Prog stuff and perhaps the best live ELP material available on film. 88 minutes.
| | DVD 1 Recommend To A Friend |
  | EMERSON, LAKE & PALMER ~ LOVE BEACH SONY 784866 (Barcode: 886978486622) ~ UK ~ Progressive Rock Recorded: 1978 Released: 2011
This is the 9th album by the supergroup Emerson, Lake & PalmerFind albums by this artist, which was definitely one of the most important, innovative and revolutionary groups to emerge on the Rock scene as leaders of the Progressive / Art Rock genre by the early 1970s. It is also the last album recorded by the band before they decided to disband, for the first but not the last time, closing up a decade of fabulous music-making. The album is often severely criticized and listed as the worst one ever recorded by the trio, but honestly and in retrospect, it is not that much different from the band´s earlier material and although perhaps less inspired that the earlier material, still much better than what was played by their contemporaries. The album definitely deserves to be in every collection of the numerous faithful fans of the band.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | ESPOO BIG BAND / HUSBAND ~ LAUMA GALILEO 071 (Barcode: 4250095800719) ~ FINLAND ~ Jazz-Rock Fusion Recorded: 2015 Released: 2017
This is an excellent album by the veteran Finnish Espoo Big BandFind albums by this artist, established in 1980 and considered as one of top Big Bands in the country. Since 1987 the Big Band hosts the annual April Jazz Festival in Espoo, near Helsinki. On this album the Big Band plays arrangements of the music by the Finnish Rock / Fusion quartet HusbandFind albums by this artist, led by guitarist / composer Varre VartiainenFind albums by this artist. The album presents ten compositions, eight of which were composed by Vartiainen and two were composed by the Big Band´s guitarist Jarmo SaariFind albums by this artist. The music was arranged for the Big Band by its conductor Marzi NymanFind albums by this artist and by Saari.
The music is a wonderful amalgam of Fusion and Big Band orchestral music, completely unique and wonderfully thought up. The arrangements are quite complex and multilayered, bringing forward the typical European stylistic and aesthetic values of Orchestral Jazz. The compositions, although based on straight-forward melody lines, are excellently structured and within the framework of the intricate arrangements are a true pleasure to listen to. In spite of the rich orchestral arrangements, the music manages to retain its Rocky kick and Fusion character, even without the presence of up front electric guitar in most cases. There are many wonderful solos of course, which emphasize the level of musicianship among the Big Band members.
Overall this is a brilliant piece of European Jazz, which shows again that Jazz knows no limits and undertaking ambitious projects pays off. It also reveals the superb level of Finnish Jazz, which sadly is way too little known outside of the country´s borders, but has a glorious history and superb recorded legacy, which I had the pleasure to follow closely in the last five decades.
This album is a little gem, which all Fusion and Big Band connoisseurs should not overlook by any means. A must!
| Updated: 06/07/2018Posted: 06/07/2018 | CD 1 Mini-Sleeve Recommend To A Friend |
  | EUROPEAN JAZZ ENSEMBLE ~ LIVE AT THE JAZZ CLUB U MUNIAKA NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2023 Released: 2023
This is a wonderful video by the European Jazz EnsembleFind albums by this artist, a quintet comprising of German baritone saxophonist August Wilhelm ScheerFind albums by this artist, Polish (resident in Munich) saxophonist / composer Leszek ZadloFind albums by this artist, Polish pianist Wojciech GroborzFind albums by this artist and young rhythm section: bassist Wojciech SzwugierFind albums by this artist and drummer Wieslaw JamiolFind albums by this artist. During the two hours concert they perform mostly music by John ColtraneFind albums by this artist in the first set and standards in the second set.
The U Muniaka Jazz Club in the old town of Krakow is one of the most legendary and oldest Jazz Clubs in Poland and has a wonderful atmosphere due to its location in an ancient cellar.
Zadlo, my dear Friend since many decades, is undoubtedly the greatest Polish interpreter of Coltrane’s music, and his virtuosity, talent, dedication and decades of experience make him a true phenomenon on stage, as can be witnessed here. But the entire quintet performs brilliantly and fans of Modern Jazz should enjoy this music immensely.
Overall, this is an excellent opportunity to hear the music of John Coltrane performed by European musicians, with a different aesthetic and dynamic approach usually heard on the other side of the pond. This DVD could be quite difficult to find, but making an effort will be definitely worth it!
| Updated: 15/12/2023Posted: 15/12/2023 | DVD 1 Recommend To A Friend |
  | BILL EVANS ~ LIVE AT ART D`LUGOFF`S TOP OF THE GATE RESONANCE 2012 (Barcode: 724101961526) ~ USA ~ Jazz Recorded: 1968 Released: 2012
This is another archival album by the greatest Jazz pianist of all time, Bill EvansFind albums by this artist, recorded with his trio with bassist Eddie GomezFind albums by this artist and drummer Marty MorellFind albums by this artist. The 2CD album presents two full sets played at that date, together seventeen tracks, recorded on October 23, 1968, at the peak of Evans’ creative power. Three of the performed compositions appear in both sets. All the tracks are standards, except for one original composition by Evans. As usual the album features an extended booklet with essays, superb historic photographs and other background information.
The album offers absolutely brilliant sound recording quality, with every little nuance perfectly audible, which of course adds to the pleasure of listening to the music. As usual, the brilliant telepathic communication between the trio members prevails over everything. Evans’ trios were always an exquisite example of collective music creation, and although Evans was at the center of attention, the role of creating the music and the responsibility was equally spread between the trio members, in contrast to the usual leader / sidemen formula.
These recordings, made with his longest lasting trio (six years 1968-1974), show Evans at his best, full of lyricism and sophisticated delicate touch on the keyboard. Gomez’s incredible support on the bass is absolutely stunning, a true soul brother and musical companion to Evans, as is the intricate playing by Morell.
Overall, this is a wonderful addition to the Bill Evans recorded legacy, covering his early dates with the Gomez / Morell trio. For the many Evans’ followers it is of course a must, and although it does not reveal anything previously not captured on record, it is certainly a superb piece of Jazz history.
| Updated: 15/06/2024Posted: 15/06/2024 | CD 2 Digipak Remastered Recommend To A Friend |
  | EVOLUCION ~ LA ERA DE PISCIS MYLODON 025 (Barcode: 3426300045850) ~ CHILE ~ Jazz-Rock Fusion Recorded: 1982 - 1986 Released: 2005
1st album by the excellent Chilean Prog / Fusion group EvolucionFind albums by this artist, which was active on the local scene since the early 1980s, but somehow never managed to release an album over the years. Only about 20 years later the Chilean Prog label MylodonFind albums on this label released their debut album, which collects their recordings from the 1980s. Formed in 1982 by keyboards player Pedro MoñozFind albums by this artist (who at this time was already a veteran on the local scene), the band went through several personnel changes over the years, gradually changing their style from instrumental Symphonic Prog to Fusion. The band members were all seasoned musicians with excellent instrumental abilities and Moñoz (who writes all the music) is an excellent composer, who is able to produce beautifully melodic themes on which the band members improvise. This album presents two lineups of the group: one from 1982-83 and the other from 1984-86 (which included a superb guitar player John ClarkFind albums by this artist). By the time the second lineup recorded their material, the group almost entirely left the Prog material behind and moved into Fusion. Fusion fans, who love Return To ForeverFind albums by this artist or Colosseum IIFind albums by this artist, will definitely enjoy this stuff immensely.
| | CD 1 Recommend To A Friend |
  | FAIRPORT CONVENTION ~ LIVE AT ROCKPALAST REPERTOIRE 1437 (Barcode: 4009910143728) ~ UK ~ Folk-Rock Recorded: 1976 Released: 2022
This is an archival live CD / DVD album by the legendary British Folk-Rock group Fairport ConventionFind albums by this artist, captured live in Germany on March 23, 1976 for the TV program Rockpalast. The group included at the time vocalist / violinist Dave SwarbrickFind albums by this artist, bassist / mandolinist Dave PeggFind albums by this artist, drummer Bruce RowlandFind albums by this artist, Breton guitarist Dan ar BrazFind albums by this artist, fiddler Roger BurridgeFind albums by this artist and pianist Bob BradyFind albums by this artist. The album presents nine tracks, mostly written by Swarbrick or traditional songs arranged by him. The CD and DVD present the same material.
The group was supporting their 11th studio album “Gottle O`GeerFind albums with this title”, where most of the songs on this album come from, but some older favorites are also included. The band is in its usual top form and brilliant Folk-Rock feel prevails, mixed with some typical British sense of humor. All these musicians are absolute masters of their respective instruments and listening to them performing brings some mighty fine memories of the times long gone. The great sound quality of this recording add to the overall pleasure.
Overall, this is an excellent time capsule of the British Folk-Rock movement, which ruled the British Isles music scene in the late 1960s and early 1970s, to be later largely forgotten. Any previously unreleased material by Fairport Convention is always a pleasant surprise, so just grab a copy!
| Updated: 04/04/2024Posted: 04/04/2024 | CD+DVD 2 Remastered Recommend To A Friend |
  | GEORGIE FAME ~ LOST IN A LOVER`S DREAM THREE LINE WHIP 009 (Barcode: 848542038248) ~ UK ~ Jazz Recorded: 2012 Released: 2012
This is an album by British Jazz singer / songwriter Georgie FameFind albums by this artist recorded in what is probably his most intimate recording setting in his entire career, accompanied just by Slovenian guitarist Primoz GrasicFind albums by this artist and Croatian bassist Mario MavrinFind albums by this artist. The album presents twelve songs, seven of which are Fame originals and the rest are standards. The music was recorded in Slovenia and offers a wonderful, natural sound quality.
Fame visited former Yugoslavia and later Croatia on a regular basis since the early 1980s and established close bonds with local musicians, which eventually led to the recording of this album, released on his label Three Line WhipFind albums on this label, sadly being one of his last recordings (so far).
Personally I think this is one of his absolutely best Jazz recordings, with the subtle intimate accompaniment by the two excellent musicians suiting the ambience ideally. Fame does not play keyboards here and is completely focused on the vocals, which again produces some of his best singing ever. The guitar / bass accompaniment is a classic example of clever and amicable support a vocalist should expect from his companions.
The music is an ideal combination of Fame originals and his favorite standards, which he delivers in his idiosyncratic manner, which has no equals. For some strange reason this album is extremely hard to find and it took me years to get hold of a copy, and believe you me I know where to look. I am glad I persisted, as this album definitely crowns my (hopefully complete) collection of his recorded legacy.
Overall, this is an absolute must for all Fame fans the world over, and one of his absolute best late period recordings, which is no less than an epitome of his unique talent and incredible delivery. An absolute must!
| Updated: 28/09/2021Posted: 28/09/2021 | CD 1 Recommend To A Friend |
  | FAMILY ~ LIVE MYSTIC 176 ~ UK ~ Progressive Rock
Family never released a live album (except those 4 live tracks on `Anyway`), so this is a most wonderful addition to their recording heritage. Recorded in 1971 at the London`s Rainbow (the prime UK venue for Prog and Rock in general), this is the band at their absolute peak playing and singing their hearts out. Same line-up as `Fearless` & `Bandstand`. What a band!
| | CD 1 Recommend To A Friend |
  | CHRIS FARLOWE ~ LIVE AT ROCKPALAST 2006 MIG 90842 (Barcode: 885513908421) ~ UK ~ Blues-Rock Recorded: 2006 Released: 2018
This is a live album by legendary British Rock / Blues / Soul vocalist Chris FarloweFind albums by this artist, recorded with the band led by Blues guitarist Norman BeakerFind albums by this artist, which included bassist John PriceFind albums by this artist, keyboardist Dave BaldwinFind albums by this artist, saxophonist Damian HandFind albums by this artist, drummer Paul BurgessFind albums by this artist and guest vocalist Nikolay ArutyunovFind albums by this artist. The 2CD album presents fourteen tracks, which include many Blues and Blues-Rock standards. The DVD presents the same material in video version and a bonus backstage interview.
Farlowe, born in 1940 and aged eighty-three at the time of writing, is a veteran of the British Rock scene, starting his career in the late 1950s and getting first attention with his group The ThunderbirdsFind albums by this artist in the mid-1960s. He joined the legendary group ColosseumFind albums by this artist in 1970 and is still an active lead vocalist of the group, almost fifty-five years later, a truly amazing achievement. He has one of the most distinctive voices and his affinity to the Blues is absolutely unique as are his interpretations of Blues oriented material and he has been one of my all-time favorite vocalists since forever.
This album finds him exactly where likes to be, singing a wonderful set of Blues-Rock material, accompanied by excellent instrumentalist, including Beaker, who is a superb electric Blues player. Sixty-six years young at the time, his vocals are absolutely untouched by time and he sound wonderful as always.
Overall, this is a brilliant Blues-Rock album, one of those which only get better with time, especially when the Blues-Rock scene is thinning out dramatically. Farlowe never made a bad record in his life, and this one is definitely up to par with his abilities. For guitar fans, not familiar with Beaker’s skills, this is quite a shocker, and of course for Farlowe many followers, this is an absolute must in their collection!
| Updated: 01/08/2024Posted: 01/08/2024 | 2CD+DVD 3 Digipak Recommend To A Friend |
  | CLAUDIO FASOLI / KENNY WHEELER / JEAN-FRANCOIS JENNY-CLARK ~ LAND AZZURRA 1328 (Barcode: 8028980739422) ~ ITALY ~ Jazz Recorded: 1988 Released: 2018
This is a reissue of a brilliant album by the European Jazz trio consisting of Italian saxophonist Claudio FasoliFind albums by this artist, British trumpeter Kenny WheelerFind albums by this artist and French bassist Jean-Francois Jenny-ClarkFind albums by this artist. The album presents nine tracks, all composed by Fasoli.
By the time this album was recorded, European Jazz had already a distinct, clearly defined character and aesthetics, of which this album is a superb example. The music is based on beautiful melodic themes, but is completely open to enable Free improvisations, complete freedom of expression and as much of an ensemble sound, as a trio setting is able to provide.
The performances are all nothing short of stellar and the soloing bloodcurdling, with plenty of amazing saxophone / trumpet unisono passages and duets, supported exquisitely by the sublime bass lines. The intimate drumless trio setting is ideal to make all the individual statements perfectly audible and the sound quality offers a perfect balance between the instruments.
Wheeler’s many followers should find his playing on this album to be absolutely amazing, and this recording is one of many of his recordings made with Italian musicians. This is one of Wheeler’s recordings, which remains almost completely obscure and does not appear in most of his discographies. I was very lucky to get it from Kenny’s private collection.
Overall, this is a superb European Jazz recording, which sadly is relatively obscure, but remains among the finest examples of the many international collaborations that make European Jazz so interesting. The sophistication, delicacy and amazing level of musicianship present here is absolutely timeless!
| Updated: 24/06/2023Posted: 23/06/2023 | CD 1 Remastered Recommend To A Friend |
  | FEVER TREE ~ LIVE AT LAKE CHARLES 1978 SHROOM 98004 (Barcode: 659131980424) ~ USA ~ Progressive Rock Recorded: 1978 Released: 1998
Fever TreeFind albums by this artist were one of the best Psychedelic / early Prog US bands in the late 60`s early 70`s, but as usual their recorded output was neglected and long since forgotten. They reunited the group for a live recording in 1978, which proves how good they really were. A great document keeping the flame alive.
| | CD 1 Recommend To A Friend |
  | FISHING PERSONS ~ LIVE & DEMO VITAL 010 ~ JAPAN ~ Jazz-Rock Fusion Recorded: 2000 - 2003 Released: 2008
1st album by excellent Japanese quintet Fishing PersonsFind albums by this artist, which collects their live performances and demo recordings. The band plays a strange mixture of Prog / RIO / Fusion and Jazz, completely unusual, which was all written by the band´s members. The instrumentation includes sax / flute, keyboards, guitar, bass and drums and the players are all excellent, especially the saxophonist / flautist, who takes a few very interesting solos. I couldn´t find any information about the band, but since the material included here is all several years old, I assume they disbanded in the meantime, which is a pity, as they had great potential. At least we have this document of their activities at the time, which reflects well the vibrant and advanced Japanese scene. Although completely obscure, this album surely deserves to be heard and enjoyed beyond its homeland. Recommended!
| | CD-R 1 Recommend To A Friend |
  | FLEETWOOD MAC ~ LIVE AT THE BBC ESSENTIAL 297 ~ UK ~ Blues
An amazing collection of BBC broadcasts by this legendary blues group recorded between 1967-1971. Peter Green and Danny Kirwan handle the guitar parts brilliantly and this is a true blues fiesta. As usual the BBC recordings are of higher quality then studio albums recorded in the parallel period, which makes this album even more worthwhile. Not to be missed by any serious blues fan.
| | CD 2 Recommend To A Friend |
  | FLEETWOOD MAC ~ LIVE AT THE MARQUEE RECEIVER 157 ~ UK ~ Blues
This 1966 live recording at the legendary London club is the earliest known recording by this seminal UK blues band. Recorded before the first studio album and even before the final line-up was crystalized, we can hear Green, Spencer and Flieewood playing their hearts out. The recording is pretty Lo-Fi, but considering the historic importance of this material nothing else matters. This is history in the making.
| Updated: 01/06/2018Posted: | CD 1 Recommend To A Friend |
  | FLOWER KINGS ~ LIVE IN NEW YORK-OFFICIAL BOOTLEG FOXTROT 023 ~ SWEDEN ~ Progressive Rock
Swedish band The Flower Kings needs no introduction to any Prog lover, with a long streak of extremely successful albums and world touring behind them. This special album captures them live at a NY club performance in 2002. Although a bit rough, this is a great document of Roine & Co. live, especially with the 47 minutes long version of `Garden Of Dreams`. Not to be missed by any TFK fan. Fan Club Limited Edition
| | CD 1 Mini-Sleeve Recommend To A Friend |
  | FOCUS ~ LIVE AT THE BBC HUX 051 (Barcode: 682970000510) ~ NETHERLANDS ~ Progressive Rock Recorded: 1976 Released: 2004
BBC Radio recording by the legendary Dutch Prog band FocusFind albums by this artist. After Jan AkkermanFind albums by this artist left Focus he was replaced by the brilliant Belgian jazz / fusion guitarist Philip CatherineFind albums by this artist. This change was so refreshing, that the band`s material sounded fresh again and his virtuoso performances are the focal point of this album. The bands is full of fire and energy and without a shadow of a doubt this is one the the best Focus recordings ever. What a joy to Focus fans, who are always on the lookout for new material by the band. Highly recommended!
| | CD 1 Recommend To A Friend |
  | FOCUS ~ LIVE IN AMERICA CLASSIC ROCK 1079 ~ NETHERLANDS ~ Progressive Rock
Newly re-formed Focus captured live during their US tour. Still led by the energetic (but fatter) Thijs van Leer and without Jan Akkerman, but this group can play the hell out of any competition. The material comes from their new (2002) album, as well as as all the favorite tunes from their 70`s albums. Great music refuses to die! Dolby Digital 5.1 Surround Sound, 90 minutes.
| | DVD 1 Recommend To A Friend |
  | FOCUS ~ LIVE IN SOUTH AMERICA SOL & DENEB 15 ~ NETHERLANDS ~ Progressive Rock Recorded: 2002 Released: 2004
Composer, flutists, keyboards player and bandleader Thijs van LeerFind albums by this artist revived the legendary Dutch band FocusFind albums by this artist in 2002 with three younger musicians: Jan DuméeFind albums by this artist – guitar, Bobby JacobsFind albums by this artist – bass and Bert SmaakFind albums by this artist – drums. The quartet recorded a new studio album (Focus 8Find albums with this title) and later embarked on an extensive American tour, which covered both the North and South continent. This album is a selection of live recording captured at various locations of the South American leg of the tour. The material includes all the fabulous classic material originating from the 1970s albums and can be viewed as a “best of” review of what the original group had to offer. After all Focus managed to create some of the most memorable Prog melodies, and they are all included here (“Syliva”, “Eruption”, “Hocus Pocus”, etc.), performed with freshness and vigor. The sound quality is also surprisingly good and all together this is an excellent tribute to the glory days of this great Prog group. This is a must to all the fans of the group and an excellent introduction to the group illustrious output for those who were too young to enjoy it at the time.
| | CD 1 Recommend To A Friend |
  | FORMULA 3 ~ LA GRANDE CASA SI-WAN 1007 ~ ITALY ~ Progressive Rock
4th and last album from 1973. This album is more song oriented then the previous one, but all the qualities of the band are still very evident and the music is excellent. After Formula 3 disbanded, the guitar player Alberto Radius formed the excellent band Il Volo.
| | CD 1 Recommend To A Friend |
  | MACIEJ FORTUNA ~ LOST KEYS FM 002 ~ POLAND ~ Jazz Recorded: 2009 Released: 2010
This is the debut album as a leader by Polish Jazz trumpeter Maciej FortunaFind albums by this artist, recorded with his quartet, which comprises of pianist Przemyslaw RaminiakFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and American drummer Frank ParkerFind albums by this artist. Fortuna has been one of the recognized talents on the local Jazz scene for a few years and this recording serves as the "formal" act of entering the major league of Polish Jazz musicians. The quartet performs nine original compositions, seven of which are credited to all four band members; of the two remaining one is by the pianist and the other by the bassist.
The music fits perfectly the modern Jazz mainstream, but is very interesting and aesthetic, with beautiful melodic themes and perfect arrangements. The execution is also absolutely first class, from start to finish. Most solos are performed (not surprisingly) by the leader and the pianist, but the rhythm section is firmly present throughout, playing confidently, accurately and with a lot of imagination. Pianist Raminiak is definitely one of the best among the young generation of Polish Jazz players, which erupted in the last couple of years forcing its way towards the top and his other recordings (with his RGGFind albums by this artist trio) are all worth investigating. As to the leader, his playing is both beautiful and perfect in every respect, with great sense of melody and technical proficiency.
Stylistically Fortuna is still distilling and purifying his personal and unique voicing, with his many influences even now quite apparent – mostly Miles DavisFind albums by this artist and other American Bop players, but also several notable Europeans. Of course every young Polish trumpeter is expected to follow and is judged by comparison to the mentor of Polish trumpet – Tomasz StankoFind albums by this artist, which of course is not fair and quite absurd. Even if Fortuna should in the future lean more towards less structured music, his voice and sound will be his own, so let´s give him a fair chance. It definitely sounds as we´ll hear quite a lot about him in the future.
This is definitely a brilliant debut album, which should make all the participating musicians proud. Wholeheartedly recommended!
| | CD 1 Digipak Recommend To A Friend |
  | FREE ~ LIVE! (EXPANDED EDITION) ISLAND 586228 (Barcode: 731458622826) ~ UK ~ Blues-Rock Recorded: 1970 - 1971 Released: 2002
5th album by FreeFind albums by this artist, Britain’s best ever Blues-Rock band, and their first live release. The united powers of vocalist Paul RodgersFind albums by this artist, guitarist Paul KossoffFind albums by this artist, bassist Andy FraserFind albums by this artist and drummer Simon KirkeFind albums by this artist created an unprecedented and explosive power, which was never to be matched by any of their contemporaries. Free’s rapid rise to stardom eventually brought the group down to its knees, with internal frictions, drug abuse and grueling touring combined. By the time these live recordings were made in 1970, Free were at the very last days of their first stretch and at the end of the tour the group just felt apart. IslandFind albums on this label Records rushed the release of the live material, riding on the publicity created by the group’s split. Although they would re-group a year later and record one more album together, these recordings are truly the group at their peak and their end all at once. In retrospect it might be all for the best, as Free were always best live, as many “posthumous” recording would prove. Their simplicity was their real power and it worked best on stage. This album is a phenomenal document as to what Blues-Rock is all about. Rodgers, with his completely unique husky voice and expressionist genius has no equals (not then and not since), carrying the tunes as if there’s no tomorrow, aiming straight at the listeners heart. Kossoff’s elegant and reserved guitar style ranks amongst the best Blues guitar work there is, and although he avoids flashy long solos, everything he states in just a few bars is just right on the money. Fraser’s bass lines keep the group together and drive the music steadily, providing as if by the way, some of the most remarkable bass riffs ever. Kirke’s drumming is always right on, again avoiding flashy solos but tasteful and extremely musical. Together they just soar and mesmerize, even when the music is not more complex than basic twelve-bar blues. The expanded edition doubles the original duration with previously unreleased live material from the same gigs and one studio alternate take of the studio track that closes the original album. This is definitely an essential document of the group’s heritage, but of the entire era when music was honest, extraordinary and heartbreaking. A must!
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | GARBOWSKI / CRUZ / ORINS ~ LINES OF FLUX IMP 002 (Barcode: 193428143487) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2018
This is the debut album by the Improvised Music trio comprising of Polish bassist / composer Maciej GarbowskiFind albums by this artist and French guitarist Ivann CruzFind albums by this artist and drummer Peter OrinsFind albums by this artist, but not the first recording which captures these three musicians together as they also recorded the "Rashomon EffectFind albums with this title" album in a quartet setting five years earlier. The music was recorded at the Institute of Music Performance, a wonderfully unique space in Katowice, where Grabowski organizes many events, concerts and recordings; a place where music magic happens. The album presents twelve relatively short spontaneous improvisations, all credited to the three members of the trio.
In contrast to the above mentioned earlier album, the music captured here is completely improvised and offers almost none of the conventional points of reference – melody, harmony and rhythm – that most music listeners expect to find when faced by music. But people who extend their musical tolerance to accept unconventional music should find this album highly rewarding.
Improvised Music performed by more than one person is all about communication, be it the ability to exchange ideas with the other musicians in the ensemble and even better to engage the listeners in an intellectual dialog of instant questions and answers, when the music oscillates between the performers and the audience.
All these three musicians are of course veterans of the European Improvised Music scene and their inspired performances here are not in the least surprising. They all have many impressive recordings in their portfolios and the long lasting partnership between them obviously strengthens the ability to communicate when on stage.
Overall this is a delicate, contemplative piece of Improvised Music, which should satisfy the connoisseurs of the genre and shed more light on the musicians involved, as they surely deserve praise for their efforts. Of course this album again emphasizes the vigor of the Polish Improvised Music scene, which has little rivalry elsewhere.
| Updated: 09/06/2019Posted: 09/06/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MACIEJ GARBOWSKI / KARI HEINILA ~ LINES OF POETRY IMP 001 (Barcode: 191061889045) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2016 Released: 2017
This is the debut album by the impromptu duo comprising of Polish Jazz bassist / composer Maciej GarbowskiFind albums by this artist and Finnish Jazz saxophonist / composer Kari HeinilaFind albums by this artist. The album presents twelve completely improvised pieces, all credited to Garbowski and Heinila.
This meeting between two mature and experienced musicians / improvisers is a wonderful example of spontaneity and mutual respect. Garbowski, well known as the bassist of the RGGFind albums by this artist trio and participant in many other top Polish Jazz projects, and Heinila famous for his work with Edward VesalaFind albums by this artist, the wonderful UMO Jazz OrchestraFind albums by this artist and his work as a leader, both bring into this meeting years of experience and more importantly unlimited amounts of sensibility and creativity.
For freely improvised music, the contents of this album could be considered as most communicative. Although there are no melodic motifs per se, Heinila´s saxophone lines are all extremely melodic, delicate and tender, flowing freely in time. Garbowski, who plays mostly in the background, is at all times in sync, both harmonically and rhythmically, with the saxophonist, listening attentively to his weaving of the notes.
Like all classic "Art of the Duo" albums, this music presents a document, which although of limited scope and intrinsic minimalism, is no less expressive than music created by much larger ensembles. It is up to the listener of course to expand the input received while listening to the music into inner emotions and virtual sound structures, but the contents of this album should be wonderfully supportive in such process.
This music works for many reasons; apparently the mutual affinity between the two musicians, but also perhaps due to the emotional similarities between the characteristic qualities of both Polish and Finnish music: melancholy, sadness, reflection and introvert perspective. But whatever the reasons, the meeting proved to be very inspiring and productive, as reflected by these recordings.
Improvised music has a priori a limited audience, but this album is quite accessible to a relatively wider circle of listeners, regardless of its improvised character. Therefore it is my suggestion to the open-minded listeners to try it out without any preconceptions – the result might prove to be pleasantly surprising. For more experienced improvised music connoisseurs this album is obviously a gem!
| Updated: 18/11/2017Posted: 18/11/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MICHAEL GARRICK ~ LIVE AT PIZZA ON THE PARK, LONDON VOCALION 9000 (Barcode: 765387900021) ~ UK ~ Jazz Recorded: 2006 Released: 2007
Pianist / composer Michael GarrickFind albums by this artist has been an icon of British Jazz for the last five decades. His exquisite touch on the keyboards, deep lyricism and unparalleled inventiveness as a composer characterize his entire legacy over time, which has very little rivalry or precedence. This DVD captures his exquisite performance with his new quartet (Garrick – piano, Martin HathawayFind albums by this artist – reeds, Paul MoylanFind albums by this artist – bass and Alan JacksonFind albums by this artist - drums with guest musician Mark HanslipFind albums by this artist – tenor sax).
Garrick seems to be untouchable by time, as he not only looks great but also plays beautifully, as if no time passed at all since he touched the keyboard for the first time. The music includes some of his old and some new compositions, as well as a few standards (all from the Duke EllingtonFind albums by this artist stable), which get a typical Garrick treatment, with a dash of British humor. He also recites a couple of poems, as appropriate for a pioneer of the Jazz & Poetry movement and gives a chance to a young gifted player as a guest.
A most enjoyable performance of great Jazz, which warms the heart and makes your feet go “tap tap tap”. The DVD also includes an insightful interview with Garrick, where he warmly (and with a lot of humor again) remembers the “good old days”, which were glorious indeed. I had a great time watching / hearing this and I’m sure anybody familiar with Garrick’s splendid and innovative contributions to music will do as well. 140 minutes.
| Updated: 01/01/2016Posted: | DVD 1 Recommend To A Friend |
  | AVIV GEFFEN ~ LIVE HELICON 8287 (Barcode: 7293627828727) ~ ISRAEL ~ Classic Rock Recorded: 2007 Released: 2008
11th album by Israeli Rock legend Aviv GeffenFind albums by this artist (13th if one counts the two BlackfieldFind albums by this artist albums), and his first edition of live material, which in many respects serves as a summary of his 15 years on the scene. Geffen, much as his father Jonathan GeffenFind albums by this artist before him, was always at the epicenter of both the Israeli musical and political scenes. His early-days rebel behavior, anti-establishment protest and mannerisms created a huge public debate in Israeli in the early 1990s, but his popularity with the Israeli teens was sky-high. The peak of Geffen’s political involvement was reached when he publicly reconciled with Israeli Priminister Itzhak RabinFind albums by this artist, following Rabin’s dramatic peace efforts, which unfortunately happened shortly before Rabin was assassinated. In time Geffen withdrew from political involvement and public life (other than concerts) and in parallel also became more introvert as musician and lyricist. The themes of his songs changed from protest and rebellion to soul-searching and metaphysical journeys. Since 2003 Geffen lives mostly in London, where he met and befriended Steven WilsonFind albums by this artist (Porcupine TreeFind albums by this artist), which led to the creation of their group Blackfield, and where he tries to develop his international career free from the restrictions imposed by the local Israeli scene. This Box Set includes two CDs recorded live during the summer of 2007. The songs – all written and composed by Geffen – span his entire career, with the older material appropriately rearranged and updated musically. Accompanied by a great band, which includes some of Israel’s best rockers, Geffen delivers his songs with passion and great stage presence. Although not a refined singer (some might even say a poor singer), his charisma and musicality transcend his limitations, as it does in many other cases in Rock music. Overall the delivery is very effective and these two disks summarize Geffen’s career to date perfectly. A couple of new songs, previously unrecorded, are also featured. The enclosed DVD is a great treat to Geffen fans, as it includes 21 video clips and live performances filmed between 1992 and 2008, none of which were previously commercially available. A beautiful booklet with the lyrics of all the songs (in Hebrew) and some nice photographs is also included. I can hardly imagine a better tribute to an artist’s career than this Box Set, which should delight all his numerous fans in Israel as well as abroad.
| Updated: 26/01/2019Posted: | 2CD+DVD 3 Recommend To A Friend |
  | JONATHAN GEFFEN / DANNY LITANI ~ LETTERS TO THE EDITOR NMC (ISRAEL) 70144 (Barcode: 7290003299102) ~ ISRAEL ~ Progressive Rock Recorded: 1976 Released: 1993
This album documents the second cooperation project between writer / poet / satirist Jonathan GeffenFind albums by this artist and singer / composer Danny LitaniFind albums by this artist, combining forces and presenting a live show, which included music, sketches, standup comedy and a lot of political satire, which also proved to be immensely successful with the Israeli public. This album presents a live recording of the show, with the leaders supported by excellent musicians and friends, including ex-ChurchillsFind albums by this artist bassist Miki GavrielovFind albums by this artist and guitarist Haim RomanoFind albums by this artist. Litani wrote all of the original music in the show except one song by Gavrielov and one by Leon RussellFind albums by this artist, with lyrics translated into Hebrew by Geffen, who wrote also all the original lyrics and spoken texts. This is a great document of the time and a great fun, with most of the satire being completely relevant today, so many years later.
| | CD 1 Recommend To A Friend |
  | GENERATION NEXT ~ LIVE AT JAZZ NAD ODRA SJ 007 (Barcode: 5902596066062) ~ POLAND ~ Jazz Recorded: 2013 Released: 2013
This is the debut album by the Polish Jazz sextet, which as the name suggests, presents the Father-to Son continuity on the local scene; four of the sextet´s members are second generation of Polish Jazz personalities. Trumpeter Piotr SchmidtFind albums by this artist is a son of Andrzej SchmidtFind albums by this artist, a renowned educator and author of Jazz history books, trombonist Jacek NamyslowskiFind albums by this artist is a son of the legendary saxophonist / composer Zbigniew NamyslowskiFind albums by this artist, Gabriel NiedzielaFind albums by this artist is a son of the celebrated bassist / composer Jacek NiedzielaFind albums by this artist and finally saxophonist Tomasz WendtFind albums by this artist is a son of saxophonist Adam WendtFind albums by this artist. The remaining two members of the sextet are Italian bassist Francesco AngiuliFind albums by this artist and veteran drummer Arek SkolikFind albums by this artist. The sextet performs seven original compositions, two each by Schmidt, Namyslowski and Wendt and one by Niedziela. The material was recorded live at the Jazz Nad Odra Festival and at the Polish Radio´s Warsaw studio.
The idea of forming a musical ensemble based on the fact that the members have something in common, other than the music they play, is always a perilous affair. Just imagine a group of left-handed players, or red-haired players or musicians who like strawberry ice cream? This is perhaps not the case at hand, but on the other hand it is difficult to guess what the purpose of this sextet really is. The music they play is straight-forward mainstream, which is completely déjà-vu and contributes no thrill and no challenge. Yes, they are all excellent players individually, but does their presence together on this album create any special interaction, which would have not happened in different circumstances? Not really.
So here we have it, an unremarkable Jazz recording, which is listenable enough but simply fades away as soon as the music is over. Considering the fact that there are hordes of fabulous young Jazz musicians on the Polish scene, who make outstanding music, this is sadly an example of what should be avoided.
| | CD 1 Digipak Recommend To A Friend |
  | GENTLE GIANT ~ LIVE (PLAYING THE FOOL) / CIVILIAN BGO 435 (Barcode: 5017261204356) ~ UK ~ Progressive Rock Recorded: 1977 - 1980 Released: 1999
11th and last studio album from 1980 and the only live (2 LPs) album ever recorded formally while Gentle GiantFind albums by this artist lasted from 1977. The studio album marked definitely the end of this brilliant group, but it has its moments. The live album is excellent and they play all their favorite tunes brilliantly, the only catch being the rather muffled sound quality.
| | CD 2 Remastered Recommend To A Friend |
  | GENTLE GIANT ~ LIVE IN NEW YORK 1975 GLASS HOUSE 110 ~ UK ~ Progressive Rock
The Glass House label releases all available live GG material, that was previously issued on various bootleg labels. The material is cleaned up and sounds quite decent. Of course every shread of GG material is worth its weight in gold.
This material was recorded in USA in 1975.
| | CD 1 Remastered Recommend To A Friend |
  | GENTLE GIANT ~ LIVE ROME 1974 GLASS HOUSE 101 ~ UK ~ Progressive Rock
The Glass House label releases all available live GG material, that was previously issued on various bootleg labels. The material is cleaned up and sounds quite decent. Of course every shread of GG material is worth its weight in gold. This material was recorded in Italy in 1974.
| | CD 1 Recommend To A Friend |
  | GILLAN, IAN / BAND ~ LIVE AT THE BUDOKAN REPERTOIRE 4795 ~ UK ~ Classic Rock
A double LP recorded live in Japan in 1982 on 1 CD. Deep Purple and Ian Gillan Band were the most popular rock attractions in Japan for many years and this album shows why. Included are many original Deep Purple songs, like `Smoke On The Water`.
| | CD 1 Recommend To A Friend |
  | IAN GILLAN / BAND ~ LIVE AT THE RAINBOW 1977 ANGEL AIR 608 ~ UK ~ Classic Rock
The only available footage of the Ian Gillan Band is no surprise to the fans of the band - brilliant and powerful. The tunes are stretched out to give plenty of opportunities for solos. Unfortunately the video material only last 35 minutes, but this DVD also includes a super rare Gillan interview and lots of rare audio material. Cosidering the fact that this is the only opportunity to see them perform it`s definitely worth it.
| | DVD 1 Recommend To A Friend |
  | GILLE / MUCHA / ARUTYUNYAN ~ LIGHTS & SHADOWS FOR TUNE 0130 (Barcode: 5906395808328) ~ GERMANY ~ Jazz Recorded: 2016 Released: 2017
This is the debut album by the European Jazz trio consisting of German saxophonist Sebastian GilleFind albums by this artist, Polish bassist Max MuchaFind albums by this artist and Latvian drummer Ivars ArutyunyanFind albums by this artist. It presents eight tunes, seven of which are original compositions by the trio members, composed individually and collectively, and one is a Thelonious MonkFind albums by this artist standard. The album was recorded at the excellent RecPublica Studios and offers a beautiful, crystal clear sound quality.
The music is a wonderful example of contemporary Modern European Jazz, floating elegantly between melody-based themes and free form improvisations, always unpredictable and exciting. The intimate saxophone trio format is an ideal environment for these three immensely talented players to expose their individual potentials and create a fully functional unit, which sounds as one organic music making body. All the original compositions are absolutely first class and the trio´s interpretation of the Monk standard should make most American Jazz players eat their hats.
Gille is an exceptional and completely unique saxophone player, who is able to produce almost unearthly tones, which sound sometimes like violin or flute, and considering he is playing the tenor, this is absolutely amazing. His manner of slowing the tempo almost to a standstill is also extremely effective and creates enormous amounts of tension in the music, in spite of the fact that it is almost minimalistic.
Mucha plays superb bass parts and is able to singlehandedly supply both the harmonic layer, upon which the saxophone parts are based, as well as the rhythmic pulsations, which are precise like a chronometer and at the same time dance around the time measures like an ice skater. Although he is rarely seeking a position in the Polish Jazz limelight, his consistently excellent work in the last few years definitely earned him an honorary position among the young lions of the European bass players.
Arutyunyan stands shoulder to shoulder with his two partners playing the drums well beyond just keeping the time, which he actually does very rarely. His incredible dynamics and sensibility, not very often found amongst drummers, makes him an equal partner within this tight unit. He is certainly someone to keep an eye on in the future.
Overall this is an astonishingly beautiful, intelligent and surprising debut album, which is an example what great Jazz means today, something that others should listen to in order to learn from it and of course a source of immense pleasure for Jazz lovers. An absolute must to every true Jazz connoisseur!
| Updated: 22/01/2018Posted: 22/01/2018 | CD 1 Recommend To A Friend |
  | BENJAMIN GISLI TRIO ~ LINE OF THOUGHT FJORDGATA 019 (Barcode: 644637116019) ~ ICELAND ~ Jazz Recorded: 2022 Released: 2023
This is the debut album as a leader by Icelandic Jazz pianist / composer Benjamin GisliFind albums by this artist (a.k.a. Benjamin Gisli EinarssonFind albums by this artist), recorded in a classic Jazz piano trio format with Norwegian bassist Andreas SolheimFind albums by this artist and drummer Veslemoy NarvesenFind albums by this artist. The album presents eight tracks, a short solo piano intro and six original compositions by the leader and one composition by Carla BleyFind albums by this artist.
Gisli has been active on the Norwegian scene for a while and recorded a couple of albums as sideman, but this is his first album, with focus on his compositions and performances. Despite their young age, all three musicians are already fine instrumentalists, with obvious schooling and experience, as appropriate for the thriving Norwegian scene these days.
The music is kept in the Nordic climate, with slow, almost lethargic themes developing leisurely, deeply lyrical and intentionally kept in a low key, but a couple of more energetic tracks are also present to keep some emotional balance of the whole affair. The compositions are perhaps somewhat uniform, but considering the fact that this is the first outing, Gisli is certainly a musician worth watching.
Overall, this is an enticing debut album, which shows the potential of the leader and his partners to become valuable members of the Scandinavian Jazz community, which is definitely one of the most sizzling and interesting European Jazz centers. Well done!
| Updated: 12/08/2023Posted: 12/08/2023 | CD 1 Digipak Recommend To A Friend |
  | GLASS HAMMER ~ LEX LIVE ARION 7112 (Barcode: 769051171120) ~ USA ~ Progressive Rock Recorded: 1993 Released: 1994
Firt DVD offering by one of the leading US Prog groups. It features material from their superb Lex Rex album and a few older favorites, as well as lots of bonus material (behind the scenes, etc.) which gives a fascinating glimpse at their creative process. Glass Hammer established their reputation by years of hard work and a series of solid albums and they are a living proof that Prog is alive and kicking. 122 minutes. NTSC
| | DVD 1 Recommend To A Friend |
  | GLASS HAMMER ~ LEX REX ARION 1123 (Barcode: 769051141123) ~ USA ~ Progressive Rock Recorded: 2002 Released: 2002
7th album. US Prog group Glass Hammer seem to be able to improve with every new release, and considering this has been going on for quite a while, no wonder the group is universally considered as one of the top acts of the genre. This concept album is full of all those typical elements that a great Symphonic Prog album needs - mellotrons, moogs & organs, long epic tracks, expressive vocals and mystic atmosphere. Need anything more?
| | CD 1 Recommend To A Friend |
  | GLASS HAMMER ~ LIVE AND REVIVED ARION 5710 ~ USA ~ Progressive Rock
5th album from 2001. This time not a new work but a release of older material recorded live in 1995 at the Progfest Festival rehearsal (The actual live recording of the festival was unfortunately unusable). This material, together with some unreleased studio tracks from 1994 (so called lost album), was released in 1997 as a limited edition album and was sold out completely. This is a re-release of that album.
| | CD 1 Recommend To A Friend |
  | GNIDROLOG ~ LADY LAKE SI-WAN 1022 ~ UK ~ Progressive Rock
2nd album from 1972 by one of the most interesting early UK Prog groups. Very high level of playing and usage of unusual instrumentation sets them apart from many of their contemporaries. The music is very diverse and complex, sometimes similar to Jethro Tull (extensive flute passages), Spring or Raw Material. Essential!
| | CD 1 Recommend To A Friend |
  | MACK GOLDSBURY ~ LIVE AT COCO`S CADENCE JAZZ 1245 (Barcode: 786497583027) ~ USA ~ Jazz Recorded: 2011 Released: 2012
This album presents a live recording by a quintet, which comprises of four American Jazz players: saxophonist Mack GoldsburyFind albums by this artist, guitarist Shaun MahoneyFind albums by this artist, bassist Erik UnsworthFind albums by this artist and drummer Ricky MalichiFind albums by this artist and also features the Polish Jazz trumpeter Maciej FortunaFind albums by this artist. The American players are pretty anonymous, but Fortuna is very well known on the Polish Jazz scene in the last couple of years and made several recordings as a leader, co-leader and sideman recently. The album includes seven compositions, two of which are standards, two are by Mahoney and the remaining three are by Goldsbury, Unsworth and Fortuna contributing one composition each. The recording quality is quite good and the music has a worm ambience and a clearly defined sound.
Stylistically the music is straightforward American mainstream, which of course in not very exhilarating. Fortunately Mahoney plays some really great and sensitive guitar and Fortuna blows beautifully, as always, being by far the best musician in the quintet and his composition is the most ambitious of the original compositions present herein. There is very little innovation or ambitious improvisation here, with the quintet sticking to the melody like flies to honey, which of course is hardly surprising. To put things in the right perspective, this is a respectable showcase of mainstream Jazz, which simply becomes sort of "not very exciting" after a while.
Of course it´s very educational for Fortuna to play with American Jazz musicians, as Jazz in Poland sounds pretty different in most cases. Dues have to be paid and these cats can swing. So no harm done and Fortuna gets another album in his discography, where he shows off his chops. Would I pay money to buy this music? Sorry… I´d have probably enjoyed the evening at the club when this music was recorded, but not much beyond. But hey, that´s just me, if you like mainstream Jazz, this ain´t bad at all.
| | CD 1 Recommend To A Friend |
  | GONG ~ LIVE ETC. VIRGIN 3501 ~ UK ~ Canterbury Scene Recorded: 1977
In 1977 the (almost) original GongFind albums by this artist re-united for a series of concerts, which were recorded and released on a double LP album. This CD contains all the material except 1 track, which was added to the CD version of Angel`s EggFind albums with this title. The group is in absolutely top form here and this is considered their best live effort ever. The material covers mostly the `Radio Gnome Invisible` trilogy.
| | CD 1 Recommend To A Friend |
  | GONG ~ LIVE ON TV 1990 CODE 90 1 ~ UK ~ Canterbury Scene
Fantastic performance by the original members of Gong reunited for the first time for a special TV program dedicated to the group. Many favorites of the classic Gong songs get a new treatment here and the humor and brilliance are present as always.
| | CD 1 Recommend To A Friend |
  | GONGMAISON ~ LIVE AT THE FRIDGE LONDON VOICEPRINT 007 ~ UK ~ Canterbury Scene
Gongmaison version of Gong existed in the late 1980s and early 1990s. They recorded only one studio album and this DVD is the first filmed document of their performances. Captured at a live gig in 1991, Gongmaison are playing a splendid mixture of psychedelia and jazz. Didier Malherbe is superb on saxes and flutes (and keyboards), but the real suprise is the outstanding violin work by Graham Clarke, who sets the stage on fire every time he takes a solo. Great stuff!
| | DVD 1 Recommend To A Friend |
  | JERRY GOODMAN / JAN HAMMER ~ LIKE CHILDREN WOUNDED BIRD 0430 (Barcode: 664140043022) ~ USA ~ Jazz-Rock Fusion Recorded: 1974 Released: 2006
Only album by this duo, formed following the demise of John McLaughlinFind albums by this artist’s Mahavishnu OrchestraFind albums by this artist Mk. I in 1973. Jerry GoodmanFind albums by this artist and Jan HammerFind albums by this artist were the founding members of MO and played on the seminal three first albums by the group. This album is quite different from the fiery pyrotechnics used in MO and concentrates on presenting a gentler and more personal side of both musicians. Hammer composed most of the music for this album (with Goodman contributing on three tracks), which varies a lot stylistically between Funk, Fusion and Progressive. Between the two of them they play a myriad of instruments, with Hammer handling all keyboards and percussion and Goodman playing electric and acoustic violins and guitars. Hammer shines on the moog synthesizer, his main solo instrument, and Goodman displays again his amazing violin technique, which resembles his work with FlockFind albums by this artist (before MO). The album lost none of its charm in time and is still a prime example of well-played and sophisticated Fusion music. Since Goodman’s recording heritage is rather sparse, it’s great to see this album back in circulation. Recommended!
| | CD 1 Recommend To A Friend |
  | GIDI GOV ~ LET US GROW UP IN PEACE HED ARZI 15065 (Barcode: 7293372506529) ~ ISRAEL ~ Classic Rock Recorded: 1985 Released: 1992
3rd album by Israeli singer Gidi GovFind albums by this artist, which is his second experience with producing music for children since the wonderful Sixteenth LambFind albums by this artist group / album. Of course, despite the fact that these songs can be enjoyed by kids does not make them inferior in any way in comparison to "normal" stuff for grown ups. These melodies and clever lyrics are as sophisticated as anything else gone by Gov, with most of the songs composed by the immensely gifted Yoni RechterFind albums by this artist and Avner KennerFind albums by this artist (Rechter and Kenner cooperated together in Fourteen OctavesFind albums by this artist and Kenner led his group PremiereFind albums by this artist). A couple of the songs are new versions of songs recorded by Sixteenth Lamb and the rest are new material written especially for this project. Accompanied by some of the best Israeli instrumentalists and backing vocalist Gov sings with his usual sensitivity and flair, which make this album another valuable addition to his superb musical legacy. Warmly recommended!
| | CD 1 Recommend To A Friend |
  | GRAND, OTIS ~ LIVE ANTHOLOGY MYSTIC 140 ~ UK ~ Blues
A new collection of live performances by one of the best UK white blues guitarists. Grand continues the great British blues tradition, rising the flag high and mighty. Lots of gutsy solos and a delight to the blues fan.
| | CD 1 Recommend To A Friend |
  | GRASS ROOTS ~ LEAVING IT ALL BEHIND / MOVE ALONG / ALOTTA` MILEAGE BGO 1510 (Barcode: 5017261215109) ~ USA ~ Pop & Rock Recorded: 1966 - 1973 Released: 2023
This is a reissue / remaster of the last three albums (out of seven total) by the American Pop / Rock group The Grass RootsFind albums by this artist, released between 1969 and 1973 on DunhillFind albums on this label Records. Most of the songs were written by the group members. In addition, fourteen bonus tracks (mostly non-album singles) spanning the entire Dunhill era (1966-1973) are also included. The 2CD album presents a total of forty-seven tracks.
The music offers a typical late 1960s / early 1970s Pop / Rock sound, with excellent, highly melodic songs, vocal harmonies and clever arrangements, which resulted in chart success, including gold discs. Although they were never as sophisticated as some of their contemporaries, in retrospect these songs are part of a soundtrack on an era, which goes way beyond straightforward nostalgia. The music was simply so much better at the time, that in comparison to contemporary Pop it is simply infinitely more satisfying.
Despite numerous personnel changes, the group continued to record further albums, on other labels, and in fact continue to play live even today as an oldies show.
Overall, this is a great reminder of the times when Pop / Rock music sounded really cool, and offered satisfaction, which lasts for decades. Revisiting these albums was a great fun, bringing back many songs I have forgotten, but which sound as great today as they did when I was a teenager.
| Updated: 08/05/2024Posted: 08/05/2024 | CD 2 Slipcase Remastered Recommend To A Friend |
  | GREAT WEE BAND ~ LIGHT BLUE TRIO 589 (Barcode: 5060052775894) ~ UK ~ Jazz Recorded: 2011 Released: 2011
This is the second (and last) album by the Great Wee Band quartet co-led by British Jazz trumpeter / composer Henry LowtherFind albums by this artist and guitarist / composer Jim MullenFind albums by this artist, which also included the legendary bassist Dave GreenFind albums by this artist and drummer Stu ButterfieldFind albums by this artist. Saxophonist Stan SultzmannFind albums by this artist guests on three tracks. The quartet was founded in 1999, some ten years before their debut studio album was recorded, and released a demo live album in 2002. The album presents eleven tracks, nine of which are standards and one each is an original by Lowther and Mullen.
The music is all mainstream Jazz oriented, with no surprises as to the stylistic direction, obviously played for fun and camaraderie by musicians who know each other for years. This enables the listener to concentrate on hearing the intricacies of the performances by the individual musicians, which are truly delightful. Lowther on trumpet and flugelhorn delivers many outstanding solos, as does Mullen on his guitar, and the rhythm section plays amicably and always exactly on time, as appropriate for the veterans of their statue.
Overall, this is a great opportunity to hear these musicians in an intimate, relaxed and friendly environment, often presenting a lesser known facet of their careers. This is classic mainstream Jazz with a British aftertaste, which is always a charming experience.
| Updated: 11/04/2023Posted: 11/04/2023 | CD 1 Recommend To A Friend |
  | JOHN GREAVES ~ LITTLE BOTTLE OF LAUNDRY BLUEPRINT 232 ~ UK ~ Progressive Rock
Greaves is one of the key figures of the Avant-Garde/Progressive scene since his days as a member of Henry Cow. A brilliant songwriter and vocalist, each of his solo albums is a gem and piece of musical artistry. This album was recorded in 1990-1991 in France (where he lives now) and the palyers are mostly French musicians of the highest calibre.
| Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | GREENSLADE ~ LARGE AFTERNOON MYSTIC 142 ~ UK ~ Progressive Rock
A new album recorded in 2000 by a reincarnation of this legendary band, featuring the two original founding members (Greenslade & Reeves). With modern keyboards technology at hand, Greenslade proves again that he`s one of the most talented players of all times and his compositional skills are as strong as ever.
| | CD 1 Recommend To A Friend |
  | GREENSLADE ~ LIVE MYSTIC 136 ~ UK ~ Progressive Rock
The group Greenslade was formed in 1973 by two ex-Colosseum members - keyboards wizard Dave Greenslade and bassist Tony Reeves. They were one of the best keyboards oriented Prog groups ever and released 4 albums. This recording is the only `live` document of their dynamic delivery. Recorded in 1973 and 1975 it features some of their best music.
| | CD 1 Recommend To A Friend |
  | SHLOMO GRONICH ~ LIVE HED ARZI 14805 (Barcode: 7293372480522) ~ ISRAEL ~ Progressive Rock Recorded: 1980 Released: 1993
2nd album by Shlomo GronichFind albums by this artist. Although recorded live as a solo performance, parts of the album were later overdubbed in the studio with added brass. The album showcases Gronich`s brilliant compositions and clearly documents his development as a performer since his debut album. His unique approach to music making places him on the pioneering front of Israeli music.
| | CD 1 Recommend To A Friend |
  | PHILIPP GROPPER / PHILM ~ LICHT WHYPLAYJAZZ 007 (Barcode: 4050486070048) ~ GERMANY ~ Jazz Recorded: 2011 Released: 2012
This is the debut album by the quartet called PhilmFind albums by this artist, led by German saxophonist / composer Philipp GropperFind albums by this artist and including Norwegian pianist Havard WilkFind albums by this artist, Danish bassist Andreas LangFind albums by this artist and German drummer Oliver SteidleFind albums by this artist. Gropper is also known as the leader of the trio Hyperactive KidFind albums by this artist and the group TauFind albums by this artist, as well as a member of FUSKFind albums by this artist, SONNEFind albums by this artist and several other projects. With over thirty albums as a leader and sideman he is one of the most prolific German (Berlin based) Jazz musicians since the turn of the Millennium. The album presents six original compositions, all by Gropper.
The music presents a set of passionate statements, beautifully crafted by their composer and wonderfully executed by the quartet, which combines four individual talents into a fresh amalgam, where the total is greater than the sum of its parts. Since I´m already familiar with Gropper, Lang and Steidle from other recordings, it is Wilk who is the nicest surprise of this album, playing some superbly imaginative lines and proving to be pianist definitely worth following in the future. Lang plays his usual wonderful bass staccatos and keeps the rhythm section as an integral part of the collective improvisation. Steidle, who is another veteran on the German scene and has a fine reputation as a highly imaginative and gifted drummer justifies his standing in full.
Although most of the music is improvised, it has a strong melodic ingredient, sometimes clearly noticeable but most of the time only present subconsciously. This music has a clearly defined direction and a sense of purpose, which many Free Jazz / Improvised Music recordings simply lack completely. To be completely free and unrestrained within specified harmonic and melodic boundaries is a much more sophisticated form of expression than complete tonal anarchy, something free improvisers tend to forget.
Overall this is an excellent debut group effort and I´m looking forward to hearing more from where this music came from, hopefully soon!
| | CD 1 Mini-Sleeve Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-03 CAMINO 33 ~ UK ~ Progressive Rock
Recorded during the 2003 `To Wath The Skies` tour all over Europe, this latest addition to the Hackett`s Live Archive series proves again that he is probably one of the most consistently brilliant figures on the Prog scene. The material includes, as usual, some new tunes from the latests albums, as well as some old favorites, performed flawlessly and with passion by Steve and the latest eddition of his band.
| | CD 2 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-04 CAMINO 34 ~ UK ~ Progressive Rock
Recorded in Budapest, where Steve performs often lately, always before an enthusiastic audience, this is another superb document of his skills. The material covers mostly the latest releases, but also as usual some old favorites in a new arrangement. The entire band smokes and soars. You just can`t go wrong with Hackett`s releases, no matter how much you try.
| | CD 2 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-05 CAMINO 36 ~ UK ~ Progressive Rock
Recorded in April 2005 at the Queen Elizabeth Hall in London, this album presents the Steve Hackett Acoustic Trio (with brother John on flute and Roger King on keyboards), performing a beautiful `unplugged` show with lots of new music composed by Steve. The album features the acoustic side of Steve`s brilliant playing, introverse and delicate, but deeply rewarding. He just can`t go wrong and his consistency is a major asset.
| | CD 2 Recommend To A Friend |
  | STEVE HACKETT ~ LIVE ARCHIVE-NEARFEST CAMINO 32 ~ UK ~ Progressive Rock
Hackett`s performance at the Nearfest 2002 festival was to many of the festival`s participants the highlight of the entire event. Captured live in its complete form and released on this album, this music becomes a document to be shared my all those, who could not be there, which of course includes thousands of his loyal fans. Great band supporting Hackett and his performances are brilliant as ever.
| | CD 2 Recommend To A Friend |
  | HAKMOUN, HASSAN ~ LIFE AROUND THE WORLD ALULA 1009 ~ USA ~ World Music & Folklore
As the inhabitants of this modern world move into a new millenium, age-old cultural and musical traditions seem to be difficult to preserve. Luckily,the music and traditions of the Gnawa are thriving in Hassan Hakmoun. "Life Around The World," an album of live performances, has been specifically remastered for international release. Previously available only at live shows and in a small section of the United States, the album includes several never-released tracks. Track 8, "Amontay," an uptempo powerhouse of rhythm, combines the sintir, djembe, and a drum kit with quakabeb (large metal castanets) and guitar. The opening track, "Live" features late jazz great Don Cherry on melodica & vocals. Each track, whether contemplative or feverish, is a beautiful showcase of Hassan Hakmoun´s vocal stylings and sintir playing.
| | CD 1 Recommend To A Friend |
  | HAPPY THE MAN ~ LIVE CUNEIFORM 55014 ~ USA ~ Progressive Rock
Recently discovered live recordings from 1978 present the group at their peak playing extended versions of tunes from their first 2 albums and some new ones. Great sound and a must for all HTM fans.
| | CD 1 Recommend To A Friend |
  | HARRIS, EDDIE / FUNK PROJECT ~ LISTEN HERE! ENJA 7079 ~ USA ~ Jazz
US saxophonist Eddie Harris is one of the pioneers of Funk and his legendary recordings from 1960s already point in that direction. Excellent player, who alwas surrounds himself with other gifted musicians, usually from the younger generation. On this 1992 album he is supported by Ronald Muldrow an guitar, Ray Peterson on bass and Norman Fearrington on drums.
| | CD 1 Recommend To A Friend |
  | KEEF HARTLEY BAND ~ LITTLE BIG BAND ESOTERIC 2051 (Barcode: 5013929715127) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2008
5th album by the excellent Keef Hartley BandFind albums by this artist, one the best Blues / Rock / Jazz ensembles ever, founded by drummer Keef HartleyFind albums by this artist following his stint with John MayallFind albums by this artist´s BluesbreakersFind albums by this artist. This live recording in London´s legendary Marquee Club is a most ambitious project the band undertook, expanding its personnel to a full scale Big Band of 16 musicians, which included the best Jazz players on the UK scene at the time. The entire project was prompted by an invitation from the BBC to record live and the bandwagon got rolling from there. Alongside the Hartley regulars the additional players include trombonist Derek WadsworthFind albums by this artist, saxophonist Barbara ThompsonFind albums by this artist, trumpeter Harry BeckettFind albums by this artist and many more. Although the material is Blues based, in fact the orchestral arrangements and the entire concept is a tribute to great Jazz Big Bands, which were a great source of influence to Hartley. This is not only great music but also a great document of the times, when musical project could be made to come true regardless of their complexity and expense. Just sit back and succumb to the engulfing sound of the band in its full might – satisfaction guaranteed! Superb stuff!
| | CD 1 Remastered Recommend To A Friend |
  | ANNIE HASLAM ~ LIVE STUDIO CONCERT VOICEPRINT 020 ~ UK ~ Progressive Rock
Considering how rare any footage by Annie Haslam / Renaissance is, it is a great feast to have an opportunity to see and listen to this wonderful performance. Filmed in 1997 at the Prism TV Network studios in Philadelphia, Annie proves that she is still as good a singer as she ever was and her angelic voice remains intact. She gets a most sympathetic support from three musicians / friends (Rave Tesar – keyboards, David Biglin – keyboards and guitar and Joe Goldberger – drums) and the material includes some of her best known songs from her solo career and a few older Renaissance songs. The intimate setting of small studio audience provides Annie with an ideal environment to display her ability and get immediate feedback from the listeners. For the many Annie Haslam’s fans this is a Godsend.
| | DVD 1 Recommend To A Friend |
  | ANNIE HASLAM ~ LIVE STUDIO CONCERT VOICEPRINT 379 (Barcode: 604388322022) ~ UK ~ Progressive Rock Recorded: 1997 Released: 2006
Recorded in 1997 at the Prism TV Network studios in Philadelphia, Annie proves that she is still as good a singer as she ever was and her angelic voice remains intact. She gets a most sympathetic support from three musicians / friends (Rave Tesar – keyboards, David Biglin – keyboards and guitar and Joe Goldberger – drums) and the material includes some of her best known songs from her solo career and a few older Renaissance songs. The intimate setting of small studio audience provides Annie with an ideal environment to display her ability and get immediate feedback from the listeners. For the many Annie Haslam’s fans this is a Godsend. This CD includes the audio material on the DVD by the same name, with the addition of one bonus track.
| | CD 1 Bonus Tracks Recommend To A Friend |
  | ANNIE HASLAM ~ LIVE UNDER BRAZILIAN SKIES VOICEPRINT 355 ~ UK ~ Progressive Rock
Recorded live during Annie`s 1997 tour of Brazil, this nice album spotlights her solo career years after leaving the legendary Renaissance. The music includes a few Renaissance classics, as well as songs from her later solo albums. Haslam has never lost neither her absolutely wonderful, crystal clear voice, nor her tremendous feeling and ability to express music, which make her one of the greatest performers in Prog.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | TUBBY HAYES ~ LIVE AT THE FLAMINGO 1958 RHYTHM AND BLUES 092 (Barcode: 5060331753445) ~ UK ~ Jazz Recorded: 1958 Released: 2023
This is an archival album by the iconic British Jazz saxophonist / composer / bandleader Tubby HayesFind albums by this artist. It presents a previously unreleased live recording at the legendary Flamingo club in London, captured during the early days of Hayes’ career, before he achieved the top rank on the British scene. The music is performed by a formidable octet, with trumpeters Les CondonFind albums by this artist and Stuart HamerFind albums by this artist, saxophonists Alan BranscombeFind albums by this artist, Ronnie ScottFind albums by this artist and Hayes, pianist Terry ShannonFind albums by this artist, bassist Jeff ClyneFind albums by this artist and drummer Bill EydenFind albums by this artist – a band that in fact existed only once for that particular concert. Three additional musicians guest on selected tracks. The album presents nine tracks, seven of which are standards and two are originals, one by Jimmy DeucharFind albums by this artist and another by Hayes.
The accompanying booklet offers an informative essay by Simon SpillettFind albums by this artist, who is the author of the Tubby Hays biography, which of course is worth reading.
The music is of course still mostly in the American Bebop tradition, but clearly shows how the British musicians adopted that tradition and added a very specific “British touch” to it, already at that early stage. The individual performances are nothing short of brilliant and the octet arrangements are clever and sophisticated. The club atmosphere is a reminder why the Flamingo was a place to be in late 1950’s London, when one wanted to hear some great music (and for other less cultural reasons).
The recording is mono, but offers quite reasonable sound quality, which enables everything to be heard properly, even if the drums are sometimes a tad too high in the mix, a small price to pay for the splendid music, which lost nothing of its vitality in the sixty-five years since it was recorded.
Overall, this is a superb piece of British Jazz history, and a splendid reminder of the great talent of one of its most impressive heroes. Hayes was undoubtedly one of the greatest European saxophonist, and his talent was recognized also on the other side of the pond, which happened rarely. His pioneering ability to combine the Jazz tradition with modernism and even early Avant-Garde Jazz approach, in addition to his superhuman performing skills, makes him a legendary figure, which should be remembered by all, especially since he left us tragically way to prematurely.
| Updated: 24/10/2023Posted: 19/10/2023 | CD 1 Recommend To A Friend |
  | WARREN HAYNES BAND ~ LIVE AT THE MOODY THEATRE PROVOGUE 7383 (Barcode: 8712725738329) ~ USA ~ Blues-Rock Recorded: 2011 Released: 2012
US guitarist / vocalist / songwriter Warren HaynesFind albums by this artist needs no introduction and any Blues-Rock fan around the world is surely familiar with his work with The Allman Brothers BandFind albums by this artist, Gov`t MuleFind albums by this artist or his solo recordings. He is regarded as one of the best Blues-Rock guitarist out there and his versatility and talent precede him. This superb live recording of his band brigs everything he has to offer in one neat package with four hours of material on two CDs and a DVD, which should keep every Blues-Rock fan more than happy. The six-piece band and guest musicians go through two sets of songs, mostly written by Haynes, with just a few borrowed treasures. This is music straight from the heart and one should take it as it is, without looking for things that aren´t there. Haynes and his guitar are trademarks of contemporary US Blues-Rock and they kick bottoms. Warmly recommended!
| | 2CD+DVD 3 Digipak Recommend To A Friend |
  | HEFI QUARTET ~ LIVE NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2011 - 2013 Released: 2013
This is the third album by young Polish Jazz flautist / saxophonist / composer Leszek HeFi WisniowskiFind albums by this artist, this one being released under the moniker of his current HeFi QuartetFind albums by this artist, which also includes the fabulous keyboardist Pawel KaczmarczykFind albums by this artist, bassist Tomasz KupiecFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. The music includes one studio track (from 2013), three live radio tracks (from 2012) and six live concert tracks (from 2011), which also feature the veteran violinist Krzesimir DebskiFind albums by this artist. All the music was composed by Wisniowski except one track which is credited to the entire group and one which is a traditional folklore tune.
The music is exciting Modern mainstream with some World Music influences, a bit of Fusion and other ingredients, all well amalgamated compositionally and beautifully executed. The first part of the album (the radio / studio recordings) is mostly calm and relaxed, whereas the second part (the concert recordings) with Debski is much more energetic, loud and expressive, with Debski´s input being quite dominant. Overall the music is truly excellent, but the album suffers a bit from being a somewhat hectic collection of music recorded under different circumstances rather than an integral statement.
Wisniowski also makes a mistake of employing / inviting musicians, who are simply excellent, which sadly makes him the least impressive player of them all, even if he´s the leader. Kaczmarczyk completely "steals" the show with his superb solos, which are all simply brilliant, both technically and emotionally. The rhythm section also performs beautifully, way beyond just supporting the soloist, but actually contributing actively to the process of creating the music. These young musicians have already quite a lot of experience performing and even recordings behind them, which is immediately noticeable. Debski, as already mentioned, is a veteran with a very flamboyant style of playing. As a result the leader´s solos really sound rather pale in comparison.
Nevertheless this is still a very strong album, which many Jazz listeners will enjoy immensely. Not too complex and yet interesting and versatile stylistically, this is definitely something worth listening to and at the same time accessible to a relatively wide range of connoisseurs.
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  | PABLO HELD ~ LINEAGE PIROUET 3094 (Barcode: 4260041180949) ~ GERMANY ~ Jazz Recorded: 2016 Released: 2016
This is the 8th album by the German pianist / composer Pablo HeldFind albums by this artist and his trio with bassist Robert LandfermannFind albums by this artist and drummer Jonas BurgwinkelFind albums by this artist, which marks the 10th Anniversary of the trio’s existence and recording career. The album presents eight tracks, all original compositions by the leader.
The music is excellent modern European Jazz, based on solid compositions, with a melodic core but a lot of freedom and odd meters, as appropriate for the occasion. The trio is perfectly synchronized and the music flows briskly, despite the fact that the rhythmic structures are quite complex and require patience and attention in order to be followed.
Held is a very gifted pianist with a wide array of technical abilities, who is able to switch moods and atmospheres on the flow, which is perhaps not very easy to follow by a less trained ear, but highly effective. The rhythm section is able to support these uneven changes in mood and tempi with ease and stands behind the leader faithfully for the entire duration.
European Jazz followers will notice that the entire aesthetics of the music and the trio’s performances are very close to the Scandinavian school and the early ECMFind albums on this label sound, which is not explicitly mimicked, but definitely recognizable, which should make the connoisseurs of these genres very happy.
Overall, this is a very good piano trio album, with a modern and quite open attitude to Jazz, almost Free but not quite, which is far from being easily likeable, but offers high quality musical experience, rewarding the attentive listener. Definitely not music for cocktail parties ;)
| Updated: 11/09/2024Posted: 30/08/2024 | CD 1 Digipak Recommend To A Friend |
  | JIMI HENDRIX ~ LIVE AT THE FILMORE EAST MCA 111931 ~ USA ~ Classic Rock
This double album documents the legendary Hendix concerts on the New Year`s Eve (December 31, 1969 & January 1, 1970) at the Filmore East with the Band Of Gypsies trio (Hendrix, Cox & Miles). Hendrix was at the peak of his career and performing ability and these incredible music goes to emphasize his genious in full swing. Every note here screams perfection and after so many years this is still unbeatable and uncontrollably beautiful.
| | CD 2 Remastered Recommend To A Friend |
  | JIMI HENDRIX ~ LIVE AT WOODSTOCK SONY 780552 (Barcode: 886978055224) ~ USA ~ Classic Rock Recorded: 1969 Released: 2010
As imperfect as the Jimi HendrixFind albums by this artist Woodstock appearance is, it is still an iconic moment not only in Rock history but also a turning point in US history. As the closing set of the festival, Hendrix played to a small "leftovers" crowd of the immense human Woodstock gathering, when the almost apocalyptic scenery of garbage and desolation serves as the visual background of his performance in the Woodstock movie. The 1960s were over, for Hendrix, for the US, for the world. The ideology of "Peace and Love", shuttered by the Vietnam War, Cold War, political hypocrisy and false promises of "chasing the buck" were definitely winning. The social unrest and high aspirations to create a "better world" would be also over pretty soon, ultimately making no impact in the big picture. Europe would hold on to the ideology for a bit longer, eventually falling victim to the Golden Calf as well. It was "Apocalypse Now", and Hendrix played the perfect soundtrack for it. With the Jimi Hendrix ExperienceFind albums by this artist gone, he put together an ad-hoc band which would fulfill the Woodstock contract; under-rehearsed and not really an organic musical unit, it did its best, which was far from what it could have been. Nevertheless, Hendrix and his musical genius were sp overwhelming, that the Woodstock performance still manages to stand out as an epic piece of Rock music. This album includes the complete Woodstock performance with the exception of two songs, which were purposely omitted, as they didn´t feature him as the leader, which is perhaps for the best. Is this still a valid piece of music in retrospect? Hell yes! It´s stunning, whichever way one looks at it, remaining as iconic now as it was then. Essential!
| | CD 2 Essential Recommend To A Friend |
  | JIMI HENDRIX ~ LIVE AT WOODSTOCK / SMASH HITS MCA 113074 ~ UK ~ Classic Rock
Hendrix performance at Woodstock is one of the peak moments of the 60´s, as documented in the Woodstock movie. This is another look at the messmerizing moments of one of the most important musical as well as social events of the 20th century comes to its end and the music provides a perfect soundtrack. 57 minutes. This packages also oncludes as a bonus the Smash Hits compilation audio CD, which was the only collection album released while Hendirix was alive.
| | DVD+CD 2 Remastered Recommend To A Friend |
  | JIMI HENDRIX ~ LOS ANGELES FORUM SONY 196587246723 (Barcode: 196587246723) ~ USA ~ Classic Rock Recorded: 1969 Released: 2022
The short-lived Jimi Hendrix ExperienceFind albums by this artist remains a quintessential icon of the Golden Decade of Classic Rock. A combination of American blues soaked guitar virtuosity of Jimi HendrixFind albums by this artist and British Rock / Prog influenced bassist (originally a guitarist as well) Noel ReddingFind albums by this artist and Jazz influenced drummer Mitch MitchellFind albums by this artist, created a phenomenon way bigger than just a Power Rock trio. Hendrix perfected the Rock improvisation idiom, bringing it to ecstatic heights beyond any other Rock guitarist of his generation and the tightness of the trio defined the parameters of the Power Rock idiom.
This album is an archival live recording, captured at the Los Angeles Forum on April 26, 1969 at the last leg of the last Experience American tour. The internal tensions and other circumstances would tear the trio apart soon after. The concert was recorded and intended to be released as a live album, but that never materialized. Although the recordings present here were previously scattered on several collection albums, the concert in its entirety appears here for the first time, and the new remix, by the legendary studio engineer Eddie KramerFind albums by this artist, improves the aural experience considerably. The material includes the usual mixture of original material and favorite covers by the trio, with no special surprises. The booklet includes some fine photographs and interesting liner notes, describing the historical background of this recording.
Overall, although not particularly innovating to the Hendrix crowd, this is still a great time capsule, documenting a unique phenomenon called Jimi Hendrix Experience, which although recorded over five decades ago, sounds today infinitely better than most Rock music recorded since. An absolute must to all Hendrix enthusiasts!
| Updated: 02/12/2022Posted: 02/12/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | HENRY COW ~ LEG END RER HC1 ~ UK ~ Progressive Rock
1st album from 1973 by what is considered the most important and influential avatgarde UK Prog group of all times. Their music is so different and more advanced from anything done at that period that it took many years for people to realize the true qualities of this outstanding music. Absolutely essential listening.
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  | KRZYSZTOF HERDZIN ~ LIVE IN TYGMONT ALLEGRO 011 ~ POLAND ~ Jazz Recorded: 2004 Released: 2006
This album presents a live recording captured at the Warsaw´s Tygmont club by pianist / composer Krzysztof HerdzinFind albums by this artist and his trio, with bassist Zbigniew WegehauptFind albums by this artist and drummer Cezary KonradFind albums by this artist. The trio performs six compositions, four of which are originals by the leader and two are standards. The recording has a beautiful realistically captured live sound and an overall superb sound quality.
People familiar with the Polish Jazz scene are surely aware of the fact that Herdzin is one of the busiest and most versatile musicians in the country, who left his mark on a large scale of different musical projects in Contemporary Classical music, Jazz and Popular music. His work as an arranger / orchestrator marks most of the great Pop albums recorded in the last two decades in Poland. Sometimes it seems as if there is hardly anything happening in Polish music, which does not involve Herdzin one way or another. Of course such omnipresence can be dangerous and lead to spreading the talents thin, but one must admit that everything Herdzin touches turns out well, which simply proves his incredible talent, versatility, stamina, perseverance and above all professionalism.
To be fair one must remember that this album presents just one aspect of Herdzin´s activity, i.e. his work as a leader of a classic Jazz piano trio. During his career Herdzin recorded several albums in this format, and I must admit this is the favorite one for me. There are several reasons why I feel that way; firstly the material included herein presents a wide emotional range, from up-tempo numbers presenting Herdzin as a virtuoso pianist performing neck-breaking solos and up to deeply contemplative ballads, where the listener can hear Herdzin the atmospheric painter. Secondly the trio work, which is absolutely stunning, is a superb example of creative cooperation in real time, which after all is what Jazz is all about. The dazzling displays of piano bravura are brilliantly supported at all times by the rhythm section, which at the time of the recording was probably the best in the country. My deeply lamented personal friend Zbigniew Wegehaupt, who left us at a ridiculous young age a year ago, was undoubtedly one of the greatest bassists to emerge on the local scene and drummer Cezary Konrad, with whom Herdzin works often, is probably to top drummer of the second Jazz generation in Poland.
This is a classic piano trio album in every respect, which should satisfy even the sternest and most capricious Jazz connoisseurs. Regardless if your champion is Chick CoreaFind albums by this artist, Bill EvansFind albums by this artist or Herbie HancockFind albums by this artist, you will find something here, which is of course first and foremost Herdzin´s statement, but sits firmly in the same state of mind that these great Masters bestowed upon us. A timeless jewel!
| | CD 1 Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ LOOK INWARD UNIVERSAL MUSIC POLSKA 602557947120 (Barcode: 602557947120) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017
This is a solo piano album by Polish Jazz pianist / composer / arranger Krzysztof HerdzinFind albums by this artist, who is a highly respected musician on the local scene, known for his professionalism and perfectionism. The album, which is Herdzin´s first solo piano venture, presents nine improvised pieces, which as the album´s title and the liner notes describe, are highly personal reflections of his musical life´s experiences, impulsively created on the spur of the moment.
In the last few years of his career Herdzin gradually moved away from Jazz towards other musical areas, mostly contemporary Classical Music and stage music. This album follows the same pattern, perhaps subconsciously, but it has very little to do with Jazz per se, and is much closer to Classical forms of expression. Although the melodic content is very fragmented, the overall mood is mostly lyrical and romantic, often quite minimalist. Herdzin uses mostly single notes and chords are being used sparingly, which creates tension and anticipation, but on the other hand makes the music somewhat difficult to follow after a while.
Overall this is an interesting experiment, which offers a unique glimpse of Herdzin´s complex musical personality. His customary listeners might find this music a tad too difficult to swallow, surely in the initial attempt, but this album grows on the listener in time. Herdzin is unquestionably a highly talented composer and performer, but he is often more appreciated by his peers than by the general public. It is good to see him let go of his disciplined approach and indulge in improvisation, even if the improvisation is somewhat imprisoned by his subliminal sense of order. I hope this album gets the exposure it deserves, and music connoisseurs will discover another facet of Herdzin´s music. Recommended!
| Updated: 28/07/2018Posted: 28/07/2018 | CD 1 Digipak Recommend To A Friend |
  | KRZYSZTOF HERDZIN ~ LOOKING FOR BALANCE UNIVERSAL 602527877860 (Barcode: 602527877860) ~ POLAND ~ Jazz Recorded: 2010 Released: 2011
Polish pianist / composer / arranger Krzysztof HerdzinFind albums by this artist is without a doubt not only the most versatile musician in his country, but also extremely prolific and obviously accordingly talented. He likes to work with as many different musical settings as possible, from a piano trio to large scale orchestral extravaganzas, seemingly with equal ease and success. This is one of such "out there" projects, which features Herdzin´s original music played by a Jazz ensemble and accompanied by a full scale string and woodwinds orchestra.
The ensemble comprises of Herdzin´s regular trio, with bassist Robert KubiszynFind albums by this artist and drummer Cezary KonradFind albums by this artist, and three guests: guitarist Marek NapiorkowskiFind albums by this artist, saxophonist Piotr BaronFind albums by this artist and Swiss harmonica player Gregoire MaretFind albums by this artist (of Pat MethenyFind albums by this artist Group fame), who is the featured soloist. The Sinfonia VivaFind albums by this artist Orchestra is responsible for the orchestral parts.
The music belongs broadly to the Jazz & Strings format, which of course was tried many times before. The Jazz ensemble plays a set of very melodic, relaxed and lyrical compositions, taking solos in turn, with Maret being the principle soloist. The harmonica is relatively rarely used as a solo instrument in the Jazz framework and with the exception of a few known cases (most notably the Belgian Toots ThielemansFind albums by this artist) is usually associated with less challenging music. Of course in the hands (and mouth) of a very talented player it can sound quite virtuosic, as is the case here, but it adds another dimension of "sweetness" to the proceedings, which borders with overdoing it. Personally Baron´s contributions on this album are the most interesting, albeit being decisively too limited.
The orchestral arrangements are elegant and kept in good taste, playing only the second fiddle (pun intended) in the proceedings. Although excellently played and masterfully arranged, they seem to be merely ornamentation, contributing little to the actual musical content other than setting an atmospheric background. There is definitely a fine balance and cooperation between the ensemble and the orchestra, but full musical integration is not achieved here, perhaps purposely. Herdzin of course proves that he can easily handle the orchestral arrangements any way he pleases.
Overall this is a very nice album, which many listeners will find pleasing and enjoyable. For hardcore Jazz fans this might be a bit too sweet to swallow (especially those with diabetes like myself), but nevertheless it is professionally executed classy music, accessible to a wide audience, which definitely has its merits.
| | CD 1 Digipak Recommend To A Friend |
  | STEVE HILLAGE ~ L (EXPANDED EDITION) VIRGIN 373419 (Barcode: 094637341926) ~ UK ~ Progressive Rock Recorded: 1976 Released: 2007
2nd album by Steve HillageFind albums by this artist and his most (commercially) successful release ever. In contrast to the debut album, which was recorded while Hillage and his partner Miquette GiraudyFind albums by this artist were still members of GongFind albums by this artist and included strong similarities to Gong material, this album was quite a different affair. Hillage used his record label’s connections to establish contact with US musician / producer Todd RundgrenFind albums by this artist, who agreed to produce this album. Hillage and Giraudy left for the US, where this album was recorded and produced by Rundgren, with members of Rundgren’s band UtopiaFind albums by this artist serving as the backing band. The material includes both original material by Hillage / Giraudy and a few covers of what Hillage describes as “his favorite songs at the time” (including a great version of DonovanFind albums by this artist’s “Hurdy Gurdy Man”). The album stands the test of time fabulously and is a great example of both Hillage’s strength as a composer and a guitarist. One more point of interest is the participation of the great jazz trumpet player Don CherryFind albums by this artist, who adds an interesting coloring to the album’s atmosphere. A classic by all means!
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | STEVE HILLAGE ~ LIVE HERALD (EXPANDED EDITION) VIRGIN 373440 (Barcode: 094637344026) ~ UK ~ Progressive Rock Recorded: 1977 - 1978 Released: 2007
5th album by the legendary guitarist Steve HillageFind albums by this artist and the only live document of his music during the early period of his solo career. Recorded during a period of 18 months when Hillage and his band (three different band lineups are featured) performed frantically all over the world in support of his excellent solo albums, this material was initially released as a double LP. The first 3 sides of the album included live material and the fourth side included new studio material. For the CD reissue the 3 live sides were combined into a single CD (now with bonus live material previously unreleased) and the studio material was moved as bonus tracks of the next album (OpenFind albums with this title), where it rightfully belongs. Hillage composed almost all the music on the album with his life-long musical companion and synthesizer pioneer Miquette GiraudyFind albums by this artist, whom Hillage befriended during his GongFind albums by this artist days. The sound of the band is often quite similar to Gong’s familiar mixture of psychedelic Space-Rock and early ambient influences (which would later develop as Hillage’s main interest) are also quite evident. In retrospect this is quite visionary music, foretelling by almost 20 years the ambient explosion of the late 1990’s. There is a lot happening (musically) here, which means this stuff requires attentive listening to truly comprehend its complexity. This is an important historical document, which sheds a lot of light on the music scene of the late 1970’s, which existed in parallel to the punk dominated mainstream.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | BILLIE HOLIDAY ~ LADY DAY - THE COMPLETE BILLIE HOLIDAY ON COLUMBIA 1933-1944 SONY 886979303621 (Barcode: 886979303621) ~ USA ~ Jazz Recorded: 1933 - 1944 Released: 2011
American singer / songwriter Billie HolidayFind albums by this artist is undoubtedly not only the most iconic female figure in the history of Jazz, but also a symbol of American history. Her tragic personal life, drug addiction and suffering caused by racial discrimination are a universal tale, which reflects the times she lived in. Musically, she is probably the greatest Jazz vocalist of all times and adding anything is simply superfluous.
This Grammy Award winning Box Set collects all the recordings Holiday made for the ColumbiaFind albums on this label label and its subsidiary labels during that twelve years period, which was her most stable musically and basically established her diva status. Just to make everything perfectly clear, all these tracks were originally released on 78s before the LP format was invented. Painstakingly remastered, researched and annotated, this Box Set presents a formidable piece of Jazz history, with very few parallels. Holiday returned to record for Columbia in the very last years of her life (1957-1958) but these recordings are not included here and await a separate Box Set.
On the recordings included here she is accompanied by superb gallery of Jazz musicians and bands, the absolute crème de la crème of the period. For listeners less acquainted with the earlier Jazz periods, this is simply a wonderful opportunity to enter that magnificent world. There are no weak moments or fillers here; everything is simply musical gold, every moment, every phrase and every sound.
As I already said, this is absolutely essential piece of music history and a copy of this should be (in one form or another) present in every cultural home on this planet; ´nuff said!
| Updated: 26/01/2019Posted: | CD 10 Mini-Sleeve Box Set Remastered Bonus Tracks Essential Recommend To A Friend |
  | JAROMIR HONZAK ~ LITTLE THINGS ANIMAL MUSIC 013 (Barcode: 8594155994335) ~ CZECH REPUBLIC ~ Jazz Recorded: 2009 Released: 2009
This is the fifth album as a leader by Czech bassist / composer Jaromir HonzakFind albums by this artist and his second release on the excellent Czech label Animal MusicFind albums on this label. It was recorded by the same Czech / Polish quartet which recorded the previous album "A Question To All Your AnswersFind albums with this title" which also included Czech guitarist David DoruzkaFind albums by this artist and Polish pianist Michal TokajFind albums by this artist and drummer Lukasz ZytaFind albums by this artist – this time expanded to a quintet with the addition of American saxophonist Chris CheekFind albums by this artist, Honzak´s colleague from the Berklee College of Music days. The PKF String QuartetFind albums by this artist plays on one track. The album presents eight original compositions, all by Honzak. The music was splendidly recorded at the SONO Records studio and engineered by Milan CimfeFind albums by this artist.
The music is, as usual, a wonderful collection of beautiful melodies, deeply melancholic and superbly crafted, which Honzak manages to produce time after time from the depth of his Artistic mind. After listening to his almost entire recorded legacy, he emerges as one of the most consistent European Jazz composers today, appearing to be able to reinvent himself time after time without repeating any idea more than once.
The quintet also does not disappoint, with all the participants playing absolutely perfectly. Tokaj is, as always, the epitome of melancholy, young Doruzka has always something new up his sleeve, Zyta is a true Master of the percussive sounds and even Cheek, out of his American habitat, sounds remarkably European and solos beautifully, especially on the saxophone trio track, which is the most open piece on the album. Honzak´s bass parts are of course the skeleton of the music, always perfectly in tune and on time, leading the way but in fact creating a perfect spacetime for the music to develop within it.
Overall this is another brilliant album by Honzak, a wonderful example of the intrinsic beauty of European Jazz and the importance of composition in Jazz, without which all music sound simply hollow, regardless of how well it is played. Recorded eleven years before these lines are written, this music proves to be absolutely timeless and deeply moving, as always. Obviously, this is a must have for all European Jazz connoisseurs, whenever they might be…
| Updated: 14/11/2020Posted: 14/11/2020 | CD 1 Slipcase Recommend To A Friend |
  | HORNTET ~ LIVE AT RADIO KATOWICE PRK 0144 ~ POLAND ~ Jazz Recorded: 2022 Released: 2022
This is the debut album by young Polish Jazz quintet called HorntetFind albums by this artist, which comprises of saxophonist Robert WypasekFind albums by this artist and Szymon ZiolkowskiFind albums by this artist, pianist Bartlomiej LesniakFind albums by this artist, bassist Mikolaj SikoraFind albums by this artist and drummer Piotr PrzewozniakFind albums by this artist. The album presents three original compositions, two by Lesniak and one by Przewozniak, and one standard by Thelonious MonkFind albums by this artist.
The music is all within modern Mainstream Jazz, well played by these talented young musicians, emphasizing the two saxophones frontline, who often play unisono or with slight variations between the two horns, which creates a nice effect but is not enough to keep the listen interested for long. The piano is a tad too busy, when soloing, but the rhythm section does a good job to keep the music together.
The original compositions are a bit simplistic and not entirely coherent, but considering the fact that these young musicians are just starting their career, the result is impressive and promising.
Overall, this is a first glimpse of a quintet of young Polish Jazz musicians, who show a lot of potential and, as usual, exemplify the incredible amount of talent on the Polish Jazz scene. A bit more experience and maturity and these musicians will be “burning” the stage. Hope to hear more in the not so distant future.
| Updated: 06/10/2022Posted: 06/10/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | HOTS ~ LIVE IN TROJKA FOR TUNE 0139 (Barcode: 5906395808526) ~ POLAND ~ Jazz Recorded: 2017 Released: 2019
This is the third album by the Polish Jazz ensemble HoTSFind albums by this artist, led by guitarist / composer Mikolaj PoncyljuszFind albums by this artist, which also includes trumpeter Radek NowakFind albums by this artist, saxophonist Bartosz TkaczFind albums by this artist, bassist Adam ProkopowiczFind albums by this artist and drummer Maciek WojcieszukFind albums by this artist. Pianist Aga DerlakFind albums by this artist joins the ensemble on four tracks. The album was recorded at Studio Three of the Polish Radio and presents six original compositions, all by Poncyljusz, some originating from the ensemble´s earlier recordings and other appearing here for the first time.
The music continues the tradition of modern Polish mainstream Jazz, which characterized the ensemble since its inception, emphasizing the solid compositions by the leader, which are ideal vehicles for all the members of the ensemble to express their individual talents. The addition of Derlak expands the overall ambience of the ensemble and the harmonic layers, which are now shared by two instruments.
The music remains somewhat slow and dynamically limited, with the individual tunes building up the tension very gradually, but since this is the ensemble´s trademark, one has to accept this as a fact and play along, in order to enjoy the music in full.
All the six young Polish Jazz players display the extremely high level of the local scene, with their individual contributions all being beyond reproach. Personally Prokopowicz turns out to be the outstanding musician on this album, with his beautifully melodic and wonderfully solid bass lines being the glue that keeps all this music together. Wojcieszuk, who is the new member of the ensemble, is a more dominant player than his predecessor, which marks a significant improvement in the role of the rhythm section and takes the music to a much agile level.
Derlak´s presence is also a very significant factor to the success of this album. She manages to "fill the holes" with her intelligent piano chords and lifts the overall sound to a new level. Her presence allows Poncyljusz to play much more adventurous solos, where he does not need to worry about the harmonic parts. The years of playing together also come to effect of course and this album is definitely the most enjoyable recording by this ensemble.
Overall this is a splendid display of live Jazz played by the young generation of Polish Jazz musicians, who are the future of the local scene. For listeners who never came across an album by HoTS, this is a splendid opportunity to jump on the wagon, with Derlak definitely serving as the proverbial cherry on top. Warmly recommended!
| Updated: 13/08/2019Posted: 29/03/2019 | CD 1 Recommend To A Friend |
  | ORJAN HULTEN / ORION ~ LIBERIA BALLAD ARTOGRUSH 013 (Barcode: 5902693142690) ~ SWEDEN ~ Jazz Recorded: 2019 Released: 2020
This is the fifth album by Swedish saxophonist / composer Orjan HultenFind albums by this artist and his OrionFind albums by this artist quartet, which also includes pianist Torbjorn GulzFind albums by this artist, bassist Filip AugustsonFind albums by this artist and drummer Peter DanemoFind albums by this artist. Liberian vocalist Ernie BruceFind albums by this artist guest on the album and contributed the lyrics of the songs he performs. The album presents nine original compositions, five by Gulz, and two each by Hulten and Bruce. The album was recorded following the visit by the quartet in Liberia and meeting Bruce there.
The music is obviously influenced to some degree by African motifs, but continues the path established by the earlier recordings of modern European Jazz, based on solid melodic themes, which serve as basis for the improvisations. The vocals are a new element and bring the music somewhat closer to the tradition, but do not change the quartet´s modus operandi of basic aesthetics dramatically.
All four instrumentalists are experienced players and their performances are, as expected, perfect for the occasion. Both Hulten and Gulz offer superb soloing and the rhythm section drives the music forward with grace and effectiveness, also adding solo parts. The vocals are in a way less professional, but charming in their natural way and perfectly acceptable. The lengthy suite, which combines free improvisation and narration, and later develops into a blues, is very original and is one of the most interesting moments on the album.
Overall this is an excellent album, which offers a genuine Jazz experience full of heartfelt musical statements, which should keep every Jazz connoisseur perfectly happy. As usual, wholeheartedly recommended!
| Updated: 25/05/2020Posted: 25/05/2020 | CD 1 Digipak Recommend To A Friend |
  | IBRAHIM TRIO ~ LIVE AT MANGGHA - EAST MEETS WEST NOT ON LABEL ~ POLAND ~ Jazz-World Fusion Recorded: 2024 Released: 2024
This is the 2nd album by Syrian (resident in Poland) oud player / vocalist / composer Wassim IbrahimFind albums by this artist, this time recorded in a trio setting with two excellent Polish musicians, Hurdy-gurdy player / keyboardist Joachim MencelFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album was recorded live at the beautiful Japanese Culture museum Manggha in Krakow (a must visit when in the city). It presents six lengthy tracks, two composed by Ibrahim, one each by Mencel and Madej, one is by the legendary Lebanese singer / composer Zaki NassifFind albums by this artist and one is a traditional tune. All the music was arranged by the trio members.
The music, although based on wonderful melodic themes, is largely improvised and mostly instrumental, not surprisingly with a strong Middle Eastern flavor. The completely native musical environment for Ibrahim, was splendidly adopted by the two Poles, who sound as if they played football with Ibrahim in the narrow streets of Damascus since childhood. Mencel manages to make the hurdy-gurdy and keyboards sound similar to Middle Eastern reed instruments, and Madej rhythmic approach sound as genuine as if he spent many hours riding camels. Ibrahim is a Master oud player and his vocals are absolutely heartbreaking. In short, I am sorry that I couldn’t be there to listen to this music live, but this album surely captures the magic in full.
With the recent and unexpected changes in Syria, perhaps the prospect for me and Wassim having coffee in Damascus, accompanied by some sublime sweets, like knafeh and baklava, is just one little step closer to reality, Inshallah!
Overall, this is a lovely, deeply moving example of Middle Eastern music, which Ibrahim makes as native and natural as possible, away from his hometown, with the help of his wonderful musician friends. Warmly recommended to all listeners who love the improvised nature of Middle Eastern music and its heartwrenching melodies. Thank you, my Friend!
| Updated: 09/01/2025Posted: 09/01/2025 | CD 1 Mini-Sleeve Recommend To A Friend |
  | IF ~ LIVE AT THE BBC REPERTOIRE 1427 (Barcode: 4009910142721) ~ UK ~ Brass Rock Recorded: 1970 - 1972 Released: 2022
This is a sensational archival album by the superb but relatively forgotten British Jazz-Rock Fusion / Brass Rock ensemble IfFind albums by this artist, which to this very day remains as one of the finest examples of the genre. Sourced from the BBC vaults, the double album presents twenty tracks of original music by the ensemble members, recorded over two years, which span the initial life span of the ensemble, all previously unissued.
Following the ensemble’s formative days in 1969, the core lineup stabilized as a septet, which included vocalist J.W. HodkinsonFind albums by this artist, saxophonists/ flautists Dick MorrisseyFind albums by this artist and Dave QuincyFind albums by this artist (who wrote most of the material), keyboardist John MealingFind albums by this artist, guitarist Terry SmithFind albums by this artist, bassist Jim RichardsonFind albums by this artist and drummer Dennis ElliottFind albums by this artist. That lineup recorded the ensemble’s first four iconic albums, called simply “IfFind albums with this title”, “If 2Find albums with this title”, “If 3Find albums with this title” and “If 4Find albums with this title”, and disbanded by the end of 1972. That lineup is featured on all the tracks on this album.
The ensemble reformed with a different lineup and continued until 1975, releasing four more studio albums. A reunion lineup released a studio album in 2016, called “If 5Find albums with this title”, which was a sad affair.
Although stylistically somewhat similar to the American Brass Rock groups like Blood, Sweat & TearsFind albums by this artist, ChicagoFind albums by this artist, ChaseFind albums by this artist and others, If had a very unique British / European approach, which less emphasis on brass arrangements but way more complex music and sophisticated ensemble sound. For a more detailed comparison, please read my review of the If’s early albums.
Overall, this is a treasure chest of previously unheard material by one of the best British Jazz-Rock ensembles ever, and an absolute must to the genre’s many fans. The sound is a bit iffy, despite the fact that the material was remastered, but the music is outstanding. RepertoireFind albums on this label are doing a remarkable job by bringing the material from the BBC vaults back to life, but their pricing borders on insane and the booklets are a bit trivial and repetitive lately, lacking the proper historical perspective this music deserves. But this is Holy Grail any way one looks at it, so don’t think twice and grab a copy.
| Updated: 18/09/2022Posted: 17/09/2022 | CD 2 Slipcase Remastered Recommend To A Friend |
  | IQ ~ LIVE FROM LONDON IGUANA 007 ~ UK ~ Progressive Rock
Filmed in 1985, this DVD is the oldest video document of IQ at the early day of their career, shortly after the release of their 2nd album "The Wake". The band includes the original vocalist Peter Nicholls, who left just a few weeks later. In time IQ were to become one of the leading bands in the Neo-Prog movement and this material shows why they were heading for success. Great melodies and powerful stage act characterized their music from the very beginning. 53 minutes. NTSC
| Updated: 21/09/2021Posted: | DVD 1 Recommend To A Friend |
  | IQ ~ LIVING PROOF GEP 1004 ~ UK ~ Progressive Rock
2nd album from 1992 which is a reissue of the 1985 live album, which was released without the band`s knowledge by their `major` record label. A great document of the early days of the band live on stage.
| | CD 1 Recommend To A Friend |
  | ISILDURS BANE ~ LOST EGGS ISILDUR 00194 (Barcode: 7391946064304) ~ SWEDEN ~ Progressive Rock Recorded: 1976 - 1993 Released: 1994
7th album by Isildurs BaneFind albums by this artist, containing a collection of some great previously unreleased material from the band`s history. Not to be missed!
| | CD 1 Recommend To A Friend |
  | ISOTOPE ~ LIVE AT THE BBC HUX 048 (Barcode: 682970000480) ~ UK ~ Jazz-Rock Fusion Recorded: 1973 - 1977 Released: 2004
BBC Radio recordings from 1973 and 1974 by IsotopeFind albums by this artist, led by the excellent guitar player Gary BoyleFind albums by this artist, who were one of the best UK early jazz-rock fusion bands. The band unfortunately recorded only a few albums, which were soon deleted. These sessions add another superb example of how great this band was, with Boyle running scales with devilish speed and the rest of the band contributing some fine interplay. In addition 3 tracks from a 1977 BBC session by Boyle`s group are added. A delightful addition to the band`s heritage.
| | CD 1 Recommend To A Friend |
  | JANCZARSKI & MCCRAVEN QUINTET ~ LIBERATOR FOR TUNE 0132 (Barcode: 5906395808427) ~ POLAND ~ Jazz Recorded: 2016 Released: 2018
This is the second album by the Polish / American quintet co-led by Polish saxophonist Borys JanczarskiFind albums by this artist and American drummer Stephen McCravenFind albums by this artist, with Polish pianist Joanna GajdaFind albums by this artist and bassist Adam KowalewskiFind albums by this artist and American trumpeter Rasul SiddikFind albums by this artist. Together they perform seven tunes, five of which are originals (three by Gajda and one each by Janczarski and McCraven) and two standards, one each by Woody ShawFind albums by this artist and Billy EckstineFind albums by this artist. The music was recorded live at Warsaw´s 12 on 14 Jazz Club and another venue and has a superb sound quality.
The music is a continuation of the direction established on the quintet´s debut album, i.e. straightforward mainstream American Jazz, very well played and presenting solid composition, but hardly innovative or challenging. It seems that although the majority of the quintet members are Polish musicians, the spirit of the music is completely enthralled within the American traditionalism, which changed very little since the heyday of Bebop half a Century ago.
But innovation aside, this is still a perfectly enjoyable Jazz album, with highly professional playing, which is much more relaxed and less constrained that on the debut album, and full of joy and energy. Considering the fact that mainstream Jazz has a large following the world over, this album should be appealing to many Jazz lovers. It also proves that European musicians are able to play Jazz as well as any American musician, even within the mainstream idiom, and the "White Man Can´t Jump" is a lot of bull.
It is good to see that the quintet gives more exposure to the compositions by Gajda, who is undoubtedly a very skillful and talented composer. Her piano solos are also amongst the most interesting moments on the album.
Overall this is a nice mainstream effort, which should be very enjoyable to a wide range of mainstream Jazz audiences, which presents well woven tunes and heartfelt performance as well as superb sound quality.
| Updated: 08/05/2018Posted: 08/05/2018 | CD 1 Recommend To A Friend |
  | KEITH JARRETT ~ LIVE IN HAMBURG 1972 JAZZ LIPS 761 (Barcode: 8436019587614) ~ USA ~ Jazz Recorded: 1972 - 1974 Released: 2008
This is an unofficial (politically correct alias for good old bootleg) album by the great American pianist / composer Keith JarrettFind albums by this artist, recorded live in June 14, 1972 with his trio, which also included bassist Charlie HadenFind albums by this artist and drummer Paul MotianFind albums by this artist. The trio performs twelve original compositions, all composed by Jarrett. Jarrett also plays saxophone, flute and percussion on some of these tracks. The album also includes four live tracks recorded a couple of years later in NY, this time with a quintet that includes trumpeter Chet BakerFind albums by this artist, saxophonist Lee KonitzFind albums by this artist, Haden on bass and drummer Beaver HarrisFind albums by this artist, all of which are standards. Also included are two solo piano pieces recorded in 1974, both original compositions / improvisations by Jarrett.
Listeners familiar with Jarrett´s discography can easily pinpoint these tracks as trio versions of the tracks recorded by the so called American Quartet, which included this trio and saxophonist Dewey RedmanFind albums by this artist. They appeared on the album "El JuicioFind albums with this title", recorded in 1971 but released only in 1975 on AtlanticFind albums on this label and on the album "ExpectationsFind albums with this title" recorded in October 1972, i.e. after this live performance, and released on ColumbiaFind albums on this label. The full genealogy of all the tracks is described in the album´s booklet.
The bonus tracks with the quintet are quite unusual, as Jarrett rarely ever played standards at that time and it is the only recording meeting between him and Baker or Konitz.
Jarrett enthusiasts should find this album fascinating at least, as it offers almost two hours of previously unavailable material from the pianist career, which, as usual, is not only excellent musically, but also reveals his performance style and mannerisms in his early period, especially in view of the fact that the American Quartet or the trio did not release any official live material.
The sound quality is a bit Lo-Fi here and there, but considering the historical importance of this music and its rarity, this can be easily forgiven. It would have been nicer to have this music officially released, but considering the revolting politics of the music industry and the nasty habit of keeping unreleased treasures hidden in the vaults, such treasures are bound to pop up sooner and later.
If you can get it (which I doubt) grab it with both hands and cherish it!
| Updated: 01/06/2018Posted: 30/10/2016 | CD 2 Recommend To A Friend |
  | ADAM JARZMIK ~ LIVE AT RADIO KATOWICE PRK 0135 ~ POLAND ~ Jazz Recorded: 2017 Released: 2017
This is the second album by young Polish Jazz pianist / composer Adam JarzmikFind albums by this artist, recorded with the same quintet as his debut album released just a few months earlier, this time recorded "live in the studio". The quintet includes trumpeter Pawel PalcowskiFind albums by this artist, saxophonist Jakub LepaFind albums by this artist, bassist Maciej KitajewskiFind albums by this artist and drummer Piotr BudniakFind albums by this artist. Guitarist Jakub MizerackiFind albums by this artist guests on one track. The album presents five original compositions, all by Jarzmik, all different from the compositions featured on the debut album, which proves that Jarzmik is a very prolific composer. Considering the rather short playing time of the album (about thirty five minutes) this is rather an EP than a full album.
The music is kept within the contemporary mainstream Jazz, but the compositions on this album are more ambitious and focused than those on the debut, which means that the music flows flawlessly from one track to another, serving as a vehicle for the individual improvised parts. The ensemble sound is very well defined and kept in check, with the saxophone and trumpet stating the melodic themes unisono, before the music is "released" to the soloists to state their parts.
The individual performances are all perfectly executed, considering the fact that this is a live recording and the young age of the musicians involved, and are a faithful testimony of the overall high level of the young Polish Jazz musicians. The track which features the guitar takes off in a slightly different direction, emphasizing the Fusion approach, which might be interesting for future ventures by Jarzmik.
Overall a solid effort, with great music and excellent playing, which should keep most mainstream Jazz fans happy. The album offers nothing groundbreaking or extraordinary, but is definitely worth checking out.
| Updated: 19/09/2017Posted: 19/09/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SLAWOMIR JASKULKE ~ LIVE GDYNIA SUMMER JAZZ DAYS 2001 ALLEGRO 003 ~ POLAND ~ Jazz Recorded: 2001 Released: 2002
This is the debut album by Polish Jazz pianist / composer Slawomir JaskulkeFind albums by this artist, recorded live in a classic trio / quartet setting with saxophonist Maciej SikalaFind albums by this artist, bassist Piotr LemanczykFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist. The album presents five original compositions; three of which are by the leader and two are by Sikala. The first two numbers are performed by the trio and the other three by the quartet.
Jaskulke is considered as one of the most brilliant representatives of the young generation of Polish Jazz pianists and his achievements during the first decade of the 21st Century are indeed remarkable and include performances around the globe and numerous recordings as leader and sidemen (including those with the veteran Polish Jazz icon Zbigniew NamyslowskiFind albums by this artist). He has also composed music for theatre and cinema.
Anybody listening to this album at the time of its release should have expected great things from Jaskulke, as it is a truly outstanding debut. The trio numbers present Jaskulke as an amazing piano virtuoso, playing in a unique style, which is incredibly percussive and powerful, whereas the quartet numbers present his gentler side as a balladeer, playing beautifully restrained melodic phrases or as an ensemble player of great sensitivity. Such incredible versatility is very rare indeed and when executed with a magic touch like the one he presents here, it is simply marvelous. Considering the fact that Jaskulke was only twenty two years old at the time of the recording one must admit that this is a discovery of an extraordinary talent.
Musically the trio and the quartet are also quite different, with the material written by the leader being much more open and often freely structured, whereas the numbers written by the saxophonist are pretty standard mainstream Jazz compositions, both very good, but not special in any way. In a sense it seems as if these two different settings belong on two separate albums, but what was done can not be undone, so one should enjoy the fact that this marvelous music was captured for posterity and we can listen to it again and again.
The rhythm section performs exactly as expected, changing the volume and presence according to the specific requirements of the moment, always there when one expects them to be, keeping perfect time (which is not always easy here) and modestly displaying another level of virtuosity. Together the ensemble sounds like an unstoppable locomotive, which runs amok, especially in the last tune.
This is definitely an album every Jazz piano lover should listen to, sooner or later, an experience he´ll never regret nor forget. Wholeheartedly recommended!
| | CD 1 Digipak Recommend To A Friend |
  | JAZABU ~ LODZ KOSMICZNA AUDIO CAVE 2017/009 (Barcode: 5905669566414) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2017
This is the debut album by Polish Avant-Garde Jazz quartet JazabuFind albums by this artist, which consists of trumpeter Wojciech JachnaFind albums by this artist, saxophonist Tomasz GlazikFind albums by this artist, guitarist Marek KadzielaFind albums by this artist and drummer Jacek BuhlFind albums by this artist. The album presents ten original compositions / improvisations, which are not credited on the album´s artwork and therefore assumed to be all co-composed by the four quartet members.
The music is quite typical Free Jazz / Improvised music offering, with short melodic lines stated at the beginning of the tracks, which are then developed into group improvisations and feature solos by the individual quartet members. Some of the tracks lack even the basic melodic theme and are completely improvised. The music appears to be working best when it is more contemplative and introvert, and as such delivers a deeply atmospheric musical aura. The more energetic pieces sometimes move into chaotic intensity. The lack of bass, which is only partly compensated by the guitar, creates a fluid, less rigorous rhythmic setting, which suits this music well.
Jachna and Glazik were members of the legendary Sing Sing PenelopeFind albums by this artist ensemble, which was active since the turn of the Millennium, and their musical attitude was largely influenced by their formative years. Jachna and Buhl recorded several albums together in duo and trio formats and all three of them come from similar background. Kadziela is a bit of an outsider here, having been mostly associated with young Polish Jazz musicians active on the Danish scene, but since his return to Poland he is certainly more active on the local scene in several quite diverse environments. Together they represent an interesting amalgam of talent and musical experience, which definitely has a lot to offer.
Although I was not overwhelmed by the music on this album, probably mostly due to the fact that although beautifully performed it offers little innovation, I believe that their future offers might be much more exciting, considering their potential. Of course the album offers some great moments and impressive soloing and the connoisseurs of the Polish Avant-Garde scene should be quite happy with this music, which more than anything proves that Polish musician are still searching and making an effort to cover uncharted territory, rather than succumb to lethargy.
| Updated: 12/04/2019Posted: 29/12/2017 | CD 1 Digipak Recommend To A Friend |
  | JAZZ CELLULA ~ LACO DECZI INDIES HAPPY TRAILS 631 (Barcode: 8595026663121) ~ CZECH REPUBLIC ~ Jazz Recorded: 1977 Released: 2008
Trumpeter / composer / bandleader Laco DecziFind albums by this artist is one of the founding fathers of Czechoslovak Jazz. He has been active on the local scene since the 1960s, leading many excellent ensembles, which included the best local players and often also guest from abroad. The names of his ensemble changed often, usually being a variation on the Jazz CellulaFind albums by this artist motif (like Jazz CelulaFind albums by this artist, Cellula InternationalFind albums by this artist, etc.).
This album presents the ensemble in a septet format, same as the one which recorded their previous album "Ohen Az PozarFind albums with this title", with superb lineup including saxophonist Petr KralFind albums by this artist, trombonist Svatopluk KosvanecFind albums by this artist, pianist Karel RuzickaFind albums by this artist, guitarist Zdenek DvorakFind albums by this artist, bassist Petr KorinekFind albums by this artist, drummer Josef VejvodaFind albums by this artist and percussionist Jiri TomekFind albums by this artist. They perform seven original compositions, three of which are by the leader, and all are quite excellent with a slight Fusion / Latin tinge, as appropriate for the period of the recording. The performances are excellent from start to finish and this is a first-rate document of the Jazz behind the Iron Curtain at the time. Wholeheartedly recommended! Side Note Since the 1950s Czechoslovakia had a highly developed Jazz scene, certainly in proportion to its population, which included many successful ensembles and even Big Bands, as well as Jazz clubs, festivals and publications, all this in spite of state censorship and political limitations. The similar situation existed since the 1960s as far as Rock (including Progressive Rock and Jazz-Rock Fusion) was concerned, resulting in many excellent, interesting and innovative ensembles.
The music was relatively well documented by the three state owned record labels: SupraphonFind albums on this label (founded in 1927), PantonFind albums on this label (founded in 1968) and OpusFind albums on this label (founded in 1971 and based in Bratislava, created on the base of Slovak division of Supraphon). Following the "Velvet Revolution" in 1989, the state owned record labels were privatized, with Supraphon dominating the local market.
However, Supraphon was quite reluctant as far as exploring its vast back catalogue is concerned, and this is where the small independent Indies Happy TrailsFind albums on this label Records, a reissue label dedicated to the preservation of the recorded legacy of Czechoslovak music, owned and run by the devoted enthusiast / historian Jaromir KratochvilFind albums by this artist, founded in 2007, comes in. Over the years the label released a plethora of brilliant music, reissuing long deleted LPs and extensively exploring the archives in search of bonus material.
The quest of Indies Happy Trails is similar to what the GADFind albums on this label Records label, run by Michal WilczynskiFind albums by this artist, is doing for Polish music, with similar consistency and praiseworthy dedication.
| Updated: 28/02/2020Posted: | CD 1 Remastered Recommend To A Friend |
  | JAZZ Q ~ LIVE PLZEN 1980 GAD 262 (Barcode: 5903068124709) ~ CZECHOSLOVAKIA ~ Jazz-Rock Fusion Recorded: 1980 Released: 2023
This is an archival live album by the original incarnation of the seminal Czechoslovak Jazz QFind albums by this artist ensemble, founded and led by keyboardist / composer Martin KratochvilFind albums by this artist. The music was recorded by a quartet version of the ensemble, which also included guitarist Frantisek FranclFind albums by this artist, bass guitarist Vladimir PadrunekFind albums by this artist and drummer Pavel TrnavskyFind albums by this artist. The album presents five tracks, four of which were composed by Kratochvil and one by Trnavsky. As usual with GADFind albums on this label releases, the album includes informative in-depth (bi-lingual) liner notes, photographs and detailed information about the recording and historical background about the group.
The music is, as always with Kratochvil´s work, absolutely brilliant. Although dominated by his keyboards, there is plenty of space left for some blood-curdling guitar work by Francl and superb rhythm section work by Padrunek, and the new drummer Trnavsky, which gave the group a much sharper / Rocky feel and sound than ever before. Francl and Padrunek both rejoined the group, having earlier played together on the group’s 3rd album “SymbiosisFind albums with this title”.
This album is especially important, since Jazz Q released relatively little live material from their early period. Since they were phenomenal live performers, every opportunity to hear them live is an absolute delight. The music was recorded during a concert following the release of the 6th album “Hodokvas (Feast)Find albums with this title” and this excellent quartet incarnation of the group was sadly short lived and did not survive until the recording of the 7th and last album “Hvezdon (Asteroid)Find albums with this title” recorded by the original group.
The Jazz Q material firmly belongs to the finest Eastern European Jazz-Rock Fusion material ever recorded, which sounds today every bit as brilliant as it did at the time it was created. The incredible reissues by GAD Records bring this legacy back to life and give an opportunity to younger generation of music lovers to get familiar with these treasures.
Overall this is an absolute must for all Fusion lovers the world over, but lovers of Jazz created behind the iron curtain should find this especially interesting. Not to be missed!
| Updated: 19/12/2023Posted: 16/12/2023 | CD 1 Remastered Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 10/15/66 LATE SHOW – SIGNE`S FAREWELL COLLECTORS` CHOICE LIVE 6004 (Barcode: 617742600421) ~ USA ~ Classic Rock Recorded: 1966 Released: 2010
This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the first lineup of the group, which included female vocalist Signe AndersonFind albums by this artist, before she was replaced by Grace SlickFind albums by this artist. In fact this is the very last show Signe played with the group. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!
| | CD 1 Digipak Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 10/16/66 EARLY & LATE SHOWS – GRACE`S DEBUT COLLECTORS` CHOICE LIVE 6005 (Barcode: 617742600520) ~ USA ~ Progressive Rock Recorded: 1966 Released: 2010
This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, after she replaced Signe AndersonFind albums by this artist. In fact this is the very first show Grace played with the group. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!
| | CD 1 Digipak Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LIVE AT THE FILLMORE AUDITORIUM 11/25/66 & 11/27/66 – WE HAVE IGNITION COLLECTORS` CHOICE LIVE 6006 (Barcode: 617742600629) ~ USA ~ Classic Rock Recorded: 1966 Released: 2010
This album presents previously unreleased live material recorded by the superb US Rock group Jefferson AirplaneFind albums by this artist. This specific show, recorded at the legendary Fillmore Auditorium in SF, presents for the first time a glimpse at the live concert played by the second lineup of the group, which included female vocalist Grace SlickFind albums by this artist, right after she replaced Signe AndersonFind albums by this artist, now fully integrated into the band. In retrospect this recording proves how great this band was in every respect and always eons ahead of their time. This is an absolute must to every Jefferson Airplane fan and a great document of the era. A must!
| | CD 2 Digipak Recommend To A Friend |
  | JEFFERSON AIRPLANE ~ LONG JOHN SILVER RCA 183543 ~ USA ~ Classic Rock
8th album from 1972. This is the last studio album by the original group (except for the reunion effort from 1989). By this time the group also included the veteran violin player Papa John Creach, but missed the founding member Mary Balin. David Freiberg (ex-Quicksilver Messenger) replaces Balin as male vocalist.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ LIVE - BURSTING OUT (THE INFLATED EDITION) CHRYSALIS 5054197723971 (Barcode: 5054197723971) ~ UK ~ Progressive Rock Recorded: 1978 Released: 2024
This is a reissue of the 1st live album by the British Prog Masters Jethro TullFind albums by this artist, recorded during the 1978 European tour supporting the “Heavy HorsesFind albums with this title” album, and another chapter in the series of reissues of their seminal albums which are being remixed to new stereo and 5.1 surround sound versions by Steven WilsonFind albums by this artist, who is doing similar projects with classic Rock / Prog albums by other artists as well. It follows a similar treatment that Wilson applied to the reissues of all early Jethro Tull releases. The reissue consists of three CDs and three DVDs.
CD1 and CD2 contain the new stereo remix of the original album: eleven tracks, three of which are restored to their full version and five bonus tracks (soundcheck recordings, which are previously unreleased) on CD1 and ten tracks and three bonus tracks (soundcheck recordings, which are previously unreleased). The third CD contains new stereo remix of the audio tracks of the “Live At Madison Square GardenFind albums with this title” broadcast / video, captured later that year, edited to CD (sixteen tracks).
DVD1 and DVD2 contain the same material as CD1 and CD2, remixed in two High-Resolution formats (5.1 DTS, AC3 Dolby Digital Surround Sound and in High Resolution stereo format 96/24 LPCM). They also include the flat transfer 96/24 PCM stereo of the original “Live - Bursting OutFind albums with this title” double LP. The third DVD includes the full 93 minutes Madison Square Garden broadcast and some original TV adverts. If you are confused by all these technical terms, don´t be – it is all complete bullshit piece of hype! Basically you don´t even get the original stereo mix of the original album in a CD form, but you get a bunch of bonus tracks, which honestly contribute very little, if anything at all. A classic rip-off playing on the sentiments of aging fans and collectors.
The entire set is lavishly packaged in a digibook format, with great photos of the band, background material and other goodies, which are all beyond reproach.
The group´s lineup on this album consists of Ian AndersonFind albums by this artist, who as usual handles most of the vocals and plays the flute parts and acoustic guitar / mandolin and the lead guitar is magnificently handled by Martin BarreFind albums by this artist, the keyboards are handled by John EvanFind albums by this artist and David PalmerFind albums by this artist and rhythm section features bassist John GlascockFind albums by this artist and drummer Barriemore BarlowFind albums by this artist. On the Madison Square Garden broadcast Glascock is replaced by Tony WilliamsFind albums by this artist.
Musically, the album presents the group as brilliant live performers, superb instrumentalists and extraordinary entertainers, with very few equals. With the end of the 1970s decade Progressive Rock was steadily losing its steam and the artistic / aesthetic end of the genre was imminent, and yet Jethro Tull were going ahead as if they were living on a different planet, which in retrospect might have just been right. They were still at their artistic peak, which continued for years, without any signs of getting worn-out. Perhaps they were, after all, a class of their own. Side Note As for the Steven WilsonFind albums by this artist contributions, I´m perplexed time after time why anybody being of sound mind would allow him to butcher the original material and then hype the results as spectacular. These original mixes are untouchable and anybody trying to change them is more or less re-painting Van Gogh, re-sculpturing Michelangelo or re-writing the Bible, all truly barbaric acts of disrespect.
Additionally I find his stereo mixes to be dry, artificial and deviant, badly damaging the original ambience of the recordings. Perhaps for people who are not familiar with the original sound this sounds fine, but for me it´s unbearable and sacrilegious.
In addition I find the surround sound completely redundant, hoping for years that it will go away as did quad and other industry inventions meant to earn some more money from the suckers following the trends. The whole high resolution hype is so ridiculous; in reality most people are deaf anyway and can´t tell one note from another even if it bites them in the ass and use ridiculously lo-fi equipment. In short Emperor´s new clothes, as usual, and no shame whatsoever.
| Updated: 24/07/2024Posted: 24/07/2024 | 3CD+3DVD 6 Digibook Box Set Oversampling DVD-A Remastered Bonus Tracks Recommend To A Friend |
  | JETHRO TULL ~ LIVING WITH THE PAST (COLLECTORS` EDITION) EAGLE VISION 003 (Barcode: 5034504900394) ~ UK ~ Progressive Rock Recorded: 2001
The legendary Jethro TullFind albums by this artist and their leader Ian AndersonFind albums by this artist seem to be unstoppable - over 30 years after their inception they are still one of the strongest Rock acts on the scene and capable of pleasing crowds of listeners, old and young alike. This stunning DVD filmed mostly during JT’s 2001 European & American tours, presents the band in top form, playing like there is no tomorrow. The material spans their 30+ years on record and every JT fan will find his favorite tune here, but considering the sublime level of their material everything sounds just perfect. In addition to the tour material there is plenty of other delightful surprises (filmed between 1989 and 2002), including the reunion “party” which brings together all the JT members who played in the band over the years. Extra bonus features are also present, which make watching this DVD a real treat. The Collectors’ Edition includes additional audio material not available on the original DVD. Dolby Digital Stereo Surround Sound, 100 minutes.
| | DVD+CD 2 Recommend To A Friend |
  | DAWDA JOBARTEH / STEFAN PASBORG ~ LIVE IN TURKU APRIL 125 (Barcode: 5709498112527) ~ DENMARK ~ Jazz-Rock Fusion Recorded: 2023 Released: 2024
This is a live album by the duo of Gambian kora player Dawda JobartehFind albums by this artist and Danish Jazz drummer Stefan PasborgFind albums by this artist. The album presents seven tracks, two each composed by Jobarteh and Pasborg, two are Jazz standards and one is a traditional tune. This is the 2nd album by the duo.
The album sounds more like Psychedelic Rock from the 1970s, rather than an amalgam of West African music and Jazz, mainly due to the heavily amplified kora and powerful drumming, but of course the Jazz-World Fusion elements are also there, as expected, somewhat hidden beneath the surface. The result is very unusual and even sensational to a degree, which of course is always a welcome surprise.
Both musicians are Masters of their instruments and obviously enjoy the musical rapport between them, which seems to have no clearly set stylistic boundaries. Personally I sort of miss the natural / acoustic sound of the kora, which is usually deeply lyrical, but I appreciate the attempt to take the instrument into new area, where it sounds more like electric guitar. I am not familiar with other recordings by Jobarteh, so I don’t know if this is his usual approach to this instrument. I also suppose that Pasborg’s drumming style herein is primarily accommodating the Rocky guitar-like excursions.
Overall, this is a highly unusual album, which offers a Jazz-Rock Fusion musical excursion disguised as a Jazz-World Fusion one, but nevertheless remains to be exciting, surprising and educational. Appearances can be deceptive, and in this case they surely are, but all for the good. This album might be as exiting to Jimi HendrixFind albums by this artist fans, as to kora and West African music enthusiasts. Definitely worth investigating!
| Updated: 23/05/2024Posted: 23/05/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ANNA MARIA JOPEK ~ LUSTRA UNIVERSAL 602527835242 (Barcode: 602527835242) ~ POLAND ~ Jazz-World Fusion Recorded: 2010 - 2011 Released: 2011
Polish vocalist extraordinaire Anna Maria JopekFind albums by this artist (a.k.a. AMJFind albums by this artist) never stops to amaze her faithful fans and devoted listeners, but this, her latest Box Set (or rather book set), which consists of not one, not two but three full-fledged musical projects released simultaneously, is simply awe-inspiring. The three projects, entitled "PolannaFind albums with this title", "HaikuFind albums with this title" and "SobremesaFind albums with this title", were also released separately, but this set includes all three of them packaged with a marvelous book full of photographs and background information, elegantly designed and exquisitely printed, in a format similar to her previous 3 CD set "Dwa Serduszka Cztery OczyFind albums with this title", released three years earlier.
The three projects, although diametrically different from each other, form a coherent "whole", which reflects AMJ´s complex artistic vision of this world, which bridges different cultures, traditions and backgrounds, finding the common beauty in all of them, and engulfing her inner spirit. Obviously she feels completely "at home" with her music, regardless if it is rooted in the Polish melancholy, Japanese introversion and minimalism or Portuguese / African pulsations. Spanning the entire world this music is simply a living proof that geography, language and nationality have absolutely no meaning when artistic expression is concerned.
As usual AMJ is surrounded by excellent musicians, some from Poland, other from around the world. The list is very long and can be studied by reading the book, but the most significant names include Japanese pianist / composer Makoto OzoneFind albums by this artist, Cuban pianist / composer Gonzalo RubalcabaFind albums by this artist, American keyboardist / producer Gil GoldsteinFind albums by this artist and many more. Polish musicians include, among others, bassist Robert KubiszynFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist. The music on all the albums is superbly recorded and mastered, being not only perfect musically but also sublime sonically even to the most uncompromising sound quality connoisseurs. This is a "total" listening experience, which is so incredibly rare these days.
I must say that every time I confess my love of AMJ´s work my Jazz friends give me a "funny" look, which I find often infuriating. This is not Free Jazz, it´s not freely improvised music, and in fact it is only marginally Jazz at all, or rather a Jazz-World Fusion. So what? I find it fulfilling, challenging, aesthetic and meaningful nevertheless. The fact that this music can be enjoyed by a wide circle of listeners without losing an iota of quality and dedication testifies of its inherent value, which I´m always ready to defend.
So overall this is a serious piece of excellent music, diverse and surprising, deeply heartbreaking at times and unboundedly cheerful at others, but always honest and straight to the point, again a rare quality these days. Keep doing what you are doing girl, never look back!
| Updated: 26/01/2019Posted: | CD 3 Box Set Recommend To A Friend |
  | JANIS JOPLIN / BIG BROTHER AND THE HOLDING COMPANY ~ LIVE AT THE WINTERLAND `68 COLUMBIA 485150 ~ USA ~ Classic Rock
Although in retrospect Janis JoplinFind albums by this artist is recognized now as the greatest American rock singer of the 1960’s, her tragically short recording career left a legacy so limited, that every scrap of new material is simply indispensable. Therefore it is a great pity that this incredible concert recording from April 1968 had to wait for 30 years to be heard (the album was released in 1998). The recording was made just after Janis and her band Big Brother And The Holding CompanyFind albums by this artist secured their recording deal with ColumbiaFind albums on this label, but before the legendary “Cheap ThrillsFind albums with this title” album was released. They perform with zest and confidence typical of bands on the verge of stardom, with Janis tearing the room with her shrills and groans that only she was capable of. Firmly based on the blues tradition, the band’s material is spiced with a psychedelic flavor of the San Francisco variety, most of it soon be recorded for the “Cheap Thrills” album. Strangely enough just a few months later Janis decided to leave Big Brother and start her solo career, a move as illogical and uncalculated as all the rest of her decisions in her troublesome and tragic life. She would never again have such a sympathetic and “natural“ group of musicians supporting her and bringing out the best of her abilities. This album is not only a rare and wonderful document of Joplin’s immense talent, but also a document of an era – recorded in the peak of the intense, but short lived San Francisco music explosion. As perfect as it is I keep daydreaming to have this one on DVD – that would really be the ultimate thrill.
| | CD 1 Remastered Recommend To A Friend |
  | JUICY LUCY ~ LIE BACK AND ENJOY IT ESOTERIC 2216 (Barcode: 5013929731646) ~ UK ~ Progressive Rock Recorded: 1970 Released: 2010
2nd album by the incredible British Prog band Juicy LucyFind albums by this artist, formed around the US lap steel guitar player Glenn CampbellFind albums by this artist, resident in UK at the time. The second lineup of the group, which recorded this album, included also vocalist Paul WilliamsFind albums by this artist, saxophonist Chris MercerFind albums by this artist, guitarist Micky MoodyFind albums by this artist, bassist Keith EllisFind albums by this artist and drummer Rod CoombesFind albums by this artist. Heavily Blues based, the band expanded into Hard Rock, Psychedelia and early Prog, playing mostly original material and superb arrangements of standards. This album includes what is probably the best ever cover of Frank ZappaFind albums by this artist´s tune "Willie The Pimp", which is absolutely incredible. Campbell´s guitar work is simply stunning and miles above anything done at the time. Williams´ throaty vocals are superbly expressive, and all the other band members play incredibly well, turning this album into a timeless masterpiece. In many respects this album encapsulates everything that was great in music by the end of the 1960s: originality, innovation, guts and talent. Over 40 years after I heard this album for the first time it´s still one of my all-time favorites. Essential music for body and soul!
| | CD 1 Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | JUNGLE: MAT WALERIAN / MATTHEW SHIPP / HAMID DRAKE ~ LIVE AT OKUDEN ESP 5009 (Barcode: 825481500920) ~ POLAND ~ Jazz Recorded: 2012 Released: 2016
This is the second album by Polish (resident in the US) Jazz saxophonist / flautist / composer Mat WalerianFind albums by this artist, recorded live, this time in a trio format with veteran heroes: pianist Matthew ShippFind albums by this artist and drummer Hamid DrakeFind albums by this artist. Same as the debut release a year earlier, the music was recorded during the Okuden Music Concert Series in 2012 and was released by the legendary ESP label. The 2CD set presents thirteen pieces, nine of which were composed by Walerian, one is a traditional tune, one was co-composed by Shipp and Drake and the remaining two were co-composed by all three members of the trio.
Walerian´s debut was one of the strongest album releases of last year (2015) and this follow up is certainly another worthy contestant for this year´s top of the crop. Almost out of nowhere Walerian emerges as one of the most versatile and virtuosic players in the Free Jazz / Improvised Music genre. His rapport with the genre´s veterans, Shipp and Drake, is almost hard to believe and sounds as if they have been playing together for ages. His ability to create a wide range of atmospheres and moods, his usage of a range of instruments and last but not least his ability to write subtle melodic lines, which than serve as vehicles for collective improvisation is nothing short of extraordinary.
The music, although obviously free spirited and unbounded, is also surprisingly calm and relaxed, and always carries a melodic subtext, which makes it easy to follow by the listener. This dichotomy between intellectual freedom of creation and aesthetic oneness creates a wonderful tension, which lifts this music way above the "usual" free form musical encounters, which often propose nothing but weirdness. This wonderful music is simply beautiful as music, regardless of the way it is delivered.
Of course a trio recording is above all a joint venture between the trio members, which in this case works out like a dream. Shipp and Drake must be admired for their deliberate restrain and amicable attitude, which allows Walerian to present his often delicate statements without disturbance. Shipp´s supportive chord structures allow Walerian to spread his wings and blow his heart out, having a steady and reliable basis behind him. In many respects this is similar to McCoy TynerFind albums by this artist´s playing behind John ColtraneFind albums by this artist during the heydays of the Quartet. Drake, who can be a very powerful and dominant drummer, also limits his creative support to supporting the music´s rhythmic layer, ornamenting it rather than leading it. Overall the collective effort is simply perfect for this outstanding piece of music.
As already stated, this album is definitely one of the strongest statements released so far this year and a wonderful example of contemporary Art of music, a manifestation of human ingenuity and talent of rare significance. Obviously this album deserves to be heard by as many music connoisseurs as possible, who will be blessed by its significance if let into their hearts.
| Updated: 30/05/2017Posted: 27/04/2016 | CD 2 Digipak Recommend To A Friend |
  | PAWEL KACZMARCZYK ~ LIVE PRK 067 ~ POLAND ~ Jazz Recorded: 2005 Released: 2005
Brilliant live album by Polish Jazz prodigy, pianist / composer Pawel KaczmarczykFind albums by this artist, aged 21 at the time of this recording. The album presents Kaczmarczyk with his piano trio with bassist Michal BaranskiFind albums by this artist and drummer Pawel DobrowolskiFind albums by this artist, which was his regular group at the time. This music was recorded one year prior to the recording of the trio´s sensational "formal" debut album called "AudiofeelingFind albums with this title" and was released by the Silesian branch of Polish Radio, and is now a collectors´ item. Of the four tracks present here, three were composed by Kaczmarczyk and the fourth co-composed by all the trio members. The music is absolutely brilliant, from top to bottom, from start to finish and from the first to the last note. The piano trio showcases their mutual telepathy and individual virtuosity. Kaczmarczyk is obviously an outstanding player, elegant and sensitive and above all mature well above what might be expected from a musician of his age. But even more astounding than his technical brilliance are his skills as a composer, which turn him into a full-fledged Jazz personality. His music amalgamates all of the Jazz tradition, ignoring trends and genres, emphasizing the sense of melody and structure which one finds only amongst the finest of Jazz Masters, like Bill EvansFind albums by this artist. Of course all the other musicians are equally excellent, playing with grace and passion, always elegantly and with taste. The overall result is a stunning achievement, especially in view of the fact that it is a musical debut. I can´t imagine any Jazz lover in the world not loving this music to bits, as it is simply overwhelmingly beautiful. A must!
| | CD 1 Digipak Recommend To A Friend |
  | PAWEL KAMINSKI ~ LET`S DO IT SJ 041 (Barcode: 5912596066740) ~ POLAND ~ Jazz Recorded: 2017 Released: 2019
This is a debut album by young Polish Jazz saxophonist / composer Pawel KaminskiFind albums by this artist recorded in a quartet setting with pianist Adam JarzmikFind albums by this artist, bass guitarist Jedrzej LaciakFind albums by this artist and drummer Michal DziewinskiFind albums by this artist. The album presents eight tracks, seven of which are original compositions by Kaminski and one is a standard.
The music is all within modern Jazz mainstream, strictly melody based but diverse enough to present the proficiency of the leader as a composer and the band as a performing init. Overall the original compositions are all coherent and well rounded, and sound much more mature than what one might expect from such a young composer.
The performances are also excellent, especially those by Jarzmik, who is clearly the most experienced player on this album and who also has previous recording experience. His soli are all perfectly fluent and are classic examples of Jazz piano at its best. Kaminski also plays very well, with a steady and clear tone and interesting soloing abilities. The rhythm section is amicable and sympathetic, doest not stand in the way of the music and is also given opportunity to solo occasionally.
Although the presence of a bass guitar usual pushes the music towards Fusion, both stylistically and sound-wise, it is not the case here. There is some more fusion oriented music here, but its character is defined by the usage of electric piano rather than the bass, which stays conventionally Jazz oriented.
Overall this is an excellent debut effort, which as usual on the Polish Jazz scene surprises with its high standard of compositions and the ability of the players, who sound as if they have been playing Jazz for decades. The youthfulness and energy are well tamed by restrain and self discipline, resulting in a tasteful showcase of young Polish Jazz at its best. Well done indeed!
| Updated: 21/05/2019Posted: 21/05/2019 | CD 1 Digipak Recommend To A Friend |
  | GRZEGORZ KAPOLKA ~ LIVE AT NOSPR SJ 061 (Barcode: 5902596066772) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2019 Released: 2022
This is a live album by veteran Polish Blues guitarist / composer Grzegorz KapolkaFind albums by this artist recorded in a trio format with electric bassist Dariusz ZiolekFind albums by this artist and drummer Alan KapolkaFind albums by this artist. The album presents five (presumably original, as nothing is stated on the albums artwork) compositions by the leader, with a total playing time of about thirty-six minutes, more like an EP than a full album.
The music is classic Blues soaked Fusion, entirely based on the leader’s improvising abilities. The melodic, well-crafted themes are ideal vehicles for the lengthy guitar explorations. Kapolka earned his dues on the local scene working extensively for many years with many ensembles and musicians, earning a lot of respect, and this album clearly shows why.
Since Fusion is an intrinsically highly limited genre and after over fifty years of Fusion guitar playing, which dominates the genre, it seems that everything that is possible to do was already done one time or another, but this album manages to raise a brow and show that we have not heard everything yet. Kapolka certainly has some tricks up his sleeve that are able to surprise even the most “educated” Fusion guitar fans, and his virtuosity is surely worth being discovered.
This album is more of a short document of a concert appearance than a proper well produced studio effort, and as such is perfect for what it is.
Overall, this is spine-chilling exposition of Fusion guitar playing, which should surprise even the veterans of the genre and considering how rare new discoveries in that area are, is wholeheartedly recommended. Guitar freaks heaven on earth!
| Updated: 28/01/2023Posted: 16/04/2022 | CD 1 Digipak Recommend To A Friend |
  | KBB ~ LOST AND FOUND MUSEA 4363 ~ JAPAN ~ Jazz-Rock Fusion
KBB are a Japanese Prog outfit, playing some of the most interesting music to emerge in that country since years. A mixture of Prog and fusion / jazz inluences with the violin as their lead instrument are enough to turn anybody`s ear. Definitely worth having and waiting for their next release.
| | CD 1 Recommend To A Friend |
  | KEANE, DOLORES ~ LION IN A CAGE DARA 098 ~ IRELAND ~ Irish, Scottish & Celtic
AMG Review: Dolores Keane´s traditional Celtic music has been called the heart and soul of Ireland. She was born and raised in Caherlistrane, County Galway, Ireland, so her accent and her love for her homeland both come naturally. She began singing at a very early age and later learned to play both the flute and whistle. She has been blessed with a beautiful voice and a long musical career that allows her to do what she loves best. During that career she has performed all over the world, including America, Germany, New Zealand, and even in the Middle East. The title track for this enjoyable 1990 album, Lion in a Cage, holds lyrics that speak about Nelson Mandela´s imprisonment in South Africa. Other strong offerings to be found here include "Walking on Seashells," "Across the Bridge," "The Island," and "Happy As a Baby in Your Arms." From start to finish, this is another strong sampling from Dolores Keane.
| | CD 1 Recommend To A Friend |
  | KING CRIMSON ~ LADIES OF THE ROAD DGM 0203 ~ UK ~ Progressive Rock
A real special treat from KC! The first album in this set is a live performance from 1971-1972 by the original lineup, taken from the archives. The second album is a special compilation of guitar & sax solos played during the 1971-1973 tours, all taken from the song 21st Century Schizoid Man, which results in an over 50 minutes long version of the song. It`s a knockout!
| | CD 2 Recommend To A Friend |
  | KING CRIMSON ~ LARKS` TONGUES IN ASPIC VIRGIN KC 5 ~ UK ~ Progressive Rock
6th album from 1973. This album marks the re-born KC after a short period of regrouping, with a completely new lineup, which includes David Cross on violin, John Wetton on bass and lead vocals and the astounding Bill Bruford on drums, who will be part of all KC incarnations from now on. Both the sound and the musical direction are completely revamped, with dark, heavy, convulsed atmosphere and avant-rock style dominating. A masterpiece! 30th Anniversary Edition
| | CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend |
  | KING CRIMSON ~ LIZARD VIRGIN KC 3 ~ UK ~ Progressive Rock
3rd album from 1970. Almost complete change of direction for the band with strong jazz influence incorporated into the initial formats defined by the the first two albums. The origianal band is no more present here, with Fripp taking over completely. The cream of the crop of UK jazz participates on this album, as initially indicated by the inclusion of Keith Tippett and Jon Anderson (Yes) sings on one track. In retrospect this is the boldest and most exciting statement by the first (well almost) incarnation of the band. Absolutely essential. 30th Anniversary Edition. Out of print collectors` item.
| | CD 1 HDCD Oversampling Remastered Essential Recommend To A Friend |
  | KINKS ~ LOLA VERSUS POWERMAN AND THE MONEYGOROUND / PERCY (DELUXE EDITION) SANCTUARY 888430895928 (Barcode: 888430895928) ~ UK ~ Pop & Rock Recorded: 1970 Released: 2014
This is a reissue of the eighth and last great album by the British Pop / Rock legends The KinksFind albums by this artist, formed and led by brothers Ray DaviesFind albums by this artist and Dave DaviesFind albums by this artist. For this reissue it is coupled with the next, ninth album, which was a soundtrack of the movie of the same name. Placing the two albums together into one package makes perfect sense, as they were recorded only a couple of months apart and stylistically present almost inseparable musical ideas. As all the Deluxe editions, this one also includes a plethora of bonus material, most of it previously unreleased. These were the last two albums The Kinks recorded for the PyeFind albums on this label Records label and for their next album, the true swan song called "Muswell HillbilliesFind albums with this title", they´d switch to RCAFind albums on this label Records.
Even if The Kinks were already past their creative apex at the time this music was recorded, they were still one of the best Pop / Rock bands and songwriting talents on the British scene and this music lost nothing of its quality and vitality over time. The songs from this album, which were released as singles, remain in the collective memory of the 1960s / 1970s generation as an integral part of its life´s soundtrack, your humble scribe included.
For The Kinks enthusiasts this is an absolute must, for others, who still appreciate great music created before the collapse of Culture, definitely something worth investigating and remembering. This is a nice remaster and archival piece of history of the music that is no more.
| Updated: 29/01/2019Posted: | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | DOMINIK KISIEL / KRZYSZTOF PAWLOCKI ~ LATE SUMMER GRIGIO 03 ~ POLAND ~ Jazz-Ambient Fusion Recorded: 2023 Released: 2023
This is an album by Polish Jazz duo comprising of pianist Dominik KisielFind albums by this artist and guitarist Krzysztof PawlockiFind albums by this artist, last heard together as members of the Jazz.uFind albums by this artist quartet on its debut album from 2018. The album presents seven tracks, all original compositions / improvisations by the duo members.
Kisiel has been extremely prolific in the last few years, appearing on many recordings, both as a leader and sideman, some of which were among the finest achievements on the local scene, systematically building up his career as one of the most interesting representatives of the young Polish Jazz generation.
The music is very different from that Fusion oriented debut album by Jazz.u, completely open and largely improvised, a home recording, which catches the spur of the moment flowing on the wind. And yet, despite all that lack of clear boundaries and restraints, the music retains a solid melodic content, which keeps evolving slowly, free-spirited and consistent, which seems to be Kisiel’s favorite modus operandi lately.
At times the music becomes very contemplative and almost of New Age / meditative nature, which might prove to be trying to a casual, unexpecting listener, but hopefully the mesmerizing beauty will be able to convince the listener to linger on and give oneself up fully to the music, simply enjoying the ambience.
Although only marginally close to the core Jazz experience, this music manages to amalgamate the improvisation element with diverse musical directions, leaving much to the listener’s imagination.
Overall, this is a very unconventional album, which tries to communicate with the listener on many parallel levels, involving emotions and associations as much as the “usual” chords, notes and sounds. Definitely not for everyone, this music requires a total submission to its spiritual messages, rather than to the conventional notions people hold about music. Fascinating stuff!
| Updated: 20/05/2024Posted: 20/05/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DOMINIK KISIEL EXPLORATION QUARTET ~ LIVE AT RADIO KATOWICE PRK 0137 ~ POLAND ~ Jazz Recorded: 2018 Released: 2018
This is a live recording by young Polish Jazz pianist / composer Dominik KisielFind albums by this artist and his quartet called Exploration QuartetFind albums by this artist, which also includes saxophonist Michal Jan CiesielskiFind albums by this artist, bassist Piotr SzajrychFind albums by this artist and drummer Adam GolickiFind albums by this artist. The album presents seven original compositions, four composed by Kisiel, two by Ciesielski and one by Golicki.
The music is typical modern young Polish Jazz, based on excellent melody based compositions and superbly performed by these young musicians, who never cease to amaze how well musically advanced they are despite their young age. It is worth to mention that the material present on this album is completely different from the material included on the quartet´s debut studio album recently released on AlpakaFind albums on this label Records, which proves the prolific compositional capacity of the quartet members.
The individual performances are all excellent and the concert setting allows the musicians to stretch out and play long solos without being concerned by time limitation often present in the recording studio. As a result three of the tunes performed here last for over ten minutes in duration.
Kisiel skillfully builds up his solos gradually, with excellent usage of dynamics and harmonics, adorned with his technical skill, which is spotless. Ciesielski also stretches out wonderfully, playing with confidence and beautiful sense of lyricism, at all times supported amicably by Kisiel.
The rhythm section does an excellent job as well, with Golicki showing his maturity and experience gained over the last few years. Szajrych keeps mostly to the basics, as he seems to be the most inexperienced player in the quartet, but his performance is stable and accurate, exactly what one would expected from a solid bassist in a quartet.
Overall this is an excellent effort by the young generation of Polish Jazz players, full of great tunes and superb performances, which is a true fun to listen to and admire their talents and abilities. Definitely well done!
| Updated: 06/10/2018Posted: 05/10/2018 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MACIEJ KITAJEWSKI TRIO ~ LONGING MINIATURES NOT ON LABEL (Barcode: 5907745979330) ~ POLAND ~ Jazz Recorded: 2021 Released: 2021
This is the debut album as a leader by young Polish Jazz bassist / composer Maciej KitajewskiFind albums by this artist, recorded in a classic Jazz piano trio setting with pianist Franciszek RaczkowskiFind albums by this artist and drummer Szymon MadejFind albums by this artist. The album presents eight tracks, six of which are original compositions by the leader, one is a standard and one an adaptation of a Pop song.
The music is all strictly within the Jazz mainstream idiom and the Jazz piano trio format, except for the emphasis on extended bass soloing, which would not usually appear on a piano trio album, but which is acceptable considering the fact that the leader is a bassist.
The original compositions, although rather straightforward, are all very coherent and have a nice melodic tinge with a dash of melancholy, which perhaps is the result of the pandemic depression, which affected us all. The music flows gently and creates a very pleasant listening experience.
The two other members of the trio are somewhat more experienced than the leader and turn out to be perfect choice for the album, playing fluently and supportively, like old pros. The recording’s sound quality is excellent as well, which turns this album into a perfect experience for Jazz piano trio buffs.
Overall, the album offers excellent mainstream Jazz, beautifully played and solidly put together, which stands easily shoulder to shoulder with other similar albums recorded anywhere on earth. As usual, it portrays the fabulous level of the young Polish Jazz scene, which overflows with talent and passion for music. Very well done indeed!
| Updated: 11/09/2021Posted: 11/09/2021 | CD 1 Digipak Recommend To A Friend |
  | KLAN ~ LIVE FINLAND 1972 GAD 039 (Barcode: 5901549197501) ~ POLAND ~ Progressive Rock Recorded: 1972 Released: 2016
This is a sensational archive live recording by the legendary Polish Prog group KlanFind albums by this artist, recorded during their performance in Finland, which sees here the light of day for the first time forty four years later. The album´s booklet tells the story of this performance and the surrounding circumstances contributing to the establishment of the unique lineup of Klan which is heard here, which includes only one original member of Klan, leader guitarists / songwriter Marek AlaszewskiFind albums by this artist, who adopted guitarist Tomasz JaskiewiczFind albums by this artist (from Czeslaw NiemenFind albums by this artist´s backing group) and a formidable rhythm section consisting of bassist Bronislaw SuchanekFind albums by this artist and drummer Janusz StefanskiFind albums by this artist, both members of the top Avant-Garde Polish Jazz ensemble at the time, led by trumpeter Tomasz StankoFind albums by this artist. Together they perform five original songs, all written by Alaszewski, which are expanded into lengthy instrumental improvisations.
The resulting music is one of the most unique phenomena of the period, and considering the fact that it was a one time only event, which makes it even more important, this album becomes a major discovery. It amalgamates Prog-Rock, Jazz-Rock, Avant-Rock and Free Jazz and completely obliterates any boundaries between musical idioms and symbolizes artistic freedom, which was one of the characteristics of the period, when open-mindedness and acceptance ruled, also behind the Iron Curtain.
The individual performances, especially those by Suchanek and Stefanski are absolutely stunning. Suchanek plays several brilliant solos and his pulsations all along, which are basically Jazz-based, are a superb example how Jazz and Rock rhythmic patterns can ideally coexist. Stefanski, who had a bit more Rock experience, adds his Jazz skills and drives the quartet forcefully forward, also performing some great solo parts. Both guitarists stay within the Rock territory, although the rhythm section really pushes them to improvise the whole time, much more extensively than under the unusual Rock circumstances.
Although the sound quality of this recording is somewhat limited, even after very careful remastering process, the importance of it as a piece of Polish / East European Rock & Jazz history is invaluable. Therefore it is highly recommended to all listeners interested in music made behind the Iron Curtain. Of course anybody following the development of Progressive music in the broad meaning of the idiom should find this most interesting. As usual our thanks to the GADFind albums on this label Records label for unearthing and releasing this piece of history, which would have been most probably lost if not for their efforts.
| Updated: 12/04/2019Posted: 06/05/2016 | CD 1 Remastered Recommend To A Friend |
  | KLIMA / WYLEZOL / KOWALEWSKI ~ LUTOSLAWSKI RETUNED HEVHETIA 0114 (Barcode: 8588005257664) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2014 Released: 2015
This is the debut album by a Polish Jazz trio comprising of clarinetist Szymon KlimaFind albums by this artist, pianist Piotr WylezolFind albums by this artist and bassist Adam KowalewskiFind albums by this artist. Veteran Polish Jazz musician Piotr Baron guests on one track playing bass clarinet. The album´s music was all composed by the contemporary Classical Polish composer Witold LutoslawskiFind albums by this artist, and includes his five dance preludes (composed in 1954 as a five-parts suite) and a sixth unrelated composition, which was initially published under a pseudonym.
What prompted to rearrange (or retune) these composition for a Jazz environment was probably the Lutoslawski Year celebrations in 2013 (his 100 Birthday), which were a big cultural event in Poland and brought the composer to the attention of a much wider audience, including many young Jazz musicians. As a result a long list of Polish Jazz albums, like this one, paid tribute to the great composer; for example "Inspired By LutoslawskiFind albums with this title" by Grazyna AuguscikFind albums by this artist, "BukolikiFind albums with this title" by High Definition QuartetFind albums by this artist, "AtomsphereFind albums with this title" by Atom String QuartetFind albums by this artist and many others.
The dance preludes suite, which was originally composed for clarinet and piano, was later twice (1955 and 1959) re-orchestrated for larger ensembles, but Klima based his Jazzy approach on the original intimate version, which remains intimate under the new arrangement. As almost always with Lutoslawski, his music is deeply rooted in the Polish Folklore, and these "dances" all bear resemblance of the characteristic folklore melodies and harmonies, at least to people who are acquainted with that music.
Klima, both as arranger and player, oscillates between the Classical and the Jazz idioms, as his clarinet tone and phrasing are almost completely Classical whereas his improvised parts are of course Jazz related. Of course Wylezol and Kowalewski are bona fide Jazz musicians, and their contributions have a decisive weight to turn this music into a wonderful Jazz-Classical Fusion.
The intimacy of this music, the virtuosi performances, the elegant and respectful treatment of the original inspirations all add up to a superbly balanced and delightful musical adventure, which should prove pleasing and satisfying to all connoisseurs of good music. Hopefully some of the listeners will try to find out how the music sounds in its original Classical incarnations, and perhaps venture into more fabulous music created by Lutoslawski, other might wish to explore other recordings by Wylezol and Kowalewski, also released by the excellent HevhetiaFind albums on this label label. If so everybody wins, both of the Classical and the Jazz enthusiasts.
This album is a great example of a cross-genre exploration, which treats the origins with respect and love, creating a new, perfectly valid amalgamation, which manages to preserve the aesthetics of its origins. Wholeheartedly recommended!
| | CD 1 Digipak Recommend To A Friend |
  | JACEK KOCHAN / NAKAJEE ~ LIFE, STRESS AND OTHER PLEASURES AUDIO CAVE 2022/005 (Barcode: 5908298549353) ~ POLAND ~ Jazz Recorded: 2020 Released: 2022
This is an album by Polish Jazz drummer / composer / bandleader Jacek KochanFind albums by this artist recorded with the NakajeeFind albums by this artist ensemble, which includes Canadian guitarist Jerry De Villiers Jr.Find albums by this artist and Polish keyboardist Dominik WaniaFind albums by this artist, saxophonist Bartlomiej PrucnalFind albums by this artist, bassist Michal KapczukFind albums by this artist and a mysterious bass guitarist Mo BooFind albums by this artist. The album presents nine original compositions, all by the leader.
The music is completely beyond any genre classification, characterized by strong Groove, but entirely uneven rhythm patters, which create a completely unique aural experience. Kochan takes his music “further out” in comparison to his previous album, which also featured Wania and Prucnal, and although it contains clear melody patterns, the rhythm is the leading inspiration at all times, and the melodies remain secondary.
As a result of this innovative approach the music is certainly quite difficult for listeners accustomed with “straightforward” rhythmic patterns and takes a while to get accustomed to even by experienced listeners. Kochan confirms his role as drummer / leader / composer, which characterizes his music since the early days, and for me reaches an apogee with this album, with all the elements falling right into place, creating a perfectly coherent sonic landscape.
Of course this perfection is largely achieved thanks to the incredible contributions by the ensemble members, with Wania at the helm, who is in charge of the tricky melodic layers. Wania plays both acoustic piano and synthesizers, always with elegance and technical perfection, but more importantly with sublime taste and flexibility. Prucnal and De Villiers add solid improvisations and impressive soloing, and the basses keep the complex net in check, providing depth and anchor. Kochan is fully in charge of the rhythmic / polyrhythmic engine, which drives the ensemble forward.
Overall, this is a very impressive, mature, complex and delightful piece of music, which firmly establishes Kochan as one of Polish Jazz great talents, who certainly creates his very own musical universe, quite apart from the mainstream of the local scene. Kochan certainly deserves a much wider recognition, but fame and glory where never his goals – the music and his inner truth are what matters, and this is why I love him and his music. An absolute must to listeners, who think they have already heard everything!
| Updated: 10/06/2022Posted: 10/06/2022 | CD 1 Digipak Recommend To A Friend |
  | FRANZ KOGLMANN ~ L`HEURE BLEUE HATOLOGY 571 (Barcode: 752156057123) ~ AUSTRIA ~ Jazz Recorded: 1991 Released: 2003
This is a long overdue reissue of the beautiful album by Austrian trumpeter / composer Franz KoglmannFind albums by this artist, one of the most important representatives of European Free Jazz scene. The album includes two separate sessions, one with a quartet, which includes the wonderful veteran British clarinetist Tony CoeFind albums by this artist (definitely one of top world clarinet players), guitarist Burkhard StanglFind albums by this artist and bassist Klaus KochFind albums by this artist, and the other a duet with pianist Misha MengelbergFind albums by this artist. Most of the music is composed by Koglmann with a few compositions by other arranged by him. The album presents a wonderful atmosphere of melodic approach to modern Jazz, mixed with improvised passages and highly individualistic soloing. All the musicians perform beautifully, especially Coe, who has been my favorite for decades. This album is accessible to most Jazz listeners, well beyond the Free Jazz genre, as its gentle approach and deep aesthetics transcendent musical borders. Superb stuff!
| | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | EERO KOIVISTOINEN ~ LABYRINTH (40TH ANNIVERSARY EDITION) SVART 435 (Barcode: 6430065581413) ~ FINLAND ~ Jazz Recorded: 1977 Released: 2017
This is a reissue of an iconic album by one of the Godfathers of modern Finnish Jazz, saxophonist / composer / bandleader Eero KoivistoinenFind albums by this artist, which was his second release on the legendary LoveFind albums by this artist Records label. The album was recorded in a classic Jazz quartet setting with Russian born pianist Vladimir ShafranovFind albums by this artist, bassist Pekka SarmantoFind albums by this artist and drummer Reino LaineFind albums by this artist. The original album presents eight tracks, three of which are parts of the suite that gave the album its title. This remastered and expanded 2CD edition adds an entire second CD of alternate takes and outtakes, more than doubling the playing time of original LP.
Koivistoinen´s music embraced a stunning stylistic diversity, which crossed genres and idioms from Free Jazz to Jazz-Rock Fusion, Progressive Rock, Jazz & Poetry, children´s songs, World Music and others. His biography, recorded legacy and list of achievements are truly remarkable and can serve as an example of excellence and inspiration.
This album presents him as a classic modern mainstream Master, a post-Coltrane virtuoso, as well as a weaver of beautiful, soulful melodic themes, which are ideal vehicles for extended improvisations. The superb musicians playing with him are able to support his soloing ideally, with amazing piano accompaniment and soloing by Shafranov and a most sympathetic and elegant work by the rhythm section.
This edition enables the listener to compare the originally selected takes with the alternate takes, which offer a myriad of subtle differences, slight tempo changes and other variations, which are of course characteristic of the process of recording a Jazz album, with each take capturing a unique creative moment.
In retrospect this album stands out as one of the finest Finnish Jazz recordings of all time, an absolute classic which lost nothing of its power of expression and timeless beauty over time. It definitely earned a "must have" status for any serious Finnish / European Jazz collection and this expanded edition is even more deserving. Absolutely essential!
Koivistoinen is still active today and seems to be as creative as ever, which is awe inspiring. I can only wish you many more years of activity and heath, my Friend!
| Updated: 06/07/2020Posted: 06/07/2020 | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | MATEUSZ KOLAKOWSKI / DAVE LIEBMAN ~ LIVE AT JAZZ STANDARD, NEW YORK FENOMMEDIA 009 (Barcode: 5907604327098) ~ POLAND ~ Jazz Recorded: 2008 Released: 2009
This is a live recording captured at the NY Jazz Standard club by a duo comprising of young Polish Jazz pianist Mateusz KolakowskiFind albums by this artist and legendary American saxophonist Dave LiebmanFind albums by this artist. Although Kolakowski and Liebman were email buddies for quite a while, they actually met in person just a few moments before this music was recorded, which explains why the majority of the material is based on Jazz standards. Of the six pieces on this album, five are standards (one is even repeated twice, taken from two different sets) and the remaining one is a free on the spot improvisation.
Kolakowski was at the time a Classical Music student and his Jazz tendencies were all self cultivated, which is quite apparent when listening to the music. He not only quotes Classical music themes but his entire approach to harmony and rhythm is strongly based in Classical music. This dichotomy between Classical music and Improvised music has certain charm, but is also a hindrance, which is hard to ignore. Liebman, on the other hand, is Godly, as always, with every note just in the right place and his virtuosity, taste and spirit of cooperation being impeccable.
Since this is a duo album, the decisive factor is the way the two musicians perform together, rather than their individual statements. It seems that the fact this music works out one way or another is due only to the enormous experience and musicality of Liebman, who is able to cope with Kolakowski´s limitations, rather than the duo´s spiritual unity. Nevertheless the overall result is certainly entertaining and worth being listened two, especially in view of its "one of its kind" setting, which can also be educational. The fact that Liebman is always open to work with young and less experienced musicians is truly commendable.
| | CD 1 Mini-Sleeve Recommend To A Friend |
  | KRZYSZTOF KOMEDA ~ LIVE IN BLED 1965 GAD 279 (Barcode: 5903068125096) ~ POLAND ~ Jazz Recorded: 1965 Released: 2023
The archival material presented on this album is a highly important document of the Eastern European Jazz scene, which thrived behind the Iron Curtain in the 1960s. It sheds light not only on the pioneering work of pianist / composer / bandleader Krzysztof KomedaFind albums by this artist, the Godfather of Polish Jazz, but also on the entire Jazz scene that managed to exist against all odds under the Socialist Regime, including the presence of Jazz clubs, festivals, concerts and even recordings released by the State owned record labels.
The music, which is all previously unreleased, was recorded in June 1965 at the 6th edition of the International Jazz Festival in former Yugoslavia, one of the Eastern Bloc countries that boasted a booming music scene and was considered as the most liberal and Western oriented country behind the Iron Curtain. The festival, which was inaugurated in 1960, was held at the picturesque Slovenian town of Bled, and was one of the biggest such festivals, hosting both local and international Jazz musicians. Polish Jazz musicians were a permanent feature of the festival, including the Polish quartet led by pianist Andrzej KurylewiczFind albums by this artist with singer Wanda WarskaFind albums by this artist in 1962, the quintet / trio led by pianist Andrzej TrzaskowskiFind albums by this artist in 1963 and the Polish Jazz QuartetFind albums by this artist in 1964, before the concert by Komeda and his quintet in 1965.
The lineup of the quintet included, alongside Komeda, trumpeter Tomasz StankoFind albums by this artist, saxophonist Janusz MuniakFind albums by this artist, bassist Roman DylagFind albums by this artist and drummer Andrzej DabrowskiFind albums by this artist and the performance consists of just two extended pieces: “Kattorna” (17:20) and “Svantetic” (21:32), both composed by Komeda and both appearing on his Polish debut album “AstigmaticFind albums with this title”, recorded some six months later and released as part of the legendary “Polish Jazz” series, an album which is often considered as the most iconic Polish Jazz recording of all time.
For every Komeda follower, the comparison between this recording and the “Astigmatic” album is absolutely called for and unavoidable. The obvious differences are as follows: the three different musicians present on the studio recording: saxophonist Zbigniew NamyslowskiFind albums by this artist, bassist Gunter LentzFind albums by this artist and drummer Rune CarlssonFind albums by this artist, the much shorter versions of the compositions (7:20 and 15:50 respectively) and last but not least the spontaneity and sense of Freedom prevailing on this recording, as opposed to the tension and rigidity present on the studio recording. This, combined with the much better sound quality this recording offers, results simply in a much more striking version of “Astigmatic”, which of course is a sensational discovery, considering the fact that this music was hidden in the vaults for almost sixty years.
The individual performances by the musicians are also quite different. Stanko is way fierier, Komeda soloes more extensively, and the Polish rhythm section of Dylag / Dabrowski is absolutely more inventive and interesting than the German / Swedish one, in short, again, this recording is simply a superior version of “Astigmatic”.
Listeners less familiar with Komeda and his musical world, will find here a musician / composer fascinated with the revolutionary Jazz developments, which happened across the Atlantic, mostly those involving the prophetic work of John ColtraneFind albums by this artist. Komeda, perhaps like no other East European Jazz musician, managed to amalgamate the African spirituality, which obsessed Coltrane in the last feverish period of his life, with the European spirituality of lyricism and romanticism, creating a new form of expression, which although existed for a relatively brief period of time, managed to upturn and revolutionize Polish Jazz forever and overflow the borders of his country across the whole of Europe.
Every new piece of recorded material by Komeda, which reveals a previously unknown window into his creativity and Art, is a true Holy Grail of European Jazz. But when it is as significant as the music presented here, it becomes an instant classic and a true treasure of Jazz history, important not only to Polish Jazz but to the entire Jazz universe, being a guiding light, which no true Jazz enthusiast can afford to miss. Side Note The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| Updated: 21/02/2024Posted: 21/02/2024 | CD 1 Remastered Recommend To A Friend |
  | WOJCIECH KONIKIEWICZ / FREE FUNK TRIO ~ LIVE AT RURA 1982 GAD 091 (Barcode: 5903068120237) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1982 Released: 2019
This is an archival album presenting a live concert recording by Polish Jazz keyboardist / composer Wojciech KonikiewiczFind albums by this artist and his Free Funk TrioFind albums by this artist, which also included bassist Mieczyslaw JureckiFind albums by this artist and drummer Jacek RatajczykFind albums by this artist. Recorded at the legendary Wroclaw Jazz Club Rura, it presents eight original compositions, all by Konikiewicz.
To properly understand the historic perspective of this recording it is important to remember that this music was recorded just a few months after Martial law was imposed in Poland in December of 1981, in a desperate attempt of the Socialist regime to quench growing social and political unrest in the country. As usual in Poland, political dictatorship was always challenged by the country´s intelligentsia and Artistic circles, and although Cultural activities were severely limited and heavily censored, they became a primary form of resistance to the oppression. Some of that anger and frustration is evidently expressed by these young (at the time) musicians in their display of wild energy and complete disregard of authority, as much musical as political.
The music is a raw mixture of Funk, Punk, Jazz, Rock and Groove, which will become the modus operandi for Konikiewicz for years to come and which was obviously influenced the late period stylistic explorations of Miles DavisFind albums by this artist, who remains a major influence on Konikiewicz to this very day. Fate decided that Davis played at the Jazz Jamboree Festival in Poland just over a year after this music was recorded, immediately after the Martial law was lifted in 1983.
Although the trio format might seem somewhat limiting for such explosive musical adventure, Konikiewicz and his cohorts squeeze the proverbial lemon to the max under the circumstances, giving everything, both musically and emotionally, they have to offer. Konikiewicz on acoustic piano and the Fender Rhodes is in charge of the melodic content, but his percussive playing goes hand in hand with the dynamic rhythm section, which takes care of the groove, with occasional outbursts of frenzy solo parts featuring the fretless bass and the drums.
There is no doubt that the Free Funk Trio was a formative ensemble in the musical career of Konikiewicz. The same kind of attitude present here, which eschews pompous mannerisms and fake pretentiousness, will be his musical compass in the years to come, when he was involved in some the most important Polish Jazz projects during the 1980s and 1990s, alas hardly ever scoring any real-time recognition for his efforts. It was also the same attitude that ostracized him from the established domesticated Polish Jazz establishment, causing him to be active mostly on the fringe scene, refusing to compromise and sell out; an attitude which makes me proud to call him my friend.
Overall this album is an important piece of the Polish Jazz history, which is brought back to life by the excellent GAD Records label, which never fails to nail the forgotten gems and expand our horizons. It is most educational and certainly warmly recommended!
| Updated: 18/06/2019Posted: 18/06/2019 | CD 2 Remastered Recommend To A Friend |
  | KONITZ / MEHLDAU / HADEN / MOTIAN ~ LIVE AT BIRDLAND ECM 2162 (Barcode: 602527369877) ~ USA ~ Jazz Recorded: 2009 Released: 2011
This is a live recording made at the legendary NY Jazz club Birdland by a quartet comprising of four legendary American Jazz musicians: saxophonist Lee KonitzFind albums by this artist (born 1927), pianist Brad MehldauFind albums by this artist (born 1970), bassist Charlie HadenFind albums by this artist (born 1937) and drummer Paul MotianFind albums by this artist (born 1931) – which of course makes Mehldau about half the age of the other players. The quartet plays six standards, keeping the music at a slow and contemplative mood, as appropriate for the occasion but also quite free and stretched out, way beyond what one might have expected. Obviously none of these Masters needs to prove anything to anybody any more and they obviously enjoy themselves immensely throughout. Mehldau is playing perhaps a bit more forcefully than the others, but not aggressively and Haden appears to be at his full might, playing brilliantly. Considering the sad reality that this might be the last recording by any of these veterans, this is something to be definitely well remembered by. Respect! Visitors' Comments Christopher  Brice I have to say I found this album very difficult, not just on first playing but for many playings; it sounded to me as if the four musicians were playing in different recording studios, and just happened to be recorded onto one disc - stretched out indeed! I was very surprised because I have heard and loved many recordings of the three veterans playing together live. But the CD player in my car broke down and would not let it out, so I heard the album many more times than I would have bothered with otherwise, and suddenly two days ago it all came together as I listened, and now I would not want to take it out if i could! Truly masterful!!
| | CD 1 Slipcase Recommend To A Friend |
  | DAWID KOSTKA QUARTET & CHICO FREEMAN ~ LIVE AT AQUANET JAZZ FESTIVAL, POZNAN 2016 NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2016 Released: 2016
This is a live recording by a young Polish Jazz quartet led by guitarist / composer Dawid KostkaFind albums by this artist, which also includes pianist Jacek SzwajFind albums by this artist, bassist Damian KostkaFind albums by this artist and drummer Mateusz BrzostowskiFind albums by this artist. The quartet plays just on one track, which is an original composition by the leader. On the other four tracks the pianist, bassist and drummer are joined by the veteran American saxophonist / composer Chico FreemanFind albums by this artist and play two Freeman originals and two standards. There is also a bonus video track with another Freeman original.
The first track presents an interesting composition by Kostka, which is very promising, but since it is just a sample of the quartet´s ability not much can seriously be said about it.
The four quartet tracks with Freeman are American Bebop, which is absolutely corny and presents zero intellectual challenge to the listeners. Freeman plays very well of curse and so does Szwaj, but that kind of music was exploited already ad nauseam, and makes no sense to be recorded today. Of course such music still has a wide following, especially in America, but it contributes nothing to the development of the Jazz idiom.
What a pity this album does not present the entire performance by the Dawid Kostka quartet playing their own music, and was sacrificed to present young Polish musicians playing along a Big American Star, which did them no good whatsoever!
| Updated: 01/01/2017Posted: 01/01/2017 | CD 1 Digipak Recommend To A Friend |
  | PATRYK KRASNIEWSKI ~ LESS IS BLESS KARROT KOMMANDO 81 (Barcode: 5907577207854) ~ POLAND ~ Jazz Recorded: 2015 Released: 2015
This is the debut album by young Polish keyboardist / composer Patryk KrasniewskiFind albums by this artist, recorded in a trio format with bassist Piotr LewanczykFind albums by this artist (who also plays synthesizer parts) and drummer Jerzy MarkuszewskiFind albums by this artist. The album presents seven tunes, six of which are original compositions by Krasniewski and one is by Tomasz WendtFind albums by this artist, a fellow student at the Wroclaw Music Academy. There is some confusion as to the album´s tracks, as there are seven tracks listed but only six present on the actual CD? Go figure!
Krasniewski seems to be a kind of prodigy according to his CV, which tells about prizes won at piano competitions, composition competitions etc. and involvement with many music genres from Pop to Classical Music from a very early age. This album is also a result of winning the yearly competition for Jazz debut recording offered by the Polish Institute of Music and Dance.
Of course this album tells only the story contained within, which sadly is pretty disappointing. The musicians are very skilled of course but the music seems to be completely lost in between genres. It is only very marginally Jazzy and is rooted somewhere in alternative Pop / Rock more than in Jazz. The classic piano trio parts have an obvious reference to Jazz, but the synthesizer parts manage to break the charm. Apparently Krasniewski is still looking for his true self as a composer and musician, and this album is just a step on the path of discovery.
There are some interesting moments of course, which disclose potential and talent. It´s a pity Krasniewski did not stick to the motto chosen for the album´s title, which might have saved the day. Without the synthesizer parts and less show off this might have been a much better album perhaps.
In any case this is an unusual album, which deserves merit for trying and hopefully is a forerunner of great things to come.
| | CD 1 Digipak Recommend To A Friend |
  | VOLKER KRIEGEL ~ LIFT! MPS 602527148595 (Barcode: 602527148595) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1973 Released: 2011
This is a reissue of the fourth album by German guitarist / composer / bandleader Volker KriegelFind albums by this artist. It was recorded with a team of top European Jazz musicians at the time, which include British saxophonist Stan SulzmannFind albums by this artist, pianist John TaylorFind albums by this artist and drummer John MarshallFind albums by this artist, Polish violinist Zbigniew SeifertFind albums by this artist, German bassist Eberhard WeberFind albums by this artist and Dutch percussionist Cees SeeFind albums by this artist. The album presents eight original compositions, five by Kriegel and three by Weber.
The music is brilliant, as expected, and the album is a great opportunity to hear the atmosphere of musical camaraderie that swept Europe at the time this album was recorded, which resulted in many international projects like this one. For Polish Jazz enthusiasts this is a rare opportunity to hear Seifert on the verge of his tragically short international career before his death. It also shows the central role of MPSFind albums on this label Records in cementing the European Jazz idiom at the time, with a wide bridge between UK, Western and Eastern Europe, bringing musicians together to create and inspire each other. Of course producer / journalist and my Mentor Joachim BerendtFind albums by this artist had a huge role in creating this scene in his capacity as producer for MPS Records and director of several German Jazz festivals.
Stylistically the music is a mixture of Jazz-Rock Fusion and Free Jazz, with highly expressive soloing by Sulzmann, Seifert and Kriegel and excellent support by the expanded rhythm section. Excellently recorded, as all MPS projects, this music lost nothing of its relevance over time and sounds absolutely fresh today.
Kriegel’s many fans will of course find his unique guitar playing style at its full exposure here, and his role as one of the central figures of European Jazz in the 1970s is also fully confirmed here.
Overall this is a definite “blast from the past”, which deserves to be heard, although it’s pretty tough to find a copy of this album today. Surely worth the effort of trying! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 20/07/2021Posted: 20/07/2021 | CD 1 Oversampling Remastered Recommend To A Friend |
  | KROKE ~ LOUD SILENCE ORIENTE 95 (Barcode: 4025781109526) ~ POLAND ~ Jazz-World Fusion Recorded: 2020 - 2021 Released: 2022
Thirty years ago, at the early days of the post Holocaust Renaissance of Jewish Culture in Poland, three musicians from Krakow decided to form the Kroke (Yiddish pronunciation of Krakow) Trio, releasing their debut cassette album. Violist / multi-instrumentalist Tomasz KukurbaFind albums by this artist, accordionist Jerzy BawolFind albums by this artist and bassist Tomasz LatoFind albums by this artist ignited a career, which took them around the world and enabled cooperation with many prominent musicians, releasing over twenty albums in the process. The initial interest in traditional Jewish music was extended to incorporate numerous World Music influences and Jazz oriented improvisations, slowly and consistently developing a unique Artistic and aesthetic style, which is instantly recognizable.
This album, which celebrates the trio’s 30th Anniversary, is another showcase of their ingenuity, both as composers and performers. It presents eight original compositions, co-credited to the trio members and their long-time producer / arranger / recording engineer Dariusz GrelaFind albums by this artist. The music takes the listener on a wonderful (I’d say flying carpet, but today more appropriate would be) drone ride, covering everything between Far East, Middle East, the Balkans and even South America. Somehow Kroke are able to keep this Cultural mishmash together in a most coherent and delightful way, as true Masters of their trade.
Over the years I’ve had plenty of opportunity to hear Kroke live and they never fail to deliver a highly emotional stream of exciting music, which takes no compromises and strives for originality and immediacy, without any creative shortcuts. And yes, they are also excellent partners in a conversation.
Overall, this is another great addition to Kroke’s splendid recorded legacy, which offers a highly-engaging listening experience full of delicate beauty and wild excitement, all perfectly balanced like a dish prepared by a true Master Chef. I am still somewhat shocked that this album failed to find a Polish record company, which would release it locally – o tempora, o mores!
| Updated: 03/12/2022Posted: 03/12/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | VLATKO KUCAN QUARTET & TOMASZ STANKO ~ LIVE AT PALO-PALO TRUE MAZE 9803 ~ BOSNIA & HERZEGOVINA ~ Free Jazz / Improvised Music Recorded: 1991 Released: 1998
This is a live album by a quartet led by Bosnian (living in Germany) saxophonist / composer Vlatko KucanFind albums by this artist, with German trombonist Michael DannerFind albums by this artist and American (also living in Germany) bassist Jay OliverFind albums by this artist and drummer Bill ElgartFind albums by this artist. The quartet in expanded to a quintet with the addition of the great polish trumpeter Tomasz StankoFind albums by this artist. The album was recorded at the Palo-Palo club in Hannover in 1991 and released only seven years later. It presents six tracks, two each by Kucan and Oliver, one standard and one by a German Free Jazz trombonist / composer Heinz-Erich GodeckeFind albums by this artist. Three of the tracks are over twelve minutes in duration and two are about nine minutes in duration, as appropriate for the event.
The music is typical European Free Jazz / Improvised Music impromptu meeting, and despite the fact that he rhythm section is in Fact American, after playing for many years with European musicians they embraced to more sophisticated approach of careful interplay and developed rather than energetic explosions, which characterize American music of that idiom. The melodic themes are stated at the opening of each tune and returned to following each of the highly improvised passages, and there is plenty of space for all the musicians to express themselves individually, as well as offer some excellent group improvising and interplays in duets, trios, etc. In short, the music is well organized and eschews the chaotic mayhem, which Improvised music often falls into.
For Polish Jazz fans and Stanko followers, this album is a true blast, as it presents some of the finest Free style blowing by Stanko, which he was mostly avoiding on his albums as a leader by that time. This album is rather unknown on the Polish scene, at least I haven’t seen much references to it in Stanko related writings, so it’s about high time to get acquainted with it.
Overall, this is a blast of well-tamed Free Jazz / Improvised Music artistry by some excellent musicians, which is definitely worth to be heard, especially due to the presence of Stanko on this album. Not easy to get hold of, but definitely worth it!
| Updated: 07/04/2024Posted: 07/04/2024 | CD 1 Digipak Recommend To A Friend |
  | JOACHIM KUHN & JAN AKKERMAN ~ LIVE! IN-AKUSTIK 868 (Barcode: 4001985008681) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1979 Released: 2000
This is a reissue / remaster of a live album by a duo comprising of two legendary European musicians: German Jazz pianist / composer Joachim KuhnFind albums by this artist and Dutch Rock guitarist / composer Jan AkkermanFind albums by this artist (co-founder of FocusFind albums by this artist). The album presents just two tracks, which are different interpretations of the same composition by Kuhn, recorded several weeks apart during the duo’s 1979 European tour, twelve and twenty-one minutes in duration respectively.
The music is a superb example of Improvised Music, which combines Jazz and Rock improvisation “under one roof”, which was quite popular in Europe the 1970s. Kuhn and Akkerman played together on various occasions earlier on, and the duo concerts were a culmination of their musical cooperation.
The idea to present two versions of the same composition, separated by just a few weeks of playing the tune repeatedly, shows how music develops as a result of being performed and shared intimately, especially so if improvisation is at the focus. The album is also a great document of Rock Improvisation, which is quite different from Jazz-Rock Fusion, and which goes back to the 1960s, especially to British Rock, which included Rock Improvisation (unrelated to Jazz), for example in the concert recordings of groups like CreamFind albums by this artist or ColosseumFind albums by this artist.
Overall, this is a fascinating and relatively little known album by two great musicians, who present inter-genre cooperation at its best. Both are virtuosos of their instruments, which is clearly evident herein, and the “Art of the Duo” idiom suits this beautiful album perfectly. Not easy to find by definitely worth finding a copy!
| Updated: 16/08/2024Posted: 16/08/2024 | CD 1 Remastered Recommend To A Friend |
  | JOACHIM KUHN / ROLF KUHN ~ LOVE STORIES IN+OUT 77061 (Barcode: 798747706124) ~ GERMANY ~ Jazz Recorded: 2003 Released: 2003
This is a spectacular duo album by the Kuhn Brothers: pianist Joachim KuhnFind albums by this artist and clarinetist Rolf KuhnFind albums by this artist. As the title suggests they perform ten love songs, nine of which are standards every Jazz fan knows well and one is an original piece co-composed by the brothers.
The presence of the Kuhn Brothers also promises freedom and the music delivers plenty of it of course. Although separated by fifteen years of age and in many respects by musical background, the brothers always managed to find what unites them rather than what separates them, of which this album is a beautiful living proof. Therefore the music herein presents the melodic themes of each of the songs but also ventures into pretty advanced free improvised sections, although never losing the focus for a single second.
The life´s story of the Kuhn Brothers is in many respects the story of modern European Jazz from its early days in the mid 1960s. Rolf, who encountered Jazz in the height of the Swing era, turned out to be a virtuoso player performing with American Jazz stars and yet returned to Europe to continue his career. Joachim started at a very early age experimenting with Free Form and Avant-Garde, swiftly becoming one of the leaders of the new European Jazz, which has broken free of the chains imposed by the rigid American tradition and stayed always at the vanguard of the genre. Nevertheless Joachim never underrated the Jazz tradition and if the opportunity called for it, he could play mainstream Jazz or Jazz-Rock Fusion better them most. The brothers kept close ties over the years and recorded numerous albums together, of which this is one of my all time favorites.
There is a telepathic understanding and interplay between the brothers, which is hardly surprising considering their close ties. Rolf plays the "sane", melodic phrases most of the time, whereas Joachim is all over the place with his wild chord structures and arpeggios and the resulting music is simply stunning. Again the Art Of The Duo idiom proves that two great musicians can sound better than an entire symphonic orchestra
Of course there are also the European Jazz characteristics that this music boasts continuously: elegance, sophistication, intelligence and depth. Although seemingly relaxed and modest at first, this music has so much substance and intensity, that even after numerous repetitive listening sessions it reveals new vistas each and every time.
In addition this music was spectacularly recorded by the great Walter QuintusFind albums by this artist, and the sound quality is simply divine. This is an absolute must to very European Jazz / Art Of The Duo connoisseur!
| Updated: 12/04/2019Posted: 14/08/2016 | CD 1 Digipak Recommend To A Friend |
  | JOACHIM KUHN NEW TRIO ~ LOVE & PEACE ACT 9861 (Barcode: 614427986122) ~ GERMANY ~ Jazz Recorded: 2017 Released: 2018
This is the second album by German pianist / composer Joachim KuhnFind albums by this artist and his new trio with Canadian (resident in Paris) bassist Chris JenningsFind albums by this artist and German drummer Eric SchaeferFind albums by this artist, which continues the classic Jazz piano trio setting Kuhn shared for over three decades with French bassist Jean-Francois Jenny-ClarkFind albums by this artist and drummer Daniel HumairFind albums by this artist. The album presents eleven relatively short pieces, six of which are original compositions by Kuhn, one each is by Jennings and Schaefer, one is a Jazz standard, one is a Rock standards (by The DoorsFind albums by this artist) and finally one is an arrangement of a Classical piece.
Musically this album is an obvious follow up to the debut, continuing the formula of mixing original compositions with up-to-date arrangements of older pieces, concentrating on the more settled, lyrical facet of Jazz without compromising the inquisitive nature of Kuhn´s playing and his approach to improvisation.
The trio, featuring musicians separated from the leader by a whole generation and more, results in a much invigorated circumstances as far as Kuhn is concerned, which seems to present to him no great challenge at all. During his entire career Kuhn had no problem with cross-style / country / age differences, being one of the most diverse and adaptive European musician of all times.
For Jazz piano trio lovers this album is, as expected, an absolute must, since Kuhn´s playing remains one of the most illustrious examples of this High Art, and supported respectfully and amicably by excellent younger, but already highly experienced players, Kuhn is ably to stretch his wings and soar to celestial spheres.
Overall this is a classic Jazz piano trio album, and another superb addition to the wonderful recording legacy of the Great European Jazz Master. Highly recommended!
| Updated: 23/07/2020Posted: 23/07/2020 | CD 1 Digipak Recommend To A Friend |
  | JOACHIM KUHN / MICHAEL WOLLNY ~ LIVE AT SCHLOSS ELMAU ACT 9758 (Barcode: 614427975829) ~ GERMANY ~ Free Jazz / Improvised Music Recorded: 2008 Released: 2009
This is an album by German Jazz piano duo comprising of Joachim KuhnFind albums by this artist (born 1944) and Michael WollnyFind albums by this artist (born 1978). The album presents six tracks, two each composed by Kuhn and Wollny, one co-composed by them and one an interpretation of a Classical composition. Four tracks are piano duos and one each is a piano solo by Kuhn or Wollny.
Despite the generation gap and stylistic differences between these two musicians, they manage to communicate and cooperate remarkably well, creating a series of Improvised Music vistas, which are as cross-genre as humanly possible. Although based on pre-composed motifs, the music is totally a spur of the moment creation, and yet manages to sound completely coherent and even melodic to some extent. This is a somewhat extreme example of the “Art of the Duo”, waiting to be appreciated.
For listeners familiar with Kuhn’s long and illustrious career, such open-mindedness and virtuosic piano playing is nothing new, but at the time this album was recorded Wollny’s career was just taking off and sharing the stage with a legendary figure like Kuhn must have been challenging. Without a doubt he stood up to the challenge without a hitch. For me the highlight of the album is Kuhn’s solo interpretation of Johann Sebastian BachFind albums by this artist’s “Chaconne”, which lasts for over thirteen minutes – an absolute treasure!
Overall, this is a very interesting musical meeting, and for piano lovers especially a truly delightful exploration. Although the music is almost completely improvised, it magically makes perfect sense. For more experienced listeners the comparison between the two Artists is especially fascinating. Perhaps not suitable for a wide range of listeners, but those who are up to a challenge, a true delight!
| Updated: 26/08/2024Posted: 26/08/2024 | CD 1 Digipak Recommend To A Friend |
  | LESZEK KULAKOWSKI ~ LOOKING AHEAD FOR TUNE 0043 (Barcode: 5902768701524) ~ POLAND ~ Jazz Recorded: 2014 Released: 2014
In the last few years preceding the release of this album celebrated Polish Jazz pianist / composer Leszek KulakowskiFind albums by this artist concentrated on producing large orchestral works, which had either no direct connection to Jazz while pushing the boundaries of contemporary Classical idiom or floated somewhere within the Jazz-Classical Fusion, combining the two genres. Therefore this album comes as most welcome return to his Jazz roots. Recorded in a sextet setting with German trumpeter Christoph TitzFind albums by this artist, saxophonist Tomasz GrzegorskiFind albums by this artist, cellist Krzysztof LenczowskiFind albums by this artist, bassist Piotr KulakowskiFind albums by this artist and drummer Tomasz SowinskiFind albums by this artist, the album presents nine original compositions, all by Leszek Kulakowski.
Kulakowski was always first and foremost a superb song-weaver, which is very evident on this album from start to finish. The various melodies are the deepest root of this music, which then gets expanded into the modern mainstream language, floating gently and elegantly from one tune to another, caressed and pampered on its way by the musicians, who add their individual touches. There is plenty of freedom and breathing space within this music to inspire a relaxed, moderate approach by the players, which proves to be ideal in this context. Of course certain traces of Classical compositional tricks and arrangement devices can be picked up by the experienced listeners. The overall atmosphere of this recording is reminiscent of the Scandinavian sound, more so than to the usual Polish Jazz recordings. A certain ECM-ism can also be detected.
The individual contributions by its participants are another forte of this album; everybody´s playing sounds truly inspired here. Titz is a wonderful trumpeter, who somehow never really gets the credit for his work that he usually deserves. His performances on this albums rank among his best work done on record, and although his phrasing derives from other great European trumpet Masters, his deep lyricism and feel are uniquely his own.
The most surprising and at the same time impressive soloist on this album is the young cellist Krzysztof Lenczowski, whose name pops up on the local scene with a feverish frequency and in some most unexpected places, in addition to his regular work with the Atom String QuartetFind albums by this artist. Kulakowski relays on his solo parts in several of the compositions presented here, and his decision to engage Lenczowski in this project pays off splendidly.
Grzegorski and Kulakowski also play some excellent solos in the various tunes, which perhaps are less spectacular but no less expressive and supportive in the common effort invested to create this music. The rhythm section is extremely supportive throughout and plays with precision and sensitivity, exactly when and as needed.
In many respects this is probably the most "conventional" album released by the For TuneFind albums on this label label so far and it´s good to see that the people running the label have no preconceptions overshadowing their judgment and recognize great music even if it is decently (but not to conservatively) dressed. It´s good to see Kulakowski playing and composing Jazz again, especially when the music is as good as what we can hear on this album. Chapeau bas indeed!
| | CD 1 Recommend To A Friend |
  | LESZEK KULAKOWSKI ~ LOVE SONGS NOT ON LABEL ~ POLAND ~ Jazz & Poetry Recorded: 2016 Released: 2017
This is a beautiful album by Polish pianist / composer Leszek KulakowskiFind albums by this artist, who shows herein yet another facet of his multitalented persona, this time as a songwriter. The album presents ten songs composed and arranged by Kulakowski to the lyrics by Polish poet Zbigniew KsiazekFind albums by this artist, all of them being love songs in the good old meaning of the idiom. The songs are performed by vocalist Joanna KnitterFind albums by this artist, accompanied by a classic piano trio with Leszek Kulakowski at the piano, his son Piotr KulakowskiFind albums by this artist, who plays bass and drummer Tomasz SowinskiFind albums by this artist, and by the Progress Chamber OrchestraFind albums by this artist. Saxophonist Tomasz GrzegorskiFind albums by this artist and guitarist Maciej GrzywaczFind albums by this artist guest on a couple of tracks.
The music is everything one might expect from nontrivial love songs: exquisite melodies, sophisticated harmonies, unforeseen twists and highly developed swing, which keeps the songs flowing one after another, arriving at the album´s last song way sooner that one might expect. Combined with the intelligent lyrics and vigorous execution, these songs are a true delight.
Of course these songs have very little to do with contemporary popular music, which of course is meant as a compliment. They belong to the era when songs had a melody, a message and some aesthetic values, in short the era when all great Jazz standards were written. In many respects these songs belong to the same "standards" category, and the fact they are new and unknown only make things more interesting, as any new material of such quality is truly scarce these days.
As far as Polish Jazz is concerned, these songs continue the tradition of Jazz & Poetry, which flourished in the 1960s, and are a warm reminder of those days as well as a most welcome continuation of that tradition. Kulakowski turns out to be a romantic at heart, which is perhaps one more good reason why I like him so much both as a musician and a human being and honored to be his friend.
Overall this is an inspired collection of beautiful love songs, excellently executed by all participants, which creates moments of blessed tranquility and joy, which help the listener to survive the hellish barrage of noise which passes for music in the world we now live in.
| Updated: 30/03/2017Posted: 30/03/2017 | CD 1 Digipak Recommend To A Friend |
  | SLAWOMIR KULPOWICZ / SHUJAAT KHAN ~ LIVE POLSKIE RADIO 1250 (Barcode: 5907812242503) ~ POLAND ~ Jazz-World Fusion Recorded: 2006 Released: 2013
This is the fourth installment in a series of releases documenting the recorded legacy of the great Polish Jazz pianist / composer Slawomir KulpowiczFind albums by this artist, most of which is released for the first time. Kulpowicz, who died prematurely in 2008 at the age of 56, was a victim of cancer. He was a member of groups led by the top Polish Jazz players like Zbigniew NamyslowskiFind albums by this artist and Tomasz StankoFind albums by this artist and led / co-led his own ensembles like The QuartetFind albums by this artist, In-FormationFind albums by this artist and also cooperated with many other musicians over the years. He was an avid follower of John ColtraneFind albums by this artist´s music and kept in touch with Coltrane´s wife Alice ColtraneFind albums by this artist. Following his visit to India, Kulpowicz discovered Indian music and the spiritual aura of India, which became his own.
Kulpowicz visited India for the first time in 1978, when he was a member of the Zbigniew Namyslowski quartet, which played at the Jazz Yatra in Bombay. At the time he met and befriended a young sitar player Shujaat KhanFind albums by this artist, a descendant of the legendary Khan dynasty of sitar players since hundreds of years. That friendship lasted for almost thirty years as long as Kulpowicz was alive. They played together many times in Poland and abroad. In 1984 Khan visited Poland and recorded a live album with Kulpowicz for the PoljazzFind albums on this label label. The last time they played together was in 2006, when Khan visited Poland again, bringing with him the tabla player Arunangshu ChaudhuryFind albums by this artist. Kulpowicz invited the legendary Polish electric bassist Krzysztof ScieranskiFind albums by this artist and the four played together the music presented on this album, which was recorded live at Warsaw Philharmonic Hall.
Considering the fact that European (including Jazz) and Indian music exist on almost completely separate planes, the amalgamation of the two is extremely difficult to achieve. Except for a very few earlier attempts, most importantly the John MayerFind albums by this artist / Joe HarriottFind albums by this artist Indo-Jazz FusionsFind albums by this artist from the late 1960s / early 1970 and the John McLaughlinFind albums by this artist´s ShaktiFind albums by this artist a decade later, which were groundbreaking and musically just right, most of the other attempts resulted in failures. The music included on this album proves again, that the power of music transcends not only cultural borders but also thousands of years of musical tradition, enabling conversations between musicians originating seemingly from worlds apart.
The album comprises of just three extended pieces, two of which are about half an hour long and the third a quarter of an hour in duration. Named simply "songs", they are improvisations on melodic themes composed by Kulpowicz, performed wonderfully and in perfect harmony by all four musicians. Khan voices the melody at the onset of each piece and then the musicians take extensive solos in turn, with the full quartet returning to the melodic theme several times between the solos. Kulpowicz plays superbly and his solos are simply outstanding statements in the John Coltrane tradition, emphasizing the close relationship between Coltrane´s music and the Indian influences, which are often difficult to be discovered in his music, but come to wonderful realization when performed by Kulpowicz. There is so much passion in his playing that one suspect that his premonition as to his fate was already hunting him.
Khan, who since the early meeting with Kulpowicz achieved a Masterly status in Indian music, is an obvious sitar virtuoso and his solos are also breathtaking. Chaudhury and Scieranski, although a priori destined to fulfill a less dominant role in this music, perform both splendidly and their contributions are invaluable. Scieranski especially is to be prized, as his elegant and delicate bass tones manage to keep a perfect balance with his partners and the music which usually exist without the bass foundation so typical in European music.
The music is beautifully recorded and has an outstanding sound quality, especially in view of the fact that it is a live recording. Musically it is one of the finest examples I have ever come across of cross-cultural amalgam that work naturally as "God intended". An absolute must to World-Music enthusiasts and all connoisseurs of great music, regardless of genre, geography or cultural affiliation. Respect!
| | CD 1 Digipak Remastered Recommend To A Friend |
  | L`UOVO DI COLOMBO ~ L`UOVO DI COLOMBO MELLOW 195 ~ ITALY ~ Progressive Rock
Only album from 1973 by this brilliant Italian proto-Prog band, little known but absolutely outstanding. Stylistically this is quite similar to Beggars Opera (look for quotations of famous classical music tidbits) and perhaps a bit of ELP here and there. Also the first 2 Wigwam albums come to mind, because of that Hammond sound (or Procol Harum if you wish). A must!
| | CD 1 Recommend To A Friend |
  | WOLFGANG LACKERSCHMID ~ LAKE GENEVA HIPJAZZ 015 (Barcode: 4250095882845) ~ GERMANY ~ Smooth Jazz Recorded: 1995 Released: 2018
This is a reissue of an album by German Jazz vibraphonist / composer Wolfgang LackerschmidFind albums by this artist, recorded in a quartet setting with American guitarist Chuck LoebFind albums by this artist and bassist John LeeFind albums by this artist and Danish percussionist Marilyn MazurFind albums by this artist. The album presents ten original compositions, three each by Lackerschmid, Loeb and Lee and one by Mazur. This remastered edition adds one bonus track.
The music is a typical American influenced Fusion, which resembles music played by other ensembles at the time, especially Steps AheadFind albums by this artist led by American vibraphonist Mike MainieriFind albums by this artist, of which Loeb was a member. The music is very melodic and easy on the ear, bordering on Smooth Jazz, but always elegant and solid. The compositions are kept within a defined harmonic framework, serving as basis for lengthy improvisations, mostly by Loeb. Of course the performances are highly professional, as appropriate of musicians of this class.
Overall this is a very pleasant album, enjoyable like an afternoon breeze, but not very ambitious musically. A nice groove and a relaxed mood are the main elements this music stands for. This is ideal for listeners who like American Fusion / Groove music with a lot of gentle guitar work up front. Although this music is over two decades old, it is still perfectly valid within the Smooth Jazz framework.
| Updated: 08/07/2018Posted: 08/07/2018 | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | LAM ~ LAM INSTANT CLASSIC 048 ~ POLAND ~ Jazz-World Fusion Recorded: 2015 Released: 2016
This is the debut album by Polish Improvising Music trio LamFind albums by this artist, which comprises of veteran Polish Avant-Garde activists: clarinetist / composer Waclaw ZimpelFind albums by this artist, pianist Krzysztof DysFind albums by this artist and drummer Hubert ZemlerFind albums by this artist. Berlin based producer moorycFind albums by this artist, who was involved with the production, adds some electronic sounds. Together they present seven original compositions, all composed by Zimpel, two of which were co-composed by mooryc.
Listeners familiar with the music of Zimpel will find this album closely following his usual concept of contemplative, meditative music, which develops painfully slowly and progresses on a very limited emotional level, almost like the music of Far Eastern cultures, which serves mostly for meditation and prayer. This music has a restricted melodic content, with short melodic themes, which are then repeated in an endless cycle, changing only marginally within each piece. Of course serial, cyclic, minimalistic and repetitive music techniques exist also in the Western Classical Music idiom, but Zimpel´s music has more affinity to the folkloristic directions.
Personally this is not a kind of music I´d listen to intentionally, as usually I find it rather limited and annoying. Nevertheless this particular album is an exception, as I quite enjoyed the music herein and listened to the entire album with interest and pleasure. Zimpel´s highly emotional and expressive playing on one of the pieces is the absolute highlight of the entire album and justifies getting a copy of it.
Dys, who is a brilliant piano virtuoso, sadly has little opportunity to show his super technique and exceptional ability, staying mostly in the background. Same applies to Zemler, who is a very creative drummer but this music hardly allows him to show his entire arsenal of possibilities.
But all the limitations are balanced by a tight correlation between the musicians and the aesthetics of the musical concept, which inspires calm personal introspection, which perhaps is the main purpose of this music.
Not for everybody of course, but Zimpel has many fans on the Polish scene, who will welcome this album openheartedly, which is always a good thing. Personally I´d love to hear Zimpel playing other kind of music for a change, perhaps more Jazz oriented, but I respect his consistency and obvious talent.
| Updated: 12/04/2019Posted: 08/11/2016 | CD 1 Digipak Recommend To A Friend |
  | MICHAEL LANDAU / GROUP ~ LIVE PROVOGUE 7209 (Barcode: 8712725720928) ~ USA ~ Jazz-Rock Fusion Recorded: 2004 - 2006 Released: 2006
Michael Landau is one of the best-kept secrets on the US West Coast scene. Although almost completely anonymous, he is definitely one of the best and most gifted guitar players in US today. He is quite famous to the “insiders” of the music scene as he is featured (as a session player) on an endless list of albums by the biggest names in rock music. His work as a leader is unfortunately hardly available and this new album is a most welcome addition. The album is a showcase of his amazing versatility and staggering technique. The first disc of this 2CD set id dedicated to the electric blues, which Landau performs brilliantly with shades of Hendrix and Vaughan coming to mind immediately. The second discs could not be more different and it includes a superb set of jazz / rock Fusion, with Landau playing some amazing licks. He also composed all the music (sans one track) on this album. If you have never heard of this guy, do yourself a favor and listen to this album. I can assure you won’t be sorry!
| | CD 2 Recommend To A Friend |
  | JOËLLE LÉANDRE ~ LIVE IN ISRAEL KADIMA COLLECTIVE 17 (Barcode: 634479851179) ~ FRANCE ~ Jazz Recorded: 2007 Released: 2008
French bassist Joëlle LéandreFind albums by this artist is one of a relatively few women pioneers on the Free Jazz and Improvised Music scene to earn a legendary status. Her activities on the scene have brought her in contact with the most distinguished performers, both European and American (such as Anthony BraxtonFind albums by this artist). She also worked in the field of contemporary Classical music with composers like Pierre BoulezFind albums by this artist and John CageFind albums by this artist. In 2007 Joëlle visited Israel and her live performances there have been recorded and are now issued on this double CD. The first CD includes 7 solo bass (and voice) performances and the second CD offers her playing in duo, trio and sextet settings with the top Israeli Improvised Music artists: Jean Claude JonesFind albums by this artist – bass, Steve HorensteinFind albums by this artist – baritone and soprano sax, flute, Sameer MakhoulFind albums by this artist – oud and voice, Assif TsaharFind albums by this artist – bass clarinet, Daniel SaridFind albums by this artist – piano, Hagai FershtmanFind albums by this artist – drums, Albert BegerFind albums by this artist – tenor sax and Ariel ShiboletFind albums by this artist – soprano sax. These wonderful musical moments are some of the highlights of the Improvised Music created in Israel, a small but quite lively scene led by Jones and consistently documented on his Kadima CollectiveFind albums on this label label. Connoisseurs of the genre will be quite delighted to hear this stuff.
| | CD 2 Recommend To A Friend |
  | MUARIO LANZA / CLAPTON FOX ~ LOVE TIME SJ 037 (Barcode: 5912596066702) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2018 Released: 2018
This is the debut album by Polish duo comprising of guitarist Muario LanzaFind albums by this artist (a.k.a. Mariusz OrzelowskiFind albums by this artist) and resident in London vocalist Clapton FoxFind albums by this artist (a.k.a. Robert KaniepienFind albums by this artist). They are accompanied by trumpeter Dominik MietlaFind albums by this artist, bassist Dominik GrabFind albums by this artist and drummer Lukasz KurekFind albums by this artist. The album presents twelve songs, all co-composed by Orzelowski and Kaniepien with lyrics (in English) by Kaniepien.
The album consists of basically simple Pop songs with Jazzed up arrangements, which sadly fail to arise much interest in the long range. Even the Jazzy / Ambient atmosphere wears out after a few songs and pretty soon it all becomes way too similar to retain the listener´s attention.
The instrumental work is pretty solid, with the acoustic guitar parts being the best asset of the album. The rhythm section is solid, but uninspiring. The trumpet parts are nice, but after a while even those become repetitious. At times the album sounds like an Ambient Gypsy Jazz project, but once the vocals arrive, the charm is lost.
The vocals are the weakest part of the entire project, sung behind a wail of echo and reverb and hardly audible most of the time, with a very limited vocal range and complete lack of excitement.
Overall this project sadly leaves me completely cold. If the vocal parts could be removed, the rest would be passable and even enjoyable, but presented as is, it is quite a pain to listen to. Sorry guys…
| Updated: 11/01/2019Posted: 11/01/2019 | CD 1 Digipak Recommend To A Friend |
  | LEGENDARNE ZABKI ~ LEGENDARNE ZABKI REQUIEM 044 ~ POLAND ~ Jazz Recorded: 1984 - 1986 Released: 2011
This is a fascinating archival glimpse at the music created in the mid-1980s by the Polish ensemble Legendarne ZabkiFind albums by this artist (Legendary Teeth), which was one of the very few acts playing improvised music and creating Avant-Garde sound collages at the time. The ensemble comprised of saxophonist Ryszard WojciulFind albums by this artist, pianist Robert WyszynskiFind albums by this artist, bassist / cellist Boleslaw BlaszczykFind albums by this artist and drummer Jacek AlkaFind albums by this artist. Several other musicians also participate in these recordings, which were made during a two years period, after which the ensemble disbanded. The album includes twenty one tracks, recorded privately by Alka on amateur equipment at various locations.
At the time Legendarne Zabki were active Poland went through the roughest period in its post-WWII history, with the Martial Law imposed upon its population between 1981 and 1983 and a deep economic crisis lasting throughout the decade. Music was one of the escape routes for the young Poles, with the vast majority choosing Rock as their preferential genre, which resulted in the explosion of Rock music in the country. Young musicians, who selected Jazz and Free Jazz in particular, were a tiny minority. Therefore these historic recordings bring to light an almost completely lost chapter of the country´s musical history.
The music, presented chronologically, shows a steady development of the ensemble from Free Jazz towards experimental Improvised Music, which also incorporates literary works of philosophy, prose and poetry and Avant-Garde influences. The importance of such music is mostly in the fact that it was done at all at the time. Listening to it today exposes the lack of experience of the young participants and their detachment from other Improvised Music activities in Poland and abroad. Although the ensemble lasted only a couple of years, these musicians continued to make music together from time to time and are still a part of the Polish Improvised Music scene today.
The album is released in a beautiful unique packaging and is a Limited Edition of 300 copies only. It is a collectors´ item and enthusiasts of Polish music should find this an intriguing addition to their collection. Check it out!
| Updated: 12/04/2019Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | PIOTR LEMANCZYK QUART-ER ~ LIVE IN KLUB ZAK SOLITON 580 (Barcode: 5901571095806) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016
This is a live recording by a quartet led by Polish Jazz bassist / composer Piotr LemanczykFind albums by this artist, which features three American Jazz musicians: saxophonist Walter Smith IIIFind albums by this artist, pianist David KikoskiFind albums by this artist and drummer Colin StranahanFind albums by this artist. Polish trombonist Grzegorz NagorskiFind albums by this artist joins the quartet on three tracks, expanding the lineup to a quintet. The album presents seven tunes, six of which are original compositions by Lemanczyk and one is a standard.
Although Lemanczyk is definitely one of my favorite contemporary Polish Jazz musicians / composers, this album leaves me with mixed feelings, especially in comparison to his earlier recordings as a leader or sideman. Obviously since the majority of the players on this album are American, the music has almost nothing to do with Polish Jazz and should not be considered as such. Even the compositions by Lemanczyk are not able to save the day, and overall this sounds as just like one of thousands of American Jazz recordings which flood the market and are then immediately forgotten.
Of course these musicians can all play very well and have been doing so since many years, but on the other hand they have been playing the same post-Bebop stuff since their student days at the Berklee College of Music (well just two of the Americans studied there). This album might have been recorded anytime between now and fifty years ago, and we wouldn´t be able to tell the difference. In short I can understand the desire to play with renowned musicians, but the fact that those musicians come from the mainstream American scene might prove to be a drawback rather than an advantage.
Of course fans of mainstream American Jazz will find this album as exciting as anything else in that genre, and the two Polish musicians play at least as good as the Americans, if not better. Considering the excellent recording quality and the nice tunes by Lemanczyk, this is still an album worth listening to, but hardly anything that will change the Jazz idiom.
| Updated: 31/12/2016Posted: 31/12/2016 | CD 1 Digipak Recommend To A Friend |
  | LEMMUS LEMMUS ~ LEMMUS LEMMUS NAKED LEMMING 1002 (Barcode: 788522959708) ~ ISRAEL ~ Progressive Rock Recorded: 2008 Released: 2008
2nd album by Israeli Prog band Lemmus LemmusFind albums by this artist, which is a direct continuation of the surprising approach, they demonstrated on their debut album four years earlier. The group’s lineup was expanded from the original trio that founded the group – Joel RonFind albums by this artist (guitars and vocals), Noam RapaportFind albums by this artist (keyboards) and lead singer Eddie RonFind albums by this artist – adding nine guest musicians on various instruments and vocals, creating a full-fledged group sound. The musical principle of creating retro Prog / Psychedelic music in the vein of early Pink FloydFind albums by this artist remains their trademark, and as some notable music critics have already observed, when reviewing the debut album, their output could be easily mistaken as an undiscovered Pink Floyd recording. This album is even more so, with the mellotron (the very same instrument that was used by Pink Floyd originally) and spacey guitar setting the overall tone. Loops and various other studio effects, eerie sounds and scrambled vocals, are all in here, which take us back some 40 years back, to the wonderful times of Psychedelics at their prime. Early Pink Floyd fans and enthusiasts of Psychedelic delights will hopefully be all over this albums, like files on sherbet. Definitely worth investigating!
| | CD 1 Recommend To A Friend |
  | KRZYSZTOF LENCZOWSKI ~ LOST JOURNEY REQUIEM / LYDIAN 2021/17 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2020 Released: 2021
This is the third album as a leader by Polish Jazz cellist / composer (and now also guitarist) Krzysztof LenczowskiFind albums by this artist, primarily known as a member of the superb Atom String QuartetFind albums by this artist, but with a rich and exciting recording legacy of dozens of albums by top Polish artists. This album finds him in an exciting organ trio format with the wonderful organist Kajetan GalasFind albums by this artist and drummer Bartek StaromiejskiFind albums by this artist. The album presents ten original compositions, all by Lenczowski.
The music is absolutely delightful, like a ten-course meal in a tree-star Michelin restaurant. Each and every of those compositions is completely different and the diversity is simply astounding, including Classical Music, Rock, Prog, Fusion, World and other influences, skillfully exploited to create a dazzling kaleidoscope of sounds.
It is hard to believe that all this music is performed by just three instrumentalists, which emphasizes their individual skills and talents. Lenczowski is a brilliant cellist of course but here he demonstrates amazing scale of different sounds he is able to create on his cello. Galas, whom I have been following closely for a few years now, is a stunning talent, able to express a myriad of feelings using the keyboards. Staromiejski adds his robust drumming to drive the music steadily through the rapid turns and twists and frequent mood changes with sensitivity and skill.
It is very difficult to accurately define this music stylistically, and for luck of a better term, it would probably be best described as Jazz-Rock Fusion, although that might not do the music justice, as it is way more rich in textures than what usually passes as Fusion. The leagues of Prog fans should also feel perfectly comfortable with this music, as in fact should all lovers of ambitious melodic music, full of surprising vistas and virtuosic performances.
There are very few musicians today, who can match Lenczowski’s compositional ingenuity and chameleonic cross-genre and cross-idiom approach. A retrospective glance at his recorded legacy so far is already highly impressive, and one can never guess what he will come up with next – which of course is one of his many virtues.
Overall this is an absolute gem of an album, which a great appeal to all Artistic souls out there, of all ages and all musical affiliations. I can’t imagine anybody not loving this music, and if they don’t I am really sorry for them…
| Updated: 01/04/2021Posted: 27/03/2021 | CD 1 Digipak Recommend To A Friend |
  | GAN LEV ~ LANGUAGES KADIMA COLLECTIVE 05 ~ ISRAEL ~ Jazz Recorded: 2005 Released: 2005
Gan Lev is a renowned Israeli saxophonist. He is a graduate of the Manness College of Music in NY and studied in various European music Academies. An accomplished classical player he is a member of the Israeli Philharmonic, but his real love is jazz and improvised music. On this album he cooperates with bassist Jean Claude Jones, founder of the Kadima Collective. Playing a wide rage of saxophones (soprano, alto & baritone) Lev displays his exceptional technique and deep feel for the music. The duo performs 17 (mostly short) pieces, varying from clearly composed to totally improvised music. For the fans of the genre this is something to savor. It is heartwarming to see such unconventional and challenging music being released on record, thanks to the Kadima Collective initiative, well done!
| | CD-R 1 Recommend To A Friend |
  | PATRYK LEWI ~ LOGOSONUS NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2021 Released: 2021
This is the debut album by Polish Jazz guitarist / composer Patryk LewiFind albums by this artist, recorded in a quintet setting with saxophonist Michal BorowskiFind albums by this artist, keyboardist Pawel OdoszewskiFind albums by this artist, bassist Bartosz LazarskiFind albums by this artist and drummer Kacper MajewskiFind albums by this artist. The album presents seven tracks, all original compositions by Lewi.
The music is contemporary Fusion, based on highly melodic themes, which offer some irregular rhythmic complexity and typical Polish melancholic vistas, which develop very slowly and sometimes hesitantly, but overall coherently and pleasant on the ear. There is definitely very little risk-taking or breaking of new ground, but the music flows smoothly from one tune to the next and offers a relaxed listening experience.
Lewi suffers from a slight Pet MethenyFind albums by this artist poisoning, but has a nice sound and uses plenty of synthesized effects, which make things a bit more diversified. The rest of the crew plays along amicably, supporting the leader without trying to steal the show. The saxophone parts are somewhat weary and the group would have sounded better as a quartet, where the keyboardist could have shown more of his ability, but that is just my personal point of view.
Overall a solid debut, with plenty of potential, but Lewi definitely needs a few more years to polish his armor. For fusion and guitar freaks this is worth checking out.
| Updated: 21/05/2021Posted: 21/05/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LICHTANSKI SOUND LAB ~ LIVE PRK 0127 ~ POLAND ~ Jazz Recorded: 2013 Released: 2013
This is the debut album by a Polish Jazz quartet led by saxophonist Wojciech LichtanskiFind albums by this artist with pianist Michal SzkilFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Szymon MadejFind albums by this artist. The quartet, recorded live in the Katowice studio of the Polish Radio, performs six original compositions, all by Lichtanski. All the musicians are students of the Jazz Institute at the Katowice Academy of Music with ages ranging between 21 and 28 at the time of the recording.
As usual is such cases, it is very hard to believe that this music was created by such young musicians. The level of confidence, skill and most importantly composition present herein is simply outstanding and usually associated with established artists rather than novices. Perhaps this is one of the secret ingredients, which make the contemporary Polish Jazz scene to be one of the best and most exciting in the world. Of course one has to be careful not to boost the egos of these young musicians beyond proportions, but honestly this music is simply too good to be parsimonious with compliments. It is scary to think what these young cats will come up with when they grow up?
Lichtanski´s compositions are quite diverse both stylistically and dynamically, ranging from lyrical ballads characterized by that typical Polish lyricism and sweetly melancholic melody lines, to up-tempo numbers full of vigor and swinging magnificently. Yes, it is mainstream Jazz, but as such it represents the best side of mainstream, far away from the worn-out boring doodling, which is often associated with mainstream Jazz, giving it its bad name.
As performer, Lichtanski has a beautiful tone, which normally takes years to acquire, which is as effective on the listener as a snake charmer. His technique is also quite remarkable. Hs companions are all first-rate players, giving him excellent support throughout. The quartet functions very well as a group, with the musicians listening to each other carefully and respecting their individual space. I´d love to hear more solos by the other quartet members, but I´m sure there will be plenty of opportunity for this in the future, as these musicians are here to stay. The pianist is the most intriguing contributor, with some blood-hurdling effectiveness during his solos, but the rhythm section is also exactly right were it´s needed, strong, precise and imaginative.
In short this is one stunning debut album, which simply lifts up the spirit and leaves the listener longing for the next chapter, full of expectations. Well done indeed lion cubs!
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  | LIGHT STAR GUIDING ~ LIGHT STAR GUIDING NOT ON LABEL ~ POLAND ~ Jazz-Ambient Fusion Recorded: 2019 Released: 2019
This is the debut album by Polish quartet called Light Star GuidingFind albums by this artist, which comprises of British (resident in Poland) saxophonist Ray DickatyFind albums by this artist and Polish guitarist Mikolaj PoncyljuszFind albums by this artist, bassist Staszek CzyzewskiFind albums by this artist and drummer Dominik MokrzewskiFind albums by this artist. Vocalist Maniucha BikontFind albums by this artist appears on one track. The album presents six original pieces, which are not credited on the album´s artwork and are assumed to be co-composed by the quartet members.
The members of the quartet are usually associated with the Polish Avant-Garde / Improvised Music scene, but the music on this album is overtly contemplative and surprisingly melodic, bordering on contemporary Classical chamber music, with some Jazz and Rock influences. The pieces develop slowly and gradually increase the intensity and tempo, moving towards a climax and then stop abruptly. There is a lot of trancelike repetition and ambient mood, and the overall effort is more about atmosphere than actual content.
It is difficult to separate the pre-composed and the improvised parts, but there is not much individual soloing and most of the time the quartet plays in unison and perfect harmony, rather than freely improvising. There are some obvious conceptual similarities between this music and the music of the RdzaFind albums by this artist ensemble, which also includes Dickaty and Mokrzewski. Although instrumentally Rdza is a big ensemble and LSG is a quartet, the approach is quite related and they both represent a relatively new stream in Polish Jazz, which combines ambient / trance experiments with Jazz tradition.
Overall this is definitely an interesting listening experience, which requires patience and piece of mind to get into, but is eventually very rewarding. There is not that much happening within the music, but the mood and ambience are tantalizing and keep the listener mesmerized for the entire duration. Warmly recommended and surely worth checking out!
| Updated: 14/08/2020Posted: 14/08/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LION VIBRATIONS ~ LION VIBRATIONS & FRIENDS V 005 (Barcode: 5903111377052) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2014 Released: 2014
This is a wonderful album by veteran Polish Reggae ensemble Lion VibrationsFind albums by this artist recorded with guests, which presents an ambitious and completely unique amalgam of Reggae and Jazz. The ensemble members, many of which are familiar names on the Polish Jazz scene as well, and their guests perform eleven songs, ten of which are Jazz standards, some of them with new lyrics in Polish, and one is an original song. Beautifully and cleverly arranged these songs preserve the Reggae rhythmic patterns, but become a synthesis of Jazz, Funk and Soul, which is very rarely heard anywhere else.
The list of participating guests includes some of the top Polish Jazz & Pop names, like vocalists Jorgos SkoliasFind albums by this artist, Kamil BednarekFind albums by this artist, Natalia NiemenFind albums by this artist and others, saxophonist Piotr BaronFind albums by this artist (his son and daughter in law are members of the ensemble) and bassist Wojtek MazolewskiFind albums by this artist. The album is full of fabulous instrumental solos and not too shabby vocals and altogether is a wonderful example of intelligent and sophisticated music that is also brilliant fun to listen to. Thanks to the excellent arrangements, the familiar standards sound completely natural in the Reggae setting, which is perhaps the album´s greatest success.
Albums like these are great examples of the cross genre approach, which is able to achieve superb results and prove again and again that music knows no borders and talent and dedication are what matters. This album should be accessible to the majority of musical audiences, regardless of the age brackets and people who are able to open up to unusual ideas will have a great time listening to it. Excellent idea and perfect execution!
| | CD 1 Slipcase Recommend To A Friend |
  | LIPINY SYNDICATE ~ LIPINY SYNDICATE NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2014 Released: 2015
This is the debut album by Silesian quartet called Lipiny SyndicateFind albums by this artist, led by guitarist / composer Tomasz BienekFind albums by this artist with violinist Tomasz MuchaFind albums by this artist, bassist Simon NowakowskiFind albums by this artist and drummer Ryszard RajcaFind albums by this artist. The album presents seven compositions, five of which are originals composed (in one case co-composed) by Bienek, one is a Krzysztof KomedaFind albums by this artist composition and one is an off-shot of a BeatlesFind albums by this artist tune.
The music played by Lipiny Syndicate is a surprisingly original mixture of Fusion, Folklore and Psychedelia, which is distinctly original from anything else currently being played on the Polish scene. Additionally the sound of the quartet is also completely unusual, full of reverb and echo, electric and yet full of acoustic ambience. This is some of the most bizarre sound I have heard in a long time and I absolutely love it. It is somewhat similar to the early violin-based Jazz-Rock ensembles, like Flock, Hands, Curved Air, It`s A Beautiful Day and others, which brings warm waves of nostalgia and longing to the times when music was music.
Bienek´s compositions are all solid, with good melody lines, serving as ideal vehicles for the extended treatment they receive by the quartet. Mucha performs most of the Jazzy improvised parts, always playing with flair as appropriate for a virtuoso performer, with Bienek playing complex guitar chords behind him. The rhythm section sticks mostly to Rock patterns, which fit the music ideally, with the bass filling the bottom part of the spectrum with a solid foundation and the drums leading the music forward at a steady pace. There are many mini-quotations hidden within the music, taken from Silesian Folklore, Hassidic Klezmer tunes, Reggae songs and a myriad of other sources, which are delightful and humorous, proving that this music is meant to be fun.
Overall this is a most likeable album, which can be listened to repeatedly and allows the listener to discover its hidden gems time after time. It is so different from most other stuff played today that it deserves to be discovered and enjoyed. Satisfaction guaranteed!
| | CD 1 Digipak Recommend To A Friend |
  | LIQUID SCARLET ~ LIQUID SCARLET PROGRESS 012 (Barcode: 837792009252) ~ SWEDEN ~ Progressive Rock Recorded: 2004 Released: 2004
1st album by the Swedish Prog group Liquid ScarletFind albums by this artist, which plays somewhat heavier brand of the genre with a typical Scandinavian dark sound and gloomy atmosphere, similar to other Scandinavian bands but not as unique as the best of those. Altogether an ambitious debut, which shows potential for the future, but the music, especially, needs to be more captivating to make them really stand out. Don´t take me wrong, this is still a very decent album, which most Prog fans will enjoy and fans of the Scandinavian Prog will surely enjoy even more, but considering the incredibly high standard displayed by other Scandinavian bands, who practically rule the Prog world in the last decade, Liquid Scarlet are not one of them yet.
| | CD 1 Recommend To A Friend |
  | LITTLE BALCONY ~ LITTLE BALCONY AMP 028 (Barcode: 662578831228) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2018
This is the debut album by Norwegian Jazz quartet Little BalconyFind albums by this artist comprising of vocalist Thea Emilie WangFind albums by this artist, pianist Martin Sandvik GjerdeFind albums by this artist, bassist Henrik Sandstad DalenFind albums by this artist and drummer Kenneth Enes KristoffersenFind albums by this artist. Two guest musicians appear on a couple of tracks. The album presents eight original tunes, seven composed by Kristoffersen and one by Dalen. Wang wrote all the lyrics except for three tunes on which they were co-written by Kristoffersen and Dalen wrote the lyrics to the song he also composed.
The music is very melodic and almost entirely melancholic, with strong Nordic atmosphere and dark lyricism. The songs are relatively short, concentrating on the delivery of the tune without much improvisation or soloing, but the Jazzy feeling is there at all times.
Wang sings in English, which is a mistake, as her pronunciation of the lyrics is imprecise, but her vocal delivery is very interesting, theatrical and highly emotional. She is at the epicenter of the music at all times, skillfully using also vocalese, when appropriate.
The piano trio performs in a wonderful minimalist manner, with the piano stating the melody lines and the rhythm section keeping the pulse of the music beating, which is a wonderful example of "less is more". One of the tracks is a solo bass performance, which is definitely one of the highlights of the album.
Although the album might be perceived as a Pop / Jazz effort, it is by no means trivial or simplistic and except for the title track it is even quite challenging. Overall this is definitely a very ambitious debut effort, which leaves us all waiting for more, especially since the album´s duration is rather short (under half an hour).
| Updated: 02/10/2018Posted: 02/10/2018 | CD 1 Digipak Recommend To A Friend |
  | ALEJANDRO LOMELIN ~ LUZ DE INTENSO AZUL KORADI 001 ~ MEXICO ~ Progressive Rock Recorded: 1996 Released: 1997
Mexican keyboards player / composer Alejandro LomelinFind albums by this artist was a member of the legendary Mexican Prog band Caja De PandoraFind albums by this artist. This solo keyboards project shows his abilities as a player and composer, and although only partly Prog (could be also categorized as ambient electronic music) is still quite interesting. Obviously these home recordings are very personal and introspective, much more relaxed and even meditative at times. If you’re looking for some keyboards pyrotechnics, this is not for you, but people who enjoy ambient stuff should love this.
| | CD 1 Recommend To A Friend |
  | LONDON UNDERGROUND ~ LONDON UNDERGROUND RECORD HEAVEN 23 ~ ITALY ~ Progressive Rock
Great Italian band recreating the sound of the late 60`s Psychedelia so well that you feel like you took a trip in a time machine. Absolutely stunning performance and truly great compositions.
| | CD 1 Recommend To A Friend |
  | JON LORD ~ LIVE EAR MUSIC 4029759159810 (Barcode: 4029759159810) ~ UK ~ Classic Rock Recorded: 2009 Released: 2023
This is a reissue of a live album by the great British keyboardist / composer Jon LordFind albums by this artist recorded in 2009 in Bucarest, Romania, with a local Symphonic Orchestra and several soloists, including singers Steve BalsamoFind albums by this artist and Polish Kasia LaskaFind albums by this artist, Bulgarian bassist Ivaylo ZvezdomirovFind albums by this artist and drummer Venko PoromanskiFind albums by this artist and Russian guitarist Darin VasilevFind albums by this artist. Balsamo, Laska and Vasilev participated later in the recording of the “Concerto For Group And OrchestraFind albums with this title”, completed shortly before Lord’s death in 2012. The album presents nine tracks, all of which, except one. are composed or co-composed by Lord.
The music is a mixture of Lord’s orchestral music, which was his main field of interest in the last year of his life, and Deep Purple material, arranged for the orchestra and Rock group. The performances are all quite spectacular, and Lord / Deep Purple fans will find this stuff irresistible. Vasilev’s guitar soli are pretty blood curdling, Lord plays some great organ parts and both vocalist are world-class performers, so the result is really spectacular.
Lord’s affinity to Classical Music was always an important part of his musical vision and although performances with Symphonic Orchestras are always costly and complicated affairs, he managed to make some groundbreaking recordings in this area, often bringing Rock listeners to discover Classical Music.
Overall, this is another wonderful piece of music, which documents the splendid career of one of the most colorful and talented British musician, who managed to create many cross-genre projects, all of which were exemplary achievements. It is great to see this album reissued, as the original release was quite limited and disappeared from the market almost immediately after being released. This is an absolute must to all Lord / Deep Purple fans!
| Updated: 16/08/2023Posted: 16/08/2023 | CD 1 Digipak Recommend To A Friend |
  | JON LORD BLUES PROJECT ~ LIVE EAR MUSIC 4029759140672 (Barcode: 4029759140672) ~ UK ~ Blues-Rock Recorded: 2011 Released: 2021
This is a reissue of the only album by British keyboardist / composer / bandleader Jon LordFind albums by this artist and his group Blues ProjectFind albums by this artist, which included some of the finest British musicians associated with Blues and Blues-Rock idioms: guitarist / vocalist Miller AndersonFind albums by this artist, keyboardist / vocalist Zoot MoneyFind albums by this artist, vocalist Maggie BellFind albums by this artist, bassist / vocalist Colin HodgkinsonFind albums by this artist and drummer Pete YorkFind albums by this artist. The album was recorded live and presents twelve tracks, which include original material by the members of the group as well as classic Blues songs by British and American songwriters.
Lord, primarily known as the founder of the seminal Rock group Deep PurpleFind albums by this artist, but also as a respected Classical composer, had a deep affinity towards the Blues and recorded several Blues albums with the Australian band Hoochie Coochie MenFind albums by this artist. This album, recorded in May 2011, almost exactly a year before Lord’s untimely death, is one of his very last recordings.
The music is absolutely divine and the stellar lineup offers some breathtaking vocal and instrumental performances, in the best tradition of the British Blues / Blues-Rock. Lord’s Hammond organ gets a lot of the well-deserved exposure and everybody on the stage seems to have a great time, which projects directly on the music played.
Overall, this is a true blast from start to finish, an unadulterated serving prepared by savvy veterans, who know their stuff inside out and seem to be completely unaffected by time. The album is an absolute must to all British Blues / Blues-Rock fans and a great reminded of the many talents of Jon Lord, who is greatly missed!
| Updated: 08/09/2021Posted: 08/09/2021 | CD 1 Digipak Recommend To A Friend |
  | JON LORD / HOOCHIE COOCHIE MEN ~ LIVE AT THE BASEMENT EMI 596789 ~ UK ~ Blues
Recorded in Australia in 2003, this fabulous album captures the legendary organist / composer Jon LordFind albums by this artist, Deep PurpleFind albums by this artist founding member, taking a trip back to the roots and playing some blues again with the Australian Blues-Rock outfit The Hoochie Coochie MenFind albums by this artist, as almost all groups did in their early days. The atmosphere at The Basement club is very relaxed and the players are top notch, with everybody getting ample space to solo. This is a delightful set for all blues lovers and a fascinating document of the many faces of Jon Lord.
| Updated: 24/02/2021Posted: | CD 2 Recommend To A Friend |
  | JON LORD / HOOCHIE COOCHIE MEN ~ LIVE AT THE BASEMENT EMI 599184 ~ UK ~ Blues
Filmed in Australia in 2003, this fabulous album captures the legendary organist / composer Jon LordFind albums by this artist, Deep PurpleFind albums by this artist founding member, taking a trip back to the roots and playing some blues again with the Australian Blues-Rock outfit The Hoochie Coochie MenFind albums by this artist, as almost all groups did in their early days. The atmosphere at The Basement club is very relaxed and the players are top notch, with everybody getting ample space to solo. This is a delightful set for all blues lovers and a fascinating document of the many faces of Jon Lord. Dolby Digital 5.1 Surround Sound, 130 minutes.
| Updated: 24/02/2021Posted: | DVD 1 Bonus Tracks Recommend To A Friend |
  | LOTUS ~ LOTUS RASA 6006 ~ USA ~ World Music & Folklore
AMG Review: Keyboards, electric and acoustic guitars, live gamelan gongs (not samples!), and some up-tempo percussive energy are balanced against Edenborough´s sultry vocals, and while the lyrics are seldom profound, they don´t call undue attention to themselves and certainly help establish the mood. Sampled and live chanting (the latter by a male individual simply identified as Widga) contribute additional rhythmic and melodic textures, and adds to the exotic quality of the music. Appropriation of traditional materials is often criticized as a kind of cultural desecration, but Lotus deflects that charge by virtue of its spiritual aspirations. This disk will appeal, especially to hip, worldly adults with romance in their souls as well as lust in their hearts. The blend of ethnic elements, techno touches, and smoldering emotion on Lotus is fully realized and highly satisfying. Recommended.
| | CD 1 Recommend To A Friend |
  | LOUD JAZZ BAND ~ LIVE IN OSLO: 30TH ANNIVERSARY SPECIAL EDITION LJB 010 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2019 Released: 2020
As the title suggests, this is a live recording celebrating the 30th anniversary of the multi-national Jazz-Rock Fusion ensemble called Loud Jazz BandFind albums by this artist, founded and led by Polish guitarist / composer Miroslaw KaczmarczykFind albums by this artist. The nonet lineup, which is captured on this album, includes also trombonist Oyvind BraekkeFind albums by this artist, saxophonist Wojciech StaroniewiczFind albums by this artist, pianist Pawel KaczmarczykFind albums by this artist, bassist Pawel PantaFind albums by this artist, drummer Ivan MakedonovFind albums by this artist, percussionist Kenneth EkornesFind albums by this artist and pedal steel guitar player Kjetil RoyslandFind albums by this artist. The concert presents the ensemble performing five original compositions, all by the leader.
The music of the Loud Jazz Band is a highly polished, melodic and mostly lyrical Jazz-Rock Fusion, with a well balanced ratio between the more Jazz oriented brass solos and more Rock oriented guitar and keyboard solos, supported by a superbly slick and well oiled rhythm section. The compositions get expanded treatments, which allow for all the ensemble members to show off their chops. The band is obviously one of the best of its kind in Europe, definitely more ambitious and sophisticated than most. It is a real pleasure to hear this band in action, especially in view of the superb solos performed in the duration, which spice the proceedings enormously.
Although Fusion is usually quite a limited idiom musically, the Loud Jazz Band consistently manage to prove that with talent and right attitude Fusion can be exciting, interesting and intelligent. The combination of the electric Rock elements and the Big Band Jazz sound they create is unique and remains completely relevant, now in their fourth decade of activity. Although the music on this album was released previously on the band´s studio albums, these live renditions are definitely worth hearing.
Overall this is, as usual, an excellent album and for Fusion and Jazz fans a highly recommended piece of excellent music, which yields nothing but pure delight!
| Updated: 28/03/2020Posted: 28/03/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | LOVE ~ LIVE FRIDAY MUSIC 1094 (Barcode: 829421109426) ~ USA ~ Classic Rock Recorded: 1978 Released: 2009
Ten years after the original lineup of the legendary US band LoveFind albums by this artist fell apart, mainly as a result of personality clash between the band´s charismatic leader / singer / songwriter Arthur LeeFind albums by this artist and the second singer / songwriter in the band Bryan MacLeanFind albums by this artist, the two protagonists agreed to a short reunion of the band in 1978. This album is the only document of this reunion, recorded at the legendary "Whisky A Go-Go" club and although the quality of the recording is no better that your average bootleg, the historic importance of this meeting overshadows the technical shortcomings. The band plays three of the songs from their revolutionary epic "Forever ChangesFind albums with this title" and other material, composed all by Lee and MacLean, except one cover. The informal atmosphere of the gig and authenticity of the setting bring the listener back to times, when great music could be heard in clubs any day of the week. Any fan of Love will surely love to put his hands on this album.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | LOVE ~ LOVE (DELUXE EDITION) RHINO 73567 ~ USA ~ Classic Rock
1st album from 1966 by this superb US group. Pioneers of the West Coast sound and genious singwriters, they had a strong cult fllowing not only by their fans but also by many fellow musicians, who appreciated and often envied their talents. Led by Arthur Lee (one of the most idiosyncratic and enigmatic talents of the 1960`s) they also had another terrific composer in Bryan MacLean. The debut album is a bit raw, but all the signs of greatness are already there. This edition includes the entire album in mono and stereo version as well as bonus tracks. A classic!
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | LU7 ~ L`ESPRIT DE L`EXIL MUSEA 4572 (Barcode: 3426300045720) ~ JAPAN ~ Progressive Rock Recorded: 2004 Released: 2004
2nd album by Japanese duo LU7Find albums by this artist, which comprises of female keyboards player Luna UmegakiFind albums by this artist and guitarist Tsutomu KuriharaFind albums by this artist. Supported by a great cast of guest musicians (bass, drums and other instruments) they deliver their second album, which is every bit as strong and full of great music as their amazing debut. Somewhere between Prog and Fusion, this instrumental album will delight guitar freaks from the Allan HoldsworthFind albums by this artist camp, but honestly there is plenty of music here, beyond the guitar solos. The keyboards parts are imaginative and very well developed and the guest musicians all contribute excellent support to make it all work. The extremely clever usage of Celtic and Middle Eastern motifs takes the music a step further towards perfection. In short a perfect instrumental album for Prog and Fusion fans alike. Wholeheartedly recommended! (And please don’t ask me why so many Japanese Prog albums have French titles).
| | CD 1 Recommend To A Friend |
  | LUB JAZZTET ~ LAPACZ SNOW BNB 012 (Barcode: 5903714963263) ~ POLAND ~ Jazz Recorded: 2021 Released: 2022
This is the debut album by the Polish Lub JazztetFind albums by this artist quintet, which comprises of vocalist Berenika ZiaberFind albums by this artist, saxophonist Miroslaw SaneckiFind albums by this artist, pianist Konrad StankiewiczFind albums by this artist, bassist Bogdan FeliczakFind albums by this artist and drummer Jaroslaw RybkaFind albums by this artist. Trumpeter Patrycjusz GruszeckiFind albums by this artist guests on seven of the eleven tacks the album presents, which are mostly Jazz standards or well-known Polish songs with the exception of the title track, which is an original composition by Gruszecki and the quintet members. The album was recorded at the fabulous Monochrom Studio by Ignacy GruszeckiFind albums by this artist, and offers a wonderful (and very specific) sound (see below).
The music is completely within the mainstream Jazz limits, and sounds very retro, in fact listening to this album brings fond memories of my early childhood, when I heard Jazz (well, almost) for the first time, when my Mother used to take me out for tea and cake (well, coffee for her) at one the posh (for the post WWII Socialist Poland in the early 1950s) coffee houses in town, which remained as the last symbol of the pre-War splendor. This music would fit perfectly some of the old B/W movies made in Poland at the time, or perhaps a contemporary movie about the period?
Of course it would be completely unfair to review this album as a professional Jazz recording, since it is after all an amateurish affair, a work of love and dedication without claiming a professional status. Patrycjusz Gruszecki’s parts are fully professional, obviously, but that is beyond the point here.
Overall, this is lovely album, as long as it is kept in the right framework and state of mind, reflecting a different aspect of the Polish Jazz scene, which almost never gets recorded, but which proves that the love of Jazz is much wider that just the strict circle of musicians and dedicated (if not snobbish) fans. A voice from the past…
| Updated: 14/08/2022Posted: 14/08/2022 | CD 1 Digipak Recommend To A Friend |
  | LUMINARE ~ LUMINARE LYNX 236 (Barcode: 5904653776303) ~ POLAND ~ Progressive Rock Recorded: 2024 Released: 2024
This is the debut album by Polish vocalist / keyboardist / songwriter Martyna WegrzynFind albums by this artist, released under the moniker LuminareFind albums by this artist. She is accompanied by several musicians, including guitarist Wojciech CzyrnekFind albums by this artist, bassists Ignacy TrybonFind albums by this artist and Pawel MatuszekFind albums by this artist, drummer Jakub BerlinFind albums by this artist, violinist Malgorzata GolebiowskaFind albums by this artist and French Horn player Jan ZurekFind albums by this artist. The album presents thirteen tracks all composed by Wegrzyn and featuring her lyrics.
The music is typical Neo-Prog / Art Rock, deeply rooted in the Polish 1990s Prog tradition, which combines Progressive Rock with specific Polish Folkloristic tendencies, Slavic melancholy and lyricism. Naturally it is very difficult to be very innovative or inventive within such well-established environment, nevertheless Wegrzyn manages to put together a string of excellent compositions, encrusted by first-rate arrangements and played wonderfully by the superb team, which results in a well pleasing album, which offers a nice listening experience.
The lyrics are sadly lost to non-Polish speakers, as usual in such case, but Wegrzyn wisely chose to stick to her Mother tongue, rather than falling into the trap of singing in English, which sadly murders most Polish Prog albums. Her vocal abilities are somewhat limited as far as her range is concerned, but she compensates this limitation by highly emotional / expressive delivery, which fits the dramatic music perfectly. The excellent instrumental parts fill the rest of the album with a solid serving of Prog nostalgia.
Overall, this is a very promising debut album, which hopefully is just a first glace of Wegrzyn’s many talents, to be followed by more ambitious projects of this kind. Since the Polish Prog scene is suffering from serious identity crisis and plain repetitious boredom, with just a few exceptions, it’s good to hear a breath of “fresh air”, if not stylistically, at least offering new, original vistas of the tradition. Well done, young Lady!
| Updated: 22/06/2024Posted: 22/06/2024 | CD 1 Recommend To A Friend |
  | LUMPEKS ~ LUMPEKS RP 02 (Barcode: 5906660451099) ~ POLAND ~ Jazz-World Fusion Recorded: 2019 Released: 2020
This is the debut album by the French - Polish Jazz quartet LumpeksFind albums by this artist, formed by French bassist Sebastien BeliahFind albums by this artist, with trumpeter Louis LaurainFind albums by this artist, saxophonist Pierre BorelFind albums by this artist and Polish vocalist / percussionist Olga KozielFind albums by this artist. A couple of guests appear on selected tracks. The album presents nine original compositions, all co-credited to the quartet members, although in fact it is almost completely based on folkloristic sources.
The music is a rather unorthodox mixture of ancient Polish Folklore and Jazz, which fulfills the expectations of the “Radical Polish Culture” label it appears under, creating what could be labeled as Medieval Polish Jazz. It is rather surprising that such experiment was undertaken by French musicians, rather than by musicians native to that cultural background, but it proves that music is easily able to cross borders. Polish Jazz is of course full of attempts to amalgamate Jazz with traditional Folklore, some beautifully successful and others forgettable, in a few cases also involving non-Polish musicians, so this is not the first attempt of the kind.
The vocals offer a pretty straightforward readings of the traditional songs and don’t contribute much to the stylistic consolidation. The same applies to the regular rhythmic beat provided by Koziel. Therefore, it is up to Laurain and Borel to add the Jazzed up ornamentations. Beliah plays some nice bass parts and directs the music carefully forward, and setting the hypnotic atmosphere, consolidating the entire sound. But sadly altogether the effect of merging the folklore with Jazz is not really achieved here.
Overall the album left me rather unimpressed, albeit it deserves to be listened to as a curiosity. Perhaps the recorded music is not able to reflect the energies of this music performed live and offers just a part of the entire repertoire? I definitely look forward to their next effort.
| Updated: 28/03/2021Posted: 28/03/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | ROBERTO MAGRIS ~ LOVE IS PASSING THRU JMOOD 023 (Barcode: 741718929039) ~ ITALY ~ Jazz Recorded: 2005 Released: 2024
This is an album by Italian Jazz pianist / composer / bandleader and my Friend Roberto MagrisFind albums by this artist, recorded in a quartet setting with Italian Jazz musicians: saxophonist Ettore MartinFind albums by this artist, bassist Danilo GalloFind albums by this artist and drummer Enzo CarpenteriFind albums by this artist. The album presents thirteen tracks, which offer solo, duo, trio and quartet recordings. Two of the tracks are original compositions by Magris, nine are standards and two are renditions of Italian Pop songs. The album was recorded in 2005 and was originally intended for release on the legendary Italian Black Saint / Soul Note labels, but the labels were sold and the album remained unreleased. The current passing of Carpenteri prompted Magris to finally release the album on his home label, the American JMoodFind albums on this label Records. The sound quality of the recording is remarkable.
The general theme of the album is love, and the compositions are all somehow connected to that theme, but the music offers a diverse stylistic range, from melodic mainstream to Free Jazz. Despite that stylistic variety, the music offers perfectly coherent continuity, proving that the Jazz spirit is completely independent of the specifics and can’t be limited to one aesthetic approach.
Magris and his cohorts are all seasoned musicians with wide experience and more importantly the special Italian “thing”, which surfaces in almost every Italian Jazz album, a sublime melodic approach, which goes back hundreds of years in Italian music tradition. As a result, many of the tracks on this album offer a heartwrenching melancholy, which is only to be expected.
Overall, this is a wonderful piece of music, which offers a nice collection of familiar tunes in new interpretations as well as some unusual music, altogether an excellent listening experience and first class musicianship. Good to have this material out at last, as it certainly is worth being listened to. Well done my Friend!
Side Note:
Magris recorded an album for my JazzisFind albums on this label Records label in 1990 with his quartet, expanded to a sextet by two Israeli musicians, called “Life In IsraelFind albums with this title”, and we have been in touch ever since.
| Updated: 24/04/2024Posted: 24/04/2024 | CD 1 Digipak Recommend To A Friend |
  | MAHAVISHNU ORCHESTRA ~ LIVE AT THE BERKELEY COMMUNITY THEATER NOVEMBER 9, 1972 RENAISSANCE 901 (Barcode: 630428090125) ~ UK ~ Jazz-Rock Fusion Recorded: 1972 Released: 2024
This is an archival live album by the original lineup of the legendary Fusion group Mahavishnu OrchestraFind albums by this artist, led by British guitarist / composer / bandleader John McLaughlinFind albums by this artist, with American violinist Jerry GoodmanFind albums by this artist, Czech keyboardist Jan HammerFind albums by this artist, Irish bassist Rick LairdFind albums by this artist and American (born in Panama) drummer Billy CobhamFind albums by this artist. The 2CD album presents nine lengthy tracks, taken form the group’s debut album “The Inner Mounting FlameFind albums with this title” and the not yet released at the time second album “Birds Of FireFind albums with this title”. All the music was composed by McLaughlin except one tune composed by Miles DavisFind albums by this artist.
The album is an incredible document of the way Mahavishnu Orchestra sounded and performed in their early days, with an obvious emphasis on improvisation. Two of the tracks are over twenty minutes in duration and another three well over ten minutes, which naturally allows for extensive soloing and group improvisation, which is rarely heard on the group’s studio albums. Although McLaughlin is at the epicenter of the performances, Goodman and Hammer get plenty of opportunity to show their improvising chops, as does the rhythm section of course.
Listening to the music over fifty years later plainly shows that the early 1970s were Fusion’s finest hours and everything since then was a slow degradation of the genre. McLaughlin freshly out of Miles Davis group is in absolute top form, and shows that he was the Godfather of Jazz-Rock Fusion after experimenting with improvisation while still living in UK and playing with Graham BondFind albums by this artist, Brian AugerFind albums by this artist and others and perfecting his stellar stylistics with Tony WilliamsFind albums by this artist and Miles Davis. It’s worthwhile to mention that the two pivotal American Jazz-Rock Fusion groups of the time, Mahavishnu Orchestra and Weather ReportFind albums by this artist, had more European input / influence than American, which is hardly surprising.
Overall, this is an immensely important historical document of the Jazz-Rock Fusion genre, which shows one of the most interesting, innovative and influential bands, recorded live and at the full splendor of its powers. Despite the sound quality, which is not ideal, but allows a painless listening experience, the quality of the music is monumental and the retrospective opportunity to relive these moments is an absolute bliss, lasting for two whole hours! Essential!
| Updated: 11/11/2024Posted: 11/11/2024 | CD 2 Essential Recommend To A Friend |
  | ADAM MAKOWICZ ~ LIVE EMBERS (POLISH JAZZ VOL.43) MUZA 1043 ~ POLAND ~ Jazz Recorded: 1975 Released: 2005
This is the 2nd album in the legendary Polish Jazz series by the brilliant Polish pianist / composer Adam MakowiczFind albums by this artist, his first solo piano recording (a format he loves very much as documented in future recordings) and the first solo piano album in the entire series. By the time this album was recorded, Makowicz was the top piano Player on the local scene and one of the best European Jazz pianists. In the late 1970s Makowicz left Poland and settled in USA, like several other Polish Jazz players, escaping the socialist regime. His wonderful musicality, deep lyricism and typical European way to combine the Jazz tradition with the European Classical tradition (mainly Romanticism) make him a unique voice, which is always worth listening to. On this album he performs mainly his own wonderful music, spiced by his interpretation of a couple of Scott JoplinFind albums by this artist and John ColtraneFind albums by this artist tunes. This is a brilliant album and a must for Jazz piano lovers. Highly recommended!
| | CD 1 Digipak Remastered Recommend To A Friend |
  | KAREN MALKA ~ LADY OF THE FOREST TAV 8 (Barcode: 7290013088987) ~ ISRAEL ~ Progressive Rock Recorded: 2009 - 2010 Released: 2010
This is the debut album by Israel singer / songwriter Karen MalkaFind albums by this artist, who has been active on the local scene since several years, most recently as a member of Avishai CohenFind albums by this artist´s AuroraFind albums by this artist quintet, recording two albums with that ensemble. Cohen produced this album and plays on it, contribution his exquisite bass parts and also wrote one of the songs, with the rest being all by Malka. Other participating musicians include pianist Shay MaestroFind albums by this artist, percussionist Itamar DuariFind albums by this artist and guitarist Guy ShohamFind albums by this artist. Veteran flautist Shem Tov LevyFind albums by this artist plays on one track. The music is a gentle, somewhat melancholic mixture of Folk influences, Jazz undertones and contemporary Art Rock, which is difficult to categorize, but works out well, producing a dreamy atmosphere. The instrumental accompaniment (including one instrumental track) is excellent, with the individual musicians being able to express themselves at their best. The production and sound quality are also excellent. Altogether this is a great album, which many music connoisseurs will surely enjoy, and which has new musical vistas every time one listens to it. Definitely worth investigating!
| | CD 1 Slipcase Recommend To A Friend |
  | HARVEY MANDEL ~ LIVE AT BROADWAY STUDIOS – SAN FRANCISCO ROCK BEAT 3366 (Barcode: 089353336622) ~ USA ~ Blues-Rock Recorded: 2001 Released: 2018
This is an archival live album by legendary American Blues guitarist / composer Harvey MandelFind albums by this artist, recorded with keyboardist Dave ScottFind albums by this artist, bassist Joe DevitoFind albums by this artist and drummer John UlenFind albums by this artist. The album presents ten tracks, all of which are original compositions by Mandel, including many of his signature tunes.
Mandel enjoyed a meteoric career during his early days on the scene, playing with Canned HeatFind albums by this artist, John MayallFind albums by this artist’s BluesbreakersFind albums by this artist and even a brief stint with the Rolling StonesFind albums by this artist, which was followed by less prominent activity, which still continues to this very day.
Mandel’s guitar sound and phrasing are completely unique and as such are highly admired by many other guitar players. He mixes several techniques he invented and perfected, that put him in his own category of guitar virtuosos. He really deserves to be discovered by the true guitar lovers of all ages, as his relative anonymity is a crying shame.
This live recording offers relatively long explorations, full of brilliant guitar playing, which portrays Mandel’s abilities at their more explosive display, including a fourteen minutes long version of his composition “Wade In The Water”. The sound quality of this album is quite exceptional and offers an unedited document of the performance without any sound manipulation, which makes it very authentic.
Overall, this is an excellent opportunity to get to know or revisit one of the lesser known heroes of the American Blues-Rock scene and hear some highly unusual guitar playing, with certain Jazz influences, which remains as fresh and enticing as it was fifty plus years ago, when he first appeared on the scene.
| Updated: 08/06/2023Posted: 08/06/2023 | CD 1 Recommend To A Friend |
  | ALBERT MANGELSDORFF / PERCUSSION ORCHESTRA ~ LANAYA PLAINISPHARE 2209 (Barcode: 3561302220925) ~ GERMANY ~ Jazz-World Fusion Recorded: 1993 Released: 2001
This is a reissue of a live album by German trombonist / composer / bandleader Albert MangelsdorffFind albums by this artist recorded with the Percussion OrchestraFind albums by this artist, a quartet of percussion instrumentalists led by Swiss percussionist Reto WeberFind albums by this artist, Ghanaian African percussion Master Nana Twum NketiaFind albums by this artist, Iranian zarb player Djamchid ChemiraniFind albums by this artist and Adama DrameFind albums by this artist, a djembe player from Burkina Faso. The album presents seven tracks co-credited to Mangelsdorff and the percussionists.
It is probably the least known recording by Mangelsdorff and shows his incredible versatility and interest in music originating from different location around the globe. The music is quite unusual and finds Mangelsdorff improvising on top of the rhythmic patterns performed by the percussionists, which is definitely quite different from the usual Jazz / Improvised Music environment usually associated with Mangelsdorff. But his devoted fans (like yours truly) and lovers of his trombone virtuosity, should find this album quite fascinating.
Overall, this is a very atypical recording, which is of interest mostly to percussion lovers and devoted Mangelsdorff fans, who are open to hear him performing out of his usual musical environment.
| Updated: 11/03/2025Posted: 11/03/2025 | CD 1 Slipcase Recommend To A Friend |
  | MARILLION ~ LIVE FROM CADOGAN HALL EAR MUSIC 4029759064046 (Barcode: 4029759064046) ~ UK ~ Progressive Rock Recorded: 2009 Released: 2011
This is a live album by legendary British Neo-Progressive band MarillionFind albums by this artist, recorded during the last date of the “Less Is MoreFind albums with this title” tour in December 2009. The 2CD album presents the full concert spanning twenty-one tracks. The video material of this concert was also released on DVD.
The “Less Is More” album was the 16th studio album by Marillion and was an acoustic re-work of songs from their albums recorded since Steve HogarthFind albums by this artist became the band’s vocalist in 1989, starting with their 5th studio album “Seasons EndFind albums with this title”, and includes one previously unreleased song. The live concert includes obviously more songs from these albums.
The lineup includes Hogarth, guitarist Steve RotheryFind albums by this artist, keyboardist Mark KellyFind albums by this artist, bassist Pete TrewavasFind albums by this artist and drummer Ian MosleyFind albums by this artist. Marillion’s ability to maintain a steady personnel since the band’s formative time (except for the vocalist of course) is truly incredible and is one of the reasons that the band manages to keep an unbelievable level of artistry and success at the same time.
These acoustic versions emphasize the melodic qualities of Marillion’s material and the incredible vocal possibilities of Hogarth, which have few competitors.
Overall, this is a beautiful album from start to finish, which is among very few recordings justifying the existence of Prog these days, since the genre suffers from terrible stagnation and lack of direction, making it almost completely obsolete today. For Marillion fans this is an absolute must of course, and most Rock fans should be able to enjoy this music without any hesitation. A tour de force by any standard!
| Updated: 07/07/2023Posted: 07/07/2023 | CD 2 Recommend To A Friend |
  | MARILLION ~ LIVE FROM LORELEY EMI 599726 (Barcode: 724359972695) ~ UK ~ Progressive Rock Recorded: 1987 Released: 2004
Filmed shortly before FishFind albums by this artist left MarillionFind albums by this artist to pursue a solo career, the band being in top form and at a peak of their popularity. The material includes a great selection of their all time favorites, going back to Jester`s Tear and spanning all the other albums released up to that time. Although released on VHS years ago, this film was out of circulation for a long time and is now most welcome back on the shelves. Dolby Digital Stereo, 87 minutes.
| | DVD 1 Remastered Recommend To A Friend |
  | WYNTON MARSALIS ~ LEVEE LOW MOAN: SOUL GESTURES IN SOUTHERN BLUE VOL. 3 WOUNDED BIRD 7975 (Barcode: 664140797529) ~ USA ~ Jazz Recorded: 1991 Released: 2008
This is the third part of the album trilogy, entitled "Soul Gestures In Southern BlueFind albums with this title", which finds trumpeter / composer Wynton MarsalisFind albums by this artist leading a sextet comprised of his regular band members: saxophonists Wes AndersonFind albums by this artist and Todd WilliamsFind albums by this artist, pianist Marcus RobertsFind albums by this artist, bassist Reginald VealFind albums by this artist and drummer Herlin RileyFind albums by this artist. Williams contributes one composition with the rest of the music being written by Marsalis. As expected, the music is a further exploration of the influence of the Blues on Jazz, and for me is the strongest of the three volumes perhaps due to the wonderfully crafted arrangements. Marsalis´ compositions, now clearly showing his love and respect for Duke EllingtonFind albums by this artist, are beautifully balanced and serve as ideal vehicles for the quintet to express their individual skills both as soloists and ensemble players. His beautiful tone and obvious virtuosity can be heard here in depth and enjoyed to the fullest. Although some critics have described this album as "forgettable" and "disappointing" (to quote the less offensive epitaphs) it is quite brilliant from start to finish and a highly enjoyable music experience for any true Jazz enthusiast. Some people just don´t get it, which is fine by me, as long as their limitations don´t influence others too often. This album is definitely worth exploring, as are its two companions in the trilogy and in my opinion this one is a must, so forget the critics and just listen!
| | CD 1 Recommend To A Friend |
  | WYNTON MARSALIS ~ LIVE AT BLUES ALLEY WOUNDED BIRD 4675 (Barcode: 664140467521) ~ USA ~ Jazz Recorded: 1986 Released: 2007
Recorded live during a couple of nights at the Washington, D.C. club Blues Alley, this album captures 25 years old trumpeter / composer / bandleader Wynton MarsalisFind albums by this artist and his quartet doing their thing. Marsalis was already a "living legend", after spending the last half decade in the epicenter of public (Jazz and otherwise) eye. Behind him a series of Jazz and Classical Music recordings, received with almost universal applause and a long string of standing ovations at clubs and concert halls, which fallowed his live appearances. It was time to share the excitement of a live performance with a wider audience via a live recording and perhaps prove once and for all that the "living legend" status was not hype, but was based on solid grounds. The quartet, which earlier that year recorded the splendid "J MoodFind albums with this title" album, consisted of Marsalis, pianist Marcus RobertsFind albums by this artist, bassist Robert HurstFind albums by this artist and drummer Jeff WattsFind albums by this artist. The double album presents the music at the natural order of performance (with obvious editing), with each of the two records covering a separate night, two sets each night. This results in some of the tunes to be repeated twice, which of course is highly educational, as the performances are completely different, as appropriate for Jazz. The music, mostly written by Marsalis, with a few standards included as well, is mostly up tempo, which suits better a live performance situation and perhaps purposely allows the leader to "show off", proving his point. Regardless of the background information, hidden agendas and other less relevant factors, the music captured on this album is absolutely outstanding, turning it into one of the best live Jazz albums ever recorded. Wynton plays like a Greek God, with flow, technique, sound and virtuosity unparalleled by any of his peers, hitting the high register with might and sustain worthy of Maynard FergusonFind albums by this artist. The pianist delivers incredible solos, full of sublime contents both lyrically and rhythmically and the bass / drums backbone drives the music at a neck-breaking speed with elegance and zest. Whatever one might think of Wynton Marsalis as a person becomes completely irrelevant in view of the music presented here – he is a phenomenal performer and a great asset to the music, which really is all that matters. Absolutely essential piece of music!
| | CD 2 Essential Recommend To A Friend |
  | WYNTON MARSALIS ~ LIVE AT THE VILLAGE VANGUARD COLUMBIA 69876 (Barcode: 074646987629) ~ USA ~ Jazz Recorded: 1990 - 1994 Released: 1999
This magnificent Box Set presents the Wynton Marsalis Septet recorded live at the most famous Jazz Mecca in the world, the NYC Village Vanguard club on Seventh Avenue in Greenwich Village – probably the oldest Jazz club in the world and a “holy ground”, where endless Jazz recordings have been made. The music was recorded between March 1990 and December 1994 and during those four and a half years the Septet was pretty stable, with just three musicians changing chairs: Eric Reed replaced Marcus Roberts on piano, Victor Goines replaced Todd Anderson on tenor and soprano saxophones / clarinet and finally Ben Wolfe replaced Reginald Veal on bass. The remaining four musicians are present on all recordings: Wynton Marsalis on trumpet, Wessell Anderson on alto saxophone, Wycliffe Gordon on trombone and Herlin Riley on drums. Wynton Marsalis is of course the most respected and adored Jazz virtuoso since the 1980’s and many see him as the successor of Miles Davis in the mighty Jazz Olympus. Marsalis is the epitome of a Jazz master: well bred, well educated, extremely intelligent and outspoken, with parallel highly successful musical careers in Jazz and Classical music and a revered trumpet virtuoso. Very few musicians have such an illustrious calling card to their credit. But above all these advantages Marsalis has also an incredible understanding of the Jazz idiom – both as a scholar (on the intellectual plane) and a performer / composer (on the emotional plane). His interpretations of Jazz standards are always way beyond the primeval melody - expanded and embossed with multiple layers of additional musical threads and polyrhythmic complexity. His ensembles always include the best and most skilled (usually pretty young) players, who under his direction and leadership manage to create some of the most fascinating and well played Jazz music ever. The choice of the septet as a vehicle to create the music Marsalis wants to present here is truly masterly. Seven brilliant musicians are surely plenty to produce an endless variety of solo / duo / trio improvisations at any given moment, as well as produce almost a Big Band sound when playing in unison. Therefore an incredible range of volume and density is possible and the dynamics of the music is constantly changing. Marsalis freely spans the entire stylistic spectrum of Jazz, from New Orleans to Post Bee-Bop, with a dash of free, with the band feeling equally confident all the way through. The entire set includes over 10 hours of some of the most fascinating and moving Jazz music I personally ever encountered and my musical experience would have been so much poorer if I never listened to this marvelous set.
| Updated: 26/01/2019Posted: | CD 7 Box Set Essential Recommend To A Friend |
  | MARTINEZ, TONY ~ LA HABANA VIVE BLUE JACKEL 5026 ~ CUBA ~ Jazz
Although Martinez didn`t yet acheive the superstar status of his other Cuban jazz colleagues like Valdes, D`Rivera and Rubalcaba, he is a brilliant player (saxes & flute), composer and band leader. This magnificent debut album is full of energy so typical to Afro-Cuban jazz, but it is also very sophisticated and complex. Gonzalo Rubalcaba, who plays piano here, certainly heats things up as well!
| | CD 1 Recommend To A Friend |
  | MATCHING MOLE ~ LITTLE RED RECORD (EXPANDED EDITION) ESOTERIC 2312 (Barcode: 5013929431249) ~ UK ~ Canterbury Scene Recorded: 1972 Released: 2012
This is the 2nd and last album by Matching MoleFind albums by this artist, the seminal Canterbury ensemble formed by drummer Robert WyattFind albums by this artist, after he left Soft MachineFind albums by this artist. Although Wyatt was determined to start a solo career following his split with Soft Machine, Matching Mole was born and kept going for about a year, recording two legendary studio albums. Live performances and BBC radio recordings gave birth, decades later, to three albums, which consist of material from these sources and now the expanded editions of the two studio albums give us another two new CDs of Matching Mole material, all together 7 CDs worth of superb Canterbury stuff at its best. The lineup, which recorded this music, consisted of Wyatt, keyboardist Dave MacRaeFind albums by this artist, guitarist Phil MillerFind albums by this artist and bassist Bill MacCormickFind albums by this artist. MacRae contributed or co-contributed most of the music on this album, with Wyatt taking charge of occasional vocal parts and lyrics. The music lost absolutely nothing of its freshness and the wonderful weirdness, which characterizes most of Canterbury output. Of course the genre would fully blossom only shortly after Matching Mole would be no more and its members would form such legendary groups like Hatfield And The NorthFind albums by this artist and National HealthFind albums by this artist. This is music straight from heaven, for listeners inclined towards the more sophisticated end of the spectrum, combining complex improvisation and quirky rhythmic patterns, which have no parallel anywhere. Of course this kind of music should be kept alive at all costs and this new edition does the job just fine, with a crisp new remaster and plenty of previously unheard stuff to make every fan green from ear to ear. Essential stuff for body and soul!
| | CD 2 Oversampling Remastered Bonus Tracks Essential Recommend To A Friend |
  | MATUSIK & GHOSTMAN ~ LIVE NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2013 Released: 2013
This is a debut album by Polish duo, which pairs keyboardist / composer Piotr MatusikFind albums by this artist and vocalist GhostmanFind albums by this artist (Grzegorz LulekFind albums by this artist). The music was recorded live and it was the duo´s debut performance. The album presents nine original compositions / songs co-credited to both members of the duo.
I have no idea why this album landed on my lap over two years after it was released, but better late than never. I must admit that I fell in love with this music from the first moment and I am still completely stunned by it. Mind you, it is only marginally Jazzy, but nevertheless it is one of the most original musical ventures on the Polish scene in the last few years.
Matusik, who is a very gifted pianist and composer as evident from his other recording projects, uses a plethora of keyboards to accompany the vocalist and skillfully changes the sounds / samples / timbre of his instruments to support his partner amicably, playing on the way some truly beautiful solos. He manages to be a complete and sufficient "one man orchestra", utilizing a drum machine and other tricks of the trade, doing it all with taste and respect.
But the real surprise for me is Ghostman, the vocalist. Not only is he blessed by a wonderful voice, which brings fond memories of the great Al JarreauFind albums by this artist, but he also manages to do something I never heard before and that is to improvise the songs´ lyrics inventing them in a gibberish language, which sounds as if spoken in a language, but in fact has no meaning whatsoever. The listener is convinced he is hearing Portuguese, Spanish, French or Italian but in fact this is all gibberish. Of course since most people do not speak many languages, they are convinced that they simply don´t understand the lyrics, but the devilish trick of fooling them all is Ghostman´s illusion.
Honestly this can´t be accurately described by words and the only way to experience it is to hear it live, which I intend to do on the first opportunity arising. In the meantime listening to this superb music and absolutely stunning vocal shenanigans is all that I can do. If I´d received this album a couple of years earlier I´d have selected it among the top 10 albums of 2013, but alas this was no to happen. Buy I pay my respect now: hats off to both of you! And where is that studio album we all want to hear?
| | CD 1 Digipak Recommend To A Friend |
  | JOHN MAYALL ~ LIVE AT THE BBC DECCA 984466 (Barcode: 602498446652) ~ UK ~ Blues Recorded: 1965 - 1975 Released: 2007
As part of the splendid reissue series of the early John MayallFind albums by this artist and his BluesbreakersFind albums by this artist recordings, this album collects sessions made for the BBC, which are always a revelation and an important document of all UK artists’ output. Thanks to the UK Musicians’ Union agreement with the BBC, a vast number of recordings made on a regular basis documented over the years the development of the musical scene in the UK and many of these recordings are finding their rightful place on recent reissues. The bulk of the material on this album was recorded between 1965 and 1967 and features Eric ClaptonFind albums by this artist or Peter GreenFind albums by this artist as the lead guitarist. The last two tracks are from 1975 and were recorded for TV. Mayall was of course the most important protagonist of the UK blues movement and every piece of previously unheard material is an absolute treasure. Clapton’s and Green’s revolutionary guitar styles are a model for countless guitar players to this very day. A special note to collectors: Most of these tracks were included as bonus material on the Bluesbreakers With Eric Clapton (Deluxe Edition)Find albums with this title and A Hard Road (Expanded Edition)Find albums with this title reissues. Therefore this album is mostly for people who don’t own these reissues, or hard-core Mayall collectors.
| | CD 1 Recommend To A Friend |
  | JOHN MAYALL ~ LIVE IN FRANCE 1967-73 REPERTOIRE 1459 (Barcode: 4009910145920) ~ UK ~ Jazz-Blues Fusion Recorded: 1967 - 1973 Released: 2023
This is an archival album by the greatest British Blues Artists of all time, the iconic ninety years old Blues legend John MayallFind albums by this artist. The material originates from the French TV archives and presents twenty-two tracks captured during the five most productive years of Mayall’s early career, both on two CDs and a DVD. The list of participants reads like the Who’s Who of the Blues and Jazz-Blues Fusion history of the Golden Decade: guitarists Mick TaylorFind albums by this artist, Jon MarkFind albums by this artist, Harvey MandelFind albums by this artist and Freddie RobinsonFind albums by this artist, bassists Steve ThompsonFind albums by this artist, Alex DmochowskiFind albums by this artist, Larry TaylorFind albums by this artist and Victor GaskinFind albums by this artist, drummers Keef HartleyFind albums by this artist, Colin AllenFind albums by this artist and Paul LagosFind albums by this artist, saxophonists Dick Heckstall-SmithFind albums by this artist, Johnny AlmondFind albums by this artist and Red HollowayFind albums by this artist, violinist Don Sugarcane HarrisFind albums by this artist, trumpeter Blue MitchellFind albums by this artist and others.
During those years Mayall’s groups changed constantly, and with the lineup changes also the stylistic direction changed accordingly, moving from classic Blues towards more open, Jazz influenced acoustic Blues and later Brass-Rock Blues. Mayall was constantly searching for new avenues to explore the Blues realm, gradually moving away from the classic traditional Blues songs towards original material.
This compendium of previously unavailable material is of course an incredible historic document of great value. Although the sonic quality is far from perfect at times, but combined with the video footage brings backs fond memories of a time period, when originality and uncompromised creativity was above all. Mayall’s magnificent contribution to music deserves this kind of documentation and Repertoire Records are certainly one of the best activists in that area.
Overall, this is a magnificent addition to Mayall’s recorded history and an absolute must for his many faithful followers. One can only hope for many such archival releases to follow suit. Thank you John for a lifetime of music!
| Updated: 30/12/2023Posted: 30/12/2023 | 2CD+DVD 3 Slipcase Remastered Recommend To A Friend |
  | WOJTEK MAZOLEWSKI QUINTET ~ LIVE POLKA NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2015 Released: 2016
This is a live recording by Wojtek MazolewskiFind albums by this artist and his quintet, which presents live versions of the material recorded for his last studio album entitled "PolkaFind albums with this title". The lineup is not listed on the album´s minimal packaging, so one must assume that it is the same as the lineup which recorded the studio album. The album presents just three compositions from the studio album, with the title track repeated twice, one time lasting for over nineteen minutes and the second time for almost twenty six minutes.
These live versions are dramatically different from the concise studio versions and show the quintet stretching out and playing extensive solo sections, group improvisations and trance like repetitions, which are absent from the studio album. In short this album could be seen as "the other side" of "Polka".
Of course a live album always turns the attention of the listener to the individual players checking out their chops and technical skills. Although these musicians are experienced and talented, they definitely are not up to the challenge to keep the listener captivated for extended periods of time and the album fails in that respect. If one wants listen to long solo bass solos, there are plenty of other bassists to choose from. Perhaps shorter pieces would have worked better? In addition the sound quality of the album is rather hollow and unfocused, which does not help.
The album also shows the punkish attitude of Mazolewski towards his listeners, a hype he has been demonstrating since his Punk and Yass days, which honestly is passé today. The charm of being rebellious works for a while, but eventually what the musician has to offer artistically should kick in, which in Mazolewski´s case somehow does not happen too often lately
It is difficult to understand what the reasoning behind releasing this album was. If it means to serve as an invitation to the quintet´s live shows, it is definitely not the best advertisement that could have been chosen. This album and the latest Pink FreudFind albums by this artist album both find Mazolewski away from his best days that are well remembered.
| Updated: 05/01/2025Posted: 28/05/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ LIBERATION TIME ABSTRACT LOGIX 065 (Barcode: 700261486185) ~ UK ~ Jazz-Funk Fusion Recorded: 2020 Released: 2021
This an album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist, recorded during the Covid-19 pandemic with many musicians around the world using today’s possibilities to make music together “remotely”. The musicians include British keyboardists / drummer Gary HusbandFind albums by this artist, bassist Sam BurgessFind albums by this artist, saxophonist Julian SiegelFind albums by this artist, American drummer Vinnie ColaiutaFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist, Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and others. The album presents seven original compositions, all by McLaughlin, two of which are short solo piano pieces played by him.
Despite the rumors about retirement, McLaughlin proves to the world that he still is the undisputable numero uno out there, despite being almost eighty years young. His notes are as sharp and precise as ever and his compositions as exciting as one can wish for. The music sounds familiar, like Mother’s food, something that one is never tired of, but is amazingly fresh and energetic, with the album flowing swiftly with never a dull moment.
The album rises some pretty grim reflections, as far as Fusion is concerned, given that the person who basically was one of the genre’s pioneers in the mid-1960s, is still on the very top of the crest, as if nothing happened the fifty-five years that passed by since. I’d even go as far as saying that if one owns all his recordings as leader and sideman, one does not miss anything else as far as Fusion is concerned.
Overall, this is an excellent album in every respect and a great addition to McLaughlin’s recording legacy, which easily represents the Fusion genre in its full glory. Praying for more albums to come…
| Updated: 03/11/2021Posted: 22/10/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN ~ LIVE @ RONNIE SCOTT`S ABSTRACT LOGIX 058 (Barcode: 700261457000) ~ UK ~ Jazz-Rock Fusion Recorded: 2017 Released: 2017
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist. The album presents nine original compositions, all by McLaughlin. The material includes three tracks from the last studio album at the time “Black LightFind albums with this title” and earlier compositions.
The music is a unique mixture of Jazz-Rock Fusion and other elements. For McLaughlin followers this music combines everything he did in the five decades preceding this recording, including Mahavishnu OrchestraFind albums by this artist and his extensive solo work. The live setting allows for extensive soloing, which offers many hair-raising moments and proves that McLaughlin is still very much the Boss, leaving his many disciples far behind.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers.
4th Dimension is a perfect band for McLaughlin, as it encapsulates all the elements he likes to have around when creating music. Husband supports McLaughlin most amicably, contributing some superb keyboard parts, and the rhythm section is like a good natured tornado, driving the music with enormous energy but at the same time being incredible precise and considerate.
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 03/11/2021Posted: 03/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JOHN MCLAUGHLIN / JIMMY HERRING ~ LIVE IN SAN FRANCISCO ABSTRACT LOGIX 059 (Barcode: 700261467016) ~ UK ~ Jazz-Rock Fusion Recorded: 2017 Released: 2018
This is a live album by iconic British guitarist / composer / bandleader John McLaughlinFind albums by this artist and his 4th DimensionFind albums by this artist quartet, which includes British keyboardists / drummer Gary HusbandFind albums by this artist, Cameroonian bassist Etienne M`BappeFind albums by this artist and Indian drummer and konokol vocalist Ranjit BarotFind albums by this artist and American guitarist Jimmy HerringFind albums by this artist and his Invisible WhipFind albums by this artist quintet, with violinist Jason CrosbyFind albums by this artist, keyboardist Matt SlocumFind albums by this artist, bassist Kevin ScottFind albums by this artist and drummer Jeff SipeFind albums by this artist. The resulting Fusion nonet performs eight classic Mahavishnu OrchestraFind albums by this artist tunes, all composed by McLaughlin.
The music is a hyper-powerful explosion of Jazz-Rock Fusion, which pays tribute to the legendary Fusion group founded and led by McLaughlin, which in many respects defined Fusion as we know it, with very few significant developments in the genre that happened in the fifty years that followed since it was at its peak.
McLaughlin’s performances are brilliantly ageless, and his virtuosity seems to be completely unmindful of the years that passed by since he appeared on the scene. He has more energy and open-mindedness than guitarists half his age, which of course is hardly surprising to his many followers. The members of his quartet, as well as the members of Herring’s Invisible Whip all play as if there was no tomorrow and the hair-rising soloing continues as an unstoppable hurricane, which should give all electric guitar oriented Fusion lovers an unforgettable listening experience.
The music sounds remarkably fresh and lost nothing of its originality and ingenuity over time, and this double-trouble powerful approach proves to be extremely effective musically. Yes, they raise a hell of a racket, but what a sublime racket it is!
Overall, this is a brilliant album from start to finish, which continues the sublime recording legacy by the greatest guitarist that we were all blessed to hear in all time. Thank you John for a lifetime of music!
| Updated: 06/11/2021Posted: 06/11/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MCPHEE, TONY ~ LIVE IN POLAND AT BLUES EXPRESS WYDAWNICTWO 21 008 ~ UK ~ Blues
The legendary UK guitarists, singer, composer and leader of Groundhogs needs no introduction. Since the 1960`s McPhee and his group broke the ground for Blues / Rock and recorded a series of exceptional albums. This album finds a much older and mature McPhee going back to the roots and playing and singing some fine acoustic blues. The material includes mostly well known blues standards and a few compositions by McPhee. On a few tracks he is joinded by local musicians. For acoustic Blues lovers this is a true treat.
| | CD 1 Recommend To A Friend |
  | SABINA MECK ~ LOVE IS HERE FOR TUNE 0090 (Barcode: 5902768701821) ~ POLAND ~ Jazz Recorded: 2014 - 2015 Released: 2016
The new generation of Polish Jazz musicians, which swept the local scene like a tsunami with the onset on the 21st Century, produced a staggering number of superb instrumentalists: trumpeters, saxophonists, pianists, bassists and drummers, but sadly almost no significant discoveries in vocal Jazz arrived on the scene, with just a very few exceptions.
There are many possible explanations why this has happened: the crisis in the vocal Jazz idiom in general, the fact that vocalists born in Poland are not native English speakers, yet they tenaciously insist on singing in English even when it works against them, and most importantly the fact that the human voice is not only the most beautiful and limitless instrument, but also the most difficult one.
Therefore listening to this album by the young Sabina MeckFind albums by this artist (a.k.a. Sabina MyrczekFind albums by this artist) one can finally release a sigh of relief saying "it´s finally happening". Not only does she sing fabulously but she also wrote all the music and the lyrics on this album, which is almost too good to be true. The whole thing sounds like a classic vocal Jazz album, featuring a set of carefully selected standards; anything but a debut album.
Meck selected the accompaniment of a classic piano trio, which is classy, elegant and minimalistic, but also incredibly bold. There is no electric trickery to hide imperfection, but there is a challenging need to combine forces with the trio members at all times. The trio´s performance is by all means as spectacular in every respect as the vocals. The upcoming and still very young Aga DerlakFind albums by this artist on piano is absolutely brilliant as an accompanist and together with the singer they are in a perfect Ying and Yang harmony. The rhythm section, bassist Franciszek PospieszalskiFind albums by this artist and drummer Bartosz SzablowskiFind albums by this artist, adds its support amicably and very skillfully, with nothing short of flawlessness.
The insiders of the Polish Jazz scene will of course notice immediately that Sabina Meck is the sister of the incredibly talented vocalist Wojciech MyrczekFind albums by this artist. It will be completely unfair to treat her just as "the sister of", since although she shares with her brother the gene pool of the highly gifted Myrczek clan, this album proves that she is a greatly talented Artist in her own right.
Hopefully this is just the first of many wondrous albums to come. You’ve got it, my Fair Lady; you certainly have got what it takes! Side Note The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| Updated: 19/09/2018Posted: 06/05/2016 | CD 1 Recommend To A Friend |
  | PIOTR MELECH / PATRYK LICHOTA ~ LOST LEVEL MULTIKULTI MPLE 001 (Barcode: 5907529223420) ~ POLAND ~ Avant-Garde Jazz Recorded: 2011 Released: 2013
This is the debut album by Polish experimental duo, which consists of clarinetists / composer Piotr MelechFind albums by this artist and live electronics performer Patryk LichotaFind albums by this artist. The album presents seven original compositions, all co-composed by Melech and Lichota. The album was released by the prestigious MultikultiFind albums on this label label as a numbered Limited Edition.
The music is one of the very few examples of Avant Garde / Improvised Music, which incorporates fully acoustic instruments and electronics, treating the two distinct worlds on an equal plane, whereas in most cases when electronics are used, they are confined to a marginal role in the overall framework.
The entire sound environment created by the two musicians is very unorthodox and presents numerous innovative approaches, which are all quite fascinating. The traditional "sweet" tone of the clarinet is radically changed by electronic manipulation, used in a multilayered recording technique, with pure clarinet and pure electronic sounds also added to the entire collage.
There is very little melody used as such, but melodic fragments are an integral part of the entire creation, creating a link to "conventional" music, without which the sonic structures might have been a tad too detached from what most listeners define as music.
Overall the album is a fascinating trip into unconventional musical spheres, which manages to keep the listener on his toes, unable to predict what the next move will be, which defines the essence of creativity after all. Although released a few years ago, this is still more innovative than most contemporary releases and definitely worthy of discovery.
| Updated: 17/12/2018Posted: 29/04/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | FRANKIE MILLER ~ LIVE AT ROCKPALAST MIG 90592 (Barcode: 885513905925) ~ UK ~ Blues-Rock Recorded: 1976 - 1982 Released: 2013
This Box Set presents a collection of live concert recordings by the great British Blues-Rock vocalist / guitarist / songwriter Frankie MillerFind albums by this artist, captured by the German TV program Rockpalast. The 3CD collection presents forty-three tracks, recorded on three different occasions, as described below. With a few exceptions all the songs were written by Miller.
CD1 was recorded on August 28th, 1982 and the lineup includes Miller, lead guitarist Ed DeaneFind albums by this artist, keyboardist Mick WeaverFind albums by this artist, bassist Chrissie StewartFind albums by this artist and drummer Malcolm MortimoreFind albums by this artist.
CD2 was recorded on June 3rd, 1976 and the lineup includes Miller, lead guitarist Ray MinhinnitFind albums by this artist, keyboardist James HallFind albums by this artist, Stewart and drummer Graham DeaconFind albums by this artist.
CD3 was recorded on May 6th, 1979 and the lineup includes Miller, Deane, guitarist / accordionist / violinist Steve SimpsonFind albums by this artist, keyboardist Nick JuddFind albums by this artist, bassist Tex CommerFind albums by this artist and drummer Fran BryneFind albums by this artist.
Miller was blessed with an incredible throaty voice, closely similar to that of Paul RodgersFind albums by this artist, Rod StewartFind albums by this artist or Joe CockerFind albums by this artist, also sharing their affinity to the Blues, making him one of the best British Blues-Rock vocalists ever. He recorded a series of excellent albums for the ChrysalisFind albums on this label label, which were reissued in the brilliant Box Set “...That`s Who! - The Complete Chrysalis Recordings (1973-1980)Find albums with this title”, and which is a must to all British Blues-Rock fans. His live performances are full of energy and zest, as this music in this Box Set proves beyond any doubt.
In 1994 Miller suffered a brain aneurysm, who took him out of the performing environment, but he made a remarkable recovery, which took over a decade, and returned to recording music.
Overall, this is a wonderful archival collection of live performances by Miller at his peak, which is a true delight to all Blues-Rock fans, and offers incredible thrill of music performed with joy and passion. Wholeheartedly recommended!
| Updated: 10/03/2024Posted: 09/03/2024 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | PHIL MILLER / IN CAHOOTS ~ LIVE 86 - 89 CRESCENT 09 ~ UK ~ Canterbury Scene Recorded: 1986 - 1989 Released: 2008
Legendary guitarist Phil MillerFind albums by this artist and his In CahootsFind albums by this artist ensemble have been active on the Canterbury / Jazz scene since the 1980s, constantly changing lineups but always producing music of the highest quality. A vehicle for presenting Miller’s intricate and highly sophisticated compositions, the ensemble’s recorded legacy through the years – both studio and live – is a great example of European Jazz. This album presents a series of live recordings from the 1980s with a stellar lineup, which includes Miller – guitar and guitar synthesizer, Elton DeanFind albums by this artist – alto saxophone and saxello, Peter LemerFind albums by this artist and Steve FranklinFind albums by this artist – keyboards, Hugh HopperFind albums by this artist and Fred BakerFind albums by this artist – bass and Pip PyleFind albums by this artist – drums. Most of the music, except one tune by Hopper, Dean and Franklin each, was composed by Miller and is as usual exceptional, as are the performances. This is a reissue of the original edition of this album from 1989, which is now a rare collector´s item. Highly recommended!
| | CD-R 1 Recommend To A Friend |
  | PHIL MILLER / IN CAHOOTS ~ LIVE IN JAPAN CRESCENT 02 (Barcode: 5020522080224) ~ UK ~ Canterbury Scene Recorded: 1991 Released: 1993
Guitarist / composer Phil MillerFind albums by this artist and his In CahootsFind albums by this artist ensemble have been a consistently excellent source of great music for many years. This particular lineup is a sextet and includes: Miller – guitar, Elton DeanFind albums by this artist – sax, Jim DvorakFind albums by this artist – trumpet, Peter LemerFind albums by this artist – keyboards, Fred BakerFind albums by this artist – bass and Pip PyleFind albums by this artist – drums. Recorded live during a Japanese tour, this album presents the group performing the wonderful Miller’s compositions in an extended form, with many outstanding solos by all the players. Much of the set is drawn from Phil´s solo album Digging InFind albums with this title and it is interesting to compare the carefully controlled studio versions with these loose, fiery, live ones. Miller always talks about himself first as a composer and only then as a guitarist, and rightly so since although he is an excellent player, he has very few equals as a song-weaver. Excellent stuff!
| | CD 1 Recommend To A Friend |
  | MILO ENSEMBLE ~ LIVE MILO 305 ~ POLAND ~ Jazz-World Fusion Recorded: 2019 Released: 2019
This is a live recording by the ensemble led by Polish (of Greek origin) multi-instrumentalist / composer / band leader Milo KurtisFind albums by this artist, which includes some of the top World Music musicians active in Poland, all of whom are multi-instrumentalists playing authentic acoustic instruments originating from many different corners of the world. They are: saxophonists Misza KinsnerFind albums by this artist and Bartosz SmoragiewiczFind albums by this artist, percussionist Adeb ChamounFind albums by this artist, multi-instrumentalist / vocalist Bart PalygaFind albums by this artist and oud player Mateusz SzemrajFind albums by this artist. The album presents eleven original compositions, eight of which were composed by Kurtis, one was co-composed by him and Smoragiewicz and one each were composed by Smoragiewicz and Palyga. I had the pleasure not only to be present at the Polish Radio Agnieszka Osiecka Studio, where this album was recorded, but even introduced the ensemble to the public before the concert started.
The album faithfully captures the music that was played during that evening, which was mostly improvised on the basis of the pre-composed themes, completely acoustic and deeply spiritual, with Kurtis directing the ensemble but allowing the individual players to venture into extensive improvisations, and eventually bringing them back into the structured framework. Amazingly everything worked out beautifully together and the superb sound quality and separation allows the listener to hear every tiny detail within the complex wall of sound created by the six musicians.
In comparison to the earlier recordings by Kurtis, the music on this album is less Jazz oriented per se and is much more atmospheric, venturing into Improvised Music idiom, but more form the World music direction rather than from the Jazz direction. As a result this album emerges as one of the most successful achievements in his substantial recording legacy. Of course this is not only due to the compositions and direction setting done by the leader but also thanks to the amazing talents of the participation musicians, who offer a vast kaleidoscope of sounds, instruments and influences, more extensive than what Kurtis ever managed to collect within one ensemble.
Overall this is probably the most impressive Jazz-World Fusion album released in Poland in 2019 and a most significant addition to the important recorded legacy of Milo Kurtis, who remains, after many years of activity, to be at the vortex of creativity and activity of the Polish musical scene, hopefully for many years to come. Se efcharistó file mou!
| Updated: 01/01/2020Posted: 01/01/2020 | CD 1 Digipak Recommend To A Friend |
  | MILO ENSEMBLE ~ LIVE AT PROM KULTURY MILO 303 ~ POLAND ~ Jazz-World Fusion Recorded: 2018 Released: 2018
This is a live recording by an ensemble led by Polish multi-instrumentalist / composer / band leader Milo KurtisFind albums by this artist, which comprises of some of the top Jazz-World Music Fusion Polish or resident in Poland musicians: vocalist Rasm Al-MashanFind albums by this artist, oud player Mateusz SzemrajFind albums by this artist, kora player and vocalist Buba Badjie KuyatehFind albums by this artist, saxophonist Mariusz KozlowskiFind albums by this artist and percussionist Adeb ChamounFind albums by this artist. The album presents eight original compositions, five of which were composed by Kurtis, one was co-composed by him and Al-Mashan and one each composed by Kuyateh and Kozlowski.
Kurtis, in addition to being a charismatic bandleader and a colorful personality has also a rare talent of gathering around him excellent musicians, amalgamating their often diverse backgrounds into a stylistic blend, which is simply much more than just a sum of its ingredients. This happened with the NaxosFind albums by this artist ensemble, in which some of these musicians were members, as well as in his earlier ensembles, and it applies to this one with the exact same efficiency. The music on this album combines many seemingly dissimilar World Music elements from Africa, Middle East and other sources, wonderfully weaving them together with Jazz improvisation, producing an irresistible and enchanted musical flying carpet ride.
Each of the ensemble members represents a different aspect of the music and their cooperation, despite the short lived period of preparation, works like magic. Al-Mashan is a soulful vocalist, bringing to life the great tradition of female vocalists from the Arab World, like the diva Umm Kulthum, updating it to the contemporary World Music idiom. Szemraj is an oud virtuoso and he can easily stand shoulder to shoulder with Middle Eastern Masters of the oud. Kuyateh adds a wonderful color and tonal harmony to the proceedings, Kozlowski is the Jazz element and Chamoun superbly creates a polyrhythmic foundation, which keeps the music flowing. Kurtis, as usual, is in charge of the atmosphere and leads the ensemble firmly on track.
Although Jazz-World Fusion music is quite popular in Poland and produces some excellent recordings, only a very few of those come close to the level of this album, which is full of spontaneity, happiness of making music and unpretentious but highly effective and honest music.
Hopefully this ensemble will record a studio album sometime in the future, but in the meantime let´s feast on this little gem of an album, which proves that music is one and universal, that borders are meaningless and that good music goes directly to the heart of people! Don´t miss that one!
| Updated: 28/07/2018Posted: 28/07/2018 | CD 1 Digipak Recommend To A Friend |
  | MILO ENSEMBLE & NILS PETTER MOLVAER ~ LIVE MILO 307 ~ POLAND ~ Jazz-World Fusion Recorded: 2023 Released: 2023
This is a live album by the Polish Jazz-World Fusion Milo EnsembleFind albums by this artist, led by clarinetist / composer Milo KurtisFind albums by this artist, with guest Norwegian trumpeter / composer Nils Petter MolvaerFind albums by this artist. The ensemble includes reeds player / flautist Bartosz SmoragiewiczFind albums by this artist, vocalist Masha NatansonFind albums by this artist, bass saxophonist Misza KinsnerFind albums by this artist, oud player Mateusz SzemrajFind albums by this artist and percussionist Adeb ChamounFind albums by this artist. The album presents ten tracks, six composed by Kurtis, and two each by Molvaer and Smoragiewicz. The music was excellently recorded and offers a splendid sound quality and separation, which enables the listener to hear all the intricate nuances.
Kurtis follows the same formula he devised for the ensemble since its establishment in 2015, as well as the tradition of recording his albums live, which has proven to be highly effective so far. The brilliant chemistry he manages to create, while leading his ensemble during live performances, is second to none and works perfectly to achieve the multiculti amalgam, with the music embracing Mediterranean, Middle-Eastern, Indian and African traditions.
The ensemble’s members are all accomplished musicians, with intimate knowledge of their respective instruments, and considering the fact that they all play several different instruments, the result is very colorful, diverse and exciting for the entire duration.
The presence of Molvaer does not have a dramatic impact on the music, and his melancholic Nordic tendencies, which are usually way more meditative and minimalist on his recordings as a leader, do not take over the general mood here, but integrate well with the rest of the ensemble. However, his trumpet and electronics dominate the two pieces he contributed, with the ensemble carefully taking a step back, which means that his pieces serve as a kind of interludes between the rest of the pieces.
The more Jazz oriented listeners should be delighted by the extensive instrumental improvisations, and in in one case vocal improvisation, which are intensely present on the longer pieces.
Overall, this is another highly successful recording my Kurtis and his ensemble, and although not innovative, it continues the established path faithfully, to the delight of his fans and followers. I am still hoping to hear a studio album by Kurtis and his cohorts, but perhaps sticking to a formula is the best solution. Time will tell…
| Updated: 14/04/2024Posted: 14/04/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | CHARLES MINGUS ~ LIVE AT MONTREUX 1975 EAGLE 826992041322 (Barcode: 826992041322) ~ USA ~ Jazz Recorded: 1975 Released: 2018
This is an archival 2CD album by American bassist / composer / bandleader Charles MingusFind albums by this artist, recorded live at the Montreux Jazz Festival. It presents a quintet recording on CD1, with pianist Don PullenFind albums by this artist, drummer Dannie RichmondFind albums by this artist, saxophonist / flautist / vocalist George AdamsFind albums by this artist and trumpeter Jack WalrathFind albums by this artist. On CD2 the lineup is expanded to a septet with the addition of baritone saxophonist Gerry MulliganFind albums by this artist and trumpeter Benny BaileyFind albums by this artist. The album presents five tracks, four of which last for over ten minutes and one lasts for over half an hour. It is one of the last live recordings by Mingus, before his health issues prevented him from performing. He died less than four years later in 1979 at the ridiculous young age of fifty-six.
The music, mostly composed by Mingus with the exception of one classic standard, reflects his typical modus operandi, with the band playing shifting themes with constantly changing tempi, full of brilliant improvisations, led brilliantly by the leader and his inimitable bass pulsations. The meeting with Mulligan is especially moving and shows the deep personal respect between these two American Jazz Giants, who are able to find a common language despite their contrasting stylistic attitudes.
Overall, this is an important document of one of the greatest and most original American Jazz figures, and despite the fact that many live recordings from this period appeared on the market in the meantime, each of them is absolutely unique and special and all are worth a respectful place in a serious Jazz records collection. Mingus was definitely one of a kind, which nobody can deny.
| Updated: 12/09/2024Posted: 12/09/2024 | CD 2 Recommend To A Friend |
  | HENRYK MISKIEWICZ / SIMPLE ACOUSTIC TRIO ~ LYRICS GRAMI 002 ~ POLAND ~ Jazz Recorded: 2000 Released: 2001
This is an excellent album by veteran Polish Jazz saxophonist / composer Henryk MiskiewiczFind albums by this artist, accompanied here by the best Polish piano trio called at the time of the recording Simple Acoustic TrioFind albums by this artist, which consists of pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. There is a family connection of course as Michal is Henryk´s son. The quartet performs seven tunes, four of which are original compositions by the leader, one by Wasilewski, one is a standard and the remaining one is by the US composer Maria SchneiderFind albums by this artist.
Neither Miskiewicz nor Simple Acoustic Trio needs any introductions to people familiar with the Polish Jazz scene; Miskiewicz has been active on the scene since the early 1970s and over time played in several important ensembles like Sun Ship and was member of groups led by many of the leading Polish Jazz musicians as well as leader of his own groups. Simple Acoustic Trio are commonly recognized as the leading Polish piano trio, propelled to fame as the rhythm section on the seminal ECMFind albums on this label recordings by trumpeter Tomasz StankoFind albums by this artist and now recording for ECM on their own.
Therefore there are no surprises here as far as the level of performances, which are simply spotless. Miskiewicz plays some great lyrical lines and the support from the trio is simply phenomenal, inventive and daring in some aspects but always solid and within the boundaries specified as the albums motto: music as a device to tell a story in a non-verbal setting. All the compositions selected for this album, original or not, fit the bill perfectly and the overall result is a prime example of intelligent modern mainstream Jazz, which remains fresh and moving in complete disregard of the passing time.
This is definitely an album no Polish Jazz music collector will be able to skip in their collection and a great example of how mainstream Jazz can remain valid and artistically sound today. Highly recommended!
| | CD 1 Digipak Recommend To A Friend |
  | MMO ENSEMBLE ~ LONELY CREATURES ORA FONOGRAM 097 (Barcode: 7090015630975) ~ NORWAY ~ Jazz-Classical Fusion Recorded: 2014 Released: 2016
This is the debut album by Norwegian saxophonist / composer Martin Myhre OlsenFind albums by this artist and his MMO EnsembleFind albums by this artist, which is his platform to present his music projects. The ensemble is an octet and includes also vocalist Kari Eskild HavenstromFind albums by this artist, baritone saxophonist Eirik HegdalFind albums by this artist, violinist Adrian Loseth WaadeFind albums by this artist, guitarist Viljar Dyvik SellevoldFind albums by this artist, Swedish pianist Oscar GronbergFind albums by this artist, bassist Bjorn Marius HeggeFind albums by this artist and drummer Simon Olderskog AlbertsenFind albums by this artist. The music is a concept eleven-part suite composed by Olsen, which he defines as "embracing stories from distant past or future, imaginative beings and fairytales". The album´s artwork suits the above description perfectly.
Also melodic and lyrical, the music includes a fair amount of freely improvised passages, which somewhat contradicts the a/m idyllic description of its character. The instrumentation / orchestration of the music causes it to sound like some of the contemporary Classical chamber efforts, but the improvised parts anchor it within the Jazz idiom, creating an interesting cross genre amalgam with a self-defined aesthetics. At times the music also ventures into a "soundtrack mode" or Cabaret music, all being different manifestations of Olsen´s vision as a composer. Strangely enough, although characteristically European, it has no Scandinavian flavors, neither Folklore nor Jazz related, and sounds like something that might have been composed by a German, Austrian or East European composer. This might be the influence of the Trondheim University Music Department, where Olsen and the ensemble members have studied.
The individual performances are all top notch. Especially praiseworthy is the usage of the human voice as an instrument, a tendency quite popular lately with young European composers, and the vocalese parts are some of this album´s best moments. But all the instrumentalists also play extended solos and there are plenty of opportunities for personal statements. The rhythm section has a difficult task of keeping the music flowing, especially in view of the fact that most of the tempi are extremely slow. As a result the bass provides an almost metronome like pulse and the drums ornament the music rather than setting the pace.
Overall this is a very impressive debut effort, which shows Olsen´s great potential as a composer and the ensemble members as rising young Jazz and beyond musicians. The music is far from being trivial and requires attentive listening and a lot of patience in order to be absorbed properly, with repeated listening session being highly recommended. "Don´t judge the book by its cover" fits the bill perfectly here, as the album is way darker and profound than its exterior.
It is heartwarming to hear young European musicians producing work of such quality like this one, which does not swing and is not based on trivial chord progressions, yet nevertheless manages to become challenging, intelligent contemporary Jazz, rather than an echo of ancient and weathered traditions. Well done indeed!
| Updated: 10/10/2018Posted: 08/05/2016 | CD 1 Digipak Recommend To A Friend |
  | MOLECULES & ERLEND SKOMSVOLL ~ LOUDER THAN YOU ORA FONOGRAM 121 (Barcode: 7090015631217) ~ NORWAY ~ Jazz Recorded: 2017 Released: 2017
This is an album by Norwegian Jazz sextet MoleculesFind albums by this artist, led by vocalist Karoline WallaceFind albums by this artist and also including trumpeter Tancred Heyerdahl HusoFind albums by this artist, saxophonist Jonas Flemsaeter HamreFind albums by this artist, guitarist Mathias MarstranderFind albums by this artist, bassist Petter AsbjornsenFind albums by this artist and drummer Oyvind SkarboFind albums by this artist. They are joined by pianist Erlend SkomsvollFind albums by this artist and together as a septet perform twelve original compositions, all by Wallace (music and lyrics), with some co-arrangement and co-writing by Skomsvoll and two other Molecules members.
The music is based on the "song" approach deeply based in the modern Jazz idiom, where the songs are complex vocal performances, which feature both lyrics and vocalese. The multilayered instrumental accompaniment is structured around the vocal parts, creating a rich and powerful overall sound almost of a small Big Band. The sound is dense and rather dark, but allows for the individual solo parts to be heard clearly.
The vocal parts are the focus of this music, and Wallace is doing a great job both as composer and performer, to put some light on contemporary vocal Jazz, which is sadly much neglected these years. She uses the ensemble and the pianist to help her express the musical message of her songs, doing so in a wide range of moods and scopes, from intimate vocals-piano duets to large ensemble complex and powerful scores.
Overall this is a very impressive album, which requires an intellectual effort to get into, but at the end is definitely very rewarding. There are many wonderful individual statements, superb ensemble playing and mesmerizing, very unusual vocal parts, which should be of great interest to modern vocal Jazz connoisseurs.
The album also testifies to the incredibly developed and vital Jazz scene in Norway, which is sadly not always recognized beyond its borders and definitely worth investigation, especially in the case of new generation of players which not only continues the country´s Jazz tradition but takes it further into new territory.
| Updated: 10/10/2018Posted: 15/02/2018 | CD 1 Digipak Recommend To A Friend |
  | MONA LISA ~ LE PETIT VIOLON DE MR GREGOIRE MUSEA 4009 ~ FRANCE ~ Progressive Rock
3rd album from 1976 by this great French Prog outfit, who seemed always to suffer an unfair comparison to their French co-patriots Ange. With this album they definitely prove that they are worthy of appreciation on their own merit by producing some excellent music. Very lyrical and introvert, this is a classic symphonic style Prog.
| | CD 1 Recommend To A Friend |
  | THELONIOUS MONK ~ LES LIAISONS DANGEREUSES 1960 SAM 5051083118477 (Barcode: 5051083118477) ~ USA ~ Jazz Recorded: 1959 Released: 2017
This is an extraordinary archival album by the iconic American pianist / composer / bandleader Thelonious MonkFind albums by this artist, recorded in NY with his regular quartet, which included saxophonist Charlie RouseFind albums by this artist, bassist Sam JonesFind albums by this artist and drummer Art TaylorFind albums by this artist, expanded to a quintet with the addition of the French saxophonist Barney WilenFind albums by this artist. The music was recorded to serve as a soundtrack to the film by the French film director Roger VadimFind albums by this artist, entitled “Les Liaisons Dangereuses”.
In complete contrast to the attitude American Jazz modernists, like Monk, suffered from at home, being constantly abused and subject to racial discrimination and ridiculous disapproval by narrow-minded music “critics”, in Europe and especially so in France, they enjoyed no less than a godly status, being absolutely revered by the local intellectual aristocracy and the general public alike. The revolutionary, brilliant French cinema of the late 1950s had an established liaison with Jazz, including the Miles Davis soundtrack for the 1957 film “Ascenseur pour l`échafaudFind albums with this title” by the director Louis MalleFind albums by this artist. There are numerous other examples of Jazz soundtracks in French cinema, but also in UK and even behind the Iron Curtain, especially so in Poland.
This 2CD album offers ten tracks on CD1, all which were used within the film’s soundtracks, and six tracks on CD2, which were recorded during the same session, but were not included in the film. The sound quality is excellent, as is the music of course. All of which (except for one tune) was composed by Monk. The album is accompanied by a superb sixty-pages booklet with extensive background articles and wonderful photographs, a true labor of love.
Although the album offers compositions, which were recorded many times by various Monk’s groups, they are all unique, since obviously Monk’s Genius was demonstrated, among other qualities, also by his ability to introduce subtle nuances each and every time he played one of his tunes.
Overall, this is a major discovery and a true celebration of one of the greatest Jazz figures, which deserves to be hear by every Jazz fan. Of course Monk has many devoted fans, who should find this release absolute essential. Not to be missed!
| Updated: 17/05/2023Posted: 17/05/2023 | CD 2 Mini-Sleeve Slipcase Remastered Recommend To A Friend |
  | MOODY BLUES ~ LIVE AT THE BBC 1967-1970 DERAM 602498472026 (Barcode: 602498472026) ~ UK ~ Progressive Rock Recorded: 1967 - 1970 Released: 2007
This is a collection of BBC Radio recordings by the seminal British Prog group The Moody BluesFind albums by this artist. The album presents ten radio sessions, two TV sessions and a concert, which cover the material included on the three albums by the group on the DeramFind albums on this label Records label: "Days Of Future PassedFind albums with this title", "In Search Of The Lost ChordFind albums with this title" and "On The Threshold Of A DreamFind albums with this title" and two albums on their own ThresholdFind albums on this label Records label: "To Our Children`s Children`s ChildrenFind albums with this title" and "A Question Of BalanceFind albums with this title", altogether forty one tracks on two CDs. All the songs bar one were written by the group´s members.
Following a relatively brief flirt with Pop and the release of their debut album "The Magnificent MoodiesFind albums with this title", the group switched to writing their own material and soon became one of the pioneers of British Progressive Rock and Psychedelia, creating a series of seven magnificent groundbreaking albums between 1967 and 1972. Their music was always deeply melodic and at the same time cleverly sophisticated, using the developing recording techniques to create multilayered epic works, often using Classical Music influences and orchestration combine with advanced use of early synthesizers and electronics.
In retrospect the achievements of The Moody Blues have but a few equals as far as contemporary Popular music is concerned and the music they created at the time seems to be unmatched by almost anything done since as far as expanding the musical horizons is concerned.
The live snippets of their music captured on this album thanks to the BBC open-mindedness and liberal approach to documenting the music being created regardless of its popular appeal, is a time capsule of quality and ingeniousness, which we can only admire today and perhaps set as an example, although with little hope of it being followed anytime soon. Brilliant stuff!
| Updated: 26/05/2019Posted: 26/05/2019 | CD 2 Recommend To A Friend |
  | GARY MOORE ~ LIVE FROM LONDON PROVOGUE 7605 (Barcode: 810020501032) ~ UK ~ Blues-Rock Recorded: 2009 Released: 2020
This is an archive album by British guitar virtuoso / vocalist / composer Gary MooreFind albums by this artist, recorded live in December 2009 just over a year before his untimely death in 2011. The album was recorded with keyboardist Vic MartinFind albums by this artist, bassist Peter ReesFind albums by this artist and drummer Steve DixonFind albums by this artist. The album presents thirteen tracks, some being his original compositions, which span his entire career, with an emphasis on Blues, which was always his favorite idiom despite the fact that his career covered a wide range of genres.
The tight band and the incredibly coherent choice of material make this album one of his best ever live recordings. The fire and virtuosity of his soloing fully justify his legendary status as a guitar hero and one of the very best axe man of his generation. The music includes such classic Blues anthems as John MayallFind albums by this artist’s “Have You Heard” and Al KooperFind albums by this artist’s “I Love You More Than You’ll Ever Know”, which alone are the worth the price of the album in gold.
Overall this album is an instant classic, especially for Blues-Rock enthusiasts and a wonderful reminder of Moore’s genius. Although the market is pretty stuffed with live Moore material, this album is an absolute highlight and an essential part of any decent music collection. Wholeheartedly recommended!
| Updated: 09/08/2021Posted: 09/08/2021 | CD 1 Digipak Recommend To A Friend |
  | AIRTO MOREIRA & FLORA PURIM ~ LIVE AT JAZZFEST BREMEN 1988 MOOSICUS 1314 (Barcode: 885513131423) ~ BRAZIL ~ Jazz-World Fusion Recorded: 1988 Released: 2021
This is an archival album by Brazilian drummer / composer / bandleader Airto MoreiraFind albums by this artist and his wife, singer / songwriter Flora PurimFind albums by this artist, recorded live with their quintet, which also included keyboardist Marcos SilvaFind albums by this artist, American saxophonist Gary MeekFind albums by this artist and bassist Robert HarrisonFind albums by this artist. The album presents ten tracks, eight of which are original compositions / songs by the quintet members and two are Brazilian standards.
Airto and Flora (separately and together) were for many years the most important representatives of Brazilian music outside of their native country and contributed immensely to the creation of the Brazilian-flavored Jazz-World Fusion, recording dozens of dazzling albums in that genre, with many of the world’s best Jazz musicians.
Airto is a brilliant drummer and percussionist and Flora is a breathtaking singer and both have been among my favorite musicians since many decades. I have had the pleasure to meet them many times of course. Therefore, any archival material released with their music is always a great joy.
This live recording catches them with an exceptionally tight quintet, which plays like clockwork, and enables everybody to show their best. Flora’s vocals are brilliant as always and the band offers great saxophone and keyboards parts and a brilliant rhythm section work, including a lengthy showcase of Airto’s solo performance.
Overall, this is a wonderful time capsule, which preserves the spirit of Brazilian Jazz-World Fusion at its best, and as such is absolutely worth being released now, despite the fact then the sound quality is somewhat muddy at times. A superb reminder of the great talent of this Royal Jazz Couple.
| Updated: 20/03/2022Posted: 20/03/2022 | CD 1 Digipak Remastered Recommend To A Friend |
  | AIRTO MOREIRA & FLORA PURIM ~ LIVE IN BERKELEY AIRFLOW 801097003840 (Barcode: 801097003840) ~ BRAZIL ~ Jazz-World Fusion Recorded: 1990 Released: 2012
This is an archival live recording by the Brazilian Jazz “Royal Couple” of percussionist / drummer / vocalist / bandleader Airto MoreiraFind albums by this artist and his wife singer / songwriter Flora PurimFind albums by this artist. The music was recorded in a tight quintet format with bassist Gary BrownFind albums by this artist, keyboardist Helio AlvesFind albums by this artist and saxophonist Widor SantiagoFind albums by this artist. The album presents seven lengthy tracks, two of which are well known pieces associated with the couple’s stint in the Return To ForeverFind albums by this artist group led by Chick CoreaFind albums by this artist. The album offers exceptional sound quality, especially for a live recording.
With four Brazilian musicians on board, the music offers a brilliant Jazz-World Fusion tribute to Brazilian sources. Two of the tracks are trio performances, four others are full quintet performances with Purim on vocals and one is a solo piece by Airto.
Alves proves to be a brilliant pianist, truly shining in the over twenty minutes long rendition of “La Fiesta”, but his performances on all the tracks is nothing short of phenomenal. Another RTF piece “Light As A Feather” also gets a fourteen minutes’ treatment, which causes goosebumps to appear on every listener’s skin, probably even in case of deaf persons.
Although Airto and Flora recorded several live albums together, this is undoubtedly their absolute best, in every respect – the exceptional material, brilliant performances and sublime sound just all fall together perfectly.
Overall, this is a surprising reminder of how great Airto / Flora and their cohorts sounded live, which of course I have experienced in person many times, but never heard on records in such glorious manifestation. For the couple’s many fans, this is an absolute must have, a sublime mixture of Jazz and Brazilian music, which sound still absolutely gorgeous, now thirty-three years later.
| Updated: 17/05/2023Posted: 17/05/2023 | CD 1 Recommend To A Friend |
  | VAN MORRISON ~ LATEST RECORD PROJECT VOLUME 1 EXILE 4050538667905 (Barcode: 4050538667905) ~ IRELAND ~ Classic Rock Recorded: 2020 Released: 2021
The COVID-19 pandemic paralyzed the music world almost completely for months on end, surely as far as live performances are concerned, but for many artists the period of seclusion and distancing was an opportunity for more intensive recording activity than ever before. Northern Irish iconic singer / songwriter Van MorrisonFind albums by this artist managed during the pandemic to record a whole 2CD album, his 42nd studio release, with no less than twenty-eight new songs, all written (two co-written and one traditional) by him, a truly remarkable achievement for a 75 years old veteran.
Morrison is surrounded by a fabulous team of instrumentalists, which includes organist Richard DunnFind albums by this artist, pianist Stuart McIlroyFind albums by this artist, guitarist Dave KearyFind albums by this artist, bassist Pete HurleyFind albums by this artist, drummer Colin GriffinFind albums by this artist and a few other players and background vocalist. Guitarist Jim MullenFind albums by this artist guests on a couple of songs and vocalists Chris FarloweFind albums by this artist and P.J. ProbyFind albums by this artist guests on one song each.
The music is kept in a retro atmosphere, emphasized by the organ centered instrumental arrangements, all kept in the vein of a classic early Morrison, combining Blues, Country, Soul and Rhythm And Blues, but always completely filled with Morrison’s idiosyncrasy. If it ain’t broke don’t fix it is the name of the game here, and Morrison was always a Master of the game.
Since personally I could never get enough of Morrison’s brilliant songwriting and superb delivery, this album surely is not going to break the pattern. I had a blast listening to these songs, and although there were no surprises within, we all had enough surprises in our lives lately, so Van, please don’t you ever change!
God bless for being out there and for keeping the music same!
| Updated: 11/11/2023Posted: 02/06/2021 | CD 2 Digibook Recommend To A Friend |
  | VAN MORRISON ~ LIVE AT ORANGEFIELD: BE JUST AND FEAR NOT ORANGEFIELD 5061030860472 (Barcode: 5061030860472) ~ IRELAND ~ Classic Rock Recorded: 2014 Released: 2024
This is an archival live album by legendary Northern Irish singer / songwriter Van MorrisonFind albums by this artist, recorded in 2014 during his performance at his alma mater Orangefield Secondary School in Belfast, Northern Ireland, just before it was about to close its doors, fifty-five years after he performed there for the first time in 1959. He is accompanied by a splendid group of musicians, which includes keyboardist Paul MoranFind albums by this artist, guitarist Dave KearyFind albums by this artist, bassist Paul MooreFind albums by this artist, drummer Bobby RuggieroFind albums by this artist, a brass section comprising of saxophonist Chris WhiteFind albums by this artist and trombonist Alistair WhiteFind albums by this artist and backing singers. The album presents sixteen tracks, all but two original songs by Morrison. The sound quality of the live recording is brilliant and Morrison and his band are in absolute top form.
Morrison performs some of his favorite songs he wrote over the years, and considering the quality and quantity of the material he managed to accumulate, it is no wonder that the music is absolutely delightful and moving, as obviously the concert could be seen as a retrospective journey, which touches all his admirers, even if these songs were already performed many times. He is simply unbeatable as far as writing great songs and singing them, which go directly to the heart.
Overall, this is an obvious must have for all Morrison fans the world over, especially since this album offers a wonderful flow and festive atmosphere, which can be felt for the entire duration. If you love Morrison, there is no need to think twice as it does not get any better. This album was released on a new record label owned by Morrison, called OrangefieldFind albums on this label Records, which is not widely distributed and can be a bit more difficult to find, so buying directly from the label seems to be the best option. Enjoy!
| Updated: 08/02/2025Posted: 08/02/2025 | CD 1 Digipak Recommend To A Friend |
  | MOSAICO ENSEMBLE ~ LOESS NOT ON LABEL (Barcode: 647679258846) ~ ISRAEL ~ Jazz-World Fusion Recorded: 2016 Released: 2017
This is the debut album by young Israeli quartet called Mosaico EnsembleFind albums by this artist, which consists of pianist Dvir SadehFind albums by this artist, oud and hang player Liav BaruchFind albums by this artist, bassist Dror TubulFind albums by this artist and percussionist Shimri AchiamFind albums by this artist. The album presents eleven original compositions, all co-credited to Baruch and Sadeh.
The music is a typical Israeli Jazz-World Fusion, which encompasses a plethora of traditional influences of Jewish, mostly Sephardic music, Middle Eastern flavors and rhythmic patterns, European aesthetics, all these combined with Jazzy improvisation. The melodies are mostly melancholic, beautifully woven and perfectly suited for this specific musical dialect. The balance between the Western elements, as represented by the piano, with the Eastern ones, as represented by the oud and percussion, combined with the bass pulsations, which are the Jazz anchor, create a unique amalgam, which sounds both intelligent and enjoyable. In general the music is delicate and rather minimalistic, following the "less is more" principle, which works delightfully here.
The individual performances by all the members of the quartet are just right for this kind of music. Sadeh plays a very European piano, while Baruch and Achiam are all about the Orient, and as already mentioned Tubul is the Jazz link within these explorations. Together they work perfectly as an ensemble, which is the main reason why this music sounds as well as it does. The more Jazz oriented listeners should keeps their ears wide open and discover some nice veiled "quotations".
Overall this is a delightful Jazz-World Fusion album, full of superb music and musicianship, which should keep connoisseurs of the Middle Eastern flavor in that idiom ecstatically happy. Very well done and wholeheartedly recommended!
| Updated: 11/04/2018Posted: 11/04/2018 | CD 1 Digipak Recommend To A Friend |
  | MOUNT MEANDER ~ LIVE IN BERLIN GOTTA LET IT OUT 29 ~ LATVIA ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2019
This is the second album by the international Jazz quartet Mount MeanderFind albums by this artist, which comprises of Latvian saxophonist Karlis AuzinsFind albums by this artist, German pianist Lucas LeidingerFind albums by this artist, Polish bassist Tomo JacobsonFind albums by this artist and German drummer Thomas SauerbornFind albums by this artist. The album presents eight original compositions all attributed collectively to the quartet members, which were recorded live in a Berlin Jazz club.
The music is a continuation of the formula introduced on the quartet´s debut album, which offers a series of conversations between the musicians based around fragmented melodic themes, but mostly freely improvised. It is however much more coherent and offers a wonderful continuity in comparison to the previous effort, which was somewhat hesitant, obviously marking the early days of this musical adventure. It is a wonderful example of contemporary Improvised Music / Free Jazz at its best. It is minimalist and restrained, completely non-aggressive and highly cooperative, but allows for highly expressive soloing by the individual musicians.
All four members of the quartet contribute sublime performances throughout the duration of the album, but it is difficult to ignore the stunning contributions by Auzins, who reaches an emotional apex equal to the great Masters of the genre. His fluidity and inventiveness are absolutely incredible. But the rest of the quartet is definitely up to par with the saxophone magic, each one of them in a different way; Leidinger lays sheets of atmospheric vistas and his delicate touches in the quiet passages are all masterful, Jacobson keeps the pulse of the music steady and gives it an anchor without which it would disintegrate and finally Sauerborn ornaments the rhythmic layer more intuitively than chronometrically. In short this is a magic performance.
Overall this is definitely one of the best European Avant-Garde Jazz albums that landed on my desk so far in 2019. It offers a hope and a beacon for Avant-Garde Jazz and Improvised Music, which sadly more often than not tend to fall apart and become more radical and chaotic than need be in an attempt to try and be original. One can only hope that more music of this quality will be made by these young musicians soon. Hats off Gentlemen!
| Updated: 28/07/2019Posted: 28/07/2019 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MOVE ~ LOOKING ON REPERTOIRE 4692 ~ UK ~ Classic Rock
3rd and last album from 1970, which contains more of the group`s delicious creations. After Move disbanded, the key members created the Electric Light Orchestra (ELO) and Wizzard, two great groups which continued their legacy. Remastered and with bonus tracks.
| | CD 1 Recommend To A Friend |
  | MULASTA TRIO ~ LIVE IN GREEN EYE BCD 23 (Barcode: 5906881885222) ~ POLAND ~ Jazz Recorded: 2007 Released: 2008
This is a live recording by the Mulasta TrioFind albums by this artist, which consists of Polish Jazz violinist Tomasz MuchaFind albums by this artist, Finnish bassist Lasse LindgrenFind albums by this artist and Polish drummer Bartek StaromiejskiFind albums by this artist. They perform seven compositions, four of which are originals by Mucha, one is a Finnish tune, one is a standard and finally the last one is a folk tune arranged by Lindgren.
The music is performed almost completely acoustically, which is very different from most contemporary Jazz violin recordings, which sound mostly electric. This acoustic approach is reminiscent of early Jazz violin recordings before violin was almost completely drawn into Fusion. Although improvised and swinging, the overall result is not exactly within the mainstream Jazz boundaries and includes also World Music elements. The atmosphere is very relaxed and the musicians obviously have a great fun playing together.
The essence of the music is based on the intimate exchanges between the violin and the bass, with both instruments playing alongside constantly. This wonderful dialogue is the absolute highlight of this recording. Both Mucha and Lindgren perform with virtuosity and finesse, which definitely deserves to be discovered. Staromiejski respectfully accompanies the two soloists trying not to interfere with their performances and does a perfect job in that respect. Mucha´s compositions are all rounded and wonderfully lyrical, fitting elegantly this setting.
Overall this is a beautiful, graceful and delicate album, which is sadly little known and surely deserves a wider exposure. Although the Polish Jazz violin already holds a proud position in that music´s history, this acoustic variety surely deserves also to be a part of that heritage. I´d surely love to hear more of this kind of music in the future.
| | CD 1 Digipak Recommend To A Friend |
  | MYRCZEK & TOMASZEWSKI ~ LOVE REVISITED FOR TUNE 0038 (Barcode: 5902768701432) ~ POLAND ~ Jazz Recorded: 2013 Released: 2014
This is the debut album by the Polish Jazz duo: vocalist Wojciech MyrczekFind albums by this artist and pianist Pawel TomaszewskiFind albums by this artist. Myrczek recorded his debut album three years earlier while he was still a student at the Katowice Academy of Music, where he is now a member of the faculty. Tomaszewski, a graduate of the same Academy, is a seasoned and much respected pianist with an impressive recorded legacy, mostly as a sideman. The album presents ten classic vocal standards performed by the duo, recorded in a Swiss studio with astounding sonic quality.
In many respects this is the most surprising album released on the Polish Jazz scene in 2014. I mean the sheer chutzpah of these two guys fooling around with the holy grail of Jazz vocals? Who do they think they are? The trifling comparison often quoted in the duo´s PR material and other reviews referencing this album to the archetypal Tony BennettFind albums by this artist & Bill EvansFind albums by this artist albums from 1975 & 1977 is completely counterproductive in this case. This music sounds nothing like the referenced albums, which of course is all for the good, since letting the bygones be bygones is the only way to get anywhere.
Initially the album has everything working against it. The Polish Jazz male vocalists are few and far between, and with rare exceptions are all quite insignificant. The standards all feature lyrics in English and Polish vocalist singing in English usually simply stink (again with very few exceptions). But most importantly: the concept of this duo, which places a vocalist, who uses conventional (well mostly) techniques against a pianist who plays completely unconventionally, often pretty wildly and freely, is absolutely atypical for a vocals / piano setting.
And yet, against all odds, this album is simply a gem from start to finish. Myrczek arises as a gifted vocal magician, able to use a wide vocabulary of possibilities, from crooning sweetness to improvised scat, vocalese and imitating bass lines vocally. It is obvious that he is having a great time and there is no tension (other that creative tension of course) limiting his performances. Although there is not much innovation as far as Jazz singing is concerned, with obvious references ranging from Kurt EllingFind albums by this artist to Bobby McFerrinFind albums by this artist, the overall effect of his singing is simply irresistible. There is also an obvious pinch of humor omnipresent herein, most evident when Myrczek recites a fragment of a book in the Polish language in the middle of one of the songs. Even his English accent and pronunciation are only very slightly off, which can be considered as charming, rather than disturbing.
Tomaszewski, in complete contrast to Myrczek, treats the music completely on his own terms, playing anything but what would normally be expected of him and taking liberties with the melodies, the chords and even the time, which although must have been very difficult for Myrczek to sing along with, is wonderfully effective, creating a much more expressive result than the usual vocals / piano setting. Comparing his work on his earlier recordings, including those featuring vocalists, his playing here is the more adventurous and daring than ever. His work on this album definitely marks him as one of the Polish Jazz pianists who deserve a much wider exposure than what he enjoys currently.
So here we are again; the Polish Jazz scene is able to come up with another pleasant surprise, which is pretty astonishing, considering the overly excellent level of music released in Poland. The music this album offers is nothing but pure joy, elegance, class and panache, all of the highest caliber. It is definitely one of the nicest releases of 2014, which should stay with the listeners for many years to come.
Another surprising element is the fact that this album was released by the For TuneFind albums on this label label, which is usually associated with Avant-Garde and other alternative music forms. It is heartwarming to see that the label recognized the fact that seemingly conventional music can also be challenging and adventurous. The album is the label´s debut on the new "pink" series (the exact meaning of the various colors of their releases is kept in deep secret), and regardless of the "pinkness", will be very had to beat.
| Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | MYSIA ~ LAND HO! HIGH TIDE 9107 ~ ITALY ~ Progressive Rock
1st album from 1991 by this little known Italian Prog band, which is in fact a duo of keyboardist Andrea Bassato and guitarist Franco Pivato. They play a very melodic and lyric instrumental music, sometimes bordering on ambient, but always quite interesting and well developed. This debut album consists of mostly shorter themes, all falling into a continuous musical trip.
| | CD 1 Recommend To A Friend |
  | MYSLOWSKA / PEPOL / ZAKROCKI ~ LEGGEREZZA AUDIO CAVE 2023/001 (Barcode: 5908298549520) ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2020 - 2022 Released: 2023
This is an album by a trio of Polish Avant Garde musicians, vocalist Olga MyslowskaFind albums by this artist, cellist Michal PepolFind albums by this artist and (usually) violinist, but here guitarist and electronics manipulator Patryk ZakrockiFind albums by this artist, who is feverishly prolific on the local scene. The album presents ten tracks, based on excerpts from a series of lectures by Italian writer / journalist / philosopher Italo CalvinoFind albums by this artist called “Six Memos for the Next Millennium” (Lezioni americane in Italian), the first of which is dedicated to the virtue of lightness (or Leggerezza in Italian). These lectured were in fact never delivered, due to Calvino’s death, but were posthumously published as his last work. This album is a result of a project, which was one commissioned by my lamented friend Miron ZajfertFind albums by this artist, who sadly died a few weeks ago. Although the texts are not poetry per se, the project can be marginally considered as part of the Jazz & Poetry idiom.
The music is certainly unusual, solemn and on the border or despair, but captivates the listener with its magical mixture of semi-melodic themes, improvised instrumental background and the dominating, almost operatic vocal parts. It is somewhat similar to contemporary chamber Classical music and certainly requires the same level of attention and patience in order to be absorbed.
This is certainly music for connoisseurs of Avant-Garde explorations, and as such it is highly ambitious and in many aspects also beautiful and touching. Sadly, the size of the audience for such challenging escapade will be probably quite limited. My deepest respect goes both to the musicians, who created this music and the Audio CaveFind albums on this label label for releasing it, against all odds.
Overall, this is a challenging Avant-Garde musical and literary project, which is highly stimulating and artistically sound, which requires open-mindedness and patience in order to be enjoyed. Hopefully it will also turn the attention to the wonderful writing by Calvino, which is a treasure chest of contemporary literary work. Highly recommended to ye brave hearted!
| Updated: 03/05/2023Posted: 03/05/2023 | CD 1 Digipak Recommend To A Friend |
  | EMMA NAGY ~ LOW FREQUENCY OSCILLATOR NOT ON LABEL ~ HUNGARY ~ Jazz Recorded: 2020 Released: 2020
This is the second album by Hungarian vocalist Emma NagyFind albums by this artist and her quintet, which also includes guitarist Peter CsehFind albums by this artist, pianist Aron TalasFind albums by this artist (a new member), bassist Abel DenesFind albums by this artist and drummer Adam KlauszFind albums by this artist and features guest saxophonist Daniel MesterFind albums by this artist, who appears on selected tracks. The album presents twelve original compositions, six composed by Nagy, three by Denes and one each by Cseh, Talas and Klausz. Most of the lyrics (in English) are by Emma’s brother.
The music continues the path set by the sensational debut, but about half of the tunes are significantly shorter and more concise this time, with fewer instrumental passages, which somewhat changes the overall character of the music. The leader sings mostly lyrics this time, using less vocalese and other vocal effects, which are still here of course but are less dominant, which again effects the overall impression. Of course it is perhaps unfair to compare this album to its predecessor, but one must admit that the total effect of surprise and novelty achieved by the debut influences the listener’s (yours truly) attitude towards this album.
That said, this is still an amazing piece of music, which perhaps is less immediately stunning, but preserves all the great qualities of the debut, first and foremost the complete originality in making music, but all the other qualities of sublime instrumental performances, great vocals and absolutely magical atmosphere of Avant-Gardist nonchalance, which sets aside this quintet from almost everything that is happening on the European Jazz scene these days, are also here.
It is recommended to read my review of the debut album “Set To FaceFind albums with this title” to get the full picture, as it makes no sense to repeat all my compliments, which are still all valid. If anybody will go through the same process of listening to these albums in the chronological order, will probably experience the same experiences like myself, but of course all is well that ends well, or even better ;)
Overall, this is another amazing album by amazing young musicians, who deserve nothing but prize and admiration for their efforts. Sadly, such originality is way too rare these days but happily it still happens, and when it does it deserves all the support that one can offer.
| Updated: 19/11/2021Posted: 19/11/2021 | CD 1 Digipak Recommend To A Friend |
  | ZBIGNIEW NAMYSLOWSKI ~ LIVE AT KOSMOS, BERLIN ITM 920007 (Barcode: 4250079750061) ~ POLAND ~ Jazz Recorded: 1965 Released: 2008
This is an iconic recording by the Polish Jazz quartet led by saxophonist Zbigniew NamyslowskiFind albums by this artist, with German pianist Joachim KuhnFind albums by this artist, bassist Janusz KozlowskiFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist. Recorded live on November 30, 1965 at the East Berlin Kosmos cinema, this is a quintessential piece of Polish and European modern Jazz history. Of the eight compositions present on this album, seven are by Namyslowski and one is by Kuhn.
In order to fully comprehend the meaning of the music captured here, one must in fact look at (and hear) three separate recordings by the Zbigniew Namyslowski quartet spanning a mere one and a half year period, which fully present the history of the Polish Jazz in the making. Starting with the album "LolaFind albums with this title", recorded in August 1964 in London, which was the first Jazz album recorded and released beyond the Iron Curtain by an East European artists, followed by this album from late 1965 and finally by the album "Zbigniew Namyslowski QuartetFind albums with this title" recorded in January 1966, which was Namyslowski´s first recording released as part of the legendary "Polish Jazz" Series.
In the liner notes accompanying this album German critic / historian Bert NoglikFind albums by this artist describes the historic background and the enormous significance of the modern Polish Jazz, which developed independently, almost isolated from the sources of information and influences, reliant only on sporadic radio broadcasts, few LPs trickling illegally and played till they were flat and ever rarer visits abroad. The fact that the Polish Jazz scene was so incredibly vibrant, inventive and beyond all revolutionary is one of the greatest miracles, which escape any attempt of logical or sociological explanation. But the fact remains that Namyslowski and many other Polish Jazz musicians spontaneously re-invented modern Jazz by daring to go where nobody ventured before.
The presence of the German pianist / composer Joachim Kuhn is another fabulous bonus. Kuhn would of course become one of the great leaders of the German Jazz scene in the years to come, but first he drifted where the great East European Jazz revolution was happening, living in 1964 in Czechoslovakia and playing with the legendary SHQFind albums by this artist led by Karel VelebnyFind albums by this artist and then moved to Poland, where he lived in 1965 and met Namyslowski, only to be invited to sit in the piano chair of his quartet. The following year Kuhn, like many other fellow East German musicians, would move over to the West and develop a fabulous musical career of his own.
The music is, of course, absolutely brilliant and the live setting allows for a considerably less constrained treatment of the themes, allowing for truly expanded improvisations, one of which goes beyond the half hour mark, something which was completely unthinkable earlier on. Again, when examining the three a.m. albums, it is interesting to see how the same compositions developed, which of them survived and which were dropped and most interestingly noting Namyslowski´s fascination with odd meters, which would become his trademark.
Drummer Bartkowski, who is the only musician present on all the three a.m. recordings alongside Namyslowski, is an outstanding example of how these young musicians developed rapidly, almost overnight. His contribution is an integral part of the music. Bassist Kozlowski, who plays on this album, was also present on the studio album recorded a few months later. His performance is also absolutely top notch.
Surprisingly enough, the sound quality is very decent compared to other archival recordings of that period, which enhances the overall experience of listening to these fabulous recordings. In all honesty there have been very few other archival Polish Jazz discoveries, if any at all, which are comparable to this monumental document. The fact that this music was buried for over forty years is a crime, but now that it finally sees the light of day, all serious music connoisseurs should be absolutely delighted. Such gems are as rare as the Koh-i-Noor and should be treated accordingly. Absolutely essential!
| Updated: 18/07/2020Posted: | CD 2 Slipcase Essential Recommend To A Friend |
  | ZBIGNIEW NAMYSLOWSKI ~ LOLA GOWI 30 (Barcode: 786497164622) ~ POLAND ~ Jazz Recorded: 1964 Released: 1996
This sensational album was the first Jazz recording made behind the Iron Curtain ever to be released in Western Europe. Considering all this happened in 1964 (with the Cold War raging between the West and the East) it was a truly momentous occasion. Saxophonist Zbigniew NamyslowskiFind albums by this artist, aged 25 at the time, as well as the other members of his quartet: pianist Wlodek GulgowskiFind albums by this artist, bassist Tadeusz WojcikFind albums by this artist and drummer Czeslaw BartkowskiFind albums by this artist (all three aged 21) were representatives of the first generation of post-WWII Polish Jazz, which was developing with at a feverish paste in spite of the serious limitations of personal and artistic freedom prevailing in their country. Against all adds Polish Jazz was rapidly becoming a force, which could not be ignored, creating some of the most interesting and revolutionary music ever. Led by the great pianist / composer Krzysztof KomedaFind albums by this artist, the Godfather of modern Polish Jazz, the scene exploded with talent and extraordinary inventiveness, which is splendidly documented by this album, among others. Just a year after this album was recorded Namyslowski would record with Komeda, his Mentor, as a member of his quintet the album "AstigmaticFind albums with this title", probably the most important Eastern European Jazz album ever made. But back to this wonderful recording; Namyslowski composed five of the eight pieces on this album, Gulgowski composed two others and one is a standard. His compositions are brilliant in every respect, superbly melodic and often incorporating folkloristic motifs, which was quite prophetic at the time. The level of musicianship is simply stunning and highly inspired, with the overall atmosphere reminiscent of John Coltrane albums, which is hardly surprising considering he was of course Namyslowski´s biggest influence. Listening to this album it´s almost impossible to believe that it was made almost 50 years ago – this music is completely resistant to time. I still remember listening to it, being just 13 years of age, and I´m still deeply moved every time I hear it again. A masterpiece in every respect and an essential piece of music, forever! Side Note: This album was originally released in UK on the Decca label and went quickly out of print. Over the years it became an extremely rare and sought after collectors´ item, especially in Poland. This CD edition is therefore a blessing!
| | CD 1 Remastered Essential Recommend To A Friend |
  | GRAHAM NASH ~ LIVE PROPER 161 (Barcode: 805520031615) ~ UK ~ Classic Rock Recorded: 2019 Released: 2022
This is a live album by legendary British singer / songwriter Graham NashFind albums by this artist, which presents contemporary interpretations of his first two solo albums: “Songs For BeginnersFind albums with this title” (1971) and “Wild TalesFind albums with this title” (1973). All eleven songs from the first album and ten songs from the second album are present in their original order. The album was recorded in 2019 during the Nash US solo tour, on which he performed only these songs, also in their original order.
Nash is accompanied by a formidable set of musicians, which includes guitarist Shane FontayneFind albums by this artist, keyboardist / vocalist Todd CaldwellFind albums by this artist, guitarist / vocalist Thad DeBrockFind albums by this artist, bassist Andy HessFind albums by this artist, drummer Toby CaldwellFind albums by this artist and backing singers Celisse HendersonFind albums by this artist and Grace StumbergFind albums by this artist.
The songs lost absolutely nothing from their original beauty, impact, melodic excellence and intelligent lyrics over the years and are a great reminder of the fact that Nash is one of the greatest songwriters of all times. His vocal abilities are completely intact and his presentation is sublime, as always.
Overall, this is a superb reminder of the fact that music used to be great years ago, and some of its creators are still around to make us remember. These are some of the most beautiful Classic Rock songs ever written, and although Nash left Britain and settled in the US, where his music mates were / are living, he could never take out the “Britishness” out of his songwriting and singing, which was always as charming as humanly possible. This is absolute musical magic!
| Updated: 07/06/2022Posted: 07/06/2022 | CD 1 Digipak Recommend To A Friend |
  | NATURAL ACOUSTIC BAND ~ LEARNING TO LIVE SI-WAN 1038 ~ UK ~ Folk-Rock
1st album from 1972 by this UK Folk / Prog trio. Some outstanding vocals by the singer Krysia Kocjan. Very similar to other bands in the same genre such us Incredible String Band and Spirogyra.
| | CD 1 Recommend To A Friend |
  | NATURAL GATHERING ~ LOW CLOUDS HED ARZI 64642 (Barcode: 7293372464218) ~ ISRAEL ~ Jazz-Rock-World Fusion Recorded: 2006 Released: 2006
9th album by Israeli ensemble Natural GatheringFind albums by this artist formed and led by Shlomo BarFind albums by this artist. Bar presents here perhaps the boldest change in the musical direction of his music and his ensemble as well, emphasized by elaborate studio technology, which produces a more contemporary ambience. Although the underlying principle is still the same: a mixture of World Music and modern sounds, the use of electric instruments, the production and almost rocky feel of the album take the music into a new dimension. All the music on this album was composed by Bar, to texts by Israeli poets and those written by ensemble member Yael OffenbachFind albums by this artist. Bar who sings and plays percussion and flutes, is accompanied by five excellent musicians: Nitzan-Chen RazaelFind albums by this artist – violin, Menashe SassonFind albums by this artist – santoor, Ilan Ben-AmiFind albums by this artist - guitar, Ilan AvivFind albums by this artist – bass guitar and Yael Offenbach – tabla. Together they create an amazing musical texture, unparalleled by any other contemporary ensemble I know of. This is a magical ride gliding over NY, LA, London, Paris, Tel Aviv, Marrakesh, Baghdad, and Teheran and back, a ride once taken will be extremely difficult to forget. It is quite amazing to see (and hear) a musician so open and receptive to new ideas, after following a specific path for so many years, like Shlomo Bar. Overall this is still some of the best Fusion between East and West music anywhere on this planet and definitely one of the best albums recorded in Israel in the last decade. An absolute must to any music connoisseur, who can recognize great music regardless of where it comes from.
| | CD 1 Recommend To A Friend |
  | NEKTAR ~ LIVE IN NEW YORK ECLECTIC 1206/7 ~ UK ~ Progressive Rock
9th album from 1977 which was recorded live back in 1974 during Nektar`s first US tour in NY. The band play they hearts out here with a mixture of material from all their albums and some one-time only performances. The original album had a dubious sound quality, which is significantly improved here. This is a great historical document of this band`s lasting hesritage.
| | CD 2 SACD Remastered Recommend To A Friend |
  | NEW BONE ~ LONGING CM 1030 (Barcode: 5907996083732) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020
This is the sixth album by Polish Jazz quintet New BoneFind albums by this artist founded in 1996 and led by trumpeter / composer Tomasz KudykFind albums by this artist and including in its current lineup saxophonist Bartlomiej PrucnalFind albums by this artist, pianist Dominik WaniaFind albums by this artist, bassist Maciej AdamczakFind albums by this artist and drummer Dawid FortunaFind albums by this artist. The album presents nine original compositions, eight by Tomasz Kudyk and one by his late father Jan KudykFind albums by this artist, who was one of the pioneers of Polish Traditional Jazz, trumpeter / composer and founder / leader of the Jazz Band Ball OrchestraFind albums by this artist.
The music of New Bone was initially characterized by strict mainstream Jazz tendencies, but with the arrival of Wania in 2013 it took a slow but consistent turn towards more modern approach, which on this album reaches an apogee of bravado and creativity. Still firmly based on melodic themes, full of melancholy and typical Polish lyricism, the music now ventures into much more complex, both harmonically and rhythmically, explorations, moving even further away from the old-fashioned customary mainstream doodling.
Kudyk weaves beautiful themes, which on this album reflect his feelings resulting from his Father´s passing, which are sometimes heartwrenching, and which is completely understandable. All five members of the band are clearly experienced and highly talented musicians, who mange to maximize the qualities of the themes, stretching them into beautiful mini suites. The soloing by Kudyk and Prucnal is stronger than ever, highly inspired by the collective input of all the players, producing a well structured and attractive result time after time.
Wania is, as always, the alpha and omega of everything that happens around him, taking the music into another dimension (or more than one for that matter), playing wonderful accompaniments all along the way and wondering into stratosphere when soloing. He is one of the most unique players today on the European and every album in which he takes part is irresistible.
The rhythm section does a wonderful job supporting the soloist and providing a steady flow to the music, all this without being obtrusive, which probably is the best compliment one can offer to a rhythm section.
Overall this is by far the best album by New Bone so far, miles ahead (pun intended) of everything recorded previously and an enormous promise as far as their future is concerned.
As much as I was sorry in the past to criticize the band for conventionality, it gives me an enormous pleasure now to praise them now for their success. This is Polish Jazz at its best!
| Updated: 11/07/2020Posted: 11/07/2020 | CD 1 Digipak Recommend To A Friend |
  | NEW JAZZ ORCHESTRA ~ LE DEJEUNER SUR L`HERBE DUSK FIRE 110 (Barcode: 5065001032981) ~ UK ~ Jazz Recorded: 1968 Released: 2014
This is the second and also the last formal album by the seminal British Jazz Orchestra called New Jazz OrchestraFind albums by this artist or NJOFind albums by this artist for short. Directed by the legendary composer / arranger / bandleader Neil ArdleyFind albums by this artist the NJO was probably the most important singular British Jazz ensemble, which shaped the way British and European Jazz developed in the late 1960s.
Despite the fact that the number of people, who are familiar with this epic recording, will hardly fill up an average British pub, it is still one of the best and more importantly revolutionary Jazz albums of all times, certainly as far as British Jazz is concerned. The fact that the album, which was released on LP in 1969 and almost immediately after disappeared from the shelves, had to wait for 45 years for its debut CD reissue confirms its anonymity and obscurity. And yet for the handful of British Jazz enthusiasts it always was the magnum opus of the British Jazz resurgence, when the music emerged for the first time as a truly new Art form, related to but fully independent from the American Jazz tradition.
Why "new"? The origin of the name is not entirely clear but NJO was new indeed; it included a new generation of British Jazz musicians, which arrived on the scene mostly in the 1960s and had very little in common with the older "swing" generation, which completely dominated the British scene up to that period, and which was entirely immersed in the American tradition, strengthened by the presence of American bands in Britain during the WWII period. Several Jazz Big Bands and orchestras were active on the British scene since the 1920s and well into the 1960s, some quite excellent and even extraordinary, but those limited the artistic scope to imitating the trends originating across the big pond. The list of British composers / bandleaders includes Ted HeathFind albums by this artist, Syd LawrenceFind albums by this artist, John DankworthFind albums by this artist and numerous others.
By the time this album was recorded the NJO was about five years old. In 1965 it recorded its debut album called "Western Reunion London 1965Find albums with this title", which beautifully sums up the first phase of its activity, when the orchestra performed mostly new arrangements of American standards, but the overall sound of the band was already quite unique and stunning. This album was recorded by the second incarnation of the NJO, which included Jack BruceFind albums by this artist on bass (who was already a member of CreamFind albums by this artist at the time), with the regular bassist Tony ReevesFind albums by this artist taking the position of the album´s producer. The rest of the band included: trumpeters Derek WatkinsFind albums by this artist, Harry LowtherFind albums by this artist, Harry BeckettFind albums by this artist and Ian CarrFind albums by this artist, trombonists John MumfordFind albums by this artist, Michael GibbsFind albums by this artist, Derek WadsworthFind albums by this artist and Tony RussellFind albums by this artist, tuba player George SmithFind albums by this artist, saxophonists Barbara ThompsonFind albums by this artist, Dave GellyFind albums by this artist, Jim PhilipFind albums by this artist and Dick Heckstall-SmithFind albums by this artist, vibraphonist Frank RicottiFind albums by this artist and drummer Jon HisemanFind albums by this artist.
The album presents eight compositions, five of which are originals composed by NJO members or other British Jazz musicians / composers of the new generation; those are Neil Ardley, Howard RileyFind albums by this artist, Mike TaylorFind albums by this artist, Michael GarrickFind albums by this artist and Michael Gibbs. Two modern American Jazz standards, one by John ColtraneFind albums by this artist and another one by Miles DavisFind albums by this artist are also present, but their arrangements are stunningly removed from the original versions known to most Jazz listeners. The remaining composition is by the French composer of Polish / Jewish origin Alexandre TansmanFind albums by this artist, whose composition receives another highly unusual treatment.
The album emerges triumphantly as a masterpiece of composition, arrangement, performance and intelligent music making, all those on top of its being a first of its kind and a beacon for generations to come. Many other superb Big Band / Orchestral British Jazz recordings will follow (Michael Gibbs, Mike WestbrookFind albums by this artist and others), but as great as they were, none of them achieved the same primordial perfection, which marked the birth of British Jazz as documented herein.
If anybody wanders about the album´s title (and the title of the opening track) and its humorous sleeve design, Google it up, oh ye ignoramuses, or preferably visit the Musée d´Orsay in Paris and look for the original ;)
With the recent parting of Jack Bruce, whom I was honored and lucky to know in person, the reissue of this album is a small solace in his memory and in memory of a generation almost gone…
| | CD 1 Digipak Remastered Essential Recommend To A Friend |
  | NIEMEN ~ LIVE IN HELSINKI 1973 GREEN TREE 169 (Barcode: 4015689001695) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1972 Released: 2018
This is an archival album, which presents live recordings by the greatest Polish Rock / Fusion musician of all times, vocalist / keyboardist / songwriter Czeslaw NiemenFind albums by this artist.
The first three tracks on the album were recorded during a concert at the Helsingin Juhlaviikot (Helsinki Festival), Finland captured on August 28, 1972 (not on the 26th as the CD info states) and recorded by Finnish National Broadcasting Company (YLE) and later broadcasted on Finnish Radio and TV. Polish TV years later broadcasted the concert giving the wrong recording year, which is why the wrong date is associated with these tracks here and on YouTube, where the TV recording can be found. Another Polish Rock group, KlanFind albums by this artist, was also invited to that festival and their performance captured on the same day by the YLE can be found on the "Live Finland 1972Find albums with this title" album released by the great archival record label GADFind albums on this label Records – this time completely legally and with restored sound quality.
The two other tracks were recorded at the "Jazz Now!" 1972 Olympic Games concert in Munich, Germany, captured on August 17, 1972 and recorded by the German TV, which can also be found on YouTube. German Jazz critic / author / activist and my Friend and Mentor Joachim BerendtFind albums by this artist was the Artistic Director of the entire "Jazz Now" series (August 17 to 20, 1972) and his love and knowledge of the Polish scene was the reason why Niemen was the only Artist from behind the Iron Curtain invited to take part in this highly prestigious event..
All the tracks feature the core of what was to become the most famous Polish Fusion band SBBFind albums by this artist: bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist, accompanying Niemen´s vocals.
The music is absolutely stunning, as expected, and even the dubious sound quality of these recordings is not able to spoil the unadulterated pleasure this music is still able to generate almost fifty years after it was initially performed. Niemen was always light years ahead of his contemporaries on both sides of the Iron Curtain, and the fact that he remains still relatively anonymous beyond Eastern Europe, despite his revolutionary contributions and pioneering spirit, is a crying shame.
It is a great pity that the entire legacy of Niemen´s recordings made outside of Poland and many of his live recordings remain unreleased and are available only unofficially, like all the Green TreeFind albums on this label titles. His third Box Set, which was to include all these treasures, remains sadly an unfulfilled dream.
For all Polish Rock / Fusion enthusiasts as well as for the numerous Niemen fans this is an essential piece of his discography, which is definitely worth having, despite its technical flaws.
| Updated: 29/12/2023Posted: 15/12/2019 | CD 1 Recommend To A Friend |
  | NIEMEN ~ LIVE IN OPOLE 1971 PROG ART 001 (Barcode: 4018564220013) ~ POLAND ~ Progressive Rock Recorded: 1971 Released: 2018
This is an archival album, which presents a live recording of a concert by the greatest ever Polish Rock / Prog musician of all times, vocalist / keyboardist songwriter and bandleader Czeslaw NiemenFind albums by this artist. The material performed at the concert includes two songs from Niemen´s fourth album "EnigmaticFind albums with this title" with music by Niemen and lyrics (poems) by the great Polish poet Cyprian Kamil NorwidFind albums by this artist and two songs from his fifth album "NiemenFind albums with this title" (a.k.a. "The Red AlbumFind albums with this title") with music and lyrics by Niemen. The fifth song is Niemen´s version of an Otis ReddingFind albums by this artist song ("I´ve Been Loving You Too Long"), which was unrecorded at the time and was about to appear on Niemen´s first English-language album "Strange Is This WorldFind albums with this title" in 1972. For the Niemen aficionados the album includes the crowd cheering during a ceremony of Niemen receiving the Gold Album award for "Enigmatic" celebrated by the traditional Polish "100 Years" blessing, which tragically was not even close to Niemen´s destiny.
Niemen is supported by a great band, which includes organist Jacek MikulaFind albums by this artist, guitarist Tomasz JaskiewiczFind albums by this artist, bassist Janusz ZielinskiFind albums by this artist and drummer Andrzej TylecFind albums by this artist and a trio of female background singers, which includes Krystyna PronkoFind albums by this artist, Zofia BorcaFind albums by this artist and Elzbieta LinkowskaFind albums by this artist, all three ex-members of the group RespectFind albums by this artist. This band is much more Rock oriented than the studio lineups, which recorded the two albums, and which include some of the best Polish Jazz musicians and therefore are way more Fusion oriented. Sadly the guitar is mostly lost in the live mix, which is a great pity. The sound is dominated by the organ and overall is quite satisfactory. Two of the songs last for almost twenty minutes, one for ten minutes and the remaining two for eight and five minutes – together almost an hour of Niemen Magic.
The music and the performances are of course stellar and there is no point in going any further into the musical qualities and the historic importance of this recording. For Niemen fans and Polish / East European Classic Rock connoisseurs this is an absolute must of course! This edition of this album is identical to the Green TreeFind albums on this label edition.
This is obviously a bootleg, since none of Niemen´s live recordings are approved by his family, which is a pity. The artwork is riddled by countless spelling mistakes, which is unbecoming for such important document and Niemen´s memory. But all things considered, this is definitely better than this music being unreleased – the proverbial lesser evil.
| Updated: 13/02/2020Posted: 13/02/2020 | CD 1 Recommend To A Friend |
  | NIOGI ~ LANDING ALESSA 1040 (Barcode: 9004501010408) ~ ISRAEL ~ Smooth Jazz Recorded: 2015 Released: 2015
This is the debut album by Israeli duo NiogiFind albums by this artist, which consists of saxophonist Omri AbramovFind albums by this artist and keyboardist Guy ShkolnikFind albums by this artist, which was expanded to a quartet with the addition of Norwegian bassist Per MathisenFind albums by this artist and Israeli drummer Utsi ZimringFind albums by this artist. The album presents five original compositions, three by Shkolnik and two by Abramov, including a five-part suite, which last for almost twenty four minutes. The album was recorded at the legendary Rainbow Studio in Oslo, engineered by Jan Erik KongshaugFind albums by this artist.
The music of Niogi is a very melodic, serene and well behaved, floating somewhere between Prog-Rock, Jazz-Rock Fusion and Smooth Jazz. In some respects it is similar to what Pet MethenyFind albums by this artist was doing with his group during the early days of career (late 1970s to mid 1980s) or the easy side of Scandinavian Jazz, which often ventures into atmospheric music. The compositions are solid, but rather unremarkable and take absolutely no risks. Overall the music is pretty derivative.
The performance of the music is dominated by the keyboards, acoustic piano and a plethora of synthesizer sounds, which after a while start to sound all the same. The saxophone parts are even less impressive. The only extraordinary musicianship is demonstrated by Mathisen, whose acoustic and electric bass parts are brilliant from start to finish and who shows ears, sensitivity, elegance and virtuosity in his performances.
Overall this is a very pleasant, melodic music, which tries to reach a wide audience without offending anybody on the way. Since such music is loved by many, Niogi might even achieve a commercial success, but on the other hand they have fierce competition by hundreds of other groups playing very similar music. Not my cup of tea.
| Updated: 11/05/2016Posted: 11/05/2016 | CD 1 Digipak Recommend To A Friend |
  | NOYA / JAKUBEK / MASELI ~ LIVE NOT ON LABEL ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2009 Released: 2012
This album presents a live recording of a trio, which comprises of world famous Indonesian (living in Netherlands) percussionist Nippy NoyaFind albums by this artist and two veteran Polish Jazz musicians: keyboardist Zbigniew JakubekFind albums by this artist and vibraphonist Bernard MaseliFind albums by this artist. The album includes six original compositions, four of which were composed by Maseli and two by Jakubek. Three of these compositions receive extended treatment and carry on for twelve and up to seventeen minutes, while the other three last the usual six / seven minutes. The sound quality is excellent and every detail of the music is perfectly audible, even though it was recorded live.
The music is mostly ambient and atmospheric, with a strong Jazz-Rock orientation, although much more fragile and delicate than the usual output of the genre. A strong World Music influence is also evident. The melodies are stated clearly and are the basis of the extended improvised passages. Jakubek often plays the bass lines using his instruments, so at times the music sounds like being performed by a quartet. The overall atmosphere is reminiscent of several Pat MethenyFind albums by this artist recordings with his group featuring keyboardist Lyle MaysFind albums by this artist.
The music is relaxed and flows gently from one track to another, but manages to stay inside the creative limits of the Jazz parameters, without spilling over into the muzak territory, which is usually where such undertakings eventually arrive at. Both Jakubek and Maseli play some truly great solos here and keep the music interesting, with Noya sticking to his percussive background. This is obviously an album, which belongs to the "lighter" side of Jazz, but it is does neither compromise the participating musicians nor insult the listener.
Not exactly my cup of tea, but I suspect that many listeners will love this album to bits, which is perfectly fine with me. This album is definitely recommended to those folks, who love melodic and well played music, which does not make your teeth ache.
| | CD 1 Recommend To A Friend |
  | NUCLEUS ~ LABYRINTH / ROOTS BGO 567 (Barcode: 5017261205674) ~ UK ~ Jazz-Rock Fusion
5th & 6th albums, both from 1973 by UK`s most important Jazz/Rock ensemble. Featuring along the leader Ian Carr some of the best jazz & rock players of that period, each of their albums was a top-notch performance and includer brilliant extended compositions, mostly by Carr. They are in fact `concept` albums with common musical ideas.
| | CD 2 Remastered Recommend To A Friend |
  | NUCLEUS ~ LIVE AT THE BBC REPERTOIRE 1410 (Barcode: 4009910141021) ~ UK ~ Jazz-Rock Fusion Recorded: 1970 - 1991 Released: 2021
This is a monumental 13CD archival Box Set by British Jazz-Rock Fusion ensemble NucleusFind albums by this artist, founded and led by trumpeter / composer / author / bandleader Ian CarrFind albums by this artist, one of the key figures on the British Jazz scene for five decades from 1960s on. The Box Set collects 28 radio broadcasts recorded between July 1970 and November 1991, an incredible document of the British Jazz history, the development of the genre in general and Jazz-Rock Fusion in particular. Painstakingly collected, organized, remastered / restored, the music is a priceless tribute to one of the most creative bands active in Britain ever. The Box Set includes an informative booklet with an essay written by Roger FarbeyFind albums by this artist.
The Nucleus lineup included over time the absolute Who’s Who of the British Jazz scene, including many of the first generation of players, who revolutionized British Jazz in the late 1960s. Some of the most prominent figures, who played with the ensemble for many years were saxophonist / keyboardist Karl JenkinsFind albums by this artist, bassist Jeff ClyneFind albums by this artist, drummer John MarshallFind albums by this artist (who apart from Carr plays on almost all the tracks in this Box Set), saxophonist Brian SmithFind albums by this artist, guitarist Chris SpeddingFind albums by this artist and many others. Many of the ensemble members contributed also their original compositions to the repertoire performed by the ensemble, especially in the early days, with Carr’s compositions dominating the repertoire in the later period.
Although Nucleus, contrary to Farbey’s statement, did not pioneer British Jazz-Rock Fusion as such, the ensemble was one of the key focal points of the genre for many years, even after the genre run out of steam by the mid-1970s. Carr was a prolific composer and Nucleus was for many years the best environment to develop and present his compositions in the most successful way.
As usual with such releases, based on material from the BBC vaults, it is imperative to emphasize the role of the BBC in the development of music in Britain, when it supplied the stable platform for musicians to perform, with the music being broadcast (sometimes worldwide) and eventually archived for posterity. This unmeasurable contribution to British Culture is truly phenomenal.
Considering the fact that the music in this Box Set was taken not only directly from the BBC archives but also from many secondary private sources, often with problematic sound quality, the sonic effect, especially of the early material, is not up to par with today’s standards, but in view of its historic quality is welcome here, although with a slight unease.
Overall, this Box Set is a remarkable effort to document the history of one of the greatest Jazz-Rock Fusion ensembles of all times, and considering the fact that it is mostly previously unreleased, it is a collector’s treasure chest. It is definitely somewhat expensive, but for avid collectors it is worth its weight in gold.
| Updated: 06/03/2022Posted: 06/03/2022 | CD 13 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | NUCLEUS ~ LIVE IN BREMEN CUNEIFORM 173/174 (Barcode: 045775017327) ~ UK ~ Jazz-Rock Fusion Recorded: 1971 Released: 2003
Recorded live in 1971 for radio Bremen, this double album presents Nucleus second line-up, which features some of the best UK Jazz/Rock players at the time (4 of them played with various Soft Machine incarnations - Jenkins, Smith, Babbington and Marshall). With the brilliant guitar work by Ray Russell, this is somewhat similar to `Bitches Brew`, but of course recorded before Miles. A prime example of Fusion at its best!
| | CD 2 Recommend To A Friend |
  | O`LEARY / STANKO / HART ~ LEVITATION LEO 445 (Barcode: 5024792044528) ~ IRELAND ~ Free Jazz / Improvised Music Recorded: 2000 Released: 2005
This is an album by an international Jazz / Improvised Music trio led by Irish guitarist / composer Mark O`LearyFind albums by this artist with legendary Polish trumpeter Tomasz StankoFind albums by this artist and no less legendary American drummer Billy HartFind albums by this artist. The album presents fourteen original compositions, seven of which are by O`Leary and seven are credited to all three members of the trio.
The music, at least in the pieces composed by O`Leary, is based on pre-composed melody lines, which are then expanded by the trio into improvised statements, as appropriate for the Free Jazz / Improvised Music idiom. Since there is very little melodic content per se, the music is mostly about the process of conversation developing between the three musicians.
O´Leary uses mostly series of single note barrages and arpeggios, produced by his guitar, which does not employ and electronic devises except for reverb, resulting in very clear and precise statements. His fiery soloing might even appeal to open-minded Fusion fans. Stanko, as usual, uses his "dirty" / hoarse tone, which balances very effectively against the guitar. Hart does everything except playing time, which of course is self explanatory under these circumstances.
Overall this is an interesting album of Improvised Music, which includes many excellent statements by the trio members and is especially valuable to the many fans of the late Tomasz Stanko, since this album is rarely mentioned in his discographies. Definitely worth investigating!
| Updated: 22/09/2018Posted: 22/09/2018 | CD 1 Recommend To A Friend |
  | OBARA INTERNATIONAL ~ LIVE AT MANGGHA FOR TUNE 0022 ~ POLAND ~ Jazz Recorded: 2013 Released: 2013
This is the second album by the international quartet led by Polish Jazz saxophonist / composer Maciej ObaraFind albums by this artist, called Obara InternationalFind albums by this artist, which also includes the superb Polish pianist Dominik WaniaFind albums by this artist and a Norwegian rhythm section: bassist Ole Morten VaganFind albums by this artist and drummer Gard NilssenFind albums by this artist. The album, which was recorded live, comprises of six pieces, five of which are original compositions by Obara and the remaining one is by Krzysztof KomedaFind albums by this artist, to whom this group dedicated their debut album, simply called "KomedaFind albums with this title".
The music is placed somewhere between Free Form and contemporary Modern Jazz of the European variety. Most of the tunes get an expanded treatment, which includes extensive solo and group improvisations, and last around ten minutes each except one tune which is almost twice as long and the closing track which is a brief farewell. Although the melodic content is clearly recognizable, it is kept somewhat in the background, as if on a separate plane, and the improvisations are the focal point of this music, changing in tempi and intensity, but always out there on the forefront.
The level of musicianship involved herein is truly admirable and of the highest standing by any standard. This is by far not easy music and the amount of technique, talent and sophistication required in order to play it is simply astounding, not to mention the emotional tension. The entire concert portrays a wonderful flow of energy between the quartet members and of course the combined creative power of the quartet is even greater than the sum of the individual statements. Personally I enjoy the contributions by the pianist most of all. Wania, whom I´ve been watching carefully for a few years now, is definitely one of the greatest promises of Polish Jazz and is destined to get places. His brilliant work on this album, both as a soloist and as an ensemble member, is simply outstanding. Obara is a great player as well, of course, but his melancholy and mellow tone often seem to push the music somewhat backwards into the mainstream conformity. The Norwegian rhythm section is solid and reliable, when needed, and inventive and spontaneous when the music calls for it, in short they play splendidly, as only the Scandinavian rhythm sections can.
Overall this is another musical gem that the Polish For Tune label manages to put out for the world to hear and admire. The sound quality, separation and warmth are incredible considering the fact that this is a live recording. European Jazz connoisseurs are expected to lick their fingers upon exposure to this wonderful music. Well done gentlemen!
BTW Obara´s Polish quartet uses the excellent RGGFind albums by this artist rhythm section: bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist, which of course is also a dreamy team, so where is their next album I ask?
| | CD 1 Recommend To A Friend |
  | OBARA INTERNATIONAL ~ LIVE IN MINSK MAZOWIECKI FOR TUNE 0080 (Barcode: 5902768701883) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015
This is the third album by the international ensemble led by Polish Jazz saxophonist / composer / bandleader Maciej ObaraFind albums by this artist, which includes also Polish pianist Dominik WaniaFind albums by this artist and the Norwegian rhythm section comprising of bassist Ole Morten VaganFind albums by this artist and drummer Gard NilssenFind albums by this artist, and which was expanded to a quintet with the addition of British trumpeter Tom ArthursFind albums by this artist. The album was recorded live and presents seven original pieces, five of which were composed by Obara and one each by Vagan and Arthurs. The accompanying DVD is a straight-ahead documentation of the concert and offers no additional material.
Listeners familiar with Obara´s extensive recording legacy are of course familiar with his extraordinary qualities, but his work with this ensemble surely finds him at his artistic pinnacle. The music, which ideally balances the concept of composed music with the idiom of Free Jazz and extended improvisation, is a wonderful example of what contemporary European Jazz is all about.
With the addition of Arthurs to its ranks, the ensemble, in its classic Jazz Quintet setting, finally reaches the full power of expression, which enables it to present the full scale of solo and group improvisation. The musical approach if completely open, allowing the musicians to make lengthy individual statements, but also to create internal subset ensembles, like duets or trios, which are spontaneously created jus for a relatively brief duration. This fluctuating lineup and constant mutations are both fascinating musically and demanding intellectually, which of course is the best possible combination of stimuli.
The individual contributions by the ensemble members are all stellar. Arthurs is perhaps the best partner that Obara had so far, matching his powers of creativity and his virtuosic skills. Their work together, exchanging licks and playing unisono, is simply breathtaking. Wania consistently makes his way to the very top of European piano players and his brilliant work as soloist and accompanist is unprecedented. The rhythm section supports the soloists with flair and obvious camaraderie, but keeps a distinct identity and contributes solo statements as well.
Overall this is a classic example of European modern Jazz at its best, which is imaginative, creative and highly advanced. Based on the Jazz tradition, it expands the idiom towards new frontiers, keeping it alive and relevant. This is a one-hour concentrated capsule of Jazz at its best, which should keep every connoisseur of good music happy for a very long time. Brilliant from start to finish, this is a nectar we, Jazz enthusiasts, are always thirsty for.
| Updated: 22/02/2016Posted: 22/02/2016 | CD+DVD 2 Recommend To A Friend |
  | OK:KO ~ LAND E. AMP 011 (Barcode: 662578831044) ~ FINLAND ~ Jazz Recorded: 2016 Released: 2017
This is the debut album by young Finnish Jazz quartet OK:KOFind albums by this artist, led by drummer / composer Okko SaastamoinenFind albums by this artist, which also includes saxophonist Jarno TikkaFind albums by this artist, pianist Toomas Keski-SanttiFind albums by this artist and bassist Mikael SaastamoinenFind albums by this artist. The album presents five original compositions, all by the leader.
The music is a great example of interesting contemporary European Jazz, based on clearly defined melodic themes, but allowing a lot of freedom and space for the quartet members to interpret the music on individual basis, which often sounds as if the quartet members play on separate planes, yet somehow manage to keep everything coherently together. Another fascinating aspect of the music is the extensive usage of uneven rhythmic patterns, with the music falling in and out of the obvious swinging outline and changing the rhythm often within a singular phrase.
As usual with young European Jazz musicians it is amazing to see such a profound understanding of the Jazz idiom and a mighty arsenal of technical tricks and originality, which one does not usually expect to find with musicians of their age. Altogether this album leaves a very strong impression and it is a very impressive debut outing indeed. The only drawback is the very short duration of the music (just over thirty five minutes), which usually would be classified as an EP.
These young Lions are surely worth being followed, and they will surely produce more of such wonderful music as found on this album. In the meantime, just keep playing and composing!
| Updated: 22/07/2017Posted: 22/07/2017 | CD 1 Digipak Recommend To A Friend |
  | OLES BROTHERS / ROB BROWN ~ LIVE AT SJC FENOMMEDIA 008 (Barcode: 5907604327081) ~ POLAND ~ Jazz Recorded: 2008 Released: 2009
This is a trio album by Polish Jazz heroes, brothers Marcin OlesFind albums by this artist (bass) and Bartlomiej OlesFind albums by this artist (drums) collectively known as Oles BrothersFind albums by this artist, joined by American saxophonist Rob BrownFind albums by this artist, one of the most prolific and active NY scene Free Jazz players. The album comprises of seven original compositions, the opening three being parts of a three-part suite. All the music was composed by Bartlomiej Oles except for one tune composed by Marcin Oles. The album was recorded live and is a part of the "Live Series" of releases on the Oles Brothers owned FenommediaFind albums on this label Records.
The music is typical contemporary Jazz, which allows for a large degree of freedom and extended improvisation but stays within the pre-composed melodic framework. Brown dominates the album with his very busy way of playing, and the rhythm section supports him marvelously, easy changing tempi back and forth between medium to fast, like true professionals.
Although the cooperation between the musicians and the individual statements are without doubt all excellent, personally I enjoy more the moments when the rhythm section plays alone rather than when the saxophone is up front. That laborious wall of sound effect, which is typical of most American Free Jazz players and which unfortunately did not evolve an inch in the last few decades, is already exhausted as far as I am concerned. I mean is anybody able to express more emotion in their music by imitating the prophets like John ColtraneFind albums by this artist or Albert AylerFind albums by this artist or Eric DolphyFind albums by this artist? Brown belongs to a large group of American improvisers, which simply is unable to rejuvenate the idea and move forward. Therefore during the moments when Brown plays sparingly and melodically, as he does on the one before last track, he is truly excellent but when he erupts into the extended, aggressive improvisations, my defense mechanism is fully deployed.
All things considered this is a fine modern Jazz album, mostly due to the excellent work done by the rhythm section, which emphasizes the fact that the language of Jazz knows no geographic or political boundaries and it´s all up to people to make music together regardless of their origins. Not very innovative and sometimes a bit unnerving, but something Free Jazz fans should definitely enjoy immensely.
| Updated: 02/01/2017Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | OLES BROTHERS / THEO JORGENSMANN ~ LIVE IN POZNAN 2006 FENOMMEDIA 006 (Barcode: 5907604327067) ~ POLAND ~ Jazz Recorded: 2006 Released: 2007
This is the third album by Polish Improvised Music heroes, brothers Marcin OlesFind albums by this artist (bass) and Bartlomiej OlesFind albums by this artist (drums) collectively known as Oles BrothersFind albums by this artist, with the German clarinetist / composer Theo JorgensmannFind albums by this artist. The music was recorded live and includes eight original compositions: four composed by Bartlomiej Oles and two each by Marcin Oles and Jorgensmann.
The music presents a wonderful Free Jazz / Improvised Music setting, full of great melody lines, exciting improvisations, fiery displays of virtuosic abilities and telepathic conversation between the musicians involved. Jorgensmann is a very dynamic, but non-aggressive player, who sounds wonderfully melodic even if he improvises freely, which creates an exceptionally easy-going atmosphere, rarely present on Free Jazz albums.
The Oles Brothers are famous for being the best Polish rhythm section in Free Jazz / Improvised Music environment and this album clearly shows why. They are not only technically perfect but more importantly superbly musical, and as a result the music doest not offer a soloist supported by a rhythm section setup but rather a trio of equally important parts playing together as one.
Large part of the material included here is a live version of the same material recorded by this trio on their previous album "DirectionsFind albums with this title", which was recorded in a studio. Those two albums are a splendid manifestation of how music is influenced by circumstances, the presence of an audience and so on. Basically these two albums should be combined into a double CD release – perhaps when reissued at some later date.
Overall this is one of those instant "classics" which simply leave nothing out and are pieces of Culture captured for posterity. Wonderful listening experience from start to finish!
| Updated: 02/01/2017Posted: | CD 1 Mini-Sleeve Recommend To A Friend |
  | PAGEANT ~ LA MOSAÏQUE DE LA RÊVERIE MUSEA 4181 (Barcode: 3426300041814) ~ JAPAN ~ Progressive Rock Recorded: 1986 Released: 1996
1st album by the most famous Japanese Prog band PageantFind albums by this artist and considered by many as the best album recorded by any of the Japanese 80`s Prog bands. Female vocals, rich instrumentation and references to classic Symphonic Prog bands like YesFind albums by this artist and GenesisFind albums by this artist are all there. The band manages to create a unique point of referrence however, where outside influences remain subdued and in good taste. All Symphonic Prog fans love this album!
| | CD 1 Recommend To A Friend |
  | PALLAS ~ LIVE FROM LONDON IGUANA 012 ~ UK ~ Progressive Rock
Filmed in 1985, this DVD documents the early days of Pallas, one of the founding bands of the Neo-Progressive movement (with Marillion, Solstice & Twelfth Night). Captured here is a dynamic show featuring material from their debut album "Arrive Alive" and their second legendary release "The Sentinel" as well as their then recently released EP "Knightmoves". 59 minutes. NTSC
| Updated: 21/09/2021Posted: | DVD 1 Recommend To A Friend |
  | EVAN PARKER / RGG ~ LIVE @ ALCHEMIA FSR 2017/01 (Barcode: 5905279364172) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 2016 Released: 2017
This is a live recording by the legendary British saxophonist Evan ParkerFind albums by this artist performing together with one of the top Polish Jazz trios RGGFind albums by this artist, which comprises of pianist Lukasz OjdanaFind albums by this artist, bassist Maciej GarbowskiFind albums by this artist and drummer Krzysztof GradziukFind albums by this artist. Together the ad hoc quartet performs four spontaneously composed pieces, credited to all four members of the quartet. The music was recorded at the celebrated Krakow´s Alchemia club, which since many years is associated with the Polish and international Improvised Music scene.
The courageous experiment of combining forces between Parker and RGG seems, at least in theory, quite unexpected to say the least. Based on their recording history one might contemplate how the music of Parker, which always symbolized the extreme Avant-Garde and total freedom of expression, might be combined with the music of RGG, which although featured some elements of freedom, was always strongly melody based and full of typical Polish lyricism and Romanticism. Apparently, music is able to unite most stylistic gaps and in this particular case simply emerges victorious. As a result we have some of the most "melodic" and relaxed Parker performances ever put on record and the most free oriented music ever recorded by RGG, both wholly amalgamated into a new form of expression.
In spite of the age difference between Parker and the RGG members, there seems to be a complete and profound understanding and mutual respect between the musicians, which allows the music to flow and flourish uninhibited and overwhelmingly moving. As usual in such musical circumstances, the music requires attentive and open-minded listening, but its quality assures a most wonderful aesthetic experience. The personal performances are all, as expected, exhilarating and the challenge of playing with a legend mobilized the RGG members to give absolutely everything they had to give that night.
There is no doubt that this is one of the most challenging and daring Polish Jazz recording lately and a superb way to start 2017, which promises to be as exciting as the incredibly intense 2016. Maciej KarlowskiFind albums by this artist deserves kudos for putting this experiment together and turning his FSRFind albums on this label label into an important player on the Polish record scene. Thanks also to the man with the biggest ears in Poland, Jan SmoczynskiFind albums by this artist, for the wonderful mix and mastering, which result in a superb sound quality this album offers to the listener. Well done!
| Updated: 12/04/2019Posted: 21/02/2017 | CD 1 Mini-Sleeve Recommend To A Friend |
  | PASSPORT ~ LIFELIKE WOUNDED BIRD 0478 (Barcode: 664140047822) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1977 - 1980 Released: 2008
Live album by the wonderful German Fusion band PassportFind albums by this artist, led by the veteran saxophonist / composed Klaus DoldingerFind albums by this artist, recorded in the late 1970s and early 1980 in Europe (Montreux Festival and concerts in Germany). Three of the original four sides of the double LP were recorded by Passport and the fourth by a huge group of musicians including some of Fusion´s most famous players at the time. Passport´s fans need no encouragement to grab this instantly and it is indeed one of their best live recordings. Classic stuff!
| | CD 2 Recommend To A Friend |
  | PASSPORT ~ LOOKING THRU WOUNDED BIRD 7042 (Barcode: 664140704220) ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1974 Released: 2001
4th album by this brilliant German Jazz-Rock Fusion band PassportFind albums by this artist. Passport`s leader is the veteran jazz musician Klaus DoldingerFind albums by this artist, who started his career in the post WWII Germany playing Dixieland, but soon moved to the modern jazz genre playing with the best musicians in Europe. He founded Passport in the early 70`s to serve as a vehicle for his numerous projects, which continued well into the 90`s. This is an early quartet version of the group with all-German line up, playing some of the best and most sophisticated Fusion ever made. In contrast to the US fusion, which was much based on funk and groove, the European variety is more about intricate interplays and complex compositions. Amazing!
| | CD 1 Essential Recommend To A Friend |
  | LUKASZ PAWLIK ~ LONELY JOURNEY PAWLIK RELATIONS 011 (Barcode: 5901289325103) ~ POLAND ~ Jazz-Funk Fusion Recorded: 2015 Released: 2016
This is the debut album as a leader by Polish keyboardist / composer Lukasz PawlikFind albums by this artist, recorded with saxophonist Dawid GlowczewskiFind albums by this artist, bassist Pawel PantaFind albums by this artist and drummer Cezary KonradFind albums by this artist. The polish team is joined by American guitarist Mike SternFind albums by this artist on one track and trumpeter Michael Patches StewartFind albums by this artist on three tracks. The album presents eight original compositions, all by Pawlik.
The music is a slick, melodic Jazz-Funk / Groove / Smooth Jazz, similar to countless other albums of this sort. It is very well performed by all participants, who are true pros, and makes your feet tap, but once it´s over there is nothing left. The compositions are all pretty good, but again, hardly remarkable or memorable.
Why on earth would a talented Polish young musician play music, which others (yes Americans) have been playing ad nauseam since the 1970s, not moving an inch forward in the last almost 50 years. Admittedly the Polish team is in every respect as good as their American counterparts, so what? Although this kind of music has its followers, which of course is fine, this is only very marginally, if at all, Jazz and should not be labeled as such.
Overall this is a good Funk / Groove album, very well played, which lovers of the genre should enjoy in full, but definitely not something a Jazz connoisseur would listen to. And yes, Stern´s solo is as good as one might expect ;)
| Updated: 12/03/2016Posted: 12/03/2016 | CD 1 Digipak Recommend To A Friend |
  | JACEK PELC CITY JAZZ TRIO ~ LIVE INTERACTIONS JACEK PELC RECORDS 007 (Barcode: 5904013793605) ~ POLAND ~ Jazz Recorded: 2011 Released: 2022
This is an archival live album by Polish Jazz drummer / composer / bandleader Jacek PelcFind albums by this artist, recorded in a classic piano trio setting with pianist Krzysztof HerdzinFind albums by this artist and bassist Grzegorz NadolnyFind albums by this artist. The album presents nine tracks, eight of which are original compositions by Pelc and one is a standard.
The music is all mainstream oriented modern Jazz, beautifully melodic and well structured, and as expected superbly executed by these highly experienced musicians. Pelc manages to prove again that being a drummer is not in any conflict with being able to compose beautiful lyrical themes, full of Polish melancholy, which are memorable and highly aesthetic.
Herdzin, who appears relatively rarely within the Jazz idiom lately, shows that he was one of the most exciting Polish Jazz piano virtuosi, and his piano playing is truly refreshing herein. Hearing him on this album not only brings fond memories of his artistry, but raises hopes of his desire to return and take his rightful position on the Jazz scene, which he abducted in favor of other explorations.
Nadolny plays wonderfully as well, showing great taste and technique both on the upright and electric bass, always perfectly in tune and right on the beat, he provides the background layer to the music, which couldn’t survive without it.
And last but not least, Pelc with his Masterly drumming technique and endless trickery, which never ceases to amaze, which rightfully award him the position at the very top of the Polish Jazz rhythm magicians guild.
Overall, this is a wonderful Jazz piano trio album, which should delight every fan of that particular niche, but to be honest it speaks to every Jazz lover on this planet, creating a lasting experience, which lingers in the back of the listener’s mind long after the music is over. Absolutely marvelous and well done, my Friend!
| Updated: 18/05/2022Posted: 18/05/2022 | CD 1 Digipak Recommend To A Friend |
  | PENDRAGON ~ LIVE... AT LAST AND MORE METAL MIND 0005 ~ UK ~ Progressive Rock
A live concert recorded for the Polish TV in 1996 during the `Masquerade Overture` tour. Pendragon at their best playing and singing their hearts out in front of an enthusiastic crowd. Material includes the album`s songs and some older favourites. Lots of DVD additional material. Dolby Digital 5.1 Surround Sound, 130 minutes.
| | DVD 1 Recommend To A Friend |
  | DAVE PIKE SET ~ LIVE AT THE PHILHARMONIE PROMISING MUSIC 44101 (Barcode: 602517545632) ~ USA ~ Jazz-Rock Fusion Recorded: 1969 Released: 2008
American vibraphonist / composer Dave PikeFind albums by this artist was one of quite a few American Jazz musicians, who left the US and settled in Europe in the late 1960s, stifled by the atmosphere of the US scene at the time, which seemed to them as limiting and confining, especially in comparison to the exciting and flourishing developments happening in Europe at the time. Settling in Germany, Pike formed a quartet with three wonderful German musicians: guitarist Volker KriegelFind albums by this artist, bassist Johann Anton RettenbacherFind albums by this artist and drummer Peter BaumeisterFind albums by this artist, which he called the Dave Pike SetFind albums by this artist.
The quartet was signed by the legendary German MPSFind albums on this label label and recorded a series of albums for the label, of which this was the third and the only live recording. Recorded at a concert, which was presented during the 1969 edition of the Berliner Jazztage Festival, the quartet flies gracefully through a set of original compositions (mostly by Pike and Kriegel), presenting a refreshing use of the vibraphone / guitar dual lead and a splendidly inventive, but solid support by the rhythm section. The compositions are quite different from each other stylistically, but always top-notch, with plenty of space for extended solos. Kriegel proves to be the most inventive player of the quartet and his amazing inventions and brilliant technique clearly show his early steps on his way to become one of Europe’s best Jazz and later Jazz-Rock Fusion players ever.
It is interesting to compare the Dave Pike Set with the Gary BurtonFind albums by this artist quartet, one of the most interesting American Jazz ensembles at the time, which also featured the vibraphone / guitar (Larry CoryellFind albums by this artist) double lead and experimented with time signatures and early Fusion, Psychedelics and World Music excursions. The similarities are truly quite amazing. In retrospect the music lost none of its charm and adventurous nature and remains a splendid example of the European scene at the time.
Superbly remastered and elegantly packaged by Promising MusicFind albums on this label, this is a treasure and a great trip down the memory lane. Hopefully the other MPS recordings by this group will follow soon. Brilliant!
| Updated: 28/08/2020Posted: | CD 1 Mini-Sleeve Oversampling Remastered Recommend To A Friend |
  | GRZECH PIOTROWSKI ~ LECH CZECH I RUS SYMPHONY POLSKIE RADIO 2045 (Barcode: 5907812248178) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2017 Released: 2017
This is the eighth album by Polish saxophonist / composer Grzech PiotrowskiFind albums by this artist, which is his most ambitious project by far. It involves a large international instrumental ensemble he leads, called World OrchestraFind albums by this artist, a symphony orchestra (National Polish Radio Symphony OrchestraFind albums by this artist a.k.a. NOSPRFind albums by this artist), National Folk Instrument OrchestraFind albums by this artist from Kiev and two choirs (Choir Pro FormaFind albums by this artist from Poland and Choir Ars BrunensisFind albums by this artist form Czech Republic), altogether a mindboggling amount of players and musical complexity, recorded live at the magnificent NOSPR concert hall in Katowice. Piotrowski deserves the highest respect just for putting this gargantuan project together and for pulling it off.
The music is a wonderful Jazz-Classical Fusion with strong ties to Slavic folklore, which of course is the subject matter of the entire enterprise. The legend about the three brothers that started the Slavic Nations (Poles, Czechs and Rus´) gives the point of reference and points out that despite historic developments the Slavic people share common ancestry and above all common Cultural values.
The Classical Music nerds would probably debate the "symphony" part of the work´s title, as the thirteen-part composition is probably more a suite that a symphony, but overall the scope and the scale are definitely of symphonic proportions. The melodic motifs keep flowing one after another, arranged for many different vocal and instrumental setups and featuring many solo parts, some of which are partly improvised. The mood keeps changing from somber melancholic, typical Slavic melodies to highly expressive up-tempo dance-like frenzy, keeping the listener at his toes for the entire duration.
This album is a proof that seemingly impossible undertakings can be realized by people of great talent and strong will. The most important message this music emphasizes is the universal unity of music, which freely crosses genres, languages, epochs and National borders. This music is accessible to every person on this planet, which is a very rare quality.
Overall this album is a wonderful journey into the Slavic Culture, full of brilliant melodies and excellently performed by all the participants. Wholeheartedly recommended!
| Updated: 06/07/2017Posted: 06/07/2017 | CD 1 Digipak Recommend To A Friend |
  | BUCKY PIZZARELLI / JOHN, PIZZARELLI ~ LIVE AT THE VINEYARD THEATRE CHALLENGE 70025 ~ USA ~ Jazz
AMG Review: This 1987 concert at New York´s Vineyard Theatre pairs two fine guitarists, Bucky PizzarelliFind albums by this artist and his equally talented son, John PizzarelliFind albums by this artist. The two players fit effortlessly hand in glove, no matter who is soloing at a given time, as they work their way through classic standards ("Three Little Words"), jazz classics ("Do Nothin´ Till You Hear From Me"), pop favorites ("Route 66"), and creative medleys (such as the combination of the famous movement from Rodrigo´s "Guitar Concerto" with Chick CoreaFind albums by this artist´s "Spain"). John Pizzarelli also adds warm vocals to several tracks. Concert and recording producer Richard SudhalterFind albums by this artist also contributed the enlightening liner notes, most of which is a transcript of a compilation of interviews done with both musicians at the time of the performance and some eight years later. With the CD cover declaring it to be a limited edition, it is well worth making a high-priority purchase.
| Updated: 11/06/2022Posted: | CD 1 Recommend To A Friend |
  | ROBERT PLANT ~ LULLABY AND… THE CEASELESS ROAR NONESUCH 075597954210 (Barcode: 075597954210) ~ UK ~ Classic Rock Recorded: 2014 Released: 2014
This is the tenth solo album by British singer / songwriter Robert PlantFind albums by this artist, primarily known as the frontman of the iconic Led ZeppelinFind albums by this artist. It is also the first studio album with his new (at the time) band called Sensational Space ShiftersFind albums by this artist, which included guitarists Liam TysonFind albums by this artist and Justin AdamsFind albums by this artist, keyboardist John BaggottFind albums by this artist, bassist Billy FullerFind albums by this artist, drummer Dave SmithFind albums by this artist and West African musician Juldeh CamaraFind albums by this artist. The album presents eleven original songs, all co-credited to Plant and the band members.
Plant’s post Zeppelin solo career was undoubtedly a most impressive path of musical activity and constant development, which took him on a wonderful adventure of amalgamating Rock and World Music, perhaps more significant than any other Classic Rock Artist undertook in the last four decades, following the death of the genre. Plant bravely incorporated a wide kaleidoscope of influences, ranging from Celtic, via Middle East, African and Far East sources. He also bravely kept updating the Rock vocabulary, using sound shaping equipment but at the same time eschewing the dreaded synthesized electronic doodling.
Like all of his earlier albums, this one is a fabulous display of his many talents, both as a vocalist (with his vocal delivery every bit as strong as ever), songwriter and Artist. The music is diverse and often surprising, beautifully performed and full of inherent drama and tension, which makes listening to this album a beautifully aesthetic experience.
Overall this is a superb piece of music, which hopefully will be listened to by audiences beyond the ageing Les Zeppelin fans, who could learn a thing or two about the expanding horizons of Rock music. Brilliant stuff!
| Updated: 30/07/2021Posted: 30/07/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JEAN-LUC PONTY ~ LIFE ENIGMA MPS 4029759187936 (Barcode: 4029759187936) ~ FRANCE ~ Jazz-Ambient Fusion Recorded: 2001 Released: 2024
This is a reissue of an album by French Jazz violinist / composer Jean-Luc PontyFind albums by this artist, recorded in his home studio using various synthesizers, which expanded his violin sound to create a more orchestral ambience. Several additional musicians were invited to play on selected tracks, including bassist Guy Nsangue AkwaFind albums by this artist, percussionist Moustapha CisseFind albums by this artist, drummer Thierry ArpinoFind albums by this artist and pianist William LecomteFind albums by this artist. The album presents ten tracks, all composed by Ponty.
The album offers the usual highly melodic musical themes, given a modern, almost Ambient makeup, and supported by African rhythmic lines, which are, as usual, highly effective and immediately “likeable”, despite the fact that the music is by far not trivial or simplistic. On the contrary, some of these melody lines are deeply introspect and reflective and offer an emotional depth.
Overall, this is another excellent offering by Ponty, who never recorded anything below excellent, regardless the specific genre he was involved with at a time. This is a minimalist, somewhat Ambient sounding album, which lost nothing of its beauty over time and still offers some highly aesthetic and reflective music, perhaps less exciting than his earlier Fusion effort, but definitely no less rewarding.
| Updated: 14/08/2024Posted: 14/08/2024 | CD 1 Digipak Recommend To A Friend |
  | JEAN-LUC PONTY ~ LIVE WOUNDED BIRD 9229 (Barcode: 664140922921) ~ FRANCE ~ Jazz-Rock Fusion Recorded: 1978 Released: 2003
French violinist Jean-Luc PontyFind albums by this artist already had a distinguished jazz career behind him when he arrived in the US to join Frank ZappaFind albums by this artist and later Mahavishnu OrchestraFind albums by this artist. After leaving MO Ponty recorded a stream of brilliant fusion albums leading his own group, which featured some of the best fusion players on the scene. His amazing technique and extraordinary sense of melody make him one othe most important players of the genre. This live recording of his group includes two of his most popular tunes: `Aurora` and `Imaginary Voyage` and is a classic recording of the genre.
| | CD 1 Essential Recommend To A Friend |
  | JEAN-LUC PONTY & WOLFGANG DAUNER ~ LIVE AT THE BERN JAZZ FESTIVAL 2011 MPS 4029759171393 (Barcode: 4029759171393) ~ FRANCE ~ Jazz Recorded: 2011 Released: 2022
This is an archival live album by the duo comprising of French violinist / composer Jean-Luc PontyFind albums by this artist and German pianist / composer Wolfgang DaunerFind albums by this artist. The album presents eight tracks, four composed by Dauner, three by Ponty and one is a medley of standards. Six tracks are violin / piano duets and one each are violin / piano soli.
Ponty and Dauner met in the late 1960s and performed together often at the time. When Ponty moved to the US, the connection was broken for a long time, and was renewed only in the mid-1990s, when they formed a duo together, which was recorded some years later at the Bern Festival by Swiss Radio. Following Dauner’s death in 2020, Ponty pushed for this performance to be released, and this is the result.
Both Ponty and Dauner are Giants of European Jazz, each active in his own sphere, both originating in traditional Jazz but later on pushing the boundaries of the genre in different sub-genres. Ponty moved directly into Jazz-Rock Fusion and Dauner flirted with Avant-Garde Jazz and later on also with Fusion, both being formidable instrumentalists and superb composers.
The album is a wonderful example of the “Art of the Duo”, which time after time proves that Jazz duos are probably the most challenging and also the most rewarding settings, which enable for the individual musicians to shine and for the duo to explore telepathic communication and mutual respect.
Overall, this album brings to light an unknown chapter in the life of two great European Jazz musicians, and is a true feast of talent and Jazz Art, performed by two true Geniuses. A joy to have this music available and a true must have for European Jazz fans! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 24/03/2022Posted: 24/03/2022 | CD 1 Digipak Recommend To A Friend |
  | PORCUPINE TREE ~ LIGHTBULB SUN (DELUXE EDITION) K-SPACE 827 (Barcode: 636551284127) ~ UK ~ Progressive Rock
Although criticised by veteran PT fans as being more `commercial` in comparison to the earlier releases, this 2000 album by the group is in fact one of their best and most consistent offerings. Great composition and perfect performances make this relaxed and somewhat melancholic album a delight to listen to. The bonus CD offers some additional great and rare audio stuff, as well as some rare video material. Not to be missed! Available ONLY in Israel! Out Of Print Collectors` Item!
| | CD 2 Bonus Tracks Recommend To A Friend |
  | BADEN POWELL ~ LIVE IN BERLIN MPS 4029759103042 (Barcode: 4029759103042) ~ BRAZIL ~ Jazz-World Fusion Recorded: 2000 Released: 2015
This is an archival 2CD live solo guitar album by Brazilian guitarist / composer Baden PowellFind albums by this artist, recorded shortly before his death in 2000. The album presents sixteen tracks, mostly original compositions by Powell, with the rest of the tracks composed by various Brazilian representatives of the MPB (Musica Popular Brazileira), like Vinicius de MoraesFind albums by this artist, Dorival CaymmiFind albums by this artist, Tom JobimFind albums by this artist, Luiz BonfaFind albums by this artist and others and finally an arrangement of a Classical piece.
Powell was one of the great pioneers of modern Brazilian music and contributed immensely to its worldwide popularity since the mid-1960s. His virtuosity as an acoustic guitar player remains unmatched to this very day. He left Brazil and moved to France in the late 1960s, performing often around Europe and recording for European labels, including the legendary MPS label.
The music is a wonderful amalgam of Jazz and Brazilian elements, creating some of the most exciting displays of Jazz-World Fusion, in addition to blood-curdling display of guitar playing. The intimate setting and superb recording quality make this album a true gem and an exhilarating listening experience.
Overall, this is a staggering display of acoustic guitar performances by a seasoned musician, who knows exactly which strings to pull (pun intended). Powell was a legend and this album shows why he earned such status. For acoustic guitar fans and lover of Jazz with a distinct Brazilian flavor, this is an absolute must! Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 03/12/2023Posted: 03/12/2023 | CD 2 Digipak Recommend To A Friend |
  | PRAGUE SUPER QUARTET ~ LIVE GALEN 20 172 (Barcode: 8594042901842) ~ CZECH REPUBLIC ~ Jazz Recorded: 2013 Released: 2020
This is an archival live album by a quartet comprising of top Czech Jazz musicians, collectively called Prague Super QuartetFind albums by this artist, which includes saxophonist / flautist Jiri StivinFind albums by this artist (born 1942), pianist Emil ViklickyFind albums by this artist (born 1948), bassist Frantisek UhlirFind albums by this artist (born 1950) and drummer Josef VejvodaFind albums by this artist (born 1945). The album presents eight tracks, five of which are Jazz standards and three are arrangements of Czech Folk songs.
The music is all within mainstream Jazz format, and the main reason for the existence of the quartet is to enable the four Godfathers of Czech Jazz to combine forces and display their experience and extraordinary abilities. Therefore, there are few surprises here, just excellent straightforward Jazz performed by top musicians. Of course Stivin’s flute playing is always extraordinary, as is Viklicky’s lyricism, Uhlir’s virtuosity and Vejvoda’s superb sense of rhythm. It goes without saying that these Czech musicians can play as well as any of their counterparts across the pond, which has of course already been proven countless times.
Overall, this is an excellent mainstream Jazz effort, which should satisfy Jazz lovers across the globe, and perhaps convince some listeners, who never came across Czech Jazz earlier, to look for more music originating in that country, including that played by younger generations. Side Note The Czech publishing house and record label GalenFind albums on this label, run by Lubomir HoudekFind albums by this artist, is another player on the local scene, reissuing historical recordings from the deep vaults of the SupraphonFind albums on this label / PantonFind albums on this label labels, supported by the Czech Ministry of Culture. This commendable initiative is a wonderful example of the preservation of Cultural heritage. Hopefully the label's future releases will include information in English in the album's booklets, so that Jazz enthusiasts around the world might be allowed to share the knowledge.
For more reissues of Czechoslovak Jazz (and Rock) see also the releases by Indies Happy TrailsFind albums on this label Records.
| Updated: 19/02/2025Posted: 19/02/2025 | CD 1 Mini-Sleeve Recommend To A Friend |
  | PROCOL HARUM ~ LIVE AT THE UNION CHAPEL (COLLECTORS` EDITION) EAGLE VISION 030 (Barcode: 5034504903098) ~ UK ~ Progressive Rock Recorded: 2003 Released: 2004
If everything Procol HarumFind albums by this artist ever did was to record their 1967 single “A Whiter Shade Of Pale”, they would have already ensured their position in the Rock’s Hall Of Fame as authors of the definitive, hypnotic and most brilliant Rock song of all times. Of course (and luckily for all Procol Harum’s many admirers, myself included) they managed quite a bit more with a long chain of brilliant albums recorded in the 1960s and 1970s and two reunions: the first one in 1991 and the second in 2003. The 2003 reunion resulted in the recording of a new album called The Well`s On FireFind albums with this title, and a world tour to promote the album. This DVD documents the final concert of the tour upon the band’s return to UK. The unusual setting for the concert – a church – adds a dramatic background to this spectacular event and makes this DVD even more spectacular and theatrical than expected. The band includes two of the band’s founding members Gary BrookerFind albums by this artist on piano & vocals and Matthew FisherFind albums by this artist on organ, accompanied by Matt PeggFind albums by this artist on bass, Geoff WhitehornFind albums by this artist on guitar and Mark BrzezickiFind albums by this artist on drums. With several months of touring behind them the band plays spotlessly and the strength of the material reaches its full glory. The material form the new album is included and of course many of the band’s greatest past achievements, including the full version of “A Whiter Shade Of Pale”, which is quite a rarity. Additional material includes interviews and other bonus stuff. The CD included in this set contains the highlights of the concert. This is a must for all Procol Harum fans and basically for anybody who loves great Rock. Dolby Digital 5.1 Surround Sound and DTS, 139 minutes.
| | DVD+CD 2 Recommend To A Friend |
  | PROCOL HARUM ~ LIVE: IN CONCERT WITH THE EDMONTON SYMPHONY ORCHESTRA MUSEA 2105 (Barcode: 3426300021052) ~ UK ~ Progressive Rock Recorded: 1971 Released: 2006
6th album by great British group Procol HarumFind albums by this artist and their first live recording, which was a very ambitious undertaking and consists of a series of Procol Harum earlier compositions arranged especially for a symphony orchestra playing with a rock group. Although not a first attempt of such kind, this was one of the first and by far one of the best such efforts ever attempted. The band´s music suits the Classical idiom better then any music written by their contemporaries to start with.
The band was expanded to a quintet following the addition of bassists Alan CartwrightFind albums by this artist. Led by singer / pianist Gary BrookerFind albums by this artist, with guitarist Dave BallFind albums by this artist, organist Chris CoppingFind albums by this artist and drummer B. J. WilsonFind albums by this artist, the group was at the top of their musical power. Brooker´s gift for composing momentous melodies, combined with excellent lyrics written by Keith ReidFind albums by this artist, who was a de facto member of the group, made them a unique phenomenon, which can be appreciated even better from the perspective of the decades that passed since their inception. The moody, sometimes gothic atmosphere of medieval spookiness and bluesy undertones are simply stunning.
This is a classic example of music, which loses nothing of its qualities over time and an essential piece of the Golden Decade puzzle. A must in any serious Prog collection!
| Updated: 09/04/2022Posted: | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | PROCOL HARUM ~ LIVE: IN CONCERT WITH THE EDMONTON SYMPHONY ORCHESTRA (EXPANDED EDITION) ESOTERIC 2650 (Barcode: 5013929475045) ~ UK ~ Classic Rock Recorded: 1971 Released: 2018
This is a reissue of the first live album by the seminal British Classic Rock group Procol HarumFind albums by this artist, one of the last active representatives of the great music wave that started over five decades ago. This album´s lineup includes two founding members: vocalist / pianist Gary BrookerFind albums by this artist and drummer B. J. WilsonFind albums by this artist with Hammond organist Chris CoppingFind albums by this artist, guitarist Dave BallFind albums by this artist and bassist Alan CartwrightFind albums by this artist. The group is accompanied by the Edmonton Symphony OrchestraFind albums by this artist and the Da Camera SingersFind albums by this artist choir. The album presents five songs, one of which is the five-part suite originating from their second studio album "Shine On BrightlyFind albums with this title", two originate from their third studio album "A Salty DogFind albums with this title" and one each originates from their eponymous debut album and their fourth studio album "HomeFind albums with this title", all composed by Brooker or co-composed with Matthew FisherFind albums by this artist with lyrics by poet Keith ReidFind albums by this artist. All these songs have been re-arranged to include the orchestral and choral parts. The album was produced by the celebrated producer Chris ThomasFind albums by this artist. This remastered and expanded edition adds five bonus tracks (B-side of a single and four tracks taken from the concert rehearsals), two of which are previously unreleased.
Although by far not the first attempt to combine Rock with Symphonic music, this is definitely one of the most successful attempts to do so, mostly due to the very nature of the early Procol Harum music, which was to some extent based on Classical Music themes and influences, making such amalgamation natural and logical. Brooker manages to balance the group´s parts and the orchestral / choral parts into a non-conflicting tapestry of sound, which achieves a striking result.
It is quite difficult to imagine today (2019) how pioneering and forward thinking this album really was at the time, when idioms like cross-genre / multi-cultural / multilateral were not even invented. The music was neatly sub-divided into serious (i.e. Classical Music) and popular (i.e. Pop / Rock) with Jazz being a strange fruit and World Music still being largely undiscovered. Any attempts to create something which defied these "norms" were usually met with suspicion and often outright animosity. But of course these were also the years of great musical discovery (The Golden Decade 1965-1975), as this wonderful album proves.
Overall this is definitely an absolutely essential piece of Rock history and a must in any decent record collection, which any true music connoisseur should be proud to own. A timeless gem!
| Updated: 09/04/2022Posted: 29/01/2019 | CD 1 Digipak Oversampling Remastered Bonus Tracks Recommend To A Friend |
  | PSM ~ LIS TMP 005 (Barcode: 0634065597276) ~ POLAND ~ Avant-Garde Jazz Recorded: 2016 Released: 2016
This is the debut album by Polish Jazz trio PSMFind albums by this artist, which comprises of saxophonist Lukasz PoprawskiFind albums by this artist, keyboardist Jan SmoczynskiFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. It presents eleven original compositions, five of which were co-composed by Poprawski and Smoczynski and six were co-composed / improvised by all three members of the trio. The album was recorded at the Studio Tokarnia, which is owned by Smoczynski, who also engineered the recording.
The music is very difficult to classify, as it elegantly avoids any specific genre, perhaps due to the unique sound of the synthesizers, which dominates it. Smoczynski plays the classic analog synthesizer ARP Odyssey (or perhaps the new Korg reissue) and the vintage Roland JX-3P synthesizer, which were popular in the 1970s and 1980s (respectively), but are rarely used today. Listeners used to Smoczynski playing the piano will find his playing here completely different of course. Large parts of the music seem to be improvised, with the saxophone exploring the usual melodic plane while the synthesizer adds weird mechanical / industrial pulsing background.
Overall the music is completely unique on today´s Improvised Music scene, incorporating elements of New Wave, Krautrock and other synthesizer oriented Rock movements from the 1980s transported thirty plus years forward in time towards today and overdubbed with almost Free Jazz saxophone improvisations. Of course my feeble attempt to describe this music verbally should be simply replaced by listening to the music.
The overall result is intriguing and certainly unusual, but is definitely not easy to listen to, except for very open-minded and patient listeners. The synthesizers sound definitely weird and uninviting and their combination with the solo saxophone work on top is challenging. The rhythmic pulse provided by the drums keeps the music on track, and enables the listener not to loose track, but does not ease the effort needed to follow the music. Of course all the individual performances are absolutely top notch.
Personally I admire Jan´s and his colleagues´ vision to make such a bizarre and challenging album, but I am afraid it will by way overhead of the average listener, even on the advanced and well educated Polish scene. Hopefully at least some people will find this album deserving their attention, as it is definitely worthy. As usual Jan proves he is one of the most interesting musicians / personalities on the Polish scene, who deserves to be followed closely.
| Updated: 24/05/2017Posted: 12/11/2016 | CD 1 Mini-Sleeve Recommend To A Friend |
  | QUEEN ~ LIVE AT WEMBLEY STADIUM EMI JAPAN 67464-65 ~ UK ~ Classic Rock
Recorded in 1986 at the gigantic Wembley Stadium in London and released `posthumously` (first in 1992 and now in 2003 with 4 additional songs) proves once and for all that Queen was a superior live band. The band is superb all the way through and the fans have a ball of their lifetime. Great sound quality and excellent material make this a must to any Queen collector. Limited Edition
| | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | QUEEN ~ LIVE KILLERS EMI JAPAN 67461-62 ~ UK ~ Classic Rock
First live (double) album by Queen from 1979. At the time of the recording the group already reached legendary status and filled up the biggest stadiums all around the world. The material includes selections from their debut, 1973´s Queen, up until 1978´s Jazz, the album is a solid mix of early hits and forgotten album tracks. The extatic crowd sings along with their heros and in retrospect this is a wonderful document of the era. Limited Edition
| | CD 2 Mini-Sleeve Remastered Recommend To A Friend |
  | QUESTION MARK ~ LA TERRA ROSA QM 003 ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 2012 Released: 2013
This is an album by Polish Progressive Rock / Jazz-Rock Fusion group Question MarkFind albums by this artist, led by guitarist / composer Boguslaw RaatzFind albums by this artist, which also includes violinist Robert BielakFind albums by this artist, Russian keyboardist Michael OgorodovFind albums by this artist, bassist Jacek DolegaFind albums by this artist and drummer Marek MatuszewskiFind albums by this artist. Flautist Timothy SanfordFind albums by this artist guests on a couple of tracks and vocalist Jaroslaw PijarowskiFind albums by this artist guests on one track. The album presents a fourteen-part suite, composed by the participating musicians.
The music is beautifully put together, combining superb melodic themes with Funk, Groove and World Music, which overwhelms the listener with its passionate execution. The consecutive parts of the suite are intertwined by solo violin parts called "impressions", creating a wonderful flow of the entire piece, which has no dull moments whatsoever. The group uses a rich palette of sounds and instruments to create an ever-changing tapestry of sound, which is coherent and perfectly balanced.
All the musicians involved are first rate instrumentalist of superb technical skills, but Raatz manages to create a barrage of guitar virtuosity which should leave the listeners completely stunned. His proficiency and technique are truly extraordinary and his musicality is profound. He manages to shun all gimmickry and show off, simply playing his heart out. The rhythm section kicks ass and has a great feel of pulse. The violinist pulls some virtuosic stunts of his own. Together they simply fly!
Overall this is an amazing album, which was sadly overlooked at the time of its release. With contemporary Prog and Fusion being almost completely lifeless, this album shows that not everything is lost yet.
Both Prog and Fusion connoisseurs should be able to enjoy this album to the max and hopefully it will be discovered worldwide, as the group honestly deserves to be heard. Guitar freaks – prepare to weep!
| Updated: 17/02/2019Posted: 17/02/2019 | CD 1 Recommend To A Friend |
  | QUESTION MARK ~ LABORATORY QM 002 (Barcode: 5901448276925) ~ POLAND ~ Jazz-Rock Fusion Recorded: 2010 Released: 2010
This is an album by Polish Progressive Rock / Jazz-Rock Fusion trio Question MarkFind albums by this artist, led by guitarist Boguslaw RaatzFind albums by this artist and including also bassist Jacek DolegaFind albums by this artist and drummer Marek MatuszewskiFind albums by this artist. Violinist / guitarist Robert BielakFind albums by this artist guests on most of the tracks and the legendary trumpeter Andrzej PrzybielskiFind albums by this artist guests on one track. The album presents twelve original instrumental compositions by the trio members, three of which are three-part mini suites.
The music introduces some basic themes, which are then used as basis for extended instrumental improvisations, mostly by guitar and violin. The violin improvisations are more Jazz / Fusion oriented and the guitar improvisations are more Prog oriented, so the album is overall quite diverse and multifaceted. The rhythm section is very Rock oriented, which sets the rhythmic patters somewhat towards Heavy Rock, but not overwhelmingly so, which still leaves the instrumental improvisation to be the center of this music.
The track with Przybielski is of course outstanding and one can only regret that the entire album was not recorder with him, which would have turned it into a remarkable album. But at least we can hear the amazing trumpet work on one track, which of course is good enough reason to have this album. Przybielski had the chameleonic ability to feel completely at ease in any musical environment, from extreme Avant-Garde to commercial Pop, and Fusion / Rock suited him as well as anything else, which is evident here.
The violin work is also quite impressive and people interested in Fusion violin sound should find this album fascinating as well.
This album is pretty obscure even on the Polish scene, so perhaps people reading these lines will make an effort to look it up now, as it is definitely worth investigating!
| Updated: 12/04/2019Posted: 07/11/2016 | CD 1 Digipak Recommend To A Friend |
  | PRZEMYSLAW RAMINIAK ~ LOCOMOTIVE SOLITON 417 (Barcode: 5901571094175) ~ POLAND ~ Jazz Recorded: 2014 Released: 2015
This is the first album by Polish Jazz pianist / composer Przemyslaw RaminiakFind albums by this artist, following his departure from the seminal Polish piano trio RGGFind albums by this artist, of which he was a founding member. The album was recorded in a quartet setting and features also saxophonist Jakub SkowronskiFind albums by this artist, bassist Bartosz KuczFind albums by this artist and American drummer Frank ParkerFind albums by this artist. The album presents eight original compositions, seven composed by Raminiak and one co-composed by him with Skowronski.
Musically the album presents a complete about face as far as Raminiak´s role with RGG is concerned. No more long, contemplative, lyrical and almost free form ambient explorations, but straightforward melodic mainstream, almost smooth Jazz, energetic, vigorous, funky, groovy and danceable. Although at the first moment this can be quite shocking to some of Raminiak´s fans, there is basically nothing wrong with changing one´s approach, even dramatically. If Chick CoreaFind albums by this artist and Herbie HancockFind albums by this artist can do it, why can´t Przemyslaw Raminiak do it as well?
This is very immediate music and yet it has many virtues: the melodies are all first-class, the arrangements are slick and professional and the performances are brilliant in that particular milieu. Raminiak plays acoustic and electric piano and a few synthesizers, always with flair and spotless technique, which of course is not surprising. Skowronski is a big surprise with his smooth phrasing and superb melodiousness. The rhythm section plays pretty solid background timekeeping stuff, with beautiful fretless bass playing a few nice solos and drums staying respectfully in the background, as appropriate for this setting. In short this whole thing works like a dream, delivering pleasant, nontrivial and highly satisfactory music, which is a lot of fun to listen to.
Of course Raminiak will be accused of "selling out" and playing rubbish by Polish "music critics", but honestly most of them secretly enjoy this music very much and are simply embarrassed to admit it. As far as fellow musicians are concerned most of them wish they could come up with an album like this one themselves.
So here it comes again people: this is a great album for what it is, straightforward uncomplicated good music. We can´t eat the same food all the time and we can´t listen to the same music all the time – this is definitely a nice alternative, mostly for those who know it all.
| | CD 1 Digipak Recommend To A Friend |
  | REFUGEE ~ LIVE IN CONCERT - NEWCASTLE CITY HALL 1974 VOICEPRINT 421 (Barcode: 604388327225) ~ UK ~ Progressive Rock Recorded: 1974 Released: 2007
Considering the fact that the legendary band RefugeeFind albums by this artist, formed in 1973 by two ex-NiceFind albums by this artist members Lee JacksonFind albums by this artist and Brian DavisonFind albums by this artist with the Swiss keyboards wizard Patrick MorazFind albums by this artist, recorded only one studio album and disbanded after less than a year with Moraz leaving to join YesFind albums by this artist, every piece of their recorded legacy is an absolute revelation. Add to this the surprisingly high quality of the recording and you have an amazing piece of Prog history on your hands. The concert includes most of the material from the studio album, but the live versions are extensively expanded to include longer solos and variations. All three musicians perform beautifully with Moraz expressing his virtuosity to the limit (and beyond). A couple of non-album tracks are also present, these of course never previously heard. It is a great pity that these recordings were to be the last recorded documents of Jackson and Davison for over 30 years (until the Nice reunion). The word of Prog would have been even richer if they continued their careers. Moraz was of course to be a central figure on the Prog scene for many years and recorded extensively. This is an absolute essential piece of Prog history and I know very few Prog fans that would miss this item in their collection.
| | CD 1 Recommend To A Friend |
  | RENAISSANCE ~ LIVE AT CARNEGIE HALL REPERTOIRE 4506 ~ UK ~ Progressive Rock
7th album from 1976, a 2CD live recording of their most memorable songs with the New York Philharmonic. One of the best `live` albums ever recorded with crystal clear sound and perfect ballance between the group and the orchestra. Annie Haslam is in top form and the orchestral arrangements add a new dimention to the music of Renaissance, which becomes even more melodic and dramatic then ever. A must!
| | CD 2 Essential Recommend To A Friend |
  | HOWARD RILEY ~ LISTEN TO HEAR SLAM 2106 (Barcode: 5028386706724) ~ UK ~ Free Jazz / Improvised Music Recorded: 2017 Released: 2017
This is a solo piano album by the British Jazz pianist / composer Howard RileyFind albums by this artist. It presents nineteen relatively short pieces, all but two composed by Riley, with the last two being two takes on the same standard.
Riley aged 80 is now in his seventh decade of activity, being a living legend as far as British Avant-Garde / Free Jazz / Improvised Music are concerned, with dozens of albums to his credit, including some of the most iconic recording of these genres in the late 1960s / early 1970s. But he continued to record wonderful music throughout the years and I have always considered him as one of my favorite British Jazz musicians, even if his music always involves intellectual effort and patience, not to mention open-mindedness. This quite recent recording marks (almost) the 50th Anniversary of his debut album.
Solo piano albums are the ultimate challenge for Jazz pianists, and most pianists avoid recording solo or do so reluctantly. Riley, however, loves the solo piano idiom and his recorded legacy offers quite a few of solo piano recordings, each of them being a superb document of his immense talent. Perhaps the immediate vis–a-vis with the piano allows him the perfect opportunity to express himself without inhibitions and limitations. Whatever the reason might be, his solo piano recordings are all absolute gems.
Despite the fact that Riley plays Free Jazz / Improvised Music, his expressionism always strikes me as completely melodic, as absurd as this might sound. The short melodic sequences and chord progressions in his performances are always (at least for me) absolutely logical and coherent. As a result, even if his music might be considered as difficult, it is never alienating or cacophonic, as often can be the case with Improvised Music.
Overall, this is a wonderful album of Free spirited, but exquisitely performed music, which strikes directly into the heart and soul of the listener, if only allowed to do so. The album’s title describes perfectly its contents, as Riley is literally creating note after note, like a painter or sculptor might do, when creating his Art. Wholeheartedly recommended!
| Updated: 05/05/2023Posted: 05/05/2023 | CD 1 Recommend To A Friend |
  | RITE OF STRINGS ~ LIVE AT MONTREUX 1994 MERCURY 602448000743 (Barcode: 602448000743) ~ USA ~ Jazz-World Fusion Recorded: 1994 Released: 2022
This is a live album by the great acoustic trio Rite Of StringsFind albums by this artist, comprising of French violinist Jean-Luc PontyFind albums by this artist and American guitarist Al Di MeolaFind albums by this artist and bassist Stanley ClarkeFind albums by this artist. The 2CD album presents ten tracks, all composed by the trio members, with one composition repeated twice and featuring Jamaican pianist Monty AlexanderFind albums by this artist on one of the versions. Three of the tracks are solo performances, one by each member of the trio. This album was recorded a year before the trio recorded their eponymous, and so far only studio album. This live recording offers a stunning sound quality.
The music is everything one might expect from these three instrumental virtuosi, who manage to avoid turning this into a competition and rather display a wonderful teamwork using their respective strengths the best possible way.
The music spans a wide range of stylistic explorations, but is mostly dominated by the Jazz-World Fusion influences, which Al Di Meola pursued predominantly at the time and his partners followed contentedly.
Overall, this is a breathtaking display of the instrumental abilities of three giant musicians, who complement each other wonderfully herein. The perform beautiful music and the album is not surprisingly full of pyrotechnical neck-breaking displays of instrumental virtuosity. Personally I prefer this live album to the studio album, which followed, as the live electric atmosphere present on this recording is simply electrifying, acoustically ;)
| Updated: 30/08/2024Posted: 30/08/2024 | CD 2 Recommend To A Friend |
  | RMS ~ LIVE AT THE MONTREUX JAZZ FESTIVAL 1983 ANGEL AIR 617 (Barcode: 5055011706170) ~ UK ~ Jazz-Rock Fusion Recorded: 1983 Released: 2003
RMS Find albums by this artist were invited to play at the Montreux Jazz Festival and they invited Gil EvansFind albums by this artist - the legendary pianist and arranger - to play with them, which he did. The group performs some great Fusion material, supported by a brass section, with long and inspired improvisations and great interplay. The sound quality is superb, as well as the video material. Dolby Digital 5.1 Surround Sound, 90 minutes.
| | DVD 1 Recommend To A Friend |
  | SONNY ROLLINS / HEIKKI SARMANTO ~ LIVE AT FINLANDIA HALL, HELSINKI 1972 SVART 609 (Barcode: 6430080233304) ~ FINLAND ~ Jazz Recorded: 1972 Released: 2023
By mid-1971 the great American saxophonist / composer Sonny RollinsFind albums by this artist returned to public performances following his “second sabbatical”, and in the summer of 1972 he recorded his first new studio album in six years, starting the thirty years long stint with the legendary MilestoneFind albums on this label Records label, which resulted in twenty-two albums, and which earned him the title of “Saxophone Colossus”.
Finnish pianist / composer Heikki SarmantoFind albums by this artist was the first Finn to be awarded a scholarship at the Berklee College of Music in Boston in 1968. His arrival in America was soon after followed by a hyperactive activity of performing on the local Boston scene, to be extended afterward also to the NY scene, where Sarmanto met, among many other American Jazz musicians, also with Sonny Rollins. When Rollins was invited to perform at the Finland Festival in the summer of 1972, he opted to play a concert with the Heikki Sarmanto trio, with Sarmanto on the Fender Rhodes electric piano, his brother Pekka SarmantoFind albums by this artist on bass and Esko RosnellFind albums by this artist on drums. The historic concert took place at the magnificent Finlandia Hall, an architectural marvel, which was completed only a few months earlier. The concert was recorded by the YLE (Finnish Broadcasting Company), and is presented herein for the first time fifty years after it was recorded. Sarmanto remembers:
“When we talked about the concert at The Finlandia Hall, we both remembered that we had a full house with an enthusiastic audience. We also remembered that Sonny stayed at the classic Hotel Vaakuna and that he bought some 10 pairs of nice bell-bottoms from the Seppälä clothing store in Helsinki.”
The music is everything one might have hoped for, with extensive improvisations and incredible soloing by the musicians. Two standards and one original by Rollins, which last between sixteen and twenty-four minutes, offer ample opportunity to illustrate both the quartet vibe and individual virtuosity. Rollins seems to be especially in high spirits and his powerful and expressive playing, full of sense of humor, is simply marvelous. He even manages to quote some hints of Jean SibeliusFind albums by this artist’ “Finlandia” tone poem as a tribute to the venue. Sarmanto’s electric piano offers a fresh aura and delicate melodious sensitivity, his brother’s bass playing swings and pulsates superbly and Rosnell’s drumming drives the music like a ship with sails full of wind and his solo, which ends the concert, leaves the audience ready for a standing ovation.
American Jazz musicians often performed in Europe and some even relocated to Europe (including Finland) in view of the racist politics and lack of Artistic recognition they were exposed to back home at the time. In most cases American Jazz musicians would come over to Europe with their combos, and the fact that Rollins decided to play with the Finns speaks volumes about his respect for Sarmanto’s talent and personality, that continued for years to come. Sarmanto mentions that:
“Later on, in the early 80s, Sonny´s and Heikki´s collaboration resulted in a major project. Sonny hired Heikki to arrange, orchestrate and conduct Sonny´s “Concerto For Tenor Saxophone and Orchestra”. This massive two-hour work was premiered in Tokyo in 1986 with Yomiuri Nippon Symphony OrchestraFind albums by this artist, conducted by Heikki, Sonny as soloist. The premier was a success, and after Tokyo, Sonny and Heikki took the concerto to Italy, where it was performed at Ravenna and Parma Festivals with Arturo Toscanini OrchestraFind albums by this artist, again with great success!”
The fact that Finnish Jazz fans are able to hear this music now, so many years after it was recorded, is a true marvel and blessing. Thanks to the tireless effort by the SvartFind albums on this label Records label, we are constantly re-introduced to important pieces of Finnish Jazz legacy, which should not be forgotten. Side Note The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| Updated: 13/09/2023Posted: 13/09/2023 | CD 1 Remastered Recommend To A Friend |
  | RUBALCABA, GONZALO ~ LIVE IN HAVANA MESSIDOR 15830 ~ CUBA ~ Jazz
One of the most important figures to emerge from Afro-Cuban jazz in the 1990`s, Rubalcaba is an extraordinary pianist and keyboards player - also known as ´the fastest pianist in the world`. These fantastic sessions were recorded in his home town in 1989 before he reached the cult figure status in the West. Originally released on 2 LPs, now on 1 CD. Absolutely explosive and hyper-energetic, a true marvel.
| | CD 1 Recommend To A Friend |
  | LEON RUSSELL ~ LIFE JOURNEY UME 602537764716 (Barcode: 602537764716) ~ USA ~ Pop & Rock Recorded: 2012 Released: 2014
This is an incredibly sad album, being an epitaph of the American iconic Rocker / singer / pianist / songwriter Leon RussellFind albums by this artist, read by the artist himself. Russell´s remarks on the album liner notes are basically a farewell to this world, summing up his life, and the music on this album is also a summary, including (as he puts it) "…pieces of things that I have done and thing I never did…", which is as accurate as music descriptions go. Although not specified on the album´s cover, the music was apparently recorded in 2012, i.e. a couple of years before it was actually released, which under these circumstances is a bit macabre, as if the record label was waiting for Russell to actually cross over to the other side and then capitalize on that; go figure.
Russell´s voice and piano playing did not change much over the years and his strength was more as a "behind the scenes" person, which made great thing happening. In retrospect he had a wonderfully diverse career but at the same time he is probably one of the most underappreciated Rock icons in the American history. In fact he was always appreciated more in England than in the US, both in the early days of his career (see his cooperation with Joe CockerFind albums by this artist on "Mad Dogs & EnglishmenFind albums with this title") and at the very end of it (see his recording "The UnionFind albums with this title" with Elton JohnFind albums by this artist). Ironically Russell is an epitome of American music, if ever there was one, and therefore the lack of respect from his own People is ever more painful.
The album includes twelve songs, only two of which are Russell´s original compositions. The rest is a bizarre, but somehow wonderfully cohesive collection of American Pop songs, Jazz Standards and other ditties. They are all beautifully arranged, using a simple Rock team and up to a fully scaled Big Band. Russell´s croaky voice sounds simply wonderful and the thought that this might be the last recording he made is simply heartbreaking. But if one has to say goodbye, after over sixty years of musical journey, this is probably as good a way to go, as one can imagine. This is a true soundtrack of his life, as much as mine. Thank you Leon!
| | CD 1 Recommend To A Friend |
  | MITCH RYDER ~ LIVE AT ROCKPALAST 1979 - 2004 MIG 90502 (Barcode: 885513905024) ~ UK ~ Classic Rock Recorded: 1979 - 2004 Released: 2012
This is an archival live 3CD Box Set by the excellent American Rock vocalist / songwriter / bandleader Mitch RyderFind albums by this artist, captured live in Germany in 1979 and 2004 for the TV program Rockpalast. Ryder started his career in the 1960s and today, some six decades later, is still around performing and releasing albums.
CD1 recorded in 1979 presents thirteen tracks, about half of which are his original songs. He is performing with his American band.
CD2 & CD3 recorded in 2004 (twenty-five years later) present eighteen tracks, most of which are his original songs. He is supported by American guitarist Robert GillespieFind albums by this artist and the (ex) East German Blues-Rock band EngerlingFind albums by this artist.
Ryder, blessed by a great vocal range and volcanic stage energy, with an obvious Blues affinity in the background, is an iconic figure on the American Rock scene, with a vast recording legacy. These live performances are just a glimpse at his abilities. He always has some great guitarist playing in his bands, as is also plainly evident herein.
Overall, this is a great piece of Rock history by one of the best American Rock performers, sadly somewhat underappreciated IMHO, which is always a great pleasure to revisit and more importantly remember. Check it out for yourself!
| Updated: 10/04/2024Posted: 10/04/2024 | CD 3 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | MICHAL SALAMON ~ LION`S GATE NOT ON LABEL (Barcode: 5903802495409) ~ POLAND ~ Smooth Jazz Recorded: 2019 Released: 2020
This is the debut album as a leader by Polish Jazz pianist / composer Michal SalamonFind albums by this artist recorded in a quintet setting with trumpeter Zbigniew SzwajdychFind albums by this artist, violinist Mikolaj KostkaFind albums by this artist, bassist Milosz SkwirutFind albums by this artist and drummer Dawid FortunaFind albums by this artist. The album presents ten original compositions, all by Salamon.
The music is all very melodic, melancholic and lyrical, developing very slowly and without much dynamics. It is only marginally Jazz oriented and could be easily considered Smooth Jazz or New Age. Although the team includes some very talented young Polish Jazz musicians, there are very little opportunities offered to Kostka or Szwajdych to improvise and solo extensively and the music is dominated by repetitive waves of piano phrases.
The melodies are pretty similar to each other and there is not much happening for the duration of the album musically beyond what one can hear in the first few minutes. Yes, it is all very pretty and smooth, but it does not convey any musical message unfortunately. The album’s artwork is full of mystical / spiritual symbols as are the titles of the compositions, reflecting the New Age spirit behind the album.
Overall for me this album is quite disappointing, especially since Salamon’s earlier recordings sounded way more promising. This music often sounds very similar to the music of Leszek MozdzerFind albums by this artist, who is a master playing such soulless music – lots of notes, no content. Of course this is only me, sorry Michal, not this time…
| Updated: 19/03/2021Posted: 19/03/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | EMMA SALOKOSKI & ILMILIEKKI QUARTET ~ LIGGER DU FORTFARANDE I SANGEN! SVART 179 (Barcode: 6430065585916) ~ FINLAND ~ Jazz & Poetry Recorded: 2018 Released: 2018
This is an album by celebrated Finnish Jazz vocalist / composer Emma SalokoskiFind albums by this artist recorded with the Ilmiliekki QuartetFind albums by this artist, which comprises of trumpeter Verneri PohjolaFind albums by this artist, pianist Tuomo PrattalaFind albums by this artist, bassist Antti LotjonenFind albums by this artist and drummer Olavi LouhivouriFind albums by this artist. The album presents nine original songs, three by Salokoski, two each by Prattala, Pohjola and Louhivouri. The lyrics of the songs are poems by Finnish (and in two cases Swedish) poets, which of course makes this a Jazz & Poetry project, one of my favorite genres. The booklet includes all the poems in Finnish, Swedish and English languages.
The Jazz & Poetry idiom has been strongly present on the Finnish Jazz scene since the 1960s and some of its manifestations proved to be amongst the finest Finnish Jazz albums over the years, drawing a parallel between Finnish and Polish Jazz, which also seems to be enamored with that specific Art Form.
The music, although beautifully lyrical, as appropriate for this environment, is quite complex and convoluted, which of course means that it requires a lot of attention from the listener and refuses to be banal at any point. The quartet plays modern European Jazz, with a lot of intrinsic freedom and space, keeping the listener on the edge at all times. All the compositions are excellent and all serve the texts perfectly, which of course is the essence of Jazz & Poetry projects.
The personal contributions by all the participants are, as expected, absolutely perfect. Salokoski is a superb interpreter of the texts and offers a crystal clear tone and fascinating approach to melody. Pohjola, who within a space of a few years managed to climb right on the pedestal of Finnish Jazz, demonstrating brilliant technique and wonderful feel for the intricacies of the Jazz universe, which I had the pleasure to watch closely personally, is at his usual superb form here, and although he is mostly an accompanist rather than the main voice, stands up to the challenge with flying colors and his contributions are an essential part of the project. Prattala and the rhythm section are perfect in their respective roles supplying the harmonic and rhythmic foundations with elegance and flair.
Overall this is a wonderful album, full of delicate music and aesthetic pleasures, challenging but highly rewarding intellectually, in short a unique gift of music that should be cherished. Well done everybody!
| Updated: 19/08/2020Posted: 19/08/2020 | CD 1 Recommend To A Friend |
  | SANTANA ~ LIVE AT THE FILLMORE 1968 COLUMBIA 485106 ~ USA ~ Jazz-Rock Fusion
Released almost 20 years after this music was recorded, this splendid album captures Santana blowing away the audiences at the legendary Fillmore West in San Francisco. This music was captured before the debut album was released and it shows how `together` the band was in every respect and deeply rooted they were in the art of improvasation (best witnessed on the 30+ minutes jam called `Freeway`). Great sound quality and electrifying playing make this an excellent piece of music.
| | CD 2 Recommend To A Friend |
  | SANTANA ~ LOTUS COLUMBIA 467943 (Barcode: 5099746794323) ~ USA ~ Jazz-Rock Fusion Recorded: 1973 Released: 1999
6th album and the first official Santana live album (not counting the Santana / Buddy Miles collaboration from early 1972, which wasn’t a proper Santana album). Recorded in Japan in June of 1973 (before the 5th album - Welcome - was recorded) and released as a massive 3 LPs album (initially in Japan only), it features the new Santana Mk. II as an octet, with core members Tom Coster (keyboards), Doug Rauch (bass) and Michael Shrieve (drums), supported by several musicians added for the Japanese tour: Richard Kermode (keyboards), Leon Thomas (vocals), Armando Peraza (percussion) and Jose Areas (percussion). All these musicians (and a few distinguished guests) were to take part in the recording of Welcome soon after and the tour was an excellent opportunity to fuse, cement and rehearse the line-up. Although Carlos Santana was a transformed musician by the time this music was recorded, leaving the Latin Rock groove behind and stepping full steam ahead into Fusion and Jazz-Rock, playing live before audiences meant to perform the well known and much loved Santana material from the three legendary first albums alongside the new material. As a result, this album presents to the listener an entirely new outlook at the early Santana material, performed here with a much jazzier edge, creating Fusion per excellence. Carlos plays wonderfully, with his usual melodic feel, but improvises more, which is of course all for the better. The two keyboards players provide the band with a massive sound, with Coster soloing often in Chick Corea’s fashion. The expanded rhythm section is busy at all times driving the music forward. In short, this is everything a Fusion fan might wish to find in an album – over two solid hours of musical bliss, with great tunes and excellent musicianship. Wholeheartedly recommended!
| | CD 2 Recommend To A Friend |
  | CARLOS SANTANA / JOHN MCLAUGHLIN ~ LOVE DEVOTION SURRENDER COLUMBIA 63593 (Barcode: 074646359327) ~ USA ~ Jazz-Rock Fusion Recorded: 1972 Released: 2003
This is the most quintessential Fusion album of all times. Although sadly neglected and almost forgotten (both by critics and listeners) over the years, it stands out as a beacon of musical enlightenment for posterity. The album came to be as a result of many parallel events and personal / musical paths crossings. Carlos SantanaFind albums by this artist and John McLaughlinFind albums by this artist became close after becoming disciples of Guru Sri Chinmoy. Although they were both aware of each other’s work before this musical cooperation, they operated in quite separate musical areas. McLaughlin at this point had already a glorious career stretch behind him with his pioneering work on the UK Jazz-Rock scene, his revolutionary work with Miles DavisFind albums by this artist, the visionary contributions in the Tony WilliamsFind albums by this artist LifetimeFind albums by this artist and of course his brilliant Mahavishnu OrchestraFind albums by this artist output. Santana’s roots were deep into Latin music and rock, but he was rapidly transforming his musical focus into jazz and Fusion. Influenced by his band’s drummer Michael ShrieveFind albums by this artist, who was a jazz buff, Carlos discovered a new musical world and was swallowing everything he could lay his ears on. This included the works of Mahavishnu Orchestra, of which he was a devoted fan, but also the work of Miles Davis and John ColtraneFind albums by this artist. The actual get together was most probably orchestrated by ColumbiaFind albums on this label’s chief Clive DavisFind albums by this artist (both Santana and Mahavishnu Orchestra were signed by Columbia Records), suggesting a John Coltrane tribute album featuring both guitarists. The album was recorded almost immediately after Santana finished recording the pivotal CaravanseraiFind albums with this title album, which marked a series of dramatic changes both in the band’s musical direction (a move towards jazz and Fusion) and personnel changes (the forming of Santana Mk. II). A meeting of two great talents is always a dangerous affair, and this one could have proven either disastrous or absolutely divine – fortunately the latter did happen. The reason it did turn out to be such a success is twofold: First the musicians truly loved Coltrane’s music and felt the spiritual side of it (Coltrane went through a process of soul searching and seeking enlightenment in Eastern beliefs as well). Coltrane’s “A Love Supreme” is really a musical mantra very similar to a Hindu chant, which of course is as much a spiritual music as it ever gets. The beautiful “Naima” (the other Coltrane composition featured here) is also deeply spiritual, as are the two McLaughlin’s compositions and the traditional chant, which serves as the base for the remaining track of the album. Having established the musical / spiritual base of the session the rest was up to the participating musicians, which (again) most fortunately turned out to be ideal. Both Santana and McLaughlin brought with them associate musicians – Carlos brought selected members of his band (Armando PerazaFind albums by this artist – congas, Doug RauchFind albums by this artist – bass and Michael Shrive – drums) and John brought Mahavishnu Orchestra members (Billy CobhamFind albums by this artist – drums and Jan HammerFind albums by this artist – drums(!)). Veteran jazz drummer Don AliasFind albums by this artist was also invited, but the greatest and perhaps most crucial role was entrusted upon the organ player Larry YoungFind albums by this artist – John’s former partner in Lifetime. Young provides the foundation and glue, which makes this session work. With two lead guitarists exchanging licks at the speed of light and the super-power expanded rhythm section pulsating mercilessly, this session would have never worked without Young’s brilliant work. He fills the spaces, provides the balance and the sanity, the ground on which the soloist are able to build their sky-high towers. Of course the main attraction is the spectacular work by the two soloists, so different and yet so completely complimentary of each other. Santana’s sublimely melodic feel (truly unparalleled to this very day) and McLaughlin’s extraordinary improvisational abilities just merge into one continuous flow of musical bliss. Their exchanges are in perfect harmony, not competing but supplementing each other – fire and grace incarnate. This remastered edition enhances the originally muddy sound tremendously and the two bonus tracks are priceless. There is nothing but Love of music, Devotion to talent and Surrender to divinity on this album, the Mother of all Fusion albums! Beyond essential!
| | CD 1 Remastered Bonus Tracks Essential Recommend To A Friend |
  | CARLOS SANTANA / BUDDY MILES ~ LIVE! COLUMBIA 478089 (Barcode: 5099747808920) ~ USA ~ Progressive Rock Recorded: 1972 Released: 1995
By the end of 1971 the "Woodstock Era" version of the group SantanaFind albums by this artist, led by guitarist Carlos SantanaFind albums by this artist, was over and the leader decided to search for a new path for his artistic experimentations, which would bring him much closer to Jazz, Fusion and improvisation in general. After recording three brilliant albums, which defined Latin Rock as a genre, Carlos was looking for new musicians to form the second incarnation of Santana, which would be quite different, as we know in retrospect. In the interim period, which lasted just a few short months, Santana joined forces with drummer Buddy MilesFind albums by this artist (ex-Electric FlagFind albums by this artist, ex-Jimmy HendrixFind albums by this artist) creating a band, which played several live concerts, one of which was recorded for posterity and released as this album. The musicians comprise of several members of Santana, including the young guitarist Neal SchonFind albums by this artist, en extended percussion section with the best Latin players and a brass section. The resulting music, although hectic at times, is a great example of greatly talented musicians in process of searching new ways to mix Rock with the improvisational elements. The expanded improvised piece (almost 25 minutes long, which was side B of the original LP) is the most important and obviously the most advanced achievement of this meeting, sounding absolutely nothing like anything else at the time. In retrospect this stuff still sounds fascinating forty years later. A must to all Santana fans and wholeheartedly recommended!
| | CD 1 Recommend To A Friend |
  | SAVOY BROWN ~ LOOKING FROM THE OUTSIDE MOONCREST 051 ~ UK ~ Blues
This is a collection of previously unreleased live tracks recorded in 1969/70 by one of the finest UK blues outfits of all times. Led by blues gitar virtuoso Kim Simmonds and featuring one of the finest UK blues singers Chris Youlden, Savoy Brown recorded a string of excellent blues albums between late 1960s and mid 1970s. The group was recently revived by Simmonds and is still active (see their recent albums on this site).
| Updated: 29/01/2019Posted: | CD 1 Recommend To A Friend |
  | SBB ~ LIVE CUTS: ESBJERG 1979 GAD 189 (Barcode: 5903068122873) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1979 Released: 2022
This is an archival 2CD album by the legendary Polish Prog / Fusion ensemble SBBFind albums by this artist, which comprised of vocalist / keyboardist Jozef SkrzekFind albums by this artist, guitarists Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. It presents a live recording of an entire concert which opened the trio’s 1979 tour in Denmark. This material is previously unreleased.
CD1 presents the first set (eleven tracks) with well-known SBB material, written mostly by Skrzek, except for the last tracks, which is a group improvisation. CD2 presents the second set (seven tracks), which is all a series of group improvisations.
After seven years of performances and several successful albums the trio achieved a telepathic communication between its members and leaned more and more towards improvisation rather than playing straightforward copies of album material. Their concerts were unpredictable and completely unique, which of course sets them apart from most contemporary Prog / Fusion ensembles active at the time.
In time, Skrzek almost completely abandoned the bass guitar and his keyboards completely dominated the sound of the trio, dramatically influencing the overall direction of the music, from Power Trio Blues / Rock of the early days, via Progressive Rock / Fusion period and into the keyboards-drenched sound of the late Ambient period. The grueling concert schedule had its impact as well, which resulted in the group’s first dramatic split in 1980.
Although SBB released a myriad of live albums, of various quality, most of those are unique enough to be interesting, both to the dedicated fans and sporadic listeners. This album offers a nice balance of pre-composed material and improvised pieces and offers good sound quality.
Overall, this is another addition to the colossal recorded legacy by one of Poland’s greatest musical phenomena, which always manages to show something previously unencountered. The cooperation between GADFind albums on this label Records and the SBB vaults, which seem to be bottomless, will surely bring us many more surprises in the future. An absolute must for SBB fans and an eye (ear) opener for music livers unfamiliar with their music.
| Updated: 08/05/2022Posted: 08/05/2022 | CD 2 Remastered Recommend To A Friend |
  | SBB ~ LIVE JAZZ NAD ODRA 1975 GAD 008 (Barcode: 5901549197075) ~ POLAND ~ Progressive Rock Recorded: 1975 Released: 2013
This is a live recording by the legendary Polish Prog / Jazz-Rock Fusion group SBBFind albums by this artist, captured during the annual Jazz Nad Odra Festival in Wroclaw, one of Poland´s most important Jazz events running uninterruptedly since its first edition in 1964. Over the years the festival exposed generation after generation of Polish Jazz players to the wide audience, as a result of the competition held every year, which presents the best musicians under the age of thirty. Winning this competition was the first major step in the careers of many of the most important Polish Jazz musicians.
This recording presents the original lineup of SBB with guitarists Apostolis AnthimosFind albums by this artist, keyboardist / bassist Jozef SkrzekFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. They perform original material, which at the time was mostly not yet recorded in the studio and would eventually be released on their second ("Nowy HoryzontFind albums with this title" released 1975) and third ("PamiecFind albums with this title" released 1976) albums. The group was at the time in a transition from their Progressive Rock phase, which started while they were still members of the Czeslaw NiemenFind albums by this artist´s band, into the Jazz-Rock Fusion, which would be their home turf for many years to come. Since there are relatively very few recordings from this period, the very existence of this recording is a miracle and the fact that we can enjoy it now, almost forty years later, is a blessing.
The music comprises mostly of lengthy pieces, which were the group´s trademark, that include extended improvisations and atmospheric passages, building up slowly towards a dramatic climax or even several climatic peaks, one after another. The overall impression this music created was a trans-like state of mind, which drew the listeners into a magic world of dreamy, almost psychedelic reality. Obviously such music making relied heavily on the virtuosic abilities of all the three members of the group. Skrzek, as the primary composer, sets the melodic framework and the moods; Anthimos creates the dramatic guitar arpeggios and musical peaks and Piotrowski brilliantly keeps it all moving forward and invigorates the music with his pulsations.
For many SBB followers, and Polish music lovers this period of the group´s activity is, in retrospective, their most inspired, fascinating and mind-boggling. This music epitomizes the process of constant search for the undiscovered, the manic restlessness and the audacity to step into the unknown, which characterizes it. There is no doubt that this is one of the artistic peaks of Eastern European music, brewed behind the Iron Curtain. And honestly, as far as Prog and Jazz-Rock Fusion are concerned, very few of the things that happened since can stand up to this level.
The sound quality of this material is a bit muffled and with a limited sonic range and clarity, but considering the fact it was recorded live and never intended for release, it is certainly more than adequate. Of course both musically and historically it is absolutely superb and should not be missed by anybody who cares about SBB or Eastern European music from the 1970s. Grab it and enjoy!
| | CD 1 Remastered Recommend To A Friend |
  | SBB ~ LOST TAPES, VOL. 1 – STUDIO & LIVE RECORDINGS 1974-1978 METAL MIND 001 (Barcode: 5907785027046) ~ POLAND ~ Progressive Rock Recorded: 1974 - 1978 Released: 2005
In 2004 the Polish record label Metal MindFind albums on this label released a magnificent Box Set called "Anthology 1974-2004Find albums with this title", with contained 22 CDs of music by SBBFind albums by this artist - the most important Polish / East European Prog band active behind the Iron Curtain. These epic recordings changed the face of music as we know and influenced generations of musicians across the Soviet Empire and its satellite states, which makes that Box Set a well deserved tribute to the band and a superb document of enormous historical and aesthetic value. People interested to learn more about SBB should simply read the review of that release.
The process of collecting the material for the anthology Box Set did not stop however with the box being released and somehow reanimated itself and kept going with additional previously unreleased material being uncovered continuously. This led to the release of two additional Box Sets, called "Lost TapesFind albums with this title", of which this is the first volume.
The music included here was recorded during the first five years of SBB activity, which is by far the most interesting and dramatic. It covers a plethora of studio, radio and live recordings, all by the original lineup consisting of bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. By far the most interesting recording in this Box Set is the quintet meeting between SBB and the legendary trumpeter Andrzej PrzybielskiFind albums by this artist and bassist Helmut NadolskiFind albums by this artist, in short the lineup that recorded with NiemenFind albums by this artist, this time sans Niemen himself. Another very interesting recording is the album SBB recorded with Polish female vocalist Halina FrackowiakFind albums by this artist, which is the only occasion the group agreed to accompany a vocalist.
These three Box Sets with SBB music contain hours of excellent music and invaluable retrospective of history, but to be completely fair they also raise the question about compilations such these being "the right thing to do". There is a lot of repetition here and not every moment is truly inspired; much of it might have been perhaps best left undiscovered. Of course the band has a wide fan base ready to swallow any new piece of music recorded by SBB, but some moral / ethical questions could be also raised about cynical exploitation and opportunism.
That said it is for the individual fan to decide if he wants to purchase all three Box Sets or not. All three Box Sets are numbered limited editions of one thousand copies.
| Updated: 26/08/2020Posted: | CD 9 Mini-Sleeve Box Set Oversampling Remastered Recommend To A Friend |
  | SBB ~ LOST TAPES, VOL. 2 – STUDIO & LIVE RECORDINGS 1971-1979 METAL MIND 002 (Barcode: 5907785029156) ~ POLAND ~ Progressive Rock Recorded: 1971 - 1979 Released: 2006
In 2004 the Polish record label Metal MindFind albums on this label released a magnificent Box Set called "Anthology 1974-2004Find albums with this title", with contained 22 CDs of music by SBBFind albums by this artist - the most important Polish / East European Prog band active behind the Iron Curtain. These epic recordings changed the face of music as we know and influenced generations of musicians across the Soviet Empire and its satellite states, which makes that Box Set a well deserved tribute to the band and a superb document of enormous historical and aesthetic value. People interested to learn more about SBB should simply read the review of that release.
The process of collecting the material for the anthology Box Set did not stop however with the box being released and somehow reanimated itself and kept going with additional previously unreleased material being uncovered continuously. This led to the release of two additional Box Sets, called "Lost TapesFind albums with this title", of which this is the second volume.
The music included here was recorded during the first six years of SBB activity, before they disbanded in early 1980, which is by far the most interesting and dramatic. It covers a plethora of studio, radio and live recordings, all by the original lineup consisting of bassist / keyboardist Jozef SkrzekFind albums by this artist, guitarist Apostolis AnthimosFind albums by this artist and drummer Jerzy PiotrowskiFind albums by this artist. By far the most interesting recording in this Box Set is the quintet meeting between SBB and the legendary trumpeter Andrzej PrzybielskiFind albums by this artist and bassist Helmut NadolskiFind albums by this artist, in short the lineup that recorded with NiemenFind albums by this artist, this time sans Niemen himself. Another very interesting recording is the meeting with Przybielski, captured on the last CD of this set. The opening CD of this set collects early recordings by SBB members, made before the group was formally founded.
These three Box Sets with SBB music contain hours of excellent music and invaluable retrospective of history, but to be completely fair they also raise the question about compilations such these being "the right thing to do". There is a lot of repetition here and not every moment is truly inspired; much of it might have been perhaps best left undiscovered. Of course the band has a wide fan base ready to swallow any new piece of music recorded by SBB, but some moral / ethical questions could be also raised about cynical exploitation and opportunism.
That said it is for the individual fan to decide if he wants to purchase all three Box Sets or not. All three Box Sets are numbered limited editions of one thousand copies.
| Updated: 26/08/2020Posted: | CD 9 Mini-Sleeve Box Set Oversampling Remastered Recommend To A Friend |
  | SCHMIDT ELECTRIC ~ LIVE SJ 020 ~ POLAND ~ Jazz-Rock Fusion Recorded: 2015 - 2016 Released: 2017
This is the second album by the Schmidt ElectricFind albums by this artist ensemble, led by trumpeter Piotr SchmidtFind albums by this artist and also including keyboardist Tomasz BuraFind albums by this artist, bassist Michal KapczukFind albums by this artist, drummer Sebastian KuchczynskiFind albums by this artist and British guitarist Alex HutchingsFind albums by this artist. The core quintet was expanded for this live recording by DJ Wojciech DlugoszFind albums by this artist (a.k.a. Mr. KrimeFind albums by this artist), electronics wizard Joanna SzymalaFind albums by this artist and vibraphonist Bartosz PieszkaFind albums by this artist. The ensemble performs six original compositions, four composed by Schmidt and two by Bura, a short solo trumpet intro by Schmidt and another intro by Szymala, altogether eight tracks. Yours truly was present during the live recording in Katowice, one of the two venues where these live recordings were captured, and therefore a part of my soul is also captured on this album, like every other person who was ever present in the audience during a live recording.
The music is a natural extension to what the released earlier studio debut album offered, i.e. an excellent melodic version of modern Fusion, which flows smoothly from one tune to another, but preserves class and elegance and above all is great fun to listen to. The live ambience allows the musicians to take extended solo parts and show their chops, which they all do to the max. The music is diverse and offers many moods, which of course contributes significantly to the fact that the album keeps the listener on his toes for the entire duration.
It is great to see Schmidt to finally settling down within a domain, which suits him the best in my opinion. This music allows him to express his superb compositional talents and lead a highly professional ensemble, which can make him proud as a leader. His trumpet playing also reaches a refined stage of expressiveness and eloquence, especially effective on the slow tempo ballads, which are absolute goose bumps generators.
The use of turntablism and electronics adds an up to date flavor to the music, without overshadowing the main melodic, harmonic and rhythmic coherence and the strong Jazzy groove. Schmidt manages to create music which can be enjoyed by a wide age range of listeners, which of course is commendable.
Overall a great contemporary Fusion album, full of great melodies, fine arrangements, excellent performances and above all great fun! Wholeheartedly recommended!
| Updated: 02/10/2022Posted: 07/07/2017 | CD 1 Digipak Recommend To A Friend |
  | SARI SCHORR ~ LIVE IN EUROPE MANHATON 2053 (Barcode: 5038787205320) ~ USA ~ Blues-Rock Recorded: 2019 Released: 2020
This is the 3rd album (first live album) by American Blues / Blues-Rock vocalist Sari SchorrFind albums by this artist, recorded during her European tour in 2019. It presents ten tracks with electric backing and a couple of bonus tracks with acoustic versions from a session for the BBC. She writes most of her material by herself. She also recorded an album with British Blues-Rock hero Robin TrowerFind albums by this artist, called "Joyful SkyFind albums with this title", which was released in 2023 and was one of the absolutely best releases of the genre that year.
Schorr is blessed with an incredibly expressive and powerful vocal abilities with almost no competitors on the contemporary scene. Combined with her excellent songwriting, she should dominate the Blues scene, but on the other hand she might simply be too good for her own good, as the recognition is somehow slow to come.
In many respects Schorr’s talent is parallel to that of Janis JoplinFind albums by this artist, upon her arrival on the scene. Supported by excellent musicians she is an unstoppable hurricane of Blues-Rock energy on stage, as this album proves beyond any doubt. I am eagerly waiting for her next album to see how she crystalizes her many talents.
Overall, this is a brilliant live album from start to finish, which is an absolute heaven on earth for Blues-Rock listeners, especially since the genre suffered from decades of absence of female vocalists of such class and talent. Go Lady!
| Updated: 09/02/2024Posted: 09/02/2024 | CD 1 Digipak Recommend To A Friend |
  | LOUIS SCLAVIS ~ L`AFFRONTEMENT DES PRETENDANTS ECM 1705 (Barcode: 601215992724) ~ FRANCE ~ Jazz Recorded: 1999 Released: 2001
This is an excellent album by French clarinetists / saxophonist / composer Louis SclavisFind albums by this artist with his superb quintet, which also includes trumpeter Jean-Luc CappozzoFind albums by this artist, cellist Vincent CourtoisFind albums by this artist, bassist Bruno ChevillonFind albums by this artist and drummer Francois MervilleFind albums by this artist. The music, which was all composed or co-composed by Sclavis, is a wonderful amalgam of Jazz and contemporary Classical influences, with a typical European approach, which mixes sophistication and imagination with musical tradition. The performances are all stellar and although this is by for not easy music, the result should be accessible even to less experienced listeners. Of course there is plenty of fascinating moments here, especially the bass work (including several outstanding solos) which is most impressive. Sclavis certainly solidifies his position as one of the leaders of contemporary European Jazz scene. Warmly recommended!
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  | LOUIS SCLAVIS ~ LOST ON THE WAY ECM 2098 (Barcode: 602517984974) ~ FRANCE ~ Jazz Recorded: 2008 Released: 2009
French clarinetist / saxophonist / composer Louis SclavisFind albums by this artist has been one of the pillars of the modern French / European Jazz scene since many years and his skills as a virtuoso performer are well documented on numerous recordings. Since he started to record on the prestigious ECMFind albums on this label label, his work received a wider and much deserved exposure, as he is a voice that shouldn´t be ignored under any circumstances. The album was recorded with his all-French quintet, which includes saxophonist Matthieu MetzgerFind albums by this artist, guitarist Maxime DelpierreFind albums by this artist, bassist Olivier LeteFind albums by this artist and drummer Francois MervilleFind albums by this artist. Sclavis composed almost all the music (with some contributions from the bassists), which consists of twelve concise but excellently developed pieces. The sound is very modern, with electric guitar and bass sounding almost (but not quite) as if playing Fusion, but the overall sound is definitely closer to Jazz or perhaps RIO. In any case it is very innovative and interesting, from start to finish. The double clarinet / saxophone leads are simply great and the Rocky rhythms push the music into quite unexpected territory. Many music connoisseurs will definitely find this album as a great discovery, if only they will give it a chance and listen. Highly recommended!
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  | SEBASTIAN HARDIE ~ LIVE IN L.A. MUSEA 4272 (Barcode: 3426300042729) ~ AUSTRALIA ~ Progressive Rock Recorded: 1994 Released: 1999
A live reunion album recorded at Progfest 1994. All the original band members play together again, almost 20 years later and prove that they can still do it extremely well. The material is taken from the band`s 2 albums, but modern arrangements and great atmosphere create a fresh and uplifting musical experience.
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  | JACQUES KUBA SEGUIN ~ L`ELEVATION DU POINT DE CHUTE ODD SOUND 13 (Barcode: 701256999604) ~ CANADA ~ Jazz Recorded: 2013 - 2014 Released: 2014
This is the fourth album by Canadian (of Polish origin) Jazz trumpeter / composer Jacques Kuba SeguinFind albums by this artist, recorded with his sextet which features saxophonists Jean-Pierre ZanellaFind albums by this artist and Andre LerouxFind albums by this artist, pianist Jonathan CayerFind albums by this artist, bassist Frederic AlarieFind albums by this artist and drummer Kevin WarrenFind albums by this artist. Stanley PeanFind albums by this artist recites a text on one track. The album presents seven tracks, six of which were composed by Seguin and the remaining one was composed by the Canadian singer / songwriter Daniel BelangerFind albums by this artist.
The music floats somewhere between contemporary Jazz and Jazz-Rock, although no electric, especially guitar, instruments (except for a bit of Wurlitzer piano) are employed. The compositions are pretty solid, diverse but focused, which makes this album a great improvement in comparison to its predecessor.
Sequin does not solo extensively, which is fine sine he is not the strongest instrumentalist in his group, leaving the lead to other soloists. The rhythm section is very good, especially Alarie, who plays some exceptional funky beats and gives the entire music a kick.
Overall this is quite an enjoyable piece of music, not ambitious and groundbreaking in any respect, but providing solid, entertaining music which can be enjoyed by a wide scope of Jazz listeners. With nice compositions and skillful arrangements this is definitely worth checking out.
| Updated: 29/10/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | JACQUES KUBA SEGUIN ~ LITANIA PROJECT ODD SOUND ~ CANADA ~ Jazz Recorded: 2012 Released: 2014
This is the third album by Canadian (of Polish origin) trumpeter / composer Jacques Kuba SeguinFind albums by this artist, recorded in a quintet lineup which features the Polish violinist Adam BaldychFind albums by this artist and Canadian musicians: pianist Jonathan CayerFind albums by this artist, bassist Frederic AlarieFind albums by this artist and drummer Kevin WarrenFind albums by this artist. They perform seven original compositions, five by Seguin and two by Baldych.
Musically the material is all over the place; starting with an obvious wink towards the music of the legendary Polish Jazz trumpeter Tomasz StankoFind albums by this artist - the album´s title and opening track are dedicated to him - it moves towards contemporary Classical, Blues and Modern Jazz, but doest not sit really in place in any specific style, which sometimes works fine but in this case is just chaotic. There are some nice melodies, but overall the music simply goes nowhere. Even the two tunes by Baldych, who usually writes excellent music, in this case, although better than the rest, are still way below his usual standard.
The performances are even more problematic. The trumpet and violin unisono sound is really dissonant and even painful at times, as if both are out of tune; as a result the combination of these two instruments is hard to swallow. Although all five musicians are highly skilled professionals, the overall result simply falls apart. There are problems with tempi, hesitation and basic lack of togetherness, which is essential in a small ensemble setting. Seguin and Baldych play several impressive solos, but those are hardly enough to save the day.
Some of the a.m. problems might be the result of a very problematic recording sound quality, which is harsh and unpleasant, badly balanced and seriously damaging the listening experience.
This is a classic example of an album which has a tremendous potential and turns out to be a failure. Good intentions don´t cut it this time.
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  | ZBIGNIEW SEIFERT ~ LIVE IN HAMBURG 1978 MILO 01 (Barcode: 5907513047285) ~ POLAND ~ Jazz-Rock-World Fusion Recorded: 1978 Released: 2006
This is a sensational live recording by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist and his quartet, which includes American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist, German pianist Wolfgang DaunerFind albums by this artist and Yugoslav (also resident in Germany) drummer Branislav KovacevFind albums by this artist, accompanied by the NDR Big BandFind albums by this artist from Hamburg. The album comprises of five tracks, which are simply named "Hamaburg 1" to "Hamaburg 5". The discographical data, such as exact place and date of recording and composition credits are omitted and the album looks and feels like a bootleg, although it is openly sold in Poland.
This music was recorded about a year before Seifert´s untimely death as a victim of cancer. In spite of his terrible sufferings and ordeals related to his rapidly advancing illness, he was at an absolute peak of his musical ability, as this recording plainly demonstrates. He plays vigorously and with incredible passion, and his lengthy solos on this album are among his best ever. Supported by the wonderful quartet and accompanied by the best European Big Band, Seifert is able to immerse himself completely in the music, without any limitations. The result reflects his great love of life and music, which he tried to pursue until the very last moments of his life.
Of course Mariano, Dauner and Kovacev, who were among the finest musicians on the European scene at the time, as well as the outstanding NDR Big Band, are all performing splendidly as well. Stylistically the music includes many elements of Jazz-Rock Fusion and World Music influences, an amalgam that characterized Seifert´s late period. However, his solos are still characterized by the influence of John Coltrane´s legacy, which was the singular most important inspiration on Seifert´s music.
The historic importance of this album is simply invaluable, especially in view of the sadly very limited recorded legacy of Seifert´s works. Seifert managed to record only four albums as a leader during his tragically short lifetime, and the posthumously released material is of secondary importance so far. There are many hours of unreleased music recorded by Seifert waiting to be released, and hopefully those will see the light of day at some stage.
For Polish Jazz fans this album is an absolute must of course, but listeners interested in Jazz violin and anybody who is able to appreciate some of the most moving moments offered within the Jazz idiom should also try to get their hands on this gem ASAP. Absolutely brilliant stuff!
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  | ZBIGNIEW SEIFERT ~ LIVE RECORDINGS 1973 & 1976 SWR JAZZHAUS 479 (Barcode: 730099047951) ~ POLAND ~ Jazz Recorded: 1973 - 1976 Released: 2021
This is a sensational archive album by Polish Jazz violinist / composer Zbigniew SeifertFind albums by this artist. It presents live recordings from the vaults of the German SWR broadcasting corporation. The first four tracks are performed by a duo comprising of Seifert and legendary German trombonist Albert MangelsdorffFind albums by this artist, captured at the 1976 Donaueschingen Musiktage, produced by my Friend and Mentor Joachim BerendtFind albums by this artist. Two of the pieces are spontaneously improvised and the other two are composed one each by Seifert and Mangelsdorff. The fifth track, recorded at the 1973 New Jazz Meeting in Baden-Baden, also produced by Berendt (at his home town), finds Seifert as a member of an international Jazz-Rock Fusion sextet with New Zealand (resident in UK at the time) pianist Dave MacRaeFind albums by this artist, Dutch keyboardists Jasper van`t HofFind albums by this artist, Belgian guitarist Philip CatherineFind albums by this artist, who also composed the tune they perform, German bassist Peter TrunkFind albums by this artist and British drummer John MarshallFind albums by this artist.
The duo tracks are simply sensational, a beautiful example of the “Art of the Duo” idiom and Improvised Music at its best. Mangelsdorff was already a veteran pioneer of the duo (and solo) formats by that time, but as far as Seifert was concert this is certainly a rare occasion to hear him is such naked intimate setting, although a few months earlier Seifert recorded his solo violin album, which was still unreleased at the time.
The sextet track reflects perfectly what Seifert was into at the time, playing and recording with European musicians, who recognized his exceptional talent, and paving his way to the international career he was destined for, which sadly never materialized when his lost his battle with cancer.
The SWR vaults are a treasure chest of superb live music, which is being constantly released on records. In this case the material is especially important due to the relatively limited recorded legacy by Seifert, which means that every bit of his music is priceless, especially when recorded at such high sound quality as the music on this album.
Overall this is an absolute essential piece of the Polish Jazz recorded history, which dedicated fans will nor willingly miss. But it is recommended to all European Jazz fans since it reveals the incredibly high level of creativity and versatility the genre enjoyed in the 1970s. Wholeheartedly recommended!
| Updated: 29/12/2023Posted: 31/03/2021 | CD 1 Digipak Remastered Recommend To A Friend |
  | WLADYSLAW SENDECKI / ATOM STRING QUARTET ~ LE JARDIN OUBLIE / MY POLISH HEART NEU KLANG 4198 (Barcode: 4012116419832) ~ POLAND ~ Jazz-Classical Fusion Recorded: 2018 Released: 2018
This is an album by the Polish (resident in Germany) pianist / composer Wladyslaw SendeckiFind albums by this artist, who is accompanied by the highly esteemed Polish Atom String QuartetFind albums by this artist (violinists Mateusz SmoczynskiFind albums by this artist and Dawid LubowiczFind albums by this artist, violist Michal ZaborskiFind albums by this artist and cellist Krzysztof LenczowskiFind albums by this artist). The album presents ten compositions, five of which are original composition by Sendecki, two were composed by his brother Stefan SendeckiFind albums by this artist, one was composed by Krzysztof KomedaFind albums by this artist, another one by Polish Classical composer Karol SzymanowskiFind albums by this artist and finally one was composed by the German composer Wolf KerschekFind albums by this artist. Three of the compositions were arranged by the great British composer / arranger Michael GibbsFind albums by this artist.
The music focuses on relatively little known facet of Sendecki´s activity and is mostly dedicated to contemporary Classical music, with relatively limited Jazz references. The piano / string quartet setting suits this musical direction ideally of course and the chamber atmosphere prevails throughout. The piano concerto "My Polish Heart" was composed especially by Kerschek for Sendecki and was performed by him with the NDR Big Band, of which he is the resident pianist. The intimate version of this wonderful piece present here includes only part of the entire composition, but reflects the spirit of the work perfectly. All the pieces on the album are full of the characteristic Polish melancholy and lyricism, which can be found in all Polish music regardless of the genre: Classical, Jazz, Rock or Folklore.
The most Jazz oriented piece on the album is of course the "Komeda Hommage", which is a medley of two Komeda´s compositions, brilliantly combining the Jazz and Classical idioms thanks to the unique arrangement by Sendecki and the Atoms and taking a form of a beautiful suite.
This album requires very serious listening with attention to details and patience, as it offers a wealth of musical thrills in every aspect. The compositions, arrangements and performances are all loaded with deeply emotional content and are full of virtuosic performances, which are very difficult to be absorbed all at once. Each listening experience promises new discoveries of course.
Overall this is a wonderful album full of great music, which offers a Jazz-Classical Fusion of the highest caliber. Lovers of Polish music, regardless of style and fashion, should be delighted by what this album has to offer.
| Updated: 11/11/2018Posted: 11/11/2018 | CD 1 Digipak Recommend To A Friend |
  | WOODY SHAW ~ LOTUS FLOWER ENJA 4018 ~ USA ~ Jazz
AMG Review: This CD features one of trumpeter Woody Shaw´s finest groups, a quintet with trombonist Steve Turre, pianist Mulgrew Miller, bassist Stafford James, and drummer Tony Reedus. The five-song program has an original apiece by each of the musicians (other than Reedus) with two by the leader. Shaw was one of the great trumpeters of all time, as he shows on such advanced yet swinging numbers as "Eastern Joy Dance," "Rahsaan´s Run," and "Song of Songs." Virtually every Woody Shaw recording is well worth acquiring, including this one.
| | CD 1 Recommend To A Friend |
  | GEORGE SHEARING ~ LIGHT, AIRY & SWINGING MPS 4029759097334 (Barcode: 4029759097334) ~ USA ~ Smooth Jazz Recorded: 1973 Released: 2014
This is a reissue of a little known album by American (born in London) Jazz pianist / composer George ShearingFind albums by this artist, recorded in a classic piano trio setting with bassist Andy SimpkinsFind albums by this artist and drummer Stix HooperFind albums by this artist (of The CrusadersFind albums by this artist fame). Together they perform eight pieces, all of which are standards.
The music is all within the mainstream Jazz idiom with clear melodic lines and some Classical Music hints, which at the time was often called "cocktail music" and today would have been probably classified as Smooth Jazz. Apart from Shearing´s skills as a pianist, the music was intended mostly as entertainment and should be evaluated exactly for what it was.
There is no doubt that Shearing popularized Jazz among people who usually would not listen to a Jazz recording and as such he made his positive contribution to the genre. His earlier quintet recordings were slightly more ambitious. Side Note The legendary German MPSFind albums on this label (Musik Produktion Schwarzwald) label, founded by Hans Georg Brunner-SchwerFind albums by this artist (HGBS) in 1963, first as SABAFind albums on this label Records and later on from 1968 as MPS Records, was the most important independent European record label, which had an enormous contribution to the development of European Jazz. For many years MPS cooperated with the legendary German producer / author Joachim BerendtFind albums by this artist, my Friend and Mentor, whose visionary approach and open-mindedness brought the crème de la crème of the Jazz (in the broadest meaning of the word) musicians from all over the world to the label. Between 1963 and 1983 MPS produced about five hundred albums, many of which are among the most important Jazz recordings on this planet.
In 1983 the MPS catalog was sold to UniversalFind albums on this label, which sadly resulted in all those artistic treasures to almost disappear from the face of the earth – a situation not only tragic but culturally criminal. Universal reissued a part of the MPS albums (probably 128 titles) on CD between 1999 and 2011 under the "Most Perfect Sound Edition" moniker.
Since 2008 the German Promising MusicFind albums on this label label released some of the MPS recordings, but at a very slow pace.
In 2014 the German company Edel AG bought the MPS catalogue from Universal and released a series of 25 MPS albums on CD with a new slipcase graphic design, which brought all those excellent albums back to life. In 2015 Edel AG started to record and release new albums under the MPS moniker. In 2016 Edel AG released a series of 10 classic MPS albums on CD, which were beautifully remastered and re-packaged, presenting the original artwork and liner notes, as well as new liner notes and photographs. An obvious labor of love, these reissues are what the MPS catalogue truly deserves. This project was continued in 2017 with another series of 10 classic MPS albums released on CD. In later years some new reissues were released sporadically.
Over the years many SABA / MPS albums were reissued in Japan, which is often the only available source for these albums today, but that is a story in itself.
| Updated: 27/05/2018Posted: 11/10/2016 | CD 1 Slipcase Remastered Recommend To A Friend |
  | ANDY SHEPPARD ~ LEARNING TO WAVE PROVOCATEUR 1016 (Barcode: 5019148619413) ~ UK ~ Jazz Recorded: 1998 Released: 1998
British saxophonist / composer Andy SheppardFind albums by this artist needs no introduction to followers of British Jazz. He earned an impressive reputation since the late 1970s, playing in many famous ensembles both in Britain and abroad, like the ones led by George RussellFind albums by this artist, Gil EvansFind albums by this artist and Carla BleyFind albums by this artist. His extensive discography recorded over the years proves his status as one of Britain’s foremost instrumentalists beyond a shadow of a doubt. Sheppard has a rare talent of combining beautiful melodies and expanded improvisation is a way that makes his music accessible to a relatively large audience on one hand, but remains intellectually challenging on the other. He is also extremely versatile and open-minded, always ready to combine in his music the Jazz tradition with other elements like World Music, electronics and even club culture. In 1998 Sheppard joined the roster of the prestigious British ProvocateurFind albums on this label Records label, and released a series of landmark recordings on that label in the following years. For this, his debut recording on Provocateur, Sheppard formed a quintet which included some of his faithful cohorts from the past, as well as new players: John ParricelliFind albums by this artist – guitar, Steve LodderFind albums by this artist – keyboards, veteran bass player Chris LaurenceFind albums by this artist and percussionist Paul ClarvisFind albums by this artist. Tabla player Shalda SahaiFind albums by this artist is added on three tracks. Sheppard composed all the music, which is mostly low-key and lyrical, beautifully melodic and sometimes even sentimental (in a positive way of course). His soprano saxophone lures the listener like the Pied Piper of Hamelin, being extremely addictive. All together this is a most pleasant journey into the lighter side of Jazz, without any compromise on quality. Recommended to listeners who love a great melody with their Jazz meal.
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  | ARIEL SHIBOLET / BETWEEN THE STRINGS TRIO ~ LIVE AT THE TEL AVIV MUSEUM KADIMA COLLECTIVE 13 (Barcode: 634479391576) ~ ISRAEL ~ Jazz Recorded: 2006 Released: 2007
2nd album by Israeli saxophonist Ariel ShiboletFind albums by this artist, this time in cooperation with the Between The Strings TrioFind albums by this artist (Jean Claude JonesFind albums by this artist – bass, Daniel HoffmanFind albums by this artist – violin and Nori JacobyFind albums by this artist – viola), recorded live at the Tel Aviv Museum. The concert includes three parts, starting with a solo soprano saxophone performance by Ariel, continued by a piece by the string trio and concluded by a quartet performance by Ariel with the trio. Over 61 minutes of purely improvised music, challenging and difficult as always, but deeply rewarding to the disciples of the genre. Ariel’s playing is deeply rooted in the tradition of the late period John ColtraneFind albums by this artist, Steve LacyFind albums by this artist and Eric DolphyFind albums by this artist, based on complete control of the instrument, virtuosity and of course relentless passion. The balance between Ariel and the string trio, as well as their cooperative group improvisation is truly inspiring. Contrary to popular opinion improvised music is definitely still alive and kicking, and the fact that it still thrives here in Israel (although abandoned in other places) makes me especially proud, proving the multi-cultural openness of our society.
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  | MACIEJ SIKALA ~ LIVE IN CLUB ZAK SOLITON 762 (Barcode: 5901571097626) ~ POLAND ~ Jazz Recorded: 2017 Released: 2017
This is a live recording by veteran Polish Jazz saxophonist / composer Maciej SikalaFind albums by this artist, captured in a septet setting with trumpeter Robert MajewskiFind albums by this artist, trombonist Grzegorz NagorskiFind albums by this artist, bass clarinetist Tomasz KlepczynskiFind albums by this artist, pianist Piotr WylezolFind albums by this artist, bassist Andrzej SwiesFind albums by this artist and drummer Sebastian FrankiewiczFind albums by this artist – all of which belong to the commonly accepted top league of the local jazz scene. The album presents six original compositions, all assumed to be by Sikala, as the album´s artwork fails to confirm this. The sound quality is excellent despite the fact that this is a club live recording.
The music is all completely mainstream oriented, following the patters set by Bebop and Hard Bop some five or more decades ago. That said, the original compositions are very strong and the performances are all excellent, which means that this music is a real pleasurable listening experience for mainstream Jazz connoisseurs, who after all are the majority of the Jazz crowd. Also the Polish Jazz accents can be heard throughout this music very distinctly, not influential enough to change the character of the music, but appealing enough to make it much more interesting than parallel music performed across the pond.
Although Sikala started his Jazz career within the adventurous Yass idiom as a member of MiloscFind albums by this artist and other experimenting ensembles, in time he "returned" to the American influenced mainstream, retaining his wonderful fluency and improvisational power. All the projects he was involved with over the years and numerous recordings he made always represented a high quality of music and musicianship.
Overall although the music on this album is quite predictable, it is full of wonderful individual statements by the musicians involved in this project and should keep mainstream Jazz fans vey happy. The original compositions are coherent and well woven and the septet playing is nothing short of perfection in this specific musical scenery.
| Updated: 12/06/2018Posted: 12/06/2018 | CD 1 Digipak Recommend To A Friend |
  | SIMPLE ACOUSTIC TRIO ~ LULLABY FOR ROSEMARY NOT TWO 727 ~ POLAND ~ Jazz Recorded: 1995 - 2001 Released: 2001
This is a reissue of the debut album, originally entitled "KomedaFind albums with this title", by the superb Polish Jazz trio called Simple Acoustic TrioFind albums by this artist, which consists of pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. This edition includes a bonus track not present on the original release, which is a live recording at the Polish Radio. In retrospect recording a debut album with Komeda´s music might have been slightly overreaching, since Komeda´s intricate compositions require sensitivity and experience well beyond the age of these musician at the time this album was recorded. Nevertheless they stood up to the challenge admirably, which proved that they were surely not "another" piano trio, but a formidable unit destined for greatness, which of course did materialize later. The bonus track gives a nice point of reference between the original music recorded six years earlier and the trio´s abilities at a later stage. In short this is a brilliant piano trio album worthy of an honorable place in any serious record collection and a must for any Polish / European Jazz fan. For more information read my comments on the original album. Superb stuff!
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  | SKALDOWIE ~ LISTY SPIEWAJACE KAMELEON 15 ~ POLAND ~ Pop & Rock Recorded: 1967 - 1972 Released: 2012
This album by the legendary Polish group SkaldowieFind albums by this artist, founded by brothers: Andrzej ZielinskiFind albums by this artist (vocalist, keyboardist, composer, arranger and leader) and Jacek ZielinskiFind albums by this artist (vocalist, multi-instrumentalist) collects their recordings for the Polish Radio and TV, which were featured in two episodes of the TV series called "Listy Spiewajace (Singing Letters)". They span the early days of the group between 1967 and 1969 and were performed by the early lineups.
All these songs feature lyrics by poetess Agnieszka OsieckaFind albums by this artist and the songs in the first episode of the series were composed by Adam SlawinskiFind albums by this artist, and are a rare example of songs performed by Skaldowie, which were not written by the group members. The songs in the second episode were all composed by Andrzej Zielinski.
The bonus tracks present additional Polish Radio and TV recordings (and one West German Radio recording), which feature a couple of songs in different versions and arrangements from those appearing in the original TV episodes and other songs.
The original music presents the group as great performers of sophistical Pop material and their leader as superb craftsman of such songs. Although not their most popular or strongest material, this album includes many fabulous moments, which deserve to be remembered. The beautiful lyrics by Osiecka also add a poetic dimension to these songs.
The fans of the group will find this album as an integral part of their legacy, but otherwise it has only a marginal importance as far as Polish popular music is concerned. Nevertheless that fabulous late 1960s / early 1970s sound is simply irresistible. Worth investigation!
| | CD 1 Remastered Recommend To A Friend |
  | SKALDOWIE ~ LIVE IN GERMANY 1974 KAMELEON 24 ~ POLAND ~ Progressive Rock Recorded: 1974 Released: 2012
This album by the legendary Polish group SkaldowieFind albums by this artist, founded by brothers: Andrzej ZielinskiFind albums by this artist (vocalist, keyboardist, composer, arranger and leader) and Jacek ZielinskiFind albums by this artist (vocalist, multi-instrumentalist) presents a complete live performance of the group in Cologne, Germany, which was recorded and broadcasted by the WDR. The other group members on this album are: bassist / vocalist Konrad RatynskiFind albums by this artist and drummer Jan BudziaszekFind albums by this artist. The group´s guitarist Jerzy TarsinskiFind albums by this artist did not play on this concert for health reasons, so this is a rare opportunity to hear the group as a quartet.
The music includes the more Prog and Jazz-Rock material by the group, which is performed in extended form, with long instrumental solos. A few shorter well known songs are also included in different arrangements. The most interesting piece is the early version of the group´ opus "Stworzenia Swiata Czesc DrugaFind albums with this title", which lasts for almost twenty minutes. The studio version of this piece was only recorded a couple years later and released on record another two years later.
Although the sound quality of this recording is not ideal, it is quite listenable and considering the fact that almost no other live recordings from that period exist, it is of enormous importance to the group´s fans and followers. Andrzej Zielinski plays some superb Hammond and Fender piano parts, trying to cover up for the missing guitar parts.
Overall this is an interesting piece of Polish Rock / Prog history and will be warmly received by connoisseurs of that scene and of course a must to the diehard fans of the band. Worth investigating!
| | CD 1 Remastered Recommend To A Friend |
  | SLAPP HAPPY ~ LIVE IN JAPAN – MAY, 2000 VOICEPRINT 523 (Barcode: 604388337422) ~ UK ~ Progressive Rock Recorded: 2000 Released: 2009
In the early 1970s the trio Slapp HappyFind albums by this artist, which comprises of German vocalist Dagmar KrauseFind albums by this artist, British keyboardist Anthony MooreFind albums by this artist and US guitarist Peter BlegvadFind albums by this artist, was part of the early RIO movement, closely associated with the British group Henry CowFind albums by this artist. The two bands recorded a couple of brilliant albums together and Slapp Happy recorded two albums of their own (on their debut they were supported by the German band FaustFind albums by this artist), which are all considered absolute classic of Avant-Garde rock. When the band re-united in 1997 to record the splendid “Ça VaFind albums with this title” album, expectations were sky-high. The result took many of the band´s fans by surprise, as almost 30 years later Slapp Happy evolved into a completely different band, playing sophisticated, but melodic and hardly Avant-Garde material. Nevertheless the trio members lost none of their magical touch over the years as far as musicianship and composing skills are concerned. This live recording from the group´s Japanese tour finds them in great shape, performing several songs from the re-union album, as well as new versions of songs from their early 1970s recordings. This great set of songs is beautifully performed, with superb sound quality. It is hard to determine if the passing time simply mellowed their once young and tormented souls, but they did grow up and aged well. Since one should allow artists to evolve and change, listening to this album one should "ignore" the band´s past to some degree, giving it a fair chance. With this approach I´m sure this great music can be accepted on its own terms and admired for its own merits. Excellent stuff!
| Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | SLOW ~ LIVE IN DRESDEN SLOWMUSIC 04 ~ POLAND ~ Smooth Jazz Recorded: 2023 Released: 2024
This is the 4th album (1st live) by Polish Jazz ensemble SlowFind albums by this artist (now Slow The BandFind albums by this artist), which comprises of guitarist Tomasz KaczmarczykFind albums by this artist, saxophonist Leszek SzczerbaFind albums by this artist, keyboardist Krzysztof WerminskiFind albums by this artist, bassist Tomasz GrabowyFind albums by this artist, percussionist Slawomir BernyFind albums by this artist and drummer Lukasz SobolakFind albums by this artist. The album presents eleven tracks, eight of which are co-composed by Kaczmarczyk and Werminski and three are composed by Kaczmarczyk. The live recording offers excellent sound quality and a robust funky vibe.
The music continues the same attitude the ensemble assumed from its very early stage, which is playing highly melodic, solidly composed, almost danceable and entertaining music, which does not pretend to be anything beyond what’s out there: a high quality entertainment, without compromising artistic values and avoiding pretentious assumptions. These are all excellent, professional and dedicated musicians, who want to bring to the audience some fun, relaxed music, which is a true pleasure to listen to.
All three soloists offer first-rate soloing, and the guitar parts are certainly as good as those produced by some of the most famous international names. The rhythm section is also absolutely perfect for the job and Berny shows his amazing percussion technique, which is always breathtaking.
Overall, this is an excellent piece of Jazz music from the easier side of the spectrum, which is surely accessible to a wide audience, and which is a great opportunity to relax and enjoy some great tunes without too much brain-hacking. Perhaps some Jazz snobs will, as usual, turn their long noses, but it’s them who are missing all the fun. In these depressing time, this is a true ray of sunshine!
| Updated: 22/06/2024Posted: 22/06/2024 | CD 1 Digipak Recommend To A Friend |
  | STANISLAW SLOWINSKI ~ LANDSCAPES TOO EASY TO EXPLAIN HEVHETIA 0139 (Barcode: 8588005257978) ~ POLAND ~ Jazz Recorded: 2016 Released: 2016
This is the debut album by a quintet led by Polish Jazz violinist / composer Stanislaw SlowinskiFind albums by this artist, which also includes trumpeter Zbigniew SzwajdychFind albums by this artist, pianist Katarzyna PietrzkoFind albums by this artist, bassist Justyn MalodobryFind albums by this artist and drummer Maksymilian OlszewskiFind albums by this artist. Together they perform seven original compositions, all by the leader.
The music is an excellent example of modern Polish Jazz, which although melody based and well within the mainstream convention, manages to maintain a very high level of compositions and performances. It is soaked with typical Polish melancholy and Slavic melodic motifs, and of course focuses on the violin as the leading instrument, and as a result one can hardly find a more spiritually "Polish Jazz" album than this one. The pairing of the violin and the trumpet as the two lead instruments proves to be extremely effective and harmonically attuned, in spite of its rarity.
As usual with the new generation of the Polish Jazz musicians, Slowinski, despite his young age, has already an impressive list of accomplishments to his credit, which includes leading / membership in several projects, including as diverse directions as Improvised Music on one hand and Classical Music on the other. This album, which sits, as already mentioned, comfortably within the mainstream Jazz idiom, presents yet another facet of Slowinski´s versatility and is primarily dedicated to presenting his compositions. But of course his performances on the violin are full of beautiful sensitivity and technical excellence.
It is worth mentioning that Slowinski is yet another representative of the Polish Jazz Violin School, which enjoys an incredible renaissance in the last decade, and places Poland in the leading position as far as violin artistry is concerned in the Jazz field. He joins the ranks of many of his colleagues, who proudly continue the traditional role of the violin as one of the most expressive instruments available to mankind.
The rest of the quintet members are all of course excellent performers as well. Szwajdych delivers melodic accompaniment and excellent solo parts, Pietrzko lays out the harmonic layer upon which the tunes progress and fills the gaps with her delicate but solid statements, and hopefully will play more solo parts on future recordings. The rhythm sections provides admirable and flawless support to the soloists, and plays always at the right levels to make the music a whole bigger that the sum of its parts.
This is definitely a very impressive debut, which comes with a firm recommendation to follow these wonderful young people in their future endeavors. Well done indeed!
| Updated: 30/12/2016Posted: 30/12/2016 | CD 1 Digipak Recommend To A Friend |
  | SLY & THE FAMILY STONE ~ LIFE (LIMITED DELUXE EDITION) EPIC 83945 (Barcode: 828768394526) ~ USA ~ Classic Rock Recorded: 1968 Released: 2007
3rd album by this great band, released only a few month after its predecessor, but marking a remarkable development and perfection of their unique style. Although this album did not produce any hit singles, it is nevertheless an astonishing piece of music and a true classic. The band strengthens the rock / psychedelic elements considerably, with the (fuzz) guitar being much more up-front than on the two previous albums. Each and every song is perfect, although they are quite different from each other. The definition of Funk is basically all here, creating a new musical genre. Superb songwriting and perfect execution make this album an everlasting icon of the late 1960s ingenuity and inventiveness. This beautiful new edition includes splendid liner notes and ultra-rare bonus tracks. A classic!
| | CD 1 Digipak Remastered Bonus Tracks Recommend To A Friend |
  | STEVE SMITH / VITAL INFORMATION ~ LIVE! ONE GREAT NIGHT Q-RIOUS 124 (Barcode: 4260027621244) ~ USA ~ Jazz-Rock Fusion Recorded: 2007 Released: 2012
This is a live recording the American Jazz / Fusion drummer Steve SmithFind albums by this artist and his quartet Vital InformationFind albums by this artist, which includes veteran keyboardist Tom CosterFind albums by this artist, bassist Baron BrowneFind albums by this artist and the new guitar player Vinny ValentinoFind albums by this artist. The album presents nine original compositions, all by the group members, often co-composed by more than one person, which originate from the "Come On InFind albums with this title" and "VitalizationFind albums with this title" albums. The music was recorded in 2007 during a tour promoting the "Vitalization" album. The set also includes a DVD recording of the music present on the audio album, with one additional track.
Vital Information has been active since the early 1980s and is one of the steadiest and most consistent American Fusion bands and Steve Smith is one of the most respected and revered American drummers with an impressive resume and practically limitless experience.
The album presents an interesting twist on two of the tracks, which is the result of Smith´s studies of Indian rhythms, which he utilizes by using konnakol (Indian vocal, i.e. sung, percussion). The rest of the material is completely straight forward Fusion stuff, perfectly executed by all the musicians, with a lot of Funky beats and incredible feel. The music is quite nice, but does not offer anything that the genre did not present earlier on.
Basically the album epitomizes Fusion (and particularly American Fusion) as a genre that got out of wind decodes ago and has been threading in one place since. In spite the fact that there are incredibly talented musicians involved, the music offers more of the same time after time. Perhaps Fusion is still a viable environment for live music, but on record it lost its impact long time ago.
Fusion fans will find this definitely interesting and worth listening to; as for the rest of the music loving community, it is always great to play this music while driving an open car in hot climates.
| | CD+DVD 2 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ LAND OF COCKAYNE ESOTERIC 2208 (Barcode: 5013929730847) ~ UK ~ Canterbury Scene Recorded: 1980 Released: 2010
This is the 4th Soft MachineFind albums by this artist album released on the HarvestFind albums on this label label and the last ever record released by the band, bringing an end on a magnificent career, which spanned two and a half decades and resulted in some of the most important music ever recorded. But the truth behind the album is quite different from what appears on the album´s cover – the fact is that Soft Machine did not exist for some time when this album was released and this is a solo project of the last leader of the band, composer / keyboardist Karl JenkinsFind albums by this artist. The decision to release the album under the band´s name is somewhat dubious. Nevertheless the connection to Soft Machine is pretty obvious, as this album features several of its ex-members and co-members: guitarist Allan HoldsworthFind albums by this artist, drummer John MarshallFind albums by this artist and saxophonist Ray WarleighFind albums by this artist. Jenkins added several other outstanding musicians to Soft Machine core: bassist Jack BruceFind albums by this artist, saxophonist Dick MorrisseyFind albums by this artist, guitarist Alan ParkerFind albums by this artist and pianist John TaylorFind albums by this artist. The music floats somewhere between Jazz and ambient music, with strong ties to contemporary Classical, emphasized by the string arrangements, and some World Music influences. It is a preview of the future work of Jenkins, who in the years to come established himself as one of British most distinguished contemporary composers. So is this a Soft Machine album? Who cares, the important fact remains that this is still great music, which holds water 30 years after it was recorded. Obviously hard-core Soft Machine fans might find it not to their taste, but it is here to stay as part of the band´s legacy. Deal with it.
| Updated: 10/03/2023Posted: | CD 1 Oversampling Remastered Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE BAKED POTATO MOONJUNE 102 (Barcode: 692287910228) ~ UK ~ Jazz-Rock Fusion Recorded: 2019 Released: 2020
This is the 2nd live album (original, not one of the myriad of archive / bootleg / etc. live releases in circulation) by the iconic British group Soft MachineFind albums by this artist, recorded after a forty-two years’ gap since their debut live album “Alive & Well: Recorded In ParisFind albums with this title” from 1978. It is also their first live album since the interim Soft Machine LegacyFind albums by this artist name was dropped in order to return the original name. The group comprises of SM veterans: drummer John MarshallFind albums by this artist, guitarist John EtheridgeFind albums by this artist and bassist Roy BabbingtonFind albums by this artist, with saxophonist / keyboardist Theo TravisFind albums by this artist completing the lineup. The album presents twelve tracks, which are mostly parallel to the tracks on the “Hidden DetailsFind albums with this title” studio album, recorded a year earlier, all originals by current or former SM members. As usual in such case, these live versions are somewhat more expanded and feature more improvisations and soloing, than the studio versions of the same tunes.
The music is a natural / organic continuation of the Soft Machine tradition, with a somewhat updated sound and ambiance, but easily recognizable as much as likeable by the groups many fans, who cling to the fond memories. The music of SM was always completely timeless and as such does not need to search for new pastures. It lost perhaps some of its Avant-Garde tendencies, which were dominant at the early days, but gained more melodic and harmonic richness and of course the experience of half a Century of music making, which leaves a significant mark on the music.
Overall, this is a most welcome “comeback” of sorts, although there was a continuous presence of Soft Machine in one way or another during the years, mostly by the numerous reissues of their live recordings, admittedly of varying quality, as well as solo recordings by the band members and various “related” projects. The musicianship is absolutely first rate, proving that age is almost meaningless, as far as these brilliant performers are concerned.
| Updated: 06/07/2024Posted: 06/07/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | SOFT MACHINE ~ LIVE AT THE HENIE ONSTAD ART CENTRE 1971 REEL RECORDINGS 014/015 (Barcode: 775020975323) ~ UK ~ Canterbury Scene Recorded: 1971 Released: 2009
This a live recording by the seminal UK band Soft MachineFind albums by this artist recorded in Norway at the very creative peak of the band´s outstanding career. Saxophonist Elton DeanFind albums by this artist, keyboardist Mike RatledgeFind albums by this artist, bassist Hugh HopperFind albums by this artist and drummer Robert WyattFind albums by this artist perform two continuous, mostly improvised sets, each about 45 minutes long, which makes this particular album different from all the other Soft Machine live albums, where the band performs compositions previously recorded in the studio. In addition, the perfect sound quality of this recording, which was done professionally, is undoubtedly the best ever Soft Machine live recording sound captured on tape. In addition, this release is accompanied by a CD-ROM audio-visual documentary about the band and the circumstances of this recording, which is superbly done and highly educative. In short this is truly an outstanding musical document of great value, not only to the band´s fan base but to all enthusiast of British Jazz as well. A must and a feast to our ears!
| | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | SOFT MACHINE LEGACY ~ LIVE IN ZAANDAM MOONJUNE 006 ~ UK ~ Canterbury Scene
1st album by Soft Machine LegacyFind albums by this artist recorded live in Holland in 2005. This particular group is especially interesting due to the fact that although all the four members are all ex-Soft MachineFind albums by this artist players, they actually never played together in the same version of the band. The music is nothing short of brilliant, as usual, with a strong jazzy context and both old and new compositions included. For the many fans of the band this is a true treat and an excellent example of great musicians aging well. Recommended! Limited Edition
| | CD 1 Recommend To A Friend |
  | SOLARIS ~ LIVE IN LOS ANGELES SMP 004/5 ~ HUNGARY ~ Progressive Rock
A 2CD live set by this group, considered as one of the best live albums around. Very dynamic with extended treatment of older material and new contents. Great soloing by all the band members, including of course the fabulous flute. Now remastered with bonus tracks.
| | CD 2 Recommend To A Friend |
  | SPOCK`S BEARD ~ LIVE AT THE WHISKEY AND NEARFEST RADIANT 006 ~ USA ~ Progressive Rock
7th album from 1999 and the second live album by the Beard. It includes material recorded at the Whisky club in Los Angeles and the 1999 Nearfest Prog Festival. This album shows clearly that the group is as good live as it is in the studio albums and the special energy of a live performance enhaces the already excellent material. A fantastic showcase of brilliance!
| | CD 2 Recommend To A Friend |
  | TOMASZ STANKO ~ LEOSIA ECM 1603 (Barcode: 731453169326) ~ POLAND ~ Jazz Recorded: 1996 Released: 1997
Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. Despite his advanced age, his powers as a player and composer seem to be ever growing and in contrast to Miles DavisFind albums by this artist, with whom he is often compared (a comparison, which in most cases makes no sense whatsoever) he still retains the position of the main soloist on his albums and his compositions are more detailed intricate than ever and as much melodically and harmonically advanced as always. This incredible album, dedicated to his late Mother, finds Stanko again in the company of Swedish musicians: pianist Bobo StensonFind albums by this artist and bassist Anders JorminFind albums by this artist and surprisingly in first-time cooperation with British drummer Tony OxleyFind albums by this artist – probably the greatest living drummer on this planet, who unfortunately records ever so rarely. Stanko´s compositions on this album are more melodic and lyrical than usual, perhaps in view of the fact that he intentionally wished to concentrate on melody here. The quartet is perfect together, with Stenson and Jormin fitting the bill perfectly, being both extremely melodic players themselves. Oxley, as usual, is simply outstanding, ornamenting the music with his idiosyncratic approach to rhythm and the role of percussion in Jazz, but keeps his outbursts well in the overall framework of the music. This is phenomenal music, some of the best ever made on this planet, and if anyone tells you differently, he´s simply deeply confused. An absolute must!
| | CD 1 Slipcase Recommend To A Friend |
  | TOMASZ STANKO ~ LITANIA – MUSIC OF KRZYSZTOF KOMEDA ECM 1636 (Barcode: 731453755123) ~ POLAND ~ Jazz Recorded: 1997 Released: 1997
Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory. Anybody familiar with the history of European Jazz is of course aware of the fact that Stanko was a member of the early modern Polish Jazz group led by his Mentor pianist / composer Krzysztof KomedaFind albums by this artist, one of world´s most important Jazz personalities, a Godfather of Polish Jazz and a phenomenal composer, in retrospect perhaps one of the greatest composers in Jazz history. Stanko´s musical personality was obviously formed and shaped by his association with Komeda, a fact that he often openly admits. Although Stanko occasionally paid homage to Komeda on his recordings over the years, it was only a matter of time until Stanko would produce a full-scope project as a tribute to Komeda´s music (and Komeda the man), and this is it. Stanko carefully arranged a series of composition by Komeda, ranging from his early works to his latest ones, and presents them here, performed by a septet comprising of Scandinavian musicians. Of course this is not a coincidence, as Komeda´s music was first recognized and acknowledged as exceptional outside his native country in Scandinavia (Sweden in particular), Poland´s northern neighbors, where Komeda performed during his lifetime, played and recorded with local musician and befriended many of them. The lineup includes Swedish saxophonists Bernt ResengrenFind albums by this artist (a veteran player of Komeda´s generation) and Joakim MilderFind albums by this artist, pianist Bobo StensonFind albums by this artist, bassist Palle DanielssonFind albums by this artist, and Norwegian drummer Jon ChristensenFind albums by this artist and guitarist Terje RypdalFind albums by this artist (present on three tracks only). Since I´ve already written extensively about Komeda´s music, I will only say that these performances manage both to preserve the original beauty and depth of it, as well as transform is successfully into the present Jazz idiom, with grace, intelligence and deep respect. The performances are stellar from start to finish, the solos breathtaking, the rhythm session imaginative, yet solid like a rock – in other words this is perfect in every sense one can associate with music. This is a worthy and fitting tribute to the great Genius by the best and most sensitive musicians around and an absolute must in any music library, regardless of genre preferences. Beyond essential!
| | CD 1 Slipcase Essential Recommend To A Friend |
  | TOMASZ STANKO ~ LIVE AT THE MONTREUX JAZZ FESTIVAL 1987 POLONIA 254 ~ POLAND ~ Jazz-Rock Fusion Recorded: 1987 Released: 2000
This live recording at the Montreux Jazz Festival is the last of the glorious 1980s albums by the polish trumpet virtuoso / composer Tomasz StankoFind albums by this artist and his FreelectronicFind albums by this artist ensemble, here consisting of keyboardists Janusz SkowronFind albums by this artist and Tadeusz SudnikFind albums by this artist and bassist Witold SzczurekFind albums by this artist. Stanko is in top form and in a great mood, which is evident by the happy atmosphere captured herein. His trumpet soars to incredible heights and the brilliant improvisations chase one another. In retrospect this is a perfect moment captured for posterity, just before the ever-changing Stanko would embark on yet another musical journey with the onset of the 1990s. The 1980s Stanko´s Jazz-Rock period was about to be abandoned and replaced by a return to the Jazz tradition and the new (again) Stanko, which would capture worldwide audiences with his ECMFind albums on this label recordings. But the 1980s period firmly remains as one of Stanko´s most productive and expressive periods and this album is an integral part of that legacy. A must to every Stanko fan!
| | CD 1 Slipcase Recommend To A Friend |
  | TOMASZ STANKO ~ LONTANO ECM 1980 (Barcode: 602498773802) ~ POLAND ~ Jazz Recorded: 2005 Released: 2006
Legendary Polish trumpeter / composer Tomasz StankoFind albums by this artist, one of the great Lions of European Jazz, now in his fifth decade of the tireless journey dedicated to discovering uncharted territory, is definitely still in top form. This is the third album with his all Polish quartet, which includes brilliantly talented young Polish Jazz musicians: pianist Marcin WasilewskiFind albums by this artist, bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. Although separated from his quartet members by decades (chronologically), Stanko is in perfect harmony with them, mentally, keeping his youthfulness, energy and creativity. Compared to Miles DavisFind albums by this artist, who played progressively less and less during his late period, Stanko is still the main soloist in his groups, with his unique tone and expressionism untouched by age. His music remains majestic, mystical and deeply penetrating, as always, and this album is again a superb addition to his magnificent legacy. Absolutely brilliant stuff and a must to any serious Jazz aficionado!
| | CD 1 Slipcase Recommend To A Friend |
  | WOJCIECH STARONIEWICZ / A`FREAK-AN PROJECT ~ LIVE IN GDANSK ALLEGRO 038 (Barcode: 5901157049384) ~ POLAND ~ Jazz-World Fusion Recorded: 2016 Released: 2019
This is the third album by veteran Polish Jazz saxophonist / composer / bandleader Wojciech StaroniewiczFind albums by this artist and his A`Freak-aN ProjectFind albums by this artist ensemble, which is an octet featuring a saxophone quartet and an extended rhythm section: Staroniewicz on tenor, Przemek DyakowskiFind albums by this artist on tenor, Dariusz HerbaszFind albums by this artist on baritone, Marcin JanekFind albums by this artist on soprano, Dominik BukowskiFind albums by this artist on vibraphone, Janusz MackiewiczFind albums by this artist on bass, Roman SlefarskiFind albums by this artist on drums and Larry Okey UgwuFind albums by this artist on percussion. The album, which was recorded live at Radio Gdansk, presents seven compositions, two of which are originals by Staroniewicz, four are by Krzysztof KomedaFind albums by this artist and one is by McCoy TynerFind albums by this artist, all arranged by Staroniewicz.
This album is in fact a live version of the previous album by the ensemble from 2015, called "A`Freak-Komeda ProjectFind albums with this title", except for the Tyner track. Therefore basically everything I wrote about that album applies also here – just click on the link.
As Staroniewicz says on the album´s artwork, this album is a great opportunity to compare the same music recorded in studio and live, which of course can be very different. The live concert setting offers much more dynamics and excitement and expanded improvisations, but is prone to minor "mishaps", which in retrospect are usually simply charming.
Since the Komeda arrangements are really very special, I recommend to Polish Jazz enthusiasts to put their hands on this album as well and compare these versions with the studio ones, and enjoy a great live album with excellent musicians on board.
| Updated: 14/01/2020Posted: 14/01/2020 | CD 1 Digipak Recommend To A Friend |
  | STEPPENWOLF ~ LIVE BGO 412 (Barcode: 5017261204127) ~ USA ~ Classic Rock Recorded: 1970 Released: 1998
6th album by US Rockers extraordinaire SteppenwolfFind albums by this artist and the only official live recording (originally a double LP) by the classic lineup of the group, which was recorded at various locations in early 1970, when the group was touring supporting their latest studio album "MonsterFind albums with this title". They perform several tracks from the latest album, as well as a selection of their classic material from earlier albums. The group was in top form at the time and their performances are strong and convincing, with John KayFind albums by this artist firmly in the lead. Apart from the musical content, which is excellent, it is also a great opportunity to hear Kay´s commentary when introducing the tunes, which reflects upon the social / political upheaval in the US at the time, with Rock musicians often in the forefront of the struggle. Rock obviously had a serious role as a means of expression and active platform at the time, when most rockers were intelligent enough to have something to say in addition to playing music, times sadly long gone by now. This album can be used as a time machine; just crank up the volume, relax, close your eyes and here you go 40 years back in time, when Rock was Rock and music was music. Enjoy!
| | CD 1 Recommend To A Friend |
  | STEPHEN STILLS ~ LIVE AT BERKELEY 1971 OMNIVORE 515 (Barcode: 810075113013) ~ USA ~ Classic Rock Recorded: 1971 Released: 2023
This is an archival live album by American singer / songwriter Stephen StillsFind albums by this artist, recorded on August 20 and 21, 1971 during the tour supporting Stills’ second solo album. with a stellar team of musicians, including bassist Calvin SamuelsFind albums by this artist, drummer Dallas TaylorFind albums by this artist and the legendary Memphis HornsFind albums by this artist. Lifetime friend David CrosbyFind albums by this artist joins Stills on two songs. The album presents fifteen tracks, almost all with songs written or co-written by Stills.
The music includes acoustic material, which features Stills on guitar / piano and vocals, including the spine-chilling duets with Crosby, and also more electric Rock oriented material, which features the full band with the horns. Several songs from the Crosby, Stills & NashFind albums by this artist repertoire are naturally included as well.
Stills is absolutely amazing as a guitarist and vocalist and his output over the years is obviously at the very top of American Rock achievements. He has very few competitors as far as writing brilliant songs, with intelligent lyrics, full of social awareness, which were the soundtrack of my generation.
Not surprisingly, the music lost absolutely nothing of its strength and beauty over the time, and remains at the core of classic Rock. As uplifting as it is, it is also devastating, showing the tragic state of contemporary music, which completely “lost it” in time.
Overall, this is a great document of the era, spotlighting the incredible talents of one of the greatest American Rock heroes, captured for posterity. It takes just one man with his acoustic guitar and incredible charisma to mesmerize thousands of people, no effects, electronics, auto-tuning and all the gadgetry that replaced talent over time. This is as good as music gets, no BS, and let’s not forget it.
| Updated: 04/06/2023Posted: 04/06/2023 | CD 1 Digipak Remastered Recommend To A Friend |
  | STEPHEN STILLS ~ LIVE AT SHEPHERD`S BUSH RHINO 081227984694 (Barcode: 081227984694) ~ USA ~ Classic Rock Recorded: 2008 Released: 2009
In 2015 I had the immense pleasure to catch a concert by Crosby, Stills & NashFind albums by this artist in Rome, which turned out to be one of the greatest musical experiences of my late life. It proved to me that talent knows no age limits and true Art overcomes the hurdles old age places in front of us all. For almost three hours Crosby, Stills & Nash took me back to the heyday of my youth via a music propelled time machine. I wept and laughed, sung along and joined the four thousand strong crowd in an ecstasy of nostalgia, but also in a feeling of togetherness that I can only remember as far back as the Woodstock days, where Crosby, Stills & Nash played their first gig together.
This album presents a solo concert by Stephen StillsFind albums by this artist, captured in 2008, which presents his life spanning career as a singer / songwriter from his early days with Buffalo SpringfieldFind albums by this artist, via Crosby, Stills & Nash (and Young), ManassasFind albums by this artist and his other endeavors. The concert includes fourteen songs, split into two sets: an acoustic and an electric set. The first set presents Stills completely solo just singing and playing his acoustic guitar, while the second set presents him playing the electric guitar and supported by keyboardist Todd CaldwellFind albums by this artist, bassist Kenny PassarelliFind albums by this artist and drummer Joe VitaleFind albums by this artist, all three also singing vocal harmonies. Stills wrote ten and co-wrote one (with Graham Nash) of the songs present here and three are by other songwriters. The album also includes a DVD with the same material.
Albums like these are often criticized by critics as nothing more than a "dinosaur experience", with the artists performing just crowd-pleasers and basically riding on waves of nostalgia. This album is nothing of the sort. Yes Stills performs some of his material that has gained him his legendary status, but he also proves that he is completely relevant today and his music simply does not expire with time. In fact there are very few contemporary music acts that can stand up to such artists as Stills, both as far as vitality and surely quality is concerned.
For the hordes of Stills fans (we are dying but we are still here) this is a must of course, but younger music lovers should also find this interesting, provided of course they have the ability to distinguish between music and the bullshit the media is brainwashing them with. I hope to catch these heroes of my youth live on stage again, even if I have to do it in a wheelchair.
| Updated: 29/10/2016Posted: 29/10/2016 | CD+DVD 2 Mini-Sleeve Recommend To A Friend |
  | STEPHEN STILLS ~ LIVE IN CONCERT ROX VOX 1006 (Barcode: 5292317100626) ~ USA ~ Classic Rock Recorded: 1976 - 1977 Released: 2015
This is a live recording of two concerts by the iconic American singer / multi-instrumentalist / songwriter Stephen StillsFind albums by this artist, which were originally broadcast by the legendary radio show King Biscuit Flower Hour. The concerts were recorded just three months one after the other (October 1976 and January 1977), the first of which was recorded completely solo and the second in a trio setting with bassist George PerryFind albums by this artist and drummer Joe VitaleFind albums by this artist. Together the album presents nineteen songs, most of which were written by Stills, spanning his entire career to date and including material from the Buffalo SpringfieldFind albums by this artist, Crosby, Stills, Nash & YoungFind albums by this artist and his solo albums.
The music showcases the extraordinary qualities of Stills as a singer, brilliant guitarist and of course seminal songwriter. These performances are significantly different from other available recordings of this material and therefore should be highly interesting to the many Stills fans and considering the fine sound quality of this material, it is absolutely worth investigating. It seems Stills is largely underappreciated and somewhat forgotten today, which is a great pity as in retrospect he surely is one of the brightest stars of American Classic Rock – and don´t you forget it! Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 24/05/2019Posted: 24/05/2019 | CD 1 Remastered Recommend To A Friend |
  | STIVELL, ALAN ~ LEGENDE DREYFUS 36205 ~ FRANCE ~ World Music & Folklore
French harpist Alan Stivell is one of the pioneers of the Celtic music revival and his albums starting from the early 1970s were all milestones as far as the penetration of Celtic music to a widespread public is concerned. This 1983 album finds him in his second phase of his music development, where he adds modern electronic elements to his wide range of instruments, creating some deeply mystical music.
| | CD 1 Recommend To A Friend |
  | STODOLA BIG BAND ~ LET`S SWING AGAIN (POLISH JAZZ VOL.28) MUZA 1028 (Barcode: 5907783420283) ~ POLAND ~ Jazz Recorded: 1971 Released: 2006
This is the only album by the Polish Stodola Big BandFind albums by this artist, one of the relatively few Big Bands active in that country over the years. The logistic and economic complexity of sustaining a working Big Band without continuous and frequent performing opportunities is simply to much in most cases anywhere in the world, and even more so in a country under a Socialist regime, where Jazz opportunities were limited. The fact that this Big Band managed to exist for several years and make this album is a rare treat indeed. The band was conceived and founded by the veteran Polish Jazz trumpeter / composer Henryk MajewskiFind albums by this artist, who managed to enlist some of the best Jazz players on the local scene, such as saxophonists / composers Janusz ZabieglinskiFind albums by this artist and Zbigniew JaremkoFind albums by this artist. The band was named after the Warsaw´s Jazz club Stodola, which was the bastion of traditional Jazz in Poland for many years. They played a very original brand of Swing, based on the American tradition, but much more adventurous as far as the compositions and improvisations are concerned. Of the eleven tracks on this album only two are standards and the rest are originals, mostly composed by Zabieglinski, Jaremko and Majewski. In retrospect the music lost nothing of its swing and freshness and is a great document of the era. Big Band fans will love this stuff!
| | CD 1 Digipak Remastered Recommend To A Friend |
  | STREETWALKERS ~ LIVE BGO 606 (Barcode: 5017261206060) ~ UK ~ Classic Rock Recorded: 1977 Released: 2004
5th and last album by British band StreetwalkersFind albums by this artist, founded by two ex-FamilyFind albums by this artist founding members vocalist Roger ChapmanFind albums by this artist and guitarist John WhitneyFind albums by this artist, after Family disbanded. Recorded during the very last months the band existed and released "posthumously", this album (originally a double LP) splendidly sums up the band´s three years of activity, presenting them at what they did best: kick ass. On stage Streetwalkers were a mean Rock machine, delivering their music with vengeance and perfect professionalism. Chapman´s unequalled vocal delivery is of course the focal point, but the instrumentalists provide a superb background for his genius. The music, mostly written by Chapman / Whitney, is sophisticated enough to be interesting at all times, but also rocky enough to deliver a care-free straight-ahead exterior appeal, which Rock music projects. This is a splendid farewell present to the band´s loyal fans and followers, which unfortunately were not strong enough in numbers to ensure the band´s success, especially in view of the fact that the musical trend at the time was rapidly shifting towards the anti-musical revolution of Punk. In retrospect this is a great showcase of the last glorious days of British Rock. The album is an absolute must to all Family fans, but should appeal to most dedicated British Rock lovers, especially after being unavailable for so long.
| | CD 1 Slipcase Remastered Recommend To A Friend |
  | STREETWALKERS ~ LIVE AT ROCKPALAST REPERTOIRE 5327 (Barcode: 4009910532720) ~ UK ~ Classic Rock Recorded: 1975 - 1977 Released: 2013
This is an archival live 2CD / DVD album by the excellent British Rock group StreetwalkersFind albums by this artist, captured live in Germany in 1975 and 1977 for the TV program Rockpalast. The group was co led by the charismatic vocalist Roger ChapmanFind albums by this artist and guitarist John WhitneyFind albums by this artist, who also co-wrote most of their original material. The group was formed following the legendary FamilyFind albums by this artist disbanded. Streetwalkers recorded four studio albums and one live album, and this release captures them in at their best.
CD1 recorded in 1975 presents nine tracks and the lineup includes guitarist / vocalist Bob TenchFind albums by this artist, bassist Jonathan PlotelFind albums by this artist and drummer Nico McBrainFind albums by this artist.
CD2 recorded in 1977 presents eleven tracks and the lineup includes Tench, bassist Michael FeatFind albums by this artist, drummer David DowleFind albums by this artist and keyboardist Brian JohnstoneFind albums by this artist. Due to time limitations, it misses one of the tracks present on the DVD.
The DVD includes all the material on both CDs and one additional track, as mentioned above.
Chapman and Whitney (with some help from Tench) were incredible songwriters, which is clearly evident herein, and Streetwalkers performed only original songs, as they always had plenty of material to choose from. Chapman’s incredible and highly idiosyncratic vocal performances are definitely some of the finest in British Rock music.
Overall, this is a great piece of Rock history by one of the best British Rock / Blues-Rock performers, which is always a great pleasure to revisit and more importantly remember. The Family / Streetwalkers legacy is truly monumental, sadly somewhat underappreciated IMHO. Check it out for yourself!
| Updated: 08/04/2024Posted: 08/04/2024 | 2CD+DVD 3 Digipak Slipcase Remastered Recommend To A Friend |
  | MARCIN STYCZEN ~ LUBIE GADAC Z LEONARDEM NOT ON LABEL (Barcode: 5907582542032) ~ POLAND ~ Pop & Rock Recorded: 2017 Released: 2017
This is an album of songs by Leonard Cohen recorded by Polish singer Marcin StyczenFind albums by this artist. The album presents eleven songs originally included on the last three albums by Cohen, which Styczen translated into Polish. These songs have not been previously translated into Polish or performed by other Polish Artists. The musical arrangements were done by keyboardist Marcin KuczewskiFind albums by this artist and guitarist Tomasz PfeifferFind albums by this artist, drummer Chris AikenFind albums by this artist and violinist Marta ZalewskaFind albums by this artist provide the background accompaniment. There is also a bonus track, which presents one of the songs captured live. The album was funded by the Polish crowdfunding platform "Polak Potrafi".
Cohen is an icon and it takes a lot of courage to touch his songs on any level, especially so his late material, which was even darker and more introvert than his earlier creations. Translation is a risky, immensely difficult and usually ungrateful task and therefore this is the most significant layer of this album as far as I am concerned. Overall Styczen managed quite well in this respect, with the Polish texts if not always very closely resembling the originals, convey the spirit and if not all at least some of the subtext. The translation is oriented to fit the music as well as possible, which in many cases is extremely tricky when translating song lyrics. Of course I´d prefer Polish listeners to study English and understand the original lyrics, but this is possibly the second best.
The musical arrangements, which are rather minimalistic and quite elegant, suit this music well and in spirit are close to Cohen´s principles, which emphasized the words and kept the music on a second plane, being a vehicle rather than the essence. The playing is professional, as expected, but there are no moments of exceptional virtuosic showmanship, which perhaps is for the best in this format.
The actual singing on this album is slightly disappointing for me. It seems that Styczen is trying to force his voice to be similar to Cohen´s, which of course is beyond his vocal abilities. His diction and pronunciation are correct and so is his Cohen-like delivery, but the dark and somewhat husky tone of his voice sounds unnatural. The best proof of this is the difference between the live version of "Going Home", where he sounds natural and the studio version of the same song. But of course these are matters of taste, nothing that should hinder the overall impressive achievement.
Overall this is an ambitious and well produced and executed album, which has its artistic merit and should bring a lot of delight to Polish admirers of Cohen and his music. The album is very well recorded, with crystal clear ambience and excellent sound quality, which makes the experience of listening to it even more pleasurable. Well done!
| Updated: 02/02/2018Posted: 02/02/2018 | CD 1 Digipak Recommend To A Friend |
  | SWEET SMOKE ~ LIVE HARVEST 522683 (Barcode: 724352268320) ~ USA ~ Progressive Rock Recorded: 1974 Released: 2001
3rd album by Sweet SmokeFind albums by this artist and their last recorded output. It showcases how great this band was live as well as their excellent material and playing abilities. Long instrumental passages with plenty of space for improvisation and a distinctive jazzy feel make this a most pleasurable album to listen to. The material is all new and does not include songs from the studio albums. Excellent stuff!
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | LORA SZAFRAN ~ LONESOME DANCER (POLISH JAZZ VOL.76) MUZA 1076 ~ POLAND ~ Jazz Recorded: 1989 Released: 2006
This is the excellent debut album by female Polish Jazz vocalist Lora SzafranFind albums by this artist, the best new arrival on the local scene in the 1980s in the vocal department. She was blessed with great musicality, versatility and superb vocal abilities, which are rare and precious. On this album she is accompanied by an exceptional quartet called New PresentationFind albums by this artist, consisting of the best young Polish Jazz musicians at the time: pianist / composer / leader Wojciech NiedzielaFind albums by this artist, his brother bassist Jacek NiedzielaFind albums by this artist, drummer Adam CzerwinskiFind albums by this artist and the excellent trumpeter Piotr WojtasikFind albums by this artist. Together they perform nine songs, two of which were composed by Wojciech Niedziela, two others are by other Polish composers and the rest are Jazz standards. The overall level of performance is truly excellent from start to finish and for people who love mainstream Jazz delivered with taste and virtuosity, this is a must. Side Note: This is the last album released under the "Polish Jazz" series, and as the volume number suggests the entire series consists of 76 albums released between mid-1960s and late 1980s. Some of the best European Jazz ever recorded can be found in this exceptional collection of recordings, which is often collected by Jazz fans around the world. A giant Box Set with all the 76 albums in mini-sleeve replicas would be a "dream come true" for true lovers of Polish Jazz. Hopefully soon!
| Updated: 26/01/2019Posted: | CD 1 Digipak Remastered Recommend To A Friend |
  | TANAKA ~ LITHP KADIMA COLLECTIVE 15 ~ ISRAEL ~ Jazz Recorded: 2007 Released: 2008
2nd album by Israeli Improvised Music quartet TanakaFind albums by this artist, which consists of Adi SnirFind albums by this artist (soprano & tenor saxophone, clarinet), Roni BrennerFind albums by this artist (guitar), Michel MayerFind albums by this artist (guitar) and Ofer BymelFind albums by this artist (drums). These four young musicians play some of the most extreme Improvised Music I ever came across, which is pretty unique and astounding, but extremely difficult and uncommunicative. The music bears some resemblance to musique concrete, incidental music and industrial. The album consists of a series of 13 relatively short pieces and one extended performance, with the musicians using their instruments in completely unconventional manner and the overall result is very difficult to describe, especially to people who have no experience with hard-core Avant-Garde music. Nevertheless adventurous listeners might find this stuff fascinating and it does expand the borders of “music making”, which is always commendable. This stuff is for people, who are extremely open-minded and ready to test their intellectual capacity, regardless of the effort this requites.
| Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | TANGERINE DREAM ~ LE PARC ESSENTIAL 364 ~ GERMANY ~ Progressive Rock
The German group Tangerin Dream is surely the pioneer and forefather of electronic music. Led by Edgar Foerse, who is the only constant figure in the multitude of their line-ups, the group recorded on of the most extensive catalogs (if not the most extensive) spanning close to 200 albums. This 1985 album presents music which is typical of their 1980s output - with shorter and more well defined compositions.
| | CD 1 Remastered Recommend To A Friend |
  | TAQ ~ LIVE IN MINSK MAZOWIECKI RUBICON 001 ~ POLAND ~ Jazz Recorded: 2005 Released: 2006
TAQFind albums by this artist is a superb international piano trio consisting of Polish virtuoso pianist / composer Marcin MaseckiFind albums by this artist, Canadian bassist / composer Garth StevensonFind albums by this artist and Israeli drummer / composer Ziv RavitzFind albums by this artist. The trio was formed in 2002 when all three were students at the Berklee College of Music in Boston as a result of an unusual rapport that developed between these young and highly talented musicians. Later the trio begun touring and during the 2005 tour in Poland recorded live this, their debut album. In the six years since this album was recorded all three musicians established their careers, which are all pretty unusual and extremely successful, especially in view of the difficult times Jazz is going through. This album clearly points out why: they are all simply different, unique and completely individual in their musical approaches. Masecki is a "crazy" genius, completely ignoring all rules and regulation, re-inventing scales and harmonies, Ravitz revolutionizes Jazz drumming by incorporating Middle-Eastern rhythmic patters and the use of hands rather that sticks or mallets as well as usage of additional percussion instruments. Stevenson is the most "conventional" of the three, which of course is a blessing, as without him the music might have crossed the chaos line easily. In retrospect this is a completely unknown little album, which shines more brightly than most of the other stuff that the promotional apparatus puts on the shelves – a pure gem of an album which should not be ignored under any circumstances!
| | CD 1 Digipak Recommend To A Friend |
  | TASAVALLAN PRESIDENTTI ~ LAMBERTLAND LOVE 060 ~ FINLAND ~ Progressive Rock
2nd album from 1972. Alongside Wigwam, Tasavallan Presidentti were the other great Prog group from Finland and the home of one of the best Scandinavian guitarists - Jukka Tolonen. Great melodies and a gentle jazzy touch make this one a true classic.
| | CD 1 Oversampling Recommend To A Friend |
  | TASAVALLAN PRESIDENTTI ~ LAMBERTLAND SVART 250 (Barcode: 6430065588511) ~ FINLAND ~ Progressive Rock Recorded: 1972 Released: 2019
This is a reissue of the third album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This album was recorded in Finland and Sweden (vocals only) and originally released internationally on SonetFind albums on this label Records and locally on LoveFind albums on this label Records.
The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish Love Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.
By the time this album was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist and so did Frank Robson, who was replaced by Eero Raittinen (see above). Tolonen, who started to develop a successful solo career and released his debut album "Tolonen!Find albums with this title" in 1971 (also on Sonet), became the group´s resident composer and wrote almost all the music on this album, except for one piece, which was composed by Poyry. The album presented six extended tracks, two of which were instrumentals. The lyrics were written by bassist Mats HuldenFind albums by this artist, founding member of WigwamFind albums by this artist, "the other" seminal Finnish Prog supergroup at the time. This expanded edition adds the two sides of the band´s single as bonus tracks.
The music is classic Progressive Rock of the period, with complex compositions often combining several themes into a single musical piece. The vocal parts are relatively limited and most of the music is devoted to instrumental improvisations, with a strong Jazzy influence, which continues the Jazz-Rock element of the earlier albums. Tolonen and Poyry offer plenty of bloodcurdling soloing, which remains completely relevant to this very day. In retrospect this album stands out as one of the finest achievements of the European Prog in early 1970s, before the genre lost most of its steam and originality in the years that followed.
For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.
| Updated: 21/04/2020Posted: 21/04/2020 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | TASAVALLAN PRESIDENTTI ~ LIVE IN LAMBERTLAND SVART 387 (Barcode: 6430065588559) ~ FINLAND ~ Jazz-Rock Fusion Recorded: 1972 Released: 2019
This is an archival album by the seminal Finnish Jazz-Rock Fusion / Progressive Rock group Tasavallan PresidenttiFind albums by this artist (Eng. President of the Republic). This material was recorded live on three separate occasions in the summer of 1972, after the album "LambertlandFind albums with this title" was recorded in the studio in the spring of that year, and offers mostly renditions of the material from that album except for one composition originating from the debut alum by the guitarist (see below). The recordings were done by the YLE (Finnish Broadcasting Company), which similarly to the BBC has bottomless archives of absolutely sensational material recorded over the years, which offers an amazing opportunity to hear past treasures, usually captured with a superb sound quality. All the material on this 2CD album was previously unissued.
The group was founded in 1969 by two ex-members of the group Blues SectionFind albums by this artist: bassist / keyboardist Mans GroundstroemFind albums by this artist and British vocalist Frank RobsonFind albums by this artist and two members of HelpFind albums by this artist (led by vocalist Eero RaittinenFind albums by this artist): drummer Vesa AaltonenFind albums by this artist and guitarist Jukka TolonenFind albums by this artist and finally a seasoned saxophonist / flautist Juhani AaltonenFind albums by this artist, Vesa´s brother, who was a member of SoulsetFind albums by this artist. The group recorded their debut album the same year, which was one of the earliest releases on the absolutely legendary Finnish LoveFind albums on this label Records (catalog number LRLP 7), the home of the dazzling Finish music of the late 1960s and 1970s, which released an astonishing catalog of almost 400 LPs.
By the time this material was recorded Juhani Aaltonen left to be replaced by another superb saxophone / flute player Pekka PoyryFind albums by this artist and so did Frank Robson, who was replaced by Eero Raittinen (see above). Tolonen, who started to develop a successful solo career and released his debut album "Tolonen!Find albums with this title" in 1971 (on SonetFind albums on this label), became the group´s resident composer and wrote almost all the music on the "Lambertland" album, except for one piece, which was composed by Poyry. The lyrics were written by bassist Mats HuldenFind albums by this artist, founding member of WigwamFind albums by this artist, "the other" seminal Finnish Prog supergroup at the time.
The music, as usual with live recordings, offers much more expanded versions of the studio material, which feature long and complex instrumental improvisations, and as a result bring this music closer to the Jazz-Rock Fusion idiom than the original album´s Progressive Rock ambience. The strong Jazzy influence is more obvious and allows Tolonen and Poyry to produce plenty of bloodcurdling soloing, superbly supported by the rhythm section and even the vocal parts feature some wordless vocalese. Overall this music is a splendid example what this group was capable off at their absolute best.
For lovers of early European Jazz-Rock Fusion and Progressive Rock this is an absolute gem and a must in any serious music collection of that period. Thanks to the great Finnish SvartFind albums on this label Records for their fantastic job of keeping the Finnish musical legacy alive.
| Updated: 24/04/2020Posted: 24/04/2020 | CD 2 Remastered Recommend To A Friend |
  | TEMPORARY SANITY ~ LAST SUMMER PHONOKOL 021 (Barcode: 7296134002123) ~ ISRAEL ~ Classic Rock Recorded: 1991 Released: 1991
1st album by the excellent Israeli Rock group Temporary SanityFind albums by this artist, formed by young musicians barely out of high school at the time, which was active on the local scene in the early 1990s. The group managed to score a major hit with the album´s title song, but unfortunately never achieved the recognition it truly deserved. They disbanded, after recording their second album three years later. Fronted by the superb female vocalist Mirit LibaFind albums by this artist, the group played ambitious self-penned material, which ranks among the best Rock recorded in Israel. In retrospect twenty years later this music still sounds great and lost nothing of its quality. Wholeheartedly recommended!
| | CD 1 Recommend To A Friend |
  | BARBARA THOMPSON ~ LIVE AT THE BBC REPERTOIRE 1376 (Barcode: 4009910137628) ~ UK ~ Jazz Recorded: 1969 - 1990 Released: 2020
This is a monumental 14CD Box Set by British saxophonist / flautist / composer / bandleader Barbara ThompsonFind albums by this artist, the mightiest female heroine of the British Jazz scene in the last six decades. The Box Set collects 27 radio broadcasts recorded between February 1969 and June 1990, an incredible document not only of Thompson’s incredible career, but basically of the entire two decades of the most intense British Jazz history. Painstakingly collected, organized and remastered / restored, the music is an orgy of some of the most intense music played on the British Isles at the time.
The music is performed by the absolute Who’s Who of the British Jazz scene at the time, starting with Barbara’s husband Jon HisemanFind albums by this artist, who stood by her side since they married in 1967 for many years until his tragically premature death in 2018. But reading the credits of the participating musicians is like reading an encyclopedia of British Jazz. Thomson appears here as a member of the New Jazz OrchestraFind albums by this artist (NJOFind albums by this artist) and groups led by other musicians, but principally as leader of her own ensembles, including JubiabaFind albums by this artist and ParaphernaliaFind albums by this artist. Many compositions appearing here were her own and many of them are previously unreleased.
Of course it is rather futile to describe such vast amount of music, all of which is obviously brilliant, so rather than doing so I can only recommend to every British Jazz fan to get a copy of this Box Set as long as it is available. It includes hours upon hours of superb musicianship and infinite creativity, that must not be forgotten.
This is also a splendid opportunity to thank the BBC for supporting British Jazz (and British music in general) for so many years, recording the music and broadcasting it consistently and on the way collecting a bottomless vault of musical treasures, which see the light of day often only decades later. A huge portion of British Jazz recordings exist solely due to all this activity.
Overall, this is an absolute treasure chest of music, which deserves to be heard by future generations. It is also a beautiful example of dedication and painstaking work by many people, who contributed to create this release, and of course all deserve our thanks for making it happen.
| Updated: 19/12/2021Posted: 18/12/2021 | CD 14 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | BARBARA THOMPSON`S PARAPHERNALIA ~ LIVE IN CONCERT (80TH BIRTHDAY EDITION) REPERTOIRE 1473 (Barcode: 4009910147320) ~ UK ~ Jazz-Rock Fusion Recorded: 1980 Released: 2024
This is a reissue / remaster of a live album by British Jazz saxophonist / flautist / bandleader Barbara ThompsonFind albums by this artist and her band ParaphernaliaFind albums by this artist, which included keyboardist Colin DudmanFind albums by this artist, bassist Dill KatzFind albums by this artist and drummer (and Barbara’s husband) Jon HisemanFind albums by this artist. The album presents eight tracks, six of which are original compositions by Thompson, one is by Dudman and one is by British keyboardist / composer Peter LemerFind albums by this artist. The album was originally released as a double LP and this is the first time it is released on CD. To commemorate Barbara’s 80th Birthday, this edition was expanded to include a bonus CD, called “The Flute Collection”, which presents a collection of ten tracks, which feature Barbara’s flute performances, recorded with various ensembles in the 1970s, 1980s and 1990s. The album was beautifully and lovingly put together, including the extensive booklet, by Ana GraceyFind albums by this artist, Barbara’s and Jon’s daughter, and includes numerous photographs, press clippings and other memorabilia, to commemorate Barbara’s passing in 2022, which was deeply mourned by her family and friends.
Paraphernalia was Barbara’s vehicle to present her wide range of compositions, which amalgamated many diverse influences, from Classical Music, World Music and of course Jazz in all its splendor of sub-genres. She was a remarkable instrumentalist, with a superb feel and outstanding improvisational abilities. She was an integral part of the British Jazz scene since the 1960s and her numerous recordings as a leader and sidewoman are a beacon of excellency and talent. She is also a great heroine as far as her personal fight with the Parkinson’s disease, which sadly overshadowed her life during the last period of her life.
Overall, this is a great opportunity to re-visit this live album, which reflects the spirit of one of the best British bands active at the time, and enjoy the superb performances by Barbara, Colin, Dill and John, which of course I had the immense pleasure to listen to in person many a time. I am sure many Paraphernalia fans will enjoy listening to this album again and now with the bonus album as a cherry on top, this is truly irresistible. Thanks to Ana and everybody else involved in this project for making this music available again!
| Updated: 29/07/2024Posted: 29/07/2024 | CD 2 Slipcase Remastered Bonus Tracks Recommend To A Friend |
  | THREE GENERATIONS TRIO ~ LIVE! IN JAZZ CLUB PINOKIO! GAD 313 (Barcode: 5903068125904) ~ POLAND ~ Jazz-Rock Fusion Recorded: 1992 - 1994 Released: 2024
This is a reissue of an album by the Polish Fusion trio called Three Generations TrioFind albums by this artist, which comprised of guitarist Marek RaduliFind albums by this artist, bass guitarist Wojciech PilichowskiFind albums by this artist and drummer Zbigniew LewandowskiFind albums by this artist. The album was recorded live and presents eleven tracks, five of which are original compositions by Raduli, one is by Pilichowski and the rest are by other composers. This reissue adds one bonus track from another album by Lewandowski.
The trio’s moniker originates due to the age differences between the members, but their performance together finds them completely in sync which each other. Although this album, released privately, was overlooked at the time and disappeared pretty quickly, it is a great example of guitar power trio playing classic Fusion, and this reissue is a welcome occasion for the album to be re-discovered by Fusion fans. Raduli is undoubtedly one of the best Polish guitar players, who sadly never achieved the fame and recognition he deserves. Pilichowski, as heard here, is also a highly talented bassist, but he also almost disappeared from the scene. Lewandowski, who is more associated with the Polish Jazz scene, made occasional reappearances over the time, but again it would have been nice to hear more from him over time.
The problem with Fusion is of course, that its musical scope developed rapidly and soon after got stuck in a limbo, which persists to this very day. This means that as far as Fusion is concerned, this album is as actual today as it was at the time it was recorded three decades ago, for good and for bad.
Overall, this is still a scorching Fusion album, which for the lovers of the genre and guitar aficionados is as perfect as it gets. The sound quality is great and the trio storms the stage, taking no prisoners. Considering how rare this album was before the reissue, this is quite a celebration. Well done as usual, GADFind albums on this label Records, the champion of Polish recorded music archeology!
| Updated: 03/02/2025Posted: 03/02/2025 | CD 1 Bonus Tracks Recommend To A Friend |
  | THRESHOLD ~ LIVEDELICA (EP) GEP 1015 ~ UK ~ Progressive Rock
3rd album (mini-album in fact) from 1995 by this UK Metal / Prog group and their first live recording. The material featured comes from the first two albums, but these live versions are much expanded and refined and serve as a great document of the band`s development.
| | CD 1 Recommend To A Friend |
  | KEITH TIPPETT ~ LINÜCKEA FMR 070 (Barcode: 649849982346) ~ UK ~ Jazz-Classical Fusion Recorded: 2000 Released: 2000
It might sound strange at first to see the British pianist / composer Keith TippettFind albums by this artist, who is after all a representative of the Free Jazz and Improvised Music genres, in the context of contemporary Classical music. Nevertheless this project is exactly what this music is all about – a synergy of Improvised Music and contemporary Classical. In 1995 the Kreutzer String QuartetFind albums by this artist, one of the world’s most famous and revered classical ensembles, commissioned Tippett to write a piano quintet, to be performed by him with the quartet. Tippett stood up to the challenge admirably, composing a brilliant piece of contemporary music, which although mostly written, includes sections, which allow for spontaneous improvisation and collective free interplay between the performers. The piece was performed several times over the years and eventually recorded five years later, for all of us to enjoy for posterity. The music is truly stunning, combining hundreds of years of the European music tradition with modernism at its best. Although the music might sound strange at first both to Classical and Jazz listeners, the beauty and the emotional power of this extraordinary piece is able to transcend all barriers. Of course this is not intended for casual listening and requires both attentiveness and open mindedness, but the pleasure inspired on the listener is boundless. I wish as many people as possible would be exposed to this music, alas this treasure will be known quite a limited circle of “insiders”. I dare everybody to try this one.
| | CD 1 Recommend To A Friend |
  | KEITH & JULIE TIPPETT ~ LIVE AT THE PURCELL ROOM OGUN 034 (Barcode: 5020675572317) ~ UK ~ Free Jazz / Improvised Music Recorded: 2008 Released: 2010
This is a live album by British Jazz legendary “Couple in Spirit”: vocalist / lyricist / composer Julie TippettsFind albums by this artist and her husband pianist / composer Keith TippettFind albums by this artist. The album presents just one continuous improvised piece lasting for slightly over forty-six minutes.
The music is a brilliant display of improvised music and the “Art of the Duo” idiom, of the epic proportions. The uninterrupted dialogue develops organically, with the couple exchanging ideas and supporting each other splendidly, and one might say telepathically.
Julie utilizes mostly wordless vocalese, which is insanely beautiful, and sadly used by other Jazz vocalists, at least in that extent. Her voice becomes an instrument, which is obviously the most developed instrument out there, completely limitless and unbounded. In addition to her voice, she also plays some oriental percussion instruments, bells and bowls. Similarly, Keith also uses some percussive devices in addition to his piano.
Of course this kind of music, or musical experience, is completely indescribable using words (“Writing about music is like dancing about architecture”), and my meager attempts here have the sole purpose to encourage potential listener to grab a copy of this Masterpiece and give it a listen.
Overall, this is an absolute gem of Improvised Music / Avant-Garde Jazz, especially since it involves the human voice, which is our God given natural tool of expression. It is an absolute must to listeners, who love to be challenged, and a great document of spontaneous music making, which keeps its power beyond the actual moment of creation, resulting in a timeless, lasting Artistic statement.
| Updated: 23/02/2023Posted: 23/02/2023 | CD 1 Mini-Sleeve Recommend To A Friend |
  | COLIN TOWNS ~ LEND ME YOUR EARS PROVOCATEUR 1038 (Barcode: 5038491103820) ~ UK ~ Jazz Recorded: 2005 - 2006 Released: 2006
British pianist / composer / arranger / bandleader Colin TownsFind albums by this artist, one the most talented and prolific European Jazz composers, cooperates often with Europe’s premiere Jazz orchestra, the German NDR Big BandFind albums by this artist from Hamburg. This album presents a series of original compositions by Towns, written especially for the NDR Big Band and performed by it. Having at his disposal such esteemed and well trained group of musicians, Towns is able to stretch his compositional and arranging skill to the limit, creating some of the most magnificent big band music ever recorded. The music covers a vast musical panorama, from exotic World Music influences, via chamber pieces and even electronics. Brilliantly performed (and superbly recorded), this is a beautiful example of music, which is fresh, intelligent and innovative, dazzling with its intricacy and moving with its melodic lyricism. The compositions include a six-part Jazz suite dedicated to and featuring the talents of Polish pianist Wladyslaw SendeckiFind albums by this artist, who is the NDR Big Band’s resident pianist. There is ample space for some superb solos by the band’s members, including saxophonist Christof LauerFind albums by this artist, one of Europe’s most distinguished players today. I can hardly imagine a more perfect big band recording, which is an instant classic and a superb example of the Jazz Art Form, something that should inspire and educate other Jazz composers and arrangers and set an example for others to study. It is, after all, a collection of the entire Jazz vocabulary harmonically, stylistically and historically. Well-trained listeners should have no trouble hearing shades of New Orleans marching bands, Duke EllingtonFind albums by this artist’s masterly compositions and Gil EvansFind albums by this artist’ pioneering orchestrations, mind you subtle shadows as in smiling Angels watching over Towns, never imitations or plagiarism so often heard in other big band efforts. If it was up to me I’d have made this album a compulsory learning tool for every Jazz student, but alas this is beyond my powers. I still can, however, recommend this beauty to every connoisseur of truly great music - Jazz included. As I already said – a true classic!
| | CD 1 Digipak Recommend To A Friend |
  | STAN TRACEY ~ LAUGHIN` AND SCRATCHIN` JAZZ HOUSE 608 (Barcode: 751848670824) ~ UK ~ Jazz Recorded: 1965 Released: 1997
This is an album which presents archival / informal recordings by the Godfather of modern British Jazz, pianist / composer Stan TraceyFind albums by this artist, recorded live in a trio format at the famous Ronnie Scott´s Club in London, featuring bassist Rick LairdFind albums by this artist (later of Mahavishnu OrchestraFind albums by this artist fame) and drummers Ronnie StephensonFind albums by this artist or Bill EydenFind albums by this artist. The trio performs seven pieces, two of which are originals by Tracey and five are standards.
Between 1959 and 1965 Tracey and his trio served as the house band at the Ronnie Scott´s Club (the original one at Gerrard Street) and accompanied scores of visiting musicians, mostly from the US, such as Johnny GriffinFind albums by this artist, Sonny RollinsFind albums by this artist, Ben WebsterFind albums by this artist, Stan GetzFind albums by this artist, Wes MontgomeryFind albums by this artist, Roland KirkFind albums by this artist and many, many more. Playing with these Giants obviously served as a wonderful opportunity for Tracey to polish his chops, but more importantly to develop his own style as a player and composer, which differed from the standard American Bebop approach.
The selections included on this album are all pretty long in duration and as such are wonderful documents of Tracey´s idiosyncrasies as a piano player, with his quite unique approach to the instrument, similar in some ways to what Thelonious MonkFind albums by this artist was doing. Tracey plays mostly chords, vamping and boogieing all over the keyboard, only occasionally playing out the melody notes. His interpretation of the Monk tune present here is simply amazing.
The rhythm section bravely keeps up with the governor, standing with him shoulder to shoulder even during the unexpected twists and turns he takes along the way. Although the sound quality of this album is far from ideal, the music is absolutely stunning and more than compensates for the technical limitations.
Albums like this are precious pieces of Jazz history captured for eternity, which are still valid today and are definitely worth listening to, especially by the young generation, which missed it in real time. Great stuff!
| Updated: 24/03/2016Posted: 24/03/2016 | CD 1 Recommend To A Friend |
  | TRANSATLANTIC ~ LIVE IN AMERICA INSIDEOUT 074 (Barcode: 4001617415122) ~ USA ~ Progressive Rock Recorded: 2001 Released: 2001
2nd album. In between their debut album and the follow up 2nd studio album the group toured the US extensively and this album brings out the best of those live performances. The material includes much of the sebut album, but of course the tunes are expanded and include ad-hoc improvisations. Additional material includes tributes to past influences, among those Genesis and even the Beatles. Brilliant all the way!
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  | TRIBUTE TO MILES ORCHESTRA ~ LIVE WARNER MUSIC POLAND 039842388922 (Barcode: 039842388922) ~ POLAND ~ Jazz Recorded: 1998 Released: 1998
This is the only album by Polish Jazz ensemble Tribute To Miles OrchestraFind albums by this artist (a.k.a. TTMOFind albums by this artist), led by keyboardist / composer Wojciech KonikiewiczFind albums by this artist, which also featured trumpeter Andrzej PrzybielskiFind albums by this artist, saxophonist Mariusz MielczarekFind albums by this artist, guitarist Janusz Yanina IwanskiFind albums by this artist, bassist Marcin PospieszalskiFind albums by this artist, drummer Radek MacinskiFind albums by this artist and percussionist (usually keyboardists) Piotr IwickiFind albums by this artist. The album, which was recorded live at the legendary Akwarium club in Warsaw, presents six compositions, five of which are by Miles DavisFind albums by this artist and one is by Konikiewicz (dedicated to Davis).
Musically the album presents the style Miles Davis utilized during the last period of his career, when he switched to Warner Bros. and released the world shattering "TutuFind albums with this title", presenting a combination of Funk and electronic music, which at the time was as innovative as every other giant step Davis took during his career. The Polish Jazz musicians handle the Funk rhythmic challenge formidably and paraphrasing on the "white man can´t jump" - white man definitely can Funk! There are plenty of superb solos and passionate moments, as well as interesting arrangements of earlier Davis compositions transcribed into the Funky style. The remarkable bass playing, which is the basis upon which this music is built, is the core element of its success. But all the participants are contributing extraordinarily and the overall result is way beyond what one might expect.
The most thrilling and astonishing facet of this album is the presence of trumpeter Andrzej Przybielski, who is ordinarily associated with the Free / Avant-Garde Polish scene. This is surely the most "conventional" recording that Przybielski ever took part in and his sound and imitation of the Miles Davis phrasing are simply marvelous. The invitation of Przybielski to participate on this album was a prophetic and bold move by Konikiewicz, who is therefore credited for showing us a face of the legendary trumpeter that we never knew about and is preserved here for posterity.
There is no doubt that the idea behind this album was influenced by the two Miles Davis visits in Poland, in 1983 and in 1988 (I attended that concert), which are generally accepted as life changing experience for the Polish Jazz scene, both collectively as a community and individually as directly influencing the local musicians. The second visit, which happened shortly before Poland was finally released from the grip of the Socialist regime, was a symbol of a changing reality, which at the time was just around the corner (pun intended).
The album suffers from some minor sound quality problems due to the recording conditions, but those are completely negligible in view of the musical contents and the historic significance of this album. The fact that this album disappeared from the shelves almost immediately after it was released and was never reissued is a crying shame.
| Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | ROBIN TROWER ~ LIVING OUT OF TIME REPERTOIRE 5280 (Barcode: 4009910528921) ~ UK ~ Blues-Rock Recorded: 2002 - 2003 Released: 2013
This is a remaster / reissue of the 16th solo studio album by the legendary British Rock guitarist / vocalist / songwriter Robin TrowerFind albums by this artist, recorded in a quartet format with vocalist Davey PattisonFind albums by this artist, bassist Dave BronzeFind albums by this artist and drummer Pete ThompsonFind albums by this artist. The album presents eleven tracks, all of which are originals by Trower. The album was recorded following a three-years break since the preceding album “Go My WayFind albums with this title”.
Following his departure from the iconic Procol HarumFind albums by this artist, Trower pursues a solo career since 1973, with dozens of albums to his credit. He manages miraculously to stick to his own formula of creative Blues-Rock, which he follows in the sixth decade of his career. His guitar playing is still sharp and clear-cut and his vocals are still as powerful as always, and he does not need to reinvent himself or search for any new avenues, doing what he does best. His many fans love his music, and that’s what matters the most.
There are very few Rock personalities of his statue and legacy still standing today and every new album he releases is an unmistakable blast, on which he definitely takes, as usual, no prisoners.
Overall, this is an excellent Blues-Rock album, with beautifully melodic tunes, solid vocals and sensational guitar playing, which has but a few contenders. Trower’s many followers need no encouragement of course and some of the self-proclaimed new guitar aces would be wise to take a listen. Brilliant stuff!
| Updated: 30/06/2023Posted: 30/06/2023 | CD 1 Recommend To A Friend |
  | TRYO ~ LIVE… VIAJES POR EL CRUDO PATRIMONIO DE UN TRIO ENTRE DOS MUNDOS ROCK SYMPHONY 006 (Barcode: 7898217289959) ~ CHILE ~ Progressive Rock Recorded: 2005 Released: 2008
Following five absolutely brilliant albums, the titles of which can be found in the DVD´s title; the Chilean group TryoFind albums by this artist finally release their first DVD, which was filmed in Brazil closely following the release of their last album. Since I´ve already written extensively about this band, there is no need to expand here, just to remind everybody that this is probably one of the top 3 most interesting contemporary bands on our planet, playing music that is transcendent and far beyond anything else done today, crossing genres, styles and making any effort to label and classify completely useless. Hearing – and seeing in this case – is believing. How these three musicians manage to create this wonderful world of music is beyond anybody´s comprehension, but seeing it being done live leaves no doubts as to their abilities. People not familiar with the band´s recorded output can find here a great entry point; those who are already hooked need no prompting to grab this without a moment´s hesitation. A modern masterpiece! Dolby Digital 5.1 Surround Sound, 120 minutes. NTSC
| | DVD 1 Recommend To A Friend |
  | TURNER, BIG JOE ~ LIVE MYSTIC 109 ~ USA ~ Blues
Blues is best live and when it`s done by Turner, it`s even better. This 1996 live performance catches him in his best form, singing and playing his heart out. A treat to all blues fans.
| | CD 1 Recommend To A Friend |
  | TWELFTH NIGHT ~ LIVE FROM LONDON IGUANA 011 ~ UK ~ Progressive Rock
Filmed in 1984, this is a rare document of the early days of Neo-Prog, which owes its existence to a small group of bands, including Twefth Night (the others were IQ, Pallas and Marillion). This excellently recorded and filmed material presents the group with their second vocalist Andy Sears, just after the release of their live album "Live And Let Live". Sears replaced Geoff Mann, who was the bands front man for several years and was a large part of their success. Two years later (1986) they were to record their only studio album "Art And Illusion" (on Virgin Records) and then split a few month later in 1987. Since there is so very little material available from this band, this is a most welcome addition to their legacy.NTSC
| Updated: 21/09/2021Posted: | DVD 1 Recommend To A Friend |
  | TWO I AM ~ LAND ART NOT ON LABEL (Barcode: 5908252860807) ~ POLAND ~ Jazz-World Fusion Recorded: 2018 Released: 2019
This is the debut album by Polish duo called Two I AmFind albums by this artist, which consists of vocalist / songwriter Barbara BlaszczykFind albums by this artist and keyboardist Przemyslaw PankiewiczFind albums by this artist. Cajon player Wojciech LubertowiczFind albums by this artist guests on one track. The album presents seven tracks, six of which are original compositions by Blaszczyk and one is a standard. Four of the tracks feature lyrics, one in Polish and three in English. The music was arranged and produced by Pankiewicz.
The music absolutely escapes classification, and for lack of a better option I see it as a Jazz-World Fusion, as it amalgamates Jazzy moods and improvisations with strong Polish Folklore inspirations. But regardless of which definition one wants to apply here, the music is absolutely brilliant from start to finish.
The intimate vocal / keyboards setting is perfect in this case and lacks absolutely nothing to make this music work. Blaszczyk offers beautiful voice parts in a wide palette of vocalese and singing, while Pankiewicz provides sensitive and imaginative accompaniment, delicately emphasizing the vocal parts and managing to work out some impressive solo parts as well.
The music is like a breath of fresh air, deeply melancholic and highly melodic but at the same time spacey and open enough to include improvisation and leave something for the listener´s imagination.
Personally I prefer when Blaszczyk uses vocalese and honestly think that using lyrics, especially those in English, degrades the result on the whole, but it certainly is not fatal.
Overall this is an exceptional debut effort, which leaves the listener wishing for more, which hopefully will arrive soon. It proves that the young generation of Polish Jazz musicians is open to explore and bravely take the path less travelled. Congratulations are in order!
| Updated: 04/04/2020Posted: 28/03/2020 | CD 1 Digipak Recommend To A Friend |
  | UDA ~ LOWY KRABY NOT ON LABEL ~ POLAND ~ Jazz-Rock Fusion Recorded: 2012 Released: 2013
This is the third album by young Polish Fusion trio UdaFind albums by this artist, which comprises of guitarist Lukasz KrzywickiFind albums by this artist, bassist Kuba SienczykFind albums by this artist and drummer Michal ZawadzkiFind albums by this artist. This album features guest appearances by guitarist Apostolis AnthimosFind albums by this artist, bassist Krzysztof ScieranskiFind albums by this artist and accordionist Marcin GalazynFind albums by this artist. There are thirteen original compositions, which are supposedly co-created by the group members, since no composing credits are specified.
The main point about this music seems to be to offer something quite "different", and different it is. Mixing virtually every style and genre known to man and shunning from nothing, including ridiculous Rap moments, this music is a hodgepodge quite difficult to swallow sometimes. Heavy Metal riffs seem to be the preferred weapon of choice, but there are also quiet passages, which sound quite interesting. Although this music has a strong improvisational element it is much closer to Avant-Garde Rock than to Fusion. Of course the whole point is to make this music impossible to categorize. The first association is the early music of Frank ZappaFind albums by this artist, not that Uda are remotely close to his musical genius (nobody is), but the total disregard of form and established rules are also there.
Of course these youngsters can play, and they play well, even exceptionally well, when they do. Many of their devices seem to be borrowed or perhaps purposely used in a form of mockery or ridicule, which works also pretty well. Overall, in spite of the apparent chaos and mayhem, there seems to be a hidden sense behind all this façade of "we don´t give a damn". If only they concentrated on what they play rather than on how they play it, things would be much more interesting.
Obviously this music is not very inviting, but for listeners willing to suffer a little, there are definitely many hidden treasures in there. Just keep an open mind and protect your ears! I must say I prefer young musicians experimenting and breaking the rules the way Uda do, rather than join the wave of conformity and produce the usual garbage, which makes you puke instantly. So respect for the courage to be different, and please just a little more focus next time around.
| Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | HIROMI UEHARA ~ LIVE IN CONCERT TELARC 73698 (Barcode: 089408369896) ~ JAPAN ~ Jazz Recorded: 2005 Released: 2009
Japanese piano / keyboards virtuoso Hiromi UeharaFind albums by this artist is by now known worldwide as one of the most talented Jazz musicians of the new generation. Her ability to play classic modern Jazz as well as Jazz-Rock Fusion, both with incredible technical dexterity and artistic flair is completely unique and breathtaking. But as good as her studio albums are (and they are truly excellent), nothing presents Hiromi in a truer light than watching her perform live, and this DVD is the closest thing to the live experience many of her fans will ever get. This DVD was recorded around the time Hiromi was promoting her album "SpiralFind albums with this title", playing with her first trio, which included bassist Tony GreyFind albums by this artist and drummer Martin ValihoraFind albums by this artist. There is honestly very little I need to add here, except the fact that this is probably some of the greatest music you will ever hear / watch being performed, so don´t even think twice!
| | DVD 1 Recommend To A Friend |
  | HIROMI UEHARA ~ LIVE IN MARCIAC TELARC 34112 ~ JAPAN ~ Jazz Recorded: 2011 Released: 2011
This is the third DVD by the extraordinary Japanese female pianist / composer Hiromi UeharaFind albums by this artist, and the first outing with her current trio (called The Trio ProjectFind albums by this artist) with the legendary veteran American bassist Anthony JacksonFind albums by this artist and the outstanding British drummer Simon PhillipsFind albums by this artist.
The DVD comprises of seven original compositions by Hiromi and the trio´s interpretation of Ludwig van BeethovenFind albums by this artist´s sonata. Five of these pieces are from her seventh album called "VoiceFind albums with this title" (please follow the link to read more about this album), performed here live and in a slightly different order than on the studio album. Two more pieces originate from her debut album and the remaining one was previously unrecorded.
Seeing Hiromi on stage, which I was fortunate to experience several times already, clearly reaffirms the impression that Hiromi is in a class of her own and that she is blessed by powers of the magnitude of a force of Nature. The moment she steps on the stage the fragile and modest women turns into a Diva with an irresistible personality and overwhelming performing skills, simply stunning her audiences for the entire duration of the concert. She is a complete pianist, able to play in every style and in every genre with the same ease and elegance, regardless if she plays a Classical piece or a Jazz improvisation or a Rocky riff.
Of course a DVD is not exactly being there when this DVD was filmed, but it is as close as those who were not fortunate enough to be there in the flesh will ever get. Enjoy every moment of it!
| | DVD 1 Recommend To A Friend |
  | HIROMI UEHARA / EDMAR CASTANEDA ~ LIVE IN MONTREAL TELARC 888072037212 (Barcode: 888072037212) ~ JAPAN ~ Jazz-World Fusion Recorded: 2017 Released: 2017
This is a live duo album by Japanese pianist / composer Hiromi UeharaFind albums by this artist and Colombian harpist / composer Edmar CastanedaFind albums by this artist, recorded during the 2017 Montreal Jazz Festival. The album presents nine tracks, including a four-part suite, five of which were composed by Uehara, two by Castaneda and two more are by other composers.
Since her arrival on the Jazz scene Hiromi (her stage name) took the world by storm, dazzling fellow musicians and fans by her incredible technique, virtuosity and energy. She is certainly one of the most amazing concert artists, which I have been lucky to witness many times.
Now, two decades later, she has already an impressive recording legacy, including several duo recordings, including one with Chick CoreaFind albums by this artist. This duo album with harpist Castaneda, which is an amalgam of Jazz and South American Folkloristic elements, is full of energy and brilliant exchanges between the two musicians, and despite its somehow unusual sonic vistas, emphasizes the fact that Jazz knows no stylistic limitations.
Castaneda’s harp sounds often more like an expanded guitar and his parts are a perfect companion to Hiromi’s arpeggios and dazzling interplays. This is another example of “Art of the Duo” at it’s very best.
Overall, this is a superb live album by two great musicians, who originate from opposite halves of the globe, but manage to create a perfect cooperative effort together. For Hiromi’s many fans worldwide, this is of course a must, but all lovers of somewhat uncommon Jazz should be delighted.
| Updated: 26/02/2024Posted: 26/02/2024 | CD 1 Recommend To A Friend |
  | UNITED JAZZ + ROCK ENSEMBLE ~ LIVE IN BERLIN MOOD 33.620 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1981 Released: 1988
This is a reissue / remaster of the 4th album (2nd live recording) by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The second lineup of the group, which recorded this album, included also two British trumpeters Ian CarrFind albums by this artist and Kenny WheelerFind albums by this artist, American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note). The album presents nine tracks, all of which are original compositions by the ensemble members: two each by Dauner, Mariano, Kriegel and Carr and one by Mangelsdorff.
The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. With three trumpeters on board the Big Band sound is even more potent than on the two earlier albums and the brass arrangements are more complex. The overall sound of this album is similar to the sound of the British Jazz ensembles, like NucleusFind albums by this artist or Michael GibbsFind albums by this artist ensembles. This live recording proves how the strong the ensemble was live and how masterfully they handled the complex arrangements and multi-part compositions.
Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings.
Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums.
The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.
| Updated: 29/12/2024Posted: 22/12/2024 | CD 1 Remastered Recommend To A Friend |
  | UNITED JAZZ + ROCK ENSEMBLE ~ LIVE IN SCHUTZENHAUS MOOD 33.609 ~ GERMANY ~ Jazz-Rock Fusion Recorded: 1977 Released: 1987
This is a reissue / remaster of the 1st album by the quintessential European Jazz / Fusion ensemble United Jazz + Rock EnsembleFind albums by this artist, established in 1975 by a group of European musicians, led by German keyboardist / composer / bandleader Wolfgang DaunerFind albums by this artist, British drummer Jon HisemanFind albums by this artist and his wife saxophonist / flautist Barbara ThompsonFind albums by this artist, German guitarist Volker KriegelFind albums by this artist and trombonist Albert MangelsdorffFind albums by this artist and Dutch trumpeter Ack van RooyenFind albums by this artist. The first lineup of the group, which recorded this live album, included also British trumpeter Ian CarrFind albums by this artist, American (resident in Germany) saxophonist Charlie MarianoFind albums by this artist and German bassist Eberhard WeberFind albums by this artist. The album was released on the iconic MoodFind albums on this label Records label (see Side Note) and was the label’s first release. The album presents seven tracks, all of which are original compositions by the ensemble members: three by Dauner, two by Kriegel and one each by Carr and Mariano.
The music is absolutely stunning and completely unusual for the Jazz-Rock Fusion genre. Due to the strong horn section it is conceptually closer to Brass Rock, but on the other hand it has a much more potent Jazz presence. All the members of the ensemble are superb instrumentalists with many years of experience and the level of the performances is phenomenal. Hiseman’s incredible steady drumming keeps the large ensemble precisely together, despite the devilishly complex rhythmic patterns. Thompson’s flute parts are simply insane, and this is one of the finest example of the couple’s work together.
Listeners familiar with the recordings by the individual members of the ensemble will often find them both familiar and innovative, as the mutual influence of the band members is very dominating. The ensemble manages to establish a unique sound and style, which will be recognizable as their own on their numerous future recordings.
Overall, this is a brilliant and highly unusual Fusion album, a true classic of the genre and great example of the sophistication of European Jazz. The entire recorded legacy of the ensemble is a must in any serious Jazz / Fusion record collection. Side Note MoodFind albums on this label Records, established in 1977 and based in Germany, was a small independent record label founded by European Jazz musicians: German Wolfgang DaunerFind albums by this artist, Volker KriegelFind albums by this artist and Albert MangelsdorffFind albums by this artist and Dutch Ack van RooyenFind albums by this artist. The label was active between 1977 and 2006 and released 78 albums, first on vinyl and later on CD. In 2010 the label released 11 2CD albums with reissues of early vinyl albums.
The label was the home label of the four founders, as well as the United Jazz + Rock EnsembleFind albums by this artist, Ian CarrFind albums by this artist’s NucleusFind albums by this artist and many other, mostly European musicians. The total output of the label is a superb document of the European Jazz scene between the late 1970s and mid-2000s. Some of these albums are absolutely essential.
| Updated: 18/11/2024Posted: 18/11/2024 | CD 1 Remastered Recommend To A Friend |
  | UNIVERS ZERO ~ LIVE CUNEIFORM 220 (Barcode: 045775022024) ~ BELGIUM ~ Progressive Rock Recorded: 2005 Released: 2006
10th album and the first ever Univers ZeroFind albums by this artist live recording. The complexity of UZ music seems like an insurmountable challenge when recording their music live, but the stable line-up and numerous performances made even this task viable. This beautiful recording catches the perhaps most important contemporary music group at their full glory. The music, which is mostly new arrangements of their previously recorded studio material, emphasizes both the immense talents behind the compositions and the incredibly high standard of musicianship. It is now almost 30 years since UZ appeared on the European musical scene and in all these years they found almost no competition as far and groundbreaking music creation is concerned. Always on the forefront of the Avant-Garde Rock and Contemporary Music scene, UZ remains a beacon of extraordinary strength, pointing towards the musical Mount Olympus. I am not even going to try to recommend this album to anybody – it is so far beyond recommendations.
| Updated: 12/04/2019Posted: | CD 1 Recommend To A Friend |
  | UPPERCUT: MATHEW SHIPP / MAT WALERIAN DUO ~ LIVE AT OKUDEN ESP 5007 (Barcode: 825481500722) ~ POLAND ~ Jazz Recorded: 2012 Released: 2015
This wonderful album presents a live recording by a duo comprising of American pianist / composer Matthew ShippFind albums by this artist, one of the most important contemporary American Avant-Garde activists, with multi-instrumentalist / composer Mat WalerianFind albums by this artist, a Polish musician resident in the US, who plays saxophone, clarinet and flute. The album was released on the legendary NY label ESPFind albums on this label, one of the most important independent record labels in the history of Avant-Garde Jazz and Rock, founded in 1963 by a Jewish lawyer Bernard StollmanFind albums by this artist (who sadly died just three weeks ago) and its catalogue included some of the most important music recorded in America (and also sporadically in Europe) in the 1960s. The label stopped its activity in 1975 and was dormant for thirty years, resuming activity in 2005 and since releasing many new recordings, such as this one.
This album presents ten compositions, six of which were composed by Walerian and four co-composed by Shipp and Walerian. The music is incredibly fresh and inviting, and although it is definitely free spirited and highly improvised, it also offers a strong melodic content, which makes it accessible to a much wider audiences than the usual Avant-Garde recordings, which can be self-centered and sound cold to listeners. This album is a rare and beautiful example of Avant-Garde music, which transfers well to record, retaining its spirit and intimacy, which is often present live but gets lost when turned into a record.
There is a rare and almost telepathic dialogue between the two musicians, exchanging phrases, notes and rhythmic gestures between them, as if those were rehearsed or preconceived, which is pretty rare. Both musicians play gently and cooperatively, avoiding any power struggles which often characterize duo recordings. This music is fully harmonious and inspirational, a true example of the "Art of the Duo" idea.
The musical qualities of Shipp are of course no secret to the follower of his outstanding career, but Walerian emerges triumphantly as a virtuoso performer, with original ideas and a complete command of his instruments. His playing on this album immediately earns him respect and admiration from connoisseurs of the genre and of course anticipation for his new projects.
Overall this is one of the best Avant-Garde albums I listened to lately, which deserves all the praise it can get and hopefully will reach as many open minded listeners as possible. An absolute delight!
| Updated: 12/04/2019Posted: | CD 1 Digipak Recommend To A Friend |
  | MICHAL URBANIAK / GROUP ~ LIVE RECORDING (POLISH JAZZ VOL. 24) MUZA 924 ~ POLAND ~ Jazz-Rock Fusion Recorded: 1971 Released: 2004
This is a reissue of the first album on the legendary "Polish Jazz" series by the Polish saxophonist / violinist / composer / bandleader Michal UrbaniakFind albums by this artist. This live recording presents this phenomenal Polish Jazz artist in the state of transition. Not only is his music moving away from the modern Jazz into early electric Fusion, but he also changes his primary instrument from saxophone to violin. His quartet includes the great pianist Adam MakowiczFind albums by this artist, who was the first to introduce electric keyboards in the Polish Jazz. In many respects this music is as revolutionary on the Polish jazz scene as the things Miles DavisFind albums by this artist did on the global one. A superb document and a visionary creation.
| Updated: 08/09/2019Posted: | CD 1 Digipak Oversampling Remastered Recommend To A Friend |
  | LILIANA URBANSKA ~ LILIANA URBANSKA GAD 101 (Barcode: 5903068120404) ~ POLAND ~ Jazz-Pop Fusion Recorded: 1971 - 1974 Released: 2019
This is a reissue of the debut album as a leader by Polish vocalist / flautist Liliana UrbanskaFind albums by this artist, best known as a member of the groups led by her husband, organist Krzysztof SadowskiFind albums by this artist. The ensemble that accompanies her on this album is the Krzysztof Sadowski Organ GroupFind albums by this artist and the background vocals are performed by the vocal ensemble PartitaFind albums by this artist (which is still active today). The original album presented eleven songs, nine of which were composed by Sadowski, one was a folk song and one was composed by Alina PiechowskaFind albums by this artist. This reissue adds four bonus tracks originating from an EP Urbanska recorded three years earlier.
Contrary to her usual involvement with Jazz, this album is a collection of songs, which move between Pop, Soul, Folk and Rhythm And Blues. Considering the fact that almost all of the music and the instrumental parts involve Sadowski, the Jazzy feeling is quite dominant throughout the album. Urbanska plays a few flute solos as well.
In retrospect this album sounds dated and even the nostalgia is not able to save it from a musty atmosphere. Except for a couple of poetic songs, especially the one based on a poem by Jaroslaw IwaszkiewiczFind albums by this artist and the a.m. song by Piechowska, which get close to the Jazz & Poetry idiom, the rest is quite forgettable.
Overall for Polish Jazz completists this album is a nice nostalgic memorabilia, which certainly justifies having this album reissued, but probably won´t generate a lot of excitement in other circles.
| Updated: 08/05/2023Posted: 09/03/2020 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | URMA ~ LOST END FOUND CATAPULTA ~ ROMANIA ~ Pop & Rock Recorded: 2013 Released: 2013
This is the fifth album by Romanian Rock band URMAFind albums by this artist, fronted by vocalist / guitarist Mani GutauFind albums by this artist and including also drummer Dominic CsergoFind albums by this artist, bassist Sorin ErhanFind albums by this artist, guitarist Jimmy CserkeszFind albums by this artist, saxophonist Louis PalominoFind albums by this artist, trumpeter Sebastian BurneciFind albums by this artist and percussionist Ati de ChileFind albums by this artist. Three more musicians are listed as contributors to this recording: vocalist Catrinel BejenariuFind albums by this artist, caval (Eastern flute) player Mandela GajolFind albums by this artist and trombonist Florian RaduFind albums by this artist. The album presents eleven original songs, which are all credited (lyrics and music) collectively to the band members and sung in English. The album is lavishly packaged in a digibook format, accompanied by a beautiful book full of extraordinary photographs of the group in different locations, the songs lyrics and photos of Romanian architectural treasures of great beauty, many of which are in a desperate need of conservation and restoration. The entire package, i.e. the music and the book are an exquisite example of how Culture should be presented.
The album is an absolute blast from start to finish and honestly I had a hard time to believe my ears when I heard it for the first time. I kept listening to it again and again to be absolutely sure I am not under some momentary lapse of reason, before finally deciding that this is one of the best Rock / Alternative Rock albums I have heard in the last decade. The quality of these songs and the performance are simply stellar. I must admit that I´m familiar with many Romanian musicians, mostly those from the Jazz scene, but I never expected that a Romanian Rock band could be capable to producing such superb piece of music.
The music is beautifully melodic, lyrical and moving, presenting a diverse collection of stylistic approaches, from classic Rock ballads to World Music influenced explorations and even a reserved from of Rap. The arrangements, which range from calm acoustic guitar backing, via almost hard Rock moments to Brass-Rock Jazzy riffs are all simply outstanding. The entire album simply broadcasts intelligence, elegance, good taste, professionalism and above all a deep feel for music, which is so rare these days.
Even the fact that the songs lyrics are performed in English, something that usually would have unlocked my terrible wrath, does not worry me at all. Yes, Gutau has a foreign accent, but it is so charming, that in his case it becomes an asset, which only spices his wonderfully theatrical delivery. But URMA are definitely not about a vocalist supported by a band, en contraire they are an integrated music making unit, that has but a few equals.
I know I am stepping on a perilous ground here, but the music of URMA takes me on a magic ride back in time, when music was as real and as kicking as what they are playing today; a progress in retrograde? But these are just rumblings of an old man. Grab this album any way you can, go and hear them play, look them up on the Net - they are simply fabulous!
| | BOOK+CD 1 Recommend To A Friend |
  | VACHE, WARREN ~ LIVE AT THE VINEYARD CHALLENGE 70028 ~ USA ~ Jazz
American trumpetter Warren Vache is among the most respected musicians on the scene. He plays mostly traditional / swing jazz and recorded numerous albums. Here caught in a trio with John Bunch on piano and Phil Flanigan on bass, he delivers some really hot swing licks in the tradition of the good old days.
| | CD 1 Recommend To A Friend |
  | VALDES, CHUCHO ~ LUCUMI MESSIDOR 15976 ~ CUBA ~ Jazz
Brilliant Cuban pianist and leader of the most famous Cuban jazz ensemble Irakere, performs here a series of very intimate solo piano pieces. His incredible technique and lyricism come to full potential and his talent really shines. Solo piano albums can be a difficult listening material, but every moment of this album is so magical that it`s over before you blink.
| | CD 1 Recommend To A Friend |
  | VARIOSPHERES ~ LIVE IN SOLOTHURN ZBIGNIEW SEIFERT FOUNDATION 2 (Barcode: 5907222048016) ~ POLAND ~ Jazz Recorded: 1976 Released: 2017
This is an archival release of a live recording by the European quartet VariospheresFind albums by this artist, led by the legendary late Polish Jazz violinist Zbigniew SeifertFind albums by this artist, which also included Belgian pianist Michel HerrFind albums by this artist, Swiss bassist Hans HartmannFind albums by this artist and Polish drummer Janusz StefanskiFind albums by this artist. They perform six compositions, four of which were composed by Seifert, one by Herr and the remaining one is unidentified.
Variospheres, which existed actually in two different lineups, was Seifert vehicle for European touring and of course part of his personal development as a composer and a player. Recorded in January of 1976 this live performance was a beginning of a hyperactive period in Seifert´s life. In that year alone he recorded albums with Joachim KuhnFind albums by this artist ("SpringfeverFind albums with this title" for AtlanticFind albums on this label) and Charlie MarianoFind albums by this artist ("Helen 12 TreesFind albums with this title" for MPSFind albums on this label) and his first album as a leader ("Man Of The LightFind albums with this title" for MPS) as well as his solo violin album ("Solo ViolinFind albums with this title" for EMIFind albums on this label which was released only a couple of years later). Sadly that year also brought the discovery of his illness, which took his life just three years later.
The music is typical of the modern European Jazz of that period, which was heavily involved in post-Coltrane Free improvisation and constant search of new forms of expression. The European scene, on both sides of the Iron Curtain, was buzzing with incredible productivity and discovery, and Seifert and his quartet represent the atmosphere of the period perfectly.
Although the sound quality of this recording is far from perfect, it manages to bring forward the incredible intensity of the music and the total involvement from the musicians. Seifert and Herr deliver lengthy fiery solos and the rhythm section supports the music and drives it ahead, both during the more swinging parts as well as during the freely improvised parts. Seifert´s incredible compositions are always a delight.
The importance of the fact that this music is finally seeing a release, over forty years after it was recorded, is enormous. It adds to Seifert´s relatively limited recorded legacy and sheds light on a very interesting period in European Jazz, which is always more than welcome. For the numerous Polish Jazz and Seifert´s music connoisseurs this is an obvious must, and we should all be grateful to the Zbigniew Seifert FoundationFind albums on this label, run by the incredible Aneta NorekFind albums by this artist, who is also the author of the excellent Seifert´s biography, for faithfully bringing Seifert´s legacy into the limelight!
| Updated: 22/06/2018Posted: 03/01/2018 | CD 1 Digipak Remastered Recommend To A Friend |
  | EDWARD VESALA ~ LUMI ECM 1339 (Barcode: 602567431053) ~ FINLAND ~ Avant-Garde Jazz Recorded: 1986 Released: 2019
This is a reissue of the 3rd album as a leader on the ECMFind albums on this label label by Finnish Jazz drummer / composer / bandleader Edward VesalaFind albums by this artist, recorded by an ensemble comprising of eleven top Finnish musicians, including saxophonists Pentti LahtiFind albums by this artist and Tapani RinneFind albums by this artist, guitarist Raoul BjorkenheimFind albums by this artist and his wife harpist / keyboardist Iro HaarlaFind albums by this artist. The album presents nine tracks, eight of which were composed by Vesala and one was co-composed by him and Polish Jazz trumpeter Tomasz StankoFind albums by this artist, with whom he cooperated for many years.
The music, although composed, is full of Avant-Garde elements, Free improvisation, all framed by remarkable close large ensemble work, kept tightly in check by Vesala’s ingenious drumming. Many different musical elements are amalgamated on this album, including Rock, Big Band licks and the Nordic melancholy, with the music floating between quiet meditative pieces and hard rocking crescendos.
Vesala was of course one of the Godfathers of Finnish Jazz and his interest in Improvised Music marked the earliest exploration of that genre on the local scene already in the 1960s. He was always very open to cooperation with other European Jazz musicians and recorded many albums with European ensembles, especially with the a.m. Stanko and other Polish, German and British musicians, and as such was an early icon of European Jazz.
Overall, this is a remarkable piece of Finnish / European Jazz, full of beautiful melodic lines and fascinating exploration of the Free idiom, which are perfectly balanced on this wonderful album. Wholeheartedly recommended for those young Jazz enthusiasts, who discovered Jazz after his tragically premature departure in 1999.
| Updated: 15/06/2024Posted: 15/06/2024 | CD 1 Mini-Sleeve Recommend To A Friend |
  | MARTTI VESALA SOUNDPOST QUINTET ~ LANDMARKS OZELLA 102 (Barcode: 4038952001024) ~ FINLAND ~ Jazz Recorded: 2020 Released: 2022
This is the third album by Finnish Jazz trumpeter / composer Martti VesalaFind albums by this artist and his Soundpost QuintetFind albums by this artist, which also includes saxophonist Petri PoulitaivalFind albums by this artist, pianist Joonas HaavistoFind albums by this artist, bassist Juho KivivuoriFind albums by this artist and drummer Ville PynssiFind albums by this artist. The album presents eight original compositions, all by the leader.
The music is pretty standard mainstream Jazz, based on solid melodic themes, that serve as basis for extensive improvisations by the quintet members. There is very little, if any, Nordic influence and stylistically the music is mostly post-Bebop oriented, with strong ties to American Jazz tradition and quite distant from the contemporary European Jazz and the Finnish Jazz tradition, which tends to be more adventurous and idiosyncratic.
Having said that, this is still a first class Jazz album for listeners who like a more conventional and traditional approach. These relatively young musicians are all highly professional and well educated, and can plays as good as any musician from across the pond. There are plenty of fiery soli by the three soloists and the rhythm section is fluid and stable, supporting the music amicably.
Overall, this is a fine Jazz album, played by gifted musicians and full of energy and spunk, suitable mostly for mainstream Jazz enthusiasts, who should enjoy this music immensely. Listeners looking for the typical Finnish Jazz aesthetic could be disappointed.
| Updated: 09/08/2022Posted: 09/08/2022 | CD 1 Mini-Sleeve Recommend To A Friend |
  | FREDERIK VILLMOW ~ LIVE IN COPENHAGEN AMP 052 (Barcode: 013415901510) ~ GERMANY ~ Jazz Recorded: 2019 Released: 2019
This is the debut album by the young German (resident in Norway) Jazz drummer Frederik VillmowFind albums by this artist recorded with his quartet which also includes German saxophonist Marc DoffeyFind albums by this artist, Danish pianist Carl WintherFind albums by this artist and Norwegian bassist Julian HauglandFind albums by this artist. The quartet is expanded into a quintet with the addition of the veteran Swedish saxophonist Tomas FranckFind albums by this artist. The music was recorded live at the legendary Jazzhus Montmartre club in Copenhagen and presents seven tracks, five of which are original compositions (three by Villmow and two by Franck) and two are standards.
The music is typical European modern mainstream, mostly post Bebop oriented, based on solid melodic themes, which serve as basis for extended improvisations by the quintet members. The album does not venture into any experimental ground and stays on solid conventional Jazz path.
The focus of the album is on the fiery, scorching soloing by the saxophonists and the pianist, which offers an intense barrage of notes and superb highly energetic virtuosic display of Jazz energy, except for one intimate duo track (sax and bass). The rhythm section supports the soloists formidably and with an obvious display of youthful energy, which suits the music perfectly. The ensemble playing, especially considering the fact that this is a live recording, is excellent and all the musicians seem to be in high spirits obviously enjoying the opportunity to play together.
Overall this is a classic, highly energetic mainstream Jazz album, full of excellent music and heartfelt performances, which should satisfy any true Jazz lover around the globe. Warmly recommended!
| Updated: 23/09/2019Posted: 23/09/2019 | CD 1 Digipak Recommend To A Friend |
  | VISUAL CLIFF ~ LYRICS FOR THE LIVING BIG BALLOON MUSIC 901 ~ USA ~ Progressive Rock
Visual Cliff are a young power Prog / Fusion trio from the US and their debut album if full of energy and vigor. Since the drummer played also the bass parts we have in fact a quartet recording of long instrumental pieces sounding most of the time like fusion with some quieter passages being closer to Prog. The guitar is the leading instrument, so lovers of guitar licks will have a field day with this one.
| | CD 1 Recommend To A Friend |
  | VOX DEI ~ LA BIBLIA (EXPANDED EDITION) DISC JOCKEY 19001 (Barcode: 709735900127) ~ ARGENTINA ~ Progressive Rock Recorded: 1971 Released: 2005
This is the 2nd album by the great Argentinean Prog group Vox DeiFind albums by this artist, the first ever concept album in the Spanish language and one of the masterpieces of early South American Prog. Based (as the title suggests) on the Biblical story (similar to other concept albums on that subject) it presents an apocalyptic tale of the world. The music is truly exceptional as are the instrumental parts, especially the guitar solos. At the time of recording this album, which was a double vinyl LP, the group was a quartet, with lead guitarist / violinist / vocalists Ricardo SouleFind albums by this artist, bassist Willie QuirogaFind albums by this artist, drummer Ruben BasoaltoFind albums by this artist and rhythm guitarist Juan Carlos GodoyFind albums by this artist, who left the group after this album was recorded, leaving them as a trio. Some of the tracks on the album include orchestral arrangements. This expanded edition adds to the original album a plethora of additional tracks from the album´s sessions and some live performances. An absolute Prog classic!
| | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | RICK WAKEMAN ~ LIVE AT HAMMERSMITH PRESIDENT 2 ~ UK ~ Progressive Rock
A live recording from 1985. Rick and a great band perform some of his most famous pieces: `Journey To The Centre Of The Earth`, `Arthur`, `Merlin` and `Six Wives`. Very energetic performances and a treat to all Rick`s fans.
| | CD 1 Recommend To A Friend |
  | RICK WAKEMAN ~ LIVE AT THE BBC HUX 085 (Barcode: 682970000855) ~ UK ~ Progressive Rock Recorded: 1976 Released: 2007
By the time the two concerts featuring Rick WakemanFind albums by this artist and his English Rock EnsembleFind albums by this artist were recorded, the young keyboards wizard had already behind him a list of achievements that few others manage to accomplish in a lifetime. Wakeman played on endless studio sessions for the top UK acts, was a members in two seminal Prog bands StrawbsFind albums by this artist and YesFind albums by this artist and composed and recorded a series of musical epics of grand proportions: The Six Wives Of Henry VIIIFind albums with this title, Journey To The Centre Of The EarthFind albums with this title, The Myths And Legends Of King Arthur And The Knights Of The Round TableFind albums with this title, White RockFind albums with this title (the soundtrack for the Winter Olympic Games) and most recently his first album with his English Rock Ensemble: No Earthly ConnectionFind albums with this title. The two concerts recorded for the BBC were a part of Wakeman’s promotion tour of the last album. With Wakeman’s enormous array of keyboards and the six-piece English Rock Orchestra (Ashley HoltFind albums by this artist – vocals, Roger NewellFind albums by this artist – bass, John DunstervilleFind albums by this artist – guitar, Tony FernandezFind albums by this artist – drums, Reg BrooksFind albums by this artist – trombone and Martin ShieldsFind albums by this artist – trumpet) produced a truly awesome, powerful orchestral sound, which suited Wakeman’s dramatic compositions perfectly. The music includes excerpts from all the Wakeman’s solo albums mentioned above, as well as material from the last album. Although the two concerts include some parallel material, each performance is quite unique and therefore none of it is redundant. This is undoubtedly Wakeman’s finest hour ever and considering the great sound quality of these recordings perhaps the best live album he ever made. Quite honestly this album is more or less the essence of Wakeman’s output and except for fanatic Wakeman fans is quite sufficient as his spot in one’s music collection. Definitely most wholeheartedly recommended! Side Note: Unfortunately things went pretty downhill for Wakeman from that point on. Although he is to this very day one of Rock’s most prolific composers, his totally unrestrained policy on releasing his albums, which resulted in a monstrous (I stopped counting a long time ago but they must be well over 200) amount of albums, which totally destroyed his credibility. Sure there is a lot of great music in those albums, but none of it was innovative or neoteric enough to make any difference. Overproducing can be disastrous and unfortunately Wakeman is a living proof of that.
| | CD 2 Remastered Recommend To A Friend |
  | WAKO ~ LIVE IN OSLO ORA FONOGRAM 179 (Barcode: 7090015631798) ~ NORWAY ~ Jazz Recorded: 2020 Released: 2021
This is the fifth album by the Norwegian Jazz-quartet WakoFind albums by this artist and their first live recording, presenting material recorded during two separate concerts in Oslo, both during 2020. The quartet consists of saxophonist Martin Myhre OlsenFind albums by this artist, pianist Kjetil Andre MulelidFind albums by this artist, bassist Bardur Reinert PoulsenFind albums by this artist and drummer Simon Olderskog AlbertsenFind albums by this artist. The album presents nine tracks, five composed by Olsen and four by Mulelid. Six of the tracks were recorded with an expanded lineup with four guests, which expanded the lineup to an octet, two were recorded by the quartet only and one is a piano solo interlude.
The music is absolutely brilliant from start to finish, amalgamating modern Jazz with Free Jazz improvisations, contemporary Classical Music influences and superb open-mindedness, which combined with the excellent playing technique and at times plain virtuosity, manage to create an uplifting flow of musical consciousness which simply never stops for the duration.
Obviously the pieces performed by the octet offer more opportunity for soloing and the guests, all excellent instrumentalist by themselves, use that environment to show their chops as well. But the music is first and foremost about ensemble performances and faithful presentation of the wonderful compositions, with the individual statements being mostly ornamental.
The album testifies not only to the strength of Wako as a formidable ensemble worth following, but also emphasizes the incredible level of the young generation of Norwegian Jazz musicians, who have made a significant mark on the European scene, far beyond the few famous names that were known worldwide in the 20th Century.
Overall this is a beautiful, challenging and enjoyable album, which should make all modern European Jazz listeners fully satisfied, and since these musicians are also involved in other projects, keep an eye (or better an ear) on them in the days to come. Brilliant stuff!
| Updated: 04/07/2021Posted: 04/07/2021 | CD 1 Mini-Sleeve Recommend To A Friend |
  | OLO WALICKI / JACEK PROSCINSKI ~ LLOVAGE GUSSTAFF 1908 (Barcode: 5050580722286) ~ POLAND ~ Avant-Garde Jazz Recorded: 2019 Released: 2019
This is the debut album by Polish Jazz duo LLovageFind albums by this artist comprising of bassist / composer Olo WalickiFind albums by this artist and drummer / composer Jacek ProscinskiFind albums by this artist, who both use also electronics in addition to their "native" instruments. The album presents seven original compositions, five of which are co-composed by the duo and two are composed by Walicki.
Despite the seemingly limited scope of possibilities a basic rhythm section is able to utilize, this album proves that with a help of electronics and sampling, but more importantly talent and imagination, the duo is able to create a full fledged musical event. Although somewhat minimalistic and sketchy, the fact that the listener is left with the task of connecting the dots makes this music even more interesting.
There is a limited melodic content in this music, and yet it somehow makes perfect sense, combining the acoustic bass / drums sounds with the ambient synthesized sounds, which compliment each other splendidly. The music moves slowly, somewhat hesitantly, which creates an element of internal tension and expectation, keeping the listen on edge but without any nervousness involved.
This album is a great example of a steadily growing trend in European Jazz, which calls for combining contemporary electronics and other sound / recording techniques, many of which are based on utilizing the computer as a fully integrated instrument. This is happening not on the innovative Polish Jazz scene, but almost universally across Europe these days, and has a major impact on the "shape of Jazz to come", which can be hardly ignored today.
Overall this is a bold, fascinating and aesthetically beautiful offering, which is a treasure chest which opens up with each consecutive listening session; definitely a part of the "less is more" approach, which works here perfectly. I presume that conventional Jazz lovers might have a hard time embracing this music, but I highly recommend giving it a try. For the open-minded listeners, who are already familiar with the numerous adventures of Ambient / Electronic Jazz explorations, this album is a must.
| Updated: 21/02/2020Posted: 21/02/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | DOMINIK WANIA ~ LONELY SHADOWS ECM 2686 (Barcode: 602508695834) ~ POLAND ~ Jazz Recorded: 2019 Released: 2020
As astonishing as this might sound and in complete contrast to his extensive recording legacy and the hurricane-like ascent to the position of top Polish Jazz piano chair during a record time of just over a decade, this is only the second album as a leader by pianist / composer Dominik WaniaFind albums by this artist and of course his debut album as a leader for the prestigious ECMFind albums on this label label.
Some twelve years ago (2008) my friend, the great Polish Jazz bassist Bronislaw SuchanekFind albums by this artist, sent me a duo album he recorded with a young and anonymous Polish pianist, who was over the pond in Boston getting his Master of Music degree there. The name of the young pianist was Dominik Wania and the album was "Sketch In BlueFind albums with this title", and the rest is history as far as I am concerned. I was immediate smitten with Wania´s playing and followed his development ever since, listening carefully to every recording he made over time and of course tried to hear him perform live whenever I could.
The modern Polish Jazz has known many remarkable pianists over the last six decades, who contributed to the development of the local scene. Some of them became famous and made many important recordings, others exploded with youthful brilliance only to disappear soon after without a trace. Each and every one of them had his idiosyncratic language and style of course, some being closer to the American Jazz tradition, other searching for new ways of expression. But in retrospect the arrival of Wania changed the rules of the game entirely, in view of his total originality.
Wania studied Classical Music and Jazz Music of course, but he managed to create a completely innovative amalgam of all musical traditions, which is uniquely his own. His fellow musicians attest to the fact that playing alongside Dominik is like being transferred into another state of mind and parallel universe, which is exactly my observation from hearing him perform live. He is every bit there playing with the rest of the band and yet at the same time he floats in the stratosphere high above everything else that is happening on the stage. But of course solo piano performances are something altogether different...
About a year before Wania recorded the music for this album he recorded another solo piano album called "TwilightFind albums with this title" with his interpretations of music composed by the great Polish composer Zbigniew PreisnerFind albums by this artist, which strangely was almost completely overlooked upon its release. Although diametrically different from the music on this album, since it was completely pre-composed, Wania´s interpretations soar high and above the basic melody lines and create a completely new entity (see my review of that album), and as such in some respects is spiritually quite related to the music presented herein.
This album presents eleven improvised pieces by Wania, characterized by a remarkable humility, fragility and minimalism. Every stroke on the keyboard counts and every pause matters. Wania manages to create a complete universe of sound and silence, which is mesmerizing and magical. The music escapes standard genre classification and could be considered as much Classical as Jazz, being both and none at the same time. Using spontaneously improvised music for this project, Wania managed to create something that might sound completely "composed" to the listener, as a result of its wonderfully coherent structure, tonality and intrinsic continuity. This sublime ability is just one of Wania´s trade secrets, which turn him into a wizard he truly is.
Of course this music reflects only some of the many facets of the phenomenon called Wania, since his recorded legacy portrays him in many diverse settings, but nevertheless it fully depicts his originality. No other piano player on this planet plays music the way he does, which of course can be said about just a handful of musicians.
As corny as it might sound this is a truly wonderful album, probably one of the most penetrating and enlightening creations of the last decade, which once again proudly shines in the aging ECM catalogue. People love to crown artists as "the next thing", in most cases completely out of proportions, but Wania undoubtedly is an Artist of the future, even though he already offers a glorious legacy as of today. He undoubtedly embodies the European aesthetics more accurately and broadly that most of his peers and the prospect of hearing more of his music in the future is one of those things that make life worth living.
| Updated: 22/10/2020Posted: 22/10/2020 | CD 1 Slipcase Recommend To A Friend |
  | MARCIN WASILEWSKI TRIO ~ LIVE ECM 2592 (Barcode: 602567384861) ~ POLAND ~ Jazz Recorded: 2016 Released: 2018
This is the fourth album on the ECMFind albums on this label label by Polish Jazz pianist / composer Marcin WasilewskiFind albums by this artist and his trio, which also includes bassist Slawomir KurkiewiczFind albums by this artist and drummer Michal MiskiewiczFind albums by this artist. This is also the first live recording by the trio on that label. The album presents seven compositions (the first two combined into one piece), all composed by Wasilewski except for an interpretation of a song by StingFind albums by this artist and a Herbie HancockFind albums by this artist tune. All of these compositions originate from the trio´s previous album "Spark Of LifeFind albums with this title" except for one that originates from the second album "FaithfulFind albums with this title". As usual for ECM recordings, the album offers excellent sound quality and clarity.
Wasilewski and his trio managed to develop a symbiotic musical relationship in the twenty years they played together and ten albums they recorded together, not to mention their work with the legendary Tomasz StankoFind albums by this artist as members of his "Polish Quartet". These years proved to be fruitful and rewarding in every sense, and established the trio among one of the top European piano trios since the turn of the Millennium.
Wasilewski´s role as a composer also developed steadily over time and he is today a core member of the Polish Jazz musical architects, who define the idiom, combining the Jazz tradition with Polish Folklore sources, the typical Polish melancholy and deeply melodic / harmonic sense of beauty and European finesse. His round and elegant music is the epitome of modern European Jazz, continuing the path set by the Godfathers of Polish / European Jazz. Naturally in time he achieved a highly respected position on the local Jazz scene as one of the leaders of the mid-generation and a highly sought after performer.
The trio functions at all times like one body, with the obvious virtuosity displayed by the leader, but not less importantly by the rhythm section, which fused together create an effect that is greater than the sum of its parts. These live recording enables the numerous fans of the trio to experience an instantaneous connection with the process of music making, which of course is much more intensive than listening to a studio album.
Overall this is a superb piece of Jazz piano trio music, performed by Masters and full of delicate and intricate moments hanging in the air, before the next touch of a key or pluck of a string or strike of a stick take the listener to the next magical moment. Elegant, sophisticated, lofty and above all unpretentious and honest, this music is pennies from heaven to every true Jazz connoisseur! Hats off!
| Updated: 18/09/2018Posted: 16/09/2018 | CD 1 Slipcase Recommend To A Friend |
  | TREVOR WATTS / MOIRE MUSIC ~ LIVE IN KARLSRUHE FMR 232 (Barcode: 649849982810) ~ UK ~ Jazz Recorded: 1989 Released: 2007
Live recording by the Moire MusicFind albums by this artist ensemble, founded by saxophonist Trevor WattsFind albums by this artist after his previous band, AmalgamFind albums by this artist, disbanded. In contrast to Amalgam, Moire Music is a large ensemble, varying in size around 10 members, and often features a brass section, a string section and an expanded percussion section, including African drums. In contrast to Amalgam´s music, which was based mainly on a small group improvisation, this ensemble performs music which is well structured and arranged, but allows plenty of individual improvisation to take place. It also tends to include many World Music elements, incorporating them into the Jazz framework. This particular lineup of the ensemble includes the esteemed saxophone player Simon PicardFind albums by this artist. The drummer is another ex-Amalgam member Liam GenockeyFind albums by this artist. This material was previously unreleased and is a most welcome addition to this band´s recorded legacy. It goes without saying that the music is brilliant, as anything Watts is associated with, I can hardly imagine a Jazz enthusiast who would remain impartial to these performances, while listening to this music and my warm recommendation is self-explanatory. Great stuff!
| | CD 1 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE AND UNRELEASED COLUMBIA 508058 ~ USA ~ Jazz-Rock Fusion Recorded: 1975 - 1983
Recent (2002) compilation of never previously released live recordings by Weather ReportFind albums by this artist from the years 1975-1983. Considering the fact that WR recorded only 2 live albums (8:30Find albums with this title and the Japanese only release Live In TokyoFind albums with this title), this is a most welcome edition to their legacy. It features the band in various line-ups and the material includes tracks from studio albums as well as some jazz standards. The overwhelming talent and musicianship are evident throughout and this is a real treasure.
| | CD 2 Oversampling Remastered Recommend To A Friend |
  | WEATHER REPORT ~ LIVE AT MONTREUX 1976 EAGLE VISION 629 (Barcode: 5034504962972) ~ USA ~ Jazz-Rock Fusion Recorded: 1976 Released: 2007
Every piece of music by the legendary Fusion pioneers Weather ReportFind albums by this artist is worth it’s weight in gold, and considering this one is a well filmed and well recorded brilliant performance at the Swiss Montreux Jazz Festival, this is truly a priceless addition to the band’s legacy. WR appeared twice at Montreux, this being the first of the two. The lineup is probably the strongest one of the band’s mid-life period, and includes Joe ZawinulFind albums by this artist, Wayne ShorterFind albums by this artist, Jaco PastoriusFind albums by this artist, Alex AcunaFind albums by this artist and Manolo BadrenaFind albums by this artist – the same band that was to record Heavy WeatherFind albums with this title a few months later. Everything that made WR great is evident here – the individual soloing, the incredible interplay and telepathic connection between the players, the great tunes and the total devotion to their music. It must have been pretty hot on the July night, as everybody sweats intensely, and the music is nothing but brilliant. I was lucky to see WR quite a few times, and this DVD is a great evidence of how incredible this band was live, even at times when their studio efforts suffered. This is an absolute must to all WR fans and all Fusion-heads out there. Dolby Digital 5.1 Surround Sound and DTS, 84 minutes.
| Updated: 17/06/2016Posted: | DVD 1 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1971 GAD 271 (Barcode: 5903068124884) ~ USA ~ Avant-Garde Jazz-Rock Fusion Recorded: 1971 Released: 2023
This is a sensational 2CD live archival album by the legendary Fusion supergroup Weather ReportFind albums by this artist, captured soon after the release of their eponymous debut album just a few months earlier. The lineup includes Austrian keyboardist Joe ZawinulFind albums by this artist, American saxophonist Wayne ShorterFind albums by this artist, Czech bassist Miroslav VitousFind albums by this artist, American drummer Alphonse MouzonFind albums by this artist and Brazilian percussionist Dom Um RomaoFind albums by this artist, who replaced the founding member, also Brazilian percussionist Airto MoreiraFind albums by this artist. The album presents thirteen tracks, on three of which the quintet is expanded into an octet with the presence of Swedish trombonist Eje ThelinFind albums by this artist and British saxophonists Alan SkidmoreFind albums by this artist and John SurmanFind albums by this artist.
This particular album is completely unique for several reasons. This early lineup of Weather Report has almost no other live recordings, except for the Japanese only “Live In TokyoFind albums with this title” album. The music is characterized by highly improvised, often completely Free Jazz approach, before the group gradually shifted into the more melodic / Funky vein, which sounded completely different from the early period. Also the presence of the three musicians from outside the group’s lineup is of course unprecedented. Additionally, the fact that half of the tracks here last for well over ten minutes in duration, and the entire album lasts for two hours, emphasizes the highly improvised nature of the music. In short, this album presents mostly the less known side of Weather Report, which reflects their most ambitious, creative and challenging period.
It is worth to remember that although the group was formed in the US, it was never a typical American act, and when all the European elements were finally gone, it lost most of its initial impact before eventually falling apart. On the other hand, if the group would have continued in the same direction of advanced improvisation, it probably would have never achieved the popularity and fame they did achieve at their peak.
Overall, this album is a true revelation in every respect, and for the many Weather Report fans worldwide, it is an eye (ear) opener, which they can’t miss. The fact that it was released by a Polish reissues label GADFind albums on this label Records speaks volumes of the label’s initiative to uncover past musical treasures. This music is beyond essential!
| Updated: 05/01/2024Posted: 05/01/2024 | CD 2 Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN BERLIN 1975 ART OF GROOVE 80020 (Barcode: 885513800206) ~ USA ~ Jazz-Rock-World Fusion Recorded: 1975 Released: 2010
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured during the Berliner Jazztage Festival, at the transition period between their original incarnation and their entry into the more Funk and Groove oriented period, but just before bassist Jaco PastoriusFind albums by this artist joined the band, which would lock their classic mid-period which lasted between 1976 and 1982. The lineup captured here consists of keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Alphonso JohnsonFind albums by this artist, drummer Chester ThompsonFind albums by this artist and percussionist Alex AcunaFind albums by this artist. That particular lineup in fact never appeared on any album recorded by the band. Therefore this show captured by the German ZDF, presented here on CD and DVD, is of particular interest to Weather Report fans.
The music is right in between the two periods of the band: it features the groovy bass lines that characterize the second period but it also ventures into extensive and pretty Free improvised passages, which are less structured than the music of Weather Report that was about to follow and characterize the first period. As a result this live show is pretty unique and adventurous, as opposed to later live recordings by the band. Both Zawinul and Shorter play some pretty wild solo parts, including Zawinul´s acoustic piano solo, which is almost never present on other live recordings.
In short this is not to be missed by the Weather Report fans, since in addition to the very interesting content the music is relatively well recorded and the balance between the instruments, which most live Weather Report recordings suffer from, if well captured this time. The only disadvantage is the fact that the music last only for just over forty minutes. Definitely some of the best live Weather Report moments are waiting herein to be heard.
| Updated: 17/06/2016Posted: 17/06/2016 | CD+DVD 2 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN COLOGNE 1983 ART OF GROOVE 80052 (Barcode: 885513800527) ~ USA ~ Jazz-Rock-World Fusion Recorded: 1983 Released: 2011
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured by the German WDR at the beginning of final period of their activity and presents the last steady lineup of the group: keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Victor BaileyFind albums by this artist, drummer Omar HakimFind albums by this artist and percussionist Jose RossyFind albums by this artist. The music is spread across two CDs and is excellently recorded, being probably one of the best live Weather Report recordings as far sound quality is concerned.
This revitalized lineup, formed following the departure of Jaco PastoriusFind albums by this artist, created an influx of new creative energies into the group that was slowly going out of steam. This music was recorded before the album "ProcessionFind albums with this title" was recorded in the studio by this lineup, and includes several early version of the album´s tunes, but also rearranged versions of Weather Report favorites. The band is in excellent shape and seems to be very excited and relaxed, which if felt in the music. In addition the album also features a wonderful Zawinul / Shorter duet as well as a short Rossy / Hakim duet, which of course can only be heard on live recordings such as this one.
There is very little live Weather Report material available from this period and therefore this album is a true gem for the many fans of the group, filling many gaps. It is worth to remember that Weather Report never played bad music, contrary to what some people would like you to believe, which this album proves splendidly. Personally I remember hearing them at that time and those memories, compared to memories from gig in earlier periods always stood up to the challenge.
Overall this is a great tribute to the memory of one of the most important Fusion bands of all times, which deserves an honorable place in any decent record collection, especially of course in collections owned by the band´s numerous fans. In short this is a must have if you love or ever loved this band!
| Updated: 18/06/2016Posted: 18/06/2016 | CD 2 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN OFFENBACH 1978 ART OF GROOVE 80090 (Barcode: 885513800909) ~ USA ~ Jazz-Rock-World Fusion Recorded: 1978 Released: 2011
This is a live recording by the legendary Fusion ensemble Weather ReportFind albums by this artist, captured when it enjoyed the peak of its popularity. The band in its kernel lineup with keyboardist Joe ZawinulFind albums by this artist, saxophonist Wayne ShorterFind albums by this artist, bassist Jaco PastoriusFind albums by this artist and drummer Peter ErskineFind albums by this artist performs over two hours of their classic material. The show, captured by the German WDR, is presented here on two CDs and a DVD, which includes the same material as the CDs.
As I have already written extensively in my review of the Weather Report´s album "The Legendary Tapes: 1978-1981Find albums with this title", additional releases of the band´s live material are often quite problematic for a variety of reasons: the sound quality, performance quality and other considerations. The numerous fans of the band are therefore faced with the dilemma of craving for more previously unreleased material on one hand and getting recordings which are of problematic quality and basically offer nothing new beyond what was already revealed many times in the past on the other hand.
To put things in perspective, this is still Weather Report – one of the greatest Fusion bands ever, so the music is splendid all the way through, as expected. The only shortcoming of this release is the comparison with very similar live recordings, which present almost identical musical content in somewhat better quality, both sonically and artistically.
For die-hard Weather Report fans this is of course an absolute must have, but others who already own many live albums by the band, might think twice about it. Personally I enjoyed both the audio and the video presentations, but I am definitely far from being objective about something, that dominated the soundtrack of my life for many years.
| Updated: 17/06/2016Posted: 17/06/2016 | 2CD+DVD 3 Digipak Recommend To A Friend |
  | WEATHER REPORT ~ LIVE IN TOKYO COLUMBIA 489208 (Barcode: 5099748920829) ~ USA ~ Jazz-Rock Fusion Recorded: 1972 Released: 2001
Following the release of their eponymous album in 1971 and in spite of the hype and show-biz brouhaha created by ColumbiaFind albums on this label at the time, which presented Weather ReportFind albums by this artist as the first ever jazz super group (a term already used in reference to rock acts), the band found it difficult to secure any US venues to perform live. Europe and Japan of course couldn’t get enough of them and WR spent most of 1971 performing there in front of ecstatic audiences. In November of 1971 WR entered the NYC CBS studios to record material for their second album. These sessions were interrupted by another Japanese tour, during which this legendary album was recorded on January 13, 1972. The music was released as a double LP immediately, but due to the usual corporate bullshit the release was intended for the Japanese market only, and it stayed this way for almost thirty years (it was released finally on CD in Europe in 2001), making the album unobtainable to most WR fans outside Japan. Well, not entirely, as heavily edited excerpts of this recording found their way to the B side of the 2nd official WR album I Sing The Body ElectricFind albums with this title, which included the a.m. November studio recordings as side A – all this probably due to the fact that Columbia was anxious to have the next WR album out ASAP and didn’t want to wait for the more studio recordings. So much for the background and now for the music. As usual with WR, the personnel changes started already at this early stage and in the cause of the very few months since the recording of the debut album the original WR drummer Alphonse MouzonFind albums by this artist was replaced by Eric GravattFind albums by this artist and original percussionist Airto MoreiraFind albums by this artist was replaced by another Brazilian Master Don Um RomaoFind albums by this artist. More importantly however, the music of the band changed also quite dramatically. The debut album was an all-acoustic affair and here we have Joe ZawinulFind albums by this artist using electric piano, modulators and other electronic devices, which eventually would dominate the WR sound. The overall sound is now almost identical to the Miles DavisFind albums by this artist´ In A Silent WayFind albums with this title / Bitches BrewFind albums with this title sessions, with the intensity equal to the legendary Miles’ Fillmore concerts. The music is presented in a form of four extended medleys (the longest of which lasts for over 26 minutes), mixing expanded versions of compositions present on the debut album with those recorded during the a.m. November sessions and yet others that appear only here. The group improvisations and the telepathic interplay are fearfully intense. Miroslav VitousFind albums by this artist bravely provides the steady pulsation, which cements the basis on which his companions embark into their sonic ventures. Gravatt is all over the rhythmic patterns and Romao brilliantly fills the spaces. WR strength was always in their live performances, since their studio efforts somehow lacked much of the spontaneity, drive, inspiration and vigor present on stage. This recording, in addition to its heavenly contents, has also a tremendous historic value, as it is the only one in existence documenting the early (and to many the most interesting) stage of the band. It also provides the wonderful introspective peek at the most interesting (regardless of genre) period in the history of 20th Century music, during the convoluted period where all boundaries seemed to be irrelevant and the unexpected was expected. There would be very few moments in the years that followed that either WR or any other band for that matter would reach the same level of creative genius or performance intensity. Absolutely essential!
| | CD 2 Essential Recommend To A Friend |
  | WEST, BRUCE & LAING ~ LIVE `N` KICKIN` ESOTERIC 2072 (Barcode: 5013929717220) ~ USA ~ Classic Rock Recorded: 1974 Released: 2008
3rd and last album by the short-lived Anglo-American super-group West, Bruce & LaingFind albums by this artist consisting of guitarist Leslie WestFind albums by this artist and drummer Corky LaingFind albums by this artist from the American band MountainFind albums by this artist and British bassist / vocalist / songwriter extraordinaire Jack BruceFind albums by this artist, of CreamFind albums by this artist fame. The group came together after both the first incarnation of Mountain and the Jack Bruce Band fell apart and was almost a "natural" choice of participants, considering the many parallels between Mountain and Cream, both stylistically and personally via Mountain member and Cream producer Felix PappalardiFind albums by this artist. This live recording is a great document of the level of energy involved in the group´s performances and the virtuosity of its members. Bruce´s bass playing is simply spectacular, as are his vocals and he is especially strong on his own compositions. People who like Cream´s live recordings, with expanded song versions, will enjoy this stuff immensely and the younger people can hear what Rock was all about, when it was truly rocking. Visitors' Comments Dr. Rafael Augusto Lara Palmeros This one is WBL´s “swang song”, the last albumn in the short life of this extraordinary supergroup. Recorded live in Orpheum Theater, in Boston, Masachusetts, the band includes four tracks: “Play with fire”, is a Stone cover and is reminiscent of the “Why Dontcha” cut “Love is worth the Blues”, “The doctor” the live version of one of the studio tracks on their debut albumn.”Politician!” is a good track and “Powerhouse sod” is a version with an absolutely mind bending bass solo by Jack.
I think that this work sholuld have been originally released as two-albumn set, incluiding “November song”,”Sifting sand”,”Out of the fields”, “Polution woman” and others. Four stars of five.
| | CD 1 Remastered Recommend To A Friend |
  | MIKE WESTBROOK ~ LIVE 1972 HUX 151 (Barcode: 682970001517) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 Released: 2017
This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released in 1973 as “LiveFind albums with this title” on the legendary CadillacFind albums on this label label as a five-tracks LP. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios.
For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking.
Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold CadillacFind albums by this artist band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.
| Updated: 21/01/2023Posted: 21/01/2023 | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | MIKE WESTBROOK ~ LIVE 1972 (CADILLAC 50TH ANNIVERSARY EDITION) CADILLAC 001 (Barcode: 5020675000421) ~ UK ~ Avant-Garde Jazz-Rock Fusion Recorded: 1972 Released: 2023
This is an expanded / remastered reissue of an album by the iconic British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with his extremely short-lived quintet, which featured him on electric piano together with saxophonist / flautist George KhanFind albums by this artist, guitarist Gary BoyleFind albums by this artist, bassist Butch PotterFind albums by this artist and drummer Alan JacksonFind albums by this artist. The music was recorded live and the original album was released on LP in 1973 as “LiveFind albums with this title” and presented only five-tracks. This new edition adds two previously unreleased performances, with all the music remastered by the lamented Jon HisemanFind albums by this artist at his Temple Music Studios. Although released previously in 2017 on the now defunct HUXFind albums on this label label, a copy of which is now impossible to find, this edition celebrates the 50th Anniversary of the legendary CadillacFind albums on this label label founded by John JackFind albums by this artist, as it was the first release on that label. It is absolutely delightful to see the British Jazz legacy being kept alive and the Cadillac label getting a second “life”.
For people not familiar with the original album, this music is a true revelation from start to finish. All the music was composed by Westbrook and includes small ensemble versions of some of his orchestral compositions, like “Marching Song” and “Metropolis” and some Free Form improvised music, or Free Jazz Fusion if one prefers, rarely associated with Westbrook in general, and as such especially unique. Five of the tracks on this album are over ten minutes in duration, which emphasizes the improvisational character of the music herein. The album is also an important document of George Khan’s talents, which sadly have little exposure on the many albums he plays on, certainly not as a Free Form improviser featured here, which is breathtaking.
Overall, this is a relatively little known episode in Westbrook’s extensive career, which together with the two albums recorded by the Solid Gold Cadillac band documents his Jazz-Rock Fusion adventures in the early 1970s and is a fascinating glimpse into his past. For the many Westbrook followers and British Jazz enthusiasts, this is a Holy Grail, absolutely worthy of an honorable place in any serious record collection.
| Updated: 06/01/2024Posted: 06/01/2024 | CD 1 Mini-Sleeve Remastered Bonus Tracks Recommend To A Friend |
  | MIKE WESTBROOK ~ LONDON BRIDGE IS BROKEN DOWN BGO 0788 (Barcode: 5017261207883) ~ UK ~ Jazz-Classical Fusion Recorded: 1987 Released: 2008
The second phase of Mike WestbrookFind albums by this artist’s illustrious career, which was initiated around mid-1970s and continues to this day, can be characterized by his gradual shift from the big orchestral formats to much more intimate assemblages, centered around himself and his wife Kate WestbrookFind albums by this artist and including members from a steady core of musicians cooperating with them. Kate’s remarkable voice and even more remarkable personality added several new dimensions to the unique “Westbrook voicing” of musical ideas, which would become their trademark in years to come. Her extraordinary sensitivity, openness and passion for European literature and poetry and her ability to sing in French and German (in addition to English of course), combined with Mike’s sublime talent for composition, enabled them to create a vast body of work, which extends far beyond “music making” per se and transferred gradually into one of the most profound European expressions of Culture.
Although deeply rooted in Jazz, their music encompasses many additional musical areas, ranging from cabaret and chanson to contemporary Classical music. Always meticulously researched and perfectly scored, the Westbrook projects are all masterpieces of contemporary Art, way beyond straightforward music creation. One can perhaps trace these tendencies to the Jazz & Poetry amalgamations common in the early 1960s, or even much earlier examples from Classical music, which combined musical ideas with literary sources. Mike and Kate are a complete cultural phenomenon; alas a radically rare one in our times, in complete contrast to most of the “musical“ ventures polluting our ears.
The music included on this album is perhaps the most complex and ambitious project the Westbrooks have ever undertaken. Commissioned by the French Festival International de Jazz d’Amiens for the 1987 edition of the festival, it was premiered there and later recorded in Paris. The music is an extended work for two orchestras – Jazz and Symphonic – incorporating texts selected and written by Kate. The music and text were written and assembled over a period of four years (1983-1987) and inspired by the places, which the Westbrooks visited during their intensive touring voyages. The overall idea was to present a picture of Europe at the time, with its immense political, social and cultural complexity, focusing on four European Capitals (London, Prague, Berlin and Vienna) and the French Picardie Region.
Westbrook’s Jazz “orchestra” was in fact a nonet, with him on piano, Kate on vocals, Chris BiscoeFind albums by this artist on saxophones and clarinet, Peter WhymanFind albums by this artist on saxophones, Graham RussellFind albums by this artist on trumpet and flugelhorn, Paul NiemanFind albums by this artist on trombone, Brian GoddingFind albums by this artist on guitar, Steve CookFind albums by this artist on bass and Tony MarshFind albums by this artist on drums. The Mike Westbrook Orchestra and Le Sinfonietta de PicardieFind albums by this artist were both conducted by Alexandre MyratFind albums by this artist. The album was originally released in 1988 on VirginFind albums on this label as a four LP set (three and a half to be exact), but disappeared almost immediately from the shelves. Kudos to BGOFind albums on this label for reissuing this masterpiece and exposing this music to new potential listeners, nothing deserves a wider recognition than this cultural treasure. Beyond essential!
| Updated: 28/07/2023Posted: | CD 2 Slipcase Remastered Essential Recommend To A Friend |
  | MIKE WESTBROOK ~ LONDON BRIDGE LIVE IN ZURICH 1990 WESTBROOK 011 (Barcode: 5052442022893) ~ UK ~ Jazz-Classical Fusion Recorded: 1990 Released: 2022
This is an archival live album by British Jazz pianist / composer / bandleader Mike WestbrookFind albums by this artist, which presents a performance of the orchestral suite “London Bridge Is Broken DownFind albums with this title” at the Zurich International Jazz Festival in 1990, three years after the suite was premiered 1987 at the French Festival International de Jazz d’Amiens and later recorded in a Paris studio. The 2CD album presents twelve tracks, two of which last for well over twenty minutes
The lineup on this recording is somewhat different and includes Mike Westbrook on piano, Kate WestbrookFind albums by this artist on vocals and Mike Westbrook OrchestraFind albums by this artist with trumpeter Graham RussellFind albums by this artist, trombonist Paul NiemanFind albums by this artist, saxophonists Peter WhymanFind albums by this artist, Alan WakemanFind albums by this artist and Chris BiscoeFind albums by this artist, tuba player Andy GrappyFind albums by this artist, guitarist Brian GoddingFind albums by this artist, bassist Tim HarriesFind albums by this artist and drummer Peter FaircloughFind albums by this artist. The classical orchestra is the Docklands SinfoniettaFind albums by this artist conducted by Rupert BondFind albums by this artist.
The musical content is almost identical to the studio recording, but naturally this live version offers the excitement, dynamics and natural differences between a studio recording and a live performance, which as expected is absolutely sensational. You can read my review of the studio album (by clicking on the link) for a detailed review of the music and its place in Westbrook’s extensive career.
Overall, this is a brilliant piece of music, and in many respects a pinnacle in Mike Westbrook’s career as a composer and Kate Westbrook’s career as an interpreter of multilingual literary works within the Jazz idiom. The album is of course an absolute must in every serious British Jazz collection, and an essential part of Westbrook’s discography. Thanks for bringing this marvelous music out to light after thirty years of hibernation.
| Updated: 28/07/2023Posted: 28/07/2023 | CD 2 Digipak Recommend To A Friend |
  | MIKE WESTBROOK ~ LOVE AND UNDERSTANDING: CITADEL / ROOM 315 SWEDEN `74 MY ONLY DESIRE 003 (Barcode: 5052442016687) ~ UK ~ Big Band Jazz Recorded: 1974 Released: 2020
This is an archival album, which finally brings back to life the original live recording of the “Citadel / Room 315Find albums with this title” suite by British pianist / composer / bandleader Mike WestbrookFind albums by this artist, recorded with the Swedish Radio Jazz GroupFind albums by this artist featuring Westbrook on electric piano and British saxophonist John SurmanFind albums by this artist as the guest soloist. A studio version of the suite was recorded a year later by an all British lineup and released on RCAFind albums on this label. The album presents eleven tracks, all composed and arranged by Westbrook. The recording quality is absolutely marvelous.
The sixteen members strong Swedish Radio Jazz Group included some of the finest Swedish / European musicians active at the time, including saxophonists Arne DomnerusFind albums by this artist and Lennart AbergFind albums by this artist, trumpeter Bertil LovgrenFind albums by this artist, pianist Bengt HallbergFind albums by this artist and others.
A comparison with the British recording version, which of course is well known to all Westbrook followers, shows several distinct differences, especially as far as the overall sound, which here is somewhat more “traditional” and closer to the American Big Band tradition, which is not surprising considering the years-long Swedish Jazz tradition, very closely linked to the American tradition and the fact that many prominent American Jazz musicians lived in Sweden at the time. The British version, recorded by the young generation of musicians, who revolutionized the local Jazz scene completely and managed to create a distinct new Jazz dialect, is somewhat more daring and “subversive”, in the best possible way of course.
Kudos to My Only DesireFind albums on this label Records for releasing this fabulous piece of music, which was dormant for so many years. All British Jazz fans are grateful, of course!
Overall, this is a wonderful piece of British Jazz history, which deserves to be heard today, as it lost absolutely nothing of its power of expression and aesthetic values, fulfilling a missing link that many Westbrook fans can now consider as resolved. An absolute must have!
| Updated: 02/02/2023Posted: 12/03/2022 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | MIKE WESTBROOK ~ LOVE SONGS VOCALION 8407 (Barcode: 765387840723) ~ UK ~ Jazz Recorded: 1970 Released: 2005
Pianist / bandleader / composer Mike WestbrookFind albums by this artist is a true icon of the British Jazz scene for over four decades. The immense body of work Westbrook produced over the years parallels the achievements of many Classical composers and in fact should be considered as contemporary Classical music, although he is mostly associated with the Jazz genre. In the late 1960s / 1970s Westbrook concentrated mostly on his work with Jazz Big Bands, which he led and composed the music for. He usually composed large orchestral suites, based on conceptual or literary content, again similar to the modus operandi of Classical composers. His legendary Big Bands / orchestras comprised of the creme de la creme of the British Jazz musicians active at the time and were one of the most fascinating grounds of musical experimentation. Later on Westbrook would work mainly in smaller ensembles, which include his wife the singer Kate WestbrookFind albums by this artist, producing a series of wonderful compositions often similar in spirit to the work of composer Kurt WeillFind albums by this artist and often involving interpretation of European poetry and other literary works. This album presents a song cycle dedicated to the poems by Caroline MenisFind albums by this artist, and features Britain’s greatest female Jazz vocalist Norma WinstoneFind albums by this artist. The band consists of saxophonists Mike OsborneFind albums by this artist, John WarrenFind albums by this artist and George KhanFind albums by this artist, trumpeter Dave HoldsworthFind albums by this artist, trombonists Malcolm GriffithsFind albums by this artist and Paul RutherfordFind albums by this artist and a rhythm section: Chris SpeddingFind albums by this artist – guitar, Mike Westbrook – piano, Harry MillerFind albums by this artist – bass and Alan JacksonFind albums by this artist – drums, all stellar Jazz musicians. Of course Westbrook’s music is never trivial and requires some serious listening to be truly appreciated, but the intellectual effort is richly rewarded. This reissue includes a super-rare single released at the time to promote the album. Timeless stuff and a must to any true Jazz lover - most warmly recommended.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | JOHN WETTON ~ LIVE IN TOKYO 1997 BLUEPRINT 289 ~ UK ~ Progressive Rock
A 2CD live set fom John WettonFind albums by this artist and his band. Great playing and great vocals by the leader, performing some of his best known compositions through the years. Excellent sound quality. For his fans there is never enough material and this one is a valuable addition.
| | CD 2 Recommend To A Friend |
  | KENNY WHEELER / SONNY GREENWICH ~ LIVE AT THE MONTREAL BISTRO JUSTIN TIME 114 (Barcode: 068944011421) ~ UK ~ Jazz Recorded: 1993 - 1997 Released: 1997
This is a little known live recording by the British Jazz trumpeter / composer Kenny WheelerFind albums by this artist with Canadian guitarist Sonny GreenwichFind albums by this artist and other top Canadian Jazz players: pianist Don ThompsonFind albums by this artist, bassist Jim VivianFind albums by this artist and drummer Barry ElmesFind albums by this artist. American drummer Joe LaBarberaFind albums by this artist plays on two tracks. The music was recorded during two Canadian appearances, four years apart, and presents six tracks: one original composition by Wheeler, another one by Thompson, two by Greenwich and two are standards.
The music is all well within mainstream Jazz boundaries, with the original compositions being sufficient to keep the music interesting and the performances by all the participants are certainly solid enough to make the album worth listening too, not only due to Wheeler´s presence.
The relaxed club atmosphere allows the musicians to stretch out and deliver lengthy soli, which are well structured and in case of Wheeler are simply phenomenal, as always.
These are certainly not Wheeler´s most important or significant statements, but they are a nice document of his less demanding appearances with Canadian colleagues, during his visits in his former Homeland. For the many Wheeler´s followers and collectors, this is of course a must.
| Updated: 19/12/2018Posted: 19/12/2018 | CD 1 Recommend To A Friend |
  | KENNY WHEELER / CHRISTIAN MAURER ~ LIVE AT THE PORGY & BESS PAO 10720 (Barcode: 9006834107206) ~ UK ~ Jazz Recorded: 1997 Released: 2000
This is a wonderful live album by British Jazz trumpeter / composer Kenny WheelerFind albums by this artist, recorded at the legendary Viennese Jazz club Porgy & Bess with an Austrian quartet led by saxophonist Christian MaurerFind albums by this artist, which also included pianist Helmar HillFind albums by this artist, bassist Christian SteinerFind albums by this artist and drummer Alfred VollbauerFind albums by this artist. Together the quintet performs six compositions: three originals by Wheeler, one original each by Maurer and Vollbauer and one standard.
The excellently recorded music allows an intimate experience of listening to Wheeler and his younger cohorts playing their hearts out. Obviously invigorated by the presence of these young, but by all means very able players, Wheeler is able to stretch out and play a series of wonderfully relaxed expanded soli, which are all as brilliant as expected.
The most interesting piece on the album is the original piece by Vollbauer, which is the most open-form composition on the album and allows Wheeler to show his Free Jazz chops, which he used relatively rarely in the last years of his career. But of course his splendid balladry and mainstream playing is every bit as marvelous and worth being heard.
The immediacy and obviously less formal atmosphere of this live session is a superb opportunity to get a glimpse of a somewhat less polished Wheeler performance in its full splendor, which is obviously worth its weight in gold.
Overall the is a little known gem which is an absolute must for Wheeler´s many connoisseurs, a must in every serious collection of his extended discography and a piece of Jazz history, which deserves to be preserved for posterity.
| Updated: 23/03/2019Posted: 23/03/2019 | CD 1 Recommend To A Friend |
  | SNOWY WHITE ~ LIVE FROM LONDON IGUANA 008 ~ UK ~ Blues
Filmed in 1984, this is an excellent and unusual performance by the great UK blues guitarist, who came to fame playing with Pink Floyd and Peter Green. This DVD took me by surprise, as White plays an excellent set in almost fusion style. His guitar playing remains bluesy, but the backup group is very fusion oriented – the result works very well and they all play their hearts out. That Gibson sound! – Unbeatable delight.NTSC
| | DVD 1 Recommend To A Friend |
  | SNOWY WHITE / WHITE FLAMES ~ LITTLE WING VOICEPRINT 396 (Barcode: 604388324729) ~ UK ~ Blues Recorded: 1997 Released: 2006
This is a most welcome reissue of a little known Snowy White album, which was released only in Europe. White returns to the Blues / Rock format, which of course is his forte. The trio format serves him perfectly and the rhythm session is superb. He wrote all the music except the title track (by Hendrix of course) and one track contributed the drummer. He re-visits a few older songs, but most of the material is new. There is plenty of space for some formidable guitar playing, as the tracks are relatively long (up to 9+ minutes), which should make his many fans quite happy. Definitely one of his better albums and far superior to his mainstream efforts. Warmly recommended.
| | CD 1 Remastered Bonus Tracks Recommend To A Friend |
  | WHITESNAKE ~ LITTLE BOX `O` SNAKES PARLOPHONE 5099993483728 (Barcode: 5099993483728) ~ UK ~ Classic Rock Recorded: 1978 - 1982 Released: 2013
This is a Box Set collecting remastered reissues of the initial EP “SnakebiteFind albums with this title” (1978) and first seven LP albums by the British Rock group WhitesnakeFind albums by this artist: “TroubleFind albums with this title” (1978), “Live At HammersmithFind albums with this title” (1978), “LovehunterFind albums with this title” (1979), “Ready An` WillingFind albums with this title” (1980), “Live… In The Heart Of The CityFind albums with this title” (1980), “Come An` Get ItFind albums with this title” (1981) and “Saints & SinnersFind albums with this title” (1982).
The group was formed in 1978 by vocalist David CoverdaleFind albums by this artist, following his departure from the iconic British Rock group Deep PurpleFind albums by this artist, of which he was the lead singer between 1973 and 1976, recording three albums with them: “BurnFind albums with this title” (1974), “StormbringerFind albums with this title” (1974) and “Come Taste The BandFind albums with this title” (1975).
The initial lineup of the group included, in addition to Coverdale, two lead guitarists: Micky MoodyFind albums by this artist and Bernie MarsdenFind albums by this artist, bassist Neil MurrayFind albums by this artist and drummer Dave DowleFind albums by this artist. By the time the first album was recorded Deep Purple keyboardist Jon LordFind albums by this artist joined the group. Later on another Deep Purple member, drummer Ian PaiceFind albums by this artist, also joined the group replacing Dowle.
Whitesnake were one of the best British Rock bands of all times, characterized by great musicianship and superb songwriting. Somewhat similar to Deep Purple, they had more Blues influences and at times sounded remarkably like FreeFind albums by this artist.
Overall, this Box Set is a remarkable treasure chest of superb British Classic Rock at its best, sounding better than ever and bringing back to life some albums that have been out of circulation for ages. Of course for Deep Purple fans the presence of Coverdale, Lord and Paice makes this Box Set completely irresistible. And Moody was always one of my favorite guitarists, with an incredible feel for the Blues. Loved every minute of it and I admit not hearing most of this music for the last four decades… tasty!
| Updated: 04/06/2022Posted: 04/06/2022 | CD 8 Mini-Sleeve Box Set Remastered Recommend To A Friend |
  | WHO ~ LIVE AT HULL 1970 POLYDOR 602537113491 (Barcode: 602537113491) ~ UK ~ Classic Rock Recorded: 1970 Released: 2012
The music appearing on this album was recorded by British Rock legends The WhoFind albums by this artist on February 15, 1970, following their performance on February 14, 1970 (i.e. the previous evening), which produced one of the greatest live albums of all times, the seminal and legendary "Live At LeedsFind albums with this title". The sets of both these concerts are identical (except for one song missing from the Hull set), but the dynamics, ambience and overall atmosphere are quite different. Both concerts were recorded in order to assemble material for the planned live album, but due to technical difficulties, the Hull tapes were discarded and the live album featured material recorded entirely during the Leeds concert. The rest is history…
Some 40 years later it was time to take another look (or listen) at the Hull concert tapes, in order to release both concerts as the "40th Anniversary Super-Deluxe Collectors´ Edition" of "Live At Leeds". Some advanced studio wizardry and digital magic was employed, mostly involving a copy & paste surgery of the bass parts, which were not recorded on the first six songs during the Hull concert, and quite a few other problems. Thanks to the available technology and the dedication of the people involved, the result is truly stunning.
At the time this music was recorded The Who were at the absolute pinnacle of their artistic path, following the success of their groundbreaking Rock Opera "TommyFind albums with this title". They were also in perfect shape as live performers, following years of touring and performing. As a musical unit they displayed a phenomenal, almost telepathic ability to communicate and cooperate. Their individual abilities and talents as musicians were also almost without competition; not only were they one of the best Rock groups at the time, but Roger DaltreyFind albums by this artist was surely one of the top vocalists, John EntwistleFind albums by this artist was one of the top bassist, Keith MoonFind albums by this artist drummers and Pete TownshendFind albums by this artist guitarists. Combined with Townshend´s ability to weave some of the most amazing music made at the time, The Who had truly very little competition.
As mentioned earlier, the contents of this album is almost identical to the "Live At Leeds" album, but that should not deter anybody from listening to this particular recording, as it presents quite different experience. The group seems to be much more relaxed here, which makes the music flow more naturally and more "accurately". The overall ambience is somewhat less noisy and certainly much more intimate. There is very little audience reaction present on the tape, which makes the album sound almost as a "live in the studio" recording. This album is surely a treasure in itself, as much as being a perfect companion to the "Live At Leeds" album.
In short this is a brilliant document from the past, bringing back to life some magnificent music, which is an essential component of Rock history. Thank God for the invention of sound recording!
| | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | WHO ~ LIVE AT LEEDS (DELUXE EDITION) MCA 112618 (Barcode: 008811261825) ~ UK ~ Classic Rock Recorded: 1970 Released: 2002
Recorded in 1970, this is the legendary concert of The WhoFind albums by this artist at Leeds University. Two and a half hours of unadulturated energy and genious by one of the most important and influential rock groups ever. This recording was made shortly after the rock opera Tommy was released, and on this version of the album the group performs the entire piece (no interruptions) live, which to many is a better version then the studio recording. The rest of the material includes Who`s all time favorites, performed with the usual frenzy and vitality. This is Rock And Roll at its best, no doubt about it!
| Updated: 01/06/2018Posted: | CD 2 Digipak Remastered Bonus Tracks Essential Recommend To A Friend |
  | WHO ~ LIVE AT SHEA STADIUM 1982 MERCURY 602458372229 (Barcode: 602458372229) ~ UK ~ Classic Rock Recorded: 1982 Released: 2024
This is an archival live album by the legendary British Rock group The WhoFind albums by this artist, captured live at the NY Shea Stadium on November 13, 1982. The lineup included three original members: vocalist Roger DaltreyFind albums by this artist, guitarist Pete TownshendFind albums by this artist and bassist John EntwistleFind albums by this artist and two new members: drummer Kenney JonesFind albums by this artist (ex-Small FacesFind albums by this artist / FacesFind albums by this artist) and keyboardist Tim GormanFind albums by this artist. The 2CD album presents twenty-five tracks, all but five written by Townshend, presenting a few tracks from their (then new and the last to feature Entwistle) album “It`s HardFind albums with this title” and a selection of songs spanning the entire career of the group.
Following the death of the founding member / drummer Keith MoonFind albums by this artist, the group carried on for a while and recorded a couple of albums, before finally splitting in 1983s. There were several reunions and a couple of albums since, but the activity was relatively sporadic.
The Who were undoubtedly one of the greatest Rock groups of all times, and this album, even if recorded closely to the last apogee of their career, proves it beyond any doubt. They had an awe-inspiring charisma on stage and recorded some of the most iconic Rock albums of all time, being Rock’s “avant-garde” for years in many fields, including their social awareness and groundbreaking musical trends. Their iconic “Live At LeedsFind albums with this title” album remains to be one of the absolutely top live Rock recordings to this very day, and they were truly mighty musicians and songwriters.
Overall, this is a brilliant live Rock album by one of the best Rock groups of all time, superbly recorded and offering a review of the group’s entire recording career. The Who were true Giants, and this album clearly and proudly shows why. It is great to be able to hear this material, which was previously unreleased on CD, and which is a great piece of Rock history!
| Updated: 04/08/2024Posted: 03/08/2024 | CD 2 Mini-Sleeve Recommend To A Friend |
  | WHO ~ LIVE AT THE FILLMORE EAST 1968 POLYDOR 602567444855 (Barcode: 602567444855) ~ UK ~ Classic Rock Recorded: 1968 Released: 2018
This is a sensational archival release presenting live recordings by the seminal British Rock group The WhoFind albums by this artist captured at the very end of their first grueling US tour as headliners, recorded at the NY Rock shrine: Bill GrahamFind albums by this artist´s Fillmore East, reopened recently (at the time) in its new location on the Second Avenue on the Lower East Side. With the intention of the music being released as a live album, both concerts on April 5 and 6, 1968 were recorded, but were eventually shelved, seeing the light of the day exactly half a Century later. Of course The Who released eventually their extraordinary live opus "Live At LeedsFind albums with this title" a couple of years later, which is still considered as one of the best live Rock albums of all time, but his music surely deserved to be released as well.
At the time of the recording vocalist Roger DaltreyFind albums by this artist, guitarist Pete TownshendFind albums by this artist, bassist John EntwistleFind albums by this artist and drummer Keith MoonFind albums by this artist had three albums under their belt and were on the verge of stardom, which was about to explode with the release of their fourth album, the legendary Rock Opera "TommyFind albums with this title" a year after the music present here was recorded. After years of playing together they were a lean and mean Rock machine, capable of delivering raw energy of the highest degree, combined with virtuosic performances equally only by the very best of their contemporaries. Daltrey´s theatrical vocals, Townshend´s guitar pyrotechnics, Entwistle´s superb bass parts and Moon´s hyper-energetic drumming are all present here to the delight of the group´s fans and music historians. For the Rock cognoscenti hints of the group´s future direction (i.e. "Tommy") can be already heard here as well.
The entire second CD of this album is dedicated to the extended version of the group´s first hit "My Generation" and their renowned anthem, which lasts for more than thirty three minutes in duration. The instrumental work on that piece puts The Who in the same category as other great Rock improvisers at the time, most notably Cream of course. In retrospect this singular piece of music should be considered a "must hear" for anybody who picks up a guitar or starts a group. Basically Rock moved ahead very little since.
Considering the superb recording quality this album offers, it is very difficult to comprehend why this treasure was hidden away for so long, simply bordering on the Culturally criminal. Better late than never is a poor solace in this case.
Beyond essential!
| Updated: 11/09/2018Posted: 11/09/2018 | CD 2 Digipak Remastered Essential Recommend To A Friend |
  | WIGWAM ~ LIVE MUSIC FROM THE TWILIGHT ZONE ESOTERIC 2185 (Barcode: 5013929728523) ~ FINLAND ~ Progressive Rock Recorded: 1974 Released: 2010
5th album by the Finnish Prog Masters WigwamFind albums by this artist (originally released as a double LP), marking the end of the original lineup of the band and recorded during their farewell concert tour. The band´s core: vocalist Jim PembrokeFind albums by this artist (a British expatriate living in Finland), keyboardist Jukka GustavsonFind albums by this artist, who was the band´s principal composer, bassist Pekka PohjolaFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist is expanded to a quintet with guitarist Pekka RechardtFind albums by this artist joining the group. Soon after these recordings were made Gustavson and Pohjola left the band and it reformed a year later with new musicians replacing them. This album is a superb showcase of Wigwam´s live performances, being the band´s first live recording, as well as showing their musical influences, as the band performs several covers of material written by such diverse musicians as the BeatlesFind albums by this artist and the BandFind albums by this artist, in addition to their own compositions. Several of the tracks are expanded into long instrumental jams, emphasizing the improvisational skills by the band members. With strong Jazzy feel, this album gracefully moves between Prog and Fusion, to the obvious delight of the band´s many fans. In retrospect this album is a great document of the time, capturing the spirit as well as the sound of the most productive period in music history. Essential for all Wigwam fans, but most Prog and Fusion connoisseurs should have a field day with this beauty!
| | CD 1 Oversampling Remastered Recommend To A Friend |
  | WIGWAM ~ LIVE MUSIC FROM THE TWILIGHT ZONE LOVE 517 ~ FINLAND ~ Progressive Rock
5th album from 1974, originally a 2LP set, captures the group live during a tour in Finnish clubs. This album marks the end of the first incarnation of the group.
| | CD 1 Recommend To A Friend |
  | WIGWAM ~ LUCKY GOLDEN STRIPES AND STARPOISE (50TH ANNIVERSARY EXTENDED EDITION) SVART 160 (Barcode: 6430065585206) ~ FINLAND ~ Progressive Rock Recorded: 1976 Released: 2018
This is a reissue of the seventh album by the iconic Finnish Prog band WigwamFind albums by this artist, which featured a new lineup of the group and marked a new period in the band´s career, often referred to as Wigwam Mk. II. Following the departure of keyboardist Jukka GustavsonFind albums by this artist and bassist Pekka PohjolaFind albums by this artist, the two remaining members: vocalist / pianist Jim PembrokeFind albums by this artist and drummer Ronnie OsterbergFind albums by this artist were joined by guitarist Pekka RechardtFind albums by this artist and bassist Mans GroundstroemFind albums by this artist. On this album the lineup was extended to a quintet with the addition of keyboardist Hessu HietanenFind albums by this artist. The original album, which was recorded in London, presented nine original songs, five composed by Rechardt and three by Pembroke, all featuring lyrics written by Pembroke, who was a British expatriate and could naturally handle the lyrics in English flawlessly, and finally one tune was an instrumental co-composed by all five members of the group. This remastered and expanded edition adds a second CD, which includes five alternate mixes and four live studio rehearsals of the tunes from the album, all previously unissued.
The music, although undoubtedly somewhat less strictly Prog oriented, is by all means absolutely brilliant, wonderfully combining the excellent songwriting with perfect performances, full of great instrumental parts. Wigwam were, as it often happened with the capricious Prog fanatics, accused for taking a more commercial path, but the band, which suffered from a dichotomy in its ranks since its inception, was now completely united behind their musical output and quite honestly read well the changing Prog landscape, which pulled many of the classic Prog bands towards a more song oriented direction. Hietanen was a fully integrated member of the band by the time this music was recorded and this changed the entire sound of the group. Although this album is often described as the most commercial of all the Wigwam albums, is not really that different from its predecessor or its successor, and the difference is mostly due to the different sound ambience rather than the music itself.
The collected talents of Wigwam´s members still made it one of the best Prog band in Europe and even worldwide, and if not for the fact that they originated from Finland, they would have probably reached to top of the Prog peak. This album was released in the UK and a few other countries, bringing the band some success, but Prog at the time was approaching its global collapse, when the initial creativity of the genre simply dried out. Wigwam released one more excellent album before calling it quits and future efforts to resurrect the band proved to be as futile as those of other Prog band around the globe. The magic was simply gone.
This excellently sounding and expanded edition is a must have for Finnish Prog / Wigwam fans all over the globe and SvartFind albums on this label Records, as usual, made a perfect job preparing this reissue. Brilliant stuff!
| Updated: 11/08/2020Posted: 11/08/2020 | CD 2 Remastered Bonus Tracks Recommend To A Friend |
  | WILBER, BOB / BECHET LEGACY ~ LIVE AT THE VINEYARD CHALLENGE 70018 ~ USA ~ Jazz
AMG Review: After the breakup of Soprano Summit in the early ´80s, Bob Wilber formed a group dedicated to reviving the music of his teacher, Sidney Bechet. Wilber (who triples here on soprano, clarinet, and alto) is heard with his intimate quartet (which also includes trumpeter Randy Sandke, guitarist Mike Peters, and bassist John Goldsby) during a live performance on nine selections associated with Bechet. This CD (its contents were released for the first time in 1995) has plenty of passionate and heated swing, with the high points including "Down in HonkyTonk Town," "Promenade aux Champs-Elysees," "China Boy," and "Lady Be Good." Quite enjoyable.
| | CD 1 Recommend To A Friend |
  | TONY WILLIAMS / LIFETIME ~ LIVE IN NEW YORK 1969 HI HAT 3084 (Barcode: 5297961308411) ~ USA ~ Jazz-Rock Fusion Recorded: 1969 Released: 2017
This is a live recording by the legendary pioneering Jazz-Rock Fusion trio Tony Williams LifetimeFind albums by this artist, founded by American drummer Tony WilliamsFind albums by this artist and including also organist Larry YoungFind albums by this artist and British guitarist John McLaughlinFind albums by this artist. It presents some of the material that was released on the trio´s debut album "Emergency!Find albums with this title" and some material from their second album "Turn It OverFind albums with this title", which was recorded and released after this concert was recorded with the British bassist Jack Bruce as a fourth member of Lifetime.
The music is of course absolutely stunning, light-years ahead of its time, presenting a futuristic amalgam of Avant-Garde Rock, Jazz and Improvised Music, with a heavy, muddy sound dominating the proceedings kicked forward by Williams´ hyper energetic drumming. Although this music is often considered as some of the most important early Jazz-Rock Fusion, it was in fact more daring and advanced that most of the genre´s output that followed.
McLaughlin was of course exposed to the true Jazz-Rock Fusion cradle at least five or so years earlier, when he was a member of the Graham Bond QuartetFind albums by this artist, which is where this genre was born. His remarkable performances here are simply blood-curdling.
The trio´s genesis is of course connected to the association of its members with Miles DavisFind albums by this artist and his Fusion period, which culminated with the recording of the iconic "Bitches BrewFind albums with this title" album. Lifetime was only one of several iconic groups born from musicians playing with Miles at the time, such as Weather ReportFind albums by this artist and Mahavishnu OrchestraFind albums by this artist.
Although the sound of this recording is not ideal, neither is the sound of the studio recorded "Emergency!", and considering the rarity and the importance of the music this is a must for Tony Williams Lifetime fans and followers of Fusion history! Side Note Obiterdictum Ltd, a company based in Cyprus (oh well you know the story… copyright laws and legal issues) releases mostly live recorded radio broadcasts from the 1960s on and offers an amazing source of music which was never officially released by some of the best Classic Rock and Jazz artists. The catalogue offers five hundred releases, which is an absolute treasure chest of music history, often appearing for the first time.
Although the sound quality and sometimes also music quality range from absolutely brilliant to pretty poor, most of the material is surely listenable, especially after being remastered recently, and more importantly offers music which is not available elsewhere.
The company releases the albums under several sub-labels: Air CutsFind albums on this label, EchoesFind albums on this label, Hi HatFind albums on this label, HotspurFind albums on this label, InterferenceFind albums on this label, KeyholeFind albums on this label, KlondikeFind albums on this label, Live On VinylFind albums on this label, London CallingFind albums on this label, OrbitFind albums on this label, Rox VoxFind albums on this label and Sound StageFind albums on this label. There is no ironclad logic as to what material appears on which label, except perhaps some internal considerations by the Obiterdictum owners.
Approach with caution, but keep in mind that some of these releases are absolutely brilliant!
| Updated: 24/05/2019Posted: 24/05/2019 | CD 1 Remastered Recommend To A Friend |
  | WINSTONE / WHEELER / FRESU / TAYLOR / DAMIANI / OXLEY ~ LIVE AT ROCCELLA JONICA SPLASC(H) 508 (Barcode: 716642050821) ~ UK ~ Jazz Recorded: 1984 Released: 2003
This is a reissue of a rather obscure live recording by a dreamy Anglo-Italian sextet comprising of British vocalist Norma WinstoneFind albums by this artist, trumpeter Kenny WheelerFind albums by this artist, pianist John TaylorFind albums by this artist and drummer Tony OxleyFind albums by this artist and Italian trumpeter Paolo FresuFind albums by this artist and bassist Paolo DamianiFind albums by this artist. Together they perform five original compositions, three by Wheeler (two of which are joined into a medley) and two by Damiani, one of which lasts for over twenty three minutes.
The music is typical modern European Jazz, based on solid melodic themes but open to individual interpretations, which are expressed here by the solos performed by all the participants. The melodies are first presented by Winstone using her amazing vocalese statements and then are picked up by the rest of the sextet and subjected to open improvisation.
The album is full of wonderful soloing and the double trumpet lineup is especially attractive with Wheeler and Fresu playing in tandem or jointly, creating some truly amazing statements. Taylor as always lays the harmonic background for the music and adds fiery solos on the way and the rhythm section keeps things moving ahead. Oxley´s drumming is definitely one of the most "straightforward" performances of his ever captured on record.
Winstone´s neck breaking solos are the absolute highlight of this album and her full power of improvisation and amazing virtuosity are beautifully captured here. The informality of a concert setting and the extraordinary drumming by Oxley, which accompanies her vocal solos come together perfectly.
Although the sound quality of the recording, even in this remastered version, is far from perfect, the music is so powerful and unique that the sound imperfections can be easily ignored. Since the sextet came together only once for this specific appearance, the album is a time capsule and a perfect historical document of European Jazz at its best in the mid-1980s. Wholeheartedly recommended!
| Updated: 13/07/2018Posted: 13/07/2018 | CD 1 Remastered Recommend To A Friend |
  | JOHNNY WINTER ~ LIVE BOOTLEG SERIES VOL. 4 FRIDAY MUSIC 1100 (Barcode: 829421110026) ~ USA ~ Blues-Rock Recorded: 1975 Released: 2009
The great Blues and Rock guitar hero Johnny WinterFind albums by this artist never truly achieved the recognition he deserves as one of the world´s best players ever. Anybody following his career for the last 40 years is surely convinced by now that there are very few guitar players who equal Johnny´s incredible talent and especially his feel for the Blues. This fourth installment in the series of releases of his live and unofficial recordings is as thrilling as its predecessors, presenting Johnny at his best, which he always is on stage. Here in a trio format with Jon ParisFind albums by this artist on bass and Tom ComptonFind albums by this artist on drums, he delivers his stunning guitar licks with the usual consistency an proficiency, singing along with his wonderful throaty voice. The material includes several Blues standards and some of Johnny´s own compositions. I guess there´s little need to expand any further here; anybody who loves Johnny will grab this album instantly and those who don´t know him, well, they already lost a lifetime of thrilling music. A must!
| | CD 1 Remastered Recommend To A Friend |
  | LESZEK HEFI WISNIOWSKI ~ LECHOECHOPLEXITA CM 1002 ~ POLAND ~ Jazz-World Fusion Recorded: 2003 - 2006 Released: 2006
This is the second album by the Polish Jazz flautist / saxophonist / composer Leszek HeFi WisniowskiFind albums by this artist, recorded solo using the multichannel technology, which allows him to overdub his playing many different instruments to produce the final result, which sounds often like an orchestral recording. The album comprises of fifteen tracks, thirteen of which are his original compositions, one is a folk tune and the remaining one if co-composed with one of the guest artists, who play on six of the tracks.
The music is a mixture of many different influences, like World Music, contemporary Classical and of course the Jazz tradition. The melodic element is very strong, which makes this music highly accessible to a wide audience. At times it crosses the delicate border between ambitious and elevator music, but that is of course a matter of taste. The overall sound of multilayered saxophones, flutes and other instruments is quite impressive and again very likeable.
Since this is not predominantly a Jazz recording, it should not be judged by Jazz criteria. As a piece of Jazz-World Fusion it is quite unique and interesting, albeit hardly innovative. If this album was made sometime in the 1990s it had a chance to become quite a hit with the New Age listeners, but now, with the New Age trend discarded and forgotten, it sort of falls in between the currently popular sub-genres. Still it is worth to be listened to just for the sake of the original approach to making music and of course flute enthusiasts might find it appealing.
| | CD 1 Digipak Recommend To A Friend |
  | JIMMY WITHERSPOON ~ LIVE IN LONDON 1966 RHYTHM AND BLUES 066 (Barcode: 5060331752349) ~ USA ~ Jazz-Blues Fusion Recorded: 1966 Released: 2021
This is an archival album by the American Blues singer Jimmy WitherspoonFind albums by this artist recorded during his visit in London, accompanied by top British Jazz musicians. The album presents twenty tracks, recorded during three separate sessions. The majority (thirteen) of the tracks were recorded at the legendary London pub “The Bulls Head”, with Witherspoon accompanied by the saxophonist Dick MorrisseyFind albums by this artist’s quartet with pianist Harry SouthFind albums by this artist, bassist Phil BatesFind albums by this artist and iconic drummer Phil SeamenFind albums by this artist. On six additional tracks (two of which are instrumentals only) he is accompanied by saxophonist Peter KingFind albums by this artist and the same rhythm section as above. On one tack he is accompanied by the great Alexis KornerFind albums by this artist’s (who plays guitar) Blues IncorporatedFind albums by this artist with saxophonist Ray WarleighFind albums by this artist, pianist Chris PyneFind albums by this artist, bassist Danny ThompsonFind albums by this artist and drummer Terry CoxFind albums by this artist. Except for three originals by Witherspoon, all the tracks are Blues / Jazz standards.
The music is all a natural mixture of Blues and Jazz, clearly emphasizing the proximity between the two genres. Witherspoon obviously feels very comfortable with his British companions, being used to work with Jazz musicians back home and the Brits are familiar with the repertoire, which altogether makes the music sound completely natural and easy-going.
There are no great surprises here, but the album is an excellent example of the diversity of the British Blues boom that exploded by the mid-1960s and declines almost as rapidly just half a decade later. That great movement included Blues, Jazz and early Rock musicians working shoulder to shoulder to create the British Blues, which took the American tradition of the genre a step further, adding a pinch of European aesthetics to the mixture.
Overall this is a nice reminder of how the music created by visiting American Blues singers / musicians sounded when they were accompanied by British musicians, which happened quite often at the time. For Blues and British Jazz enthusiasts this is definitely an album worth pursuing.
| Updated: 16/07/2021Posted: 16/07/2021 | CD 1 Recommend To A Friend |
  | WORLD ORCHESTRA ~ LIVE IN GDANSK UNIVERSAL 028948107599 (Barcode: 028948107599) ~ POLAND ~ Jazz-World Fusion Recorded: 2011 Released: 2013
The World Orchestra is a brainchild of Polish Jazz saxophonist / composer Grzech PiotrowskiFind albums by this artist, who managed to create an international ensemble of dozens of musicians from all over the world, which performs a sort of Jazz-World Fusion music, based on melodic themes with strong ethnic flavors. This album presents a live recording by the World Orchestra, featuring some world-famous World Music artists, like the Bulgarian kaval player Theodosii SpassovFind albums by this artist, Finnish kantele player Sinikka LangelandFind albums by this artist, the Bulgarian Voices AngeliteFind albums by this artist choir and many others. Polish artists included Atom String QuartetFind albums by this artist, pianist Marcin WasilewskiFind albums by this artist and a large orchestra; all in all 84 (according to the liner notes) musicians on one stage. They perform fourteen pieces, most of which were composed by Piotrowski, with a few exceptions.
Although the logistics behind this project must have been staggering and the basic idea of combining musical cultures is definitely commendable, the overall result is very problematic. There is no common bond linking the different pieces together, no thematic thread, not even a loosely devised common denominator. As a result each of the pieces more or less works on its own, but is not connected to anything before and after it and the entire concert becomes a sort of tribute to different folkloristic themes, but not more. Although all the musicians involved are true masters of their respective trade, the lush orchestral arrangements and the ambience of Smooth Jazz floating above create a typical overproduced easy-listening music, which keeps the brain in a state of blissful lethargy.
This kind of domesticated World Music is very popular since it is accessible to large crowds, who would definitely have a problem to stomach some authentic Folklore and need the sugary envelope to be able to swallow it. Of course one can wonder is this is the correct way to bring new musical thrills to people, but that becomes a question of moral / artistic choices.
The CD is accompanied by a DVD of the same concert, which adds no additional music beyond the contents of the CD and is therefore completely redundant.
| Updated: 26/10/2016Posted: | CD+DVD 2 Digipak Recommend To A Friend |
  | MICHAL WROBLEWSKI / RADIOSTATIK ~ LUCID DREAM – LIVE AT FILHARMONIA SZCZECIN FILHARMONIA SZCZECIN 007 (Barcode: 5903111493431) ~ POLAND ~ Jazz-Pop Fusion Recorded: 2018 Released: 2019
This is the fourth album by Polish Jazz keyboardist / composer Michal WroblewskiFind albums by this artist recorded live with his ensemble called RadiostatikFind albums by this artist and the Szczecin Philharmonic OrchestraFind albums by this artist. Radiostatik was originally formed in NY in 2015, when Wroblewski was invited by trumpeter Terrence BlanchardFind albums by this artist to record an album, which resulted in the studio version of "Lucid Dream", and which sadly remains so far unreleased. The American-Polish lineup of Radiostatik, which was created to perform the material live, includes two American vocalists: singer Andre WashingtonFind albums by this artist and rapper Raashan AhmadFind albums by this artist, the leader on Fender Rhodes, guitarist Andrzej GondekFind albums by this artist, bassist Michal KapczukFind albums by this artist and drummer Sebastian KuchczynskiFind albums by this artist. The album presents twelve original compositions, all by Wroblewski and arranged by him, with lyrics by him and Ahmad.
The music is a exactly what it promises to be, a Jazz-Pop Fusion with orchestral arrangements, based an excellent melodic themes, which sounds as American as American goes, the kind of stuff which usually gets nominated for Grammy over the pond. It is catchy, groovy, smooth and easy on the ear, but in this case it is also highly musical and truly excellently put together. If it proves anything, it is the fact that European composers and musicians can easily beat the Americans at their own game.
Except for a few instrumental soli, the music has very little to do with Jazz, which means that the Polish Jazz lost the talents of Wroblewski for a while, but personally I am quite convinced he will be back to his musical roots again. In the meantime he can pursue other goals and there is absolutely nothing wrong with this as long as the music is well done and does not deteriorate to the normal level of contemporary Pop, which is killing us mercilessly.
The orchestral parts are the real surprise of this album, ideally suited to the music and performed with great taste and skill. Such class of Pop instrumentation is almost completely absent from contemporary Pop music, probably because it is simply too expensive. But the album proves that a real orchestra can not be replaced by synthesizers.
Overall this is a highly entertaining and classy Pop album with some Jazzy features and orchestral ornamentation, beautifully executed and accessible to a wide music loving audience, which should satisfy every true popular music connoisseur. Definitely worth investigating!
| Updated: 21/06/2019Posted: 21/06/2019 | CD 1 Digibook Recommend To A Friend |
  | PIOTR WYLEZOL / SZYMON MIKA ~ LOUD SILENCE ART EVOLUTION (Barcode: 5903819630039) ~ POLAND ~ Jazz Recorded: 2021 Released: 2022
This is an album by a duo of two prominent Polish Jazz musicians, pianist / composer Piotr WylezolFind albums by this artist and guitarist / composer Szymon MikaFind albums by this artist, which the two worked on during the depressing time of the Covid pandemic. The album presents seven tracks, two original compositions by Wylezol, three original compositions by Mika and two standards. The album offers excellent sound quality, which is essential in order to enjoy this delicate music.
The album is a wonderful example of the “Art of the Duo” idiom, full of beautiful original music, sensitive arrangements of the standards and truly great performances. The minimalist setting allows for every little nuance of the music to audible and emphasizes the excellent balance achieved here, with each and every note exactly in the right place.
Both Wylezol and Mika are among the finest Polish Jazz musicians today, which is immediately apparent, from the first note to the very last. This album is all about mutual understanding, respect and cooperation. The constant exchanges between a soloist and an accompanist flow naturally one after another. The incredible feel of melody and harmony displayed here is so uplifting, that when the music is over, one longs for more – “loud silence” indeed!
Overall, this is a superb display of both individual talents and teamwork by two first class Jazz musicians, which is a pleasure to listen to from start to finish. With egos aside and mutual attention at the helm, these guys just play their hearts out, and who could ask for anything more (except perhaps for more duo albums in the future). Completely unpretentious, heartfelt music at its best, like balm to our wounded souls – thank you my friends for this gift of music!
| Updated: 19/01/2023Posted: 19/01/2023 | CD 1 Digipak Recommend To A Friend |
  | PIOTR WYLEZOL QUINTET ~ LIVE NOT ON LABEL ~ POLAND ~ Jazz Recorded: 2010 Released: 2010
This is a live recording by Polish Jazz quintet led by pianist / composer Piotr WylezolFind albums by this artist, which also includes saxophonist Adam PieronczykFind albums by this artist, Czech guitarist David DoruzkaFind albums by this artist, bassist Adam KowalewskiFind albums by this artist and drummer Krzysztof DziedzicFind albums by this artist. The album presents seven original compositions (one repeated twice as a bonus track), five of which were composed by Wylezol and two by Doruzka.
The music is all within the mainstream Jazz idiom, based on solid melodies, and as usual with Eastern European composers with a distinct share of melancholy. There is little drama on this album with the tunes flowing gently one after another, leaving the listener in a state of blissful relaxation.
The individual performances are all excellent, as expected from musicians of this class. Pieronczyk is one of the top Polish saxophonists with a vast experience and Doruzka is one of top European guitarists, in addition to the talented and also very experienced leader and the excellent rhythm section. There is nothing but professionalism and elegance herein. On the other hand considering the strength of the lineup, one might expect a somewhat more exciting and fulfilling result.
Overall this is a nice live mainstream album, which should keep most Jazz listeners happy, but which in retrospect joins a long list of albums that go gently into that good night and remain consequently desolate.
| Updated: 04/05/2017Posted: 04/05/2017 | CD 1 Digipak Recommend To A Friend |
  | XL ~ LIVE BALLET POHJOLA 13 ~ FINLAND ~ Progressive Rock
4th album from 2000 and the first live recording. With some support by the label owner (yes Pekka Pohjola), a DJ and a string ensamble. An incredible mixture of styles and sounds, vibrant and energetic, but intelligent and sophisticated. These cats can play and they show us all that music can not stand still for even one moment.
| | CD 1 Recommend To A Friend |
  | YES ~ LIVE IN PHILADELPHIA 1979 SANCTUARY 3005 ~ UK ~ Progressive Rock
Classic Yes lineup with Wakeman, Anderson, Howe, Squire and White playing some of the group favorite tunes in front of an extatic audience. Good sound and very solid performance which of course makes any Yes fan happy. Dolby Digital 5.1 Surround Sound, 50 minutes.
| | DVD 1 Recommend To A Friend |
  | YEZDA URFA ~ LIVE – NEARFEST 2004 DANGER DOG 1001 (Barcode: 884501340991) ~ USA ~ Progressive Rock Recorded: 2004 Released: 2004
The one-time reunion of the brilliant US Prog group Yezda UrfaFind albums by this artist, which recorded and released a couple of superb albums in the 1970s, resulted in their Nearfest Festival performance, which was recorded and released on this album. Thirty years later their music still sounds brilliant and remains some of the best ever created by a US Prog group. They can still play of course and although the lineup is slightly different from the original group, this one work amicably. This is a fantastic tribute to the old times and a perfectly valid piece of music by itself, which any Prog fan should definitely check out!
| | CD 1 Recommend To A Friend |
  | LESZEK ZADLO ~ LESZEK ZADLO ENSEMBLE POLJAZZ / ANEX 316 (Barcode: 5907513047711) ~ POLAND ~ Jazz Recorded: 1973 Released: 2009
Polish saxophonist / composer Leszek ZadloFind albums by this artist is undoubtedly one of the greatest Jazz musicians born in that country. A brilliant player and improviser, Zadlo continues the John ColtraneFind albums by this artist legacy of playing the saxophone as if his life depended on it, with total devotion and sublime natural talent. Of course he is also my close personal friend, so don´t expect any objectivity here. This is his debut recording with an ensemble comprising of some fellow Austrian players whom he met during his musical studies in Austria. Following his studies Zadlo settled in Germany, where he lives since the early 1970s, returning often to Poland to partake in the country´s many different Jazz activities, like festivals, workshops, etc. He teaches Jazz and performs vigorously with several groups, recording his works (including on my JazzisFind albums on this label label). This beautiful album is a glimpse of a young, but already mature player; performing music he composed in modern / Free Jazz setting, full of virtuoso performances and uplifting strength. The album was originally released under the title "Inner SilenceFind albums with this title". Anybody interested in Easter European Jazz should find this album fascinating and I can only recommend it wholeheartedly.
| | CD 1 Digipak Remastered Recommend To A Friend |
  | LESZEK ZADLO QUARTET ~ LIVE IN HAMBURG `75 FOR TUNE 0170 (Barcode: 5906395808847) ~ POLAND ~ Free Jazz / Improvised Music Recorded: 1975 Released: 2024
By the mid-1970s West Germany became a true Mecca of European Jazz. The great economic resurgence allowed benevolent support of Arts by the German regional and Federal governments, and Jazz became a highly popular and flourishing Artform, bursting with concert activity all around the country. The many indoor and outdoor Jazz festivals, venues ranging from newly constructed concert halls to small clubs and cellars, music schools with Jazz departments and a vast number of thriving independent record labels, like MPSFind albums on this label, ECMFind albums on this label and EnjaFind albums on this label, to mention but a few, all these created a climate, which not only enabled the local musicians to flourish, but also acted like a magnet pulling Jazz musicians from all over the world to move to Germany and take part in the celebration of creating the new European Jazz miracle.
Since Europe was at the time literally split by the Iron Curtain into “West” and “East”, moving to Germany from the USA or other West European countries was a breeze. However, as far as East European Jazz musicians were concerned, such move was, more often than not, only but a dream. That did not mean, of course, that some of them would not try, and eventually also succeed to make such transition.
Born in Krakow in 1945, Polish Jazz saxophonist / flautist / composer / educator Leszek ZadloFind albums by this artist was one of the first Polish Jazz musicians, who managed to make the “West” their new home. He moved first to Austria, in 1966, where he polished his education and performing skills, playing constantly with the best local and visiting international Jazz players. There he recorded his debut album “Inner SilenceFind albums with this title” in 1973. In 1975 Zadlo relocated to Germany, settling in Munich and quickly becoming an integral part of the busy local scene.
This album presents a live recording by Zadlo with an international quartet, which includes American pianist Larry PorterFind albums by this artist, who was one of the many US musicians staying at the time in Germany, and a German rhythm section comprising of bassist Gunter LenzFind albums by this artist and drummer Joe NayFind albums by this artist. The concert was a part of the 1. New Jazz Festival, which took place in Hamburg in June of 1975. The festival’s concerts were presented at two legendary local venues: “Fabrik” and “Onkel Pös Carnegie Hall”, where the music on this album was recorded. The Festival’s lineup included several ensembles, led by important international Jazz artists, like Norwegian Terje RypdalFind albums by this artist, American Dave LiebmanFind albums by this artist, German Eberhard WeberFind albums by this artist and… Polish Tomasz StankoFind albums by this artist, another proud representative of the Eastern European Jazz scene. Parts of the performances by these artists were included on a commemorative album released by the Polydor label later that year. The fact that Leszek Zadlo was invited to take part in this important festival speaks volumes about his status as a part of the evolving European Jazz Avant-Garde.
The music is, as expected, a brilliant example of European Free Jazz / Improvised Music hurricane, exploding with emotions and sublime musicianship. Zadlo’s “infatuation” with the music of John ColtraneFind albums by this artist is obvious, but Zadlo offers his very own voice and interpretation of Freedom, which is perhaps less wild and instinctive, but rather more expressive and balanced, without losing touch with the world around. There is no doubt that Zadlo was at that period of his life perhaps the most “Coltrane oriented” European Jazz musician, all the way as total as the great Master, and with complete and full control of his faculties. Watching Zadlo on stage was like facing a Force of Nature, being totally and utterly swept by flow of his energy, all of which is wonderfully captured herein. His partners in crime are completely up to the task, as expected. It would be a sin to leave this music dormant in the vault and I am extremely happy to see it out in the open.
Love you my Friend, as always! Side Note The above are my liner notes included on this album's artwork.
I am honored when asked by the Artists to write liner notes for their albums, always hoping that my words reflect the true spirit of the music. This is also a symbol of our mutual respect and friendship developed over the years.
The same is also true when Record Labels ask me to write liner notes for their releases, mostly in the case of reissues of archival albums, which is a symbol of their appreciation of my knowledge and historical perspective and my recognition of their dedication to the preservation of the history of recorded music and the effort to keep human Culture and Aesthetics alive.
| Updated: 06/12/2024Posted: 06/12/2024 | CD 1 Digipak Recommend To A Friend |
  | FRANK ZAPPA ~ LITTLE DOTS ZAPPA 20026 (Barcode: 824302002629) ~ USA ~ Big Band Jazz Recorded: 1972 Released: 2016
This is the 109th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 2016. The album was prepared for release by Zappa before his death from material recorded during the 1972 “Petit Wazoo” tour and is the second album originating from the same material, following the “Imaginary DiseasesFind albums with this title” album from 2005. The album presents five original compositions, which are lengthy pieces between six and twenty-four minutes in duration, all by Zappa.
The music was recorded by a ten-piece band that included Zappa on guitar and vocals, who also conducted the band’s performances, trumpeters Malcolm McNabbFind albums by this artist and Gary BaroneFind albums by this artist, tuba player Tom MaloneFind albums by this artist, woodwinds player Earl DumlerFind albums by this artist, trombonists Glen FerrisFind albums by this artist and Bruce FowlerFind albums by this artist, slide guitarist Tony DuranFind albums by this artist, bassist Dave ParlatoFind albums by this artist and drummer Jim GordonFind albums by this artist.
The music reflects Zappa’s interest in Jazz oriented Big Band / Orchestral music, which he recorded for “The Grand WazooFind albums with this title” and other albums at that period. This instrumental music is complex, multi-layered and light-years ahead of its time musically. Since there are no lyrics, the element of satire and social critique are absent on this album, but for enthusiasts of Zappa’s incredible guitar playing there are plenty of delights here.
Overall, although five decades passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s early 1970s Jazz / Fusion oriented explorations remain as one of his absolute peak achievements.
| Updated: 16/06/2022Posted: 16/06/2022 | CD 1 Mini-Sleeve Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ LONDON SYMPHONY ORCHESTRA VOL. I & II ZAPPA 3868 (Barcode: 824302386828) ~ USA ~ Classical Recorded: 1983 Released: 2012
This is a reissue / remaster of the 38th and 48th albums by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, originally released in 1983 and 1987, both recorded at the same sessions in January of 1983 with the London Symphony OrchestraFind albums by this artist conducted by Kent NaganoFind albums by this artist and expanded with Zappaesque spicing represented by percussionist Ed MannFind albums by this artist, drummer Chad WackermanFind albums by this artist and clarinetist David OckerFind albums by this artist. The first CD presents two two-parts and one three-parts suites and the second CD presents four individual pieces. All the music was composed by Zappa. Other earlier albums by Zappa, which were recorded by orchestras include “Lumpy GravyFind albums with this title”, “200 MotelsFind albums with this title” and “Orchestral FavoritesFind albums with this title”.
Zappa’s obsession with orchestral music comes to its climax with this album, especially since his status as a “serious” musician is finally recognized by his Classical peers and one of the most prestigious orchestras in the world agreed to record his music. Despite his complete contempt and sheer hatred of musical business and establishment, he could not resist the temptation to “show” them who is really better, which reflects the omnipresent, but often deeply hidden inferiority complex of all non-Classical musicians / composers in relation to the Classical ones.
Zappa’s music was always, from day one, as complex, ambitious, innovative, pioneering and Genius, and in most cases more so, than that of his Classical contemporaries, even when performed in the Pop / Rock / Fusion / Jazz environments, but this album is an opportunity to make an “equal ground” comparison, which of course easily proves his authority. For the avid listener, it is recommended to compare those parts of the material, which were previously recorded in different settings.
Listeners not familiar with Zappa’s legacy (an unthinkable sin) might think that he is a bona fide Classical composer, as this music sounds as “Classical” as they come, which is again a proof of his Genius. This music is conceived and in fact realized to sound as modern Classical music, which for a person of no academic Classical music education is truly astounding in every respect.
Overall, although almost forty years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever. Side Note Frank Zappa created a vast recorded legacy during his lifetime, which is continuously being expanded using music recorded and stored in his extensive vault. The albums officially released and approved by Zappa are numbered sequentially in the "Official Release" series, from #001 to the last release so far #126. The albums between #001 to #062 were released during Zappa's lifetime and all the others were released posthumously. There are countless unofficial / bootleg releases on the market as well.
Zappa's catalogue was remastered for CD release twice: in 1995 for the RykodiscFind albums on this label releases and again in 2012 for the ZappaFind albums on this label Records / UniversalFind albums on this label releases. The Zappa / Universal program includes 60 releases, which cover the entire catalog released during his lifetime (62 releases, except #013 "200 Motels" and the three Box Sets #043, #046 and #049 called "The Old Masters vol.I / II / III"), and 6 posthumous releases (#064, #065, #067, #068, #093 and #094), which were also included.
| Updated: 22/09/2022Posted: 06/04/2022 | CD 2 Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ LÄTHER ZAPPA 3893 (Barcode: 824302389324) ~ USA ~ Avant-Garde Jazz-Rock Fusion Recorded: 1969 - 1977 Released: 2012
This is reissue / remaster of the 65th album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, released posthumously in 1996. It is probably the album with the most convoluted release history, which reflects Zappa’s complex relationships with record companies and other contractual problems which riddled his career. The music was recorded between 1972 and 1977 but some earlier recording originates from the 1969 “Hot RatsFind albums with this title” sessions. The 3CD album offers a total of twenty-six tracks.
This is also undoubtedly the most diverse album as far as stylistic / genre approaches are concerned, with mostly studio but also some live material included herein. The lineups vary between concise Rock formations to Big Bands and even full Symphony Orchestra recordings. The list of the participating musicians spans dozens of names, and includes all the members of Zappa’s groups active in the 1970s.
The music offers everything between Blues and Rock influences, parody and comedy, Fusion and Orchestral Jazz, Avant-Garde contemporary Orchestral Music and everything in between, emphasizing Zappa’s complex personality both as a musician / composer / bandleader and social activist.
Overall, this is an absolutely essential piece of the Frank Zappa legacy and a fitting tribute to his brilliance. Considering that all this material was conceived and created over fifty years ago, clearly proves that Zappa was a visionary / prophetic Genius of a unique status, and nothing created in music since his premature departure equals his power of expression and everlasting aesthetic qualities. Side Note Frank Zappa created a vast recorded legacy during his lifetime, which is continuously being expanded using music recorded and stored in his extensive vault. The albums officially released and approved by Zappa are numbered sequentially in the "Official Release" series, from #001 to the last release so far #126. The albums between #001 to #062 were released during Zappa's lifetime and all the others were released posthumously. There are countless unofficial / bootleg releases on the market as well.
Zappa's catalogue was remastered for CD release twice: in 1995 for the RykodiscFind albums on this label releases and again in 2012 for the ZappaFind albums on this label Records / UniversalFind albums on this label releases. The Zappa / Universal program includes 60 releases, which cover the entire catalog released during his lifetime (62 releases, except #013 "200 Motels" and the three Box Sets #043, #046 and #049 called "The Old Masters vol.I / II / III"), and 6 posthumous releases (#064, #065, #067, #068, #093 and #094), which were also included.
| Updated: 27/07/2023Posted: 27/07/2023 | CD 3 Mini-Sleeve Remastered Recommend To A Friend |
  | FRANK ZAPPA ~ LUMPY GRAVY ZAPPA 3836 (Barcode: 824302383629) ~ USA ~ Avant-Garde Classical Recorded: 1967 Released: 2012
This is a reissue / remaster of the 3rd album by iconic American guitarist / composer / bandleader / visionary Frank ZappaFind albums by this artist, originally released in 1968. The album presents just two continuous long tracks comprising of short fragments edited together, all composed by Zappa, with all of the material recorded in the studio in 1967 or earlier. This album was the second installment of the “No Commercial Potential” project, which also included the albums “We`re Only In It For The MoneyFind albums with this title”, “Cruising With Ruben & The JetsFind albums with this title” and “Uncle MeatFind albums with this title”.
The album was the first Zappa’s solo project and he does not play on it, but rather conducts a large orchestra comprising of almost sixty musicians, which he called Abnuceals Amuukha Electric Symphony OrchestraFind albums by this artist, and which does not include any members of The Mothers Of InventionFind albums by this artist. The album was commissioned and initially released in 1967 by CapitolFind albums on this label Records, despite the fact that Zappa was under contract with VerveFind albums on this label Records, which of course resulted in immediate legal dispute, which led to the Capitol album being withdrawn and re-released by Verve almost a year later in 1968, after Zappa reedited and expanded the orchestral album, adding inserts of spoken word / dialogue and music recorded earlier.
The orchestral music was a two-part oratorio, somewhat resembling symphonic musique concrête, which Zappa was interested in, and therefore is the first album on which Zappa demonstrates his interest and passion for Classical Music and large orchestral compositions, which of course would reoccur throughout his career.
Zappa shows on this album that he is able to write music, which amalgamates anything between Avant-Garde Pop and Rock and contemporary orchestral Classical Music. He appears as the first “total musician” on the Pop / Rock scene, a status he was able to hold till the day he died. From day one his extravagant personality and brilliant intelligence marked him as an outsider, a fate shared by most geniuses.
Ironically, despite the album’s Avant-Garde nature, it was exceptionally well received at the time of its release and even charted on the album list. This could have only happened in the late 1960s, when the last evidence of Human intelligence was still present on earth.
Overall, although fifty-five years passed since this music was recorded, this album remains an absolute Classic in every respect, which stands proudly as an icon of superb music, which still shines brighter than almost anything else recorded since. Zappa’s genius, not only as a musician, but also as a visionary and a brilliant observer of the human condition and American folly and deceit, remain completely relevant and are even more actual today than ever. Side Note Frank Zappa created a vast recorded legacy during his lifetime, which is continuously being expanded using music recorded and stored in his extensive vault. The albums officially released and approved by Zappa are numbered sequentially in the "Official Release" series, from #001 to the last release so far #126. The albums between #001 to #062 were released during Zappa's lifetime and all the others were released posthumously. There are countless unofficial / bootleg releases on the market as well.
Zappa's catalogue was remastered for CD release twice: in 1995 for the RykodiscFind albums on this label releases and again in 2012 for the ZappaFind albums on this label Records / UniversalFind albums on this label releases. The Zappa / Universal program includes 60 releases, which cover the entire catalog released during his lifetime (62 releases, except #013 "200 Motels" and the three Box Sets #043, #046 and #049 called "The Old Masters vol.I / II / III"), and 6 posthumous releases (#064, #065, #067, #068, #093 and #094), which were also included.
| Updated: 10/07/2022Posted: 10/07/2022 | CD 1 Remastered Recommend To A Friend |
  | AGA ZARYAN ~ LIVE AT PALLADIUM COSMOPOLIS 081/082/083 (Barcode: 5907476693574) ~ POLAND ~ Jazz Recorded: 2008 Released: 2008
This is the fourth album by Polish Jazz vocalist Aga ZaryanFind albums by this artist and her first live recording, captured at the Warsaw´s Palladium club. She is accompanied by a trio of excellent musicians: guitarist Larry KoonseFind albums by this artist, bassist Darek OleszkiewiczFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist, who all participated in the recording of her second album "Picking Up The PiecesFind albums with this title", recorded a couple of years earlier in the USA. The album comprises of thirteen tracks, spread over two CDs and a DVD with the video of the concert, which has the same musical content and some bonus material with artists´ interviews. The music originates mostly from the second album, with a couple of earlier songs form the debut album, one instrumental piece, which opens the concert and one previously unrecorded song (by Stevie WonderFind albums by this artist), which closes it.
It takes balls of steel (especially for a woman) to face a large crowd and being able to mesmerize it with such a delicate music, which is based on aesthetics and finesse and requires total silence and complete attention from the listener. There are but a few female vocalists able to perform such magic on stage and Zaryan is certainly at the very top of this exclusive guild. The three master musicians accompanying Aga deserve of course a large piece of the praise, especially Oleszkiewicz, since lengthy parts of the concert are simply duets between him and the singer. His playing is way beyond virtuoso bass performance; it is simply the vehicle carrying this entire show on his shoulders. His empathy and telepathic conversation with Zaryan and the other musicians is simply sensational.
Zaryan´s performances are simply breathtaking from start to finish. She is much more adventurous here than on the studio albums, using her full vocal range as well as creating a panorama of sound effects using her voice. Her total control of tone, expression, volume and theatrics is masterful, as is her ability to switch moods and atmosphere. She simply holds the audience at the palm of her hand.
Although the album brings little new material, it summarizes perfectly the first phase of Zaryan´s career, where she concentrated on her vocal interpretations of Jazz standards. The next phase, which started with the third album, was about to expose her also as lyricist and a Jazz & Poetry artist, taking her right up to the very top of the Polish Jazz scene. When the legendary Blue Note label signed Aga Zaryan as its recording artist, it was a culmination of the first decade of her career, well earned and truly deserved, as this album proves beyond any reasonable doubt.
In retrospect this is a wonderful document, a time capsule preserving magic moments, which are always associated with sublime pleasure, when revisited. I simply can´t imagine anybody could resist Zaryan´s charm and talent for long, so give in and grab this crown jewel as soon as you can – satisfaction guaranteed!
| Updated: 01/01/2016Posted: | 2CD+DVD 3 Digipak Recommend To A Friend |
  | AGA ZARYAN ~ LOOKING WALKING BEING BLUE NOTE 5099963139020 (Barcode: 5099963139020) ~ POLAND ~ Jazz Recorded: 2008 - 2009 Released: 2010
This is the 5th album by Polish Jazz vocalist Aga ZaryanFind albums by this artist and her first release on the legendary Blue NoteFind albums on this label label, a first ever by a Polish artist. This album marks a new stage in Zaryan´s career, characterized by performing original material especially composed for her by pianist / composer Michal TokajFind albums by this artist (six of the twelve songs on the album) and Czech guitarist / composer David DoruzkaFind albums by this artist (four songs), both actively playing on this album. One additional song was composed by guitarist / composer Larry KoonseFind albums by this artist, who accompanied Zaryan on her earlier recordings and another one is by the great and sadly recently departed Polish bassist / composer Zbigniew WegehauptFind albums by this artist. Apart from Tokaj and Doruzka the other accompanying musicians include bassist Michal BaranskiFind albums by this artist, drummer Lukasz ZytaFind albums by this artist and percussionist Munyungo JacksonFind albums by this artist.
Zaryan also takes charge of writing the lyrics for seven of the album´s songs with the remaining five being poems by the marvelous British-born American poetess Denise LevertovFind albums by this artist. The lyricism of Zaryan´s texts and the intricacy of Levertov´s modern and deeply moving poetry give the album a clear artistic direction, which draws from the beautiful tradition of combining music and poetry, especially the Jazz & Poetry movement, which flourished in the 1960s.
The music is a perfect match to the complex lyrics, fluidly and gently carrying the singer´s words on the waves of sound. It is mostly lyrical as well, reflective and introvert, but energetic enough to prevent an overall morose atmosphere, which many "serious" musical projects suffer from. Obviously this kind of music requires serious and repetitive listening to uncover its complex content and allow intimate contact, but its obvious beauty is quite obvious from the very first exposure to it. This is both intellectual and emotional music, a rare quality indeed, especially these days.
Zaryan´s performances as well as the accompaniment are both an absolute bliss. As usual she cooperates with her musicians on levels rarely achieved elsewhere, making the best of their respective talents and abilities. Doruzka, who is the main soloist, plays some of the finest guitar I´ve heard in a long time and Zaryan´s obvious love for the guitar is commendable, as most singers prefer to use the piano as the main supportive instrument. The album, which was recorded in Warsaw and Los Angeles over a period of several months, displays an overall level of musicianship and recording / production as well as sonic quality, which are simply extraordinary.
There is no doubt that Zaryan and her cohorts deserve an honorable place on the Polish Jazz scene as much as being a part of world´s Jazz elite with the Blue Note as their home base. Buying this album is definitely a no brainer and I can´t imagine money better spent that this. A must!
| | CD 1 Digipak Recommend To A Friend |
  | ZAWARTKO / PIASECKI ~ LEC GLOSIE NOT ON LABEL ~ POLAND ~ Jazz-World Fusion Recorded: 2014 Released: 2015
This is the debut album by Polish Jazz duo comprising of vocalist Magdalena ZawartkoFind albums by this artist and bassist Grzegorz PiaseckiFind albums by this artist, recorded with other top Polish Jazz musicians: trumpeter Piotr WojtasikFind albums by this artist, saxophonist Tomasz WendtFind albums by this artist, pianist Artur TuznikFind albums by this artist, guitarist Marek KadzielaFind albums by this artist, drummer Wojciech BulinskiFind albums by this artist and percussionist Jose TorresFind albums by this artist. The album presents eight compositions (one repeated twice as intro and outro) which include Classical and Folklore pieces and two original compositions, one each by Zawartko and Piasecki, also inspired by external sources.
The concept behind the music is the amalgamation of Folklore and Classical Music with Jazz, which of course has been already attempted numerous times before, but in this case the selection of the music, the arrangements and the entire production of the project, which were entirely in the hands of the duo, as well as the superb execution of the music by the excellent team generate a wonderful and entirely successful outcome.
Zawartko sings occasional lyrics but mostly uses vocalese and her voice is by and large used as another instrument within the instrumental environment. Piasecki plays brilliant bass parts and naturally gets more exposure than bassists usually get in ensemble projects. The rest of the instrumentalists, mostly veterans of the scene, perform accordingly, without a hitch.
Overall this is an excellent piece of music from start to finish, intelligent, elegant and highly sensitive, tastefully conceived and brilliantly executed, in accordance to the usual high standards of the Polish Jazz scene. I have no idea why this album landed on my desk years after it was released, but better late than never. Highly recommended!
| Updated: 25/05/2019Posted: 25/05/2019 | CD 1 Digipak Recommend To A Friend |
  | WACLAW ZIMPEL ~ LINES INSTANT CLASSIC 042 ~ POLAND ~ Avant-Garde Jazz-Classical Fusion Recorded: 2015 Released: 2016
This is the first solo album by veteran Polish Jazz / Avant-Garde clarinetist / composer Waclaw ZimpelFind albums by this artist. He plays different clarinets and keyboards and performs six pieces, five of which are his original compositions and one is a renaissance cannon.
The music is almost entirely written, as opposed to Zimpel´s usual modus operandi, which primarily involves improvisation. The affiliation with minimal music is felt very strongly and familiar patterns appearing in the works of American composers like La Monte YoungFind albums by this artist, Terry RileyFind albums by this artist, Steve ReichFind albums by this artist or Philip GlassFind albums by this artist can be also heard here. This does not imply of course that Zimpel uses ideas created by others, but the resemblance, both aesthetically and sonorically, is very audible. The music is also very contemplative and monotonic, which of course is rather difficult for listeners not familiar with this musical idiom.
Zimpel´s usage of several overdubbed instruments to create an almost orchestral effect is the most interesting aspect of this album, which is fully explored in the title track. All of the tracks use the same technique of overdubbing, which is of course possible due to the fact that the music is written and not spontaneously improvised.
One has to respect Zimpel for his consistency and desire to create his own unique music, even if this means that his audience will be rather limited. Also the support he gets from small independent labels, like Instant ClassicFind albums on this label which released this album, is very significant to his career and development.
Overall this is an album intended to be listened to by connoisseurs of minimal music or people looking for adventurous and unusually sounding recordings. With certain open-mindedness this music can bring many surprisingly pleasing musical moments amid its weirdness.
| Updated: 12/04/2019Posted: 02/01/2017 | CD 1 Digipak Recommend To A Friend |
  | PATRYCJA ZINIEWICZ ~ LIST DO CZARNEGO ANIOLA NOT ON LABEL (Barcode: 5900378715047) ~ POLAND ~ Jazz & Poetry Recorded: 2020 Released: 2020
This is the debut album by Polish vocalist Patrycja ZiniewiczFind albums by this artist recorded with a classic Jazz piano trio comprising of pianist Jan JareckiFind albums by this artist, bassist Filip ArasimowiczFind albums by this artist and drummer Kacper SkolikFind albums by this artist. Three other musicians guest on selected tracks. The album presents thirteen songs, associated as the title suggests (Eng. “Letter To The Black Angel”), with the repertoire of iconic Polish vocalist Ewa DemarczykFind albums by this artist, nicknamed “Black Angel”, who died a few months after this album was recorded.
Anybody familiar with Polish Culture is of course aware of the unique status achieved by Demarczyk, which sets her apart from everything that happened on the Polish Cultural landscape, high and above on an unreachable pedestal. Her phenomenal interpretation of Polish Poetry and idiosyncratic vocal style, combined with music that was composed (in most cases) specifically for her, is absolutely untouchable and beyond any attempt of being mimicked. The question if her repertoire can be interpreted remains open.
Before anything else can be said, the sheer audacity displayed by Ziniewicz by her attempt to tackle this unsurmountable task must be admitted – she surely has “big balls” (gender aside), the question is if that is sufficient.
Ziniewicz certainly does not attempt to impersonate Demarczyk, and offers her own interpretation of these songs, which are very far from Demarczyk’s theatrics and extremism. The general idea is to Jazz up these songs, but surprisingly the transformation into Jazz is only partial, and is directly evident on just a few of the songs. That creates an impression of going halfway, rather than presenting a coherent concept.
Another problem is the fact, that most of these songs, once performed by Demarczyk in her highly eccentric way, become icons in themselves, and any attempt to perform them will immediately call for a comparison, which of course in impossible. Lofty Angels, Black, Blue or any others are simply best left alone.
Ziniewicz is a very gifted vocalist, that goes beyond saying, with an obvious zets, a strong voice with an impressive range, obviously appropriate for the musical stage. She is still very young and will surely crystalize her own stylistic finesse. But Demarczyk did not sing songs from musicals; she was even beyond cabaret or sung poetry, with which she was associated for a lack of a better term, she was simply herself, a mixture of an Angel and a Devil in the flesh.
The piano trio sounds the best when the musicians start to swing and even manage to insert an occasional solo, but for the rest of the way they remain pretty unremarkable – professional and technically highly proficient, but nothing special.
Overall this album leaves me undecided and with a lot of unanswered questions. These are magnificent songs and the lyrics are pearls of Polish Poetry, so what is here not to like. Is this music as good as the original? Surely not, that is, as already sated, simply impossible. Is it worth listening to? Sure thing, it is even enjoyable if one manages to free oneself from hearing the original in the back of one’s mind. Was this a wise decision? Personally I doubt it, as with all the courage and effort, the task was sadly underrated and proved to be too daunting.
But thank you young Lady for trying and for looking up to the best. I am already curious to hear your next album, just don’t give up and remember… this is a long journey up the hill. God bless!
| Updated: 21/03/2021Posted: 21/03/2021 | CD 1 Digipak Recommend To A Friend |
  | RATKO ZJACA / NOCTURNAL FOUR ~ LIGHT IN THE WORLD IN+OUT 77143 (Barcode: 798747714327) ~ CROATIA ~ Jazz Recorded: 2019 Released: 2020
This is an album by Croatian guitarist / composer Ratko ZjacaFind albums by this artist and his Nocturnal FourFind albums by this artist quartet, which also features Italian saxophonist Stefano BedettiFind albums by this artist, Slovenian organist Renato ChiccoFind albums by this artist and American drummer John RileyFind albums by this artist. The album presents nine original compositions, all by Zjaca.
The music is melodic mainstream Jazz with a touch of Fusion, very relaxed, laid back and ideal for showcasing the guitar playing abilities of the leader. Bedetti and Chicco add occasional solo parts as well and Riley offers the rhythmic backbone, staying mostly modestly in the background but doing his job perfectly.
The compositions are all well structured and interesting, providing the musicians with ample opportunity to show their chops. The arrangements carefully utilize the quartet´s instrumental range, creating a coherent continuity for the entire duration of the album.
The guitar / organ collaboration creates a unique and distinctly retro sound, which is very effective and enjoyable and brings fond memories of similar lineups active in the hay days of American Jazz in the 1960s.
Overall the album is a feast for guitar oriented mainstream Jazz lovers, which offers highly professional performances, solid compositions and nice atmosphere. This music is accessible to a wide range of Jazz fans and as such should find many supportive listeners among Jazz connoisseurs of all ages. Warmly recommended!
| Updated: 31/05/2020Posted: 31/05/2020 | CD 1 Mini-Sleeve Recommend To A Friend |
  | JAKUB ZOLUBAK TRIO ~ LIVE AT JAZZSTATE NOT ON LABEL ~ POLAND ~ Jazz-Ambient Fusion Recorded: 2021 Released: 2021
This is the debut album as a leader by Polish Jazz guitarist / composer Jakub ZolubakFind albums by this artist, recorded with his trio which includes bassist Radek LukaszewiczFind albums by this artist and drummer Patrycja WybranczykFind albums by this artist. The album was recorded live at the Warsaw SPATiF club during the weekly Jazzstate gig, run by Karolina SzewcFind albums by this artist. The album presents eight tracks, seven of which are original compositions by the leader and one is by Bill FrisellFind albums by this artist.
The music is very subdued and delicate, with melancholic melodic themes, played by the guitar over solid bass and mostly hardly audible drum support, almost all within strict mainstream borders. After a few of these tunes everything starts to sound more or less the same and there is very little development as the time passes by. The guitar work is fine, but somewhat repetitive, and although one might appreciate the effort the album offers very little to get excited about. Stylistically the music fails to make a clear statement, as it is only marginally Jazz oriented, and I suppose most listeners would put it on the Fusion shelf, due to the spacy sound of the electric guitar.
Overall, listeners who like romantic Jazzy guitar tunes, which flow gently sort of “in the background”, might enjoy this. Personally this music does nothing to me and it was an effort to listen to it till the very end. But it is only me…many other critics seem to love this music. Go figure…
| Updated: 26/12/2021Posted: 25/12/2021 | CD 1 Digipak Recommend To A Friend |
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